#watching beauty and the beast

[paper-bag-arts]

i had a vision

[talesofsorrowandofruin]

Watched in 2024 [2/12]: Beauty and the Beast (1991)

"Tale as old as time, Tune as old as song: Bittersweet and strange, Finding you can change, Learning you were wrong."

[that1nerd-20]

"For who could ever learn to love a beast?"

A monster Fucker. That's an easy question.

[prezs]

hi im thoroughly obsessed w the little manga adaptation for au beast and belle from disney mirrorverse

[repressedqueen]

I will try "the Evan Buckley method": I like, I touch, they kiss me in my dating life as well.

I let you know how it goes.

[talesfromthecrypts]

Panna a netvor | Beauty and the Beast (1978) dir. Juraj Hertz

[little-pup-pip]

25 Days of Agere Moodboards! Day 9: Favorite Disney Princess!!

[timegays]

They are all so so silly to me

[marwyn]

The desire to increase wealth and the wish to preserve the honor of a family often motivate the perplexing, if not downright scandalous, unions of girl and beast. Yet the earliest extant literary version of the tale, “Cupid and Psyche” in Apuleius’s The Golden Ass, stages a different scenario….When Psyche’s father, distressed that his daughter, for all her beauty, has no suitors, seeks advice from the oracle, Apollo instructs him to prepare his daughter for a ghastly marriage to a wild beast[.]

TV Line

Off with Their Heads! Fairy Tales and the Culture of Childhood by Maria Tatar

A Storm of Swords, Jaime VII

[dykekingofhell]

louis is so fucking funny, during the 90s he was just repeatedly showing up to lestat’s house for movie nights with his little vhs tapes and dvds being like “hey lestat can we watch one of my two favorite movies that are romantic renditions of gothic fairytales about beautiful and vulnerable young women falling in love with monstrous yet tender and kind creatures again?” whore.

[elisedonut]

Thinking about the Marcus likes pretty things concept again which immediately pulled me into haha Dragon!Marcus au

Where he just kidnaps Percy and Charlie has to try to save him because its a dragon so i need him around

I think it's because Charlie knows if someone else goes after him their likely to just kill the dragon and he obviously doesn't want that even if he is willing to if it comes down to it

Also maybe the situation in of itself is just odd and that spikes his curiosity a bit

[gottagobackintime]

I find it fascinating to witness the straight audience of any media not being able to pick up what the makers of the movie/show puts down.

It’s like when people reacted to the “You wear fine things well” scene in Our Flag Means Death with “aw, they’re such good friends” whereas the queer audience went “omg, this is happening”. We all had access to the same scene, we’d all watched the build up to that scene but the straight audience wrongly read it as friends/straight whereas the queer audience had suspected they were building up to a romance but this was the confirmation. Even the creator of the show was baffled that people were surprised that Ed and Stede fell in love. Because he thought they had made it obvious.

And as I said, we, the queer audience picked up on it. And I feel like the same thing is happening with Ted Lasso. Do I know that Ted and Trent will get together? No, I am unfortunately not a writer on Ted Lasso. But you can’t deny that there are clues pointing to it. But the straight audience barely pick up the fact that Ted and Trent like each other, be that in a platonic way or romantic way. I’ve seen several reactions to the last episode of season 2 and ONE of them included the scene where Ted reacts to Trent not being in the press room. All of them severely cut down the scene in the parking lot. One of the scenes most of us Ted/Trent truthers point to as a huge piece of evidence for it going canon. The parallel of them meeting in an empty parking lot, just like Ted and his ex-wife and Roy and Keeley. But because Ted and Trent are both men it couldn’t possibly mean anything. And Ted has an ex-wife and a kid so he can’t possibly be into men, as if there is no such thing as being bisexual. “But I’m pretty sure Trent has a family, he has a kid right?” So? He could be divorced, we also have no idea if his daughter has another dad or a mum. And the same thing applies to him, it doesn’t mean he can’t be into men (take also into account all of James Lance’s interviews, and his choice of shirt in one of them, friend of Dorothy anyone? He's the captain of this ship, we're just along for the ride tbh.)

