Consider:
Nureyev’s going undercover as a hypnotist for a show at a grand party of the wealthy (somewhere in the estate is a safe with some very important schematics he'd like to get his hands on).
He researches extensively, first pouring over books and then spending hours choosing outfits, rehearsing flourishes and precise movements. He’s also researching the heist itself, of course. But this time, Juno seems more annoyed with all the time he spends on his research. Juno lounges on the bed watching his boyfriend practicing his entrance over and over, only interrupted by occasional dives to double check his books.
Juno huffs and breaks the silence.
“What a bunch of bullshit, can you believe people actually think this hypnosis shit works? Controlling other people with your voice, my ass.” He rolls his shoulders, they've been tense for days, and the pain is worsening his mood.
“Oh now, it’s a performance like any other,” Nureyev replies, “but my research shows people can be put in a trance, can be hypnotized, provided they want it themselves. One cannot make someone do something against their will. They must want to be hypnotized, to let go and be open and obedient. It's quite interesting."
“Can’t see why anyone would want that at all.” Juno says in his usual snappy manner, but he considers it in his head. Being in a trance, mind blank, just floating and being open to... whoever’s in control. He’d hate it, of course, he’d feel way too vulnerable. Even more so in front of a crowd, at a show of all things. He needs to always be alert.
But…
Sometimes he just wants a break from it all, even his own head. Especially his own head. To relax and leave himself in the hands of... well. Maybe he can see the appeal, just a little.
He doesn’t say any of this out loud, of course. Nureyev just hums, practising how he'll pick his pendant out of his front pocket.
“Juno,” he says after a while, “since you’re not receptive to actually being hypnotized, can I test the act on you? Then you can tell me how it looks, without being distracted.” He smiles, one of his canines peeking out.
“Yeah, alright,” Juno replies, trying to sound nonchalant. He sits up at the edge of the bed, stretching a little, ignoring the little jump of excitement he feels for a brief moment. “But I’m still gonna tell you whenever you sound way too ridiculous.”
Nureyev's smile widens, and Juno's eye focus on his sharp teeth. “Wonderful, Juno.”
Nureyev starts with his grand entrance, speaking to the imaginary audience. Juno’s both in awe at his confidence and ability to glide seamlessly into the role, through the sheer ridiculousness of it all.
He resists the temptation to make a snide remark when Nureyev adresses an invisible audience member with the tales of his past deeds.
“… and I shall do it all, with this!” Nureyev reveals the crystal pendant he’s fastened to a chain in a dramatic flourish. “Now, esteemed audience, please quiet down so I can demonstrate my abilities on this lovely lady.”
He sits on a chair in front of Juno. “Now please Juno, focus on the crystal. Let your thoughts clear. All that matters is to keep your eye on the crystal, and listen to my voice…”
Juno rolls his eye, but still leans forward. Nureyev holds the crystal up by the chain so it catches the light, and starts swinging it slowly back and forth.
"That looks really stupid," Juno remarks.
Nureyev shushes him.
It’s a pretty jewel, probably worth quite a lot. Juno wonders where Nureyev stole it. It’s a deep violet that shifts from a sparkling, deep blue, into a gold-speckled pink. It naturally grabs his attention, swinging back and forth. The swinging part still looks stupid. But maybe it would be nice to...
The pendant swings, and Nureyev keeps talking in his smooth voice. This might not be so bad, after all. Juno doesn’t feel vulnerable, there’s nothing to be worried about, he knows he’s safe with Nureyev. Who’s currently speaking, but Juno can’t recall what he’s been saying. He focuses on Nureyev’s steady voice again; he loves listening to that melodic voice.
“You feel the tension leave your jaw, your neck, your chest, arms, that’s it, relax for me…”
It’s surprisingly easy, Juno thinks, to relax. Usually it’s hard to let go of all the tension that sits in his body. It's such a constant part of him that it almost feels strange how easy it melts from his limbs.
“… your stomach, your legs..."
He's breathing more deeply now, he notices. It's comfortable where he sits on the bed, letting his eye follow the pretty pendant that catches the light. He's safe here.
"...that's it, relax for me, you're doing so well."
Juno feels warm at that. He's glad he's doing well. Nureyev's voice really suits this kind of thing, he thinks. Smooth and low and inviting. Juno wants to tell him he sounds nice, but he's so relaxed. It can wait. He struggles to keep his eye open.
"... even more relaxed and sleepy, and you'll only let go on my count - wait, Juno?"
