#what in the Jane austin

[16dybug]

Jane Birkin

[carpe-astra]

To Feel Again

“Are you… certain you can go through with it?”

It was a question he asked. And yet, for some reason, it was plaguing his mind more than it should have been, eyes staring out over a dark sky, filled to the brim with stars that were far too blurry to his addled vision to truly see, ‘lest he ask another boon of his patron.

Why was it on his mind, he wondered?

It was a question that had been already answered. Back then, and in the now, too. The mage had watched as a limp body smacked into the snow, nothing more than ashes, he would assume, as he’d been lit aflame once his heart had been torn out and turned into nothing more than lumps of flesh between the Rousseau’s fingers. It was a question he asked.

…so, why was it plaguing him?

Bandages were wrapped around his person. Across his chest, over his left arm. The fight with the witch’s acolyte, or whoever the masked individual was, still left him with his own fair share of injuries. Ones that had to heal naturally, as he didn’t wish to trouble Dixie for her blood in order to speed his recovery. Nor did he wish to be bombarded with the questions of the healers he could surround himself with. Not as his addled gaze stared up and towards the perfect sky, lounged back within his chair. The city itself was quiet. Far, far away from Consequence, some early hours into the morning. There wasn’t even the sound of a bird chirping or the brush of feet against the stone pathways. Not even the sound of wood creaking or a guard snoring.

Not even the maddened whispers of his patron.

All that he could hear was that question. Playing on repeat in his mind. It hadn’t been very long until he’d closed his eyes, allowing him some silent time to parse all of it.

It had been winter, when Ryoshu had to ask himself that question before. There had been years of gritty conflict, mirthful tales, curiosity and awe as he had first come to explore the world he called him. Mirth. Awe. Curiosity. Things he hadn't felt, for some time. Only now, within the strange company of the Coterie, did he have some semblance of any of those emotions again.

Mirth was the one that came most often to him. Dixie made sure of that, be it ordering him a drink to remind him of his curious position in the Coterie’s employ, or asking him question upon curious question, often leading to assumptions that brought a rare ghost of a smile to his lips.

Awe was another, shortly behind. Even if he did not express it, the capabilities of the Coterie as a whole continued to amaze him and impress him. They didn’t need to rely upon magick or other such abilities in order to perform feats of magnificence. Caliban, Vinny and Valentino came to mind the most, with their unique twisting of the shadows to fit the situation’s needs. …and then curiosity.

It came in two flavors, really. One more recent than the other.

There was his obvious curiosity to the Coterie and the Kindred entirely, considering his world had slain all Vampires long before he had even been born, now committed solely to legend and scripture, description and picture. There were no bones, no fangs, no blood, no coffins. Nothing. They had never been a thing in his life, and now, he had the time and opportunity to learn first-hand, working so close with Kindred of various tradition, clan, and discipline.

And then… he was curious about someone. Ever since the night where he saw the Cyborg’s body slam into the ground, nothing more than a husk that lacked what it needed to survive. Ever since he had shared stories and thoughts and time with them, in a time where they could not have spoken to anyone else.

He didn’t have to.

He could have just gotten his information, wished her the best, and then left. Could have learned all that he needed, and maybe sate his curiosity with their kind. Could have kept away from it.

But, he didn’t want to.

Are you alright?

Can I help?

I’m here if you need to talk.

So many things he wanted to say to them. Ask of them. They were things he wanted to say to quite a few of them, and he wasn’t sure how to feel about that. It was hard to process such things when you went years without speaking to someone you… 

…cared for.

Eventually, his eyes ease open. Vision growing clear for but a moment until that natural blur of a lingering magick takes hold again. His boot gently pushes him away from his desk enough, as he stands, and his hand lingers just over his blade’s handle, sat up against the windowsill. There’s a pause, his fingers flex, thumb gently running over his index finger… and then, he takes hold of it.

The question in his mind is replaced with another. Another he had during that conversation. One he had just pondered asking. One, that he was going to go ask. Even if the answer was obvious. Are you alright?

