#a paragon of morality or anything

[compacflt]

i am pretty solidly anti-fic printing except when its my fic that i wrote & i want to hold it in my hands for editing purposes

final (final!!!!) edit & slider one-shot inbound soon

[piplupod]

me, frequently: i think i am somehow secretly a terrible evil person who needs to isolate themself so nobody gets hurt somehow by the rot that is hidden away at the core of my being

also me, while arachnophobic: i have to catch the spiders that get inside so I can release them outside bc it shouldn't be up to me whether i take a life or not, every life has inherent value and beauty simply by existing, and i have to put them into separate containers while I wait to transport them outside because I don't know if spiders would fight or cannibalize each other when kept in close quarters, and I'll make sure I dont have them in eyeline of each other and also make sure a couple sides of the container are covered by something so they feel safe and don't get too stressed out

[one-winged-dreams]

Every time someone criticizes Angeal saying "What, so we're supposed to think he's a good person?" it takes 5 minutes off my life from rage alone.

[age-of-moonknight]

“Darkness at the Edge of Town (Part Two),” Avengers Unlimited (Vol. 1/2022), Infinity Comic, #34.

Writer: Alex Segura; Artist: Jim Towe; Colorist: Andres Mossa; Letterer: Joe Sabino

[labyrynth]

wwx stan/jgy anti salt shh

i just think it’s SO funny when ppl are like “umm wwx is NOTHING like jgy bc wwx is Moral and Good and Kind and Just whereas jgy is Evil and Greedy and Power Hungry and Selfish. wwx ONLY ever did what he thought was RIGHT and JUST!!! jgy MURDERED his father AND his sworn brother AND all of those innocent women!! wwx would NEVER!!!”

uhhh except that wwx would. bc he did.

like are we forgetting the whole mutilation and torture and “feeding a guy his own flesh” thing or are we just ignoring it?

like okay we’ll put that aside. are we forgetting the whole “intentionally and gleefully torturing hundreds to thousands of enemy cultivators to death” thing or are we ignoring that too?

okay fine. we’ll put that aside too.

what about the whole “intentionally and gleefully torturing potentially hundreds of non-combatant wens and others tangentially affiliated with them who may have been caught up in the war” thing? are we ignoring that too?

yeah that’s the funny thing about military bases is that actually, there tends to be a lot of non-combatants there too. you know, doctors, servants, prostitutes, etc. all i’m saying is that wwx wasn’t exactly discerning when he was on his happy fun torture joyride.

(it’s ok tho we all make bad decisions sometimes. unless you’re the son of a whore. in which case you’re just evil. uwu)

[delku]

the world neeeeeds more rody fans

[barnbridges]

you know that being a small business owner doesn't make anyone more morally righteous than anyone working 9 to 5, or even who is an administrative job, fuck i've met ceo-s who have more soul than small business owners, right, you know a lot of small businesses in europe get subsidized to hell and usually are just shelling out cheap products to the masses at a higher price with weird artisanal kicks adn avoid taxes by using instagram and other platforms solely to rob YOU of the income they'd be paying in sales tax right

[inky-duchess]

Fantasy Guide to Building A Culture

Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.

Hierarchy and Social Structures

Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:

How is a leader determined within the culture as a whole and the family unit?

Is the culture matriarchal? Patriarchal? Or does gender even matter?

How would one recognise the different ranks?

How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?

Can one move socially? If not, why? If so, how?

Traditions and Customs

Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.

How important is tradition?

What are some rituals your culture undertakes?

What are some traditional values in your world? Does it effect daily life?

Are there any traditions that determine one's status?

Values and Opinions

Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?

How important are these ethics and core values? Could somebody be ostracised for not living up to them?

What are some morals that clash with other cultures?

What does your culture precieved to be right? Or wrong?

What are some opinions that are considered to be taboo in your culture? Why?

Dress Code

For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.

Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?

Are there any rules around what people can wear?

What would be considered formal dress? Casual dress?

