#what about the secret third thing?

[yallstar]

i am drowning / there is no sight of land you are coming down with me / hand in unlovable hand

[qquokkari]

can’t decide if i actually think this is funny or not. well anyway

original post

[adhd-merlin]

(x)

[infamously-winking]

hot take on billford is that the secret third thing is obsession with being seen by someone for the first time in each of their lives

[thenamessparkplug]

its me.... the one the cishets warned you about.... THE MAN AND THE WOMAN IN THE RELATIONSHIP

[pippeebottom]

Of course you need to be cucked, sweetie. There are only two types of girls and I don't think there could be any doubt about which one you belong to:

Women. Real women. Dominant. Assertive. Full of self-esteem. The kind of girls men -and other women- turn back to gaze at. The girls you'd probably envy back in High School. Maybe even your own bullies. Sexy, confident women that just loooove bossing around tots like you.

Toddlers. Cute little infants who don't know better. Pissy, messy, smelly babies who can't process any emotion and throw a loud tantrum every time they don't get their own way. Blushy little things who can't keep their panties dry and whose only purpose is to entertain real Women. Stupid toddlers who are not sexy. Just cute.

Do you really think your Daddy would doubt for a moment who to do the grown-up stuffs with? Do you even know what those things are? Wouldn't you actually prefer to be sound asleep in your crib, sucking on your pacifier, not even wondering about the thrusts you can hear coming from Daddy's bedroom? I think so.

i get sooo blushy every time i read this 🫣

Daddy tells me all the time he needs big girls to talk to and be with because i’m such a little baby but i jus wanna stay up and find out what Daddy is up to and why i have to go to bed so early when his big girl friends are over!!! and what they think is so funny when they look at me!!

i do know what grown-up stuffs is!!! 😝 i guess im not THAT much of a a baby huh? and Daddy gives me my paci even if i am having grown up stuffs because im so good 🥰

[add1ctedt0you]

Novel quotes: wei wuxian having feelings/thoughts about jiang cheng

Under the cut because it's long

However, Jiang Cheng was gone. Holding steamed buns, flatbreads, and fruits in his hands, Wei WuXian felt his heart skip a beat. He forced himself to calm down. Even after he searched through the neighboring streets, he still didn’t see Jiang Cheng. He finally began to panic. Grabbing a cobbler on the side, he asked, “Mister, there was a young master about the same age as me sitting here. Did you see where he went?” The cobbler licked the thick end of a thread, “The one that was with you?” Wei WuXian, “Yeah!”

The cobbler, “I was in the middle of doing something so I didn’t really see. But he kept on spacing out, staring at the people on the street. And then when I looked up at where he was again, he suddenly disappeared. Maybe he left.”

Wei WuXian murmured, “... He left... He left...”

He probably left for Lotus Pier to steal the bodies!

As though he had gone mad, Wei WuXian sprinted immediately toward the direction that they had come from.

[...]

He gave himself a harsh scolding in silence—he was stupid, useless, ridiculous, it was bizarre, unimaginable. Yet, he was alone, without a sword or any tools, and on the other side of the wall there were thousands of Wen Sect’s cultivators, perhaps Wen ZhuLie as well.

He wasn’t scared of death. He was only scared that after he died, he wouldn’t be able to save Jiang Cheng and betray the trust that Jiang FengMian and Madam Yu left him. In such circumstances, the only one he could place his hope on was a person of the Wen Sect whom he had met only three times in total!

[...]

Wei WuXian’s gaze turned from Wen Ning toward Jiang Cheng, whose body was covered in blood and eyes were tightly shut. His fingers couldn’t help but clenched into fists.

Chapter 59 Poisons—Part Four

Jiang Cheng’s expression was rather strange. It was calm, almost too calm. He stared at the ceiling, as though he wasn’t at all interested in the situation that he was in, as though he didn’t care about where he was either. Wei WuXian didn’t expect him to react in such a way. Sadness, happiness, anger, shock—he had none of these. His heart skipped a beat, “Jiang Cheng, can you see me? Can you hear me? Do you know who I am?” Jiang Cheng glanced at him. He didn’t say anything. Wei WuXian asked him a few more questions. Arm supporting himself, he finally sat upright. He looked down at the mark of the discipline whip on his chest before laughing bitterly. If the discipline whip struck, it’d be impossible to wipe away the mark of shame. Wei WuXian comforted him despite this, “Stop looking at it. There has to be a way to get it off.” Jiang Cheng slapped him. His strike was so weak, so powerless that Wei WuXian didn’t even flinch, “Hit me. As long as you’ll feel better.”

[...]

