#when all we want to do is point out that there may be a flaw in the logic. something every character is prone to. because they are people.

[pocketgalaxies]

i'm gonna scream though, actually

[dangoulains-devotion]

yuffie has many interesting elements to her but people refuse to move past "i find energetic kids annoying" and it makes me sad

[orcelito]

Ykno the suckiest thing about being broken up with for someone else is that like. Well I'm doing generally fine, all things considered, but I Am kinda sad thinking about the things I've lost and all the casual affection that I can't have now.

But she's out there having all the affection she wants from her coworker, and it's just like. Damn this feels so skewed and SO unfair.

[vivelegalite]

dear dead boy detective (especially paynland) enjoyers: have you yet heard of the biggest gift bestowed upon the fandom so far, aka jayden's charles playlist? the one he mentioned in interviews? well, he dropped it on twitter at 19th of may. and man, do i have stuff to say about it.

there's a lot of 80's bangers, for sure, great to get into the mood and character, but some of the choices...

i'm gonna focus on a few of my favourites, songs that made me go insane when i saw them. honorable mentions: - category 1 (so devoted the lines blur): ain't no mountain high enough by marvin gaye and tammi terrell, there is a light that never goes out by the smiths, inkpot gods by the amazing devil - category 2 (family life): family line and summer child by conan gray, seventeen going under by sam fender, matilda by harry styles, father by the front bottoms - category 3 (being queer in the 80s): smalltown boy by bronski beat, boys don't cry by the cure - category 4 (there's no heterosexual explanation for this one): good luck, babe! by chappel roan, yellow by coldplay, fight or flight by conan gray (is this about monty? the cat king? i need answers!), the prophecy by taylor swift, arms tonite by mother mother, sweet by cigarettes after sex, head over heels by tears for fears

this list is by no means complete or comprehensive!

and now, the songs that made me go the craziest: (they're predominantly in charles' pov as it's his playlist)

found heaven by conan gray

the only reason this song made it into the list and not the honorable mentions instead of smalltown boy is that it makes almost the same point, just so much more explicitly. i don't think i have to say much about it, it's a story of a young person griping with their queerness, being forced to leave home, a common theme of the playlist. "you're in love, you found heaven" when he chose edwin over his own afterlife, heavily implied to be heaven, and built his heaven with him on the mortal plane? ouch! (and we see this same notion repeated in another bop from the playlist, heaven is a place on earth by belinda carlisle).

2. like real people do by hozier

"i miss kissing" charles rowland, 202X romantic meaning aside, the verses show a sort of a common understanding the boys have around the manner of their deaths and their lives before it. we already know from the show they don't really talk about it, with edwin not knowing about the severity of the abuse charles suffered. it feels like one of them saying "let the past be past, we're together now, yeah?". but also, jayden: can there ever be a platonic explanation for this? ghosts can't touch, can't feel, so they wish they could just kiss like "real" (alive?) people do?

3. flaws by bastille

not the most romantic song, but i absolutely love how well it fits their dynamic. despite his edwardian brand of repression, edwin truly is the one that's more open about his feelings (recognising of course that in this case, the bar is so low it's in hell. haha, get it). edwin has worn his flaws upon his sleeve, and charles has held them buried - eg. bottling up all of his anger and resentment towards his family and his own death. the song presents a very sweet outlook, in which their flaws are brought up to the surface (for example, charles' outburst against the night nurse in episode 4), but they learn to accept them as they are, an extension of themselves.

4. a pearl by mitski

you know it's gonna get intense if there's a mitski song in the mix.

the song is about a person who finds love in their partner, someone who treats them way better than they've ever been treated - and yet they cannot bring themselves to reciprocate the affection ("it's not that i don't want you, sorry i can't take your touch") despite reciprocating the feelings themselves because of the trauma. charles is known to bottle things up ("you're growing tired of me and all the things i don't talk about"). the person in the song recognises the love the other person holds for them ("you love me so hard and i still can't sleep"), which reminds me of charles' response to edwin's confession. not a "no", but a "maybe, as time passes".

5. fair by the amazing devil

this one made me genuinely gasp when i first delved into the lyrics. it's simply so sweet, such a genuine and domestic portrayal of love. at first i thought it was way too open about being a love song (normal text instead of the subtext i'd be used to) for jayden to choose it with edwin in mind, but... there's no one else it can really be about. it's far too domestic, too "established" to refer to crystal. refers to a relationship that's laster for a longer while.

the narrator in the first verse is a person deeply in love with the other person, someone who loves to make his lover laugh and simply drinks in their presence. the "he" in the song i believe is charles, while the "she" refers to edwin. edwin promises to fight off anyone - or any feelings pulling charles down (we can see this in the first episode: "you ever think... what if death did catch us? she'd force us to go to the afterlife and split up" "i will make sure this never happens."). charles feels left behind by the world (seeing as he clings to crystal at first, refering to her as "someone their age who's still alive") and believes edwin to be so much stronger than he's ever been. i'm not going to break down the song verse by verse, but if you read it yourself while subbing out "he" for charles and "she" for edwin you'll see just how sweet (and... strangely very in character?) the song is.

6. work song by hozier

if the previous song made me gasp when i saw the lyrics, this one made me go "NO WAY" out loud when i saw the title. the first one verse is just pure toothrotting sweetness, but the chorus is what i want to draw attention to:

when my time comes around lay me gently in the cold, dark earth no grave can hold my body down i'll crawl home to her

HELLO? charles, who keeps escaping death and afterlife to be able to stay with edwin? charles, as he literally takes his last breath with edwin right there, choosing to be by his side rather than move on? charles, who keeps choosing him despite night nurse's promises and threats? charles, who literally crawled through hell for him?

verse 2, to me, can be interpreted as referring to when charles died. edwin found him at his worst, and he "woke" up with his presence comforting him. he was shivering due to hypothermia and his injuries. edwin didn't ask him about what happened or pushed him, he simply listened. the lines "i didn't care much how long i lived, but I swear, i thought i dreamed her" are pretty self explanatory.

in verse 3 we still see the same attitude of "damn the afterlife, at least we have each other" as charles portrays througout the series. they're free, and heaven and hell are simply words to him.

7. orpheus by vincent lima

i literally have no words for this one. it fits too well. if you want commentary for this one, just... i don't know, rewatch the staircase scene.

8. francesca by hozier

(cracks knuckles) this is the big one. the album francesca is from, unreal unearth, is based on dante alighieri's divine comedy, a fourteenth century poem about a man venturing into hell, purgatory and eventually heaven. the eponymous francesca is one francesca di rimini, a woman who was politically married off to a man older than her, called giovanni malatesta. francesca didn't love him, and eventually fell deep in love with giovanni's younger brother, paolo. the two carried on with the affair for years, before being murdered by giovanni upon his finding out. francesca and paolo are mentioned in canto v of the first book, inferno, as two souls damned in the second circle of hell, lust. their punishment is to be permanently locked in a hurricane, swept away by the winds the moment they manage to get close enough to touch one another.

as opposed to their portrayal in the poem, the song is from the perspective of paolo, explaining that no matter the punishment, he wouldn't change anything about his life because he got to know, and love, francesca.

the first verse brings to mind the scenes in hell, especially on the staircase ("do you think I'd give up? that this might've shook the love from me? or that I was on the brink? how could you think, darlin', i'd scare so easily?" as an echo of charles' "sorry. no version of this where i didn't come get you"). "my life was a storm since i was born, how could i fear any hurricane?" could relate to charles' tumultuous family life, an assurance that nothing he has to deal with while by edwin's side will faze him given the things he's lived through. no, despite everything he's suffered through, charles wouldn't do anything differently - because his (admittedly shitty) life led him to edwin ("i'd tell them, put me back in"). we already know charles would choose him over heaven, willingly sacrificing his own afterlife to stay with a boy he's known for hours, someone kind enough to keep him company as he drew his final breath. all of it - his father's abuse, his schoolmates' bigotry, the pain of his own death, as well as everything he's gone through since - he'd do it all again, for edwin.