Within a flash, he’s gone. Off and to a place that had started to grow familiar to him.

[that-ari-blogger]

This Is About Relationships (Hell's Greatest Dad)

I feel like we are seeing more and more stories that draw on horror elements as of recent times, with mixed success.

Critical Role, for example, has put some heavy emphasis on body and cosmic horror in their most recent campaigns, and I think that has worked really well. They are telling a story about feeling powerful in the face of adversity, and so having villains who are either unknowable or far too knowable really works for that idea.

On the other hand, the horror elements of Doctor Strange and the Multiverse of Madness actively took me out of the story, because they didn’t fit with the rest of the franchise at all, and I found that rather jarring.

Then there is Hazbin Hotel, which isn’t scary, but it definitely draws on some of the tools of writing horror. Although it doesn't do that in the way you might expect. Specifically, it uses the character of Lucifer to both embody and subvert the very nature of Gothic horror itself.

Let me explain.

SPOILERS AHEAD: (Hazbin Hotel, Ratatouille, Paradise Lost, Frankenstein)

I have made my stance on genre extremely clear in the past. I think it exists, but I think it is bollocks, and Hazbin Hotel kind of proves my point.

Because, yes, you can boil Horror down into however many constituent parts as you would like in order to organise a bookstore, but however you spin it, Hazbin Hotel fits that, with the exception that it isn’t scary.

Then again, being scary is entirely subjective. For example, I am completely fine with ghosts and ghouls, so the only thing that gets me about games such as Phasmophobia are the jump scares, and Jump Scares aren't horror. By the same score, I am incredibly squeamish, so Hazbin Hotel itself was more difficult for me than a few of my friends.

Which leads me to gothic horror, which has a distinct aesthetic to it that isn’t actually essential at all.

The name actually comes from its aesthetic. Gothic fiction got started in the 1700s when Gothic architecture was popular but gained traction in the early 1800s when authors such as Edgar Alen Poe and Jane Austin got involved. The latter of whom wrote Northanger Abbey in 1818 to parody the overdramatization of the genre in a book that I personally despise.

Austin’s book comes across to me as incredibly insincere. I have an infinite respect for Austin’s work, but there is a deep sense of contempt in Northanger Abbey that drives me up the wall.

I want to be clear here, this is not me saying the book is bad. It is incredibly well written. I just hate it with every fibre of my being.

To me, Northanger Abbey missed the point of the gothic genre. Gothic isn't about the emotion, it's about the humanity. The fallibility, the force of will, the instability and resilience that come and go like the wind.

Gothic horror turns that into fear, specifically the fear of morality. It’s the Ratatouille genre. Any angel can sin, any demon can rise. Or in other words:

“Anyone can cook.”

Gothic horror is the fear of inconsistency. That someone you trust can betray you, or spiral into awful deeds, or that someone you despise might be right. It’s the fear of redemption, and conversely, the terror of good motives leading to bad ends.

Other subsets of horror draw on the fear of the unknown, or of not knowing. Gothic fiction is steeped in the terror of what you know being wrong.

Case and point, Frankenstein is both the archetypal science fiction book, and a phenomenal Gothic story. The terror is derived from the fact that it’s titular character can be so great and yet such an absolute monster, as well as the horror of creating a conscience.

The creature is intelligent, and its intrinsic morality is up for debate the entire time. Frankenstein calls it his "Adam", for Pete's sake. It kills multiple people, but as a reader you are unsettled by how much you agree with its motives.

Gothic horror is the fear of absence. There is no good or evil here, just people.

There’s a reason I brought up Ratatouille. The conflict of the series is derived from Skinner’s visceral fear that someone he despises as much as Linguine can actually be competent, combined with a field rat rising from the gutter to run a restaurant. “Anyone can cook” is a threat in this movie, but it gets better explained by Ego in a way that I really like.

“In the past, I have made no secret of my disdain for Chef Gusteau’s famous motto: ‘Anyone can cook.’ But I realize, only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere.”

According to one of the greatest fanfics ever written, Paradise Lost, Lucifer rebelled against G-d’s vision and fell, which can be taken any number of ways. It’s written so that you sympathise with the main character, who is, may I remind you, the literal devil.

