#whoo lots of tags

[carrotkicks]

24/05/2010

06:54:23

TRANSCRIPT START

[NAKAJIMA ATSUSHI]

Okay, I started the recording. What do think we’re expecting from – 

[DAZAI OSAMU]

Well, this certainly isn’t something you see everyday.

[NAKAJIMA ATSUSHI]

Oh my god… what is this?

[DAZAI OSAMU]

Bodies, Atsushi-kun. Really, really dead bodies.

A murder scene like this comes once a blue moon.

[NAKAJIMA ATSUSHI]

… 

Have you ever seen anything like this before, Mr. Dazai?

[DAZAI OSAMU]

No time for that Atsushi-kun! Get that camera out, you know what to do. 

[NAKAJIMA ATSUSHI]

Hh... Okay, deep breaths. Through the mouth.

*click* *whirr*

*click* *whirr*

*click* *whirr*

[Dep. MINOURA]

Oi! What are you two doing?

[NAKAJIMA ATSUSHI]

Ah! He-hello, we were ju-just –

[DAZAI OSAMU]

Deputy Inspector! Hello, do you remember us? We’re from *rustle* the Armed Detective Agency, you commissioned us for this investigation? 

[Dep. MINOURA]

The ADA.. That’s right, you’re that freak from the river. We specifically requested Edogawa, not you. 

[DAZAI OSAMU]

Ranpo-san would have loved to join you here today, but he was obligated to other arrangements and asked me and my associate, Nakajima Atsushi, to go in his stead. But I assure you can trust me with this case. You are looking at the second greatest detective at the agency, after all.

[Dep. MINOURA]

Hmph, very well. Demonstrate your deductive ability. You, kid. Get back to work. 

[NAKAJIMA ATSUSHI]

Ah, right!

[DAZAI OSAMU]

Of course.

*click* *whirr*

*click* *whirr*

*click* *whirr*

07:23:14

[DAZAI OSAMU]

It seems the victims were impaled quite rapidly. The material they were hung from is a blend of polyester and… *sniffs* wool. It’s in long strips, seemingly torn from a longer sheet. It’s the kind of textile you’d find on a winter coat. It’s far too warm for this sort of cloth. 

[Dep. MINOURA]

How do you figure? 

[DAZAI OSAMU]

Oh my coat is made of the same material. 

*click* *whirr*

Anyways, the way these bodies have been sliced looks like they were cut by the fabric itself. On some of these dismembered parts, there are traces fibers along the serrated edge. 

…

This is the work of something inhuman. 

*click* *whirr*

[Dep. MINOURA]

That’s impossible.

[DAZAI OSAMU]

Is it? 

[Dep. MINOURA]

*grumble* Edogawa would have at least given us something that was grounded in reality to work with. 

…

The effort is appreciated, Dazai. Tell your photographer to give us his copies and get the hell out of here. 

[DAZAI OSAMU]

Sure thing, Inspector-san!

*click* *whirr*

*click* *whirr*

*click* *whirr*

Hey Atsushi-ku– AH

*click*

[NAKAJIMA ATSUSHI]

Oops, sorry Mr. Dazai!

*whirr*

[DAZAI OSAMU]

Right in the eyes! I’m blinded! I’m blind!

[NAKAJIMA ATSUSHI]

Really sorry! I was really occupied with these photos, I didn’t see you! Really– ah. What’s with the scary look?

[DAZAI OSAMU]

*hiss* next time pay more attention to your surroundings protege-kun. Careful where you point that flash. Whatever. We’re gonna blow this joint. 

[NAKAJIMA ATSUSHI]

So soon? 

Thank goodness.

[DAZAI OSAMU]

Yeah. We’ve done as much investigating as we could for now. 

[NAKAJIMA ATSUSHI]

Do you have any ideas as to who caused this Mr. Dazai? This crime scene is… more elaborate…  than anything that I can imagine. 

[DAZAI OSAMU]

I just might… Atsushi-kun I’ll be leaving you here. I want to do some further sleuthing.

[NAKAJIMA ATSUSHI]

Huh? You’re taking on more work on purpose, Mr. Dazai? That’s… new.

