#what is Lights problem. anyways

[nightmare-foundation]

Yknow, I feel like part of the reason why people don't understand Ozpin as well as they probably could is because they... don't understand how the merge works. Let me explain.

The fandom has this expectation that Ozpin will take over Oscar when the merge is finished, and that Oscar will just disappear. Honestly, I think this is an extremely inaccurate reading of the merge based in bias and listening to unreliable narrators.

"But Oscar says he's afraid of disappearing, and expects it to happen. Isn't this reliable?" <- good question. No, I don't believe it's all that reliable. Oscar is experiencing the merge for the first time, and has no clue how it'll end; because of this, and his personal fears, he draws conclusions, and that conclusion is "I'm going to disappear into the collective of lives that is Ozpin." I also don't believe that this specific sentiment has been said by Oscar since v6, but it's been a while, so I can't remember.

Meanwhile, though, Ozpin himself never said that he was going to take over Oscar and that Oscar would disappear. When it comes to talking about the merge, Ozpin always frames it as Oscar gaining, rather than losing to him. Oscar will inherit my memories and muscle memory, you're recollecting my longest held memories and gaining control over my remaining magic, etc. It's almost framed as if OSCAR is taking from Ozpin, rather than the other way around.

"But Oscar has been changing throughout the volumes, if Oz isn't taking over, why is he changing?" <- another point. Oscar IS changing, but it's more superficially. His vocabulary is widening ("plummeting immediately" for example), his mannerisms have changed a little but mostly in the confidence department, and his voice has lowered, plus the inherited magic and memories. But his actual personality and deepest parts of his identity hasn't changed; he's still wise in his own way, notably different from Ozpin; he's optimistic but still realistic, for one, and he's very contemplative, and expresses importance in the individuals, vs the many as Ozpin does. He also still has his own unique brand of sass, his unique strategies and planning (how he handled the situation in Monstra), etc. He still identifies as Oscar, and the biggest change is definitely the gained confidence.

But, harder to notice, especially if you're not insanely obsessed with them like me, Oz has also changed, arguably more than Oscar. At this point, his entire voice has changed; the cadence of his voice, the timbre, his vocabulary and how he words things, etc. If you compare Ozpins current voice and Oscars, both Aaron Dismukes version and Shannon Mccormicks, they sound nearly the exact same. There's VERY little difference- at times, Oscar seems a little more formal than Ozpin! Oz's mannerisms and facial expressions have changed a lot as well, adopting more of Oscars (wider eyes, softer looks, lots of movement with his hands without their cane, honestly likely more that's escaping me rn). He also talks to the other characters as peers now, though it's hard to tell if that's from the merge or character development. I'd also mention how Ozpins worldview has drastically changed, but that's from character development and canonically, Oscar inspired him, but basically he's completely picked up Oscars views and beliefs (even if he's a little hesitant at times, he still trusts Oscar).

But basically... they've both changed, arguably Oz more than Oscar, both from the merge and character development. And it seems to me that it's more likely that Oscar won't disappear? Especially when you consider Ozpin saying "I understand. I went through the same panic and confusion you are." <- this is talking about the merge in v4, when Ozpin just appeared in Oscars head. Obviously, he'd have to be referring to being an ordinary person (likely a teenager) suddenly having a voice show up in your head. Ozpin identifies AS Ozpin- not as any previous incarnation (though he identifies with the memories too), so I doubt he identifies as Ozma. Thus, this implies that they change.

Also, soul in rwby IS identity. Aura is your soul but tangible. Thus, if two different souls merge- that inherently implies a change of identity. The souls change, thus the identity changes. Plus, Ozpin literally says IN v5 that "I am the combination of countless men, living, dying, and reincarnating, and i am changed- but my memories stay with me." It seems that the only constants are their memories, magic, and immortality. Everything else changes- "I am changed."

So I definitely don't think that Ozpin just takes over and absorbs his hosts. Everyone who thinks that's how it works in-universe are unreliable narrators; Ironwood, Leo, Qrow, Salem, even Oscar himself (though atp I think he might have an idea that he won't disappear, but he still doesn't want to change, which is reasonable). Oz's inner circle members wouldn't know in-depth how the merge works, bc a) Oz tended to lie to them and b) i doubt that's something he wants to discuss anyways. Salem wouldn't know because when Ozma told her, he'd only reincarnated once, and he only had the God of Lights really vague, cryptic words to go off of, and Salem herself has likely only been informed by people who wouldn't know how the merge works anyways (Leo). And i already explained why Oscar is also an unreliable narrator about it too.

Light and Jinn are also hints as to how it works too; they imply the hosts don't disappear by saying "Until then, you will reincarnate, but in a manner that ensures you are never alone." And "As the centuries passed, he learned to live with the people in which he had been paired." So naturally, the hosts don't disappear, and everything else says that Oz changes.

