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dalamjisung · 2 months

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A muted shade of green ✧ Spencer Reid

genre: fluff, light angst

word count: 6339

pairing: reader x spencer reid

description: Dr. Spencer Reid is simply adorable. And you actually think he might be perfect. Until, that is, he isn't.

a muted shade of green masterlist // next chapter

His apartment is a muted shade of green and you always wonder why is it that he painted it so dark. The book covered walls never fail to impress you, making you smile into the ether that was this place with its shelves and shelves of worldly stories. His taste, you think, is more towards the classics and refined tales that carry significance and importance in the world of literature. Dostoyevski, Austen, Orwell, Doyle. Though here and there, in some corners of the living room or thrown haphazardly in the kitchen counter, you see peeks of contemporary names, the ones you’re sure you sold him a long, long time ago. Murakami, Zadie Smith, George.

You met Spencer when you first moved into D.C., about a year or so ago, and sometimes, you really think that it was just yesterday when you first saw him with his purple scarf walking inside your store.

“Excuse me.”

You have too many books in your arms to even see who is talking to you, but you apologise nonetheless; it’s the least you can do for your first customer. “I’ll be with you in a moment, apologies for the mess, we literally just opened.” In your defence, you had been so busy unpacking all the new orders and organising things into shelves that you absolutely forgot to put the plaque with your opening hours by the door. You can hear his shoes clicking and clacking around the place, and a wave of anxiety washes through you. If he leaves with a book– luckily two– you will have made your first sell and that just might remind you that of the reason why you decided to do this in the first place.

Carefully putting the pile of Maggie Nelson’s on the counter, you finally turn to face him, tired smile from ear to ear when you see him holding two books already. “You found something you like?” You gently ask, voice calm and fingers fidgeting while you wait for an answer. “Many things, actually. I’m quite glad to see a wide variety of books here, it’s been hard finding something new to read lately.”

His voice is pointed and it echoes in the empty store. The clock on the walls says it’s 7:58AM and you suck in a breath; it’s definitely too early for someone to be looking for books, but maybe he wants entertainment for his commute, maybe he needs a distraction for the way, or maybe he is odd like that.

It must be cold outside. The man is wearing a purple scarf inside what looks like a wool coat, and somehow, he fits in there, in your store. He looks like the kind of person who would be buying books as early as 8 in the morning and you’re not sure if that is adorable or unhinged.

“Just these, thank you,” The loud thump of the pile of books he deposits by the cashier makes you gasp. “You have a great selection here, I was lucky you open early!” The twinkle in his eyes is what keeps you from telling him that that, in fact, was a big mistake. In the middle of rushing to get the keys from the landlord in time, get the deliveries, get everything sorted and organised, you had completely forgotten to put out the hours for the shop.

“I am glad you found us here! Do you live nearby?” At this point, you’re just trying to make conversation as you bagged his items, smiling at the titles and happy to see your favourite book in the midst. “I live just across the street, actually,” He said, giving you his card. “You’ll see me a lot, I’m afraid.”

“And what should I call my most loyal customer, then?” One look down at his card and you would know, but you wanted him to tell you himself.

“Spencer Reid.”

There is not really a sound reason as to why you walk so freely into his apartment. The first time he asked you to do this, he was going on a case and needed someone to water his plants. As it turn out, your store is quite literally across the street from his building and you don’t really mind the mindless task, so you tell him to not worry, you’ll take care of it. It had been a few months since you two met, five or so, and despite taking you some time to truly understand, you got used to the fact that Spencer created a routine for both of you, knocking on your shop’s door every Monday at precisely 8 in the morning. With time, you stopped questioning him even when you had many, many questions– was he even reading all these books? If yes, how?! Every visit, he left with three books or more, and unless he pulled all nighters every night, those were simply sitting on his desk.

Instead, you start putting a few titles aside whenever you spot them. You start it with ‘A Gentleman From Peru’ by André Aciman, short and sweet. Next week it was ‘A Little Paris Bookshop’ by Nina George. Then ‘Cultish’ by Amanda Montell. And just like this, you two form your own little book club, his visits extending beyond their usual thirty minutes into the better part of the hour to talk about the plot, the characters, the arcs. You know there is quite a lot you don’t know about Spencer, of course there is, but you learn more and more with every little debate you two have. You learn about his morals through the character he likes, and his dreams through the plots he enjoy. You learn about his photographic memory that allows him to quote his favourite sections to you, and you learn that he is a very logical man through his hatred for the inaccuracy of investigative books. You learn and you learn and you learn and you find out that you like learning about Spencer. More than you like learning about anyone else, that is, and now, every time he walks in, you can’t help but get excited, smiling as you only imagine what you would learn that day.

Sometimes, you did notice the absence of your favourite customer. He would disappear for weeks on end and then act like nothing happened, and you get it; he doesn’t owe you anything, you’re just the lady that sells him books, but you feel like there is something that is starting to bloom when, every time he comes back, he brings you a book. “I thought you’d like it,” Is all he says before leaving with his bag of new reads. For a moment, it’s like an exchange, but Spencer never demands anything of you; never asks for anything more than new books and recommendations.

It’s quite rewarding finding the books you sold him scattered through the apartment. There are a couple in the kitchen, open split on the counter and you smile fondly at the clumsy way he marks his books. There is no folded page, no book marker, no random picture; just his book, cover facing up, open and splitting the spine in half enough to crease. You shake your head, smiling like he’s done this just to rile you up.

“Oh my god, don’t!”

You don’t mean to shout but it’s too late. His eyes widen in shock and he immediately freezes, mouth stuck in a little ‘o’ shape that makes you blush. “What did I do?”

The wince in your expression is as visible as the light of day when you speak. Your hands hover in the air, unsure of what to do now, but still trying to do something. “The book, Spencer,” The words come out like a whine, and if you start stomping your feet you might as well look like a child. “The spine. The book. The– oh my god, the noise!”

The way he laughs at you is contagious, and you start laughing with him, face hidden behind your hands in embarrassment. Owning a bookshop doesn’t come for free. Your particularities when it comes to your literary treasures are enough to scare any sane person away. “You know, there are worse sounds than a book’s spine breaking,” He mused, closing the book before walking to your counter. His nimble fingers drum a soft rhythm as he waits for you to go around and charge him for the book. It’s a symphony, almost; so loud in your quiet store that, for a second, your heart is tuning in, thumping as his fingers do, beating to the song he creates.

“You don’t have to buy it,” It’s a little ridiculous how airy your voice sounds then. Aren’t you a little too old to have a crush? “It’s okay if–“ But he doesn’t even let you finish, rattling off some facts about the writer. Most of the time, actually, he is rattling off some fact about something, and some you know, some you don’t, but you never interrupt him. You like hearing him talk.

You miss hearing him talk. Whenever Spencer leaves, you miss him. You miss the knock on your shop’s door at 8AM. You miss the shy little chuckles. You miss the purple– the constant, always there purple. A wave of sadness hits you then, looking around the apartment with a longing expression.

The first time he calls you over, it’s not really an invitation. A week before it happens, he doesn’t show up for your Tuesday unboxing and you have to carry all the new orders inside by yourself. It takes double the time and despite the effort it takes you, it’s the absence of his coy chuckles and snarky commentary that leaves you breathless. When you open the boxes, checking inventory to make sure there had been no issues with your order, you find the book Spencer asked you to get him. It’s one of those special books, so old and unique that you could only get your hands on it because you had contacts in the space. “Huh,” You frown at that– it isn’t like Spencer to forget something. Hell, it isn’t like Spencer to forget anything. Before you can cower away from doing it, you send him a text. You have his number saved in the system, and this feels wrong, it really does. Using his personal information that he gave to you as a client felt wrong. But for a second, it makes you stop biting your nails in anxiety.

Your book is here.

It’s Y/N, by the way.

He doesn’t answer right away and you wallow in your regret for as long as you can. Your shoulders hunch forward as you line up the new arrivals in the shelves. Your frown sits on your forehead all day while you help other passing customers. Your hands brush against the book, all ready and wrapped up and sitting on top of the counter. You hate waiting; you hate waiting for someone or for something to happen as if you’re praying for a miracle. Literature has taught you many lessons in life. It has shown you countless of love stories that could’ve been resolved with a simple conversation. It has told you about people that waited and waited and waited until time passed them away. It has taught you that waiting is simply delaying the inevitable.

But what literature has not taught you is that, sometimes, waiting truly is all you can do.

That day, you don’t get a message back.

You get a call instead.

“Y/N?” The familiar voice on the other side speaks before you can and your shoulders tense up. Something is wrong. He sounds hoarser than usual, airier, too.

“Spencer,” You say back, clearing your throat of any remnants or indicators of how nervous you are. “Spencer, are you okay? You sound rough.”

Even his laugh sounds weak and a zap of worry rushes through you. “I’m fine,” He mumbles, and you know he’s saying it out of politeness. “I just got sick. I think I have a cold, it’s nothing much, really.”

The relief that washed over you in crashing waves is almost embarrassing. Even though he is not there to witness it, your face still flushes in a dramatic red. “Oh. I see. Sorry, I didn’t mean to bother you–“

“It’s not a bother,” The way his voice interrupts you, so strong and concise, makes you chuckle. “You’re not a bother. I uh, I’m glad to hear my book arrived.”

For a moment, you both stay quiet. You, on your end of the line, are nodding like he can see you. Except he can’t. Except he is waiting, probably, for you to say something. Do something. “I can bring it to you. If you want.”

This time, there is no pause. “Yes. I mean, yes, please. I– I don’t have anything new to read and–” Spencer pauses to cough and you start moving immediately. There is no one in the store and you quickly change the sign to ‘closed’, grabbing his book and your bag before locking the door behind you. There is a pharmacy at the end of the block and you keep your cellphone balanced between your shoulder and ear while your hands make sure you have your wallet with you. “Sorry.”

“No problem at all,” You cross the street in such a hurry that you don’t notice the traffic, getting a symphony of horns calling you out as you run to the other side of the street. “Shit…”

“Are you okay?”

“I’m fine,” You tease, laughing a little and entering the pharmacy with purpose. “So just a cold, right?”

“Y/N, where are you?”

“Out,” There is no need to be vague, but you don’t want to give him a chance to protest. “I should be at yours in fifteen minutes with the book.”

“Just the book?” He asks in such a suspicious tone that you can’t hold back a laugher.

“What else?” Thank god for automatic cashiers speeding up this entire process. You are in an out in less than five minutes and before he can even answer, you are almost at his door. Admittedly, you are speed walking, almost running, in a futile attempt to get there sooner. “Which apartment do I buzz?”

“Apartment 23.” And that is the end of the call.

By the time you make it to his floor, panting just as you hike the last step upwards, he is already waiting for you, and you can’t say you’re terribly bothered to have a man like Spencer Reid waiting for you by the door. “Spencer,” You still admonish, a small smile playing on your lips. “You shouldn’t be out and about like this.”

“Then who would let you in?” The mischief in his expression, much like that of a child making an innocent joke, makes you giggle, nodding in agreement. “Do you want to come inside? I promise everything is clean, I’m not a slob or anything.”

“Yeah, let me come in so I can give you your stuff.”

“I knew it wasn’t just the book,” The coughing fit that followed has you rushing your hands, pulling things out of your bag in a desperate attempt to get him the medicine you bought. This had always been your curse, the flustering anxiety of wanting to help but being unable to take your time. Shaky hands push the book towards him, with the medication and some old receipts stuck to it.

“Oh shit, sorry!” You squeak, grabbing the receipts and shoving it back in your bag. One of these days, you’d have to close the store early to clean this thing. “But uh, yeah, I got you some cold medicine and your book. I’m sure you know this with your big brain and all, but you need to take this before bed, cause it makes you drowsy, and this other one in the morning since it has caffeine! And you should be good in no time… hopefully!”

In life, a pause is not always a bad thing. It’s a time to think. A time to appreciate, to enjoy. It’s a time to be. A pause, however, from the man whose brain worked a thousand miles an hour, doesn’t feel like something to be thankful for. “Is… Do you not like that brand? I didn’t want to get the generic thing, I don’t know why, I–“

“Thank you.”

At first, you barely hear it. For someone whose voice is so rough and hoarse, you’re surprised he can still sound so smooth and airy. Your reaction is obvious; he can see the blush in your cheeks and the way you bite back a smile. “Y/N, thank you, I really appreciate it,” He says it again and now you think he just wants to get a rise of you. “You didn’t have to.”

“I know,” You shrug, faking humbleness while you keen at his praise. “I wanted to.”

“I know.”

There is a dance that happens after that, one that you find yourself enjoying quite a bit. Spencer is more present than ever, and you’re getting used to having him around. It’s like you two broke the glass wall the kept you at a safe distance, and now is when you two discover each other a bit better. Like how you find out that, when Spencer’s hand lays on the cashier counter, just an inch or less away from yours, you feel the heath that it emanates. Like how your fingers curl and your palms itch at the sight of his shaggy curls falling on top of his beautiful eyes. Like how his laughter is deep when it’s true and dry when it’s forced. Like how he can read 20,000 words per minute, but he chooses to read 183 instead just so he can read you passages out loud.

You are not sure what he has learned about you, or if he even cares to learn something about you, but the thought still makes you smile. “What’s gotten you so smiley so early in the morning?”

Ah, yes; another thing you’ve learned about Spencer Reid– he is as quiet as mouse when he wants, and as loud as an elephant when he doesn’t. “My god!” You jump, hand immediately going to your heart to try and keep it from beating our of your chest from the shock. “Spence! You scared me!”

“I’m so sorry,” He laughs, raising his hands in the air, shaking the two cups of coffee he is holding. “I come in peace.”

“And with bribery, I like your style.”

His style doesn’t change, still haven’t. For ages, you think he buys you coffee at the nearby cafe. You don’t really know the name of the place, some cliche Cafe something something, but the one time you’ve been in there the coffee was terrible and the music too loud. It’s hard picturing your shy, smiley book-lover in there, trying to order something without raising his voice. It’s only when you see the go-to paper cups on his counter, on the fourth or fifth time you come around, that you realise Spencer has never gone to that cafe to begin with.

The cups are still there. You make a point in spotting them every time you come over– next to the microwave, close to the paper towels. The reminder that this man has, in fact, been making you coffee most mornings validates the fluttery feeling you have whenever you think of it. It makes it somewhat logical. “I must be spending too much time with him,” You mumble to yourself, pushing your sleeves up and getting to work. You are there for a reason, and if those wilting plants die on you, you fear that you might just never be invited back. “Why does he even have plants?”

You don’t know much about Spencer’s job. He hasn’t told you anything about it except that he travels a lot for it, but you can imagine it is something of importance– a man like Spencer was someone of importance, after all. In your mind, you can imagine him walking into an office down by the Financial District, working with big corporations as an advisor. Yes, you can absolutely see him as some sort of advisor or consultant, but something about him working in finances doesn’t sit right with you– he is yet to talk to you about crypto investments and how to better implement a payment system into the store. Shaking your head, you switch it up. Financial services, aren’t quite right, but maybe an editor, working in a publishing house. With the way he devours books and how well-rounded his personal library was, you could see him as a Publishing Director instead, reading manuscript after manuscript.

The thought of him reading brings a smile to your face. In his living room, there is an armchair that sits next to the large window on the west wall of his apartment– he says he likes how the sunset hits and makes the pages look warm and golden, turning words into a burning fire of knowledge– and you can practically see him there, blanket over his legs, books and books pilled next to it. It’s your own little secret, how every time you come over, you grab a book, any book, and you sit there for thirty minutes, forty, fifty, an hour; until the sun has completely set and you have to get up to turn the lights on.

