#which is impossible to not do!!!! it's understandable!

[sokkastyles]

I just think some of y'all are waaay too comfortable judging Ursa over something she had no control over. Yes, I hate the plot point of Ursa giving up her memories, too, but I hate it because it's unnecessary, and actually stems from the same place of feeling like a woman has to have some justification for making the choice to continue with her life instead of, idk, endlessly suffering. Even if she hadn't had her memories erased, there was absolutely nothing she could have done for her children. She was literally forced out of their lives forever, and the only reason it wasn't forever is because Aang defeated the firelord.

Like, we see in the series that most people stopped believing in an end to the war after the Avatar disappeared 100 years ago. We see what hopeless people become. Ursa had no hope that her suffering would ever end, or the suffering of her children, and there was absolutely nothing she could do about it. People aren't angry at her because they think she could have saved Zuko and Azula, because she could not have. What they mostly seem angry about is that she had a happy life instead of one full of endless suffering and fear. As happy as she could be given the circumstances, although we also see in the scenes where she has her memories that she didn't want to forget her children, and regretted that she could not be there for them.

Idk, I just think it's odd that y'all can forgive a redeemed villain but not a mother for being forced into an impossible situation which she already blames herself for.

And Katara...Katara is a character who represents hope. You really think she would look at a woman who has no hope and condemn her for it? You really think Katara would condemn the actions of a woman who was forced to leave her home and family because it was the only escape from a man trying to control her, when her own grandmother did the same?

And again, this is not about her children, because there was nothing she could have done for them after she was banished from the country. What the hatred seems to primarily be about is that she continued to live her life and was her own person. Which is something that people do every day, despite being forced into horrible circumstances. It's something Ursa would have had to do even if she hadn't forgotten her children, and the fandom would have likely hated her even more for it. The misogyny directed at mothers and wives is primarily the reason the amnesia plotline exists, because y'all refuse to understand how trauma works, and Ursa still gets blamed even when writers try to come up with magical reasons to try to explain that trauma.

Ursa also doesn't get to be judged as a human being. Instead, the main criticism I hear is that she's "a bad mother." For something she did at a point in her life where it was no longer even possible for her to be a mother to her children, no matter what choice she made.

[nqueso-emergency]

All the drama surrounding Buddie is homemade. Homemade by immature wannabes who know absolutely nothing about relationships. Even though Buck and Tommy are a couple now, not much will change in their friendship with Eddie, except that Buck will have less time than before. Maybe in RL there are friendships that break up because of something like this, but that's also because of the lack of understanding of the "friend" who was never a friend to me. If my so-called best friend can't be happy for me, then this friendship never had a foundation.

But that's not the case with Buck and Eddie. You can see from his time at Fight Club that Eddie could always get along without Buck. And even when he was with Tommy, he dropped Buck like a hot potato. But Buck was still good enough to take care of Chris. Eddie has his own ideas about friendship, but Buck never really holds that against him.

Except maybe when it came to Tommy. Buck felt that Eddie pushed him aside from the moment Eddie and Tommy took the chopper to Vegas. Why didn't Eddie ask Tommy about a third ticket when he was offered that possibility? Tommy didn't know how deep Eddie's and Buck's friendship ran. The rough shove during the basketball game was Buck's way of showing Eddie how it feels to be pushed aside.

Buck and Eddie's friendship will change, but it won't be destroyed. On the contrary, now that Chris is gone, Eddie has the opportunity for self-reflection. Something he desperately needs but has never had time for.

Those who don't want that but still want to see Eddie in a relationship with Buck don't like Eddie as an independent character but as Buck's appendage. For Buddie Stans, one cannot exist without the other, which is utter nonsense.

Let alone the idea of them being more than "just friends." Why is it impossible to have a profound friendship and not end up in bed with each other? Do these people really hate Eddie so much that they don't see him as an individual? One could think he is their plot device to fulfill their PWP fantasies.

Love this anon!