"for all that was said of where we'd end up at the end of it" could be taken as an allusion to the fate the boys would meet at "at the end of it", when they're finally caught by death and separated, or as more of a general "if you sin, you will go to hell when you die" (up to you to decide what the sin itself would be - an interpretation that would work with other songs on the playlist is that one such sin would be same sex attraction). then their hearts ceased, they never knew "peace", nor did they want to find it in death. their deaths were too soon, them being ripped away from life, but even though it would break his heart: charles would ask to do it all again.

the outro, i think, beautifully pulls it all together: heaven is not fit to house a love like theirs.

to wrap it all up:

jayden, what were you cooking in there? what do you know??

[gojoswhitebabydolllashes]

I REALLY WANTED TO WRITE SOMETHING BASED OFF OF THIS

THIS IS 'RED'

SO ENJOY.

-

You didn't have hair like Jean. Or that fiery look in your eyes. Your skin wasn't smooth, and you were full of flaws only Logan refused to see. You weren't used to being second. Of course, you had been second for tests in the mansion or second in the bonding activities. Professor x encouraged everyone to play despite their exhausted groans, and you've played video games where you've come second to Ororo or Scott.

But never had you thought you'd be second to Logan.

There were people who had warned you. That Logan was not ready for another relationship. But you refused to see the signs in his struggles, and despite all that you had heard of the love he had for Jean, you still loved him.

Now, sitting out in the grass crying to the sound of the crickets, you regretted your decision to love another chance. He swore up and down, left and right, that he didn't love her anymore.

But a blind man could see it. A deaf woman could hear it. And a fool could do both with ease.

You were-are-a fool for Logan. You were a massive fool for him, and you had been since you played eyes on him. Every night you'd go to bed dreaming of him and every morning you dressed to impress him and get his adoration. But no matter what you did, he still looked at Jean and soon you began to lose the hope you once had.

And every night as you dreamed of him, he was dreaming of her.

-

"YOU THINK IM SOME KIND OF FOOL?!" You spat, pointing sharply at Logan.

Defensively, he scowled and slammed his hands down on the dining table, Chittering the plates and forks.

"WHAT IS THE MATTER WITH YOU?!" His voice boomed in the walls of the house.

"WITH ME?!" You exclaimed, your lip quivering. "YOU ARE THE PROBLEM LOGAN!"

He threw his hands by his head acting defeated. "Yeah, right, because it's never your fault, is it?" He scoffed.

Never my fault. Right. But when he woke up one night and stabbed me because he thought I had kidnapped Jean, that was my fault. When he wakes up to breakfast in the morning but it Wasn't Jean that had cooked it. That's also my fault.

It's always my fault

"NOT MY FAULT? WHEN IS IT NOT MY FAULT LOGAN?! YOU ALWAYS MAKE IT MY FAULT. WHY ARE YOU SO AFRAID TO TAKE RESPONSIBILITY?!" You howled like a grieving wife.

To an outsider, it may have looked like you were screaming blue murder, weeping to the man who killed your lover. And you might have said to certain extent, the outsider is right.

"You were never there for me! Not once!"

You couldn't believe what you were hearing. After the months and months of longing and weeping, long nights of screaming and horror within you, moments when you couldn't bear to be without Logan and moments when you didn't even want to think of him. Some nights spent holding him while he sobbed her name. Hers

"Fuck you logan" you spat venom "I tried to be there for you I really did. I really fucking tried. But you are a coward. You refused to let me help you and when you asked me for help it was always for me to put on her perfume"

You almost threw up. Gripping the wood of the table as you leant on it, wood chips splintering your nails felt softer than loving Logan.

"You are so selfish!" He boomed."You are a pathetic, cowardly woman! All I want is your help!"

You slowly got off the table, with all your strength you walked for the door. "Oh your gonna leave now?!" Logan hissed

You turnt to face him. "I was really hoping I would see the best in you logan, I was really hoping that one day we could have had a family, and loved them as our own. Now I see that if we had children, while I loved them as ours, you'd loved them as yours and jean's, and I can't have that. I can't live like this. Goodbye logan. I hope I made loving me worth your time"

[deadsnakey]

𝐏𝐎𝐋𝐘!𝐌𝐀𝐓𝐓𝐇𝐄𝐎 𝐱 𝐑𝐄𝐀𝐃𝐄𝐑 𝐱 𝐓𝐇𝐄𝐎𝐃𝐎𝐑𝐄

𓂃 ࣪˖ ִֶָ🐇་༘࿐fluff ೀ Headcanons. . .ᐟ 0.6k wordsᥫ᭡┈─★

༚༅༚˳✿˳.༚༅༚

𝜗℘　It genuinely doesn't matter to them what your insecurity is, even if its something that looks fine to them or never seen, they'll still protest against it because they think you're perfect and a literal goddess dude.

𝜗℘　It's been a few months since you guys have been dating and it's been great, except it's a little difficult sometimes to hide an insecurity of yours, rather its more noticeable to others or not.

𝜗℘　When they find out, which i feel like they find out around the same time because they're both really observing. Theo because he’s an introvert and very intelligent and Mattheo because he really cares about you so he notices the smallest things most times.

𝜗℘　Anyways, when they do find out or have a big suspicion, they find a good time to ask you about it and their gentle and genuinely thoughtful about it and try their best to be gentle with their words.

𝜗℘　They really don't want to trigger you or anything.

𝜗℘　Even if you're good at lying, they'll be able to see right through you. Just tell 'em the truth girlie, there's no point in lying when they've already found out. I think it'll hurt them a little bit if you're so persistent because do you not trust them or sum?

𝜗℘　But if you do open up after a few tries, they'll give you the most comfort and be very understanding. Mattheo will have you between his legs with his arms wrapped around your waist, chin resting on your shoulder listening closely.

𝜗℘　Theo is beside you guys, petting your hair and giving you kisses every now and then, nodding along to what you're saying so you know he's listening and you have both of their full attention.

𝜗℘　Once you're done, they'd tell you how much they love and care about you, they cherish you and shower you with nothing but love. 

𝜗℘　They love all of your flaws and imperfections.

𝜗℘　“Hey, it's okay to feel this way. But, just know, we’re here for you, okay? I know it may be hard for you but please try your best to remember that we’ll be here for you, always. This is a safe place, Okay, sweet girl?” 

𝜗℘　“Even if you think it's not a big deal or you're overreacting, you're not. You're feelings are valid. We're going to try our best to..make you feel like you're beautiful and worthy of love, because you are, Tesoro. we love you.”

𝜗℘　Maybe theres tears, maybe there arent. Theo will wipe your tears with his thumbs if you do end up crying, kiss your eyes gently.

𝜗℘　If youre not crying, then theyd cuddle you for a little while before mattheo runs you a nice bat. Bubbles, your favorite scented candies lit on the sink with a bathbomb on the side for you in case you want to use it. 

𝜗℘　Theyll have everything out for you, theyll even wear the hello kitty matching pajamas you three have together if it makes you happy. (Theo’s keroppi, Mattheo is badz maru, and youre whoever u wanna be.)