The pendant stops for a moment. Juno lets out a low, protesting sound. It's very hard, but Juno lifts his heavy eye to Nureyev's face. He was doing well, wasn't he?
"Are you really -?" Nureyev says softly.
Juno's so relaxed and comfortable, he felt so close to letting go and now he's confused about what Nureyev's even talking about. He manages a questioning "hmm?"
Nureyev stares at him for a long moment, and then he smiles again, showing his sharp teeth. He cups Juno's face, and it feels nice, so Juno leans into it.
"Oh Juno, you are too lovely, " Nureyev says and holds up the pendant again, swinging the beautiful crystal. "Look back at the crystal for me and keep listening. That's it, well done, and you feel yourself gliding back into the comfortable feeling. Just focus on my voice and how good it feels."
Juno's eye is following the jewel again, how it catches the light, his breathing evening out. He feels like he's enveloped in a soft blanket.
"When I count down, you will feel even more relaxed at every step. When I reach zero, you will sleep for me. You'll be fully under, open, and relaxed. No need to be distracted, just be in the moment, no need to think of anything else..."
Distantly, Juno hears Nureyev speak for another minute, then he starts to count down from ten. For every number, he feels heavier, and more and more comfortable. It's so easy to let go. He wants to let go, to let Nureyev take care of him. Vaguely, he realizes he's wanted it ever since Nureyev introduced him to his newest con. Blank, soft, mindless. Quiet. Juno wants that, and he trusts Nureyev. Of course he does.
"Zero. Sleep for me, Juno."
Juno does.
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3,4,15 for any member of team snakemouth!
...how about all three?
(for this ask game)
3. Obscure headcanon
For Kabbu, though we may have noted this before, we think that the North is quite firmly considered a patch of Deadland - and its inhabitants, as a result, tend to be very, very strange from the perspective of the rest of the world. For Kabbu, specifically, this means a variety of things, both biologically and culturally - though Northern beetles are a lot more common in Bugaria, deadlands in general come with a very high rate of mutation and a very high rate of death, and that means a high rate of superstition both in things that actively impact survival and in things that do not - as well as the simple fact that a constantly-changing set of genetics means that what a northern beetle is like is often very, very open to change.
Kabbu is an example of a burrower - a subspecies of sorts primarily identified by claws designed, very specifically, for digging. His claws grow into a sort of broad shovel shape and tend to be much sturdier than an equivalent beetle's - getting underground in moments in soft ground isn't really an exaggeration! Though he can dig through harder ground, it takes time and effort, and he can't go at it with the sheer speed of softer soil - technically, he could burrow through solid rock given enough time, but it would be both hard and extremely painful. It's a trait that's heavily prized in the North for its ability to create shelter and safety - beetles dominate the North's underground, and there's nothing that can really pose a threat to them. Tunnels are safety, and it really surprises and disorients him when things underground attack him, because back home that just kind of doesn't happen unless it's Another Beetle specifically targeting you.
In terms of more social things, he has a lot of trouble getting used to the concept of mimics. This is mostly due to the fact that mimics as a whole don't really... exist in the north, at least not in the means of gaining benefit from mimicking anything else. If you can talk to them as any other awakened bug, they're usually exactly what they say they are, and species mimicking normal geological features and plants haven't found any success, unless you're willing to get extremely generous with describing the snow-bank camouflage of a Northern Silk Moth's topcoat.
Though sand wasps or "white bees" still exist, the thing they're mimicking no longer exists in the same area. Any Hive that once was in the North is long dead, overly-large groups of bugs tend to die out quickly thanks to the handful of large predators that may decide the benefits outweigh the consequences when enough tasty beetles gather in the same place, and when the enemy you're dealing with is both too heavily armoured to be really deterred by most weaponry and capable and intelligent enough to stalk your group through the snow until the cost outweighs the benefit of eating you... well, the sort of small groups generally sent to start a new colony of social bugs really don't stand a chance.
It is, occasionally, very hard to get used to the fact that southern silk moths only grow a few heads taller than him. He's used to them presenting a lot more of a threat.
For Leif... we think he's completely, 100% blind. His eyes are frozen over due to quirk of his biology - the thing about his integration that makes him a failure, specifically. With any of the Snakemouth cordyceps, they do not naturally transfer the immunity to their own magic that any other variety of mage would have, and so need to alter their hosts in order to get the appropriate biology across. With Leif, that protection is not sufficient to protect the host, much less to preserve valuable organs - eyes, especially, are fragile, after all. The cold he naturally generates exceeds the host adaptations he provides, resulting in, even beyond the blindness, unusually brittle chitin, extremely stiff and easy-to-damage tissue, organic food processing efficiency appropriate for a bug currently freezing to death...