If Wei WuXian were the one injured or if somebody else had saved them, he’d immediately say farewell and leave at once, full of determination. However, right now, Jiang Cheng was the one who had been injured. Not only was he injured, he had lost his core as well. He wasn’t in his right mind. No matter what, Wei WuXian couldn’t find any determination.

Chapter 60 Poisons—Part five

Out of the blue, Jiang Cheng spoke up, “Not to do what?” Wei WuXian paused in surprise, turning to him along with Lan WangJi. Jiang Cheng covered his wound with one hand, his voice chilly, “Wei WuXian, you’re such a great, selfless person. You did the best things possible, and you swallowed all the suffering and didn’t let anyone know. What a touching story. I should kneel down and cry in gratitude, shouldn’t I?” Hearing the mocking tone that lacked any courtesy, Lan WangJi’s face grew cold. Jin Ling saw the displeased expression and immediately stood in front of Jiang Cheng, scared that Lan WangJi would kill him with one strike, “Uncle!” Wei WuXian’s expression worsened as well. He never expected Jiang Cheng to make up with him after he found out the truth, but he didn’t think his tone would be as unkind as ever, either. With a moment of silence, he replied, voice muffled, “I never asked you to thank me.”

[...]

In the beginning, it was precisely because he didn’t want to see such a Jiang Cheng that he decided not to tell him.

He remembered every single thing he promised Jiang FengMian and Madam Yu—to help and take care of Jiang Cheng. If someone as unhealthily competitive as him found out about this, he’d be dispirited his whole life, too tortured to face himself. There’d always be something he could never overcome, reminding him that he could only reach where he was because of another’s sacrifice. It wasn’t at all his cultivation and his achievement. No matter if he won or lost, he’d long since lost the right to compete.

Afterwards, it was because Jin ZiXuan and Jiang YanLi died for him that he had no face to let others know. To tell Jiang Cheng after what happened then would be like shirking responsibility, hurrying to demonstrate that he’d contributed as well. It’d be like telling Jiang Cheng, don’t hate me, look I’ve contributed to the YunmengJiang Sect too.

Chapter 102- Hatred - Part Five

At this point, somebody on the side suddenly called, “Wei WuXian!”

Wei WuXian answered immediately, “What?”

Only after he answered did he realize that the one who called him was Jiang Cheng. Wei WuXian felt somewhat surprised. Jiang Cheng didn’t respond directly. Instead, he took something out from his sleeve and tossed. Wei WuXian caught it by instinct and looked, only to find a black, gleaming flute along with a crimson tassel.

It was the ghoul flute, Chen Qing!

As he felt the flute that he was more than familiar with, Wei WuXian didn’t even have the spare time to feel surprised.

Chapter 108: Concealment - Part Two

After a pause, he asked again, “How have Sect Leader Jiang and Jin Ling been?”

Lan JingYi pouted, “They seem pretty fine. Sect Leader Jiang is the same as before, always lashing out at people with his whip. Young Mistress’s temper has been getting better. In the past he could talk back thrice to his uncle after he scolds him once. Now he can do ten times.”

[...]

Hearing Lan JingYi say so, Wei WuXian relaxed slightly. In truth, he knew that these weren’t what he really wanted to ask. But as it sounded like Jiang Cheng and Jin Ling had been doing quite well, there was nothing left to say.

Chapter 116: Extra—Banquet - Part Three

[palossssssand]

Reconciliation

Old dome squadmates Trito and Kinoga get together at Trito’s place to catch up after years apart and a meeting by chance on the surface.

⚠️Warning for suggestive content below + implied chest trauma

After several weeks of chipping away at this, the comic is finally done! Very happy to have rendered a full 7 pages of oc stuff. Please give it a read!!

read the full 7 page comic on twitter! <-please do not click if you are a minor and view at your own discretion, this link contains explicit 18+ content. Thank you!

For the lore, includes stuff from splatoon Octo Expansion: Trito and Kinoga were a part of an octarian military squad living in the domes, Kinoga being their squad leader that many looked up to and admired. There were 6 of them who considered each other to be their closest friends. Upon hearing about the tests from Kamabo Co. and the allure of the Promised Land, Kinoga wished to seek it out in order to find a better life for their squadmates. A difficult decision, since it meant leaving them all behind, promising to come back and take them there.

