#what are we talking about anymore

[sinistersuns]

??????

[inkskinned]

i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".

it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.

do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.

but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.

do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).

you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.

walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.

no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.

do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."

you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.

there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.

i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.

he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."

[thebaldursmouthgazette]

I’m sure Dumat being defeated the same year andraste was born means nothing

I’m sure this has nothing to do with the fact that andrastes mother was part of a tribe who helped the grey wardens fight and defeat dumat the same year she was born, meaning that she could have been a fetus affected by the taint in the proximity of a dying arch demon

And the fact that nobody knows which grey warden killed dumat, as seven wardens died from injuries from his death throes, and therefore we cannot actually identify a warden who absorbed his soul, means nothing

And I’m sure it is a complete coincidence that andraste had dreams and visions of the being later referred to as the maker her whole life, and behaved strangely, talking about hearing lost voices and seeing strange auras. That absolutely doesn’t sound like anyone else we know

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[puppetmaster13u]

Prompt 209

Now Jason was planning on, well, a lot of things, when he came back to Gotham. He had a lot of plans, several of which had to do with the old man and even more that had to do with cleaning up Crime Alley, making it safer and all that. 

What he was not planning on was to find some sort of lab in the basement of where he was planning on setting up a safehouse. Nor was he planning on finding several literal children in cages inside said lab. Oh and Lazarus Waters- but children! With muzzles! Being experimented on!

Now he’d like to say he had a plan in what happened next, but if he’s honest everything had gone Green and he didn’t remember what happened next, only that he’s back home with said children and covered in blood. Oh and everything smells of smoke. 

… And apparently there’s more of these things dotted around Crime Alley with the rest of these kids, er, siblings? Family? Fright does mean family? Okay kids, he’s not turning into Bruce but you can stay here while he deals with this… however long that takes. 

He better not be turning into Bruce he swears-

[skitskatdacat63]

"it was good fun! Surprisingly competitive I would say!"

[hogans-heroes]

We see a lot of postwar fics with Bucky being the broken one since his breakdowns are so large and visible in the show, but we so need more content of Buck being the broken one, after the war is over. If we focus on him in the show he’s just as bad off as Bucky but he’s better at hiding it. Usually Bucky would be the one to really see through Gale and understand him but in the stalag his own pain blinds him and he can’t see. (Good way to explore someone else being the one who sees). But look at Gale’s eyes in this photo.

(And to those of you who are showing this side of Buck in your content, especially postwar, bless you and thank you so much 🥺)

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[milkweedman]

Knitting a freehand bag and started wondering how often people even use patterns, anyway. So--how often do you use a pattern when you make things ? This include knitting/crochet/sewing/weaving/nalbinding/bobbin lace/tatting/etc but also things like woodworking, cooking, and baking. If you want to just pick the thing you do most often that's fine.

I personally do not use patterns as I find them far more confusing than just figuring out the construction of an item and simply making it. I do very occasionally browse ravelry for inspiration but have downloaded maybe 2. In the 5 or so years since I joined. And have followed exactly 1, which I modified every single aspect of. In my defense, dyslexia.

[lavenderprose]

On that note, I think we need more crying Izzy. I know that that's 70% of what we do here but I think we could stand to go up to 80 or even 90% Izzy Hands sobfest. Crying is how the body expells emotions and that man has so many. He probably needs to cry at least twice a day to make up for it. The leg is gone, it took the evil with it, and now Izzy Hands cries twice a day. Not full rolling sobs, mind you. He cries very quiet and prettily about things like the color of the sky on a nice cloudy evening and he cries when he remembers the taste of his mother's bread and he cries when Ed brings him something sweet in the middle of the night, because Izzy's on watch and he'd never get it for himself. He does it after Ed's walked away, and quietly, and with his head turned towards the sea--

And, y'know, he also cries while getting railed. It's not a problem. He definitely THINKS it is. But Stede thinks it's sweet and Ed...might be kind of horny for it, if he's honest, but yeah 'sweet' is a fine way to put it too.

Would Izzy have lived his life differently if he knew that he would someday be the kind of person who cried while being eaten out? Probably not. It would have been nice to have some warning, though, before his body's response to any kind of gentleness or affection became 'SOB'.

[insecateur]

Does it matter?

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[introspectivememories]

you are my favorite what-if, my best i'll never know

[sage-nebula]

It happened, as things so often did, like a bolt from the blue on one of Pacifica's rare days off from work at the diner.