Worth noting, Frankenstein's monster reads Paradise Lost. I wonder if there is any significance to that.

Lucifer from Hazbin Hotel is nominally the same character as his biblical counterpart, except that he is blissfully unaware of any of the themes surrounding him. Kinda.

He has grasped the fact that anyone can fall, but the reverse of that hasn’t quite registered to him yet.

Case and point, he doesn’t understand people at all. He has sought escapism through “stuff”. By which I mean the ducks, but I also mean his song, Hell’s Greatest Dad.

Part of the gothic theming in Hazbin Hotel is that people aren’t static, and that relationships are more important than anything else. Angel Dust and Pentious don’t become better people through trust falls, the find it through love and companionship, both platonic and more than platonic.

To demonstrate this, we contrast Lucifer with Alastor, who once again doesn’t sing his own song but steals it off someone else. Alastor’s relationship with Charlie is so obviously sinister, and that will be better explained two episodes down the line, but at least he has a relationship with her.

The agony of this is that Jeremy Jordan is a phenomenal voice actor, who, along with Lucifer’s stellar writing, endears the character to you from his first scene.

Alastor is a villain; Lucifer is an absent father. Who do you side with here? That’s gothic fiction.

“Sailors fighting in the dance hall, Oh man, look at those cavemen go. It’s the freakiest show. Take a look at the lawman Beating up the wrong guy Oh man, wonder if he’ll ever know He's in the best selling show. Is there life on Mars?”

This is the chorus of a David Bowie song called Life On Mars. It centres around someone seeking escape through television and storytelling. It points out the futility of this, but the fact that it works. It’s a stable dynamic that doesn’t go anywhere.

Remind you of anything?

“Who needs a busboy, now that you've got the chef? Michelin tasting menu, free à la carte I'll rig the game for you because I'm the ref Champagne fountains, caviar mountains, that's just to start!”

Lucifer is offering Charlie anything she could dream of. Any thing. But Charlie doesn’t need an object. She needs a father, and she needs her relationship with Lucifer.

Enter Alastor, who, up to this point, has been generally benevolent to Charlie. He’s basically the embodiment of that old Tumblr textpost that described someone as “chaotic gay. I haven’t done anything evil yet, but my general aesthetic and demeanour tell you that I will, any day now.”

Side note, I know this post exists. I have seen it, I have screenshots of it. But Tumblr’s search function is so legendarily awful that I cannot locate it. Tumblr’s search function has beaten the FBI before, and I don’t have that much patience.

In any case, Alastor offers up his own curriculum vitae in the form of this:

“Who’s been here since day one? Who’s been faithful as a nun? Makes you chuckle with an old-timey pun? Your executive producer.”

He’s pitching himself via his relationship with Charlie. But what I wanted to point out specifically was how the two characters relate to the beat of the song.

This song is inspired by Friend Like Me. I know it's subtle, but I'm onto something, and I can pick out the clues. If you look closely at his moustache in this shot...

Lucifer is clicked to the rhythm, or rather, his backing music is. The band hits ever downbeat as one, looping back to play the same thing every few bars. It is incredibly stable. The one thing that isn’t, is Lucifer.

The man misses every single beat by a fraction of a second. Not much, but when you contrast him with the entirely of the rest of the song, you notice that tiny imperfection, especially when Alastor doesn’t share it.

Alastor starts singing by matching the beat perfectly with his opening sounds, then going free within the restraints. Later, when he co-opts the song, the band begins playing along with him and matching his melody.

The Radio Demon understands people incredibly well, and he works on relationships. As such, his music has a much more symbiotic relationship between each of the parts. Lucifer’s feels like a creation, Alastor’s feels like it was created, if that makes sense. There’s a human element to Alastor’s take on this song.

Which brings me back to the gothic stuff going on here, and the relationship between Lucifer and Alastor. Alastor is, of course, a manipulator. He takes issue with Lucifer because he wants Charlie isolated. But Lucifer has no reason to get upset by Alastor, right?

