#well its clearly not so :

[obbydrawsstuff]

They're waiting, neighbor.

[poorly-drawn-mdzs]

MDZS Equineswap AU part 1: Bro we are horses. It’s okay to cry around me, we are best friends. Bro we are kissing.

[girl side of the swap]

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[ganondoodle]

correct me if im wrong but im PRETTY sure that for something to be a proper sequel it needs more than literally just reusing the same world and character models and slightly altering their design or adding an ability (that they got somwhere in between which isnt shown nor elaborated on either while previous abilities or interests/knowledge vanish)

made the mistake of saying that really totk isnt a sequel bc it doesnt build on, nor expand nor elaborate nor continue anything from botw, its the same preset of basic things like ... world and character models and tells an entirely different story utterly disconnected from anything botw, which it not only acts like it never happened (aside from like one dialog which is not enough for me when everyone else has literally forgotten everything and tbh feels more like a reference thats actually a slap and laugh in your face) but often times actively contradicts it, like a different version of the same thing

which is called an alternative universe

half of the reasons why i despise totk is bc i wanted, expected and was TOLD its a sequel when it isnt, can you really blame me for being disappointed and frustrated when i was told its a sequel, which should build on established stuff, to a game and its lore i deeply cared about and then get an alternative universe game that has nothing to do with the one i cared about except wear its face and STILL get told its a sequel even just by simply reusing models

[mewtwo24]

I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.

Turns out that was a perilous mistake.

Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me

What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:

LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"

The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--

How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls

And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:

Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.

Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)

Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:

Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me

Unrelated, but I physically can't hold this information in anymore:

I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.

And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...

I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.

How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.

Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.

[luxaofhesperides]

For ghost lights prompts: eldritch/creepy/weird Danny + shy/flustered Duke + hand holding

Your ghostlights fics are giving me so much joy RN I cannot express how much, if this prompt doesn't spark a brain worm for it I get it but I'm excited to read all the others you may wind up posting

There’s a new kid at West Robinson High School. 

This normally wouldn’t be a big deal. They get plenty of new students, being an average high school; not prestigious like Gotham Academy, but not terrible like some of the schools in the lower South Side. New kids are hardly anything to make note of, but something about this student has everyone paying attention to him.

It’s not charisma. The guy doesn’t talk to anyone. It’s not attractiveness, because no one really knows what he looks like under the tattered hoodie he wears all the time. It’s not curiosity, not really, because the student body moves around him like he’s dangerous, not like they want to pry all his secrets out into the open. 

It doesn’t help that Duke sees things around him. 

He considers briefly telling someone about it, but then remembers having to argue for returning to West Robinson High School instead of being put in Gotham Academy and decides that Bruce can continue to mind his own business. It’s not like this new kid has done anything bad (yet) and Duke can handle investigating this on his own.

So he watches, catching glimpses of the new kid—Danny Fenton—in hallways during passing period, hiding away at lunch, disappearing into the streets as soon as the school day is over. They even share a class together, French Language and Culture, but Danny is always in the back corner, ignored and made invisible by everyone else. 

Well. That’s not quite true. 

There are shadowy figures that surround Danny and they never leave him alone. Even when he’s got his arms folded on his desk, head down, looking as if he’s asleep, these figures pull at the hood covering his head or reach semi-transparent hands down to pet his hair. And Danny reacts to them, lightly batting their hands away or turning his head away from them.

Duke has no idea what they are. Ghosts are his best guess, but he can’t confirm it. As far as he knows, ghosts are magic and can only be seen by magic users, which Duke very much is not. They do lead to cold spots, keeping the temperatures noticeably colder around Danny, and make the shadows darker, which only makes other students more nervous about being near Danny. 

Through his week of observing Danny, beyond the ghostly figures and visible unease he causes in everyone, what Duke learns is that Danny is lonely. 

No one talks to him. People barely look at him. Teachers avoid calling on him when they can. 

And Danny accepts it. He fades into the background, keeps out of the way, shrinks in on himself. 