It was the height of summer and so hellaciously hot, even for—no, especially for Oregon. Having lost access to the private pools and yachts after her father's investments into Cipher capital during Weirdmageddon four years prior, Pacifica found herself at the Gravity Falls community pool, lounging on a pool chair after layering SPF 50 on her skin, and silently telling herself over and over that it was always morally correct to block her parents' numbers on her days off, and that her father probably hadn't yet found where Pacifica's pet rescue opposum, Susanna, had hidden the bell yet, so there was no need to worry.

(Pacifica had rescued Susanna from the diner kitchen two summers ago, when she was fourteen. Susanna was technically a male oppossum, but something about him reminded Pacifica of Lazy Susan, so Susanna he was.)

But it was at that moment that deep laughter followed by a higher pitched "shut up!" and even more laughter from both voices broke through Pacifica's inner mantras. She opened her eyes to see that both of the Pines twins, having once again made their yearly visit to Gravity Falls, had also chosen to visit the pool that day.

Pacifica swallowed hard.

For all that she had tried to deny it even to herself in her tween and early teen years, by now Pacifica had long since accepted that she found Dipper Pines attractive. It was impossible not to, with the way he came back taller each summer, his shoulders increasingly more broad as he grew into the physique promised by his great uncles (or his Great Uncle Ford, anyway), a little stubble that he "forgot" to shave always left around his chin, and his sideburns. Oh, his sideburns. Pacifica hated how much she loved Dipper's sideburns. It was beyond cringe, and the only other living soul who would ever know about her crush was Susanna, but Pacifica Northwest did indeed have a crush on Dipper Pines. She knew, and accepted, this about herself.

But then, on that hellaciously hot summer day at the community pool, Mabel Pines took her sweater off right in front of Pacifica's eyes.

Mabel pulled her sweater up over her head, and it was as if time slowed down. Mabel's arms were just as toned and strong (if not maybe a little more toned, the way the sunlight hit her muscles) than Dipper's. She had been wearing a bikini under her sweater—a pink one decorated with stars that fit her perfectly—and her thousand watt smile revealed she'd finally gotten her braces off to reveal a set of dazzling teeth. And when she tugged her hair free from her ponytail, it swished around her in a cascade of long, brown waves.

Dipper had thrown his tanktop onto a pool chair, and Mabel followed suit, throwing her sweater and hair tie on top of Dipper's shirt. But as Dipper was in the middle of saying something (they were too far for Pacifica to hear clearly), Mabel whipped back around with devilish speed and shoved him straight in the pool.

Mabel laughed uproariously as Dipper came back up for air, sputtering water and shaking his sopping bangs from his eyes. But he was only off guard for a second, and Mabel's mirth kept her off hers for longer. Dipper grinned wickedly and snapped his fingers around Mabel's wrist, yanking her in headfirst after him. Just as Dipper had before her, Mabel resurfaced immediately, though she had to use both hands to shove her curtains of damp hair out of her face. But her smile was just as impish as Dipper's own, and within seconds they were splashing each other, shrieking and laughing as they caused the biggest ruckus the pool had seen all day.

And as she watched them play, the water making their skin glisten and their smiles making their eyes sparkle, Pacifica felt a swarm of butterflies in her gut and a flash of heat in her face that had nothing at all to do with the summer sun above. She curled in on herself in her pool chair, and tugged her sun hat down over her face.

"Oh no."

[junespriince]

Old man yaoi birdflash brought to you by Nebby art that's out discord pfp

Wally, messing with his hair to hide his balding area: stupid genetics and stupid fuckin husband with his stupid amazing hair... Stop laughing at it, Richard.

Dick, snorting: please, I'm not *hrnk* I love that spot why do you hide it? *Snort*

Wally, turned around glaring and his darling hubby with amazing hair: you know why, you little shit, not even ageing is safe from you model like grace ass genes. Should just sleep at Kyle's at this point if I want someone to laugh at my pain.

Dick, laughing now: nooo please *holds his arm* don't go sweetheart, you know I still find out handsome right?

Wally: ... Yeah.

Dick, hugging his hubby: you want to terrorizes Slade at the nursing home to feel better baby?

Wally, perking up: can we?

Dick: yeah, you we'll use him as a lab rat to mad scientist your hair back.

Wally, kisses him: I love you so much, let's go!