[featherdixon]

aftercare / daryl x mute!reader

summary: after spending a night with your boyfriend, you need to tell him how much you love him during aftercare. but the only problem is that you can't.

warnings: daryl x reader, mute!reader, fluff, kisses, sightly angst, aftercare, mentions of sex (they just had it ♡).

words count: 880.

taglist: @negansbestie & @vaniniweenie / if you want me to add you, just let me know!

You pulled a thin cotton sheet over your bare skin. Its softness embraced your legs, just as it did your arms. You closed your eyes, taking a deep breath, and when you opened them, the darkness was gently pierced by the faint glow of fragile stars. Your body was still unraveling all the emotions—your lips, swollen and tasting faintly of him, your hands still feeling as though they were intertwined with his. Deep inside, an ache settled in the space he left behind.

Your hazelnut-colored hair spread across the pillow, and in a flash, you remembered something that made your cheeks burn—how he loved to grab it, pull it, in the heat of the moment. In a world where sound had been stolen from you, every sensation became sharper, a pleasure heightened when it was him who provided it.

Daryl sat at the edge of the bed, framed by the window, bathed in the soft light of the stars, as if they clung to him like dragonflies to a flower. You smiled, feeling a slight pull at the corners of your mouth, the happiness you felt by his side so immense it almost hurt.

What you admired most about him was how he embraced silence, turning it into a safe place. He rarely spoke, even though he knew you could read his lips; instead, he always tried to use his hands. A month after meeting you, he found a book to teach himself sign language, just so he could tell you one thing.

"I want to teach you how to use a bow." He could’ve communicated it more easily, but he wanted to learn your language. Soon after, he started using his new skills to warn you of danger or to tell you he’d brought food. Everything he did was genuine; they were little details he had for you because his heart guided him. That made your heart tell you to love him.

You had never been this lucky before.

A tear slipped down your cheek, and you wiped it away before he could notice. The same finger that caught your tear traced the scars along Daryl’s back. He turned his head slowly, catching your gaze. Every time you were together, he would ask if you’d enjoyed it, if there was anything he could do differently, or if you wanted more. That last question was always the hardest, because there was no reality in which you wouldn’t want more of him.

You parted your lips, trying to form a word. It had been years since you’d attempted this. You knew it was impossible; sound was a world closed off to you, but it still felt unfair not being able to tell him you loved him. Daryl turned gently when he realized what you were trying to do, placing his warm hand on your cheek.

Your throat ached from the effort. Heat surged there, yet no sound would come. You felt helpless, overwhelmed by the pain of not being able to express how much he made you feel. Daryl picked up the book to refresh his memory, and it broke your heart even more. He spent hours learning your language, while you couldn’t speak a word of his.

"Is something wrong?" he asked, his gray eyes searching yours. You pressed your lips together because you didn't wanted to be in tears.

"Nothing," you signed with your right hand, though your heart ached. You sat up in bed, letting the sheet fall from your torso.

Daryl moved closer, placing his lips gently on your bare shoulder. is touch made you shiver, and his lips were as soft and warm as ever. Before he could pull away, you reached for him, bringing your mouth to his, deepening the kiss, letting your tongue savor the taste of him. You wanted him to understand everything you couldn’t say. He wasn’t expecting that boldness and gently pulled back.

Before he could speak, you moved your hand swiftly.

"I just wanted to tell you I love you." Daryl blinked, staring into your eyes.

"You’ve been telling me all night," he replied softly. A wave of embarrassment washed over you as you lay back down. He didn’t hesitate to move over you, his lips tracing delicate patterns on your neck, collarbone, shoulder, and down to your stomach. He always lingered there, he loved leaving kisses on your belly.

He lifted his head slightly, and you tenderly caressed the scar beneath his eye.

"I wish I could say it out loud..." You traced the words with your lips, and he understood them instantly, without even looking at your hand. He dragged his lower lip from your belly button to the mole near your most sensitive spot. You ran your fingers through his hair, feeling your heart open wide.

He moved back up to kiss you, and you glanced at his hand.

"I love you," he signed. You smiled, mirroring the same sign back to him.