Kinoga enters the metro trials and soon realizes that the Promised Land isn’t what they expected, their hope crumbling when they encounter one of their sanitized squadmates Agara, who followed suit to the metros soon after. Kinoga narrowly escapes, eventually making a break for the surface, carrying the shame of unwilling to return for their squadmates with them (it’s justified, of course, there might not be an easy way in, they might get caught again, Agara is gone)

Trito enters the Metro not too long after Kinoga does, wanting to catch up to them, and an accident that occurs in a test early on results in Trito’s near sanitization, giving him his scar. Terrified, and realizing what happens to his fellow octolings, Trito is unable to return to his squadmates, not wanting to break the news of their loved ones’ untimely fates. He hides away on the Metro until the events of OE happen and Agent 8 dismantles Kamabo, opening an opportunity to escape to the surface. Unwilling to face the possibilities of going back, Trito takes his chance to leave, starting a new life and feeling that it’s for the best if he doesn’t acknowledge it, though he missed his friends dearly.

Years later, Trito and Kinoga run into each other on the streets of Splatsville by chance, and the implications of them both being on the surface and alive hit them, having to carry the burden of leaving their loved ones behind and finding out the truth, knowing the other felt exactly the same, not knowing the fate of their squadmates and not wanting to think about the possibility of them being gone. They have a tearful reunion about it, and set up a meet later, to sit down and really talk, and get into a brief argument when the topic of returning to the domes comes up. Trito’s in disbelief that Kinoga never went back down to check on the rest of their squad, wanting them to have been a better person than him, who was too cowardly to do so. Eventually they do reconcile, and end up at Trito’s place to hook up, where the above comic takes place :]

[lysolbabey]

the whole “unspoken/unofficial father/daughter” relationship between kitty and the captain but instead of kitty accidentally calling the captain dad one day, captain is going on about something someone said to/about kitty and accidentally drops a “i will not allow my daught- *ahem* lady katherine to be spoken to like-“ and tries (but fails) to cover it up.

[sergeifyodorov]

whatever happened to the sanctity of Making Your Own Post

[ambeauty]

additional thoughts on the bear

I rewatched bolognese, omelette, and the bear last night and noticed some things that were new to me. The blue lighting which shows Sydney getting undressed is the exact same blue lighting of the intimate (refusing to call that sex) scene with Carmy and Claire. I definitely find that interesting… Also watched the scene with Claire fairly close and it’s a bunch of beautifully shot eye contact, face stroking, nose rubs, and some chain dangling for the girlies, and at the very end Carmy is looking up and off (not directly at Claire) solemnly. I think he’s thinking about Sydney in that moment because the next scene is Sydney, getting dressed?!?! But focusing on the stains of her jacket. Sooo that leads me to believe that even though Carmy just had this incredibly intimate moment with Claire he was thinking about Sydney (probably during 🤭) and maybe about the gift that he got her, since that’s one of the first things he points out when he sees her☺️

Here’s some bonus thoughts about Under The Table... Sometimes I feel like even though Carmy is technically talking about Claire, he’s talking about Sydney as well. I’ve read meta about how the scenes often switch back to Sydney (especially in bolognese) when Carmy had mentioned Claire. So that’s definitely a visual cue but I feel like Carmy is stuck between a rock and hard place with duty and passion for the both of them. Which also makes it hard for Carmy The Audience to separate what are romantic/platonic feelings for Sydney. They are probably almost one in the same for him. Ok so back to the table:

“She’s so great it scares the shit out of me.” This can also be said for Sydney. Her greatness pushes him to not be shitty. His words not mine.

Because after that he immediately pledged his full love FOCUS to Sydney. He gives her exactly what she needs in that moment, support, affirmation, adoration, reassurance, and loyalty. Things he’d half ass been giving to both of them. And in that moment he chooses and it’s Sydney 🤭

[lyraofthestarsss]

Joel win in the finale pretty please :]

[epersonae]

I wrote this originally as a reblog of something else, but after letting it sit in drafts for a while realized it needed to be its own thing. (but do go read that post, it was what got me thinking in this specific direction) I have not edited it much, other than to remove some intro about the kind of shitty day(s) I was having in my non-online life that were part of why I wrote something and then sat on it.

I have been thinking about

Don't like, don't read

(I saw this with rainbow text, and I asked how the fuck to do that, and frankly I don't have that level of patience, so just imagine it rainbow I guess)

And..........

Sure? We're all just here to have a good time or whatever, and Just Like Stuff, and it's exhausting being a hater (but also [stares at people I know who I've seen say all that and who are also ABSOLUTELY haters in private])

But I want something more nuanced than that. I mean that as both:

a writer of things I know other people have taken issue with (including, I remembered today, something that I heard secondhand about, in addition to the vagueblogging I've mentioned in an earlier post about my older fic)

and a reader/art appreciator who has some issues with things I've tried to read and art I've seen.

