so for some reason i may or may not have confused hiveswap with you when i saw a post, and commented "cock and balls" in spanish before realising my mistake..................................... fastest i ever deleted a post in my life and praying it was left unseen 🙏🙏🙏
@hiveswap THAT'S HER OFFICER GET 'EM
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The Lamb is malicious in a funny way and the Goat is funny in a malicious way. No, I will not elaborate.
Anyway, everyone give thanks to the Lamb for interrupting what was sure to be a very boring and patronizing PSA from their grouchy cat hubby. Truly, they are doing God's work. Granted, the Lamb canonically is God now, so, uh. Mostly they're just doing their own work.
Speaking of their grouchy cat hubby, yes this is absolutely still Narilamb, Narinder is 100% into his goofy-ass spouse always no matter what and we all know it, he just wasn't expecting his brand new adopted kid to share the same single goofy-ass brain cell as the Lamb. :)
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apropos of nothing, here are some gay historical fiction novels that engage with historical queerness in thoughtful, complex, and interesting ways (organized chronologically)
hild by nicola griffith
↪ early 7th century england
a tip for the hangman by alison epstein
↪ 1585-1593 england
confessions of the fox by jordy rosenberg
↪ 1702-1724* england
the confessions of frannie langton by sara collins
↪ 1812-1826 jamaica to england
patience and sarah by isabel miller
↪ 1816 america
devotion by hannah kent
↪ 1830s prussia to australia
the sweetness of water by nathan harris
↪ 1865 america
whiskey when we're dry by john larison
↪ 1885 america
the city of palaces by michael nava
↪ 1897-1913 mexico
tipping the velvet by sarah waters
↪ 1890s england
at swim, two boys by jamie o'neill
↪ 1915-1916 ireland
the gods of tango by caro de robertis
↪ 1913-1920s argentina
uncommon charm by emily bergslien and kat weaver
↪ 1920s america
the book of salt by monique truong
↪ 1930s vietnam to paris
the amazing adventures of kavalier and clay by michael chabon
↪ 1939-1954 america and beyond
the flight portfolio by julie orringer
↪ 1940 france
the savage kind by john copenhaver
↪ 1940s america
a thin bright line by lucy jane bledsoe
↪ 1950s america
*this one has a framing device and footnotes from the present day but the bulk of the story is set in the early 1700s
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I don’t know what to do—I have to trust someone—I don’t know who to trust
massive, massive props to aabria for this episode (here at this point and after!!)…to all of them really, but it was about here that I was driving yesterday morning and had to frantically try to hold the image in my head for the rest of my commute. I only kind of succeeded but it is what is. wow. what an episode
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