He lay beside you, and you rested your head on his chest. Even if the words would never be spoken, together you had created a language of touches, signs, and kisses that no one could break. You hoped with all your heart that your future daughter would be able to say those words for you—words you would have shouted a thousand times for this man you loved.

[utilitycaster]

I'm curious about your judgement of the success of the various format experimentations in Campaign 3. If you feel like saying a bit more, I'd be interested to hear your thoughts on which are the most and least successful, and why.

Sure! So as I said earlier today, I think a big problem is that the format experimentation and the moon plot are directly at odds. Pulling off the moon plot, with all the NPCs from past campaigns and payoff of various canonical setups requires a pretty firm hand on what the current canon is, and also really did require a firmer hand in the character creation than there was. On the other hand, the point of experimentation is to let other people play in the space and introduce their ideas. This comes together in what I have referred to in the past as "Not Now." Like, the Crown Keepers showing up just as the party was grappling with FCG's death? Not bad as a concept, but Not Now. Abubakar playing Corellon? Incredible performance, but the fact that he was given free rein in a plot that's already shedding viewers left and right for its lack of direction? Not Now.

On an individual level:

I think EXU Prime either needed to be fully standalone, or Matt needed to provide a slightly more rigid direction to Aabria and therefore really couldn't play Dariax. If it's going to get woven into the main plot of Campaign 3 it needs to set that up (including giving Liam and Ashley a heads up beforehand). My personal vote would be for the former, to allow Aabria to tell her own story without it having to serve like 20 different functions, but what's done is done. If I recall, Liam and Ashley had the option to play different characters for Campaign 3 and I do wonder what would happen if they had decided differently, because you could still have Dorian pop up as a guest but I wonder if the Crown Keepers would have shown up in the same way.

Similarly, as stated, the general concept of the Crown Keepers interlude during the campaign as a means to bring in Dorian? I'm not opposed, though I think this is by far the hardest thing to coordinate generally and for a plot as demanding as Campaign 3 probably not a great idea. But it's hard to judge because the timing was truly the worst timing possible given the events of episode 91, and even delaying by like an episode or two would have at least solved that to the point that I don't understand why they didn't just...do that. (and, just to head off this particularly stupid argument at the pass, this would not have in any way affected Sam's ability to take time off for cancer treatment; it would have just shifted things around, and a lot of this experimentation was planned WELL in advance). [sidebar: I haven't listened to the WBN interlude yet but I do have thoughts because I think interludes from different GMs can be done, but the premise of Campaign 3 is particularly hostile towards them unless the main GM has a very heavy hand in their creation or unless they are light on things relevant to the core plot and mostly for the purpose of worldbuilding a la Song of the Lorelei.]

Solstice split was excellent and I think it's because it was not actually anything you wouldn't see in how people frequently play D&D at home. You have a few players who won't be available for a few sessions in a row? Great, find a reason to split the party, bring some other guest players in, and run some side quests!

Downfall was great because it was diagetic. It was a story within a story that Bells Hells was seeing and responding to, and because it took place so long ago with such specific characters, while it may bleed into how Laura, Taliesin, or Ashley feel in game (impossible to prevent, people bring their own feelings to the table), Matt still has room to decide how the Raven Queen, Wildmother, or Everlight feel a thousand years later. I also feel this had the most direction from Matt, which the other things really needed.

As said, bringing in Abubakar to DM as Corellon is something that again, this plot simply doesn't handle well. It makes for a fantastic scene, but within the 107-and-counting episodes of this story, giving the reins to someone else after you finally have a clear plan and letting them throw another curveball is a terrible idea narratively. I think this again would be fine in a story with a looser plot.

Echoes of the Solstice and presumably the upcoming Vox Machina Malleus Key/Mighty Nein Weave Mind concept is again pretty good. This also fits into things that D&D home games have been doing forever - run a one shot or mini campaign following different characters but DM-ed by the same person that have an impact on the current plot but aren't too closely interwoven. Basically this is like the solstice split in concept.