Alastor shakes up Lucifer’s entire worldview, to the point where I find some of the double dad dynamic between them rather compelling. Most of it.

Alastor is risk incarnate; he stands for the idea that anyone can do anything. A radio presenter can be a cannibal, and have parenting instincts take over with Nifty and at times Charlie. But he is unsafe. Because he is such an unknown, he is untrustworthy. You don’t know where you stand.

Lucifer, meanwhile, is terrified of this fact. He likes the safety of knowing where he stands, he can protect himself there, but he can also protect others. In my eyes, that’s why he was so absent with Charlie. He found something he could understand and kept it because he didn’t want to shake up the rhythm. But that was futile, and he realises this over the course of this episode.

But you might say “wait, Alastor is ace, he can’t be with Lucifer,” and my answer is twofold. First up, I am ace too, that doesn’t prohibit relationships. I’m not even talking about romantic stuff here, Alastor is the poster boy for being aromantic, but more importantly, parenting isn’t just about the other parent.

The two can both be dads, joined by their mutual care for their daughter, rather than affection for each other. I find that compelling. Charlie needs both the security and the sign that everything is possible. She needs someone to lift her up, but she also needs someone to catch her when she falls, and Lucifer and Alastor both play different roles in that dynamic.

Any angel can sin, any demon can rise. Anyone can be a dad, anyone can cook.

Final Thoughts

Jeremy Jordan is a global treasure and even if this series doesn’t stick the landing with its next season (we will see), Lucifer will be amazing.

Do I have a crush on this man? No. No, I do not. Why do you ask?

In all seriousness, I think episode five should have been two episodes. One for this song, and one for the next. Lucifer would join the Hotel’s crew for a few days, befriending Pentious and co., being utterly disrespected by Husk, and being eased into the fact that morality isn’t binary.

I don’t even mean this from just the pacing perspective, I think the series would have so much more thematic weight if it devoted more time to the literal devil learning the thesis of the series and becoming on board with redemption. I think that would be cool.

I'm also just now realising that this is a Gothic Horror musical, so of course Alex Brightman got cast in it.

In any case, next week is More Than Anything, which is yet another case study in why Jeremy Jordan is amazing. Stick around if that interests you.

Previous - Next

[dontgofarfromme]

Are the words "Oh Orym, my heart aches" in that specific tone currently taking up permanent residence in my brain to play on loop forever the answer is yes

[ginger-lime]

funky little ut austin jane doodle :]

reference image here!

[arrowheadedbitch]

They really do lean in to Ethan being the smarter one the longer the series goes on, don't they? To be fair, he always was *smarter* but Benny at least used to *kinda* try

[vynsartwall]

TAKE THIS STUPID "IF WDY MET RTC" COMIC I MADE FOR MY FRIEND

IT'S REALLY SILLY

[contracat25]

Alright as it is Trans Day of Visibility (Hi still not cis, still here etc.) and the final day of the extended Trans Rights Readathon I thought I would post about a few more of my favorite books by trans authors because hopefully everyone will be reading books by trans authors and about trans characters/topics all year round. Because to me this day is about supporting others in the community as much as anything else. The world is pretty on fire right now so if you can support a trans creator, artist, organization or friend today (and beyond) then do it!

So here are a bunch of shorter reads: books, graphic novels, novellas etc. I didn't really notice how many novellas I had been reading recently till making this list, but there is something about a wel- written short book that just really works for me. Also a lot of these just have really creative or lovely concepts and I am a sucker for those. Plus the characters in these are soooo good! Also a lot of these have lovely audiobooks or e-books, hence me not having a physical copy (yet). Many of these have trans characters as well, but not all of them. Though most have some form of queer rep because I don't read much that doesn't. I included muliple by some of the authors, including sequels because... I just really like them and couldn't pick just one. Most of these authors have other books that are also wonderful. And these are just a handful of examples, there are so many fabuluous books by and about people who are trans.