Today, when you sit down, when you bring your knees up, when you drape the blanket over you, something feels incredibly right and incredibly wrong. On the pile of books next to you, right at the top, lays a copy of Gulliver’s Travels. If you remember correctly, which you usually do, last time you sat down at that spot you managed to read up to chapter five before the sun was gone. When you grab the book and you see the bookmark you gave Spencer the second time he visited the store, and you frown– usually, he’d pick up from where you left off. “How long has it been since you last came home, Spencer?” You muttered out loud, grabbing the book regardless. Because even when it breaks your heart to know something has been keeping him away from his precious nook, it fuels your heart to know he leaves your book where you can easily pick it up. To know he doesn’t mind you sitting on his armchair, to know he doesn’t mind you reading his books, to know he doesn’t mind you settling, somehow, in his house.

A knock on his door, however, breaks you away from your precious moment of rest and relaxation. For a moment, you can’t move, frozen in place light a kid that has been caught doing something wrong. It’s only when they knock again that you move, shuffling to the door to look through the peephole. “Who is it?” You ask, voice weak and shaky.

“I have a delivery for Spencer Reid.”

How silly you feel in that moment, hand over your heart as you take a deep breath in relief. Unlocking the door, you smile to the USPS guy. “Sorry, he isn’t home right now. I can take it for him.” All you have to do is sign it and close the door, but once you put the package on the counter and your eyes catch sight of a note scribbled on top of the box, all those butterflies inside of you slow down. And find perch. And for a second, make you miss them just like you miss him.

The first time you think Spencer might have a girlfriend is when he comes into the store with a certain look in his face. He is practically glowing and his eyes don’t leave his phone for a second. “What has you smiling like that?” You two are close enough to ask these kind of things now, making jokes about each other as if you have been friends for ages. “Or uh, who?” Even though you started the conversation, you want to end it now. There is a sour aftertaste in your mouth when you suggest another person to be cause of his happiness, and you know, right there and then, that that is just your jealousy speaking. At this point, you’ve been harbouring a crush on Spencer for the almost two months and there’s only so much a girl can take before exploding.

“Oh, it’s just a friend.” Somehow, this answer doesn’t settle you as much as you hoped it would.

The second time is when he brings a woman around. She is blonde, and loud, and colourful, and you eye her carefully. They are matching costumes, and for a second, without even saying, you already feel left out. It’s stupid, being this green over someone so pink. If Spencer was purple, and if you are green, than that woman was pink– she is happy and light and exciting. Next to her, you… well, you are as muted as his green walls. “Y/N!” He calls for you with such a big smile and you just don’t have it in you to pretend to be busy anymore.

“Hey Spencer,” It comes out quiet and a bit distant, but he doesn’t seem to notice, not with the way he is going back and forth on the ball of his heels. “And hello, ma’am. Welcome, I’m Y/N Y/L/N, the owner. Please let me know if you need any help.”

That day, you two barely talk, but that’s okay, because Penelope, as she introduced herself to you after you help her find a specific book on coding, speaks for both of you. She says that it’s lovely to finally meet you, and mentions how much she has heard about you, and you think this is a very cruel thing to do to your poor, squeezing heart. But you push through. You pretend you’re tired, you apologise for the distance, and you lie about a cough. It’s better if they stay away, you say, but Spencer doesn’t buy it. Instead, he buys Penelope her book and leaves with promises of coming back the next day with your usual coffee.

After that, you don’t see Spencer for two weeks.

It’s a bittersweet feeling when you get the text that he is back. After almost a week and a half without seeing him, you miss Spencer. He created a space for himself in your life and in your store, and when he is gone, it’s just not the same. But just like how he did, you created a space for yourself in his apartment. Suddenly, the muted green walls aren’t claustrophobic or smothering, but comforting. They are safe. Familiar. They are Spencer. And just like you said, you miss Spencer.

“Y/N!”

You should be happier to hear his voice, but it’s not the same. The fluttering in your stomach is still there, like a slow buzz trying to come alive, but it’s not the same. Not when the note on the box, flashing like neon signs behind your close lids, has been tormenting you and your poor heart ever since you made the mistake of opening the door. “Y/N? Are you here? The door says open…” At one point or another, you have to come out of hiding and face him. Delaying the moment, though, is the best defence plan you’re able to come up with– if you look into Spencer’s eyes, if you see that pretty smile he has every time he comes back from a work trip… you’re fucked.

“Y/N, I need you to tell me if you’re here!” It’s not the same.

His voice. It’s not the same.

Usually mellow and undulating, Spencer sounds stiff, like he’s holding something back. Something new. Something… heavy. There is an edge to him right now, so sharp and cutting that it has you stepping out from behind the Science shelf in pure curiosity. And just like people say, curiosity killed the cat. In this case, however, it almost kills you.

When you turn the corner to find him by the door, the first thing you see is a man. He is tall and handsome and oddly serious. The way his brows are pulled together make you falter, steps slowing down and mouth opening to ask if he needs help.

That’s when you see it.

More like you catch a quick glimpse of it, the shinning spark of metal to your side, and you do a double take. You have to do a double take. It’s like your brain doesn’t believe what you’re seeing, and you move your head so fast you feel your neck tensing up in that way that makes your eyes water. “WHAT THE FU– OH MY GOD!” There is no way to throw yourself against a wall graciously, arms over your head and fear written all over face. You land in an awkward angle and your shoulder takes the brunt of the shock, making you gasp in pain while your legs give our under you.

Of all the ways you’ve imagined Spencer, him holding a gun up to your head was never one of them. “Y/N!”

“Oh my god!” You think you might pass out– you’re breathing too fast and your chest is squeezing, squeezing, squeezing to the point of physical pain. There is a ringing in your ears, muffling the entire conversation between Spencer and the other man and even though you try, you can’t look up; you’re frozen in a state of distress. For the first time since you met him, you’re scared of Spencer Reid. “I– I– Oh my god, I c-can’t– I can’t b-breathe, I can’t–“

“Y/N, look at me! Look at me, you’re okay, I’m so sorry, I’m sorry,” The moment his hand touches your shoulder, you’re shrinking away.

“Who are you?!” You manage to gasp enough air into your lungs to scream at him. One shake hand moves to the back of your neck, pressing down on the sore nape as you finally move to look at him, crying and all. “Spencer, who are you? Who is he? What is happening? Why do you have a gun in my bookshop, why–“

“Ma’am, I need you to take deep breaths,” The other man quickly holsters his gun and you actually think you might be going insane when flashes you a badge. “I’m SSA Derek Morgan, I work with Spencer. We are with the FBI.”

Federal Bureau of Investigation. Spencer is a fed. And he never told you.

“The FBI…?” You whisper, eyes going wide and breath hiccuped in your throat. “S-Spencer, you work for the FBI?” Nothing about this makes sense to you. The gun, forgotten in his left hand and now pointing down and away from you, is all you can look at. The gun that looked heavy and cold. The gun that those hands hold– the same hands you’ve wished and, admittedly, dreamed of holding yours instead. The gun, the gun, the gun.

The gun. You’ve never seen a gun before, not this close. In museums, of course, and in movies and shows, but never in real life. You don’t have interest in it either, having voted, without fail, for anti-gun laws and representatives. Anything and everything about this, about seeing him with that deadly weapon, feels wrong, and you really think you might be sick soon.

“Kid, put it away, you’re freaking her out.”

Then is when you catch sight of the Spencer you know. It’s the clumsy actions, looking almost freaked out himself– his hands fumble with the holster and it takes him a couple of tries to fit the gun properly. That’s when you know for sure– you are going to be sick. “Trash,” You mumble, trying to get up but falling again and again. “Trash, pass me the–“ But there is no time and you throw up right there and then, between the cashier and the nonfiction section.

“What just happened?”

“Morgan, get her some water– there, over the counter,” The rapid successions of words make you feel a bit better, a cadence of tone and rhythm that has your hands finally stabilising. “Y/N, you’re in shock. Adrenaline kicked in and left, and you pressured crashed, which is what made you nauseous. You need water, and to come sit by the counter.”

It’s funny, how in any other circumstance, you’d be ashamed and embarrassed to have gotten ill in front of him. As far as you know, Spencer is a germaphobe and this surely counts as germs. But as he grabs your hands, gentler than you’ve ever seen him grab any book in your store, and brings you to your chair behind the counter, you wonder if he forgot or simply doesn’t care. Both options don’t make sense. “Spence, what is going on?” Your voice comes out winey and rough, and there is no way to hold back the pained wince when you feel the sting spreading through your throat. Sip by sip, you try your best to drink the water and soothe yourself, but nothing seems to help.

Nothing until you hear him next to you, small and quiet and, dare you say, meek. “I’m sorry.”

As much as you’d like to tell him he has nothing to be sorry for, he does. “I see…”

“It was just… it was new, having someone not know I’m FBI,” His thumbs play with each other and you’ve known him long enough to recognise that Spencer is nervous. “And we started getting closer and I just didn’t find an opportunity to tell you.”

“There were plenty,” You clarify, feeling a bit of a bitch for the bite in your voice making him gulp. “But it’s okay. I’m not… I’m not anything of yours, I guess, so it’s okay. You don’t owe me anything.”

“Don’t say that. You’re my friend.” That hurt.

“Do you point a gun at all your friends or am I just special, Spence?” It is supposed to be a joke, but the memory makes your bottom lip start wobbling again and you feel stupid. You feel so, so incredibly stupid right now that you can’t even begin to explain why. “Sorry, I’m just– I’m not okay.”

“I know, and we’re sorry,” There is such raw honesty in his words and he manages to make you smile a little. Your hand is still shaking, but you stretch it out towards him regardless. It’s a conscious decision to hold onto his wrist, covered by his jacket, than to reach out for his palm, and from the way he looks at you, you know he recognises the effort. “But you need to come with us.”

“Why?” You cry out, a single tear coming out of the corner of your eye. At this point, the shock is going away and you’re more overwhelmed than anything else. You’re scared and confused and overwhelmed and it’s his pulse, beating again and again, that brings you back to Earth. “Why do I need to go with you? What is going on?”

“Y/N, when you were housesitting for me, you received a package, right?”

In the midst of everything, the memory of that day, that box, that note, all fade. Frowning, you shrugged. “The delivery man knocked and said he had a package for you… I’m sorry, I didn’t mean to intrude, I–“

“No, no, no, you didn’t, you didn’t. Please.”

“Ma’am, when you signed for the package, did you use your name?” The man, Morgan, ask, and all you do is nod. Of course you signed with your name. “Kid, we need to take her to the office now.”

“I am not going anywhere until you tell me what’s going on!”

Finally, some energy in you. Some strength. Your voice echoes in the empty shop, and the chair tips back when you stand up on stiff legs. Looking at Spencer is hard, when you feel the burning of your rage inside, but you still do; you still meet those pretty brown eyes, you still stare him down until you practically force the answers off of him. “The package… did you see who it was from?”

“Spencer, are you insinuating you’ve pointed a gun at me because I read a message your girlfriend wrote on the package she sent you?! Because I didn’t mean to– I didn’t! It just… It was there, right at the top and I–“

“She is not my girlfriend,” He immediately cut you off, hands waving in front of him in a visual demonstration of desperate denial. “Not at all! I don’t have a girlfriend! I was–“

“We can deal with this later,” Morgan is quick to interrupt, sighing as he looked at you. “Y/N, we re really sorry to disrupt you like this, but this is for your own protection. Please lock the store and let’s go.”

It takes time for you to gather everything you need. You are not a disorganised person by any means, but suddenly, you can’t remember where you put what. Your bag is thrown under the cashier, and your keys are, for some reason, in the Fiction shelf. Your glasses are in your head the entire time, and Morgan has to point that out to you. The more you look, the more flustered you get, yet somehow, you make it to the car. Morgan is driving and Spencer is on the passenger seat, and the way they keep talking to each other using words that make no sense to you make you want to scream. “Spencer.”

The heaviness of his name, said with such emotion,, lingered in the air. His eyes meet yours through the rearview mirror, and he nods. “Yeah?"

“Spencer,” You whisper again, eyes wide in shock as reality starts to dawn. “Spencer, if she’s not your girlfriend, then who the fuck is Cat Adams?”

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AAAAAhhhhh I'm trying something new >.< I've been a massive criminal minds fan for a long, long time and Dr. Spencer Reid has my heart <3

Please let me know what you think, this is my first Spencer fic and I'd love if it got to turn into a series!

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seelestia · 3 months

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✧ the gambler and his knight.

aventurine can't stand having his outfit exposed to the elements nor to the rude hands of clients that won't cooperate – luckily for him, he has you to take care of it all. { aventurine with a bodyguard!reader. }

⎯ fluff & angst. 2.9k wc. headcanons w/ some written scenes. the plot is vv subtle but it's there a.k.a aventurine simps for you (jokingly) but you both end up catching feelings (not jokingly). mentions of violence, death & russian roulette. pre-penacony timeline. a self-indulgent piece to celebrate this blog's 2nd anniv! ★

★ 〜 masterlist.

aventurine who graciously welcomes you under his employment with a game. just a little something to ease your nerves and get you used to his ways. you look at him with such incredulity as if he just fell and hit his head silly. he pays no mind to this – finds it to be amusing a great deal, actually. keep it up, newcomer!

“heads or tails?” he asks, flipping a coin in the air and catching it seamlessly. a routine for him, you would've figured from the sight. “that's. . . an odd way of saying hello,” you point out but your tone bears no hint of protest. he notices that.

“i've heard that one before,” aventurine tilts his head with a smile, nonchalant. “so what's your guess?”

“tails,” you reply without any delay. it's a mindless answer; getting it wrong this way would prove to bear less disappointment compared to putting actual thought in it. “heads for me then,” he whistles.

aventurine opens his palm. it's heads. you frown as if to suspect foul play—but you don't because you know about his notoriously good luck—and your new boss chuckles, almost placatingly.

“looks like i win,” he grins without a care in the world at all. “aren't you starving? let's fetch ourselves a meal, friend.”

a loss rewarded with a prize? you blink. with grace so in contrast to the whiplash you feel, aventurine walks past you with a trail of expensive perfume in his wake. obviously, he expects you to follow and you do after a moment's reluctance.

(this guy is more confusing than the stellaron.)

aventurine who grows quite fond of seeing you acquiesce to his wishes, whether serious or trivial. could you ward off those reporters? could you pour him a drink? could you play a game of poker with him? could you join him for lunch? you're always so professional that he starts to find some mirth in pushing your buttons (never too much). unlucky for you, he does it to be affectionate and lucky for him, you always say yes even if you roll your eyes every single time.

aventurine who trusts you with his credit card. . . to a worrying degree. when asked if he's sure about this, he just waves it off and says it'll be safer in your hands. seriously, this card has been in your possession longer than it's ever been in his. sometimes, he does ask for it back – only to drop some 200k credits to your account. “a tip for doing a good job,” he'd wink casually while you're flabbergasted beyond belief.

aventurine who finds it extremely attractive whenever you step in to protect him from harm. dealing with uncooperative clients is a day in his life, yet some are so brutish they resort to getting physical – but he has you to make sure their hands stay off him. a gun in his direction? knocked off before the trigger even has a chance to get pulled. reaching out to grab him by the collar? they're already on the ground, your foot threateningly pressed on their back as a warning. what a dashing sight – and thanks to you, his pristine outfit has been saved more times than he could count at this point.

aventurine who likes to call you his “knight in shining armor” teasingly. awh, you don't like it? he thinks you're more than deserving of that title with the way you always swoop in to get him out of trouble. if the thousands of credits he gives you aren't enough yet, won't a cute title suffice? “it sounds corny,” you tell him with a grimace—and maybe, yes—but he just chirps coyly, “dunno. i think it's fitting.”

aventurine who makes it his responsibility to check on you after a rough mission. credits are no problem, he'd even reserve the most expensive private doctor in the cosmos if that means you'll recover faster. sadly, he has little to no medical skills – so the most he can offer you is bandages. sure, you can take a bullet to the stomach and handle a punch or two, that's your job, but what about tiny scratches? . . .don't tell him you're about to reject his kind offer.