No one else sees it. No one else wants to see him.

It’s breaking Duke’s heart, just a little bit.

He’s lucky that he’s not an outcast at school. With his meta gene awakening and his free hours taken up by Bats and fighting crime, it’s hard to have much of a social life, but he still has a few friends during the school hours he can hang out with. Danny doesn’t have anyone, and the more Duke sees how isolated he is, the more upset he becomes.

Which brings him to step two of his investigation: befriend Danny.

So what if he has some ulterior motives! He also just wants to give this guy someone to hang out with! What little glimpses of Danny’s face he’s able to get show him a tired teenager, worn down the way Alley kids are when they’re at the end of their rope and have nothing left to give.

Duke’s first attempts at befriending Danny fail so fast it’s almost funny. It’s as if Danny knows when someone is seeking him out, because every time Duke goes to where he is, Danny up and disappears, hurrying away and vanishing in the crowded hallways, or in the alley a few buildings past the school, or into the fucking restroom, which is always empty when Duke goes in after him. Trying to use his powers to see where Danny goes next doesn’t help either; all he sees is some glowing figure resembling Danny walk through walls, which is either due to Danny being a meta or from Duke’s powers deciding to be unhelpful.

He’s about to resort to Tim level stalking to finally have a conversation with Danny when his French teacher blessedly (and unknowingly) aids him on his mission.

“Find a partner, everyone!” she instructs with a clap of her hands near the end of class. “This is a translation project, and you’ll be doing them in pairs to check each other’s work and decide how to best interpret something into English. If you don’t have a partner in the next minute, tell me and I’ll assign you someone.”

The class is a flurry of movement just as the last word leaves her mouth, friends turning to each other or running across the room to make sure they’re partnered up before anyone else can butt in. 

No one looks at Danny. Which means Duke can just skirt along the wall of the classroom until he’s next to Danny, gently knocking on his desk to get his attention.

Danny looks up, and Duke sees a flash of blue before Danny averts his gaze, tilting his head down again. “Yeah?” he says, and his voice is much softer than what Duke imagined. He expected something hoarse and rough, a little deep, intimidating. Instead, it’s gentle and quiet and smooth. 

It’s a nice voice. It’s a shame that no one else has really heard it.

“Wanna be partners?” he asks, as if he’s offering a choice. They both know no one else is going to ask Danny, and if he wants to avoid talking to the teacher, then he has to work with Duke.

Danny sighs. “Sure.” 

And then he puts his head back down on the desk. 

Duke backs off. This is the best he’s going to get right now. Now that he’s got an excuse to spend time with Danny, he can take his time breaking down his walls and getting to know him. He watches as a figure from the usual group that hangs around Danny breaks away and gently brushes a hand against Danny’s arm. Then they turn to Duke and reach for him.

He moves without thinking, stepping out of the way. The shadowy figure fades back, almost invisible even to his eyes, and Danny’s turned his head to lay his piercing gaze on Duke.

…There’s no way that blew his cover, right? 

He didn’t just reveal one of his meta abilities from taking a single step to the side. No way. 

But Danny’s eyes are a deep blue that seem almost endless as he keeps his attention on Duke. It feels as if he’s staring into Duke, seeing more than what he wants to reveal. 

“Alright, looks like everyone’s found a partner! As you head out, be sure to grab a practice packet from my desk to work on some translation. There are due the next time we meet, and I will be handing out your individual passages once these have all been turned in.” Their teacher sets a large stack of papers onto the corner of her desk, then gets to work erasing the whiteboard just as the bell rings. 

Students grab their bags and rush to take one of the packets before heading out to their final class of the day. Duke stays behind with Danny, waiting for most of the class to leave before swinging his backpack onto his shoulder and grabbing a packet for both of them.

He hands one to Danny, who takes it with some hesitancy and a quiet, “Thanks.”

He leaves before Duke does, and though it’s only a second between his leaving and Duke stepping out the door, Danny’s already vanished from sight.

