You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.
While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.
While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.
You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.
Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.
It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.
Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.
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Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?
Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?
Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.
Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?
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finally finished the priory of the orange tree after putting it off for like a year, and putting aside the fact that it's insanely boring, way too long, and the romance is lackluster, it certainly was a choice to, in a book at least in part about finding common ground and coming together, basically go "religion a is correct and good and its believers can continue on their merry lives, but religion b is a 100% incorrect wrong bad lie founded by a wrong bad misogynistic lying liar, and everyone who believes in it should convert and in fact we're going to end the book by heavily implying that the recently-converted queen is going to slowly but surely pressure the entire country to convert because their faith is wrong and bad". like that was certainly a decision that samantha shannon made.
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drawing my au sabitos- this ones swap au :)
I only really have 1 full scene for this au- and it started from me thinking him & Shinjuro both being depressed drinking buddies, lamenting about their deceased dark-haired beauties
When Sabito became a pillar he turned the water estate into a sort of training hub for all breath of water users, to try and help more people to mastery. He pretty regularly spars with people in his downtime, makes comments and tries coaching people from the sidelines very often
Most people are kinda weirded out by him- hes aggressive and stern, very snarky, but he never takes off the mask and it makes him look perpetually sad- sometimes he has this air of melancholy around him, listless, the mask fits in better when hes in those moods. But aside that hes usually very kind and genuinely tries to look out for the skayers under his roof, very hospitable as long as they stay out his shit.
So hes very well received, but no one has seen his face- ever. They have all kinds of rumors and theories about why he wears it, what his face looks like, what the mask is even supposed to mean. Some of the more daring(/disrespectful/immature) inahbitants try to sneak a look in the mornings before he puts it on- but he's always wide awake, sightless blue eyes of the mask staring them down from an inch away the moment they open it
Anyways, one day he's out in the yard sparring with a higher ranked slayer in front of a group doing their own training and whatnot too- theyre both intensely into it, movements hard to keep track of and training swords clashing so loud it echos in the area. The slayer accidentally aims at his mask, the mood changes with a sudden pressure in the air when Sabito deflects the swing and reaches towards them in a flash- a harsh grip in their hair and yanking them so theyre centimeters from his face
"Don't touch the fucking mask."
Everyone drops dead silent at the utter malice dripping through his tone, a moment passes as Sabito realizes what he did and lets go of their hair. He gently ruffles it and straightens his back instead of posturing over them
"I deeply apologize. ...I think i should call it a day." he says in an uncharictaristically quiet voice before putting his training sword up and going to his room
NO ONE bothers him for the rest of the day, or the day after, they give him plenty of space and try their best not to prod at him or tick him off like they usually do- the slayer who was sparring w him was scared shitless and tries their damndest to stay out of his way and not piss him off again. They've never seen him genuinely angry like that- he gets pissed off and annoyed plenty, daily even, but that sudden cold fury over the near hit of his mask was terrifying to witness.
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