“what's your favorite color?” he queries, somewhat out of the blue considering the situation where he is helping you tend to a minor cut on your finger. you raise an eyebrow, “why do you wanna know?” as he gently plasters a plain-colored bandage on your skin (which he's only been granted permission to after minutes of begging you to let him do it).

“for the bandages,” aventurine answers. he finds no need to hide his intentions as he runs a thumb over the bandage, softly as to not hurt you, to keep its position secure. “so that the next time you ask, i'll have some in your favorite color for sure.”

“how. . . thoughtful of you,” you snort, amused.

(briefly, he resists the urge to ask if he can place a kiss on your cut for 'luck'. but if he does, you might have his head. so, he'll try another time.)

aventurine who slowly begins to find a sense of comfort in your company. maybe, it's the way you scoff at his quips with a smile or the way you always tell him to be careful. maybe, it's the way you take him seriously or the way you stay by his side—is your job description the only reason why?—or maybe, he's just pathetic and reeks of so much loneliness you feel sympathetic. he can't tell, but he hopes the luxuries he has can persuade you to stay just a little longer. even if you don't actually care. (you do.)

aventurine who notices how anxiety brims in your gaze when you watch him gamble at the table – with a sum too high to be considered sane and sometimes, his own life. he can see it all; how your hands shake as if you want to reach out, how your lips tremble as if you want to tell him to stop. but this is what he's made for, is it not? he'll survive one way or another. . . until fate decides the bill for all his past good fortune is finally due. and when the time comes, he'll be ready for it. (will you?)

a game of russian roulette.

it always starts with thrills only to end with carnage spilled all over the table. luck is the only thing worth praying for at that point and oh, is luck not the dearest friend aventurine ever had? hence the reason why he always agrees, not with a yes but with a “why not?”.

you're there as his protector yet, utterly condemned to the role of a witness as soon as aventurine nods along to that darned game. panic rushes through your veins as the gun is passed around so relaxedly, so easily with laughter all around. aventurine's next in line, you realize grimly. the next decision that comes after is spontaneous, so different from your usual calculated nature – you drag him out of the casino in a frenzy before the weapon even lands in his hand. in your head, there is no other thought louder than: he could've died.

“a shame i didn't get to the fun part,” you hear him hum from behind you, too disturbingly calm for your liking. the bustling noises inside the establishment have all but faded into the background. “that was close, hm?” he laughs, a sound you would've found endearing if this was another occasion. any occasion that doesn't involve teetering dangerously on the precipice of death.

you stop in your tracks and aventurine, behind you, naturally follows. your silence is something he first takes note of and the way your hand shakes as it holds his is the second. you still haven't let go. what's going through your mind? he calls out your name softly, perplexed at your lack of explanation.

“. . .why did you say yes?” you respond with a bitter question. “you could've died. you almost died,” you try to hold back a shout – yet, your words are spat in such a fusillade he feels a seed of guilt starting to bloom inside his lifeless heart. he discards it in favor of putting on a frivolous smile.

“oh, relax,” he lets out a chuckle, one that sounds so ignorant of the taut tension in the air. “it's just some russian roulette. why so serious?” he shrugs as if to physically brush off any seriousness clinging to his figure. his remark gives off the assumption that every single hint of your worry has flown over his head.

“it is serious. . .” you bite your bottom lip. he sneers in return, “yeah? since when?” as if to challenge you to give an actual answer. his life is full of risks, to say otherwise would be a lie. “you're sweet for worrying but you don't actually care about me that much, do you?” he snickers to himself. like the thought of your caring about him can't possibly be true, like it's all just a terrible joke.

but he's the only one laughing.

aventurine falls quiet and finally, genuinely meets your gaze for the first time that night. he doesn't like what he sees. your lips are downturned, unamused and saddened—you do care, a realization that has been left unsaid—and all remainders of levity in him are replaced by immediate dread. it only now registers that the anger, concern, frustration on your face is for him; they're the unavoidable consequences from caring about him.

(his eyes widen. no, no, no.)

“c'mon, you—” he covers it up with a carefree smile, as feigned as it came. he shoves his hand in one of his pockets. it's shaking. “. . .worry too much. you've seen me play a handful of games before. i've never lost a wager, remember?”

you don't look convinced at all. in fact, you look as if you've arrived at the brink of seething. “and if you do? for once in your life, you lose?” you prod him for more. for something, for anything – perhaps, for a promise that he won't do it again.

(but you know aventurine, you know there would be no such promise.)

“then i lose,” he says, final and resigned. “there's really nothing else to it,” he tries to offer you another smile but it didn't quite reach his eyes. “hey. at least, you'll be there to witness my spectacular fall, right? it'll be a show to remember.”

he nearly doesn't manage to keep up the façade. it's already as precarious as it can be. you don't reply to him this time – instead, you let go of his hand to wipe at your cheeks. his gaze trails after your fingers and it freezes upon seeing the pearly tears falling free from your eyes.

aventurine has never seen you cry before. you're always so stone-faced, so hard to break that he recalls almost cheering when he heard you laugh for the first time. that was when you finally won a round of poker against him. a pity, he would've reminisced about the memory more. . . if only the matter of losing and winning a game isn't as serious as it is now.

“don't say that,” you mutter, harshly wiping away at the incessant tears pouring from your eyes more than you'd ever allow them to. some make their way into your mouth, they taste just as bitter as your current frustration. does he truly value his life so little? you can't fathom it, you can't fathom him at all.

but there is one thing you were certain of, at the very least: “you hired me to protect you,” you shake your head unrelentingly, “so i'll do it. until you throw me away, i won't let you die.”

you've stopped crying then. aventurine feels remorse; the tears that you shed because of him are starting to dry. the selfish part of him wants to reach out and brush them away with his thumb – but would you let him? would this lead you further down the rabbit hole that is him? in the end, he decides against it.

“. . .i'm sorry,” he sighs instead, raking a hand through his messy blond hair. whatever it is he is apologizing for, he doesn't have a clue either. he lets his eyes slip shut. he can't bear to look at you, can't bear to look at his pitiful reflection in your eyes.

(he's not worth caring about, can't you see? he dances hand in hand with death – there is no need to subject yourself to being a spectator.)

the two of you then part ways that night with shallow pleasantries on your tongues. no inside jokes, no evident yearning for the other to stay, no more than an awkward exchange of “i'll see you tomorrow.”

on his way 'home', regret and relief clash to form something inexplicably hollow inside kakavasha's chest. he wanted to wipe away your tears—what a regret—but if he did, they would've burned on his skin and became another mark to haunt him—what a relief he didn't. and frankly, if destiny is about to reap his debt, he'd rather go with no regrets at all.

whether those regrets include you? he doesn't have an answer just yet.

(the name at the bottom of his contract with fate is signed as kakavasha. but you wouldn't recognize that name. not as him, at least.)

aventurine whose eyes can't flutter close at night ever since thoughts of you fill his mind more than they already do before. you care for him, you want him to live—all his fault, he allowed himself to get too close—but these realizations are rooted in too deep and refuse to leave. what to do, what to do, what to do?

it isn't supposed to turn out like this.

what he and you have is meant to be transactional; he'd be spared from unnecessary scuffles and you'd be compensated with monetary payment. he means to keep it superficially fun; for him to tease you with jests—so you'd stay and save him from the deafening silence in his head—and for you to dismiss him with that adorably annoyed look on your face. just some silly banter, that's it.

so then, since when are there rounds of poker where he'd coo over your frown when you lost? or the sound of your lecturing after he secretly got you a high-end item? or meals shared together where you'd bicker over the bill? or bandages in your favorite color kept inside his bedside table? since when do you start to care? . . .since when does he start to care?

think of something else.

kakavasha tosses and turns in his bed, but the soft pillows and blanket do nothing to quell these bothers of his. are feelings always this complicated? he places a hand over his eyes, tired and exhausted, and stares at the ceiling as if it could provide him with an answer.

but there's no use.

in a moment void of logical thinking, he reaches for his phone and hovers a finger over your name in his contacts. he is usually good friends with bad ideas – but not this time, he sets his phone down and lets out a frustrated sigh that only his expensive pillows are there to hear.

(for gaiathra's sake, he hasn't even told you his real name yet.)

aventurine who becomes awfully distant the next time he sees you. you accompany him to meetings with clients per usual, but it's different. . . he talks to you succinctly, not verbosely with that trademark grin of his. his face is bereft of the things you grow to like seeing on him. a sincere smile instead of one just for show, for example. but even that's difficult to ask for since he only speaks to fill the silence with empty chatter. he doesn't look you in the eyes either; you feel a pang of hurt, you've always loved his eyes.

aventurine who discards all thoughts of you as soon as he steps inside pier point to be assigned a project. a conclave between the stonehearts is a matter of top confidentiality and you, dutifully, are ordered to wait for him outside the office. though, he'll admit; your absence by his side actually does leave a gaping void—such hypocrisy, really—but at least, those pesky voices in his head know how to shut up when it comes to work.

“penacony. . . is diamond finally ready to do something about it?”

aventurine rests his left hand on the small of his back, fiddling with the clubs-shaped detailing on the fabric there. it looks like an act of idleness from afar, but anyone observant enough would know it's a way to subdue whatever nerves he wishes to hide.

he waits for the person in front of him, gazing at the purplish-red sky of pier point at sunset, to speak. for their next words shall mark the start of his next journey in fate's course.

aventurine who hesitates to let you come to penacony with him at first. but it'd be poor reasoning not to, since some might have a bone to pick with him as the corporation's representative. . . and he knows you'll protest to come with anyway. fine then, situationship discomfiture be damned – not even a second after he steps out of the meeting, his neon eyes finally meet yours. “so, how does a trip to penacony sound?” he announces with a confident smile. you blink, noticing how his lips are wobbling at the sides. you don't say no, however. (if only the two of you know what sort of ride you're getting yourselves into.)

— thanks for reading! reblogs with comments are most appreciated. why don't we all sob over this man like it's a cryfest ♡

#hsr x reader #aventurine x reader #—stellaronhvnters.#honkai star rail x reader #aventurine x you #hsr headcanons #hsr imagines #hsr fluff #hsr angst #seelestial.inks #gambler & knight 🎲

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unproduciblesmackdown · 5 months

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genuinely the green knight (2021) is morgan le fay sending her gay son on a heuristic experience of Let's Get (Beheadings) This Quest

#i could say plenty. again the effort of verbalizing necessarily results in brief posts for once #deleting a tag already like if i start talking about Anything it'll get a paragraph i don't have the wherewithal to see through to the end #from [christmas feast made into stifling Family Dinner oh you'll have chivalric Romances soon :) & must] incident? inciting #to [the girdle is I'm Not Not Cishet I'm Not Not Cishet insisting while shrinking into a corn cob]#the green knight #shocked Shocked i tell you that perfunctory reviews glimpsed at the time seem a bit underwhelming & irrelevant lmao #''what the?? gawain is just some guy hanging out?? he's not....epic???'' yeah can we like move to a step beyond that thought #his magic mom is sending him on a journey so he can see beyond the walls of convention & supposed destiny that: gay people real #there's metanarrative in there; we're introduced Right from the multiple; varyingly writ title cards #so of course i had a great time. unavoidable queerness which was then like oh i perceive i understand. it's All About this. fantastic fr #and a moody stylish dynamic time with ya boy so like well of course i must speak

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d1g1tal-racc00n · 11 months

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Free Websites / Tools that I use for Writing ! !

Organizational:

Notion : a personal favourite of mine. from what i've seen, unlimited projects with a variety of cards to use. it also has an mobile app with it. highly recommend.

Milanote : has some limitations on how many cards you can have but has different templates you can tinker around with. is more of a whiteboard type of site.

Hiveword : i haven't used it but it provides a novel-building template for plot, scenes, characters, etc.

Lucidchart : another i don't use but from what I've seen, it's similar to Milanote with their whiteboard style. also has a variety of templates of charts, diagrams, and more!

Helpful Tools:

OneLook Thesaurus : my go-to website for finding synonyms. also provides definitions!

Language Tool : a chrome extension similar to Grammarly that acts as a grammar-aid tool.

Character Creation / World Building:

Pinterest : a great source if you're searching for inspiration. you can also find tips and prompts on the site too!

Reedsy Character Name Generator : a name generator that include forename and surnames. has nationality specific names and a few mythic / fantasy name generators.

Fantasy Name Generator : this name generator has much more variety with character names and fictional location titles.

Inkarnate : a fantasy world-building site that I used in the past. fun fact: i made a little (it wasn't little) dragon shaped island for one story that never made it on paper.

#writeblr #writer tools #writing tools #writing resources #writing tips

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ckret2 · 24 days

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Chapter 66 of that fic about human Bill but he's not in this chapter so forget about him: Ford and Dipper go cryptid hunting!

This is pretty much a standalone chapter so if somehow you stumbled on this without seeing the rest of the fic, u can just, read it by itself as a standalone Dipper and Ford adventure. It's funny. Promise.

####

The camera turned on to reveal Dipper, illuminated sunset orange and cast in heavy shadows, holding the camera out at arm's length. "Welcome back to Dipper's Guide to the Unexplained, anomaly #175: the Fremont Nightwigglers!" He held up a paper title card in his free hand. "I'm Dipper Pines, and today I'm honored to introduce our special guest star—" he turned the camera around to focus on Ford from behind, "—the one and only Dr. Stanford Pines, PhD times twelve—"

Ford laughed self-consciously. "Dipper, nobody's going to recognize my name outside of a few highly specialized academic fields—"

"—the scientist who developed the Theory of Weirdness—"

"That paper isn't even ready for peer review yet, and I can't take all the credit—"

"—and the coolest dimension-hopping monster-fighting mystery-investigating great uncle in the world!"

Ford paused thoughtfully. "Okay, I'll take that one."

"Tonight, we're on the trail of the Fremont Nightwigglers." The recording cut to CCTV footage from a much higher-budget cryptid-hunting show (which Dipper had recorded by aiming the camera at the TV). The footage showed two marshmallow-like creatures that seemed to consist solely of heads, long legs, and feet—smooth, ghostly white, and featureless except for black eyes. They wore denim jeans that covered their bodies from ankles to waists, and their legs seemed to bend jointlessly, like an octopus's arms or an elephant's trunk. "These weird armless creatures have been seen up and down the west coast states, leaving behind a wave of jeans thefts at clothing stores; but by the time local law enforcement has ruled out any human suspects, the true culprits are always long gone."

The recording cut back to Dipper, who'd taken the lead so he could turn around the camera and aim it at both himself and Ford. "Based on investigative research done by Dr. Pines in the 80s, we believe the Nightwigglers have a migratory route several years long that passes through California, Oregon, Washington, and Canada. More research is needed to find out if they travel as far as Alaska or Mexico. Locals believe each Nightwiggler creates an individual burrow around a communal gathering spot to hide in during the day, and at night they assemble in the communal spot to travel or forage in nearby towns."

Ford threw in, "Based on what the townspeople told me about their habits, they've been in Gravity Falls much longer than usual. It typically takes them a week or two to pass through the area, but this year there have been sightings for more than a month. Perhaps we'll find out why."

"And thanks to a hot tip from an in-the-know local"—the recording cut to a few seconds of footage of Wendy proving she could do a handstand on the split-rail fence around the Mystery Shack—"we know which assembly spot they're currently camping around! Tonight, we're trying to get the first deliberate footage of a Nightwiggler..." Dipper lowered the camera and turned toward Ford, "Hey, what'll we call a group of them? A flock? Herd? Meeting? If we're the first investigators to officially document the species, we get to come up with the name , right?"

Ford considered the question. "What about a wobble of Nightwigglers? Since their legs are so... wobbly."

