going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down
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oh im gonna be SO annoying about bbh in a minute. i keep saying the same thing over and over again but his character is too fucking complex motherfucker is like:
"i'm a demon who is 11,000 years old and i refuse to acknowledge that im a demon nor that i do bad things (like steal furniture) but i will help people every chance i get despite saying im going to stop doing that and i am going to devote my life to protecting these fragile little eggs even though i know im going to lose them one day because i love them too much (and i know i can do that and it will one day be okay, because i have an immortal diamond to keep me company even if he isn't here now). when my friend throws himself beneath the spokewheel of the federation i will be there, bitter about my loss, but i will not start a revolution until he proves he deserves one. i will do what i can to safeguard his system against corruption because i am afraid the federation will use him to hurt us. i know he doesn't want to hurt us. he keeps hurting me. he is isolated by our distrust in him and he is still working hard to try to be a good person in an inherently corrupt system that cannot be fixed so i will build him a statue. i will not kill him when he takes a picture of me in the presidential chair (that was almost mine) and puts it on his wall and calls me 'employee of the month.' i didn't do all of that work for the federation i did it for him like i do it for others because they are my friends. i will exhaust every option i have to build a reason to NOT start a revolution. to not kill him. because i have to say that i tried. i feel like i have made so many compromises. i have held myself back to try to find reason. i will still remove his access to my base. when the island turns against me and he locks me in a cage for a crime i did not commit, i will remove everyone's access (except for my family the french and my family the eggs). i am having fun. when the eggs appear the next day with cracks and dirty shells i will worry, but i know they're strong. they'll be okay. (when i find my son's secret lab and his unethical experiments that cause him harm i will be proud because he has done what i do. he has helped. i want him to be safe but we are never safe and i trust him more than anyone else. i know now, and i can help him be safe.) when the eggs go missing i will be silent. i will look for them, and i will destroy for them, and i will bargain for them, and i will cry for them, and i will not accept their loss. when my friend who is president who once built a safehouse that saved my eggs' lives is finally damaged by the federation (like i knew he would be when he became president) and he starts to hurt people by pushing the same treatment onto them i will not be surprised. i will be surprised when he tries to marry me. i will not blame him (much) when he tries to kill me. our children are missing. he is forced to pretend that his is not. i wish i could too. i will not tell him yes or no because i need an open avenue to manipulate him (because to save him i will have to manipulate him). i will not marry him because he is out of his mind. i have said marriage is overrated. i have also said that i want to live with him in a house with our kids and my skeppy. when he tells me that he wants to be happy with me i will still say 'aw' because it is the most genuine thing he has said to me and i miss my friend. i will still try to kill him. i fail to kill him with someone else's plan. i don't place a block to lock him in place. i hesitate. it doesn't matter if it's on purpose because the next plan works. i will reveal an item that could destroy me to my closest allies (and tubbo) because it will let us save him. we save him. when he kills himself 18 times over i back away from the explosion in surprise and then step close again. while i have grieved i have thrown myself into mines. it doesn't matter. i am numb and want to feel something. everything has lost colour. we save him.
i visit federation workers and ask them about my eggs and they do not tell me anything. i know they are lying. i visit the graveyard to talk to my lost eggs. i have lost all of the eggs. i do not know how to save them. i lay in the mud. it rains and rain signifies the monster has returned to kill my children but my children are not here and so i do not care. when i go home i will become so angry and i will go down to my basement (which i have locked like my friend locked the entrance to his greatest fantasy. we are so alike and our delusions are different. he child was real; here is the secret to finding my children) where i have locked a federation worker away. i will not wash away the blood stains.
i am also part-time grim reaper and i only ever dress up in robes to make people drink more water."
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Honestly, the craziest part of accessibility is that there aren't many abled people (and disabled people who aren't disabled in Every Way Possible) who wouldn't benefit from any of the accessibility options out there
ALT text has made it so much better to navigate image-based pages! I'm not visually-impared, but tumblr is terrible at loading images, and I'm not always connected to WiFi. People who add ALT text make it easy to satiate my curiosity when images don't load! This, coupled with actually learning how blind and visually-impared people navigate the online world, has inspired me to do my best to emulate the things I find helpful, even if the way it helps me is very different than theirs. Having a sense of scale in how it helps me versus how it actually makes the internet usable to the blind and visually-impared is something I do try to keep in mind.
Navigating a world with accessible options is primarily going to help the disabled, and it's imperative to keep this in mind. I do think, though, that illustrating just how much accessibility impacts even abled people's lives can help inspire people to think, "wow, I can't imagine a world without [accessibility option] and I don't need it, but it makes life so much easier." The more I interact with accessibility options I don't need, I still find it so helpful. I can't even imagine how amazing it is when you do need that accessibility and it's actually provided to you.