What would happen if somebody wore the wrong clothes to an event?

Language

Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.

Arts, Music and Craft

Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.

Food and Diet

The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.

What are some traditional dishes in your world?

What would be a basic diet for the common man?

What's considered a delicacy?

Is there a societal difference in diet? What are the factors that effect diet between classes?

Is there any influence from other cuisines? If not, why not? If so, to what extent?

What would a typical breakfast contain?

What meals are served during the day?

What's considered a comfort food or drink?

Are there any restrictions on who can eat what or when?

Are there any banned foods?

What stance does your world take on alcohol? Is it legal? Can anybody consume it?

Are there any dining customs? Are traditions?

Is there a difference in formal meals or casual meals? If so, what's involved?

Are there any gestures or actions unacceptable at the dinner table?

How are guests treated at meals? If they are given deference, how so?

[artbyblastweave]

A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.

Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?

Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.

[envy-of-the-apple]

older reader?? SAY NO MORE

you're a confident, popular, charismatic lady in your 30s. you catch a pretty, barely-not-teenage gojo at a bar about to get roofied and rescue him.

you're neither a paragon of moral virtues but apparently you do still have some maternal instincts because you take him aside, help him sober up, and give him a stern but well-meaning lecture about watching drinks, staying safe, etc. maybe he gets a headpat and a caring look while you do this.

that's where you thought this would end but to gojo had absent parents and is starved of all forms of affection, including maternal, so he absolutely cannot let this end here and he will exploit his prettiness, his pitifulness, AND your maternal instincts to the max.

if wires get crossed and he manages to get you to bang him (and hopefully feel so guilty about taking advantage that he can get you to stay with him) then even better!!

omgggggyou know me so well-

(Warnings: manipulation, guilt-tripping, large age gap but both characters are 21+, implied non/dubcon, implied drugging)

Dark!Gojo Satoru x reader

Bad Night

When you open your eyes, your head is pounding.

Last night is a blur, but you get the big picture. You drank too much, and you brought someone home.

He's a cuddler, pressing you against his bare chest, a long arm wrapped around your naked body. It'd be a cute way to wake up if you weren't so sweaty and already in a bad mood.

You're debating on how to kick him out when he shifts behind you. He yawns, one hand reaching up to draw circles on your waist.

"You wake up pretty early."

It's not a stranger's voice. You know him.

You turn your head, almost afraid to look. He gives a sleepy smile.

"...Satoru?"

"Mornin'." Taking advantage of your shock, he gives a quick peck on your lips.

It's a jumpstart for the memories of last night to kick in. Satoru had invited you out, you had a bad day at work and you took the offer, you took shot after shot, one thing lead after another and then-

Shit.

"What's wrong?" He asks, and you doubt you're managing to hide the horror off your face all that well. His usually carefree attitude melted into concern.

"Feeling' alright? I wasn't too rough last night, was I?"

When you open your mouth, the only thing that comes out is a strangled 'I'm fine'.

"That's good." He nuzzles his face into the crook of your neck. "I was worried I hurt you or somethin'. Last night was perfect, by the way. Everythin' I dreamed of, baby."

Baby. You want to throw up.

"Oh, you must be hungry." Satoru frowns, clicking his tongue. "Uh, wait here, I'll go whip somethin' up."

Another kiss, this time on your cheek, before he's sliding off your bed. He's naked. You squeeze your eyes closed when he starts to put on his pants. You keep them closed until the door shuts behind him.

What the fuck did you just do?

You know what you did. You just had sex with someone more than a decade younger than you. You can't even remember it, but the evidence was all around you. Your panties laying crumbled on the floor. The ache between your legs. The bitemarks on your chest, your legs.

You fucked up.

Satoru was by chance You weren't supposed to talk to him, let alone meet him. You were at the right place, at the right time. You happened to catch smug asshole putting something in the oblivious kid's drink. You happened to grab it right before Satoru could, before dumping it on the asshole's face.