I don't what it is or how it works or how to get from here to there. I don't even really know how to do this with people I'm close to! (with the exception of having been a thoroughly obnoxious beta constantly saying "make me believe this could even happen", or pointing out conflicts with canon or whatever) I tend to silently nope out and then change my opinion of the person without ever telling them, because yeah, I'm horrifically conflict averse.

Which is why this might sit in my drafts for a long time.

And then, outside of friendships, and Difficult Conversations or whatever

I don't like pile-ons. I don't like a couple of people trying to articulate what bugs them about a piece of writing, and maybe being awkward or clumsy about it, and immediately getting drowned out by "you're being mean to my friends". (and I say that as someone who has had friends' writing receive this sort of critique! Multiple friends!) Maybe the immediate answer is, yes, the back button, but it has to be possible to dissect what's bothering you about a piece of writing (or a trope, or a ship) without it being negativity or an attack.

Here, I'll go first, because these are two things in OFMD fic that bug me endlessly, that writers I like have written, and I think they exhibit a subversion of the source material that is counter to the actual themes of the show.

Note: since I wrote all of this, I have written a little bit about my sort of complicated feelings about a fic that imho is an original novel in a trenchcoat, a sort of fic lacroix despite being very good. these examples are in the same vein as that.

Inevitable fucking disclaimer: I don't think people are wrong or bad for doing these things, I'm not going to try to make anybody stop, I practice don't like don't read (and I have some exceptions that I've enjoyed despite it being something I don't like generally)

Enemies to lovers: the whole point of Ed and Stede is that they click perfectly and immediately. They like each other! From the very first minute it's friendship and mutual admiration and delight and attraction. Enemies to lovers is a cliche that belongs to a different story entirely. I wish people would think more before jumping to that trope. (I've had an AU in my head for months that I absolutely cannot write until I solve this problem from the AU's source material) It's an interesting question to me, actually, why it seems to be so easy to write characters who don't like each other and then somehow fall in love, when the source material shows them liking each other SO MUCH right away.

Younger than middle aged: again, the whole point is that they are changing their lives, that their midlife crises brings them to the point where they can find love. I think it's a djenks Themes and Motifs thing, to have a story about getting to this point in your life and really looking at it and going "am I where I need to be?" Also it's incredibly unique and special to me after the last few years of my own rolling midlife crisis. (petty thought that I have sometimes: it is a failure of imagination about or knowledge of actual middle-aged people) Tbh, this goes double for age difference, I will nope out of that even faster than both of them being young.

And I think there's something about being able to not like something and still not be a dick about it, to know enough about what you do like to look at something and say "this doesn't work for me and here's why", to engage thoughtfully and critically (and yeah occasionally in public) while still having respect for the other person.

I am thinking also of @emi--rose and @frommybookbook and music, and their efforts to find kpop and Taylor Swift, respectively, that I might enjoy, because I don't like most of either, and I think this thing we've been doing is helping all three of us understand more about what we all do and don't like.

[pausing to think]

It occurs to me, also, that I spent a lot of time griping while editing for the benefit of all the broken hearts, about having to go back and do a lot of set up/rewriting to make some of what happens in that read plausibly. And I was soooooo bitchy about it and also that critique was all correct and it made the story stronger even aside from making it more "canonical", whatever the fuck that means in that particular setting.

And that was in the particular creative intimacy setting of working with a beta, which is different, admittedly, from random critique on the open internet.

But then I spent a while, back in the day, immersed in the TAZ questions of "is Lucretia a lesbian?" and "can Magnus ever love again?" and I wrote my rarepair (and associated polycule shipping) very much from my id, and a certain amount of "you can't tell me that didn't happen" that was based on overidentification and personal experience, but there were definitely people who were pretty publicly "ew" about it, and I had to think through my position, and both decide what felt true about and also decide to write from my weird heart, but not blindly.

Idk, I've written all of this and I'm just landing on

I think introspection is nice.

I think it's good to do, I think it's worth thinking about what you like and don't like, and maybe where that comes from, and not in a puriteen way but with sincerity and curiosity. I would like to support and encourage that spirit of artistic introspection.

[cinnamonsikwate]

watching the first 2 episodes of frieren last year shook me so bad i still can't get myself to continue it, but between what i remember of it and the nightmares episode of dungeon meshi i can't stop thinking about the ways laios would prepare marcille for his death. what would he leave behind to remind her that he (and by extension all the people she loved and who loved her) are still with her in spirit, even if not in body?