Essentially: I think playing around with the format within a campaign but having the same GM is pretty easy to do. Once you introduce other GMs acting within the world concurrently (rather than as a story with a foregone conclusion a la Downfall, or for that matter Calamity) you need to be extremely careful if you are trying to tell a specific story with a lot of moving parts, as Matt is with Campaign 3. It's one thing to improvise based on things your players do or say; it's another to do so based on improv by a major NPC or someone doing extensive worldbuilding mid-game that you now need to incorporate. This wouldn't be an issue in a more sandbox-style game; Campaign 2 might have been able to withstand it more gracefully, though I'm still not sure. But Campaign 3 was the wrong place to do it. Again, it's trying to converge in some places and diverge in the others and as a result it's just kind of flopping around in place.

[grifonecoronato]

Mae-ho Aniseya: Film Noir Protagonist

(Spoilers for The Acolyte)

As I've said in another post, Mae and Osha are binary opposites in their personalities and motivations.

Mae has a kind of "first child syndrome": a desire to exhibit perfection in the eyes of her mothers, so that they can shower her with praise. She loves being in her community of witches, learning and using the Thread, and indulging in the daily activities of life on Brendok.

She thrives when she is surrounded by her people, but Osha doesn't want the same things, which is something that confuses Mae deeply.

In this scene from Episode 3: Destiny, the two sisters as children talk about what they want:

MAE: "It isn't fair. I share everything with you, and you hide things from me or run off alone." OSHA: "I want to have my own things." MAE: "Why?" OSHA: "Because I don't want to do everything together all the time." MAE: "But why?" OSHA: "Because we're not the same." [...] OSHA: "Don't you wonder what else could be out there? Besides Brendok?" MAE: "No. Everything I need is here."

For Osha, her arc in The Acolyte has all the trappings of a dark romance. But from Mae's perspective, she's the heroine of her own Film Noir.

Film Noir Themes in The Acolyte

Beyond its aesthetics, Film Noir has three (3) major thematic characteristics with regard to its protagonists:

Its protagonist has an idyllic past where they were happy and life was good;

Their idyllic past is ripped away from them, often violently, in a single moment that they relive again and again in the present;

The inciting incident is an opportunity to reclaim their idyllic past, or if that's impossible, to get justice for what was lost... because to do nothing is to be haunted by it forever.

For example, we can look at the seasonal arc of Veronica Mars (2004): she's a happy high schooler and best friends with Lily Kane, then Lily is murdered and Veronica is ostracised from her former friends, and now she is seeking opportunities to solve her friend's murder, while being haunted by the memories of her.

Or consider the video game Max Payne (1998): he's a cop with a happy wife and daughter, then his wife and daughter are murdered by drug addicts high on Compound V, now he joins the DEA in an effort to find and destroy the source of Compound V, and finally stop feeling haunted by the memories of his family.

Mae's story is very similar: she was a happy kid living with a family and community that gave her everything she wanted, then the Jedi came and massacred everyone she loved, and now she's joined up with a powerful ally who will teach her to get bloody justice.

Mae's Fatal Flaw

Mae's biggest problem is that she's impulsive and frequently enters situations without a clear plan. However, this bullheadedness shows that she trusts herself to get out of any situation she finds herself in.

(Qimir once said to Osha "you should learn to trust yourself", but I doubt this is a lesson he had to teach Mae.)

Detractors often say that Mae's motivations don't make sense, or that she's "flip flopping" all the time. But this criticism -- like most criticisms from the fandom menace -- is unfair. Mae's motivations are very clear, and her shifting tactics are done as a response to new information that comes her way.

In Episodes 1 and 2, her goal is two-fold:

Hunt down the four guilty Jedi

Keep The Stranger satisfied in her progress as his apprentice

But in Episode 4 and 5, after she learns that her sister lives, her goal changes to "reunite with Osha." But when Osha refuses to listen to her, Mae's slightly modifies her goal, to "find a way to de-program Osha from her Jedi brainwashing, by exposing Sol."