𝜗℘　they'll order food of your choice, watch whatever you want and they'll squish you in the middle since you need the comfort tonight. (since mattheo prob sleeps in the middle; he's touch starved man, its bad. really cuddly while sleeping too.)

the request right here!

[fixyourwritinghabits]

How to Handle Critique

I’ve got to admit, I wish I was one of those beatific saints that could take critique with a grateful smile. Instead, I am constantly suppressing a horrible little gremlin at the back of my head hissing at anything from legit plot critiques to grammar corrections. I’m well aware I used that comma wrong, GOD.

Don’t get me wrong, I’m very good at suppressing that gremlin, but the little bastard is still there. He exists because even though your brain knows critique can help, it also knows you worked damn hard on the thing being critiqued, and goddamnit, isn’t that enough???

Anyway, here are some tips on getting that gremlin to shut the hell up.

It is okay to be upset. You worked really hard on this thing, and now someone’s gone and pointed out all the things that suck about it. You cannot control how you feel about one thing or another, but you can allow yourself to feel that way and let it pass through you. Let your critique partner you’re taking time to reflect on it, and go for a walk. Do something else. Let those feelings pass through you before you get back to the page.

Give yourself time. Don’t feel like you need to correct things right away (unless they are minimal grammar tweaks). Some pieces of feedback might take awhile to sink in, especially when you’ve got a whole novel to wrestle through. Set it aside, think about something else for a week or so, and get back to it when you’ve reset.

Get a second opinion and/or ducky friend. It can be very hard to tell the difference between good and bad feedback sometimes. Someone who means very well could give feedback that just doesn’t work for you, and someone who doesn’t give two shits could have spotted that fatal flaw right away. You can bring in a real third party or just make use of the old rubber duck technique, where you talk through the issue with a friend or a Naruto poster telling you to Believe it. Working it out out-loud is a really effective technique to figure out what needs fixing and what doesn’t.

Guide critique-givers toward the feedback you want. I, a person who prefers straightforward fantasy and sci-fi, cannot give the fine-tooth points on how a romance novel should work. However, I can give feedback on what works for me and what doesn’t story-wise. Giving your beta reader or critique partner a list of questions to look for will help avoid vague feedback based on how they don’t like the genre. There are many ways to do this, but consider using the following as a base to tailor your own questions:

Did you get a good sense of the setting? Did the worldbuilding make sense to you?

Was this story clear? Where there any parts that seemed confusing?

What characters did you like and why? What characters didn’t you like?

Did any parts of the story feel slow or repetitive?

Did the beginning draw you in? Did the middle keep you engaged? Did the ending feel satisfying?

If you were to write [insert plot point here], what would you do differently?

Again, all of the above questions are up for debate depending on your goal, but we are rarely taught how to give good feedback, and a guided feedback session would work better for you than a free-for-all.

Figure out what kind of advice doesn’t work for you. It is really hard to give good feedback sometimes, even with guided questions. It can also be really hard to figure out why some feedback doesn’t click with you, and that’s a matter of digging deep to figure out what you really want. You may lean toward characters who are horrible fuck-ups, but your partner prefers more steady characters who always strive to do the right thing. Your characters, therefore, may never click with this person, no matter how much they want to help you. And that’s okay! Figuring out where your critique partner is coming from can help you figure out what parts of their feedback isn’t working for you. Sometimes the only thing you can do is thank them and move on, but you might also want to guide them to focus more on the plot or the worldbuilding when looking at your work.

And last, don’t focus on grammar. It’s great if they point that out, but if you end up changing everything, trying to fix that first is a waste of your time. Grammar tweaks last, plot points first.

And, I dunno, give yourself a treat to get that horrible little mind gremlin something else to focus on. Sometimes patting those bad feelings on the head and sending them away can help way more than ignoring them.

[maxknightley]

on the one hand I do understand where people are coming from when they respond to The White American Desire For Authentic Culture by going "you already have a culture" and pointing out that this desire often has reactionary undertones

that being said, I think it's largely sidestepping the actual issue, which is that American culture fucking blows chunks. American culture is strip malls and military worship and the elevation of mass-market pablum to Bold Artistic Statements.

and subculture is only partially an escape from this, because most subcultures exist within the same constraints of American culture as a whole; they are captured and redefined by capital on such a frequent basis that it often feels impossible to hold onto them in any meaningful way.

moreover, even the parts of American culture that aren't complete garbage are more or less inextricable from the colonial, imperialist, and racially-stratified history of the country. like, I think of that post that went around a while ago talking about "America sucks but has some good parts," and one of the things it listed was national parks, and people (rightfully!) pointed out that the national park system is fundamentally flawed and tends to shit on indigenous nations by design.

the only thing I can think of that's even sort of an exception is pop culture - jazz and rock music, superhero comics, Hollywood. and all of those are, again, captured and defined by capital, and in one way or another have historically been built on screwing over the artist.

so we come to a position, one way or another, where a lot of people say something like: "I'm alienated. I'm surrounded by traditions and institutions I think are shit; I have no way to meaningfully undermine them, and I can't escape them without effectively destroying my life. the culture I was born into is a gravestone on top of another gravestone, lifeless and miserable, and people are constantly shouting that I should be grateful because it's The Greatest Country In The World."

at that point, one seeks an escape, and I think there are three major routes here.

one is to become a weird lib obsessed with the Real Soul Of America. America is really about the good parts, not the bad parts which outnumber them and which they are built upon.

another is to fixate on the Exotic, for lack of a better word. cultures which you do not have an obvious "connection" to, but which fascinate you or appeal to you. obviously this can be pretty fucking fraught, though I would argue that taking an interest in other cultures is a good thing if you aren't shitty about it. (That's its own conversation.)

the third is to fixate on the culture(s) you feel you "ought to have" had, that which was sacrificed on the altar of whiteness by grandparents or great-grandparents who, frankly, had different concerns. to look at a culture that may still be defined in many ways by cruelty and stratification - the way I would argue most human civilization has been - but that seems to have had something else going on, at least. a culture that may not have been recognizable 500 years ago, but at least it existed.

again, none of these impulses is beyond criticism, and I think it would be naive to say that the last one can't have reactionary undertones. I also doubt these impulses are unique to the USA! alienation is extremely common in today's world, and it's not as though the USA is the only settler state in existence.

what I am saying is more that I think the conditions that lead to these fixations are worth paying attention to, and that dismissing them with "you already have a culture" kind of misses the point in favor of getting in a zinger. people wouldn't want a different culture if they were happy with the one they had. like so many other things, people want one that Doesn't Completely Suck. failing that, they'd probably like to not be defined by any culture at all - but that, tragically, is just as impossible.

[transvarmint]

The reason why ourselves and a lot of others who discuss transandrophobia, spend much of our time addressing intracommunity issues, is because building community is the first step to making greater change. I, as an individual, cannot meaningfully address systemic transandrophobia (or any other system bigotry for that matter). And when I as an individual am harmed by systemic transandrophobia, I need community support to get me back on my feet.

When we address intracommunity issues, it's not to be petty or to attack anyone. It's to demonstrate that there is a problem, that the problem is rooted in systemic bigotry, and to open people's eyes to the fact that we need solidarity.

We will never destroy transphobia by telling trans men to sit down and shut up and that their oppression isn't as bad. This, in fact, actively contributes to transphobia, and is rooted in it.

We need the community united, to be able to make significant change. We need to be able to point out when lateral violence is happening within the community. Insulting and harassing transmascs is not punching up, and never will be. All you're doing is doing the work of transphobes for them.

Sure, some of my posts towards intracommunity issues are angry. That's because I am angry! I'm angry that transphobic propaganda is working! I'm angry that people who claim to be transfeminists are so heavily invested in telling a certain group of trans people that their issues are insignificant! I'm angry that I'm being dehumanized by my own community!