Well, you get the idea. Functionally, if alive, a host body would be in a state of perpetual hypothermia, prone to breaking down over time and needing persistent repair that his strain of cordyceps cannot provide, as any repair he could offer that's not within his host's natural healing capabilities requires manually breaking down and reconstructing any parts, which... is inconvenient at best. As he is, he gets around most of these issues by simply replacing his host body's soft tissue with cordyceps, but that has its own issues, mainly in making him look and move incredibly uncanny. Injuries take a very long time to repair, relatively, though the less tissue damage is done the easier it is to fix - being cleanly sliced in two, for example, might be easier to handle than any sort of crushing damage. As far as his eyes go... eyes of any sort are delicate, and the slightest damage can permanently blind someone. Any of Snakemouth Den's cordyceps tend to go blind anyways as the fungus burrows into ocular nerves - if anything, this is better for hiding, since the frost over his eyeballs conceals any mycelium in the eyes themselves. In theory, it can be repaired... in practice, it would be far too much of a pain for work that will be undone the moment he overtaxes his ice magic again.
...also, he doesn't really care. Sight is not the most important sense a moth has and his scent and ability to sense pheromones is fine, along with a general sensitivity to things like vibrations in the air. More than fine, even, since he's now kind of hybridized with both Ant and Bee and the number of pheromones he's sensitive enough to sense has shot through the roof. This on top of the "magic sense" he has means he has absolutely no trouble getting around, though reading books requires more or less sticking an antenna or fungal tendril over them and parsing out where the ink is by scent and texture. He full-on didn't notice he was blind until after the cordyceps reveal.
For Vi, while this might be one we've mentioned before, we headcanon that she's got a bit of minor mutation throwing her antenna... maybe 2% more towards a non-social relative, which gears her just slightly more towards being able to detect "foreign" scents - predators, prey, and any pollen or nectar in the area. Unfortunately, this slight shift in what scents she's made to pick up comes with a reduced sensitivity to pheromones and pheromone communication within the hive, along with loss of the general innate understanding that an average bee would have of how she's meant to "fit in" to a structure that utterly cripples her communication and social life in the hive.
It's minor enough of a mutation that she's never been flagged - she's a mutation of a social bee, not a normal variant of a solitary - but she smells weird, and she doesn't pick up on pheromones quite enough, and the variation in signals she puts off means that she both fails the communication to get across what she might need and fumbles the communication conveyed back to her about what she should do. Subtle things build up over time, and within the Hive, the negatives far outweigh the benefits - the Hive is only built with bees that fit to a standard in mind, and even minor deviations can get you dragged far, far behind.
This is getting very long so, uhh. Here's a cut. Everything else is below it. We enjoy getting very long-winded. There's a lot in here.
15. Worst thing they’ve ever done
Well, this one will depend on if it's "in general" or "by their standards". Putting any sort of objective moral judgement on just about anything is ridiculously difficult, especially with how values vary by culture or individual.
There is no such thing as objective worst, and we absolutely don't guarantee these would line up with your idea of worse, and so we'll offer two options here - what we believe they would think of first if posed with the question, and an alternative answer that would likely crop up.
For Kabbu, his own response would be easy - abandoning his teammates to The Beast. It haunts him to this day - really, what sort of beetle abandons their swarm to a fate like that? If he was a little faster, a little braver, a little less of a coward - but no. He abandoned those he was meant to care most for, and they died because of it.
For the other...
There are some things that are necessary, to survive somewhere as harsh as the Deadlands. Not everyone can be saved. Not everything can be helped. Not everyone can be taken in. Tradition and law is the heart and soul of the North - rules that everyone must comply to, if not for the sake of themselves, than for the sake of those they may interact with. To break a law, for any reason, is to be shunned by the community, most likely to your eventual death.
She broke a law. It could have been for understandable reasons, or not - it doesn't matter. She put the community at risk, and for that, she couldn't stay. She was put out in the cold, despite her pleading to the contrary. She was allowed to beg and plead and bang on the door, and yet, it meant nothing. The beast she would have lead to them caught up, eventually. He would still believe it was justified.
For Leif, his first response would be... exactly what you expect of him, really. The body he took without a care. The life he stole. He might vary on whether it's the action of stealing it or the lies he's told with that body, but the answer would be the same.
For the one he wouldn't think of... He could have spoken up. He didn't. He met their eye, slated for execution on crimes that he could parlay them on if he implicated himself, and he said nothing.