[DAZAI OSAMU]

Yep! I trust you can make it back to the Agency on your own and log the evidence for us At-su-shi! You are our star at documentation!

[NAKAJIMA ATSUSHI]

Wait–

[DAZAI OSAMU]

Bye now, Atsushi-kun! 

[NAKAJIMA ATSUSHI]

There it is. I guess I never had a choice huh? I’ll see you tomorrow then, Mr. Dazai.

*rustle*

*click*

END TRANSCRIPT

24/05/2010

07:32:46

27/05/2010

Mr. Dazai has been in and out of the office since Monday. I’m kind of worried he’s avoiding me, because I tried to speak with him and he just brushed past me. Maybe he’s just stressed from this case. With this job as a crime scene photographer, I’ve seen some truly horrific sights but I have to agree, there’s no way a human being could have caused this sort of brutality. The problem is, that it just makes no sense. I wonder how he’ll figure this out. In other, better news, Junichirou will be coming to the office after his school tomorrow. I want to see if he can help me fix my camera. It’s been really finicky since Monday, and I can’t figure out why. Maybe the internal components got a bit corrupted or something. In any case, I hope it’s not too difficult of a repair.

That’s all for today, then. See you around!

N. Atsushi

NEXT

[ballads-of-a-bluejay]

practicing black hair!!

these are 5 diff fandoms but the overlap between them is very there

[eyrieofsynapses]

good evening, all. it is May the 25th. our lilacs are blooming, just as the ones at the Watch House did. and I am thinking about remembrance of the fallen, and GNU, and the love in commemoration.

y'know, I read Night Watch… oh, maybe a year ago and some months ago. and the lilac symbolism, the remembrance of the Watch, has always struck me with the depth of the emotion of it, the tangibility of it in the flowers. but I wasn't aware that today was the day until I saw commemorative posts, all that gorgeous artwork and more, on my dash.

I was also not aware, until now, that fans commemorated the day not only because of the book reference, but in support of Terry Pratchett and of those with Alzheimer's. which knocked me over a bit because of course, of course the group that would use GNU to honor him would do that. and… I've been thinking about GNU a lot, lately, and this caught me again.

I read Going Postal a bit ago, and reread it recently. both times, the parts about GNU made me tear up. this idea of the names, the memories, the lives of the clacks workers who dedicated themselves to ensuring that people heard each other's voices—all those names spoken again and again and again by that which they poured their souls into, winging along in the air as they could not, an eternal reminder that they were loved—how could that not touch a person's heart?

when I found out that fans online used it to memorialize him, I damn well cried. hell, I still tear up just thinking about it. do you know, there's a code for an HTTP header "X-Clacks-Overhead: GNU Terry Pratchett" written by Reddit users to put in webpages, where it goes unseen by the average user? and in 2015, when Netcraft took a survey, there were eighty-four thousand websites using it? it's eight years later—how many thousands upon thousands of websites have this now, do you think? how many little cables of light has his name flown along, now? how many times?

that alone is absurdly and unimaginably lovely in its own right, but… there's something else to it. there's something about remembering with the lilac sprigs every year, just as Vimes and those who were there remembered their dead. something about how, when we take up our lilac sprigs, we carry a little piece of the characters in our hearts, too. I kept trying to put my finger on why that makes me tear up the way it does. the conclusion I came to is this:

what greater way to honor a writer is there, but to honor them the way they did the characters they poured their heart and soul into? what better way to say we know you and you are not forgotten and your work and words and gifts to the world are held in our hearts forever than to remember them by their own words, their own vision? how else could we say you embodied all the good you believed in and wished to see in the world, but to memorialize them after the little pieces of their soul they wrapped in ink and put upon the page?

it is a knowing of the writer, to remember them in their way. it is not a worn-out faceless platitude, but a reminder that their work has been read and will continue to be, that the characters and world they loved enough to bring to life last just as their name does. such remembrance is warm and loving and delights in their memory even as it grieves.

and now Pratchett's name has been written in his tradition, over and over and over, across the vast plane of the Internet, where it will—with any luck—continue to fly for generations to come.

there is no way to truly express the beauty of that… but perhaps we can catch a glimpse of it in the lilacs, both ours and the Watch's.