"Sure, that works."

"Is this really your 175th episode?" Ford asked. "I've missed quite a few."

"Ye—well..." Dipper lowered the camera. It recorded his shoes as he walked. "So far I've got a list of 175 anomalies I want to do an episode on, but I've only recorded and posted thirty-something. I think you've seen them all except the two I've done this summer." He sighed. "I'm... kinda disappointed by it, honestly."

"Why? You should be proud of your work so far! You're the only person in the world who's caught footage of the Hide Behind."

"By accident."

"Because you learned how to identify its call, chased it through half the forest, and were prepared with the right equipment to record it. That wasn't luck, Dipper—that was your hard work."

"I guess," Dipper said grudgingly. "I just... wanted to have a lot more produced by now."

"Wh—You started these last June? That's about one every two weeks. That's a very impressive output."

"I made most of them last summer, I hardly did any over the last school year or this summer."

"You've been focusing on your studies, that's good."

"Yeah, but what about this summer? All I've done so far is borrow some of Robbie's music video footage to make an episode about zombies and record some footage I haven't edited yet about Pacifica's alpaca thief. I didn't even get any footage of the haunted doll crane game before it disappeared. Most of the time I've been just... hiding in Soos's room playing Bloodcraft: Overdeath"—(under his breath Ford muttered "Blood-craft over death?")—"or hanging out with Wendy and her friends, or helping Soos with the Mystery Shack, or just trying to avoid..." He trailed off, suddenly conscious of the camera still aimed at the ground. It had started recording footprints drying in the mud after the recent rain: soft indents like the pads of paws, but with no distinct toes, about the size and length of human feet. Dipper lifted the camera to better record the trail they were walking down.

"Well... there's nothing wrong with taking a break during the summer," Ford said. "Especially considering that your last summer was... quite a bit more exciting than most kids'—"

"That's just it!" Dipper said. "Last summer I did so much! I investigated your disappearance, I filled half of your third journal, I helped stop the apocalypse, I wrote a book with Mabel about solving mysteries and doing fun stuff, I recorded like twenty Guides to the Unknown... Compared to that, this summer I feel like I'm—falling behind."

"Falling behind what?"

"I don't know. But—I just—I... feel like..." He trailed off with a frustrated sigh. "I don't know."

Ford offered, "Maybe, like you're not living up to your own potential?"

"Yes! That's it," Dipper said. "I'm not trying to grow up too fast, I'm just worried I'll grow up before I've done all the stuff I'm supposed to do now. Like I'm already running out of time."

"Hmm..." Ford let out a long, thoughtful sigh. "Dipper, I'm probably the wrong person to be giving this advice, considering that I'm not exactly... the paragon of moderation when it comes to pursuing professional ambitions. But—remember that you're only thirteen. Right now, you don't need to be worried about graduating valedictorian and starting up an anomaly-hunting show and doing groundbreaking research into previously-unknown strange and wondrous creatures," Ford said. "You just need to focus on graduating valedictorian first. That's all I did with my high school years, and after that I still managed to rack up multiple PhDs before age 30. You've got plenty of time!" He said this with the confidence of a man who didn't realize having his life derailed by a manipulative alien villain was the only reason he didn't burn out hard by 1984. "Outside of that, just... worry about being a kid."

"Yeah. I guess you're right. Thanks, Grunkle Ford," Dipper said. "I keep worrying, though. I keep thinking, what if I'm wasting all my time on stuff that... just... doesn't matter? What if nothing I'm doing is actually important?"

Ford was silent a moment. "That's... a very existential question for your age. How long have you been worrying—"

Dipper hissed, "Grunkle Ford!" He jerked his camera up. "Is that fire?!" There was a faint orange glow in the distance between the trees.

"I think it is!"

Dipper whispered, "That's where I found the Nightwigglers' abanadoned campsite last time!"

"Did you see any signs that they knew how to start fires? Remains of a campfire?"

"I didn't notice anything."

"It could be a Scampfire..."

As quietly as they could, Dipper and Ford edged through the trees, Dipper all the while pointing the camera toward the light, until they found a narrow gap between two trees from which they could peer into the clearing.

There were three or four dozen Nightwigglers milling about in little clusters. Several had lit torches—sturdy sticks with the ends wrapped in fabric—which they carried by sticking the ends of the torches into their jeans' pockets.

"Dipper, look at the tops of their torches," Ford hissed. "Is that shredded denim?"

The camera zoomed in on the nearest torchbearing Nightwiggler. "I think so."

"We already knew they wore clothing—but they can make tools, too? How advanced are they..."

Ford trailed off as the clustered Nightwigglers separated, spreading out evenly into several rings. As the camera recorded, they began emitting a synchronized muffled humming; and then they began dancing, kicking their legs and turning in circles together. "Whoa," Dipper whispered. "Is this some kind of ritual?"

"What's its purpose?" Ford whispered back. "Recreation? Religion? Some sort of cultural event—?"

"Hold on. I think I recognize the song."

Ford and Dipper fell silent, watching in silence as the dance repeated a couple of times.

The Nightwigglers were doing the Hokey Pokey.

"Fascinating." The camera lurched sideways, and then turned toward Ford. Ford had stolen Dipper's journal from out of his vest pocket and was hastily taking notes on a blank page. "I had no idea Nightwiggler culture was so influenced by human culture. An hour ago, we didn't even know Nightwigglers have a culture. When could they have observed and learned the Hokey Pokey? It's not exactly a nighttime dance—do they spy on humans during the day?"

Dipper said, "What if we learned the dance from Nightwigglers?"

Ford stopped writing, looked up, and stared at Dipper, mind blown.

Dipper jerked the camera back toward the Nightwigglers as they filed out of the clearing. "Hey! Where are they going now?"

Dipper and Ford waited until the last Nightwiggler had left; and then they quietly followed.

####

After several minutes of silence except for the sound of footsteps, Ford said, "Are we headed toward Mabel's Fault?"

Dipper groaned. "I got enough of this place last week."

"Agreed."

"Hey, you know Bill said we should rename it 'Bill's Fault'?"

Ford huffed. "Did he really? I don't believe it."

"Yeah. He tried to play it off like, 'oOOoh, I just want creEDit—'"

"That sounds like him—"

They came to a stop as the camera spied the Nightwigglers standing in the clearing around the fault, then they quickly moved off the path into the brush and crept closer. "What are they doing?" Dipper asked as they inched up to the tree line.

"I don't know—they're packed too tightly together for me to see."

"I've got an idea. Hold this." The camera bounced as Dipper passed it to Ford, who watched as Dipper climbed up one of the pine trees around the clearing.

"Careful! There aren't a lot of low branches that can hold your weight."

"It's okay, Wendy showed me how to do this." Dipper held out his hand for the camera.

Ford passed it up to him. "What do you see?"

The camera foused on Mabel's Fault. "The Nightwigglers closest to the fault are taking off their jeans, ripping them into two separate legs, and... tossing them in the fault? Have you ever heard of this?"

"Never."

"Like a dozen have done it so far."

"Perhaps that's why they have to steal so many pairs of pants? But why..."

Dipper gasped. Tiny Nightwigglers had begun squirming out of the fault, each wearing a single denim pant leg, crawling around like inchworms with half the pant leg trailing behind them. The bigger Nightwigglers picked up the little ones with their feet and swaddled them in the excess fabric. "They're—I think they're baby Nightwigglers! Coming out of the fault!"

"Amazing! Is this how they reproduce?" Ford asked. "Is that why they travel the west coast—are they following the San Andreas Fault and the volcanoes in the Pacific Northwest?"

"Maybe that's why they've been in town so long," Dipper said. "Mabel's Fault wasn't here the last time they passed through."

"We'll have to find out what other towns they stay in the longest. How far is Fremont from the fault line—?"

"Hey," Dipper said, "A bunch more Nightwigglers took their jeans off. They're tying them in a circle." One of the torchbearer Nightwigglers knelt down and bowed forward, setting the jeans ring on fire; and it was tossed into the fault. The Nightwigglers that weren't carrying infants formed a circle and began Hokey Pokeying toward the fault.

"That definitely looks like a ritual," Ford said, "but why? To celebrate the births...?"

The ground rumbled. Dipper gasped and slipped several feet down the tree before he caught himself. When he refocused the camera, Mabel's Fault was several feet wider, and a fiery glow was rising up from within.

An enormous Nightwiggler, fifteen feet tall, climbed out of the fault. It wore a crown of flaming denim and tattered pants formed by stitching together many pairs of decades-old jeans. The Nightwigglers bowed down.

"Good lord," Ford breathed. "What is that? Did they summon it, or—or was it always down there?"

The giant Nightwiggler watched regally as its subjects danced around it. As they spun around and completed another repetition of the Hokey Pokey—that's what it's all a-BOUT—the giant punctuated the end of the dance with a ground-shaking stomp.

Dipper lost his grip on the tree. He and the camera crashed to the ground with a yelp.

"Dipper! Are you alright?!"

"Ow... fine, probably just bruised."

The camera caught Ford kneeling to help Dipper sit up, and then Dipper grabbed the camera again as he stood. He pointed it back at the clearing.

Every single Nightwiggler, babies and giant included, was staring at them with wide black eyes.

Ford said, "Uh oh."

The giant let out a bellow like a muffled hunting horn.

The Nightwigglers charged.

Dipper and Ford ran away through the brush, screaming.

####

Dipper pointed the camera at his face. His hair was plastered to his forehead with sweat and his cheeks and arms were covered in small branch scrapes. "Still works," he reported to Ford.

"Great," Ford said. "That thing's hardy."

The camera jerked as Dipper tried to set it on a tree stump.

"Well, we got away with our lives," he said. "But... not without some losses."

He got the camera settled and backed up. He was wearing his vest zipped up around his hips like a skirt. Ford's trench coat was conspicuously buttoned up, and his legs were bare between his coat and boots. They both looked sheepish.

Ford said, "We've acquired some invaluable anthropological data, though."

"I'm calling this investigation a triumph," Dipper said.

Ford offered a hand. "High six!"

In the background, a skinny-legged Nightwiggler wearing Dipper's shorts darted through the trees.

####

(It's about time Dipper get a little personal attention. Hope you enjoyed and I look forward to hearing y'all's thoughts!)

#dipper pines #grunkle ford #stanford pines #gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher

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bucky-fricking-barnes · 8 months

Text

The Cards We're Dealt

Title: The Cards We’re Dealt

Pairing: Mafia!Bucky Barnes x Reader

Word Count: 15k

Warnings: Arranged marriage, alcohol, cursing, objectification of women and mild sexism, bad parents, angst, fluff, mentions of drugs

Summary: Bucky and Y/N are the children of the two most prominent mob bosses in New York. When their parents use them as part of a deal, they’re left to figure out how their lives fit together.

A/N: Wow! Another long fic because I have no self-restraint. There’s a bit of Irish in this because I couldn’t resist it when I wrote Steve. Translations are at the end, and anything incorrect can be blamed on Google Translate. As always, thank you for reading, liking, commenting, reblogging, and supporting me in all the ways you do.

There is an unspoken rule amongst the mobs in New York that the more drug manufacturers a man controls, the nicer you treat his daughter. So, when Bucky’s father tells him that he’s once again been pimped out as part of a deal, Bucky knows to ask the question,

“How many does he control?”

If Bucky had his way, of course, he would treat all girls as well as he is able (which is very well). He likes girls, and he likes going out with girls. He just wishes he could choose which girls he got to take out.

“Seventy-five percent,” George Barnes says, and Bucky freezes with his glass against his lips. He has a club soda to his father’s whiskey—he’s in a good mood and was actually hoping to enjoy the day, though now he’s reconsidering it. His plan to lounge by the pool with Becca and soak up as much of the late spring sunshine as possible is quickly dissipating.

“That’s not possible,” Bucky replies. He quickly does the math in his head. His dad owns over half the manufacturers in Brooklyn. “We own—“

“Not anymore.”

The library falls silent as Bucky tries to wrap his head around the news. Just yesterday he’d overheard his father on the phone with one of his men, explaining in great detail what he’d do if they didn’t get him a sample of their newest product by the top of the hour.

“How?” he asks. He sets his glass aside and sits straighter in his chair. “Did something happen? You didn’t tell me about a takeover.”

George takes a sip of his whiskey. “That’s because there wasn’t one.” He sets the crystal tumbler on the small bronze tray nearby. Marta will come clean it up later. “I sold them.”

“You sold them? If you’ve already struck a deal, then why am I taking out his daughter? Isn’t that normally something you have me do to butter their fathers up before you make the deal?”

Bucky watches as his own father stands and goes to watch the landscapers through the library window, his hands clasped behind his back. He’s long since been out of the army, but some habits die hard. Very rarely did the man ever relax.

“You are the deal,” George answers, his voice much too casual for Bucky’s liking.

“What the hell are you talking about?” snaps Bucky.

“Watch your tone, boy,” his father replies. He doesn’t turn around to witness the way Bucky grinds his teeth together in response. “In exchange for the majority of Theo’s territory, you and Y/N will be married within a year and a half, though the exact date is up to the two of you. I believe that Theo mentioned his daughter likes spring, so perhaps a spring wedding. June is popular, from what I’m told, though that’s cutting it a little close to the deadline.”

Bucky’s up out of his seat now. He can feel his pulse thrumming and he can’t quite catch his breath.

“So what? You threw me in to sweeten the pot? Am I just another bargaining chip to you now?”

He’s shouting. He doesn’t care.

George turns and regards him in silence, and, like always, his expression betrays nothing of what he’s thinking or feeling. He doesn’t seem fazed at all by Bucky’s outburst.

“You’re my heir. I make my decisions based on what’s best for our family. Nothing about this decision is impulsive or frivolous, James,” he finally answers, his voice cool and even. There’s nothing familial in his tone—George Barnes is all business.

“You can’t just decide that I’m getting married. I won’t do it. I refuse,” Bucky tells him. He balls his fists at his sides and he sets his jaw, furious. How dare his father try to control his life like this? It’s one thing to occupy the majority of Bucky’s nights and weekends with dates, meetings, dinners, and weapons runs, but it’s another to throw him into a marriage he doesn’t want.

“I can and you will. If you don’t, there will be consequences. To start, you will be immediately cut off from our family. You will have no money, no home, no resources, and no contact or communication with anyone involved in the business, including your mother and your sister.”

Heart pounding, Bucky glares at him. He’s got a migraine coming on. He knows his father isn’t kidding, but he wants more than anything for Steve to pop out and say that this is all just a joke. He’s never even met Theo’s daughter. He’s barely even met Theo. According to the rumors, his only daughter is his most prized treasure. She isn’t someone who frequents any of the bars, clubs, and restaurants that he and the other “mob children” frequent. Maybe “mob children” isn’t exactly the right term, at least not anymore. After all, Bucky’s engaged now. He’s just part of the mob, another pawn to be moved around the chessboard.

“You have the rest of the day off. I’ll see you at eight tomorrow morning,” says George. He picks up his glass and downs the last of the liquor. “Theo and his family are coming for breakfast, and then Y/N will be moving in with us. I want you on your best behavior.”

He pauses and Bucky continues to glare at him, not validating his words with a response. George’s eyes grow dark with a thinly veiled threat. Bucky knows that look—if he pushes his father any harder, he’ll regret it.

“Do you understand, boy?”

“Yes, sir,” Bucky grinds out.

Turning on his heel, Bucky stalks out of the library and slams the door behind him. He immediately heads down the hall, then down the stairs and across the ground floor of the Barnes Estate to the garage. His keys are still in his pocket; he’d only just gotten back from a night out with Steve when his father had summoned him.