Looking back, it wasn't your finest moment. You nearly got the police called on you, but ever since that day, Satoru clung onto you like Velcro. He didn't leave you alone for the rest of the night. You thought your lecture would have embarrassed him enough to leave, which kid wants to be scolded by a thirty-year old? If anything, that might have sparked his admiration for you.

He was determined. Before you knew it, Satoru was everywhere. He spammed you with texts everyday, when he couldn't call. He'd constantly invite you to places adults way past their college years should not be going. Despite your absolute refusal to visit his dorm, you found yourself reluctantly letting him into your house, picking him up from parties when he was too drunk to drive. He'd told you things he'd never told anyone before.

You knew what was happening, you weren't stupid. And unhealthy infatuation. Young, starved for attention, eager to please. You saw the signs, you tried to set boundaries, but you thought you could help him somehow. Your savior's complex grew too big...you thought you could help him.

And then, you ended up sleeping with him.

It wasn't illegal. You knew he was over 18, at the very least. You still feel nothing but nauseating disgust. When you looked down at your hands, they felt dirty.

You needed to fix this, somehow. You needed to tell Satoru that this was a mistake. Rip the band-aide off, nice and clean.

You ignore the crumbled clothes on the floor: your flimsy dress, Satoru's shirt. Instead, you go to the closet and pull out baggy pajama pants and an oversized sweatshirt. You needed to hide as much skin as possible. To preserve the remnants of dignity you had left.

You stayed in the bathroom for ten minutes, practicing what you were gonna say over and over again. I'm sorry, it was a mistake, I was drunk, I took advantage of you, it's not your fault. I'm sorry I'm sorry I'm sorry.

When you step outside your sanctuary, you smell something that makes your stomach growl.

Satoru's standing over a sizzling pan with a smile on his face. He knows his way around your kitchen because he's been here before, doing homework on your countertops. You feel sick all over again.

"Hey." He pouts when you inch closer. "I told you to stay in bed, didn't I? Silly." He reaches over, pinching your cheek in affection.

You swallow and you finally manage to steel yourself.

"Satoru, we need to talk-"

"And done!" Satoru cheers, setting down a plate. "Hungry? You gotta' be, right? We did a whole workout last night." You cringe at his choice of words, wishing he'd stop mentioning your biggest blunder.

When you don't move, he picks up some food with his fork, hovering it close to your lips.

"C'mon. At least try it." He urges. "I promise it's good. Please?"

You look into his baby blue doe eyes. Wide and earnest and eager. When you accept the offering, he glows.

He feeds you like this, one forkful at a time. When you ask why he isn't eating, he just shakes his head.

"I don't think it'll stay down." He admits. "I'm so happy, it almost feels like I'm dreaming."

You clear your throat. Hopefully, you can steer this conversation into something more productive. "Satoru, about last night-"

"Did you like it?" He suddenly asks.

"What?"

"Last night." He says with a sheepish smile. "Did-did you like it? Was I any good?"

You stare at him, utterly bewildered. "I-"

"It was my first time!" He blurts out with clear impulsiveness, and your heart stops. "I-I was pretty nervous. 'Had no fuckin' idea what I was doing, but it looked like you liked it. Right?"

He looks at you with those wide eyes, filled with genuine sincerity and you want to throw yourself off a ledge because not only did you not remember having sex with him, you don't remember taking his virginity.

You were a horrible person.

"It...was a nice night." You mutter quietly.

He beams again, it does nothing to assuage your guilt.

Fuck this all. You needed to put a stop to this. You needed to stop stringing this poor kid along. You needed to be the bad guy.

But, like always, Satoru makes the first move.

He rounds the countertop, coming to a stop by your chair. Satoru kneels to the floor, taking your hands within his owns. If it were anyone else, you would have melted.

Not him. Anyone but him.

