#well - more than I already have

[golden-masquerade]

Villain: Tell me what I want to know, or I'll make you wish that you've never been born.

Me: Buddy, I do that every day when I wake up in the morning. Try again.

Villain: .....are you okay?

[bizarrelittlemew]

calling it right now that season 3 starts like this

[carnivalcarriondiscarded]

a funny lil flower that suits a funny lil guy

[morii-moth]

"this is me on day one of NO rendog !!"

[poorly-drawn-mdzs]

Creative Hubris takes another unsuspecting victim.

[yardsards]

"i don't ship laios and marcille-" oh yeah same, their relationship is so much more compelling to me viewed through a platonic lens than a romantic one

"-like, marcille clearly hates laios" are we reading/watching the same series??? did you just stop after the first couple chapters??? look at their relationship development, that's her friend! her bestie, even!!!

[fanfic-gremlin-ft-trauma]

If you have any zukka doodles you haven't posted, can we see them?

hiiii omg sorry for taking six business years to answer but here you go!!!

[front-facing-pokemon]

[reineydraws]

wanted: marine hunter takanome mihawk

[baldursghaik]

Reading the reaction to Larian's decision to fully step back from wotc/d&d/etc has been interesting

a lot of mourning of the loss of "content"

"we could have had years and years of content" "this is heart breaking to never see these characters again" etc etc

is that what you really want? content? is this what modern media production has come to, that people aren't sated with anything less than milking a property until it's a barren husk of anything it once was?

Why can't we be happy with what we have? I don't think it's unfair to be sad about this news, especially given that it felt like some things were being teased or hinted at, and now they most likely will not come to fruition (at least at larian's hands), but is that really so bad? If you're so dissatisfied with a character's ending or arc, write a fanfiction, draw fanart, boot up the game again and just imagine your way into what you DO want

is that not the fundamental nature of d&d?

[likealittleheartbeat]

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.

[lokh]

mom avoids dead anime mom curse because he transitions. he’s always had a complicated relationship with pregnancy because of how woefully little people are told about potential complications and aftercare, and also because of how gendered it is, so after the birth of his second child he’s finally had it and decides to transition

he joins a local community group for mothers and at first it’s played for laughs how often they fall to the dead mom curse, but soon we find out more about how society has failed mothers and people who give birth, from information being withheld, procedures being carried out without consent, lack of accommodations and maternal and paternal leave, racism…

it also turns out that becoming a man doesn’t help with this, not really, because being a pregnant trans man brings its own problems. follow along as he learns more about being a parent and a mother, and maybe even… finding love???

coming to you never because I can’t write!

[genericpuff]

vent post

[ohitslen]

BREAKING NEWS 🎉Ch. 5 of The neighbor from 311 is up!🎉

[ebonytails]

Hey everyone! this is where the zebra is currently with the design.

It has knee braces!! I will most probably be drawing the zebra usually with them on, but it’s no requirement, for example if anyone else wants to draw the zebra :-]. I always like to make sure an animal design has official colors underneath any clothing and accessory anyway. I think this will be final! thank you everyone for your feedback!

As a reminder, aside from why the zebra was requested for this flag, this is also just a zebra with the disability pride flag on it. It’s just a deisgn to fit the flag, with input from other disabled people in our community. It doesn’t mean other animals can’t have designs with these colors, too! I don’t mean this design to be the only mascot for all disabled people. It’s just a silly series i do of pride animals, and at the time, during disability pride month, I wanted to see what everyone wanted me to start off with for this flag!

the goal with my pride animals is to take requests and make people feel happy and seen.. that’s all <:-)

[quadrantadvisor]

Owl House/Boiling Isles biology headcanons from a fic idea I never wrote:

Witches have a wider range of color vision than humans. A lot of magic puts off infrared light (meaning Luz is missing out on like, half of what spells actually look like).

Humans, however, have a better sense of smell. Witches are better at digesting potentially hazardous materials, but humans have to worry about poisons. Humans are also highly specialized to smell petrichor (via Wikipedia, "able to detect it at concentrations as low as 0.4 parts per billion"), and witches can't smell it at all. (Luz is like, "I miss the rain smells in the human realm so much. On the Boiling Isles the rain just smells like burning :/" and all her friends are like, "what. are you talking about."

Witches don't have an appendix, but they do, coincidentally, also have a random organ that doesn't have much of a purpose and sometimes ruptures and kills you. It's located slightly above the right lung.

Kinda obvious but, ears. Witch ears have a greater curve than human ears and taper into a point. They have some limited mobility, allowing the witch to pinpoint sounds, and they play a part in emotional expression. For a witch, it's not really that strange that human ears are round, it's more that they don't move at all. They're completely stiff, and it makes humans difficult to read. (Luz is lucky she's otherwise very expressive, or else she would come off as nearly emotionless. As it is, sometimes people think she's not being genuine, because her ears don't match the rest of her expression, like when someone smiles without their eyes.)

Humans have slightly denser bones than witches. As a result, humans weigh a bit more on average and put on muscle easier.

Witches can't digest lactose

A high tolerance for most human poisons means that alcohol isn't a popular drug for witches. It technically affects them in a similar way, but their tolerance is such that it's not an effective way to get high. Most of the drugs used recreationally on the Boiling Isles would kill a human instantly.

Witches have a different pulse beat from humans, since their hearts are designed differently to accommodate the bile sac (and grimwalkers' pulses are even more unique, since they have a galdorstone. Rather than the thump of blood valves, Grimwalkers have a sort of magic hum that pulses their circulatory system.)