It doesn’t matter that he’s still wearing yesterday’s clothes. Bucky climbs onto his bike and revs the engine, speeding off down the long driveway that winds around the house. The guards barely get the gate open in time and then he’s flying down the road, heading straight to Steve’s bar in the city. He knows his friend will be there, most likely nursing his hangover and going over the books in his back office. He won’t be hard to convince to go out again, though Bucky knows he won’t approve of the plan to drink as much as he possibly can in the next twelve hours. It doesn’t matter, though—it’s Bucky’s last night as a free man, and he’s determined to make the most of it.

You sit between your parents, staring at the empty seat across from you. They’d told you this morning that you were going to the Barnes Estate for breakfast, and while you’d expected the grandeur of the dining room and the meal, you didn’t expect the eldest Barnes child to be completely absent. You’ve never met him, but your mother has insisted that you speak to James—George Barnes’ only son and heir—as much as possible during the meal. Supposedly, he’s the same age as you.

Rebecca Barnes is a ray of sunshine and her cheery disposition is a stark contrast to the dark clouds that now hang over your fathers’ heads. Maybe it’s a deal gone wrong or maybe it’s something else, but you don’t like it. It leaves an uneasy feeling in the pit of your stomach. Silently, you sneak a hand under the table to find your mother’s. You squeeze and your mom squeezes back, glancing over to give a reassuring smile.

“Y/N,” Mrs. Barnes starts, and you jump a little in your seat. You haven’t been verbally addressed since you’d been seated a half hour ago. The food has yet to be served. “Your parents tell us that you’re very interested in horticulture. Did you know we have a rose garden out back?”

You force a polite smile. “I don’t know about very interested. I have a few house plants that I’ve managed to keep alive, though I would love to see your garden sometime. I’m sure it’s beautiful,” you add.

“Maybe Bucky can take you,” Rebecca says, earning herself a sharp look from her mother. She simply shrugs.

Oh, to be as unbothered as Rebecca Barnes!

“Where is James?” your father asks. His voice is a low, threatening growl and you sink down in your chair, staring at the cloth napkin still folded atop your plates.

“He knows to be here,” Mr. Barnes growls back. “You’ll have to excuse his tardiness, he’s not normally like this.”

Mrs. Barnes gives Rebecca an even harsher look when she opens her mouth to speak, and this time the girl actually looks ashamed. She takes a sip of her orange juice to hide the guilty look on her face. She’s the first person to have actually touched something on the table, and it’s like whatever spell the room has been under is broken.

All at once, the dining room springs to life. A short, slightly heavy-set woman in a gray dress and white apron enters through one door. She’s holding a delicate silver coffeepot and the smell of coffee instantly fills the room. Two younger women in identical uniforms follow behind her, each of them pushing golden carts laden with food. Through the door across the room, a tall man with short, dark brown hair stumbles in. He’s wearing all black, from his rumpled button-up and jeans to his boots and sunglasses. His hair is sticking up in every direction and just like the coffee, you can smell the stench of alcohol coming from him even from your seat.

You grimace at the smell and pull your napkin into your lap as one of the women comes to place food in front of you. It’s a formal dining service and the strange new man who’s entered feels entirely out of place. From his attire to the way he shuffles across the antique rug, everything about him screams that he’d rather be anywhere else. If you acted like that, your father would be pulling you back out into the hallway to reprimand you, and you look anxiously at Mr. Barnes, who’s seated at the head of the table.

“James,” he greets, his voice unnervingly even. A chill runs down your spine. “It’s nice of you to join us. I trust that you slept well last night?”

James collapses into the only empty chair at the table, the one across from you, and pointedly ignores his father. You risk a glance up at him as he reaches for the cup of coffee that’s already been poured.

True to form, Rebecca leans over and claps a hand on her brother’s shoulder blade. “Good morning! Aren’t you excited to have breakfast with our guests?” she shouts, and her smirk makes it much too clear that she’s fully enjoying the way her brother’s scowl deepens. Rebecca also ignores her parents, including her mother, who leans forward to look past James and give her a look of warning.

James shrugs his sister off of him and starts buttering the toast on his plate. You watch for a moment, then start picking at your own food as your mother also begins to eat. Everyone’s acting so strangely that you’re already on edge, and you’ve only managed to get down a few grapes and two bites of dry toast by the time your father speaks up again.

“So when are we signing these papers?” he asks, sipping his coffee.

“As soon as the marriage license is signed,” answers Mr. Barnes.

You frown. Marriage license? Who’s getting married?

“And the terms are the same as when we last spoke?”

Mr. Barnes sips his own drink, something that looks suspiciously like whiskey, and sets down the glass. “Yes. I have that contract in my office. We’ll review and sign after we’re done here. Are all of your daughter’s things ready to be moved?”

Your stomach drops and you turn to stare at your father with wide eyes. He nods, not even paying attention to you as he continues his conversation with the other man. Your mother pointedly ignores you, choosing instead to stare at her plate as she eats. When you look around the room, it seems like almost everyone else is doing the same. Rebecca is the only person who actually meets your panicked gaze. She gives you a pitying look as your anxiety rises.

It feels like your mouth is filled with sandpaper, and you grab your glass of juice. You have to drink half of it before the feeling even mildly abates. As soon as you set it down, one of the women in gray appears to refill it.

“What’s going on? Why are you moving my stuff?” you finally choke out. You twist the napkin in your lap with both hands, wringing it as you look from one person’s face to the next.

Mr. Barnes stops mid-sentence and the whole room freezes. Even James, who’s pouring something into his coffee cup from a small silver flask, stops what he’s doing.

“Y/N, sweetheart,” your mother begins, taking your hand under the table.

You want to pull away. You don’t.

“After breakfast, your father and I are going home, but you’ll be staying here with the Barneses.”

“What?” you whisper, your eyes filling with tears. “No, I don’t— I don’t want to stay here. You never said anything about me—“

“We’re getting married,” James interrupts. He’s chewing and you look over at him, gaping at the casual way he’s sprawled out in his chair. You can feel his gaze on you even from behind his sunglasses and it makes you feel dirty.

“Excuse me?”

He chuckles and sits up, then leans forward in the chair. He drops the greasy strip of bacon he’d been eating onto his plate. “We’re getting married. They’re using us like bartering chips, sweetheart. You and me in exchange for all the drugs and all the territory in New York.” James gestures grandly with one hand, a too-wide grin on his face. There must be at least ten rings on each of his hands and you swallow thickly at the threatening display of black and silver metal.

You’re trembling now and you pull your hand away from your mom’s. She reaches for you again but you shake your head, shying away from her touch. Frantically, you look around the room to see if this is some kind of joke or a drunken rambling, but no one is laughing. Even Mrs. Barnes has the decency to look sympathetic on your behalf.

“No, no. You wouldn’t—“ You look back at your parents, imploring them to say that it isn’t true. You swallow thickly, trying to stave off tears, and your voice wavers as you prompt, “Mom? Dad?”

Their silence speaks volumes and a whimper escapes you as you wring your hands in your lap. The napkin slides onto the floor. It suddenly feels like you can’t breathe and when your mom reaches out for a second time and starts to tell you to calm down, you jerk away and stand. The chair falls backwards behind you, but you ignore it as you rush out of the dining room and into the hallway you’d entered from. Everything is unfamiliar. Frantically, you pick a door and yank on the handle. It doesn’t give way and you continue the process until one of them finally opens and you can rush inside. You lock it behind you and press your back against the door. The curtains on the floor-to-ceiling windows are closed, shrouding the room in darkness. You can’t make out much of the furniture through the tears in your eyes.

Out in the hallway, you can hear your mother calling for you and your father arguing with Mr. Barnes. Mrs. Barnes is yelling at somebody too, but it’s hard enough to hear the others over your own gasps and sobs. You’re properly crying now and you sink to the floor, curling up on the carpet as you heave. It’s a good thing you weren’t able to stomach much breakfast.

A knock on the door makes you yelp and then cry harder, and you crawl into the darkness of the room to try and find a hiding spot. You’re lucky enough to find an old, heavy desk right away. It’s the perfect size for you to crawl under for shelter, and there’s no chair for you to move out of the way. The drawers on both sides create a cubby for you, so you crawl into it and curl up into a ball with your back towards the door, just in case someone manages to get in. If you’re quiet enough, it’s possible they’ll walk right past you.

The crowd in the hallway has definitely heard you by now. The doorknob is rattling as whoever’s on the other side tries to get in, but after a few minutes, they stop and the hallway goes quiet. You hold your breath after every couple of sobs, listening for any sign that they’ve found a key or that they’re picking the lock. Nothing happens, however, and after a while, you give up on listening.

You sit in the darkness and cry until you’re thoroughly exhausted. Once you’ve run out of tears, you sit and zone out with your head resting against the side of the desk drawers for a while longer, numb from the news. Your body feels light and a buzzing, tingling feeling makes moving your limbs seem impossible. You could’ve never imagined that your parents would be so capable of treating you so poorly. You’ve always felt so loved by them, and to hear that they’ve practically thrown you away at the first chance of a profit makes you want to puke. Upon that realization, you actually do throw up, and the stink of your vomit on the carpet of whatever room you’re in makes you want to cry all over again.

The door opens just as the stench is becoming too much to bear. Light floods in from the hallway and you squint, curling up in fear. After a moment, the shorter woman in the gray uniform that you’d seen at breakfast appears a few feet away from the desk, right in the path of light. You look up at her.

“Oh dear,” she sighs, and you instantly feel ashamed at the disappointment in her voice.

“I’m so sorry,” you whisper. Your bottom lip is trembling again as fresh tears somehow appear in your eyes. Sniffling, you wipe your nose with the back of your wrists. “I can clean it if you—“

“You’ll do no such thing,” the woman says. Her voice is gentle and kind, so much so that you don’t feel the need to argue with her. She waves her hand dismissively and approaches you, then holds out both hands. She’s careful not to step in the mess you’ve made. “Now come on, up you go.”

You let her help you to your feet and then you straighten out your clothes, sniffling and wiping at your nose again in a desperate attempt to look more put together than you feel. Still a bit unsteady, you whimper for a second time, “I’m sorry.”

“It’s alright, dear.” She gives you a warm smile. “My name’s Marta. I’m the head housekeeper here. It’s very nice to meet you.”

You don’t feel the same way about meeting her, given the circumstances, but you hold that comment to yourself and simply nod in agreement. Marta leads you back out into the too-bright hallway. It’s empty except for a bald man mopping the floor on the far end.

The high ceilings and glossy marble floors make it look like you’re in a castle. Even the silence feels regal. Everything seems so cold compared to your home, and you feel too small in the massive space.

“What time is it?” you quietly ask, looking back at Marta.

“It’s almost noon, Miss.”

Your stomach sinks and you press your lips together, inhaling deeply as you look around again. Three hours have passed. “My parents…”

“They left about fifteen minutes after breakfast,” she tells you. Her words are matter-of-fact, even if she delivers the news in the softest possible way.

Somehow it hurts worse that they’ve left you than finding out they’d practically sold you to the Barneses in exchange for God knows what. Drugs or territory, whatever James had said. Not only did they treat you like nothing, but they’d deserted you after it was clear you didn’t agree with their plans. They hadn’t even tried to reassure you that they still loved you or that you’d still be able to see them. Maybe you wouldn’t be. Maybe they didn’t.

You nod numbly. There’s been nothing to prepare you for this, no precursor or warning, so you keep looking around the hall, though in reality you’re not really seeing anything.

“Your room is ready upstairs, Miss Y/N. Would you like me to take you?” asks Marta.

You nod again. You feel like you’re underwater as you follow her up a grand staircase and then down a long, narrow hallway. It’s decorated similarly to the ground floor, though with a plush Persian rug running its length. Marta talks as she walks ahead of you, no doubt explaining what the many doors lead to, but her words simply go in one ear and out the other. It’s all so surreal that when you finally get to your own room, you don’t even open the door. Marta has to reach around you to open it, and then she gently ushers you inside when you still don't move.

Just as they had said at breakfast, your belongings have all been moved into the Barnes Estate. The furniture here is different, grander than what you’re used to, but your blankets and pillows are on the bed, and the two bookshelves are packed full of the books you’ve collected over the years. Even the strip from the photo booth at an old friend’s wedding is pinned to the bulletin board above the desk. Someone’s even thought to put your plants on their own table by the window.

“There’s a bathroom on the left and your closet is on the right,” Marta explains, pointing to each. “If you’re hungry, dinner is at five.”

“Do I have to eat with them?” you ask.

If Marta is surprised by your question, she doesn’t show it. She simply shakes her head with a gentle smile. “No. We can bring food here if you’d like.”

You nod and stand in silence until she leaves and closes the door behind her. Then, after another minute passes, you drag yourself over to the bed, climb under the covers, and close your eyes.

If there’s any mercy left in this life, you think, I’ll fall asleep and never wake up again.

Weeks pass and you still haven’t adjusted to life at the Barnes Estate. The staff is only slightly less friendly than those you grew up with, but they’re more attentive. It helps that there are more of them. For every member of the Barnes family, yourself included, there are at least four staff members to attend to their every need. It makes you feel like royalty, but it also makes you feel guilty. You don’t need this much. You certainly didn’t ask for it.

You haven’t seen James since the ill-fated breakfast, nor have you seen your parents. They’ve gone so far as to block your number. After that discovery, you’d locked yourself in the massive ensuite bathroom and cried for an hour. Marta had been the one to coax you out. The poor maid who’d found you when coming to get you for dinner hadn’t known how to help. You’d spent that entire evening curled up on your bed while reruns of The Nanny played on the TV embedded in the wall across from the massive mattress. Marta had spent every second with you that she could, but eventually Mrs. Barnes—Winnifred, as you referred to her in your mind—had scolded her for neglecting her nighttime duties across the estate. That made you feel even worse.

“Are you okay?” Rebecca asks, and you turn to look at her from where you’re staring out the hallway windows at the gardeners. The backyard is massive, complete with a rose garden in full bloom, an outdoor swimming pool, a forested walking trail, a large green expanse for games and parties, a gazebo, a fountain, and what seems to be stables far in the distance, though you haven’t ventured far enough to be sure. A visit to the rose garden hasn’t been brought up again either, and nothing seems interesting enough to explore on your own.

Nodding, you don’t say anything before turning back to watch the men work. They talk and laugh with each other as they prune, pick, and water. You wish that you could trade places with them.

“You don’t look okay,” she says. Rebecca props herself up on the window ledge to your right, facing you with a suspicious look on her face. “We haven’t seen you at any meals, and Valerie told me that you were crying in the bathtub three nights ago.”

You should feel ashamed, but you’re too numb to care. It feels like you’re floating through each day, detached from most things. You’ve spent your entire life thinking that you would marry for love and live happily ever after. Now, your parents have sold you to the highest bidder and your husband-to-be is a cruel, disgusting man-child that wants nothing to do with you.

Rebecca’s fingers lacing with yours jerk you back to reality and you look down at your joined hands in confusion. Her nails are bitten short and she wears a single ring with the Barnes family crest. It’s dainty and gold, a stark contrast to the many rings on her brother’s fingers.

“You’re safe here, Y/N,” she tells you, her voice gentle. “You don’t have to be alone. I’m so sorry for everything that’s happened to you. If I had any say in it, you could be home right now with your parents, but I’m far from the top of the totem pole.”

“I hate them.” You spit the words out and jerk your hand away from hers. “I hate my parents.”

That’s the first time you’ve ever said that in your entire life and your heart skips a beat as the anger makes your lip curl. You’re baring your teeth at her but Rebecca doesn’t even flinch. She’s a mafia princess, through and through.

“They made me believe that I could have anything I wanted, that I could marry whoever I wanted whenever I was ready, and then they threw that all away and treated me like shit the first time it was convenient for them.”

She nods. “That’s true.”

“I was so foolish to have believed them,” you growl, but the fight in you is fading just as quickly as it came. You burn bright, but you burn quickly, too.

“No,” Rebecca says, shaking her head. “You’re just human.”

