one piece is set in a nautical world with presumably nautical idioms and exclamations to match, right, like swearing by the sea rather than on a god etc. to wit, there's five seas (the four blues + the grand line) so we can assume when you're feeling particularly dramatic, you might refer to all those vast oceans to get your hyperbolic point across.
keeping that in mind, lets live in a stupidly romantic corny ass world for a moment ok? take my hand.
"I swear on all six seas, if you don't shut the fuck up right now—"
"What?" Sanji looks at him like he's stupid. Nothing new, really.
"Ha, even you're going deaf having to listen to your own annoying ass whining all the time, Cook. I was—"
"No, you—"
"Don't interrupt me! Oi!" he yelps as a wooden spoon bounces harmlessly off his shoulder. He's not impressed that Sanji manages to catch it before it hits the counter.
"You said six seas," Sanji states.
Zoro stares back in lieu of an answer.
"Huh, maybe this has something to do with why you're always lost. There's only five seas, dummy."
And ah, now he gets what the idiot cook is on about. He's surprised and a little disappointed, honestly. You'd think the guy would be a little more aware about his own fucking dream, but whatever. He's got that annoying smile, smug and cocky like he's oh so much better than Zoro.
"Would you like me to count them out for you? I know it's a big number, it's probably confusing for a simple creature like you."
Zoro crosses his arms in clear warning, something the cook, as always, blatantly ignores. He's leaning on the counter that's between them now, eyes sparkling with glee. Idiot. Zoro's thoughts do not have a fond tone to them. Thoughts don't have tones at all, thank you very much.
Sanji lifts a hand and proceeds to count off on his fingers with the precision of a drill sergeant.
"I'm sure you at least know our ocean, the East Blue. There's also the West Blue, North Blue, South Blue, and of course the Grand Line," he wiggles all his fingers as he puts his thumb up for the last one like he's emulating fireworks.
Zoro snorts indelicately. "And?"
Sanji frowns with a tilt of his head.
"And?"
Zoro holds up his index finger.
"And," he says, stifling his amusement as Sanji goes cross eyed trying to follow said finger as it arcs towards him, "your All Blue. Dummy."
He punctuates the last word by poking Sanji in the forehead, snickering when he sputters and swats the digit away in a huff. Then Zoro's words finally sink in, and he straightens up almost too fast. It's not endearing at all.
"Wait," he says quietly, "you count it?"
Zoro doesn't like how Sanji's looking at him with an open expression he's not usually allowed. He looks earnest and sincere. Zoro feels suddenly out of his depth.
"Don't you?" he deflects uncomfortably.
"Well yeah, but that's different. You're—" he shrugs half heartedly and looks away. Zoro can't tell if the end of that sentence was going to disparage him or the cook. Odds are likely split down the middle. Sanji keeps looking at him, and he feels pinned. The bright look is gone, replaced by something more reserved but perhaps...searching? Considering, at the least. It's making him increasingly self conscious. He needs to get out of here.
"Okay. I'm gonna steal some alcohol now," he says shortly, striding to the cabinet and swiping a bottle before Sanji blinks out of his stupor.
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using a different brush doesnt make your art better, you can make good art with any brush, "but having a good one makes it easier!" no. making good art is a matter of skill and if your art looks dramatically worse with a different brush then thats because you are unskilled with stylizing it, experimentation is good but the idea that you need a specific brush setting to make your art good is an idea manufactered by people trying to market you their fuckin 20 dollar brush packs you wont use "i know you hate your art and think it looks bad, but dont worry! if you just buy this brush it will look better!" <- this is feeding off of your artistic insecurities to financially exploit you.
people ask me what brush i use somewhat often and it honestley makes me rlly sad. i understand it comes from a place of admiration, liking my style and how i draw and wanting to replicate and understand it on a deeper level. but its a question that ultimately flattens my years of skill and experience and work to a couple of settings on a random software made in 2015. my art looks good because i am good at art. and not because i use a 4px round brush with no antialiasing (the default pencil tool on MSpaint WIN10) its frankly insulting
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i made a short post here referring to my own experiences and wanted to expand on it, you can reblog both of these posts btw. I am only writing this all down because the way some of you have spoken about chris and his decision very much bothers me. trust when i tell you i do not want to completely lay out my trauma on the internet for all of you to read, but if it makes one of you understand why this works, why it is important, then it will have been worth it to me.