Viewers that understand what drives Mae see that not flaky; she's adaptive.

The Fatal Lesson of Film Noir

The thing about Film Noir protagonists is that most of the time (not always, but most of the time), their quest for reclaiming their idyllic past is a fool's errand: they either sacrifice a big part of themselves in the attempt, or they learn to heal form the past, let go, and move on.

Mae opts for the former. When she finally succeeds in revealing that Sol has been lying for sixteen years, Osha murders him. Afterward, Osha bargains for Mae's life, which the Stranger accepts but only if he be permitted to erase her memories.

So Mae recaptures her idyllic past by being able to reconnect with her sister... only to lose her sense of self in the process. The quest consumed her.

But was it worth it?

[poetryandbloods-blog]

The truth is that if Snape had a standard beauty like Sirius and wasn't poor, he would be one of the most beloved characters in modern literature, like Anakin Skywalker.

But he is ugly and poor, so in our view as a society he needs to be labeled as an abuser/villain, his story, which is incredible and full of nuances, needs to be passed on to someone who fits the mold of what is considered appropriate (almost always Regulus).

Even Tom Riddle, the boy who killed 4 people before finishing Hogwarts, receives more love and understanding from fans than Snape.

I always thought that this new gratuitous hatred that I saw Snape receive came from the portion of fans who never read the books, only fanfics.

But seeing him being stripped of his story and the staunch defense that part of the fandom makes of others with a story a thousand times worse than Snape's makes it impossible not to connect this to his lack of status on the two fronts that “matter most” (money/beauty).

A study conducted in Great Britain proved that ugly people are more likely to be convicted of a crime. I will leave the source below.I am a lawyer, in college and throughout my professional life, I have seen underprivileged people being marginalized many times.

Their lives mean less. They are much more likely to be convicted of minor crimes than people with more income.

We judge fictional characters with the metrics we have for our reality. It is difficult to feel empathy for someone who is different from you/lives in a different reality than yours.

Someone who has been marginalized and bullied is much more likely to feel empathy for a character who goes through the same thing than someone who has never lived that reality.

There is also the issue that Snape was based on a real person, who had many characteristics of an autistic person, but these characteristics were villainized by the writer. Of course, we cannot lose sight of the fact that Harry Potter is a children's book, written in the 90s, and Snape was supposed to be this villainous teacher that we all had at some point in our lives.

But we all grow up and are able to see more than just the children's story; we are able to see the patterns we apply as a society and how we can combat them.

Would Snape, who was marginalized throughout his childhood, have had a better life if he had received the necessary support at school? To what extent can we blame someone who did not have structure/support, whether in the family environment and/or in society itself?And this of course does not apply only to Snape, but to a greater or lesser extent to other characters.

Ultimately, society itself creates its own villains, by ignoring doing the minimum necessary for the well-being of these individuals.

Source: https://www.standard.co.uk/hp/front/ugly-defendants-more-likely-to-be-found-guilty-than-attractive-ones-7276212.html

[peachyfnaf]

If you could say something to all TSAMS characters, what would you say?

WHOOH boy, that's a fuckin' question and a half, ain't it? i'm prolly gonna piss some people off with this, let's see... i kidnapped most of these characters from polaris' list lol

So I don't go off on tangents for each of em, i'm gonna try to limit myself to 1-3 sentences

Sun: You've been through a lot, haven't you? Find something to do in life, something that you love because you want to, not something that you love out of obligation or programming. You're smarter and stronger than you think, stop being held back by the past.

Old Moon: You have not changed as much as you think you have- you still have some very toxic and abusive behaviors. You are not irredeemable, but you are deeply flawed. Take time, work on yourself, and understand that while making up for your past might be impossible; it's not impossible for you to carve out a future where you and those you love are happy.

New Moon/Nexus: Oh, you poor thing, what happened to you? You fucked up, but you didn't deserve the hand you were given in life, no one in your position would. Please, let yourself feel again- the pain of losing it all- only then will you be able to come back out the other side ready to love again.