But even then, our critiques don't come from a place of hostility. It comes from a place of wanting genuine change, and real solidarity. I may be angry, but not at my fellow trans people, who are flawed human beings. I am angry at institutions, and propaganda, and oppression.

I love you trans people even when you are struggling to break free of that.

[myslutwritings]

Hey! I've been reading your blog and I'm really interested in your writing. I would like to ask if you could do the upper moons with a reader with a background like Mitsuri's? As if after rejection the reader became super ashamed of their appearance and their body. Take as much time as you need to write this, I just wanted to send my idea before I forget it <3

-🎀

hey, love! of course i’ll do your request. goodness, this request was in my inbox for a few months so my apologies for responding so late!! (˃̣̣̥⌓˂̣̣̥)

➤ Uppermoons with a partner who has Mitsuri’s backstory

[ not proof read btw ]

➤ summary: reader is insecure

➤ characters included: muzan, kokushibo, douma & akaza!

➤ WARNING: semi-nsfw + violence.

MUZAN KIBUTSUJI

first off.. how dare you-

yeah, okay, he’s GONNA take major offense to say at the very least..

likeeee hellooooo???

i mean, you’re MUZAN’S partner. you somehow pulled the king of demons? like look at you!! (unspoken rizz🤫..)

we all know this man has a crazed obsession with being the perfect being so obviously he is going to view his significant other as the embodiment of perfection itself.

Muzan chose you over anyone else. He views the rest of the human population as insignificant atoms. Because of his determination for perfection he’s going to pick/fall in love with a person who he deems perfect.

let’s be honest, due to him taking offense to finding out you’re insecure over some different face/hair/body features you have that he doesn’t mind/finds them beautiful he’s going to be not very happy!

when i say, “not very happy” that’s just me sugar coating his flaring anger.

However, he’ll try to reassure you in his own way that you’re beautiful the way you are and that you’re perfect in the most passive aggressive way possible.

Listen, he’s not the best at intimacy but he tries for you.

AND OH BOY!! when he finds out if anyone made you feel insecure he would order nakime to locate them so he could kill them. 🤭

As for your exes in the past.. they’re already taken care of! he murdered them awhile ago and didn’t even bother eating them because he was that repulsed by their existence.

Bro didn’t even view them as worth eating.

Btw he didn’t even tell you that he murdered your exes along with the men/women who made you feel insecure about your face/body.. he just causally told you as if it would make you feel better.

“Muzan, what happened to my exes? i saw a missing poster while i was running errands today..”

“There is no need to worry about them anymore, my dear.”

KOKUSHIBO

He’s very saddened over the fact you’re insanely insecure and it devastates him knowing how many people hurt you.

Why is he only hearing this now? he wished you told him sooner.

Like the demon king, he isn’t the most skilled when it comes to intimacy. I mean, he had a wife in the past but he deadass left her and went to go get the milk. 💀

He would never leave you though!

so he’s not going to be the ‘lovey dovey’ reassuring type of boyfriend who coddles you the way you want him to.

He may or may not have forgotten how relationships worked and he’s lowkey awkward!

He’ll reassure you in his own way and of course his demon instincts are provoking him to kill those maggots in the past who dared made you cry.

If you don’t want him to kill your exes he won’t but if you do then congratulations! you have a whole bunch of dead exes!

He’s jealous because he wanted to be with you before any of those people. He figured that if he found you first and asked you out before any of those horrible human beings you wouldn’t be so insecure. :(

Once you communicate more with Koku he’ll begin to understand and attempt to be more intimate and reassuring! He just isn’t used to it.

Kokushibo is honestly excellent at communicating and he’s understanding in his own way.

He won’t understand why you’re so insecure though? You point out your features/habits you’re insecure about that you view as ‘flaws’

He does not view them as flaws in the slightest! That’s just who you are and like muzan he’ll be offended at first you have so much hatred for yourself. 😞

But don’t worry! he won’t get mad like how Muzan did.

If anything you two will just talk it out. He may never will understand why you’re so insecure but he’ll compliment you and reassure you every time he sees you! He’ll do his very best to check up on you whenever he’s able to.

DOUMA

Douma is honestly going to think it’s stupid.

no, you are NOT stupid. he thinks the reason you’re insecure is silly! because why would you be hurt over what someone so insignificant thinks of you?

Douma also thinks it’s stupid because he views you as the most beautiful flower to ever walk this planet!

Yes, douma will find it silly. He may not fully comprehend why it hurts you so much but he’ll reassure you regardless because he loves you!

Douma is canonically great at advice. But usually with his followers he puts on a façade.

But with you it’s very different. Yes, he’ll give you advice but because he loves you and you know him and know what he really is he’ll give you the advice and not sugarcoat it for you.

Downright admits it’s dumb how you feel that way.

Immediately feels bad afterwards though when you break down into tears-

He’s used to seeing miserable people cry. He doesn’t care about their tears.

but when it’s you crying he isn’t a fan, trust me.

This is the part where he’ll reassure you and lend you advice. Instead of being rude, he’ll be genuine with you!

Douma just doesn’t understand. When you point out why you’re insecure he brushes it off because he finds your ‘flaws’ so adorable!

It’s one of the things he loves most about you. Your so-called ‘flaws’ are unique to him.

He gets offended like Muzan because why would you hate those adorable features about yourself?!? 😡😡

Let’s be fr.. Douma will never understand because he doesn’t find you ugly and has zero issues with your habits that you claim to hate about yourself.

But if you need comfort, he’ll of course comfort you and reassure you all you want! After all, he’s known to have a voice that soothes people instantly so he’s incredibly good at helping you. that’s what he does, right?

Anyway, Douma will go out of his way to make you feel less insecure even though he finds it utterly stupid that you are. The little shit still loves you unconditionally and will be genuine with you. He isn’t fake with you like how he is with his followers who suffer from insecurities.

Btw he ate the people who made you feel shitty about your appearance.

AKAZA

he is appalled..

LIKE WHAT???

YOU? INSECURE?

YOU OF ALL MORTALS?!?

High-key freaking out at first because now he feels like he did something wrong

I headcanon him as an overthinker when it comes to those he loves.

You elaborate your darkest feelings to him and he listens like the good boyfriend he is!

This sweet baby is the nicest and most understanding about it though!

Unlike Douma he won’t think it’s stupid. Your feelings are valid!

Akaza detests how insecure you are though. He’ll do anything in his power so you don’t feel that way anymore though!

You reassure him that he’s doing his job right as a demonic boyfriend before revealing that someone else made you feel this way.

Okay, okay.. so it’s not him but some other asshole.

He’ll be really bummed out if he can’t kill them:(

Assumes that’ll make you feel better if he gets rid of that garbage walking the earth.

“Are you sure you don’t want me to kill them for you? I hate how they made you feel insecure about yourself..”

Like, no, akaza it’s fine!!

But if you’re a person who seeks out revenge and WANTS the people who rejected you/made you feel bad about your looks dead this man has zero issue making your desires come true. 💅

After you confess to him about your past rejections and bullying in the past over noticeable features you have he’ll worship you even more that day. He’s the type to bring you flowers and remind you that you’re gorgeous/handsome whenever he gets the chance.

This behavior also comes out in the bedroom but that’s a different story for another day. 😩

[siren-nate]

The AvA crew are masters of body language

It might seem obvious, given how emotional the stories are despite being told with characters that don't have facial expressions or dialogue, but I never realized just how incredible the body language is in these animations until a recent rewatch with a friend (@butchpeabody) who really pointed it out and emphasized it to me.