When I was 12 my father was diagnosed with frontal temporal dementia. the adults in my family and his doctors decided that it was best for him to be moved to a a full time care facility. The next year, and after hearing, seeing, and understanding my father's condition and where it would go, I, at thirteen years old, made the decision to say goodbye to him, that I did not want to hear about what levels of deterioration he had reached. I wanted to remember him as he was when he remembered me, and all the adventures and fun things we did together.
I made that decision. I made it because it was easier than watching him deteriorate, forget who his sister, his brother, my brother, my mother, and me. And I knew that at twelve and thirteen. It was never a decision I ever thought I would have to make, it wasn't a decision I should've had to make.
Now, the important part, over the next few years my decision was questioned and ignored by the adults in my life and even my brother, some of the questioning I can understand now that I am older, but it should have never reached the level it did. My aunt and uncle would openly discuss his condition over dinner when he came to visit, and I would run away to the restaurant bathroom and cry my eyes out until my mom came to get me. I was forced into visiting him in his care home, which ended with it causing far more harm than good. Only then was my decision somewhat respected, it took me being retraumatized for it to be taken seriously.
Despite all of that, I do not regret that decision.
I can't know how I would be different if none of that happened. But at this point in my live, eleven years and some therapy later, I am fairly certain I would be less traumatized, carry less resentment and anger, if maybe my mom had spoken up at those dinners and made arrangements to get updates without me next to her trying to enjoy my pizza. Had I not had to see my own father forget my name and then have some sort of mini medical emergency. Had my brother heard me in a way only a sibling could.
So, yes, Christopher at thirteen made a indefinite and truly most likely temporary decision to remove himself from an environment where he doesn't fully trust his sole and primary caregiver. He knows his dad loves him, Eddie made that so clear. And it could really be 5 minutes, 5 days, 5 weeks, and so on and so forth until Christopher is ready to come home. And him knowing that Eddie respected his decision and loves him no matter what is what is going to make that time shorter. If he had walked out with his father begging him to stay, to forgive him before he was ready, the chances of him coming back would in my opinion would be far slimmer than the circumstances under which he did leave.
with that i leave you this,
"yeah people go away. and it's sad. and it hurts. but you know, not everyone goes away forever. sometimes they come back. and as much as we miss them, that's how happy we are to see them again."
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Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.
Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!
Hi there!
Glad you found me and are enjoying my comic!
It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!
I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha
I took a month off
I took 2 months to get the books printed
I took a month to prepare my next comic
and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!)
I've been working on actual episodes since then
I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...
The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.
It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.
Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.
I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.
I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.
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i was scared to show i liked mother ships and all, especially when one of my fave artists actually hated mom ships and would block the tags n people…
SO I GOT REALLY SCARED, i didn’t wanna reveal i liked any of them because i didn’t wanna be hated over it let alone blocked. understandably so why cause they’re all children but auuughh im not even trying to be weird about that and i just wanna like ships..for fun? I wanna be serious with mom art and draw sad stuff but also have fun moments that make me feel happy as the artist drawing it!! and joy!!
umm, im still a little worried showing i liked mother ships now, but honestly i gotta say - the whole reason why I ended up revealing I liked mother ships was because of @nanaten!!! I ended up reallly liking clausten and discovered the clausten blog she has, and i found her main blog llike a good couple weeks later and AAHHHHH ❤️ her clausten art and her blog encouraged me to actually want to draw the ship for the first time - and post it on tumblr too! It’s not even just nana anymore though, there are so many mother artists im mooties with who do ship art too and it feels great!! sure, maybe i’ll be hated, but i’m really relieved i get to be open about it and just..enjoy ships without having to think of who’ll hate it behind the screen because i focus on the positive comments i get with my art iwndkwnjd
it feels good for me to speak about this i think :"D i even considered making another tumblr blog just to do seperate mother ships but i’m glad i chose to go “screw it lets just post on main”, because i then got to meet the right people in the fandom that appreciate it for what it is - and also even people that respect the art even if they don’t like mom ships!!!
as i said, i’m still nervous about showing i like it. but i think talking about this here makes me feel a little better to keep it up
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