#we did you so so wrong

[makenna-made-this]

Feel like shit just want them back

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[andthebeanstalk]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[birdmenmanga]

I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.

Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.

The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"

I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[letoscrawls]

To honor Akira Toriyama i drew future Trunks aka my first ever crush

[kicktwine]

summore splats

[snek-eyes]

Queen instrumentals playing in Give Me Coffee or Give Me Death

(instrumentals arranged by Eos Counsell)

(insp. / template / BoRhap breakdown)

[swampthingking]

andrew’s definitely gotten in trouble with his pr manager for tweeting things along the lines of:

“no mania inducing medication will compare to the euphoria i will feel the day donald trump drops dead”

[thronealigned]

no it's fine this mind flayer is totally my friend and 100% honest with me all the time it's ok it likes me everything's so normal

[poorly-drawn-mdzs]

End of Empathy (time for violence)

[First] Prev <–-> Next

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[mycatts]

laura, when the lights turn red:

[strangersteddierthings]

Shovel Talk(s) Final Part

Part One 🦇Part Two🦇Part Three🦇Part Four

Steve starts with Dustin. Not for any particular reason. Dustin is just the first person he ends up seeing after an entire weekend spent at Eddie's house. They'd redone their date in Indy on Saturday, getting back into Hawkins late, so Steve stayed the night. He had a morning shift at Family Video but it was Robin's day off so he didn't see her.

Dustin called at 11:00am on Monday to ask for Steve's assistance with his bike's flat tire. He needs a ride to Melvald's for a new tire tube and pump, and since Steve's shift doesn't start until 2:00pm he agrees.

Steve picks him up and listens to him ramble about his weekend and how he the tube got a hole in it. He stays in the car while Dustin runs inside to make his purchases, and then they're back at Dustin's house. Dustin knows how to change out the tube on his bike; he's been raised by a single mother for longer than Steve's known him so he's pretty self-sufficient, but Steve still offers to do it and Dustin lets him.

It's little moments like these that really let Steve feel like Dustin's brother. Which is what makes it easier for Steve to say, as he is peeling the tube from inside the tire out, "hey, do you remember a week or so ago, when you said we were happy for Eddie and me?"

"Yeah," Dustin says as he's ripping open the package the new tube is in.

"You also told me to not hurt him. I- why'd you say that?" Steve halts his progress on peeling the tube out to look up at Dustin.

He watches as Dustin turns sheepish, "I. Well, mostly I said it so that when I talk to Eddie, I might feel less bad about threatening him."

"What? Why did you threaten him?"

Dustin finishes freeing the new tube from its prison before finally looking back at Steve, "I haven't yet. Mike was talking about how Nancy gave you a shovel talk a while ago, as Eddie's 'best friend'," he makes air quotes around the words, "and I'm your best friend, so I have to give Eddie one. But Eddie's also my friend, so I had to say something to you, too."

"That's so-" Steve cuts off, because he was going to say that's so childish but Dustin should be allowed to be childish just a little longer. Part of his childhood was stolen by monsters and Steve can give him a little bit back, "that's a nice thought but please don't shovel talk Eddie. Besides, Erica beat you to it."

"Shit!"

"Language."

"Well, since Erica did it there's really no point in me doing it. She's terrifying when she wants to be."

Steve laughs because Erica can be terrifying. "Give me the tube, or do you want to finish this?"

"No, continue," Dustin thrusts the tube at Steve, who takes it with a grin and gets back to work.

Robin and he are closing on a Wednesday night, so it's been slow all day, and while Steve wants to talk to Robin, he doesn't want to be interrupted. So, they go about their shift like normal and it's only once he's locked the door and flipped the open sign to closed that he seeks out Robin in the back room, where she's counting down the till.

"Can you pause after that? I need to talk," Steve says and feels his stomach churn. He's never.... he and Robin have never had a fight, never really had any issues that required a talk. Not about anything between them anyway. Robin's always just understood him, in the same way he's understood Robin. They've never been the source of each other's pains until now.

"Yeah, of course," Robin finished the coins, marking down the amounts on a piece of paper before shifting to give Steve her full attention. "Are you ready to talk about it?"

"It?"

"Whatever's hurting you," she says. "I don't know what it is, but I knew you'd come to me when you were ready."

"It's been heard to try and talk about," Steve confesses, "because it's never. It was never you that I've been- I still don't know what to say but I know I don't want to be..." he trails off, waving his hands as he grapples for the words he wants.

"Oh," Robin whispers, standing from the desk to approach. "I hurt you. Tell me what I did, so I can properly apologize."

"When you told me to be careful with Eddie," Steve says, "after I told you about our first date. I don't understand why you'd say that me."

Robin looks pained and swallows before she says, "I'm so sorry, Steve. I shouldn't have said that. And I don't- I don't even have a good reason why I did. I know you'd never hurt Eddie. I know you and what I said wasn't even about you. Not the real you, anyway."

"So, why'd you say it, then?"