As soon as school ends, Duke heads for the Hatch, hoping a quick evening patrol will help clear his mind. It’s a quiet evening, though, so he’s left with his thoughts more often than not, staring out over the city long enough that Oracle asks him if he’s alright.

Against his better judgment, he says, “I’ve been looking into something, but I’m not finding much. Can you do some research on Danny Fenton?”

Oracle is already typing before he finishes asking. “What am I looking for?”

“Anything. He’s… strange. I don’t know if he’s a meta or just lightly haunted. But there’s something up with him.”

“Do we need to be keeping a closer eye on him?”

Duke considers. None of them ask Oracle to look into specific people unless they’re dangerous. But danger is not the sense Duke gets from Danny. It’s more like he’s hiding, shying away from the world, constantly on edge. “No. If anything, he might be in danger. Something happened to him, because no one ends up like that by living an average life.”

“I’ll let you know what I find. Turn in for the night, it’s quiet out and you’re too distracted to patrol properly.”

“You got it, O.” He salutes the nearest camera, knowing she’ll see it, and makes his way back to the Hatch to change back into civies and get started on his homework.

When he next goes into his French classroom, all the desk has been rearranged so they’re all in pairs, side by side. Already, patterns are filling up the desks, so Duke heads for the back and sits down where Danny usually hides away. He’s not here yet, which is making Duke realize that he’s never actually seen Danny walk into the classroom and head to his seat.

Did he just never pay attention? Has Danny always just slipped in unnoticed until attendance was taken? How did Duke miss that?

There’s movement in the desk next to him. Duke goes to say that he’s waiting for his partner, so please sit somewhere else, when he realizes that it’s Danny who managed to sneak in yet again.

“Hey,” he says after a moment, hoping his surprise is hidden.

There’s a pause, and then Danny returns, “Hey, Duke.”

That’s all they have time for before class is starting and their teacher goes around to collect homework. She then hands out new packets, each one a different section of L’Ecume des Jours, and gives them the rest of class to begin working on translating it. 

Duke is already dreading it as he flips through the three pages they were given to translate, stapled to each other beneath the two page instructions of how to format the final translation, how to document their previous translation drafts, and what to include in the reflection essay. 

There’s no way he can get all of this done in a week. 

On the other hand, it gives him a week to learn more about Danny. He needs to make the most of it.

“This is a lot,” he comments, hoping to prod Danny into conversation.

Danny shrugs.

“Can we work on this together after school today? Or do you have plans?”

“We can work on it today,” Danny says, voice barely louder than a whisper. He’s already scanning the pages, underlining certain words and phrases. 

Duke hurries to get to work as well, trying to parse out meaning from the text through single words scattered on the page. 

Qu’est-ce que vous faites dans la vie, vous? 

J’apprends des choses, dit Colin. Et j’aime Chloé. 

Duke nods to himself. He definitely doesn’t know French. Well, he knows qu’est-ce que. He knows vous. He know j’apprends and j’aime Chloé. Also dit Colin. Fairly simple, but with the missing pieces to the rest of those sentences, he really doesn’t know what’s going on beyond the fact that it’s a conversation and Colin loves Chloé.

When he glances at Danny’s desk, he’s shocked to see that his partner is already translating the first few lines into something that reads like normal English.

“Oh, wow,” he says, leaning over to get a better look, “You’re definitely better at this than I am.”

“I just like languages,” Danny replies, turning his paper so Duke can read it more easily.

“Have you been hiding your French skills this entire time? I could have definitely used your help before this.”

Danny goes still for a moment, eyes flicking towards his right where a shadowy figure has placed a hand on his shoulder. Then he turns to fully face Duke and says, “Better late than never. What do you need help with?”

“Everything.”

His immediate answer makes Danny smile, and he begins talking in that soft, soothing voice of his. He talks about not trying to translate everything into English immediately, but to understand the French and take it in as a whole language itself. He talks about getting the idea of the text first, the feeling of it, before trying to fit it into English. He talks about splitting up the text into sections to make it easier.