Six Months, Three Days, Five Others by Charlie Jane Anders

Peter Darling by Austin Chant

The Companion by EE Ottoman

The Barrow Will Send What It May by Margaret Killjoy

Taste of Marrow and River of Teeth by Sarah Gailey

Even Though I Knew the End by C. L. Polk

Upright Women Wanted by Sarah Gailey

Nimona by Nate Stevenson

Gender Queer by Mia Kobabe

The Seep by Chana Porter

Future Feelings by Joss Lake

Pet by Akwaeke Amezi

The Deep by Rivers Solomon

The Black Tides of Heaven; The Red Threads of Fortune; The Descent of Monsters; The Ascent to Godhood by Neon Yang

Finna and Defekt by Nino Cipri Coffee Boy and Caroline's Heart by Austin Chant

ID: Slide one has a stack of 10 books on a teal background. Slides two through four have a white background and four book covers and a boarder of books in the trans flag colors.

[datshitrandom]

Darren Criss | "Jacques Brel Is Alive and Well and Living in Tangier" | June 24th, 2023 | 📸 by Johnny Rozsa, Gene Meyer, Tony Marion, Frank de Biasi, Trey Laird & Marco Scarani

[potter-inthe-tardis]

Im gonna need someone to cast Joe Keery in a period romance asap

[claires-audience]

The reason why I arrive early to things is not because i plan well, its because I get anxious in advance very well. I be sleeping a day before a meeting and dream of getting late and the next day every action will revolve how it can get prolonged and then I’ll be late for the “thing”. I am like a protagonist of a jane austen novel who the hot chick falls in love with

[divinekangaroo]

When Diana says ‘I prefer the liberated Elizabeth instead’

I hadn’t heard ‘liberated Elizabeth’ before so I googled it to see what came back. Turns out there’s a lot of swingers couples around with a “liberated Elizabeth” involved. And some pornography. I don’t know what I was expecting, really.

[tragically-jane-doe]

Penny Imogen Lamb fandom list

One direction

BTS

Girls Generation

Black pink

Wizard of oz

Pride and prejudice

Criminal minds

Bee and puppy cat

Twilight

[cocoa-hooves-tj]

One of my recent paintings. It needs a few touch ups by I’m still very proud of it. I love being able to do a good portrait, especially with a hand

[what-even-is-thiss]

When I took my literary criticism theory class in undergrad the professor told us that in modern literary criticism “The author isn’t dead but they are a ghost breathing down your neck”

Basically, the old way of thinking was that the point of literary criticism was to find the true original intentions of the author. Then death of the author was introduced and literary criticism swung hard the other way, saying that what the author thinks and the context they were in doesn’t matter.

Nowadays, it’s somewhere in between. Yes the author had intentions and yes the work had context. But the work also has context right now and a history of people reading it and interpreting it and sometimes an author puts meaning in something that they didn’t realize they were.

I can’t sit down and interview Jane Austin about every little decision she made in Pride and Prejudice but I can look at what we know about her life and the era and place she lived in. I can also ignore all that and look at what the book means right now to modern people. I can compare Austin to writers in her own time as well as writers now. I can speculate on what I think was on purpose and what wasn’t.

A lot of people go on about death of the author like that’s the only correct way to interpret fiction when modern lit crit moved past it years ago. Reading critically is a conversation between the author, the reader, and the various contexts surrounding both of them. Nothing exists in a vacuum but at the same time nobody can anticipate every interpretation their work might present with.

The question of analysis and separating art from artist isn’t a simple cut and dry issue. It never has been and it never will be.

[tarotwithlucien]

𝓨ou in the eyes of your future spouse | pick a pile

Hello everybody! Welcome to my first PAP on this account – it's also the first time I've done one about "future spouse", so I hope you like it and that it resonates with you! ♡

┈─★ Disclaimer: This reading is for entertainment purposes only and shouldn't be taken seriously or used as a substitute for medical and professional advice. It's also a general reading, so it may or may not resonate with you.

┈─★ How to choose: Close your eyes, take a deep breath and choose the image that catches your attention the most – trust your intuition.