I want to talk about it a bit using what may be my favorite scene across the entire series, that being the scene of King in the void during the climax of Season 3.

Even after the point in the story where we learned his sympathetic backstory, King is a character that lives up to his crown by being a villain of imposing presence and even an appreciation for finery. But after the moment where he cracks and tries to save Purple in the middle of a full-blown PTSD attack, this is the very next scene we see of him. He's haggard, hunched over, walking listlessly with none of the intimidation or class we've gotten used to seeing from him. For an antagonist defined by his determination and refusal to stop or slow down for even a moment, this is already striking even before he finds the memory of his house.

It's an incredibly subtle thing that lasts less than a second, but I love how he has to duck his head down to fit under the doorway due to his crown. It's symbolic of something important: this place was once his home, but now that he's finally returning to it with his descent into obsessive villainy completed, it feels alien and uncomfortable. He's no longer the man that lived here as long as that crown sits on his head.

The first thing in this entire scene that gets some spark of emotion out of him and breaks his listless walk is the chalk appearing on the wall.

And when that vision continues, reminding him of how this alien world took his child away from him, he doesn't move. His lack of reaction IS a reaction; you can imagine the stony look on his face as he silently agrees with his past actions to destroy an entire universe just to get revenge for Gold.

But then that finally changes when he sees all of the living beings that the drawing of himself is hurting. His head raises in shock, and you can imagine his eyes widening as he has to grapple with his actions for the first time. The moment his empathy cracks through, that crown is completely off-screen, reminding us of the caring man smothered underneath it.

And then, Gold appears. It makes sense that seeing the child he lost enter the vision gets the biggest reaction out of him yet...

...and that reaction gets even bigger when he sees what "King" is doing to his child's memory.

For the first time since he started on his revenge quest, his composure shatters. He starts beating on the wall, desperate to make the vision stop, to undo all of the harm he's caused, to take back all of the mistakes he's made wielding his memory of his child like a cudgel. He only becomes ever more frantic and desperate when Gold turns into Purple, and it fully sinks in for him that he's become the evil force he imagined in his head just to have something to take revenge on. He never wanted to cause anybody the same pain he went through, but not only did he dehumanize all the residents of this universe in his mind, his endless rage has even started hurting people that come from the same dimension as him.

The imagery of King desperately beating on a wall with everything he has is absolutely vital to this episode; it shows up twice in his backstory, and for the third and final time here. The first time, it represents how he couldn't save Gold. The second time, it represents how pointless his mission to avenge them is.

But the third time is different.

Because the third time...

The wall finally breaks.

You can see him standing there in shock. He expected it to be just as indestructible as every other time, expected his struggle to be just as futile as always. Because that's always been King's fatal flaw: short-sightedness. An inability to consider "And then what?", or to look at what he's doing and ask himself if it's worth it, or to think of something better he could do.

But when he raises his head and looks, he finally gets it. Now, the wall is breakable - because he does have something better he can do with himself.

It takes a second for him to get over his shock and put it all together, but once he does, he's not walking anymore. He's running like his life depends on it.

Purple's screentime in this scene is much shorter, but it's no less impactful or brilliant in its execution. They raise their head as they hear footsteps, but just like King seeing a false vision meant to show him the truth, Purple doesn't see him running at them - they see Indigo.

They stand up, but it's just as slow as how King walked earlier. They don't care that Indigo is back, not really - they've moved on from how their parent abandoned them. But they still care enough to stand up to find out what the hell Indigo wants.

At first, Purple almost seems like they expect to be attacked and hurt again. In which case, it's extremely powerful that they don't move to defend themself...

...and even moreso that because of that split-second vulnerability, King is able to practically tackle-hug them unimpeded.

Again, purely through body language, you can see so clearly how Purple has absolutely no idea how to react. Being held so tightly by someone who cares about them so much is something they haven't experienced in years.

But just as King can let go of his painful past to make a better life in the present...

So can Purple.

[oliviabear]

tbh i am not a fan of this weird narrative about osha that's being tossed around. saying she has no agency is such bullshit and saying that we fell for that by liking her dynamic with qimir is even more annoying.

osha's whole thing is agency. that is literally, in my opinion, the root of her character. in the coven, it is because of osha's own agency and need for independence that she hesitates saying 'yes i accept this life' to her own family. she's craving freedom she thinks the jedi can give her. her own curiosity and utter need to be her own person, to not be tied to her twin sister are so well portrayed in this desperate grasp onto what she thinks will offer her independence and some kind of understanding of her true self. and then she leaves the jedi order, because it's just another set of rules and ways she must abide to fit into it. just another prison for her because she can't be her own person; her true self. she literally left the one thing that caused the entire conflict with her family in the first place. if that's not agency, i don't know what is. when qimir asks her why she's not a jedi, osha doesn't blame the jedi for anything, she says "because i failed." once again, she's focusing on her own choices and actions, indicating she's very self-aware of her independency and how it may have harmed her. she failed because of her own emotions, also something she's aware of. these emotions she couldn't keep at bay because of her agency; they're a part of her and a part she could not ignore or suppress like the jedi needed her to. it can even be interpreted as the show almost portraying osha as selfish because of how much agency they've given her. i honestly want this to be the case, i need messy, flawed osha

not just that, but osha is constantly practising her agency in many ways; she's leading her life the way she herself has chosen. what she thinks of these choices is a different thing entirely and can be interpreted by however you see it but ultimately her own choices led her to where she is.

which is the same thing that happens with qimir. he literally gives her an option to leave and go after master sol and her sister or just do whatever she wants. she doesn't have to stay there. i know a lot of people think he was manipulating her because he would've trapped her if she had left anyway, but i think that's a wrong way to look at what's really going on here, especially considering osha's characterisation. osha makes the choice here again, implying she has a lot of agency, again, and it makes a lot of sense why she stayed. this is just another way for her to seek out the freedom to be herself. osha is curious about the dark side, whether she denies that or not, and she wants to learn about it in hopes of gaining a sense of who she truly is. it doesn't tie her down to anything and it doesn't take away her agency. seduction from qimir's side may be a part of it but that doesn't negate the fact osha makes her own choice to allow him to teach her. she literally puts on the mask herself, it's not like he forced her to do that. she does that because she is desperate to find her true self once again.

she has so much agency in all her actions i think it's rather frustrating to see people reduce her character to 'she's falling for qimir's seduction because she's such a weak, passive character' like do you hear yourselves... in my opinion the show has made a great point of showing that osha, even if repressed and hesitant/presented as passive, will act out on her choices. and i think that's exactly what she's doing right now. she could've killed qimir, but she chose not to. after he opened up to her, her own empathy and curiosity led her to make that choice. even if she knows he's on the dark side, she still chooses to hear him out. she puts on the mask because she wants to. a part of her can see it could potentially give her what she always wanted: to be herself.

you could say qimir might seduce her to want codependency as this is something he seems to seek, but to imply osha has no agency is to disregard everything that has led her to this point in the story lol.