"I meant what I said yesterday." He quietly says. "I know you still think I'm young, but I'm 22. I'm more than old enough to treat you the way you deserve to be treated." Oh God. When you turn away, he's reaching out, placing a hand on your cheek. You're forced to stare at him.

"Thank you for giving me a chance." He smiles. "I-I always thought you'd never see me that way, but then you said you liked me too and-"

"Wait wait, hold on." You interrupt. "What?"

He suddenly looks unsure, his gaze darting around. "At the bar last night. I confessed, and you said it back."

That doesn't sound like you. If anything, when you're drunk, you're annoyingly honest. You've never seen Satoru as more than a kid how could you have said that to him?

But he can't be lying. Not with those eyes. Eyes that were suddenly starting to fall like dying stars.

"Oh..." He trails off. "Did you not mean it?"

He handed you your chance on a silver platter. It was a mistake. I was drunk. I've never seen you like that. I took advantage of you.

You can break his heart, here and now. You take in a breath.

"No." You smile. "Of course I meant it. I...really really like you, Satoru."

His smiles returns and he's leaping up. You can't stop him from kissing you, but he's quick, flitting away just as quickly to give you a hug.

"I'm so glad." He whispers. "I'll make you happy, I promise. I'll do anything for you."

You pat his back, still in a daze.

Satoru is smart. He's a physics major, he's got to be smart. You just need to pretend to date him for a while before he realizes that you're too old for him. Then, he'll leave you for someone his age.

He'll snap out of it eventually, right?

[ninicaise]

what's so refreshing about will as a character is that he doesn't throw a denial tantrum about it at any point like most characters with Darkness Within Them do. he's not a moral paragon, his angst and secretkeeping don't get annoying at any point. and i think it's because there's no contrast between who will Really Is, which is Good and True, and the dark king as his shadow or his dark self.

will is the dark king. he behaves like the dark king. he lies and he manipulates and he's a "sneak" and he's scaringly charming and he's possessive over james and a ton of other messed up shit and he tells himself it's for a good reason, and maybe it is!! and will is clearly you know. a Good Person. while his methods are sneaky, he does not actually do anything wrong. but those are his methods still, and they are cool moments and badass and also kind of eerie.

with the way he's written, i would argue will doesn't have or even need a corruption arc, he's just like that from the get-go and he's not gonna change. and i don't mean he was born evil or whatever other bullshit i mean that he was born a full person, including the dark king and will both, and there's complexity, but no clear line separates them.

[10thmusemoon]

I think a lot about yqy, who had no specific attachment to gender, feeling dysphoria the first time he realizes that the women in SJ’s bed at the WRP were delicate with elegant soft features. He spends a night turning a copper mirror every which way, struggling to apply cosmetics with shaking hands when something finally clicks and he thinks to himself “I could never look like that, I could never be what Xiao Jiu wants.”

Maybe the thought lingers long enough to drive yqy to action, to bring him down the mountain and into a brothel where the women look eager to eat up this soft spoken man and show him the ways of the world. Unfortunately that’s not what he wants, instead of seeking the delicate touch of a woman he wants to emulate it. It’s hardly unheard of, they manage all sorts of requests at brothels, and this one is simple enough.

The first time YQY sees himself properly done up, his breath catches in his throat. That is, of course, still his face beneath the white powder and red dots, those are his eyes behind the kohl liner, and yet it’s…softer. In a certain light he could almost be called delicate.

The older woman must recognize something in his expression, the hand at his shoulder gently squeezing and apologizing that they don’t have anything in his size, but if he were to return with enough notice, perhaps something could be arranged.

Yue Qingyuan returns.

Again and again and again.

Each time the spells sinks its hooks into him, a fantasy of a different life where he was a different person, one that Shen Qingqiu could bring himself to touch. Maybe even to love. The feelings that inspires cling to him like the last remnants of summer’s warmth, sparking a small joy that lasts throughout the following days until it flickers out, signaling his return.