Earth: As you've grown and experienced life, you've become very immature. This isn't directly a bad thing, but it contrasts with what you try to be, and makes you an unreliable person to go to with mental health struggles. Don't take life so personally, and push a little bit harder, there's no need to be so soft on people who reject help who clearly need it.

Lunar: I am BEGGING you to show some vulnerability. I know it's genuinely so fucking hard after all you've been through, but if you keep acting like you're okay after every loss then eventually you'll become a shell of a man. ...And also, respectfully, humble yourself- you are incredible, but you are not the main character.

Solar: Take a break. Please, for the sake of yourself and everyone you care about, take a break. You can't save anyone if you yourself are dying- and the people you are trying to reach won't extend their hand to a dying man. Take a break.

Eclipse (V4 Specifically): ...What can I even say to you other than that I am so incredibly proud of you. And that I'm sorry, I'm so sorry for everything you went through, being compared to someone you're not. I wish people would leave you alone, as you so desperately want to be, you more than deserve that peace.

Bloodmoon: You're a lot more put together than people give you credit for. I'm sorry you were made the way you were, with the inability to live life without being consumed by your urges. You were born a monster, and no one gave you the proper chance to become anything but one.

Ruin: I'm sorry to say this, I really am, but even though the life you lived was horrid and tragic, that gives you no right to end billions of innocent lives in your quest for justice and revenge. You have my sympathies for the trauma you experienced, but my sympathies end there. Everything you experience after the massacre you pulled is your victims coming to bite you in the ass.

Jack: I love you, so much- I love you for trying as hard as you do. Remember, it's okay to say no. You are still growing and have a lot of it to do, be kind to yourself when you make mistakes.

Dazzle: Sweet girl, the most precious thing. Never change who you are, you are literally the shining star in the darkness that is this world. Never forget how much you are loved, for it is more than you could ever know.

The Creator: No matter how many machines you build, what scientific discoveries you make, how much progress you offer to humanity, you will always be alone. No one will ever love you, and it's all your fault. Remember that when you die alone, old man.

Monty: Your violence is not funny, at least not at the severity of which you do it. You lying to your girlfriend is not funny. Do better or fuck off.

Foxy: You try so hard, and I appreciate it, but learn that there are some things that you can not fix, and some places where you shouldn't stick your nose in. It's okay to be "a rubber duck", it's okay to be normal. Stop trying to be something you're not and embrace what you can.

F.C: I love you so much kid. You're a bit wild and off your rocker, but you've also shown so much unexpected maturity. Stop growing up so fast, yeah?

Puppet: I can appreciate all that you try to do, but please, understand that you acknowledging that you make mistakes does not nullify them. You have been hypocritical time and time again, and you need to learn and grow from those experiences, not just brush them off. You are capable of great things- just learn to do them.

AND THATS EVERYONE. YIPPEE. im gonna go eat shrimp now lol

[wo-mary]

Letter from the Abyss

«Oh, Louis.

How many years have passed since you killed me? How many years have passed since the poison coursed through my veins while you gazed at me with loving yet distant eyes, unaware of what you were doing? How many years since you embraced me from behind while I sat with my throat slit, drowning in my own blood? How many years since your heart shattered from killing the one you loved?

I was slowly and agonizingly dying an impossible vampire death. Every cell of my body, every fragment of my soul, was pierced by unbearable pain. And all I could feel was how I sank into your strong arms, descending into the inescapable darkness. At least, I was grateful that it was you who did it, and not someone else.

Did you at least believe that I loved you, mon cher?

You didn’t think I was perfect, but you felt that I was a lot. But I couldn't help my love, and from the lack of yours, I made sure we both drowned in my bottomless, soul-crushing love together.

You didn’t think I was sane and saw me as a bloodthirsty, unbalanced killer. But that was my language of love — hysteria, tears, abuse, demands, and keeping you in an iron grip. Every time you tried to get close to someone else, I nearly turned myself inside out. I wanted to vomit. I wanted to destroy everything around me. So I destroyed everything around you.