You look away, embarrassed by your display of emotion as your eyes begin to water with more tears. You were raised to be reserved. You knew very little about the inner workings of your parents’ business, but you’d learned as a young girl that you’d fare better if you always clung to the edges of the room, avoiding the dirt and grime and blood that surrounded your whole life. Over the years, you’ve grown very good at hiding yourself and your emotions from the people around you. From the spark in her eye, you have the feeling that Rebecca is the exact opposite. She could hold her own if it came down to it. You couldn’t.

“It’s okay to be upset,” she insists.

Shaking your head, you take a deep breath and look back out the window. You lift your chin slightly and when Rebecca tries to rope you into another conversation with her, you ignore her and focus on the men outside. They’re finished tending to the roses on the edges of the garden. Now they’re working their way inwards.

You’re finally left alone a few minutes later and as soon as she’s around the corner, you let out a heavy sigh and relax your posture. Slumping forward, you lean forward into the window ledge, curling up just a little as you continue to watch the gardeners. The silly song from Alice in Wonderland pops into your head and you hum along, eventually mumbling to yourself about painting the roses red.

You feel a little bit like Alice, you realize. You’re out of your element in a strange land where everything you’ve learned about life seems to be turned on its head. In this world, nobody marries for love and the girls are just as entrenched in the business as the men. Does Rebecca conduct business with her father and older brother? You could certainly picture it. Will the same be expected of you?

That afternoon, Marta knocks on your door with a written invitation from Winnifred. Your presence is being formally requested at their dinner table, though from the look the housekeeper is giving you, it’s more of a demand than a request. With her help, you pick out something to wear. By the time five o’clock rolls around, you’re crossing the enormous hallway in a dress and heels that you’ve never seen before. It’s far too showy for your taste, but it’s clearly something someone wanted you to wear. Otherwise, they wouldn’t have put it in your closet.

George Barnes and James stand when you enter the dining room, as do several other men you don’t recognize. Your father is standing near the head of the table with George, though your mother and Rebecca are nowhere in sight. Besides Winnifred, you don’t recognize any of the other women. The only empty seat is beside James and your immediate instinct is to flee, but then he’s stepping aside to pull out the chair and all eyes are on you.

Slowly, you close the distance between the two of you and sit. He helps you scoot in, then takes his own seat on your right. The other men sit as well and then dinner resumes. You sit in silence, staring at the top edge of your plate with your hands in your lap. You’re not really listening to the conversations around you, either, but you can feel someone’s eyes on you as you try to stay as quiet and motionless as possible.

“Are you sick or something?”

You startle and look up with wide eyes. James is watching you. He’s got one hand on the table with his fingers brushing the stem of his wineglass and the other resting on his thigh. Unlike your fateful breakfast weeks ago, James is dressed in a neat, all-black suit. He has no tie, and his rings are all gone except one. It’s identical to Rebecca’s family crest, except his is silver and has a thicker band.

His eyes are full of something you can’t place and you shift uncomfortably under his gaze. As quickly as you turned to him, you turn away and look back at your plate. The napkin is folded in some elaborate way on top of the plate. You’re not sure if it’s supposed to resemble anything at all, but maybe if you stare at it long enough, it will look like something.

“Y/N?” he prompts. You nod once, tightly, and then pull the heavy cloth napkin into your lap when a server appears to present the first course.

Between the second and third course, you can feel James’ eyes on you. After the third, he gets roped into conversation with a man sitting across the table, but you know that he’s glancing at you all the while. After the fourth, he bumps his arm against yours. You shirk away and feel him tense beside you.

“Excuse me,” you mumble, and you push your chair away from the table. Immediately, the conversations stop and all the men stand again. It’s too much attention on you and you hurry out of the dining room as fast as your heels and dress will allow. You’re stumbling over yourself by the time you get back to your suite on the third floor. The door slams behind you and you collapse onto the floor beside the bed, too overwhelmed to even climb atop the oversized mattress. You’re on the verge of tears when there’s a soft knock from the door, and that rips a sob from your chest that you hadn’t expected.

Immediately, the door opens and James is standing in the open space, a dark look on his face. You sob again and scramble backwards until the edge of the bed frame is digging painfully into your spine.

“What are you doing?” he asks.

You swallow hard and take several gasping breaths, trying to control yourself. Your mind is spinning with insults, calling you weak and pathetic, and you believe every one.

“It’s just too much,” you answer through your tears. “I don’t want this!”

James huffs. His angry expression has faded, now replaced with something more akin to irritation. “And you think I do?”

You shake your head. “Of course not.”

“These are the cards we’ve been dealt, doll. You’re gonna have to get over it. Let’s just get married and then we can live happily ever after in a big house where we never have to see each other. I’ll do what I want and you can do what you want. Sound like a plan?”

You look down at your hands. A big part of you wants to say that no, it doesn’t sound like a plan. You don’t want that life. You don’t want a house so big that you practically need a golf cart to get from one side to the other. You don’t want a husband who ignores you in favor of his blood money or his side chick or the next shiny toy off the black market. You don’t want James.

Though every part of you is screaming the opposite, you nod. He crosses the room and you inhale sharply to steady yourself as he approaches you with no care. His black dress shoes are tracking dirt across the rug. James holds out a hand to help you up and you take it. The heirloom ring on his right hand digs into yours until you’re standing, and then he drops your hand like it’s on fire.

“We need to go back,” he tells you, and you nod again. “Our parents are pissed.”

“Of course they are,” you mumble.

James pauses, staring at you critically. You’ve been staring at the baseboards since he helped you up, but when he doesn’t move or speak, you glance upwards at him. He’s got one eyebrow raised. His expression is thoroughly unreadable otherwise and an unsettling feeling blooms in your stomach.

“What?” you ask. You step back a little, but there’s no place to go except up against the bed again.

He shakes his head at you. “Nothing. Come on, princess.”

“Don’t call me that.” You scrunch your nose. “Anything but that.”

“Sugar?” he offers, and when you shake your head, he sighs. “Well, what do you want me to call you, since you’re suddenly the one calling the shots?”

His words cut deep and you look back down, hating the way shame immediately pools in your belly. How could he seem angry and irritated with you, then borderline kind, and then completely disinterested in your feelings the next? It’s disorienting, and you don’t need that on top of everything else.

“That’s what I thought. Let’s go.”

Grabbing your arm in a grip just bordering on painful, James pulls you out of your bedroom and back down the hall. He holds on as you stumble behind him in your heels. When you reach the ground floor hallway again, he drops his hand and offers you his arm. You’re hesitant to take it, but he sighs a little and you decide that it’s easier to give in than to put up a fight.

The two of you walk back into the dining room and the conversations immediately hush. James leads you to your waiting seats, pulls out the chair for you, and then helps you scoot towards the table again once you’re seated. As he takes his spot beside you, your father speaks up.

“Have you and James discussed when you’ll be getting married?” he asks.

You pick up your fork and stare at the strange food on your plate, ignoring him. Though your stomach is churning, you force yourself to take a bite. He can’t expect you to answer while you’re chewing—it would be bad manners.

“Next spring,” James answers. “In the rose garden.”

You want to spit on the roses. You swallow your food instead.

“Good choice,” Mr. Barnes agrees. He turns his attention back to your father. “Your daughter is quite the well-behaved woman. She’ll do well with our James.”

Beside you, James tenses again, his grip tightening slightly on his fork. You glance at him, holding your breath, and wait until he relaxes again to take another bite of your food.

The rest of the dinner passes with mundane, meaningless conversations. Nobody addresses you for the remainder of the meal, not even your parents, and finally the men begin to make their way out of the dining room to an adjoining room. You hadn’t even realized there was a room connected; the door is hidden amongst the paneling and crown molding on the walls.

“You can’t go in there.” James grabs your wrist as you stand to follow the group of men into the new room. His voice isn’t malicious and his grip isn’t tight, but you flinch away from him anyway. It’s only then that you realize the few women that had been in the room are leaving through the door to the hall with their wineglasses in hand.

“Because I’m a woman?” you counter.

“Because you don’t want to hear the things that they’re going to discuss,” he answers. He tosses his napkin on the table and stands, towering over you. After a long second of eye contact, he steps away from you and heads towards the men.

You watch him go and silently weigh your options. A few weeks ago, you wouldn’t have even thought about following the men into the second room. You would have simply taken the same path as the other woman, though your wine would have continued to remain untouched. Now, however, with your wine in hand, you stood at a crossroads. You could go into the room and potentially face the wrath of your father, James, and George Barnes, or you could live forever curious as to what was actually being discussed.

With your mind made up, you down your wine, step around James, and head through the open door into the room. It’s a study with dark wood paneling on the walls, leather couches, and stale cigar smoke in the air. As soon as you enter, the laughter and conversation stop and all eyes land on you.

“Y/N, you should be with Winnie and your mother,” Mr. Barnes says, stepping towards you. James is behind you now and though you’re hedged in, you simply lift your chin at the older man.

“Why? Am I not allowed to know what family I’m marrying into?”

His face darkens. “Girl, I’m warning you—”

“Don’t speak to my wife like that.” James’ voice from over your shoulder startles you and you quickly turn your head, looking back at him with shock.

Why is he suddenly standing up for me?

“Hold your tongue, James,” his father snaps. “You aren’t married yet, and Y/N needs to learn her place. One would think her father would have taught her better, considering the problems his wife caused.”

Though you hate your parents for what they’ve done to you, your blood boils at the insult. Your anger rears its ugly head even more when you realize that your father doesn’t look intent on standing up for you or your mom, either.

“That’s enough!”

You swear the room rattles around you when James shouts and you grit your teeth, furious at Mr. Barnes. How dare he insult your father? How dare he talk to you and his son that way?

James grabbing your hand shocks you back into reality. Once again, his grip is almost painfully tight, but you force your face to reveal nothing.

“Y/N and I are going out. If I so much as hear that you’ve said a single thing about her in my absence, you will regret ever giving me any kind of power in this business,” he growls. “The next time you see her, I expect that you’ll treat her with the respect she deserves.”

The men stare at you and James in disbelief, and then you find yourself being practically dragged out of the room. You’re too stunned to fight back, so you let him pull you across the ground floor of the estate to a door only two down from the dark room where you’d hit the morning your parents had left you behind.

“We’ll have to take the car, unless you’re okay riding the bike in that dress,” James says, pushing open the door. He doesn’t look back at you as he speaks, and it takes you a second to realize he wants a response.

“Car,” you answer after a few seconds. “Please.”

The room James has led you to is a massive garage, stretching farther than you ever realized a similar room could. Three of the walls are made of light gray cement, as are the floor and ceiling, and the fourth wall is made up of windowed garage doors, each one big enough for several cars to drive through simultaneously. Running down the center of the rectangular garage, there is a row of seven parked cars, with enough space to fit at least another car between each one, and beyond that, you can see a row of several motorcycles parked in a similar manner. The cars are in varying shades of gray and black, with the exception of one red sports car at the far end of the group. You can’t see the bikes well enough from the door, but you catch glimpses of blue, silver, gray, and black.

Four enormous, black and silver tool chests are lined up against the wall facing the hoods of the cars, but there isn’t a spot of oil or dirt in sight. You don’t even see any loose tools or equipment. Looking around, you wonder if the tool chests are just there for decoration, or if someone on the estate actually works on the cars and motorcycles.

Maybe James works on them?

“Are all of these yours?” you ask, unable to help yourself. He seems like the kind of guy who would enjoy driving around for fun, and he’s just mentioned something about a bike. You stare at the side of James’ face as he plucks a set of keys off a black pegboard on the wall. There’s a button embedded in the wall beside the board. James pushes it with one thumb and the keys in his hand bump against the wall.

One of the garage doors near the last few cars starts to roll upwards onto the ceiling, revealing the outside of the estate. The sun has completely disappeared from the sky, and the moonlight is blocked by the clouds you’d seen rolling in earlier in the afternoon. The leaves of the large shade trees that surround the estate and form a protective shield from the outside world rustle in the wind. Crickets and cicadas chirp, reminding you of the cool spring nights you’d spent on your family estate as a little girl. You’d run around in the grass near the garden while your mom or your nanny watched you. Sometimes your father’s men would watch from the perimeter of the property, and when you’d wave, they’d wave back, asking what you’d done that day. You always answered them, even if you knew it would get you in trouble. They never stopped asking either, even if it got them in trouble, too.

You stop walking and close your eyes, then breathe in deeply as the night air rushes into the garage. It’s the first time you’ve been even close to the outdoors since arriving at the Barnes Estate. Your skin is still warm from the stifling dining room and the anger you’d felt in the men’s study. The breeze is a blessed relief, even if you do shiver after only a moment. Goosebumps form on your exposed skin—the dress Marta had picked out for you did little to keep you safe from the elements.

James keeps walking down the aisle formed by the wall and the front of the cars, though you hear his footsteps pause a few moments after you stop following him.

“Are you okay?” he asks.

You’re a little surprised that he’s not demanding that you catch up. When you open your eyes, you immediately meet his gaze, and a weird feeling bubbles up in your stomach. The expression on his face betrays little, but his stare reminds you of the way your father’s men looked at you all those years ago—interested and almost fond, but ready to push you away at a moment’s notice. You nod and hurry to catch up with him.

Once you get closer, James presses a button on the key fob in his hand. One of the cars in front of the open garage door rumbles to life. The sound it makes is a low purr, almost seductive, and you raise an eyebrow as James approaches, then runs his fingers over the hood. Even if the others aren’t, this car has to be his. It’s a sleek black, with dark tinted windows and a gleaming silver grill in the front. The BMW logo shines proudly in the center. It looks like a car your own father would own. Though you know he’s never owned a BMW, if this car is anything like the ones in your father’s fleet, you know that the inside will be as much a picture of luxury as the outside.

You slide into the passenger seat when James opens the door for you, and in the time it takes him to cross around the front of the car to the driver’s side, you take inventory of the interior. It’s a manual transmission—something your father once said was obsolete, except for car collectors and enthusiasts—which means that you wouldn’t be able to drive it, even if you tried. The car is pristine, so much so that you’re afraid to move. Two water bottles are in the cupholders, and it still smells brand new inside. There isn’t a speck of dirt or dust on the dashboard, nor on the floor mats. The leather seat is soft and there’s a control for seat warming and cooling on the control panel.

James climbs into the driver’s seat and shuts the door. He buckles up and you follow his lead, and then you sit back as he reverses the car out of the garage and onto a winding driveway that leads you around the front of the estate, then along the other side to a large gate with a guard house. You’d forgotten about the extensive security since the last time you’d been outside the Barnes Estate. Your father had handed over your driver’s license, along with his and your mother’s, before breakfast all those weeks ago, and there’d been a strange code word of some kind. It dawns on you as the guard opens the gate for you and James that you’d never gotten your license back.

“Where are we going?” you ask as James pulls onto the main road. It leads away from the estate and into the city.

“To get some real food,” he replies. His tone is gruff, and it feels like he’s on the verge of an angry outburst, so you slump back in your seat as he shifts gears and the car accelerates. The tension in the car is thick. You don’t want to be the one to deal with it, especially since he’s the one creating it.

After several minutes of watching the enormous mansions and the forests surrounding them pass by, you look over at James again. His expression, just like in the garage, reveals nothing, but you can tell that he’s more put-together than the last time you’d interacted, and it’s not just the tailored suit. His hair has been trimmed and styled, and he has an even dusting of stubble that frames his jawline nicely.

In the time since you’d learned you were engaged, James hasn’t said anything to you. You’ve heard him talking in the hallways as you wandered, but you haven’t wanted to be near him. This is the closest you’ve ever been. Your brief conversations so far tonight make up the majority of the words you’ve spoken to each other. His words from the bedroom echo in your head, until finally, you can’t help but blurt out your thoughts.