Then we have the wonderful “I’m so not homophobic, in fact, you are homophobic because you think Ted is gay just because he likes musicals and has ‘feminine’ traits” um no… it’s the fact that he kind of acts in a way that an ally wouldn't. Yeah, he called himself an ally in that one episode. But every single person who is now out as queer who at one point considered themselves an ally because "I’m not one of them but I sure think they're neat" raise a hand 🖐️ (been there, done that. Was very into queer things before I realised I myself am one of them). What it always comes down to is "it's pandering", "it's tokenism" (having the main character on the show be queer wouldn't be fucking tokenism), "not everything has to be gay", "why can't men just be friends, there is a severe lack of male friendships on tv". And like the last one makes me go??? There are a MILLION friendships between men on TV. There are even multiple friendships between men in Ted Lasso. Beard and Ted, Ted and Higgins, Ted and Roy, the himbos and so on. Having Ted and Trent become a couple wouldn't really change anything because there are still friendships between men. They also claim that Ted is needed as the "straight without toxic masculinity" representation. As if Beard isn't right there. The man who has no problem going to an immersive show about the menstrual cycle. Has no problem with shrieking when he's surprised and so on.

I also like that if we'd get Ted and Trent together, we'd get two middle aged queer dads. Which isn't that common. It's not even super common to see people realising they're queer late in life on TV, and yet it happens every day. Because let's face it, most queer men on TV kind of look like Colin, and I don't mean that as a bad thing. And I'm looking forward to his storyline. But it's also nice seeing middle aged or old people finding themselves and being allowed to be who they are (see Ed and Stede from OFMD). Also would enjoy seeing people lose their minds when they realise they've been fooled this entire time. It'll be like Black Sails all over again.

I do not have any doubts about the fact that, had Trent or Ted been a woman and they saw Trent give up his career because of Ted's influence, they sure as hell wouldn't protest people thinking they'd become a couple. But because it's two men it's just delusional for some reason (homophobia).

What I'm saying is, it's clear that the straight audience has a hard time picking up subtext and clues that the makers are planting. Because they've never had to do that. Because they are always clearly represented. They don't have to look for minor side characters and hope that they might be queer. Because the main character is straight and most of the supporting cast too. When you've grown up with a lack of representation or with representation that is meant to be subtext, you'll learn to pick up on it. And you do look at media differently. I just wish that the straight audience could listen to us for once, without getting defensive and dancing around the fact that they are uncomfortable relating to a character that turned out to be queer.

[bizarrescribblez]

sorry everypony i found an actor i really like and am proceeding to ship with every character he plays 😞 it will happen again.. im fighting back the urge BUT I CANT HELP IT

[save-the-villainous-cat]

Hii, I'm here to drop a request~

Okay so, i have a thing for self-distrustive characters. Here's the idea: give me a self-harming hero who is too weak to act on it alone and willingly surrenders themselves to villain assuming (hoping maybe) they would torture them for information. Villain tho reluctant, doesn't hesitate to hurt the hero not too seriously tho. But for our self distrustive hero whatever the villain is doing is not enough to make them feel the relief they're seeking so~ let it slip out. Let them thoughtlessly cry out for more. And then give me a shocked villain. A concerned, regretful and lastly caring enough to treat their wounds villain. Give me an unresponsive to the villain's treatment hero. If you'd like to ass anything feel free <3

Much love to you friend, stay hydrated, we love you ~<33

It wasn’t like it didn’t hurt. 

It just didn’t hurt enough. That’s why the hoarse please had slipped from their tongue. And it was why the weak more followed. Judging from their actions, the villain hadn’t heard it right away but when the hero cried harder, the villain’s hands came to a stop. 