── .✦ PILE 1

Shufflemancy: Moonlight/Sunrise - Rope and Ladder, It's Not The Same Anymore - Red Orange County, To - The Neighbourhood, Love Songs For The Haters - FLEECE & Maintain The Madness - The Jane Austin Argument.

Without a doubt your future spouse loves you – otherwise they wouldn't even marry you lol – and they are a protective partner towards you, so in general, they see you as someone they should protect and care for. Therefore, they can act as your knight in armor when you need it, as they are always ready to protect and defend you from all those who try to hurt you.

They also view your relationship dynamics as if you are the sun and the moon – for some of you reading this pile, you are more the moon and your future spouse is the sun or vice versa. Your future spouses see you as a beautiful and attractive person – as if you were a mermaid who mesmerizes them with your enchanting beauty. And one of the physical features they love most about you in general are your eyes because, in the eyes of your future partner, they shine in a way that they have never seen before with anyone. Not only do your eyes shine, but in your future partner's vision, you light up their entire life. Before you met and were together, they saw life in a gray way due to the adversities they faced on a daily basis and, thanks to you, they felt life gain more color, they felt love and it was as if their eyes open themselves up to everything they had never experienced before in their lives.

You probably met early and one of the things they love most is being able to look at old photos you took – whether it was when you first met, when you started dating or just photos of you together in general – and admire how you used to be and they probably compare themselves to the old version of themselves in the photo and it's really funny because you could be looking at your photos together and they laughs, points to their face in the photo and says something like “wow, I was weird ” and it’s a really cute moment between you two. They feels nostalgic in these moments and really misses that time, because unfortunately it doesn't come back and all that remains are memories – and fortunately they are good.

In the eyes of your future partner, you are going through a difficult time in your life. It's not just your partner who is a nostalgic person, you are too and you probably remember the times when your life was easier and compare it to the difficult life you have now – like when you were children, for example. They also see that you are tired and stressed about the way things in your life are – for example, you may work long hours at jobs you don't like just so you can pay the bills at the end of the month, you have to put up with people you hate and it even seems like you let people step on you so that problems don't occur (you can be people-pleasers too) and your biggest victory of the day is going home and sleeping, all while repressing what you're feeling and putting on a fake smile. Your future spouse is your family and they can tell when you are feeling bad and they think that you are being too hard on yourselves and that you may not want to admit it, but you need to seek professional help. So, if this is your case, don't be afraid or ashamed to ask for help! This is destroying your mental health, pile one, please take care of yourselves!! Stop bottling up your feelings, process them, let them go, and then stand back. Do this for yourself.

Your future spouse knows you better than you know yourself – they know what to do or say to make you feel good and are careful about what not to do or say to avoid hurting you or making you feel worse. In their view, sometimes you can end up projecting your problems onto them, but they continue to love you regardless of your flaws – just be careful that this doesn't become a toxic trait that will affect your relationship. They may have met many girls/boys before meeting you, but none of these people compare to you! This whole time in their lives, they never needed anyone, they never felt the need to have someone by their side – on the contrary, they used to be the type of person who went out to a party/bar and flirted with people just to feel good/attractive. But, from the moment they met you, things changed completely and seemed to turn upside down. Just being away from you makes your future partner's heart sink. You make them feel good.

That was all, pile one! I hope you enjoyed it and that this reading resonated with you. Don't forget to take care of yourself and seek professional help if you need it, otherwise your future partner will hit you lol

── .✦ PILE 2

Shufflemancy: Room - Ethan Tasch, Ode To a Conversation Stuck In Your Throath - Del Water Gap, Epiphany - Stained, 976-Evil - Deftones & Tulsa Jesus Freak - Lana Del Rey.

In the view of your future spouses, you are a person who doesn't like to fight in your relationship and who tends to avoid conflicts so as not to cause major problems. You may even end up staying quiet instead of taking a stand on something that bothered you and your future partners also think that you can't express yourself very well through words. It's okay not to want to fight in a relationship, because who does? But, you must understand that some conflicts are necessary and need to happen, so don't run away from them, position yourself and choose your battles well – you don't need to fight over stupid things either lol.

