damn I knew for yearssss that they had been a couple but I just randomly saw a TT video about Joan Baez and bob dylans relationship and I didn’t know he literally ended it and then married sara THAT SAME YEAR instead and when asked about why he said because sara will be home when I want her to be home, she‘ll be there when I want her to be there. and Joan will not. and victor maymudes who was his tour manager in the early 60s said bob was a king and joan a queen, but he didn’t want a queen he wanted something simpler and that hit hard (like damn bob he really is just a man) anyway now I am really upset about this at 4 AM all of a sudden
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post-trimax vash meets stampede wolfwood
[ID: Black and white comic of Vash and Wolfwood of their Stampede versions. The comic starts with Wolfwood continuing off a conversation, saying “I didn’t mean t’say anythin’ bad to her. She just took it the wrong way. But anyway...” Wolfwood speaks with a hand gestured flippantly while Vash, who’s seated next to him, just listens. Vash thinks to himself, “Talks more about himself... Honest expressions... Immature, though he was pretty immature too.” He smiles and continues to think, “And yet...”
A panel of Vash’s eye directed now to the sky. He thinks, “Some things are bound to be the same with us...” He thinks of a memory, the version from Maximum of him and Wolfwood, back shown as they chatted underneath two moons, one moon with a hole through it. Vash continues, “Isn’t that right, W-“ His thoughts are interrupted by Wolfwood coming into a view, a close up his deadpan expression. Vash utters out “-olfwood..?” with a nervous expression. He starts to explain, “Um. Sorry if it seemed like I wasn’t listening, I was! So, let’s keep talking?”
Vash smiles and puts his hands together as he says, “okay?” Wolfwood glares at him with gritted teeth and Vash immediately remembers, “Right, he’s more short-tempered...” He continues to think, “Maybe Plan B works with him—“ before he’s grabbed by his coat collar aggressively and changes thoughts, “OK, never mind, brace for impact..!” But he’s surprised when he’s tugged instead, him and Wolfwood flops against the ground. Wolfwood puts an arm over Vash and says, “I don’t need to be entertained, blondie. If yer tired, we can go to sleep.”
Two close up panels of Wolfwood and Vash’s eyes looking at each other, Wolfwood taking off Vash’s glasses as he says, “Am I wrong?” Vash thinks to himself, “Actually... I was being genuine when I said I wanted to keep talking. I don’t feel tired at all. But, I think you know this body more than I do.”
Vash’s thoughts continue, “I can’t deny the me you’re fond of from being taken care of. And I could never deny your kindness. Even though...” Vash finally smiles and says, “You’re not wrong...” Wolfwood smiles back before tugging Vash closer and says, “Then, let’s sleep.” Vash asks, “Should we get a blanket?” Wolfwood asks, “Why?” before kissing Vash on the cheek, “I’ll keep you warm.” Vash puts his face into both his hands and flushes. Wolfwood smiles cheekily and asks, “What?” Vash responds, “I was caught off guard..” Wolfwood says, “You’ve said worse though.” Vash responds, “Did I...” The panel phases out and the dialogue returns to Vash’s thoughts. He thinks, “I want to stay a bit longer. Talk a bit longer.
You’re tired here too. The future is always going to be unfair to you. I want to protect you from it. I want to hold you close so you won’t go far.” The thoughts overlap the scene of Wolfwood now sleeping peacefully against Vash with an arm over him, Vash’s jacket draped against him as a blanket. Vash looks at him and a small thought bubble thinks, “He can fall asleep first...” His previous thoughts continue, “I know I can’t. I already had that chance.” A close up of Vash putting his hand over Wolfwood’s. He continues, “I wasn’t capable once, I can’t be sure I’d be capable a second time. And in a way...”
Vash’s thoughts continue with the back drop of the sky, Stampede’s sky of two moons without holes, “Some things are bound to be the same. But I know you’ll be loved again and again in a way I’d never know.” A split panel, one half contains the sleeping face of Wolfwood from Stampede, the other of Wolfwood from Trimax. In turn, the Vash lying down looking fondly at Wolfwood shifts to the post Trimax Vash while the other versions, Stampede and earlier Trimax, are faintly drawn next to him doing the same. Vash closes his eyes and finally drifts to sleep as the final text reads, “Goodnight, Wolfwood.”
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It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.
Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)
As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.
Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.
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Pluto: artificial intelligence cannot be perfect unless it possesses the capacity for human error, and that means to teach it the ability to feel hatred, grief, and other purely human emotions
Me: yeah thats fucked up huh
Pluto: now watch this scene of a robot learning to process grief by crying for the first time, which it has learned by imitating humans
Me: [sobbing] yeah thats fucked up huh
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ok currently inspecting July Events to figure out wtf happened to Vash's coat
so we see him at the start of July in this:
which upon inspection IS different from his coat at the start of the series:
which makes this shot immediately post-july make some sense:
he's got the same belts pants, so clearly not ALL of his outfit got blown off, but it seems like his prior coat didn't survive the explosion. so at some point, he'd have to contact the floating ship again to get another coat made (these ppl really are working overtime keeping up with his coat and prosthetic demolishing lmaooo) WHICH on the topic of his prosthetic, it seems like it DID survive the July explosion, which is interesting!
smth im wondering about. In dialog, we hear from Brad that he met Vash when he was 4 years old, but hasn't seen him in the 13 years since (this being after the 2 years post-jeneora). at that time, it's 8 years post-july (since july happens 6 years before the start of the series, and then add the 2 years time skip post-jeneora), which sets the events of July THEORETICALLY to happen 5 years after his last visit to the flying ship.
so, how did he get his new coat if he hasn't been back to the flying ship in 13 years? Well, i assume he has some way to contact them from afar, considering he manages to get Sensei to bring him a new coat post-jeneora in some random town (& Sensei now brings Brad, who is 17, but would've only been 9 the last time).
this brings the question: how does he contact them? some kind of communication device? i remember his earring's a radio, but i dont remember him having any specific way to contact them directly. so maybe it's just not shown? i cant imagine he'd be able to send letters, all things considered, so it's probably some kind of radio transmission. the technology Does exist, & they almost definitely would pin a special radio on this disaster-prone asshole so he could still keep contact during the long years he's away from home.
the more you know 🤔
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