It’s a noticeable change in Yue Qingyuan. Disciples and peak lords alike notice his improved mood, an errant An Ding disciple sees him browsing hair pins, the fine silk of women’s robes in a market place and a rumor spreads like wild fire.

The sect leader has lover!

It’s not the first time such a thing has been said, Shen Qingqiu tracks these rumors like a farmer tracks the seasons. Each and every time the claims come up unfounded, and yet…when the recent whispers from chatty hall masters reach his ears he listens. This time around, there’s a marked change in Yue Qingyuan.

An improved mood, yes, but not only that there’s…a distraction.

The sect leader’s visits to Qing Jing Peak grow further and further apart, and when he does dare to show his face it’s always followed by a visit cut short, a distant air to his demeanor. Bile turns in Shen Qingqiu’s stomach, a familiar ache in his chest pounds against his rib cage, begging to be freed. It’s the same jagged toothed creature that would bare its fangs when the likes of Shi Wu would dare call out for Qi-ge’s attention.

Shen Qingqiu did not cut Yue Qingyuan out of his heart just for someone to pick up what he discarded.

This bears investigation.

In the dark recesses of Shen Qingqiu’s mind, he’s conjured up an image of what Yue Qingyuan’s lover would be like. A soft spoken woman from a noble family or humble shopkeeper, a shy thing that inspires love from all the meet her, a paragon of purity and morality that stokes Yue Qingyuan’s bumbling courtship. He would go through the proper channels of course, through her family if she had one, or simply jump straight to providing for her if she did not. Shen Qingqiu can just imagine it, Yue Qingyuan’s sweet little lover hidden away in house that he visits under the cover of night, bringing to her the gifts Shen Qingqiu has been offered but had turned away.

It just riles him up!

That the righteous YQY would sneak around everyone’s backs to defile a hapless woman that doesn’t know better! That he could be hunched over her, rippling muscles over bearing as he whispers confessions of love under the moon light.

The idea of it makes Shen Qingqiu’s heart race and fists clench. It’s simply unacceptable!! That should be-

Yue Qingyuan shouldn’t!

He doesn’t keep his promises!

It is only for the sake of the woman that YQY has duped into being his doe she lover that Shen Qingqiu follows him.

Shen Qingqiu was convinced it would take several attempts to find Yue Qingyuan’s secret abode. Surely his wife would be protected by the strongest talismans and spells available to a sect leader. So when his tracking leads Shen Qingqiu to the red light district of another town, it’s as if the world was turned on its heels.

That righteous bastard!

Yue Qingyuan is no better than any other man!!

White eyes with fury, Shen Qingqiu bursts into the brothel, accusations of hypocrisy on the tip of his tongue. But Instead of finding YQY rutting against a woman like the swine he is he is…

He’s…

Shen Qingqiu doesn’t know what he’s looking at.

There’s women screaming and filtering out the door, his sword is brandished but SQQ’s hands have gone numb from the pressure.

Yue Qingyuan is-

He is-

…beautiful.

-

And that’s where I stop!! Happy 9/7 day YQY definitely uses his new found confidence to put the moves on SQQ, with a shakey voice he ask if he likes YQY better like this and SQQ is already stepping close to cup YQY’s face in his hands.

“Explain”

So he does and everything about how wrong SQQ was shakes him to his core because yqy would do this…found this part of himself… in order to be appealing to Shen Qingqiu…

Shen Qingqiu never tells YQY about the lover he had invented (and grown to loathe) in his jealousy, but as he’s giving him the first and most thorough fuck of his life, SQQ makes plans to buy his own secret cabin in the woods.

Just in case.