You didn’t think we were meant for each other, but I saw in our impossible love the most sincere and genuine thing. Yes, it was built on your suffering, on your immense black void, which gradually consumed me too.

You didn’t believe I was faithful to you, and only saw my betrayals. But they weren’t infidelities; they were weak, miserable attempts to get your attention, to stir strong feelings in you, to make you love me as much as I loved you.

I tried to be gentle and tender. But you didn’t respond, and every time, I chose my demons to show my love for you, Louis.

I tried to speak openly, but you didn’t listen, so I committed all sorts of foolish acts just to reach your heart.

Oh God, how I loved you, Louis de Pointe du Lac. I loved you so much, mon cher, that I became cruel. To you. To myself. To the world. I was a raw, exposed nerve, capable only of erupting with emotions and suffering. And when you were killing me, I thought — yes, God, yes, I’ll stop feeling this. He will end my life, and there will be no more love. He will end my life, and there will be no more suffering. He will end my life, slit my throat, poison me, burn me in the furnace… the same one where I burned the useless human bodies that meant nothing to me…

But you didn’t finish your mission. I remained in pain. In suffering. With a soul shattered into pieces. Fully united with my own black hole, the one I so desperately tried to escape by making you my lover, by making you fall in love with me, by loving you all my life.

I was left alone with an impossible, imperfect love for you. Left without you. Oh, Louis, you can’t imagine how immense this pain was. It cannot be measured by instruments, by years, by the depth of a soul. It cannot be compared to anything. But it can be felt. And, you know, maybe if you had known back then that I hadn’t completely died, you would have thought that I was preparing to kill you too, to give you that same unbearable pain, and you’d be right. But while I was dying and regenerating at the same time, I faced unbearable despair and gave up. I stopped fighting. Stopped struggling with you. Stopped making plans against you. I just broke apart and let that despair swallow me to the very depths.

Oh, Louis. How many years have passed? And only now are you reading this letter. And if you’re looking for a reason why I did this, then read the letter again. Then again and again. And understand that I’m still slowly dying. I’m still alone with this impossible love for you, mon cher.

And maybe, with a small part of my soul, I still wish you would finish killing me. Because I can’t do this anymore.

Forever yours, relentless and unbearable, Lestat de Lioncourt»

[yume4evere]

Japanese fans didn't like the sequel story at all, especially the time skip that's happening now. They didn't like the story at all because it never progressed anything and they didn't like the contradiction in scene after scene, yuki and Kaname's relationship, Yuki and Zero's relationship and Rin's relationship with Ai, they didn't like ren because she is emotionless like her father and she looks like a male and she is very gay towards her sister not like Ai how wanted her blood and wanted to protect her from everything even her self (I felt Ai was a little gay towards Ren) and also Taro they didn't like him and they said he is an extra character with no use. They feel that the love in the story is just acting and they can't understand it or sympathize with them. It's not like the main story. They said it was the best and it would have been better not to write the ending like it happened, they wanted Kaname to stay alive and be with Yuki, which is better.

They hate yuki because she's selfish and couldn't stay with Kaname and bc she's not loyal to any of them, Because she was spoiled, they said the scenes and dialogues are repetitive. They feel like they are forcing themselves to convince themselves that they are happy. And Yuki is trying to convince the fans that she got happiness from Zero bc she keeps saying that. , though they are confused by the development of the story and do not understand the subject of the story at all ( about the war and the mayor). And they said the VKM world is modeled on Hokkaido, where the author lives. Kaname and his daughter are safe because they liked their characters and they can relate to each other now. But they talked about his first time and his kids، They wonder if it was his first time with Yuki. Or he did it with another woman, they said he lived for so long it was impossible for him to stay single and a virgin since he's popular with wowen. That's why the Kuran family exists and intermarries. They also think that Yuki will say goodbye to Kaname and he will get over her and live with Ren and Ai in peace.