Another, smaller note, but you can tell with the other Oz's seen in The Lost Fable that they all act differently. It's more obvious with Ozma and Ozma 2.0, but you can tell with the rest of them (and even the hermit in the story of the seasons), since they all have different mannerisms and, for those who speak, they kinda speak differently as well. They're also vastly different from how Ozpin acts, both from the beginning of rwby to now, and they act differently from Oscar.

TL;DR: the merge isn't a takeover on Oz's part; they both change and, at the end, identify with whoever the host is (hence the name change).

[emiliagrant]

Buck and Tommy ♡ flirty, kinky and in love

[alackofghosts]

vierapril days 7 (privacy) and 8 (weakness)

[opens-up-4-nobody]

:-P

[matteoberrettini]

genuinely hilarious btw how people on twt want soo bad to make matteo a villain in jannik's story or some shit like it's a disney movie. less than a month ago he said they'd talked recently and he's never had anything but good things to say about jannik but to some people it'll never be enough because he made a decision for his career that i understand is hard to digest but it has nothing to do with his relationship with jannik, jannik himself said it doesn't bother him, they both have never indicated they weren't on good terms. like yeah we can't ever really know the truth behind what they say in public, but i think we should stick with what we can see and read, yeah? because making wild assumptions based on nothing doesn't lead to anything good, it's just speculation and i don't see what anyone gains from it?? i think maybe some people need to grow up and accept that they don't know these people. they don't know jannik and what he thinks or feels or who he talks to or who avoids him or whatever. we know what he shows and tells us and that has to be enough because otherwise we go down dangerous paths

[asvidema]

felt like taking pictures today since it's been a while. one of my cats decided to join me

[princessuncertain]

I need them to hang out and talk about mythology and girls and survivors' guilt and complex grief and things not turning out the way you expected. I need Sayu to brush Near's horrible hair and Near to help Sayu with her struggle subjects like Light used to. I need Near to bully the actors in Sayu's K-Dramas and her to get vengeance by making puppets that put his abominations to shame. And most of all I need Light Yagami to fall to his ghostly knees in despair when Near is pronounced his brother-in-law, making L his uncle.

[rgrfederer]

☆-

[iknowwhereyousleepatnight]

pissed tf off because 1) i have once again put on a new show thinking i could work on shit with it in the background without getting distracted (and failing miserably)(when will i learn). 2) i have a new character that i want to tear apart with my teeth which pisses me off even more because 3) it is EMBARRASSING how much i like this character i could fucking feel my pupils dilating and my prey drive activate literally immediately 4) it is even more embarrassing bc he is so embarrassingly my type that im pissed tf off that i never watched this before now or literally any time i wasnt busy. and this all leads to 5) now i have to think about killing him when i am TRYING TO GET SHIT DONE and it's making me mad it's pissing me off so bad i'm fucking enraged they should invent a way to physically harm fictional characters just for me i think

[bronzieinthedas]

Grrr my water cooler has been overheating lately.... the cooling liquid is getting really hot, I guess it's something to do with the cooler itself and not GPU and CPU? Gonna bring bb to our local IT Service today at 3 PM. My soul already dreads not being able to do my nightly VG session, I was always looking forward to it after work.... but it will be ok. And hopefully once the problem is settled I can go back to playing for more than 30mins at a time, and crank the graphics back up to high. And THEN my screenshotting game will be UNSTOPPABLE.

[kaisollisto]

hi 😳😳

[camzverse]

let me cook plz

[craptainkirk]

Part of the reason i like captain kirk as a character is that he will put everything on the line on the CHANCE that something can be done. He's always thinking that there has to be a way, and if not they'll create one. He's also so feelings-oriented and will fall back on his hunches when needed and his hunches are in fact treated as something sacred. I'm the same way in every regard and it's something i've always been criticized heavily for (I've constantly been told that i don't think things through and i'm chastised for being reckless). But that's how captain kirk is and he's treated as if that's his own unique genius. He's respected for it and we can see how if he weren't to take the risks that he does then they'd all be doomed in so many situations. This isnt really well written but im just thinking out loud here... ok... End post

[blueskittlesart]

do u have any navi thoughts from your oot replay

i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.

all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.

Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.

[neriyon]

Small test run of Infinity Nikki done! Mostly just finished the tutorial (and kicked Momo around), but it so far it seems pretty fun~

Also photo mode is so nice ♥

[moeblob]

A succubus and a demon! (The succubi don't have names but the demon is Kronos and the succubus is one of his bosses in Hell and he's not /fond/ of the succubi for many reasons but they all adore picking on him)

Also because I love them and like to point it out, the succubi act more as pleasure dealers in the sense of they offer up whatever a human wants most in exchange for their soul. It's rarely of a sexual nature since it's what they want MOST in life. And most people's ambitions are outside of a bedroom. (happy pride, asexuals are able to get affected by a succubus now without discrimination)