And then he reads the text, entirely in French, and Duke did not have a thing for voices or multilingualism before this, but he sure does now.

“Qu’est-ce que vous faites dans la vie, vous?” Danny reads, reaching the end of the first page. The syllables come to his easily, his French smooth and steady. “J’apprends des choses, dit Colin.” His eyes dart up, off the page, and fix Duke in place. “Et j’aime Chloé.”

Duke has never been happier that he doesn’t blush so visibly with his dark skin because he feels downright romanced. It’s a mix of the French, of Danny’s addictive voice, of their closeness, of how intimate this dark corner of the room feels, tucked away from the rest of the class.

“We can work on the other pages after we finish translating this one,” Danny says, leaning back at bit. 

Duke nods, swallowing to chase away the dryness of his throat. “Sounds like a plan!” 

They work in silence for the rest of the class period, and once the bell rings, Danny says, “I’ll wait for you by the bus stop down the street,” before he slips out of reach and disappears into the throng of students heading to their last class. 

He’s beginning to think that he’s in way over his head. Duke can handle being in the middle of all the action, risking his life, fighting for others. He can handle staring down rogues and criminals and Gnomon. He can’t handle feelings and romance and other such things. Those are much scarier than a criminal shooting at him. At least with the criminal, he knows what to do and doesn’t just freeze up like he did with Danny.

The school day ends faster than he’s prepared for. As promised, Danny waits for him by the bus stop down the street, where other students are also waiting. 

They don’t wait for a bus, though. Danny just meets his eyes and begins walking away, leaving Duke to follow after him, matching his pace so they can walk side by side.

The shadows in the alleyway seem to reach towards them as they walk down it. Something about it doesn’t feel right, so Duke tries to quietly use his powers and force them back. 

He only has time to think, Oh, that was a bad idea, before Danny is shoving him against the wall, getting them both out of the way as a shadow solidifies and lashes out at them. He’s kept in place by strong hands on his chest, and Danny’s eyes are glowing lightly as he hisses at the shadows, making them rear back and settle down once more. 

As if given permission to reveal themselves, more shadowy figures and strange movements in the shadows emerge, surrounding them. 

“Danny, I don’t mean to alarm you, but—”

“I know,” Danny says. “I thought you might be able to see them too. Which is not good.”

“Sorry, man, it’s not like I can turn it off.”

“It’s fine. Just be more careful. They like me because I’m like them, but you just register as a threat. Either that, or prey.”

“Great,” Duke replies weakly, “Those are my favorite things to be. Are we… are we safe to move?”

Slowly, Danny steps back, no longer pressed right against Duke. Nothing moves to attack him, but it might be due to the glare fixed on Danny’s face, eyes still glowing.

“They’ll leave me alone, so…” He reaches a hand out, looking away. The hoodie isn’t able to hide the way his cheeks go red. “Don’t let go and we’ll be fine.”

“I hope this isn’t to lead me to my doom,” Duke jokes nervously as he accepts Danny’s hand, holding it tightly. 

Danny wiggles his fingers, making him loosen his grip, and then their fingers are lacing together. Duke stares down at their hands, wide eyed, and hopes he doesn’t look as flustered as he feels. 

“Not to your doom,” Danny reassures. “Just a coffee shop I thought you’d like.”

“Well, then, lead the way!”

“Allons-y,” Danny replies. 

Stealing glances at him as they walk, ghostly figure and shadow shrinking away from them, all Duke can think is that he doesn’t need to worry about Danny being evil. His immediate instinct to protect Duke has proved that. He’ll keep the investigation going, though, to make sure Danny is safe from others that could hurt him. 

Strange and unsettling as he may be, Danny’s also a smart, kind person who deserves more.

Duke is determined to make sure he gets it.

And if he gets a crush along the way, that’s his business and his business only. 