[globaloppaaa]

Hey! Can you please do "babysitting with zb1"?

i love this idea!! got started on it as soon as you sent it! thank you for requesting bb, and as always if anyone wants to request more my inbox is currently open! might need some time as school is beginning for me again.

w/a: literally the smallest hint of suggestive theme of u squint to the point that your eye are just closed.

for hanbin, I don’t wanna say that this man has no flaws… but he really knows how to take care of younger siblings so any child is no problem at all. Heck, he’s probably taking care of you too. He’s got a lot of experience with taking care of others that it comes like second nature to him. Leaves you little notes of encouragement around the house when things start to get too stressful :))

jiwoong is doing your job for you at this point lol. Probably the most calm when one child throws a bit of a temper tantrum. His soft voice when he communicates to them can naturally bring a smile right back to their face. I feel like taking care of younger siblings pose no challenge to him whatsoever, I mean they’re just like mini versions of you two! Maybe he’s starting to get his head stuck in the clouds with the whole “mini you” idea…

If you’ve seen zb1 taking care of those twins on youtube you know well that hao does NOT know how to take care of children well. you’re lowkey 🤏 close to kicking him out with the way he talks back to the kid as if they’re both five years old. however watching the way you’re able to calm the child down really takes him by surprise, and he finds himself more willing to learn how you take care of them so well, while ultimately keeping both him and the kids under control too.

matthew tries so hard to be the best good cop of a babysitter he can be, though sometimes he forgets that bounderies and lessons do need to be learned! is the kind of babysitter that melts at the sight of the child’s puppy eyes and gives in to whatever scheming they may have up their sleeve. next thing you know there’s paint splattered on every surface but the ones paint is supposed to be on. “how could i resist?!” he says, giving u a pout while he attempts to remove the smear on his cheek, and honestly it’s hard for you to resist when he looks at you that way too.

you can bet taerae is singing those kids one hell’ of a lullaby every night WHEWWW. We all know how soothing his voice is, perfect for stormy nights or when’s there’s still a bit too much excitement past curfew. He’s definitely more of a practical kind of babysitter if that makes sense though. “Why do they play with rocks and twigs when the big screen tv is right there?” 🙄🤷🏻 Kinda guy. I will say that you and taerae are especially good keeping kids entertained. They adore his energy and humor and all the little skits he’ll put on. Babysitting with him leaves everyone smiling.

ricky is so elegant with it 😭😭 I don’t think you’ve ever heard him raise his voice because the children just obey without question. It’s almost strange lol. You two work as a great team! You make up the rules (because he likes listening to you too ☺️) and he’s the official communicator of said rules. Babysitting never feels stressful with him. His one downfall is that he will buy the kid(s) anything at anytime, and then he’ll buy YOU anything you want at anytime. He just wants you all to be happy what can he say?

gyuvin is surprisingly very good at babysitting when given instructions, knows what food is healthy and chewable, can easily make them fall asleep at curfew, and ensure the kids always keep a smile on their face. it’s hard to believe that when you run to the store, forgetting one item that all hell breaks loose. “i don’t know what to do when you’re gone.” he winces, in what looks like the most uncomfortable pose of defeat on the floor, the children jumping atop him in victory.

gunwook For sure knows what a child’s needs are, but learns all the details and the in-betweens from you! Definitely gets affected by cuteness aggression so sometimes it can be hard for him to concentrate, and then if YOU’RE there? Great, that’s a whole other distraction he’s gotta try and fail to ignore. Gunwook makes babysitting feel like a normal part of life rather than any kind of chore or job. He’s a bit head over heels on the idea of having his own family some day, and just maybeee he’s thinking about having it with you. 🤭

yujin i’m sorry but you’re practically taking care of him too. I’m not saying this because i think he’s a “baby”, but because he’s so socially awkward with the kids he can’t even hold eye contact lmao. For example, one of them might start to throw a tantrum out of the blue, and yujin’s solution involves him standing there watching like 🧍🏻😟. He’ll most likely start shouting your name for assistance… he really is trying his best! I think Yujin likes to let you lead with the babysitting, while also giving him a front row seat at admiring you being so passionate about making others happy and well cared for.

[taylor-titmouse]

When a story has a kink you like, what writing flaws does it take for you to find the portrayal of it unerotic? Is there anything writers should keep in mind while maintaining eroticism, or is that so specific-reader-dependent that it's futile?

everyone's least favorite answer: "it depends". when you get into the specifics of eroticism, what makes one thing erotic or unerotic depends entirely on the context it exists in. let's use bdsm as an example, because most people grasp the basics of it.

you have a dom, a sub, and (if you're responsible) some pre-negotiated rules determining how they both should behave. simple enough.

a good author who wants to include bdsm in their work will take into consideration the way the characters involved are likely to communicate, but also the cultural context in which they exist. two men in regency england do not know what a safeword is, traffic lights aren't a thing, and they may not want to have a difficult conversation spelling out what they want, because they're men in england in a period before therapy. they will talk around it, or come up with something in the moment that suits the need. a real example from kj charles' a seditious affair, which i consider the best use of bdsm in a historical romance: the dom commands the sub to hold onto the bed rail while he fucks him, and if he lets go, he stops. or another example, these characters don't usually refer to each other by name. referring to the top by his name makes him stop. these are things that naturally make sense based on their relationship, and would make sense for two men in their circumstances and point in history. they do have some conversations about it, but only after they've opened up to each other enough that they'd have a real conversation about it at all, and now it's a vehicle to show the growth of their relationship.

a weaker writer who wants to include bdsm in their work might include the rules for safe bdsm without thinking about their context. another real example, which i won't name, is a romantasy between a big gruff laborer and the twinky wizard he works for. they've been antagonizing each other, and it all comes to a head in the stables, and the laborer is finally going to give it to the wizard... when he stops to establish a safeword for spanking him.

folks, i do not believe a curmudgeonly old laborer in a feudal fantasy world understands a safeword. i do not need him to understand safewords, and i don't need that conversation to happen at all. i am ready to see the wizard get spanked, the wizard is horny to get spanked. we are all on the same page. but the author has pulled the brakes for the sake of a conversation they think is necessary, but truly isn't. if your goal is to show that he cares underneath the spanking, show that during the aftercare, show it in how he's considerate of how hard he hits, or where he hits, or have him stop if the wizard says 'stop'. like a normal person would. you only need a safeword if 'stop' is not actually 'stop', and if this is your first time having sex with this person, and you care, you are going to stop if they say stop. and if the characters aren't even going to USE the safe word you make them establish, what are we accomplishing? if this element of the story never comes back, and only exists in this scene, why is it there?

i guess this is a long way around to saying eroticism is intrinsic to context and character, and if your eroticism feels like you layered it on top of the characters, rather than built it from their behavior, you're not doing it right.

[evilbihan]

This is probably the most unpopular of all unpopular opinions out there, but hear me out for just a second:

Can we please start to acknowledge Kuai Liang's flaws? It's perfectly fine to like a character while also acknowledging their negative traits and the bad things they've done. I'm genuinely confused by the whole "aww Kuai Liang is so nice :)" thing the fandom has going on. I understand that, being a Bi-Han fan, I might sound biased, but I promise this is coming from a completely neutral standpoint.

I don't see how any of the positive traits fans associate with Kuai Liang (kindness, selflessness, a caring nature) are backed up by any canon material we know of. Those traits belong to Tomas, not Kuai Liang. The version of Kuai Liang that is a loving brother to Tomas and the prime example of a good man only exists in fanon.

Vengeful, short-tempered, regressive — those are Kuai Liang's actual traits.

May I remind you, the real Kuai Liang looks like this.

His face expresses arrogance, he's looking down on whoever is in front of him. He doesn't smile, doesn't display any expression that one could interpret for kindness. He looks cold. Does that arrogance and coldness look familiar at all?

It's the same expression as this one. Bi-Han is also shown looking down on others, with the exact same confidence stemming from the idea that he is superior to others. Kuai Liang mirrors that expression perfectly. They're brothers, they're similar in the way they act and think, in the way they were raised. Let's not forget that Kuai Liang was second in line for the grandmaster title while with the Lin Kuei. He is grandmaster of the Shirai Ryu now. They are both arrogant.