[aanglican]

uncle iroh is treated very much like a paragon of virtue in the series. yes we know he has had a violent past, that he has done terrible things, committed atrocities in the service of the fire nation— but we don’t really feel it because all of that had happened off screen and prior to the series. instead, he comes to us as a more perfect being and one deified with secret good deeds revealed throughout the story: uncle iroh is the keeper of the dragons and an important member of the white lotus, he is just that awesome.

uncle iroh is so divorced from his immediate past that we don’t see him haunted by any of it unless it’s by lu ten— which begs the question: did he really turn his back on the fire nation due to a moral awakening or was it only/mostly for his own good? he certainly doesn’t behave in a manner you’d expect from a repentant ex-imperialist: he’s not too worried about walking the streets of ba singe se, let alone actually staying there after the war ended. (the same war he participated in on the side of the aggressors, mind you.) he is shameless enough to be living there while hiding away and was unscrupulous in accepting hospitality from earth kingdom folks who were made refugees by the fire nation, i.e., song’s family. does he not feel guilty or at least uncomfortable with his circumstances, especially since it has only been 5 or so years since the siege at ba sing se and thus still very fresh in the grand scheme of things? is iroh just that Enlightened and At Peace with his past that it doesn’t color his every movement? or is his lack of a moral hangover just a writing oversight? were they scared to make their most lovable character in a rated TV-Y7 cartoon a tad more polarizing?

while uncle iroh does his job well for the story— that is, to act as zuko’s guiding light— i do wish he were knocked off his pedestal a bit more. uncle iroh is, after all, the proto-zuko to ozai’s proto-azula. i wish to see him at least slightly paranoid about people recognizing him from his military days and vice versa. i wish to see him uneasy about being in the earth kingdom (out of guilt? as opposed to zuko’s superiority complex and anger). i wish to see him meet another person who also has visible burn scars, one that has nothing to do with zuko/his family, and still look away in shame or disgust by the implications. et cetera et cetera. anything to indicate he feels something more about himself and other people that isn’t just Wise Old Man.

[emoangel44]

The thing I've always loved most about aa4 is how much darker the tone is than the rest of the series in a way that isn't just edgy for the sake of it, but subverts your expectations from the original 3 games in a really interesting way. The trilogy was built upon the trust Phoenix had in others, and it was something we as players could almost always feel certain in. AA4 flips this on its head and makes it so Apollo effectively can't trust anyone but himself.

Your mentor, who the in the trilogy was a paragon of wisdom you could always turn to no matter what, gets revealed to be the culprit and sent to jail in the first trial and by the end of the game his list of crimes has stacked high but you still have so few answers on why he did any of it.

Your boss, the goofy protagonist of the trilogy, is now inexplicably a washed-up, disgraced, cheating poker player with an implied drinking problem who seemingly found a new hobby in evidence forgery and jury rigging.

He has a codependent relationship with his daughter, your assistant, who usually is a completely innocent and hapless victim of circumstance. She sees herself as the provider for the house and will help her father cheat at poker, or forge evidence, or guilt trip the poor attorney they knowingly screwed of out of a job into working for them for dirt cheap.

The detective, the only other returning main character, a previous assistant, is completely changed since we last saw her. In the trilogy she was chipper and bright despite the hardships she faced, and now she's unfriendly and burned out, turned bitter by the world. The scene we're first properly introduced to her in Apollo genuinely spends several minutes thinking his boss is making him bribe her with cocaine.

Every single defendant is a criminal guilty of something other than what they're charged for. Each case centers around an underground black-market poker ring, a mafia family and medical malpractice, a smuggling ring, and a family of forgers and an incredibly shady troupe of magicians. The one thing all of these people have in common is that none of them will tell you literally anything about what's happening, half of them clearly reveling in being as big of cryptic assholes as possible.

The only person who doesn't fit this description is, for once, the prosecutor. Usually your biggest obstacle and the most morally corrupt of the main cast, he's the only person who's both 100% on the side of truth and on the same page as you for the entire game. He's just as clueless as you, being used nothing more than a chess piece just like you are.

But the truly masterful thing about AA4 is how morally grey it is. These characters aren't just one note villains. They're not even villains at all. Most of them aren't even malicious.