It looks like Step Two: Befriend Danny is finally complete. He’ll figure out the other steps later. For now, he has an evening of French in a coffee shop to look forward to.

[dayurno]

Do you ever just think about how the headboard on Kevin's bed on the Nest doesn't budge. Of all the hints about what his life there was like that's the one that gets to me the most because it's so deliberate. Because even though he's probably physically stronger than Riko or at least evenly matched, Kevin wouldn't fight back. But he wasn't given the choice to anyway

honestly i think putting neil in kevin’s side of the room is such a telling choice during the castle evermore scenes. we spend so much of the first and second book hearing about how much kevin fears his so-called family, their haunting of the narrative as bloodthirsty hounds who can sniff out his fear, and when we actually get to finding out why that is we see it from someone who was immediately shoved into kevin’s old place. riko wasn’t just hurting neil because he wanted to (“i’m going to enjoy hurting you just as much as i enjoyed hurting kevin”), he was making sure neil knew he was inferior by putting him in direct contact with the roles kevin and jean played in the nest, using him as a substitute for the one that got away. neil gets a speedrun of some of the worst moments of kevin’s life, and he gets not a single breathing moment for it before he has to be shoved back into exy, like kevin was

i wouldn’t dare presume nora sakavic’s intentions on anything at this point, but i like the idea that neil’s stay at evermore was supposed to tell us all we needed to know about kevin’s time there, without kevin ever having to actually recount the years (he wouldn’t, even if he could): that it was horrifying, and that being in his shoes will never be as glamorous as neil previously thought. i like the breaking of neil’s expectations for kevin; i like how it makes neil realize the life kevin led was not better. and that’s the point, isn’t it? when neil is lying in kevin’s bed, handcuffed to kevin’s headboard, his legs pinned under kevin’s only friend, getting hurt by kevin’s brother, that’s what neil realizes: this is not better. it might be different than life on the run, but it is not better.

[starwikia]

suicide cw

look i have been in this area before mentally. it sucks and i wouldn’t wish this on anyone. but, and this is going to sound callous, but i don’t feel any sympathy for james somerton. even if i hope he’s like. not dead. But thats all the amount of goodwill im willing to give him. The more i think about this really, the more angry i am. 

ngl this entire situation is another example of how white people weaponize their mental illness to avoid consequences. Im seeing it in real time.

this man has a continuous habit of using self-harm as a get-out-of-jail-for-free card. in both of his apologies, he has worded his supposed attempts in ways that were clearly meant to guilt people who displayed his plagiarism and overall horrendous history of racism and misogyny. i say supposed because, while i’m not saying those are lies and this would he such a fucked up thing to lie about that i don’t want to think he has, unfortunately, it’s been proven again and again that his word can’t be trusted, as he’s known to lie to try get out of consequences. Hes a proven liar. him lying about this is actually the best case scenario, because no one should go through this entire situation, wouldnt wish this on anyone, but you can only do this so often before people stop sympathizing with you. is this callous? Yeah, but like. I’m actually fucking angry he cant straight up take no as an answer. that this is how he reacts realizing he cant be one of the Cool Kidz™️ on youtube anymore. he acts like he DESERVES a career, like its not a privilege hes lost due to his own actions.

He lied about apologizing and forgiving people, he lied about giving the money to hbomberguy to give to ppl he ripped off (yknow, instead of doing it himself), he lied about the jessie gender situation and rewrote the narrative to make it so he isnt the bad guy, and hes the victim all along actually!

you can’t tell me that supposed last message of his isn’t meant to be a 13 reasons why esq attempt to deflect the blame “look i’m going to kill myself and it’s all YOUR PEOPLES FAULT for not letting me achieve my DREAM of being filmmaker IN PEACE!!! I just wanted Nick’s (the guy who I have thrown under the bus again and again) portfolio up!! Im just being a good friend dont you all FEEL BAD” he refuses to take ANY ACCOUNTABILITY of any of his actions and he IS STILL trying to shove the blame over to other people again.