In the eyes of your future partner, you are a disorganized person – the type who leaves their clothes scattered all over the floor or easily forgets where their left their things because everything around them is just a mess – and they think this is just a reflection of how you are feeling inside and how your mind is going. In fact, they may think that your inability to communicate effectively in the relationship is due to problems such as depression or anxiety. Regardless of what your case may be, your future partners notice this and care about you, they accept you exactly as you are and they will not leave you in this difficult time. You may be facing mental health problems, which leave you tired and without energy to do basic tasks like tidying your room and that's okay, just don't forget to take good care of yourself and, if necessary, seek professional help as it will be very beneficial for you!

For some of you reading this pile, before you finally became a couple, you and your future partner were best friends and all this time they tried to convince themselves that you were just that, but deep down they wanted to be tying you to the bed 🤭. They really wanted you and things are no different now. You also seem to be a popular couple who attract the attention of other people wherever you go, as if you were a celebrity couple or just people who are very loved by others.

In general, your future spouse is very jealous and possessive of you, so they want to be the only ones who can touch you in this way and just imagining people other than them touching your body the way they love to touch you so much chills down their spine lol. Just like in pile one, one of the physical features they love most are your eyes and they love just looking at them. One of the activities they love to do with you is traveling – in fact, any time they can spend time with you makes them happy. Your future spouse is so cute, because in the moments when they notice you are down, they do everything they can to make you laugh or just smile. In their view, in moments when you're feeling bad, you tend to walk away just to calm down - and for some reading this pile, this could apply to your future partner.

That was all, pile two! I really hope you enjoyed this reading and that it resonated with you. Just like in pile one, don't forget to take care of yourself and seek professional help if necessary 😠

── .✦ PILE 3

Shufflemancy: White Roses - Greyson Chance, Nervous Young Inhumans - Car Seat Headrest, I'll Follow You Into The Dark - Miya Folick, Uzumaki - Softcut & Dancing In The Moonlight - alt-J

Your future spouse is totally devoted and blind with love for you, pile three! In the eyes of your future partner, they can't live without you and they can't even imagine what their life would be like if they didn't have you by their side. It seems like from the first moment you met, just by looking at you, they felt attracted and didn't waste any time, they went to ask you out on a date lol. Just like the future spouses in pile two, your future partners are also jealous, the only difference is that they seem to be more jealous than the partners in the previous pile, because just seeing you going out, having fun with your friends without them around your side already makes them jealous.

The future spouses in this pile think that you still don't know all sides of them even though you are together. They may have red flags that you haven't noticed or ignore, so it's good to be careful. They may have addictions like alcohol or drugs, they may have bad habits, they may be overly possessive/jealous, controlling, aggressive or end up giving you the silent treatment or distancing you from them when you fight or there is a problem going on in your life as a couple – and maybe that's why you feel the need to walk on eggshells in your relationship to try to prevent your partner from acting that way towards you, which isn't cool. If for any reason you are uncomfortable, they disrespect your boundaries or you simply no longer want to be in the relationship, don't be afraid to walk away!

Because of what I mentioned above, your future spouses see you as someone who doesn't raise their voice in a fight, who doesn't point the finger in their face when they're wrong - they see you as someone who basically never showed their bad side to them. In their view, you understand them. Your future partners may also be individualistic and not have a black and white view of life – that is, they do not follow concepts such as “good” and “bad” and usually only do what is beneficial for them. Furthermore, they usually give back to others what they first received or what they think others deserve. But when it comes to you, it's different. It seems like they control themselves and use the power they have to give you what is good – they know they can affect your life, so they choose to affect it in a positive way. In my opinion they are weird, ngl lol.

Even though I think they're weird lmao, they would be willing to go through hell with you if necessary. They would be with you in times when no one else would be and they would be your refuge, ready to hug you and comfort you.

That was all, pile three! I really hope you enjoyed it and that the reading resonated with you. Be careful with emotional dependence, don't be afraid to set boundaries and, if necessary, let go of relationships that no longer serve you! Until the next PAP ♡

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