“Do you really not want to marry me?” you ask. Your voice sounds small and pathetic, and you hate it, but it’s too late now.

He glances over at you with one hand on the wheel and the other resting on the gear shift. “What do you mean?”

You sit up a little in the seat, though you keep your hands in your lap and you try not to move your feet, just in case there’s dirt on your shoes.

“I mean,” you say, watching him carefully for his reaction, “that when you came to get me upstairs, you said you didn’t want to marry me. Is that really true?”

“I never said that.” He shifts gears again as you near a stoplight, and the car slows.

“Yes, you did.”

“No,” he shifts again, his teeth now clenched, “I didn’t. I asked if it looked like I wanted to marry you, and you said it didn’t. But I never said I didn’t want to.”

Now you’re confused, and you frown at him, ignoring the obvious irritation in his voice. The car rolls to a stop behind a Ferrari blasting music out the open windows.

“So you do want to marry me?” you ask.

He sighs and drops his hand from the gear shift, then looks over at you. “Y/N, I’m not going to pressure you into anything you don’t want to do, so if this is you testing to see how I’ll treat you, then you have nothing to worry about. I’m not a monster.”

“It’s not. I just…” You stop, unsure of how to phrase what you’re feeling. It’s strange to be upset over a marriage you don’t even want, but for some reason, you are.

“What?”

“If you don’t want to marry me and I don’t want to marry you, then why are we going along with this?” you finally ask, settling for the bigger question than the one that’s truly nagging at you.

“Because we know that if we don’t, life will be hell,” he answers.

It’s the truth. You know it is, and you know it deep down. If the two of you refuse this marriage, your life will be worse than you could possibly imagine, and you’re fairly certain that your fathers will find a way to make it happen anyhow. They’re well-connected in every sphere of life, not just when it comes to drugs and weapons. Your father probably has a priest on his payroll.

The light turns green and James moves the car forward again, merging into the right lane almost immediately. He slows as you approach a valet stand outside an upscale bar you’ve never heard of. It’s not one of your father’s, which means it probably belongs to George Barnes.

Then again, you think as a uniformed man opens your door, maybe it belongs to James.

“It’s nice to see you again, Mr. Barnes,” a valet on the other side of the car greets.

James hands him the keys. “You too, Tommy. Listen, don’t park it too far off. We’re not staying too long.”

The man nods and climbs into the driver’s seat as your own valet leads you away from the curb. James meets you next to the valet stand and offers you his arm, then heads towards the doors.

“What is this place?” you ask as he holds open the door for you.

“My friend’s bar,” James says.

Your stomach twists itself in knots as heavy club music starts to get louder. The bass rumbles in your chest and you dig your nails into his arm as you near a set of glossy black double doors. You haven’t been to a club in a long time. The last time you’d gone, you’d been dragged by a childhood acquaintance, but you’d spent most of the night alone after she’d ditched you for someone she met on the dance floor. You’re not particularly eager to relive that experience tonight, especially with the man you’re being forced to marry. Who’s to say he won’t ditch you for someone else right in front of you, just to rub it in your face? After all, he’d said it himself in the bedroom—you’ll do what you want and he’ll do what he wants. It’s the cards you’ve been dealt.

If these are the cards, then I’ve got a sucky hand.

“James—”

“Bucky.”

You stop and squint at him in the low light of the entrance hallway. The two bouncers in all-black suits stop with their hands on the door handles, ready to open them for you once you start walking again. The music pounds in your ears, so much so that you can feel your eardrums vibrating.

“What?” you ask, not sure you’d heard him correctly.

“Bucky,” repeats James, a little louder this time. “You should call me Bucky, if we’re going to be married.”

“Is that… a nickname?”

Even in the darkness, you can see him laugh, and a bashful, boyish smile spreads across his face. “My middle name is Buchanan. Steve used to tease me about it when we were kids, and he started calling me Bucky as a joke. It caught on.” He shrugs it off, but there’s a fondness in his voice when he speaks of his childhood friend, and it makes you smile just a little.

You loosen your grip on his arm. “Okay then. Bucky,” you add.

When Bucky steps forward again, the doors are pulled open, revealing a much more casual bar than you could’ve anticipated. Though it’s clean, it looks a little run down, and the heavy music fades into jazz piano as you step through the open doorway and into the large, open space. With almost cathedral-height ceilings, walnut floors and support pillars, and well-worn wooden booths and tables, the bar feels more homier than you’d expected. It’s clearly been well-hidden from the busy crowds of New York. Only a few patrons are scattered around the room, sitting in the booths or at two-top tables, but Bucky leads you to the wood, u-shaped bar that juts out into the room from the back wall. A single man stands behind it, drying glasses with a white bar towel. He smiles when he looks up and sees you approaching.

“Bucky,” he greets, and he reaches over the bar to pull Bucky in for a hug. It’s the first time you see Bucky smile—a real, full, genuine smile—and you watch in silence as he hugs his friend.

“Steve,” Bucky replies. Instantly, your brain starts connecting the dots. This is his childhood friend, the one who gave him his nickname.

“Tá sé go maith tú a fheiceáil.” Steve turns his attention to you, and you quickly look away from Bucky and at him. Your brain whirs as you try to place the language he’s just spoken. It’s not one you’ve heard before, which means none of your father’s men speak it, and neither do any of the Barneses.

“You must be Y/N.”

You nod and offer Steve a small, polite smile. You’re not sure how to act around Bucky’s friends. If they’re also part of the mob, it’s possible they’ll treat you even worse than George Barnes had after dinner, but a new, surprising voice in your head argues that Bucky would never be friends with someone like that.

“It’s okay,” reassures Bucky. He reaches out and touches your arm, gentler than he has all evening. “Steve’s a nice guy, and he knows about our family businesses. You can trust him.”

Steve looks between the two of you before picking up a glass and setting it right-side-up in front of you. “What’ll it be, Y/N?”

You glance at him, then at the wall of liquor behind him. After a moment, you list off a drink that’s not your favorite, but that you know you’ll be able to stomach no matter the circumstances. Steve nods in response before starting to make it.

Silently, Bucky takes one of the chairs at the bar, and you do the same. He sits with his arms folded on the counter. He’s still wearing his suit from dinner. You feel a little out of place in your fancy clothes, and you wonder if he feels the same.

Your drink is placed in front of you a moment later, and after Steve’s silent prompting, you take a sip. It’s delicious, and you can’t help but smile at him.

“Aha, I’ve still got it!” Steve cheers, and you laugh. He grins at you, a charming type of smile that makes your heart flutter in your chest. You feel a little sheepish at the intensity of his joy, and you fidget in your seat, then with your hair.

Beside you, Bucky rolls his eyes and tosses a round paper coaster at his friend. “Knock it off, Rogers,” he huffs. “Stop flirting with my girl. You’ve already got one of your own.”

You glance over when he calls you that, but you don’t say anything. There’s another weird feeling in your gut now. This one, unlike the one you’d had in the car or the fluttering feeling Steve had given you, you recognize immediately—pride. It feels good to have Bucky call you “his girl”, even if you barely know him. It’s strange, and the thought makes you squirm in your seat again. You drop your hand down to the bartop and take another sip of your drink, trying to quell the strange feelings inside of you.

What is going on with me? Why can’t I just feel normal about all of this? Is there even a normal way to feel about this?

“You hungry?” asks Bucky, and you nod when you realize he’s talking to you again.

“I make a mean twice-baked potato,” Steve says. He plants his hands on the bar to look between the two of you. “Whaddaya say, Y/N? You up for it?”

“Only if you put the jalapeños on the side this time, punk,” Bucky tells him before you can reply. He seems to remember himself a second later, however, because he looks over at you. “Unless, of course, you want them on top.”

You shrug, not wanting to upset anyone, and Steve groans.

“Come on, Y/N,” he says, and he smiles wide as he gestures around the almost-empty bar. “I’ve got all the time in the world to make your food exactly the way you want it. Don’t make me guess.”

“He’s bad at guessing,” Bucky chimes in.

“Terrible,” Steve adds, nodding earnestly.

Tentatively, you list off what you want, and Steve makes a note of everything on a notepad that seems to appear out of nowhere. Once he’s got your order down, he disappears through a door in the back wall. Before it closes, you catch a glimpse of a shining kitchen filled with stainless steel, and you wonder how many patrons come through the bar if Steve has what looks to be a full-sized kitchen in the back.

“You didn’t eat much at dinner, so I figured I’d bring you someplace that actually has good food,” Bucky says. He reaches across the bar to grab a bottle of beer Steve has left out, and he uses one hand to pry the top off.

You gape at him, too distracted by the blatant show of strength to properly process the very thoughtful thing he’s just said to you. “What?”

“I said that you didn’t eat much at dinner, so I figured—”

“You just pulled the top off like it was nothing. How did you do that?” You look around on Steve’s side of the bar for another bottle, hoping to try your luck. Maybe it’s some new kind of bottle that he’s trying out before it hits the market, or maybe Steve has bootleg beer with a different kind of cap.

Bucky is staring at you, seemingly just as confused as you. “With my arm.”

“With your arm?” you repeat. You’re certain that he’d used his hand to pry it off.

He stares at you for a second longer before the confusion disappears and is replaced with a glint of mischief in his eyes. It makes the shadows on his face melt away a little, and his blue irises seem bright and youthful again, entirely unlike a man who’s seen too much.

“My arm,” he reiterates, and then he pulls off the black glove you’d assumed to be part of his personal style. It’s not just for show, however, because he pulls it off to reveal a black metal hand with dull gold knuckles. Bucky continues, standing and shrugging off his jacket, then rolling up the sleeve of his button-down shirt. As he reveals more and more, you realize that the black metal continues, making up what would be his left arm.

No wonder it hurt when he grabbed me.

“It’s metal,” you dumbly say, and he snorts.

“Observant.”

You shake your head and look from his arm to meet his eyes. “You have a metal arm. How didn’t I know that?”

Bucky shrugs and drapes his jacket over the back of the chair. He leaves the glove on the bar where he’d first set it down. Once he’s seated again, he rolls up his other sleeve to match.

“Beats me. I figured everyone knew. My dad wasn’t subtle when he was bragging about the arm he had made for me when it first happened,” replies Bucky. He takes a sip of his beer, then sighs and sets it back down.

You don’t want to pity him, so you try your best to school your expression by taking a sip of your own drink.

“Was it an accident?” you ask after a minute has passed. He doesn’t reply right away, and you scramble to save the conversation. “You don’t have to tell me if you don’t want to.”

He shakes his head. “It’s okay. It was a long time ago.”

“How old were you?”

“Seventeen,” he says, and his voice is quieter than before.

You look back down at the drink in front of you. Twisting the glass around and around, you ask, “And it was an accident?”

Bucky takes another swig of his beer. “I was with my dad, working a job. I didn’t even realize I’d been injured until I woke up in the hospital, two weeks later, missing an arm. Apparently, falling shipping containers are heavy.”

You can’t help but curse. What he’s describing sounds horrible, but Bucky only laughs.

“That sounds about right, yeah. I’m lucky I had Steve around to keep me sane,” he tells you. “My friend Sam was a big help too, but he moved down to Louisiana a few years ago.”

“Steve seems like a good friend,” you agree. “They both do.”

You can feel Bucky staring at you now, and you take a sip of your drink while you wait for him to look away again. When he doesn’t, you glance in his direction.

“What?” you ask.

“What?”

“Why are you staring at me?”

“I’m not.”

“Yes you are!” you laugh, and you look at him fully this time. Bucky’s grinning, and you ball up a cocktail napkin and toss it at him.

“Okay, I was staring,” he admits, still smiling. “But I can’t help it. You’re pretty, and you’re nice, and you seem smart.”

You feel your cheeks grow warm at the compliment, and you look away. “You don’t have to say that. We’re already engaged.”

“I’m not saying it because we’re engaged. I’m saying it because it’s true.”

You don’t have a chance to reply before Steve comes out with two hot plates. He places them in front of you, joking briefly about giving you the wrong order, and it’s distraction enough that you sit up tall and smile wide. You push Bucky’s compliment out of your head as you chow down, groaning and moaning about the potatoes. They’re exactly what you need after the stressful dinner. Bucky was right—you hadn’t eaten much, and Steve’s cooking is delicious.

Once you’re full, you push your plate away and lean back in your chair. Steve grins at you before he goes back to counting the cash drawer. The other patrons have left already, leaving you, Steve, and Bucky alone in the bar.

“That was amazing,” you tell him for the hundredth time, and Steve chuckles.

“Thank you. I’ll be sure to tell mo bhean chéile—my wife—you said that, considering she still believes potatoes aren’t a meal.”

You notice the wedding band on his left hand as soon as he says it. Above it, also in silver, is a familiar ring. If you weren’t able to see the family crest, you would’ve thought it was the same as Bucky’s, but this ring has an eagle and a star engraved on it, rather than the wolf you’ve seen on Rebecca and Bucky’s rings.

“Potatoes are a meal!” you argue. You can tell that Steve has clocked you looking at his rings because he shifts his hand, instinctively blocking your view as he looks for your own ring. You’d taken your parent’s ring off the day you’d cried in the bathtub and you haven’t worn it since, but no one in Bucky’s family has replaced it with their own. It’s the first time since middle school that you haven’t worn a family ring, and you’d be lying if you said it was a weight off your shoulders. You’d thought it might be, but instead it just makes you feel naked.

Steve laughs and his posture relaxes. He stops hiding his rings from you when he realizes your hands are bare. “Well, whenever you meet her, you can have that argument with her, because I’ve already had it at least a dozen times.” He closes the drawer and fixes his eyes on Bucky, who’s just finishing his food. “Speaking of, when are you two coming over? I promised Peg I’d wait until Y/N had settled in to ask, and you seem settled enough to me.” He glances at you for the last part, and you look down at your empty plate.

“It’s not up to me,” answers Bucky. “We’ll come over whenever Y/N is ready. This is the first time we’ve been together since my dad dropped the bomb on us.”

Steve pauses, his hands on the tablet he’d set down before starting to count the night’s profits. “Wait. Really?”

You nod when he looks at you, suddenly self-conscious again, and you pull your hands into your lap. “I haven’t been the best house guest…”

“You’re not a guest, Y/N. It’s your home now, too,” Bucky interjects.

Reaching over the counter, Steve smacks the side of Bucky’s head. His accent is thick when he huffs, “Íosa Críost, you thick! You didn’t think to go talk to her? To see if she wanted to watch a movie? To see if she needed anything?”

Bucky stammers over in his seat, and you keep your head ducked to hide your smile. Clearly, Steve knows more about being married than Bucky does—most likely from experience, since he’s already mentioned his wife—and he isn’t afraid to tell his friend off for not looking out for your well-being.

“I’m sorry!” exclaims Bucky, ducking another hit. “I wasn’t thinking!”

“Like ifreann you weren’t!” Steve retreats and picks up the tablet with a huff, then looks at you. “Y/N, I’m sorry you’ve had to deal with him. He’s actually a nice guy when he’s not being stupid.”

“Stupid?” Bucky protests beside you.

“I wouldn’t have talked to him even if he’d tried,” you admit, finally looking up, “but it wouldn’t have hurt if he had.”

Steve nods, satisfied with your response. He leaves you a minute later when his phone rings. The wide smile on his face is enough to tell you who’s on the other end, but then he says her name as he walks away, the phone already held to his ear.

“So what’s with this place?” you ask. The quick change in subject is purposeful, and you hope that Bucky will take the bait.

Thankfully, he does. Bucky glances around before finishing off the last of his drink and setting the empty bottle closer to Steve’s side of the bar.

“Well, Steve wanted a place that we—and other people like us—could spend time without feeling like there was always a fight about to happen. We didn’t have that growing up, you know? And now that he’s in charge, he can do what he wants with his money. Everything’s filed properly, he doesn’t advertise, and all employees are paid above the table. If other people show up, then sure, they’re welcomed in, but they’re also fully vetted once Steve gets their IDs. Weapons aren’t allowed, and there’s no shop talk of any kind.”