it’s also pretty ironic people are like “uhhh well hbomber’s fans harassed him!!!” like hbomber outright told people NOT to HARASS JAMES!!! ALSO acting as if james doesn’t have a very real documented history of STRAIGHT UP sending his fans to harass and threaten smaller creators, more notably women, trans, and bipoc creators. especially after he’s stolen typically very personal anecdotes so he could profit from them. so why can he do it but the second people are like “hey this guys an actual piece of shit.” and he can’t handle it suddenly people are trying to white knight his shit? like no he doesn’t get that. he doesn’t get that at all just because he couldn’t handle the consequences of his actions. 

what? were supposed to stay quiet about a man profiting off of other minorities because he wanted to be the spokesman for all gay people? people tried to solve this on a smaller, more private scales for YEARS and he kept doing it. it was clear that the giant public video was the ONLY way to get people to notice. HE WOULDVE GOTTEN AWAY WITH STEALING 87 FUCKING THOUSANDS WORTH OF DOLLARS. HE CANT HANDLE THE FACT HE CANT GET AWAY WITH IT. 

am i supposed to feel bad for the guy who basically threatened a trans woman with the police? i don’t care what anyone says, it’s so fucking obvious that he threatened jessie by implying he was getting the police involved in their conflict. what am i supposed to act like that didn’t happen? are we supposed to pretend like he didn’t glorify nazi’s and outright said that gay people made up a good chunk of the nazis? That he didnt say america joined ww2 bc they were jealous of the NAZIS. WHAT WOULD POSSESS YOU TO FUCKING SAY THAT. but then? He gives women (not even women most of the time, he misgenders nonbinary ppl constantly) shit for writing mlm. are we supposed to act like he doesn’t straight-up sees himself superior and better than people of color and steals their works to put himself on a pedestal? Are we supposed to act like he didnt spit on our elders by saying “only the boring gays survived aids” like man! Fuck you! He BLANTANTLY MAKES UP HISTORY TO PUT HIMSELF ON A PEDESTAL!! HE ACTIVELY TRIED TO REWRITE LGBT HISTORY TO SUIT HIS FUCKED UP NARRATIVES!

yes this sucks ! no one deserves this but no one should be making him a martyr. Thats what he fucking WANTS! He wants to be immortalized as a victim!! (again, supposedly, it was reported hes alive but its not confirmed).

The shit he got isnt near the amount of fucking callous behavior hes done again and again. Again, to drill this point, EVEN IF HE DIDNT CALL THE POLICE HE THREATENED A TRANS WOMAN INTO THINKING HE DID!!! The fact he tried to use a head injury to justify years of the outright ghoulish shit fucking astounds me. Why the fuck did anyone in his life thought it was a good idea to let him TRY to come back. in the end, he had options. he didn’t need to try to make a comeback. HE DIDNT NEED TO FUCKING LIE OR IGNORE THE SHIT HE WAS CALLED OUT ON the reality is, he wanted to come back thinking he could shove it under the rug, was told that no dude, you’re not allowed to be a youtuber anymore. you’re done. you need to move on and went full nuclear. it’s not on anyone’s hands but his own. HES BEEN DOING THIS TO HIMSELF!! But nah man we cant call his shit out bc hell may or may not kill himself. Fuck the other minorities who have the same issues but worse and sometimes BECAUSE of him. This is going to SUCKKKK so bad when other ppl, specifically white gays, are going to weaponize this shit to get away with their stuff.