Your boss, for all the low levels he stoops to, is underneath it all the same guy he's always been, doing everything he can to bring a criminal to justice and protect his family. Your assistant is a sweet girl who truly cares about you, she's just prioritizing herself and her fathers safety before anything else. The detective is the same passionate and kind woman under everything else. The rest of the defendants are genuinely well-meaning young people who got involved in shady stuff they didn't fully understand.

The game is filled with good people trying to make the best of bad circumstances. The game has just as many fun moments as the original trilogy. For all it's rough appearance, the game has a similar heart. For every unanswered question or unrighted wrong, there's a smile or a hope for a better future. For every bad action, there's usually someone trying their best behind it. The game is melancholic and dark, but isn't afraid to let good shine through. It knows there's no shadows without the light.

[evilwizard]

I do want to say, my views on AI “art” have changed somewhat. It was wrong of me to claim that it’s not wrong to use it in shitposts… there definitely is some degree of something problematic there.

Personally I feel like it’s one of those problems that’s best solved via lawmaking—specifically, AI generations shouldn’t be copywrite-able, and AI companies should be fined for art theft and “plagiarism”… even though it’s not directly plagiarism in the current legal sense. We definitely need ethical philosophers and lawmakers to spend some time defining exactly what is going on here.

But for civilians, using AI art is bad in the same nebulous sense that buying clothes from H&M or ordering stuff on Amazon is bad… it’s a very spread out, far away kind of badness, which makes it hard to quantify. And there’s no denying that in certain contexts, when applied in certain ways (with actual editing and artistic skill), AI can be a really interesting tool for artists and writers. Which again runs into the copywrite-ability thing. How much distance must be placed between the artist and the AI-generated inspiration in order to allow the artist to say “this work is fully mine?”

I can’t claim to know the answers to these issues. But I will say two things:

Ignoring AI shit isn’t going to make it go away. Our tumblr philosophy is wildly unpopular in the real world and most other places on the internet, and those who do start using AI are unfortunately gonna have a big leg up on those who don’t, especially as it gets better and better at avoiding human detection.

Treating AI as a fundamental, ontological evil is going to prevent us from having these deep conversations which are necessary for us—as a part of society—to figure out the ways to censure AI that are actually helpful to artists. We need strong unions making permanent deals now, we need laws in place that regulate AI use and the replacement of humans, and we need to get this technology out of the hands of huge megacorporations who want nothing more than to profit off our suffering.

I’ve seen the research. I knew AI was going to big years ago, and right now I know that it’s just going to get bigger. Nearly every job is in danger. We need to interact with this issue—sooner rather than later—or we risk losing all of our futures. And unfortunately, just as with many other things under capitalism, for the time being I think we have to allow some concessions. The issue is not 100% black or white. Certainly a dark, stormy grey of some sort.

But please don’t attack middle-aged cat-owners playing around with AI filters. Start a dialogue about the spectrum of morality present in every use of AI—from the good (recognizing cancer cells years in advance, finding awesome new metamaterials) to the bad (megacorporations replacing workers and stealing from artists) to the kinda ambiguous (shitposts, app filter that makes your dog look like a 16th century British royal for some reason).

And if you disagree with me, please don’t be hateful about it. I fully recognize that my current views might be wrong. I’m not a paragon of moral philosophy or anything. I’m just doing my best to live my life in a way that improves the world instead of detracting from it. That’s all any of us can do, in my opinion.

[legally-allowed-to-slime]

The last few people had logged off the server, leaving it in its burnt, damaged state.

She knew where Gem would be.

Cleo scaled up the ladder and clambered up to the rickety roof of Joel’s tower — where you could look out on the entire server.

Sure enough, Gem was perched on the railing, sitting on the edge with nothing to support her but the wind, staring in the direction of the Secret Keeper.

Cleo looked around at the short cobble walls. Grian had told her that he’d hid away here. Not a bad strategy, overall. You could shut yourself here and forget everywhere else existed.

“Hey, Cleo.”