Tomas is the only one of the three who smiles and has a warm, kind aura to him. I'm not saying he's a perfect ray of sunshine, he's certainly capable of being ruthless just like his brothers, but he doesn't share their overwhelmingly negative traits.

There is no warmth to Kuai Liang at all, which is ironic given that his element is fire. Kuai Liang's fire, however, burns cold to match Bi-Han's ice. They are not opposites, they are the same.

Hanzo as Scorpion was driven by grief and ultimately love for his family, Kuai Liang's fire is only fueled by hatred for his brother.

While Bi-Han is obsessed with power, Kuai Liang's obsession with honor and tradition is crossing the line to fanaticism. Am I the only one to find it concerning how he worships his father and his father's ideals almost religiously? It's pretty much all he ever talks about at any given chance.

to Bi-Han: "His teachings did not pass with him. They should still guide us." to Bi-Han: "Father would turn in his grave if he saw this." to Smoke: "We must chart a new course. One that both honors our Father's legacy and serves Earthrealm." to Kitana: "Death before dishonor." to Smoke: "Only if we honor tradition."

Is this how a normal person talks? I don't think so. Admittedly, Bi-Han's methods are wrong, but since when is it a good thing to be completely against progress? Kuai Liang is stuck holding onto outdated traditions that don't allow for growth. It's not necessarily a bad thing that he looks up to his father, but idolizing someone to the point of never questioning anything they do or say and giving up any critical thinking is dangerous.

There's plenty more examples in the story mode and intros where Kuai Liang brings up honor and tradition, but this post is going to be long enough as it is so I only named a few.

I want to focus more on how Kuai Liang treats other characters throughout the story.

Tomas:

Why does the fandom claim he's such a good brother to Tomas when this is the only scene in the story mode where Kuai Liang expresses any sort of care towards Tomas — in a moment where he needs Tomas on his side?

Oddly enough, he's playing at Tomas' vulnerability here by bringing up family and reassuring him that they're brothers even if they don't share blood, in direct contrast to how Bi-Han said Tomas' blood was not Lin Kuei earlier. Words he chose carefully and deliberately, not out of the goodness of his heart because he wanted to comfort Tomas, but to achieve the desired effect: to sway Tomas to his side.

Similar to Bi-Han, Kuai Liang is a manipulative and calculating character. I would even dare to go as far as to say he's even more manipulative since Bi-Han lacks the charisma and patience to be a successful manipulator. Bi-Han makes no effort to convince Tomas to join him. He can't even keep up the lie he told Kuai Liang for very long. Bi-Han's actions are impulsive and poorly planned out, he's the naive one being manipulated by characters like Shang Tsung while Kuai Liang makes smart, calculated moves. He knew exactly what he was doing when speaking to Tomas.

I don't see how that was even necessary since Tomas would have picked Kuai Liang's side regardless simply because it's the one aligning with his own beliefs, but Kuai Liang's words were a subtle "Hey, remember that I'm the one who considers you part of this family and he does not. If you don't side with me, you're going to betray your own brother."

One of the key signs to recognize a manipulator by is how they try and convince a person close to them that it's "the two of them against everyone else" or in this case "them against their older brother". Manipulators know someone's weaknesses (Tomas' desire to be a part of their family) and how to exploit them to get what they want.

There was never even the slightest chance that Tomas would have sided with Bi-Han in that fight anyway, but he also appears way more passive in it as opposed to Kuai Liang. Tomas doesn't want to fight his own brother, but at the end of the day he cares more about doing the right thing and saving innocent lives than about his inner conflict. For Kuai Liang, it's a quest for vengeance and the pursue of his own goals above all else.

I also think it's interesting that Tomas looks slightly surprised/ confused at the hand being placed on his arm by Kuai Liang. It's almost like he's not used to being reassured like this which makes you wonder how often Kuai Liang really comforted Tomas or showed any support towards him. Like Liu Kang and everyone else, Kuai Liang barely acknowledged Smoke's presence before. They're only seen exchanging occasional glances.

What has me doubt the sincerety of Kuai Liang's words even more is this scene.

Personally, I don't believe that Bi-Han has ever snapped at Tomas like that before this incident here, but I know the fandom likes to think otherwise so just for this take let's go with the wrong assumption that Bi-Han used to put Tomas down like that regularly.

Why did Kuai Liang not step in to defend Tomas in this scene? If he knew where this was going why did he let Bi-Han finish his sentence? It's certainly not out of respect or because Bi-Han is their grandmaster. Kuai Liang has no issue talking back to him and contradicting him in other situations but he was surprisingly silent when this whole thing went down.

He was either just as surprised as Tomas that Bi-Han would snap at their brother like that because it hasn't happened before or because he simply didn't care to interrupt since he had nothing to gain from it, unlike later when he wanted Tomas' loyalty for himself.

Kuai Liang could have been standing up for Tomas in this situation if he was the good brother everyone sees him as, but for some reason he didn't. Make of that what you will.

As for the intros between them, there's only one where Kuai Liang asks about Tomas' family. In every other intro with Tomas he only speaks of his own goals. Honor, tradition, training the Shirai Ryu, defeating the Lin Kuei... At one point he praises Tomas for his loyalty towards him, only to question said loyalty later on.

Scorpion: Our resolve cannot waver, brother. Smoke: I'm offended that you think mine has.

If I'm not mistaken, that's a prime example of manipulation right here. Guilt tripping/shaming someone into doing something they don't even want to do.

Kuai Liang seems to always be working an angle with Tomas. Why is he suddenly doubting him? Because he knows Tomas wants peace, not war between the brothers?

Ultimately, it seems he doesn't care about what Tomas wants. We know that Tomas is torn in this conflict, he resents Bi-Han, but he also doesn't want his brothers to fight. Otherwise, he wouldn't have asked for Liu Kang to reunite them.

Tomas' intros are a whole paradox of their own.

Smoke: Are we to be enemies for life? Sub-Zero: Unless you submit, Tomas.

Smoke: I'll never forgive Bi-Han. Scorpion: His betrayal has seared both our hearts.

Scorpion: We'll soon meet the Lin Kuei in battle. Smoke: It will be our last with them. Smoke: For Earthrealm's sake, my brothers must reunite. Raiden: There's little hope for that, Tomas.

Smoke: Can I get the brothers to reconcile? Liu Kang: They must choose their own path, Tomas.

What Tomas says to other characters contradicts everything he says to Kuai Liang. But why? Why does he never tell Kuai Liang directly that he'd just wish him and Bi-Han would stop fighting? Why if not because he's afraid of Kuai Liang's reaction and that he will lose him as a brother unless he agrees with everything Kuai Liang says?

SPOILERS: It's interesting how Kuai Liang in this scene asks Tomas to help him bring Bi-Han back with them so he won't be able to aid Shang Tsung, but according to leaks he's going to leave Bi-Han behind with Havik in the dlc, not even caring about the consequences that might have for Bi-Han or for Earthrealm. Now that Tomas isn't there he no longer has to keep up the facade. Tomas' absence also makes me wonder if he maybe got tired of Kuai Liang's spitefulness and blind hatred.

To sum it up, here's what we know about how Kuai Liang treats Tomas:

Kuai Liang initialy doesn't defend Tomas against Bi-Han's harsh words

He picks an odd timing to comfort Tomas at the Ying Fortress, possibly to assure that Tomas will join his side, not Bi-Han's

He's trying to push his own agenda onto Tomas who agrees with him in their intros but doesn't seem to share Kuai Liang's goals when speaking to other characters like Liu Kang or Raiden

SPOILERS: It seems that Tomas won't be attending Kuai Liang's wedding as he's not mentioned at all in any of the dlc leaks. He might be trying to stay out of the fight between his brothers entirely.