Robin frowns and looks away from him, shuffling her feet before she says to a point at the wall, "I was friends, or friendly, with a lot of the girls you were with in high school. A lot of one and done dates that I had to hear about, while they cried in the bathroom or on their bedroom floors, wondering what they'd done wrong, why you didn't stay or-" Steve winces as the reminder of who he'd been in high school comes easily out of Robin, but not for the usual reason he winces. It's not because Robin's reminding him he used to be a douche; she's reminding him of all the people he hurt and never cared that he'd done it. He never apologized, and now it's far too late even if all those girls deserve to hear it.

Robin is still speaking, "or whatever. But that doesn't matter now. You aren't that guy anymore; haven't been the entire time I've actually known you and it wasn't fair for me to say what I said. I just- you took Eddie out, and the part of me that spent years of high school consoling friends who felt used by you just spoke. I-I need to work on filtering the words that come out of my mouth, because if I'd waited like, four more seconds to process your words and settle in the fact you went on a date we both thought you'd never be brave enough to ask for, then I never would have said it. I'm so sorry, Steve. I know you and I should have known better."

Steve swallows thickly, because it hurt to hear but he also knows she's sorry and that's enough. He steps forward and sweeps her into a hug, crushing her against him. She squeezes back just as hard.

Steve has never felt really hurt about Wayne's shovel talk. It was the first, and the only one he'd say he deserved. Not because Steve deserved to have a shovel talk given to him, but because Wayne should get to have the honor of giving one. Eddie's never had a boyfriend before, and Wayne had spent so long worried about how this town would treat Eddie if they knew he was gay.

So, when Steve sees Wayne again, he just smiles at the man, and gets a genuine smile back. He and Wayne are ok.

He and Jeff apologize to each other next time they cross paths on a Hellfire night. Steve apologizes for being snappy and rude. Jeff apologizes for automatically assuming the worst of Steve. They agree to a truce and a start over.

Steve's convinced he can win over Eddie's friends eventually.

Steve can't talk to Nancy. There's too much left unsaid between them for him to feel comfortable with telling her she hurt him. But it's okay. He and Nancy aren't close friends, and she's leaving for Boston in a few weeks for college. He's sure that the distance, and not seeing her weekly for Lunch Date Day, will help.

So, he's a bit surprised to answer the knocking on his front door to see Nancy. It's an exact recreation of the day she shovel talked him and immediately Steve tenses.

"Uh, hi," he says.

Nancy takes a deep breath and says, "I'm sorry. I thought I was being funny when I gave you that shovel talk, but I- someone made it clear to me that we aren't friends enough to be able to make jokes like that. That's my fault, too. For everything I've done and never apologized for. So, I want to say that I'm sorry."

Steve's a little stumped, a bit perplexed even, so he speaks on autopilot, "It's fine, Nance. We're good."

Nancy squares her jaw and narrows her eyes and says, "no."

"No?"

"No. Don't forgive me. Not yet. Make me earn it."

Steve don't respond right away. He wants to just forgive Nancy, but when he thinks about it, he just wants to do that so Nancy will quit looking so defensive. He's not sure he does forgive her. "You're right. I- we'll work on that, then. Being friends one day."

"Good. Good," Nancy nods. "I'll see you are Lunch Date day, yeah? Or... or would you like me to stop coming?"

He shakes his head. "No, please keep coming. There's, what, three more before you're off to college? We can work towards friends in that time, yeah?"

"Yeah," Nancy gives him a small smile, "see you then, Steve."

"See you," Steve replies and shuts the door as she heads down the walkway back towards her car.

He wants to know if Eddie or Robin gave her the dressing down that brought her here to say sorry.

(It wasn't Robin or Eddie. It was Mike, learning what Nancy had done and telling her it wasn't her place to do that.)

There is one final shovel talk for the remainder of their relationship.

It's the final day in Steve's room at his parents house. He's moving in with Eddie and Wayne, at least until the kid's all graduate. Then he and Eddie might go off somewhere on their own.

He's finished packing up his things from the bathroom, and looks up in the mirror. He sees himself, and almost doesn't recognize the reflection staring back. He looks happy. Actually, really happy.

Eddie appears behind him in the mirror, leaning himself against the doorjam, smiling softly at Steve through the mirror.

"All done, sweetheart?"

"Yeah, babe," Steve says. "Just one more thing."

"Oh?"

Steve slides his eyes away from Eddie in the mirror, back to himself. He lifts a finger and points one accusingly finger at himself and says, "if you fuck this up, Harrington, I'll kick your ass myself."

Eddie's full belly laughter rings loudly in the bathroom and Steve just smiles.

[jovenshires]

TOP TEN SMOSH DYNAMICS AS VOTED BY MY FOLLOWERS → 4: spencer & tommy

" just asking how my boy's penis is! "

[copias-juicebox]

Tobias about his Brother Sebastian who passed away shortly after Ghost released their first Songs and took off on Myspace. 🤍🤍🤍