They’d broken three fingers, not to mention the shattered ankle. What had happened to their ankle had felt just but once the villain had moved on to their fingers, the hero had secretly begging them to break harder bones, like their collarbone or maybe even their ulna. It was sick, they knew it in their heart. It was maniacal and disturbing to feel like this.

Heroes were supposed to save people, even if their own well-being came in last. Saving themselves counted too.

The villain let go of their hand, eyes darting between the hero’s.

“What did you just say to me?” The villain’s hands went through the hero’s hair, getting a full grip of them, pulling them up.

The hero thought about their broken ankle. About how they wouldn’t be able to walk for weeks, maybe even a few months…? They always concentrated on the pain, rather than the period it took place in. By the time old pain faded, the hero always managed to get themselves into new trouble.

Letting injuries heal had never been an option. The villain let go of them.

It was hard. It was hard to lie there and accept their defeat, the fact that the villain had found out about their secret and more importantly, that they had stopped bruising the hero.

“Please,” the hero sobbed. “I can’t do this anymore.”

Their nose was running and their tears gathered together, falling down their cheeks like raindrops from the sky. Breathing was hard, their lungs felt frail from these past months and the world came crashing down around them.

When their sobs echoed from the walls, they felt truly defeated, humiliated, and the pain wasn’t enough to forget that. 

For a moment, nothing happened. Neither of them said anything. All that was left in the room were the villain’s questions and the quiet sobs the hero made. Feeling overwhelmed by the horribleness of it all, the hero rolled themselves into a little ball, crying into their torn sleeve. They were ready for everything. Ready to die, ready to be bled, to be beaten, anything.

“Hey, easy there.” Once again, the villain combed their fingers through the hero’s hair but this time it was much more gentle and softer, leaving the hero with the taste of bile on their tongue. They braced themselves for new pain, impatiently waiting for the lashing out and the violent actions but nothing of that sort came. Quite the opposite: the villain scratched their scalp softly. 

“Darling, what happened to you?” Their nails scraped across the hero’s skin, taking their time. It was oddly comfortable. Even though their muscles ached, they looked up at the villain crouching above them. 

“Please,” the hero begged again. “Please hurt me.”

The villain was silent, biting their inner cheek as if they were considering it. But when they answered with a tender “no,” all hopes the hero had were crushed. 

“Please.”

“You’re a mess. Hurting you seems to be what you want. I don’t want to give you what you want,” they explained. They wiped away a tear.  “Don’t mistake this for compassion. This is me controlling your desires. This is me taunting you.” 

They pulled the hero who had exhausted themselves and was completely defenceless into their arms. 

“And this is me wanting information. Why did you say that?” They held them close and embarrassingly enough, it dawned on the hero how touch-starved they were.

“I am so alone,” they whispered. They mumbled the words, not even believing their own mouth for saying it. No one was supposed to hear this.  “I am so alone.”

They started sobbing again. It was hopeless. The villain was the only comfort they had — even now that they weren’t hurting them.

“You will never be alone with me,” the villain said carefully. “I’ll make sure of that. Now, come on. Let’s treat your wounds.”

In all honesty, the hero had never done that. They weren’t sure if there were rules to it.

“If this is you taunting me,” the hero said, “then why do you want to treat my wounds?”

The villain gave them a grim look that didn’t leave room for protest.

“I’m asking the questions, not you.”

[sillysarahsthings]

Everywhere I go I see him.

I was trying to watch beauty and the beast but my brain kept imagining @ellzilla 's LJ instead of beast for some reason?? 😭😭

So I doodled this :3

[starberry-cupcake]

Beauty and the Beast (1991) // Belle (竜とそばかすの姫) (2021)

I was doing some content for my virtual workshop (because we start with the Villeneuve and Beaumont Beauty and the Beast versions tomorrow) and I thought the parallels from these two were super interesting to look at clearly and that maybe someone in here would appreciate them too.