[rojekte]

seeing people's takes about the whole watcher situation is just a bit.... mind-boggling.

i think the apology they posted was good in the sense that they admitted to fucking up and walked back on their decision, and i think the model they've settled on now is a lot more reasonable (having content be released earlier for those who choose to subscribe), but like.... that doesn't mean that no one should've ever been mad at them in the first place???

like seriously, why does it seem like people are looking at a "good" apology and thinking "huh! they sure did apologize well! i guess that means that it was ridiculous for people to be mad in the first place! no one should have ever complained!!". if no one complained, they wouldnt have walked back their decision! they would've kept going with their dumb completely paywalled option!

and thats not even getting into the fact that their financial woes seem to come from completely mismanaging their money - hiring people when they can not afford to and spending more money on "high quality productions" when they cant afford to.... these are core issues that im not sure will be completely fixed by this? but idk.

also, this situation i think has really helped my own self come to terms with the fact that i do not enjoy many aspects of their content. i sorta already knew that considering i can not remember the last ghost files video i watched because i find that shit incredibly boring and overproduced, and even things like too many spirits have become a chore to watch bc they decided to extend the Not That Funny drink making portion when i just wanna hear some funny spooky stories.

anyway i guess my ultimate point here is: im glad they acknowledged they fucked up, but i also am not sure how interested i am in their content anymore in the first place. oh well

[carnivalcarriondiscarded]

"Things in the Dark"

Ominous

indeed!

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next

[ctl-yuejie]

a taste

[ganondoodle]

even if i didnt love botw as much as i do, totk drives me nuts bc, similarly to pokemon, this series is so SO SO full of potential, they have so many games they can pull from, theres so many themes, characters and worldbuilding thats just left to rot, you dont need to connect anything with a chain to old titles, you dont need to bring back any things that already had their ending, but PLEASE harness at least a fraction of all this!!!! and they just refuse to do it beyond shallow references

totk jsut drives it all home to me, bc this isnt just the next game in the franchise, but a DIRECT SEQUEL no 10 years apart from botw, yet they cant even, they REFUSE to even keep the continuity with its OWN lore it established in botw together, and that, i think, is what truly makes me so insane (derogatory) about totk

it PROVES they do not care, they dont care to build on anything of the lore of old titles beyond references in form of amiibos or whatever, they dont even care to make a sequel to their most successful game in the franchise coherent with its own lore

botw established a captivating detailed world full of potential, while lacking in active storytelling, it had environmental storytelling, characters and ideas that were the perfect ground to build on-

and then they do away with it bc idk .. they want you to build mechs and make videos of it that go viral and thats all they care about or something

shiekah tech? forget that existed character being the character you know? act as if you are seeing them for the first time just like they are lame story? dont think about that just be distracted by the epic presentation of it lore the previous title established? forget that, all that matters is what is here and now beloved character from old games beign brought back? hes a new guy and has no background and no lore and just sits waiting for you at the end to have a flashy fight with references from old titles and their lore? just here for nostalgie bait, dont you remember? you LOVE this series, now give me 70 bucks for a glorified DLC that ruins what you loved about the series and makes you realize that nothign matters and nothing is interesting anymore

you are supposed to take it all at face value, to not think about anything, to see a character say something and just go with it, and forget it the second its over, be distracted by good music and pretty visuals, but dont think about, dont think about anything but what is directly said to you like you have no critical thinking skills, forget there was a game before this one, only the one you play matters, empty your skull and dont let yourself feel anything but what the game tells you to feel

if they dont even care to make the sequel to their most successful game actually build on the previous title, dont even care to keep their continuity of two games supposedly directly happening one after the other in tact- maybe they never cared, and all the meaning we thought we saw them build into their games was all accidental and meaningless

and that is absolutely soul crushing for fans like me to discover

its a game. its not a story, its not a world, its not themes, its not characters, its not lore. its a product made to make you pay money, not to make you think about anything.

[rusquared]

take this as your sign from your most least somewhere-in-the-middle favorite tumblr blog 🫶 read this webtoon 🫶

[gertritude-art]

It's my birthday today! I'm 24 years old :^)

If you've ever liked the stuff I've done, feel free to support me on ko-fi. You can also just stare at my blog really hard and go "wow, this stuff's pretty good! This 'gertritude' has a got a real bright future ahead of her!" Either one is fine.

[rotisseries]

my favorite thing about mha has got to be how you can't tell if the writers are aware or not that the setting is in fact a corrupt police state