[sillylittleguyinatrenchcoat]

LONG TIME NO MILGRAMPOSTING so how we feeling abt backdraft boys….

[shmorp-mcdurgen]

Some alt au doodles

[woffiecocoa]

Anyways here's the fankids I made on twitter

[elina-sakura]

I’m just going say it although the book of death/Shinigami’s powers is cool also the big idea of the gameplay;in a way is kinda useless mostly on the fact the culprit dies,i mean HOW ARE YOU GONNA GET A CLEAR TRUTH WITHOUT A CLEAR CONFESSION!!!,also it just made it worse now that there now a person mysteriously dies out of nowhere,but they managed to put it in storyline sooooooo

Yeah something to think about

I think maybe it has to do with since Shinigami is the God of Death, her power is going to have a connection over on death. But you bring up a good point that it isn’t exactly useful considering it makes exposing the criminals harder.

Until I remember in Chapter 0 after the first Mystery Labyrinth from a YouTube gameplay I watched, where Shinigami comments how Yuma is now free since the culprit is dead, which the YouTuber comments that wasn’t going to work because Zilch was meant to be dead from the start and they only ended up reaffirming that narrative the Peacekeepers were painting to begin with. And I was thinking to myself, ‘didn’t they already figured out that the Peacekeepers were in on the plan in the Mystery Labyrinth? So why did she think the Peacekeepers would let him go if they were planning to frame him anyway?’ And that led me to think really hard about this.

We know Shinigami has the flaws of lacking empathy and not understanding humans at times, since she is an immortal god. I think in her mind, since the culprit is gone, there would be no reason for the Peacekeepers to keep framing him. Plus, again thinking into Shinigami’s mind, I think she believed since the culprit was a murderer would mean they would probably kill more people in the future, so the real goal was to stop a growing threat from claiming more victims like before.

And the killing thing? I think it’s a way to deal the justice in the holder’s own hands, to off the culprits so they don’t keep harming people from the mysteries they made, or claiming anymore victims from their deeds. In Chapter 1, one of the culprit was a serial killer, who would have gone off to kill more people. And the other culprit could have technically become a serial killer himself since he admired the Nail Man so much. Plus, an innocent man was going to get framed and executed for the Nail Man’s crimes to keep up appearances, and seeing how the Priest was going along with the lie, basically implied he was okay letting an actual, innocent man die in his place. Then in Chapter 2, Kurumi gets framed for the crime, and since execution seems to be a thing, she could have been executed herself, all so the Peacekeepers can keep their lies and appearance in place.

Plus, we have seen that the Peacekeepers don’t necessarily care about justice unless it serves them (or the higher-ups like Yomi in this case). They are willing to cover up the mysteries to convenient themselves and get what they want. And considering they are the police force, therefore the handlers of justice in Kanai Ward, they are the only ones in power that can lock away the criminals in hand and bring justice. But because they are so corrupt and self-indulgent, they are more willing to let criminals go or turn a blind eye or fail to solve the case thoroughly. So the Book of Death is the only way to ensure not only are the criminals are properly dealt with, but also cut away the Mystery Labyrinths as well. Since Shinigami has noted that if the Mystery Labyrinth grew and remain, they would influence other people into becoming murderers or criminals that would create more Mystery Labyrinths as well. As it was theorized by Yakool-Foolio that Kanai Ward’s Ultimate Secret’s own Mystery Labyrinth is what most likely led to the city becoming more crime-filled and creating their own Mystery Labyrinths as well.

It’s also important to note that there are other corrupt officials out in the world like the Unified Government who wants to keep their own secrets hidden away to keep up appearances. So it wouldn’t be far-fetched if there were other corrupt forces like the Unified Government and the Peacekeepers who would keep things secrets for their own benefits. Plus, we learned in chapter five that Number One of the World Detective Organization that he is actually in charge of issuing criminals to be sent to the death penalties, as noted here by Shiut, so I think executions and death penalties are uncommon in the Master Detective Archives world. So it wouldn’t be such a big deal for criminals to just die, even if it is inhumane and cruel.