Bi-Han:

Another detail I've noticed is how quickly Kuai Liang comes up with the idea to create the Shirai Ryu. How likely is it that he made the decision to form an entire new clan on the spot? He seems way too prepared for this scenario.

Smoke: Once he's exposed, won't you be grandmaster? Scorpion: You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute. They'll sooner abet his corruption than follow me. We must chart a new course.

Why did Tomas not know about this when they're part of the same clan but Kuai Liang knows the answer immediately? It's almost like he has thought it through before, tried to figure out exactly who would side with him and who wouldn't if it came down to important Lin Kuei members choosing between him and Bi-Han. And that's because he has. It even says so in his official bio.

Kuai Liang always intended to overthrow Bi-Han.

He admitted that he was aware of Bi-Han's frustrations all along and yet he never brought up his concerns to Liu Kang or anyone else. It seems that he intended to take advantage of how mentally unstable his brother was in order to become grandmaster himself. I'm not saying he always wanted the title to himself, Kuai Liang doesn't care about power, but his obsession with tradition equals Bi-Han's obsession with power. He wanted to rule the Lin Kuei himself to enforce his own ideals and when he realized that wouldn't work out, he settled for the next best thing: creating his own clan.

Kitana in comparison also knows that Mileena is impulsive and many people doubt that she's fit to lead but she supports her sister regardless. Her loyalty to Mileena is unwavering. Kitana loves and supports her sister unconditionally. It doesn't even once cross her mind to take Mileena's place on the throne.

Kuai Liang and Kitana share similar values, yet Kitana's loyalty to her sister outweighs all that while Kuai Liang didn't hesitate to plot against Bi-Han way before Bi-Han even sided with Shang Tsung. Just Bi-Han's frustration alone was reason enough for Kuai Liang to want to overthrow his brother.

Ashrah, a complete stranger, cares more about redeeming Bi-Han than his own brother does. And no, Kuai Liang's actions can't be justified by bringing up that Bi-Han let their father die or betrayed Earthrealm etc. because Kuai Liang gave up on him long before any of that happened. In fact, the way Kuai Liang constantly brings up their father at every chance he gets probably added to Bi-Han's frustrations and is part of the reason why he was driven to madness.

Scorpion: Glory? We fight for duty. Sub-Zero: Does our father's ghost possess you? All I hear is his voice.

Bi-Han seems haunted by their father's ghost and Kuai Liang knows, yet he doesn't shy away from bringing it up at every opportunity. Was it done on purpose? Who knows.

But it's noteworthy that it's again manipulative behavior. The way Kuai Liang constantly criticizes Bi-Han, undermines his authority, compares him to their father whenever he can although he knows about Bi-Han's frustrations, then claims a shadow has fallen on Bi-Han's soul when he at the very least partially helped cast that shadow.

I'm not sure why people claim Kuai Liang was supportive of Bi-Han before his betrayal because there's no evidence of that at all. At least, none that I could find. Kuai Liang seems reluctant to follow Bi-Han's orders and he also doesn't seem to respect him much. Again, compare that to how Kitana shows actual concern for Mileena while Kuai Liang just seems fed up with Bi-Han.

Personally, I believe Kuai Liang's goals are far bigger than we know at this point. Something about the line "The Shirai Ryu won't rest until Bi-Han is defeated and the Lin Kuei's honor is restored" suggests that, while he built his own clan, Kuai Liang still has some interest in the Lin Kuei. I doubt that he's just planning to take down Bi-Han to let someone else be grandmaster in his place. I think that Kuai Liang wants to merge both clans once Bi-Han is defeated. After all, Kuai Liang's bio mentions that he's willing to fight his brother for control of the Lin Kuei's legacy. He might think it would be in his father's interest if he became grandmaster of both clans. However, that's just an educated guess and might not be true at all.

How Kuai Liang treats Bi-Han:

Kuai Liang never trusted Bi-Han's leadership skills or acknowledged his authority

The conflict of interest between the brothers always existed, even before Bi-Han switched sides and Kuai Liang always planned to take the grandmaster title from Bi-Han

Kuai Liang attempted to (and would have) killed Bi-Han but was interrupted in doing so

He's eager to fight Bi-Han, while Tomas is reluctant

He seems to have always held very little love for Bi-Han, if any at all, although he claims they used to be close once

Harumi:

Does no one else think it's a little bit suspicious that the woman Kuai Liang ends up "falling in love with" is a capable fighter and head of her own clan, someone with exactly the resources, knowledge and means to provide Kuai Liang with everything he needs to build his own clan? He even names the Shirai Ryu after Harumi, a clan whose goal it is to take down Kuai Liang's hated brother, someone Harumi probably knows little about or never even met. Maybe I'm the only one to think that's kind of messed up and not a romantic gesture, but at least he's giving her some credit, right? Does Harumi lead the Shirai Ryu with Kuai Liang or did he take her own clan from her to build his own? I couldn't really find any information regarding that but it would be even more messed up if the Shirai Ryu are originally Harumi's clan that Kuai Liang simply took over.

Another weird detail is how Smoke calls Harumi Kuai Liang's "good friend" in his own ending, which makes you wonder if he left the Shirai Ryu before Kuai Liang and Harumi became a couple? Does he know Kuai Liang doesn't actually love Harumi? It's confusing because Tomas is the person closest to Kuai Liang. Shouldn't he be the first to know if his brother fell in love and is planning to get married?

Kuai Liang's reaction when Kitana congratulates him on his marriage is rather cold as well. He doesn't seem like a happy, newly married man and it makes me think their marriage wasn't necessarily out of love, at least not on Kuai Liang's side.

How Kuai Liang treats Harumi:

There's not enough known about their relationship yet to really know if Kuai Liang's love for Harumi is genuine

He benefitted a lot from his friendship with her when creating the Shirai Ryu

It's strange that Tomas only calls Harumi Kuai Liang's "good friend"

Final conclusion:

Kuai Liang seems to follow a pattern of binding people to him emotionally (Tomas, Harumi... ) to be able to use them to his own advantage. I'm not saying that he doesn't care about them at all, but first and foremost, they're assets to him and family second.

For someone who claims to care about honor, Kuai Liang sure has very little of it. SPOILERS: The fact that Kuai Liang is willing to let Bi-Han die and deny him treatment when he gets infected with chaos magic says a lot about the type of person he is. How is it honorable to kick a man when he's down? How is it honorable that he wants to kill Frost during his own wedding and Harumi has to beg him to spare her life?

To get this straight, this is not an attempt to paint Kuai Liang as the epitome of all evil or to say he doesn't care at all about the people in his life, just that he's much more cold and calculating than people give him credit for. Just because Kuai Liang has chosen the good side while Bi-Han went down the wrong path doesn't necessarily make him a nice person. He's still vindictive and selfish. He still shows toxic behavior.

I know someone will try and twist this post into something it isn't, so let me say this is NOT a personal attack on Kuai Liang fans or an attempt to spread negativity, it's just my opinion that you're free to disagree with. I blame the writers and their obvious bias for Scorpion that Kuai Liang's bad traits are so often overlooked. This post is only me sharing my thoughts. If it offends you, block me. I don't want to see this reblogged with paragraphs from people trying to defend Kuai Liang.

[haunted-xander]

I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.

Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.

But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.

Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.

Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.

Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.

And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.

Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.

But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.

The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.

Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.

Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.

She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.

Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.

But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.

And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.

He tells her to live her own life, and he learns to live his own too.