[riddlerosehearts]

okay, i've got some things i wanna say about twst EN's translation of scarabia's story that i was originally typing out as part of a response to an ask, but then i realized i was going off on a bit of a tangent and was like "this could basically be its own post"--so now it's going to be its own post!

i'm a twst EN player, and for the most part, i do really like the localization. i don't speak japanese but i love learning about language and the process of translation and localization, so at one point after finishing books 1-5 i went and reread them all (and 6 as well, once it was fully released on EN) with a fan translation and the localization side by side to compare them. and from what i could tell as someone who isn't a japanese speaker, i honestly thought it seemed like they usually did pretty well? sure, there were a few mistakes like cater claiming to be an only child (this one, i think, has actually been fixed recently), or how in book 2 they removed a small mention of falena making it seem like he's never mentioned at all until leona's flashback and they also removed the numerous times that he said "be prepared" (at least they finally properly translated it in book 6, though!!). but i thought most of these mistakes were somewhat minor and could be forgiven... until book 4 (well, and book 5, mostly in regards to vil and epel's conflict and i'm not talking about them here, so).

see, i actually realized that something was off about the localization when i first played through book 4, because i have a weird memory and have picked up a bunch of random words and phrases from being into japanese media and reading so much about the localization process. and i also play twst with the sound on because i love to hear the voice acting. so sometimes i would hear jamil speak, i'd pick out the words "shujin" and "juusha" for "master" and "servant", and then the subtitles wouldn't include them at all. so i'd guess certain things about the actual intent behind the story based on that. take this message i sent to my friend when i was sharing my blind reactions to the game:

and she ended up telling me that apparently, what i thought he should say essentially IS what he originally said!! according to the fan translation on wiki.gg he said this instead:

i had wondered if maybe i was reading into things and assuming too much, but it turned out i was completely spot on! but most people who play EN would not be able to pick up on this and realize that jamil was born into servitude to kalim and has no escape, because as i later discovered almost every single mention of him being a servant at all was removed, in events and vignettes as well. which is actually really weird to me because they don't remove it entirely, they do in fact bring up the fact that jamil has to test all of kalim's food for poison during book 4 and they also left in a line where he says he "works as kalim's servant". but they only really mention these things once or twice and then they try to sort of play it off as jamil being a paid employee or something most of the time... seriously, during beanfest there's dialogue where jamil says it would be rude to refuse an order from his boss but i've read that that line was originally him saying a servant couldn't disobey his master. and in the scalding sands event he calls himself "a dedicated employee" of kalim's... what, am i supposed to assume he works as a butler by choice or something? yeah, no. also, one of his birthday vignettes, which are fully voiced so i could TELL he said, with a devious smirk on his face, that if he had a parrot the first word he would teach it would be "shujin-sama". "master". what did EN change this into?

the person i was originally writing all of this in response to said that sometimes people's takes on jamil make them wonder if people are reading a completely different story but also that part of that can probably be blamed on the way EN completely changed the context of his situation with these translation choices. and yeah, i fully agree with that assessment: more casual fans or people who just aren't that interested in the scarabia duo could be said to be reading a different story with this whole "boss" and "employee" thing that has jamil make it sound like the worst that could ever happen to him if he got in trouble would be getting a really stern lecture from his parents.

and it makes me sad because i really do love both jamil and kalim so much and i think their dynamic is so tragic and complicated and interesting to think about. i think they're both really complex characters who are trapped in an awful situation. kalim is so kind and loving and would never wanna hurt anyone but he hurts jamil just by existing as part of the fucked up society they live in. kalim thought he and jamil were best friends, he had no idea of the toxicity of their dynamic and the pain jamil was in, and people say jamil should've just talked to him about it earlier... but jamil's first memory as a child is of seeing his parents bow to the asim family. being a servant is practically all he's ever known and he's had it drilled into his head since they were both small children that he can never be himself around kalim, can never just treat him like a normal person because he's a servant and kalim is his master. and even if he did accept kalim's offer to start over as equals and be friends, what would happen when they had to go home to their families? they won't be at school forever.

and i just. augh. i hate what the localization does with them. if you try to water them down to just an employee who's super mad at his obliviously crappy boss, or just two childhood friends who needed to communicate better or something like that, then you take away from the complexity of both characters. you also lose extremely cool writing choices like how jamil is a character who was born into servitude but has the power to make himself the master with his unique magic. i see so many takes about how jamil is just a jerk who betrayed his best friend and how kalim never did anything wrong in his entire life and i hate it but i'm sure the localization's choices are in fact to blame for a lot of this.

so anyway jamil and kalim's actual dynamic is fascinating and lives rent-free in my head, no thanks to how the EN version gutted it.

[vetteldixon]

successfully recreating the scott dixon experience by being very loosely aware of discourse happening and deciding it’s not worth investigating