In conclusion, I think the Book of Death is really a tool used in order to bring about the end of the criminals that threatens peace for everybody and could potentially hurt people (people getting framed, the killers killing future victims, exploiting people, etc). Since there is the chance of corrupt police forces not willing to indulge justice as they should and will let the mysteries remain and therefore the criminals free, the Book of Death is a mean to make sure the criminals and mysteries are gone. It’s a morally grey story where it may not be morally right, but it is not morally wrong either with the circumstances at hand. I think that’s what the Book of Death’s intention are, and why Shinigami thinks the way she thinks.

[sophieswundergarten]

I can't stop thinking about that Wing AU and Sticky plucking his feathers...

(Weird, angsty ramblings that might require some knowledge of bird anatomy to fully understand to follow)

(Basically, when birds grow feathers they start as "blood feathers" which are basically just little sacks of blood and growing cells. After this, they are "pin feathers", and the blood is all inside where it belongs, leaving the feather all rolled up and covered in this papery stuff that rubs off and leaves a fully grown feather. Also, Primaries are the big "pointer finger" feathers at the tip of the wings, Secondaries are the medium sized ones from the "wrist" joint to the "elbow", where they get smaller and are referred to as Tertiaries. That should be it :>)

Because, in real life, it's quite common in pet psittacines (Parrots: so, macaws, cockatoos, budgies, lovebirds, etc.) especially when they are stressed. And it can get out of control really fast and take a long time to train the bird out of even though it's very obviously hurting it.

And I just keep thinking about how young he was when he started being on TV. And for a while the fluffy little baby feathers were cute but an entertainment industry seeking engagement instead of connection demanded he grow up too fast.

And so the make-up/wardrobe department for any competition he was on started pulling some of the downy feathers. There weren't that many left at this point regardless, but they assured him it would make him seem more mature and appeal to a wider audience. And it would be fine, it wouldn't really hurt him, especially since he was growing in big feathers anyway.

So it went. With Sticky being so self-conscious and anxious anyway, he probably kept his wings tucked in tight behind him no matter what people thought about them.

He had never put that much consideration into how he looked, but now he can't stop thinking about it. He doesn't know why it's so important, but apparently it matters to people. He doesn't want it to matter. He doesn't want to be seen or recognised. He just wants to be left alone.

He starts fidgeting with the pin feathers that will one day unfurl into adult primaries, and even though he knows it's counter-intuitive because removing the casings will only free the feathers sooner, he can't help it. A few times he goes too far and starts picking at blood feathers, and even though the red coats his finger tips more often than he'd like, he still can't stop his hands from scratching and pulling and yanking as he grows more and more agitated.

And then he ran away

He ran and he couldn't keep his hands off his wings for more than a few minutes. Tugging and raking his fingers through the feathers in a futile attempt to calm down. The first couple of times, it's an accident.

The first couple of times he's so caught up in soundless panic and all he can hear is his own breathing, it's only later that he notices a small cluster of secondaries, close to his body and almost never seen with how rigidly he holds himself, are missing. Small pieces of the night sky littering the alleyway ground where he'd been hiding.

His wings are so dark in colour, not to mention unkempt after a few weeks hiding and running and flitting from place to place trying to find safety, that the other kids don't even notice anything wrong.

It isn't until a few days later, when they're all in the backyard attempting to practice their Morse Code, and Kate does something that startles him that they really see what kind of a state his wings are in.

Most birds, when scared or on edge, will carefully spread their wings. Maybe not a lot, but they are preparing to fly away or make themselves look bigger in hopes to scare off the threat. (I imagine Milligan having great big owl wings that he puffs up to try and guard the children when the Recruiters come after them in the maze)

But Sticky just draws them in closer to his body. When he is scared, which Constance would note is often, he holds his wings so tightly to his back that they seem half their size. This would be considered odd and in some ways handicapping himself or keeping him from being able to react properly.

But this time, as Kate wobbles unstably out of her cartwheel and lets out a shriek of laughter, landing on the ground right next to him, Sticky jumps. He starts off the bench he had been sitting on, hunching his shoulders and reflexively spreading his wings.