“So it’s your little hideaway,” you say, propping your head up with one hand. The heaviness of the potatoes combined with the alcohol is starting to make you sleepy, and the emotional exhaustion from the night has started to weigh heavy on you, too.

He smiles a little. “Something like that.”

Bucky stands and rolls his sleeves back down, then pulls on his glove. He pulls a wad of cash out of his pocket and sets it on the bar.

“Come on, doll. We should head home,” he says.

The warm feeling you’d felt when Bucky had called you his girl comes back, and you smile a little when he holds open his suit jacket for you. A little sheepish at the gesture, you slide off your seat and let him help you into the sleeves, then take Bucky’s hand when he offers it.

“Bye Steve!” you call, waving with your free hand.

Steve looks up from the other end of the bar, where he’s wiping down a counter with one hand and holding his phone with the other. He lets go of the rag to wave back.

Silently, Bucky leads you out to the front, where the valet already has his car pulled up. You’re not sure how they knew to have it ready, but you don’t dwell on it. Stranger things have happened in your world. Bucky tips the valets with another wad of cash before opening the passenger door and helping you in.

You fall asleep on the drive home. You don’t mean to, but Bucky turns on the radio a few minutes into the drive, and he lets the first station that comes on continue to play. The music is soft, and he drives so smoothly that it lulls you to sleep before you’re even fully out of the city.

When you wake, it’s because Bucky’s stubbed his toe on something, jostling you in his arms. He’s muttering curses under his breath and hobbling down the hallway, and though the jerking motion and his tightening grip isn’t the most comfortable for you at the moment, you keep your eyes closed and force yourself to keep your smile at bay. Bucky is a much sweeter guy than you’d first thought him to be, and it seems like he’s trying now to make up for lost time. You’d misjudged him at first; just like you, he has his own ways of dealing with the life forced on him by his parents, but he really is a gentleman underneath it all.

He carries you to your bedroom and carefully lays you on top of the covers. Then, as gently as possible, you feel him lift your foot and pry off the uncomfortable shoes Marta had picked out for you. Bucky stays totally silent as he takes the shoes off and sets them on the floor at the end of the bed. He pulls a thin blanket over you, one that you’re sure is just for decoration when the bed is made, and presses a kiss to the side of your head. You have to force yourself not to smile when he whispers,

“Goodnight, sleep tight.”

The door clicks shut as he closes it slowly, and you peek open an eye after a few seconds have passed. Your room is dark and empty. Silently, you smile to yourself and crawl under the covers, your eyes heavy. It’s been a long, exhausting evening, and you’re happy to be in bed. You fall asleep to the sound of spring rain on the estate windows and with Bucky’s jacket still wrapped around you.

Over the next few weeks, Bucky slowly enters your life in both big and small ways. He smiles at you over meals in the dining room and late night snacks in the kitchen. He drives you to the city to visit Steve, Peggy, and his other friends, and when he finds out that his father still has your license, Bucky argues with him for over an hour to get it back. Marta delivers your license to your room the very next day, along with a handwritten note that the dark blue Mercedes in the garage is there for your use. Sometimes, you wake up to a bouquet of flowers with another handwritten note. Sometimes it’s a text, and sometimes it’s a gift. Bucky develops a habit of purchasing anything you mention enjoying or even vaguely liking, and you eventually have to tell him to stop because he’s bought you so much that there’s nothing left to buy for yourself.

Bucky turns out to be a closer friend than anyone you’ve ever known. He’s kind, and funny, and intelligent, and he remembers all the little things about you that nobody else does. When you’re sick or feeling lonely, he’s attentive and his presence alone reminds you of all the good things in the world. He makes your days brighter, even the worst ones. You find yourself falling in love with him, much to your surprise. You admit this to him one day. He kisses you then, and he tells you that he’s been in love with you since the first trip you’d taken to Steve’s bar.

Halloween, Thanksgiving, and Christmas roll around. New Year’s, Valentine’s Day, and Easter come and go. The Barnes’ grand celebrations for every holiday blur together as the months fly by, until eventually, it’s June and you’re standing in your room, staring at your reflection in the full-length mirror.

The wedding dress you’d picked out a few days after Christmas is just as beautiful as you remember it being. It fits you perfectly, thanks to the impeccable work of several tailors employed by Winnifred, and your hair and makeup are flawless as well. There’s no possible way you could’ve imagined how beautiful you look and feel on your wedding day.

Through the open window, you can hear a string quartet playing outside in the rose garden, where the ceremony is set up. Steve has already come by once to check on you at Bucky’s request, but both men are back downstairs. Bucky’s no doubt at the front of the garden with the priest—the one that you now know for certain is on your father’s payroll—and Steve is waiting with the rest of the wedding party. The only people remaining in your room are Marta, your mother, and Peggy.

You’ve grown to love Peggy more than any of your childhood friends. She didn’t grow up in the same world as you. She didn’t even grow up in the same country, and you love her all the more for it. She’s rational, cool-headed, and kind, though she’s not afraid to stand up for what’s right. On top of all that, she’s drop-dead gorgeous. It’s easy to see why Steve fell for her during his time in the military.

The quartet finishes the song and moves onto a new one, one that you recognize after only two notes. Your stomach drops and you close your eyes, gripping your bouquet tightly. It’s the song you’d been listening to the morning you’d found out about your engagement. You’d discovered it the night before, and you’d had it on repeat before going to sleep that night, then again that morning as you’d gotten ready. You’d even listened to it in the car on the drive from your parents’ estate.

Who added this to the playlist? Is this some kind of sick joke to them?

The same feeling of dread you’d felt that morning comes back, making your mouth dry and your head spin. You try to take a slow, deep breath to calm your nerves and block out the song, but it doesn’t work.

“Y/N?” Peggy asks.

You inhale sharply at the sound of her voice so close to you. She’d been texting Steve from near the window only moments before. You hadn’t thought that anyone would realize your distress, and you’d hoped to be able to collect yourself before it was noticeable. You hadn’t even sensed her coming closer.

“Y/N, are you alright?”

“I’m fine,” you tell her, but your voice wavers and your lower lip quivers. You try to take another slow breath.

“What’s going on?” Marta asks. Her hand lands on your arm and you pull away, closing in yourself and pulling the bouquet tight against you.

Your mother’s scolding makes you feel like you’re a little kid again. “Careful, Y/N! You don’t want to ruin those flowers. We don’t have time to make another bouquet for you. George is already hounding your father about how soon after the ceremony you’ll be signing the certificate.”

Anger wells up in you at her thoughtless comment, and you open your eyes. She’s standing behind you in the main part of the bedroom, near the foot of your bed. Any guilt you might’ve felt over ruining the flowers is gone now, and you turn and chuck the bouquet at the carpet by her feet. It bounces once, then lays motionless in a heap of smashed petals and ribbons.

“Enough, Mother!” you shout.

Marta rushes to close the window so the guests in the garden won’t hear your outburst.

Your mother gapes at you, somewhat surprised, but she doesn’t budge. “Y/N, dear. What are you doing?”

“What am I doing?” you yell, stepping closer. Your dress swishes as you walk, and you normally enjoy the sound, but you’re too furious to care how pleasing it is. “What are you doing? I am your only daughter! You should be treating me like a princess and worrying about how I’m feeling and what I need, but instead you’re too busy thinking about the damn flowers! I’m sick of you thinking of me like I’m an object you can sell, steal, and trade away whenever it’s most convenient! You and Dad are so obsessed with the timeline you’ve created for yourselves that you don’t even notice how much this has affected me! You didn’t even ask if this is what I wanted!”

She scoffs at you, and any trace of motherly care and concern has disappeared from her expression. Your mother is showing her true face—the mafia wife that has almost as much blood on her own hands as her husband does, if not more.

“It’s too late for that now, isn’t it?” she asks. She picks up her clutch from the end of your bed and steps closer until you're standing eye to eye. Her voice is patronizing and infuriating, and she continues, “It’s your wedding day, dearest, and you can’t back out now. We’ve made sure of it. Even James has agreed to the contract.”

Your anger wavers. “Contract?”

“Yes, the contract,” she repeats, smirking. Her cards are all on the table now, and she’s got a winning hand. You both know it.

There’s a malicious glint in her eye as she says, “It’s already in effect. It has been since we agreed on the marriage.”

“What contract? What are you talking about?” There’s a sinking feeling in your chest, like your heart has decided to drop into your stomach, then down to your feet and through the floor. Bucky hadn’t said anything to you about a contract, and you trusted him, but you certainly didn’t trust your parents anymore, nor did you trust George and Winnifred Barnes.

Your mother smiles, a sickeningly sweet smile that makes you want to puke. “That’s a conversation for another time. After all, it doesn’t even matter to you until James gets you pregnant.”

The alarm on your phone rings and you close your eyes, your hands trembling. You’d set that alarm to remind you when it was time to leave for the ceremony. Right on cue, the wedding planner knocks on the door to your bedroom.

“Y/N?” she calls, knocking again. “Are you ready?”

Slowly, you squat down and pick up the bouquet. It’s smashed on one side and the petals have fallen off of various flowers, but it’s mostly intact. It shakes as your hands tremble and tears well up in your eyes.

Marta appears in front of you, having pushed your mother out of the way, and over the ringing in your ears, you hear Peggy talking to the wedding planner. Somehow, you make it out to the ground floor of the estate, to the double doors that lead out to the rose garden. You’re dazed by your mother’s strange revelation. The sound of the alarm is still ringing in your ears. Peggy says something to you, but you can only stare straight ahead.

Your father is next to you then, as Peggy disappears through the doors and joins the rest of the wedding party. You see her glancing back at you, and whispering to the rest of the groomsmen and bridesmaids. Most of them are Bucky’s friends who have now become your own, and all of them look worried.

“Let’s go, princess,” your father says, and he pulls you forward by the arm.

Numbly, you follow his lead. Not even Bucky’s initially delighted expression shakes you out of your trance, but the way he rubs his thumb over your hands at the end of the aisle pulls you out of it just enough for you to lift your head and look around. You don’t remember walking to him, nor do you remember handing off your bouquet to Peggy, just like you’d practiced last night at the rehearsal.

“Y/N? Darling?” Bucky asks. He crouches and tilts his head slightly to try to catch your eyes. “You okay?”

“I—” Your mouth is still dry and you swallow, your eyes flitting from one place in the garden to another with no rhyme or reason. The world feels like it’s spinning and you clutch Bucky’s hands, unsure of what to do.

“Someone get her a chair,” Bucky orders, raising his voice enough that you flinch. He immediately starts murmuring reassurances to you, and he pulls you into his arms until he can lower you into a seat.

Someone fans you and a cool glass is pressed to your lips. You drink obediently, closing your eyes as the water helps the sandy feeling in your mouth abate just a little. When the water is gone, the glass is pulled away.

“Y/N, can you hear me?” Bucky asks.

Slowly, carefully, you nod your head. He sighs in relief and when you open your eyes, he’s kneeling down in front of you. His shoulders are tense and his forehead is creased with worry. You’ve never seen him this stressed over anything and it makes you want to cry.

“I’m sorry,” you croak, heat flaming in your cheeks. You feel horrible. Bucky has been looking forward to the ceremony—he’d told you last night at the rehearsal dinner.

“It’s okay,” he quickly replies. He reaches forward and takes your hands, and you glance away from him to peek at the guests, your parents included, who are still watching you from their seats.

“Are you ready for this, or do you need a break?”

You look back at Bucky. “A break?”

“She’s fine,” your mother says, and you look over at her from your seat. She’s standing in the front row, her eyes fixated on the priest behind you. “They’re fine, Father. Y/N’s been a bit nervous all morning. Wedding day jitters, you know.”

“I—” You frown at her, still clutching Bucky’s hands. “That’s not what it is.” You look down at him and shake your head. “I’m not nervous to marry you.”

“I’m not nervous either,” he says with a small smile.

“Then shall we continue?” the priest asks.

You turn to shake your head at him. “No. I’m sorry, Father. I need to talk to Bucky—James—in private for just a minute. Is that alright?”

He smiles gently and nods. “Of course.”

There are more agitated murmurs from the crowd, but you ignore them as Peggy, Steve, and Bucky help you up and back down the aisle. When your mother moves to follow you, she’s blocked by Sam and Clint, another one of Bucky’s friends. She calls after you once, but you ignore her as Peggy helps you onto a bench inside, then leaves, closing the double doors behind herself. She’s handed back your bouquet, and you clutch it with both hands like it’s an anchor in the storm.

“Is everything okay?” Bucky asks. He stands near the door, and you can tell from the way he rolls his shoulders that he’s stressed. His prosthetic always bothers him more when he’s agitated, and you suddenly feel even worse about stopping the ceremony.

“Yes,” you say, but then you shake your head. “No, I’m sorry. Obviously, it’s not, or I wouldn’t have stopped everything. I’m sorry, Bucky, but I have to ask you something.”

“Okay…” There’s a wariness in his eyes, one that you loathe yourself for. You put it there, and you wish with all your might that your mother hadn’t told you what she did. Maybe then you wouldn’t have had to do this.

“Did you sign a contract? With our parents?”

He frowns and his whole body grows very still. “A contract?”

You nod. “Yes.” With your hands still fisted tightly around the bouquet, you inhale deeply and add, “A contract about getting me pregnant.”

“What?” Bucky’s furious response is immediate. He shakes his head, his eyes searching your face for any sign that you might be making this up. “Y/N, what are you talking about?”

“Did you sign a contract agreeing to marry me, and agreeing that my parents get something after you get me pregnant?” The words make you sick to your stomach. You haven’t eaten anything all day, which doesn’t help, but the thought of Bucky agreeing to something so vile… It’s enough to make anyone nauseous.

He’s shaking his head at you again. “Why the hell would I sign anything like that? Do you really think I would do that?”

You shrug a little and look down at the bouquet. “My mother…”

“Darling…” Bucky sighs and comes closer, and he kneels down in front of you again, just like he had outside. All the fight and anger has left his voice. “I would never do anything like that. Not in a million years, and especially not to you. I love you.”

“She said you signed it before they’d even told me we were engaged,” you said, quiet now that he’s so close. You’re afraid to look him in the eye, to see what his face might be telling you that his words aren’t.

“Can you look at me? Please?”

Reluctantly, you lift your eyes from the flowers in your lap to meet Bucky’s eyes. They’re just as blue as the ribbons wrapped around the flower stems, a choice you’d specifically made without the wedding planner’s guidance. You’d wanted him to be your “something blue”, even if it felt a little cheesy.

“Do you want to marry me?” Bucky asks.

You swallow the lump in your throat and nod. “Yes.”

“Do you believe me when I say I had nothing to do with that contract? That I didn’t know it existed?” he questions.

You nod again, tears forming in your eyes.

“And do you trust me to help you find a way to get rid of it, once all of this is over? Do you trust me to protect you?”

You nod for the third time, and Bucky takes both of your hands in his.

“Okay. Then let’s get married, and I swear to you that as soon as our honeymoon is over, the guys and I will start doing some digging.”

“What about me?” you ask, sniffling. You pull one of your hands away to dab at your eyes before the makeup can get too damaged by your tears.

“What about you?”

“Can I dig, too?”

Bucky chuckles and kisses your knuckles on the hand that he’s holding, and then he pulls himself up off the floor to sit beside you on the bench. He pulls you into a half-hug and you cling to him, sniffling and smiling as he rubs the your back and answers,

“You can do all the digging you want, doll. I’ll even hand you the shovel.”

Tá sé go maith tú a fheiceáil. = It’s good to see you.

Mo bhean chéile = My wife

Íosa Críost = Jesus Christ

Thick = A stupid person

Ifreann = Hell

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