“Am I that loud?” Cleo joked weakly.

“Who else?”

Cleo watched as the last remains of the green flesh flaked off Gem’s skin, leaving her regular human tones. “No more zombies now, then? Good job, anyway. Killing people left and right.”

“Not you, though.”

“Not me. Only way I’m going out is my way. I’d rather die on my own stupidity than someone else’s callousness.” Cleo allowed a hint of pride to enter her voice. “You were great zombies, though.”

“We weren’t zombies.” Gem turned and hopped down from the railing.

Cleo noticed that unlike the other zombies, or even Scott or Grian, Gem didn’t have a single scratch or injury, save one neat bandage that no doubt was due to Scar’s reckless arrows.

Which meant the blood splattering her face wasn’t her own. “What do you mean?”

“That’s not how zombies work. No offence, Cleo, but most zombies aren’t sentient.”

Cleo blinked. “No worries, I know they aren’t. I kill plenty of them at night.”

“So you should know how they work. They’re mindless. They lurch along, they kill without thinking, they probably bump into trees.”

Gem tilted her head. “They don’t set TNT traps, or betray their teammates, or ask for permission to kill their wife’s perceived murderer.”

Cleo’s mouth was dry. “So you’re saying…”

“I’m saying the apocalypse wasn’t zombies, Cleo. It was human.”

Horribly, incredibly human.

Cleo remembered when they were up on the tower, staring at the others down below, condemning them as monsters.

Somehow, it was better to think of them as a mindless horde and not people she’d been laughing and arguing with a session ago.

Gem was watching her. “You know I’m right. Look at Pearl. Was running from us, convinced we were infected or something but once she realised she had permission to kill, she went in. Even unleashed a warden, or two. That’s how quickly we switch.”

Ironically, Cleo realised, the roles had been swapped this session. The humans were chasing the zombie, but it hadn’t been any different.

“That’s not true,” Cleo said, “It’s not all bad. Did you know, Grian snuck down from this tower to check on his magma pet, and I was there too. And so was Etho. He didn’t kill us.”

Irritation flashed across Gem’s face. “He didn’t kill you? If he had, or, like, told us your location or something, we could’ve all just gone after Scott, and, and, the task would’ve succeeded…”

She trailed off, and looked at Cleo. “Is that the point you’re trying to make here?”

Cleo shrugged.

“Alright, I get it,” Gem grumbled, “No need to rub your holier-than-thou alliance and great morals in my face.”

“Well, no one asked you to put your task over your bandmates.”

Gem didn’t say anything to that.

“It’s not as if I’m exactly a paragon of morality either.” Cleo continued.

“I guess not.” Gem gave a short laugh. “Neither am I. You know, all the murder and stuff? I don’t feel bad! In fact, I feel great. I feel proud of myself for it.”

“…I feel you should be a little less bloodthirsty.”

Gem smiled at Cleo, an innocent, cheerful smile that would have been such if not for the circumstances. “Oh, no.”

Cleo was suddenly feeling very unsafe on the highest platform on the server. She wished Etho was here, or even Grian.

She knew Gem couldn’t take any lives, not now, not when the session was already over. But still…

Cleo raised her sword to stop the axe swing that came, but it was a feint, and her sword hit nothing.

Gem dramatically swung her axe back into her inventory.

“You really thought I would attack you?” Gem said.

“I don’t see why you wouldn’t,” Cleo retorted curtly.

“That’s true,” Gem conceded. “But the curse is just so- it’s so freeing, Cleo? Can’t you see? You could do anything.”

“Uh- no thanks. Session’s over, anyway,” Cleo pointed out.

“That’s true. But I’m still kinda cursed, you know.”

In response, Cleo warily raised her sword. But all that Gem did was deliver a mock salute before logging off with a chirpy “See you next week!”

Cleo stood silently. There had been one zombie on the platform just now. Her.

And thinking about it, she wasn’t sure if there hadn’t been two.