And instead of the fully extended mix of fully grown flight feathers and occasionally wayward piece of down the other kids have, Sticky's wings are a mess. They have a skeletal quality, with just enough plumage that when they are folded in it's hardly noticeable, but when they are extended it's clear there are significant gaps. The remaining feathers have the dull, stunted quality of someone who has been under an incredible amount of stress without nearly enough nutrients to fuel them, and indeed Sticky looks rather like a feral cat in that moment: Spooked and curling in on himself as if expecting a fight.

He quickly realises his overreaction, and then processes that the girls are staring at his wings (Reynie's eye did dart up, but quickly returned to looking at Sticky's face), so he jerks them back into a resting position. Though there's nothing particularly restful about how stiff his posture is, back ramrod straight and muscles so tight he's beginning to shake.

However, this is something that the others know he doesn't want to share yet. And he doesn't need to. Not until he's ready.

So, Kate grabs the flashlight from where it had fallen to the ground, a sheepish grin on her face as she apologises for scaring him.

Reynie suggests they all go inside, take a break and get something to eat before they begin again.

Constance glares at Sticky suspiciously, but right as she opens her mouth she seems to think better of her questions and simply shrugs.

And Sticky is grateful for his friends, grateful that he has these people who love him enough to trust him with his secrets, even though they don't know each other very well yet. So he follows them inside, and if Kate dumps a little bit more food on his plate, and Constance doesn't try to swipe his juice glass this time, and if that night (for the first time) Reynie shyly asks if the two of them could take turns preening each others' wings, when it's just the two of them alone in the room, Sticky thinks he might be able to trust them too.

[krakaheimr]

Character portraits made for the Chicago Spirit leaders, as part of my SCP/Chicago Spirit Call of Cthulhu campaign!

[lookwhatyoudidithasanxiety]

Hey! Do you guys like banana bread? I just made like 4 loaves because our bananas were a little ripe, ya'll want a loaf or two?

Sun: *smiles widely and nods*

Lunar: Moonie! Can we have it? P'ease? For snack? P'ease?

Moon: *chuckles* Ok, just be sure to say please to them.

Lunar: P'ease! *takes a loaf* T'anks! *runs off with Bloody and Sun*

Moon: Lunar, we use gentle hands, remember? Sorry about that, he's a little excited.

Harvest: I appreciate the offer. However, I must decline. Brother and I just finished a large pie, and I have yet to grow hungry.

Moon: What kind of pie? You don't eat sweets?

Harvest: ...A meat pie.

Moon: Ah.

[ashtonisvibing]

man, i gotta do more stuff with the unholy quad (jj x dark x wilford x anti, named by dancing-heart-pony whom i'm forever kissing the head of cuz of his art of the four), sucks that the normalcy au is eating my brain cells so i can't really focus on anything else right now

......

[realizes there's nothing stopping me from just adding the unholy quad to the au, it would just require a little rewriting]

[starsmuserainbow]

[[ Starter for @darksonofsparda !]]

It might not be something everyone would agree to, but to Pyrrha, the days at Beacon Academy were some of the best. She could still work on the goal she wanted to go for, and she had found friends that didn't befriend her just because of her being known. She had heard before that the hunters and huntresses one formed a team with often became so important that they would be friendships - like family-bonds, even - that could last a lifetime, and here with the friends she had around herself now, she could actually see that happen. The future looked great and wonderfully promising, despite all of the threats that the Grimm brought.

Of course, those were also a thing she wouldn't ignore, which is why today, she had declined her friends' invite to go out after class. The idea had been in her mind for a while already, but she hadn't been confident enough in it before to ask. The test-battles she did against other students - one on one, or even as team against team - were interesting, no doubt, but it didn't feel like Pyrrha was able to learn that much through them. She didn't like the feeling of not being able to expand her skills like this, and the obvious address for help in finding a solution was the teachers. Her choice was the instructor of Special Arts Class - he didn't even seem to be that much older than the students, and perhaps that alone made it easier to imagine explaining her thoughts.

So now, Pyrrha stayed a bit longer in the classroom than her classmates. It felt like an odd thing to go to the teacher afterwards, so she preferred to wait until no one else was around anymore, and then walked towards him instead of leaving the room. "Prof-" No, wait, he said before that he didn't want to be called that. "Sorry. Um... Vergil?" It felt strange, to refer to him so casually, but since it was what he preferred...