And also about other things I can't remember 😵

[acerikus]

It's always so funny to me when I see people say things like 'uty will never be undertale!' and list all the things they think it did wrong/inaccurately to the og game. Don't get me wrong I think it's completely valid to not enjoy it for those reasons, but at the same time it's a non-toby fox game that I never felt tried too hard to PRETEND to be a toby fox game, y'know?

There's quite a few things I think it misses the mark on when it comes to canon compliance with undertale, but I don't really mind that tbh (especially when it gave us such a fun fanon take on flowey, which is pretty damn accurate to undertale even if it doesn't make sense with the timeline and even if itd makes him a little too developed by the time frisk falls to make sense). To me, uty is a game that takes place in a world SIMILAR to undertale, by different people, that isn't quite trying to do the same thing. It doesn't have the same soul as undertale sure, but it doesn't need to. Different games serve different purposes and especially w the context of yellow being a completely free project done in fans' time as a labour of love to a game that they enjoyed, I think they did a pretty damn good job.

(again this isn't me throwing shade at people who don't like it, more an excuse for me to get some of my own thoughts out about the game lol)

[stopthatfool]

Currently trying to understand and pinpoint Ron "Slider" Kerner. Who are you Slider... what are your motivations... what are your goals... what is your favourite colour... why are you in the navy...

if anyone has any concrete thoughts about slider... please share them with me... who is this man... do you think he listens to nickelback? or does he think Metallica is the greatest band of all time?

[carlyraejepsans]

i wish i had more energy to draw and plot lately i NEED to make the insane daemoverse flowisk situationship real. i need you guys to see my vision

[unmerrymagdalene]

The actual dialogue from Sydney in the code is "Eventually, I just wasn't allowed to come over anymore. My <<sydneyOtherParent>> said... no, nevermind. That's not important." to verify what Dolxiba said.

Me when I’m in a “Follow every word/order a trusted figure says” competition but Sydney’s competing-

[deeplovelydark]

thinking about how many of jadzia's 'unfeminine' qualities are kind of legitimized by them having been curzon's–or one of the other dax's male hosts'–first. interest in klingons, attraction to women, love for gambling, a violent streak, a free-spirited and somewhat reckless nature, sleeping around... an interesting outlier is her taking up martial arts which seems to be a synthesis of curzon's klingon obsession & appreciation of a good fight and emony's gymnastics, particularly the control it gave her over her body and mind. jadzia was a shy and somewhat self-conscious young woman but with great ambition as well. she was incredibly clever and excelled in sciences. but nerdiness is not one of jadzia's prominent qualities once she's joined. is it because it's not 'hot' and in that way even worse than the transgression of being 'masculine' as a woman? is it because as dax jadzia for the first time in her life feels confident enough to be anything else but nerdy? does she know who she really is except a scientist and a joined trill? were all these desires present in jadzia but suppressed? or maybe there is a certain freedom in it: she's worked hard and thought for this, achieved this and now she gets to enjoy being dax. those qualities and desires may not come from jadzia but now they're hers, they're jadzia dax's and she will indulge them.

(I want to be someone else but for it to feel like it's natural. like it is who I am. and jadzia did work for it. just like a person irl works to change themselves).

[ardentpoop]

so much of spn is like

sam: mind fracturing in half, body failing, walking on eggshells around the men in his life so they don’t treat him like a “grenade about to go off,” shoving his trauma down in service of “the greater good,” getting on his hands and knees and Begging dean to listen to him to give his perspective equal consideration, being lied to like he’s been lied to from as far back as he can remember, being excluded like he’s been excluded from as far back as he can remember, desperately trying to be kind and patient in spite of it all, laboriously mending fences btwn dean and their “friends” and being chastised for it

the narrative and the viewers and dean himself: poor dean! nobody understands how much he’s hurting :(

[n7punk]

a french SMM player finally beat the illegitimately-uploaded "final" level (but disqualified once it was revealed by the creator to have been uploaded via TAS) of super mario maker yesterday (twitter clip and twitch), meaning there's no doubt now that team 0% reached their goal of clearing every single non-hacked level upload in the entire SMM1 game