The look on their face still haunts him sometimes. It hurts more now that he's two, rather than one. It's what was needed to protect his family.
For Vi... a fault in a machine. The instructions were boring, and confusing, and hard to read. She tried to do whatever she thought might work, instead of following the manual. There was an injury. Then another one. It was her fault, really, for rigging it wrong, but she was tired and angry and she argued instead of just sucking it up and fixing it when confronted on it, and it went unfixed for days more. A minor fault can very well lead to deaths, and though this one didn't, it came close - one more inch, a slightly looser bolt, and it would have cracked a bug's shell clean open. It's a miracle it turned out as well as it did. It's a miracle that no one connected it to her enough, even when it was fixed. Someone else was punished, and she was old enough to know not to step forward - she's not stupid, after all.
The guilt still haunts her. The "what-if". The possibility of it. If someone died of her own stupid negligence, if she made someone else take the fall - she would let them, really, her sense of self-preservation isn't that bad, but she's not sure she could live with it after.
With the one she wouldn't think of personally... considering the background she's got, the journey to the Ant Kingdom, and the fact that it's already stated she took jobs before canon? We think there's a fairly good chance that Vi's off jobs got... shady. It's not like she has much in the way of morals when it comes to money, and "will do just about anything for enough cash" is a decent market. If you're willing to forsake your morals, you can get more money than your heart desires - at the cost of just a bit of risk, at that!
She doesn't think about it, really. It wasn't something she needed to think about. They were threatening her, they were a risk to her team, they were the price she had to pay to eat, the specifics of what happened don't matter much at this point. Put in the position again, would she choose their life, or hers? It doesn't matter. They're dead, anyways. She should know. She was the one to take the payment for it.
4. Favorite line?
We're copy-pasting these straight from the game! These Direct Quotes are all sourced from @aquilamage's Bug Fables Transcript project, which we highly recommend checking out! It's an excellent resource for double-checking dialogue without having to replay the game first, and a repository for just about all the dialogue in the game (provided it wasn't taken out by previous patches, of course).
We will be honest: there's a lot of dialogue in this game. This might not be our absolute favorites, as a result of a general poor memory as well as Too Much Game. Also, we have blatant favoritism towards Vi in all ways. Most of these are favorite interactions, rather than anything else, so...
For Leif:
Kabbu: Leif. If you need to take a break, let us know. Vi will carry you.
Vi: That is not happening.
Leif: Oh, the fatigue, it kicks in...
Vi: I said it's not happening!
...and for Vi, we're fond of this dialogue, specifically because the first time we encountered it we misread "exploring" as "exploding".
Leif: Science looks like a lot of hard work.
Vi: It's like uh...the thinking version of exploring!
But of course, our favorite Vi Dialogue as well as our personal favorite dialogue in the game in general would be the Bee Guard overworld spy.
Leif: Vi, you're the only Bee explorer, right?
Vi: Huh? Uh, yeah! That I know of...
Leif: We've been thinking it's a bit weird, to see so many Bee guards, but only one explorer...
Vi: Look, they're not guards because they want to or anything, okay?
Vi: They were born to be guards, so they guard. That's it.
Kabbu: That's a bit somber...
Vi: ...That's just how the Hive is sometimes.
"I'm allergic to bouncers" is a close second, of course. In terms of story implications, we pull on her Jaune interactions and especially the point just after getting kicked out of the studio for the first time during Jaune's request, but that's... it's less we "like" it, per se, and more that the implications are fun to toy with. In terms of the actual dialogue, it just... makes us feel sad. Sad, [], and maybe a bit angry on her behalf. We've been there more than we care to admit, after all.
We... wouldn't wish something similar on anyone. And no matter how good the good gets with Jaune, it still can't really outweigh the fact that the bad starts ticking boxes about emotional abuse in a way that makes relationships like Mothiva & Zasp that more people are willing to try and call out pale in comparison. We probably need to finish that essay some time...
Anyways, we like it when Kabbu gets mad enough to yell at people.
Kabbu: This is ridiculous! You realize you could be dooming us all!?
Kabbu: What if the Termite King loses trust in the Queen!?
Kabbu: What if you lose to the Wasp King without our help!?
Kabbu: Have you gone completely, utterly insane!? Have you lost all intelligence!
Mothiva: Yikes. You're overthinking this WAY too much.
Mothiva: The Ant Kingdom's way better in our hands than with you LOSERS.
Kabbu: We have SAVED YOUR LIFE BEFORE, you WITCH!
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