"I was wondering, if it's possible to ask for additional lessons, or training?" It was no doubt an unexpected request coming from her, but she meant it.

[cherry-bomb-blush]

Dudeee Ler!Ghost is some top tier shit

He would be so incredibly teasy in the best possible way. I feel like the way he would tease you would be by whispering incredibly teasing words to you so that only you could hear and then leave you to be nothing but a blushy mess

Also for like an incognito tag I would say maybe something like call of tickles or something like that but that’s just me being corny😂

OHGGHG you're killing me here!!

He DEFINITELY uses his size to his advantage too!

I could see him as the type to pin a lee under him and sort lean over them so he can whisper god awful teases in their ear.

[rocksandmirrors]

I SCREAMED SO MUCH AND GOT TOLD TO STFU AND SLEEP

So much small foreshadowing and references

The “boring fillers” from season one actually foreshadowing-

Body swap: Titan Luz

Carnival ep: “I loaf you”

The puppet episode: Hexsquad puppets

The rat thing kicking Tinela Nosa out of small crack in all being a reference(??) to when she kicked the rat thing out of that same place to escape boiling rain

-🔮

i hope you don't mind if i group all your asks into one post, you sent a lot of them and i don't wanna spam agshads (which isn't a bad thing tho!! when i said you could spam me about WAD i meant it, i'm just doing this out of convenience <3)

but yeah right!!! every single episode was important imo, even if there's a couple of them i don't enjoy as much they're still here not only for foreshadowing, but also for worldbuilding, character development, relationship development, etc and i HATE when ppl go "uuuh this is filler actually therefore it's useless" you don't know what you're talking about but go off </3

(i don't remember a puppet episode specifically tho, which one are you referring to??)

Raine is so op it's INSANE, like they can take on Belos despite being 1 exhausted from the draining spell 2 MIND CONTROLLED TWICE. i love them so much but damn i would never try to get on their bad side AND YEAH THE RAEDA. OUUUGHOGUHOU WE GOT FED

no but their friendship means so much to me. they're so goofy and cute i want a series about them just hanging out together

and unfortunately i don't think so </3 i expected like at least seeing them interact in the time-ship- like, without dialogues yk?? OR HAVE THEM IN THE SAME SHOT AT THE VERY LEAST AHJSAS GIVE ME MY FAVORITE BROS but yeah he's looking kinda cool ngl!! i think his mustache is real, he would have conjured up a full-on beard if he used illusion magic :')) the one he has rn is a little too ridiculous. i like his new outfit too

and yeah tbh?? that's what she deserves. the fact that she could use magic too to levitate whatever she needed to carry is just. my girl is a mess HASAJHD

oh yeah totally!! didn't catch that at first, i thought this was just a throwback to what King had said, but when i watched the episode a second time i just froze like WAIT A SECOND NOW. anyway bigender!Papa Titan for the win

VEE IS WORKING IT. the piercings, the long hair, the outfit like HELLO??? i'm sooo happy she's comfortable enough to visit the BI again too!!!

yeah i was so excited to see Darius and Eberwolf back to normal!!! it cracked me up how Darius asked about Hunter's shirt but not about his scars, but i think he knew what had happened and didn't want to bring it up just yet

and yeah i noticed that too!! i'm so relieved they found a way to remove the sigils, i thought they were gonna be stuck with them

YES. IM SO HAPPY THEY MANAGED TO FIT THAT IN. i'm not latino so idk how important it is, but i've seen a few fans hoping to see Luz's quinceañera and i'm so glad it actually happened <3

REAL. they're canon to me, in fact they were already dating during the time-skip

jokes aside, just like their reunion in FTF we all really thought they'd at least blush at each other or something GHASDADS us gustholosers never learn from our mistakes huh

FUCK YEAH. I NEED TO DRAW OR WRITE ABOUT STEP PARENT RAINE WHO HANGS OUT WITH LUZ AND KING AND THE REST OF THE KIDS <3 i love them so much

[idrawsometimes]

Linktober Day 31: Free For All

Halloween Party! Or... Fantasy-Equivalent-Of-Halloween Party.

Bonus:

[somethingaboutvampires]

If your neck doesn't hurt after a concert/rave then are you even doing it right?