I don't think that abled people should only be in it for themselves. Again, accessibility should put disabled needs first and foremost. But I can't help but wonder how many people you can get to understand this by first saying how it impacts them, too.
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I'm curious as to peoples idea for what he'd do for the next power hour so
[These all being popular ideas or ppl he's mentioned]
This was all just a ploy to get you to read my info dump theory on the concept of a Chonny Jash Power Hour loser HAHAHA
Im joking tho. Not about my CJPH theory, that is very much real but I'm not forcing you to read it lol
However if you're curious, my inane rambles are further down :}
[Long Rant Post Below]
Okay so I'm gonna start with the basic idea I got it from; that being Nerd. Nerd already foreshadowed the THDPH & the WWPH [Even down to the last song for each of them] Not only that, but he references the stuff hes done in the past as well with a break/pause inbetween.
[This is what I mean]
The first three being all stuff he already did. BDG with Pocket, Tally Hall with Vol.1 & then Cage by Tim Minchin being the start the power hours.
The next two being the power hours he would do after this song [Memento Mori & Charlie's Inferno-Will Wood & That Handsome Devil]. But those are the only songs he would reference in Nerd, leaving no more clues as to what the last one would be. The only thing left in it is the video game references & Stairway to Heaven in the ending. [Which oddly enough also fit the pattern in a way. StH being about dying and the afterlife like Memento Mori & Chonny's Inferno and the video game references being all covers he made on his old channel]
While the VG refs could be a hint at a Videogame or Toby Fox Power Hour, I think at most, if its a clue at all, hinting at the next thing he does is recovering old songs.
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Next, a couple of his songs reference his past stuff. Fine, I'm Fine has a good amount of lines that vaguely refer back to songs from the before [heres a post that goes more into it that's pretty cool!!]. And more importantly Dear Machine references Pocket, Dream (Outro from Calamity) & wings of wax. Pocket being later used in Nerd & the mention of Icarus coming back in Art. Not only that, but the voice in the very end Thermodynamic Lawyer is the exact same [if not very close to] voice filter/effect he uses in Dear Machine. Even down to the British accent he does in it. [Tho it is fairly normal for a music artist to reference their older songs in their music so it could be nothing]
Speaking of Dear Machine tho, quick thing to add about it is that it shows he not against covering his own songs. While yea technically its just a different version of Ode of the Cog, DM,HtC in a way counts as a cover of OotC. Same goes for bargaining/compromise & The Ballad of Dr. Jekyll.
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Another idea with a CJPH is that in the CJFS discord theres a "Question of the Day" Channel. Where, as the name says, a Mod or Helper will ask a CJ related question & everyone can give their idea/imput on it. For Day 100, as a special fun lil thing, they asked Chonny if he wanted to give a question for that day. His question being:
And yes he does say that he doesnt plan on doing anything like that in future [if he even were to do it]. I fully believe he wasn't lying there & honestly I never saw him redoing any song ever until I had the idea of a CJPH [aside from stuff like Spring and a Storm & Storm and a Spring obviously]. But this is the best idea I could ever see him doing that. Also that question was from early August so a fair amount of time has passed. Whether thats enough time to equal "at least in the near future at all" I have no clue, but it is a thought.
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One of my last points [that I remember atm lol] is on how he would end the power hours. Cos like, while yea he does whatever he wants & doesn't rlly follow what anyone says or asks [which I 100% agree with & is completely valid btw], I'd imagine he'd still want to end the PHs with a bang. Which is why I originally didnt think the recent one would be Will Wood.
He's stated a couple of time that hes one of his favorite artist & he definitely knows that a huge chunk of his fan base listen to WW as well. So why not end with that? Why not end with one of the most requested artist people wanted him to cover? Why wouldn't he end with a power hour of the artist that was his #1 on his Spotify Wrapped? What else could he do after that? Well maybe he'd go with his #2 artist? WHICH IS JUST HIMSELF BBYYYY
Plus, the name Power Hour already comes from this:
So it's very likely he's had himself play multiple times in a row & had a "Chonny Jash Power Hour".
Of course theories are just theories so there's always the chance I'm wrong & just insane. And again he does whatever he wants whenever he wants so who knows what it'll be. I just think id be an interesting idea for him to do.
As for how a Chonny Jash Power Hour would look? Maybe each song being a cover of a song from a past album or single? I'd imagine one from the before. & Covered in Discontent [maybe Gothic Whore?]. Like remake Pocket since its been referenced so much, tho that's still just a BDG cover so who knows. the before. would be interesting just to see how his perspective has changed since he originally wrote those songs. Gothic Whore he already has 2 songs that have a story version & a him version so I can see him doing another.
I HIGHLY doubt he'd do anything related to Vol.1 as its his completely separate thing & he doesn't rlly wanna touch any song that's TH/HMS related until whenever he feels like starting Vol.2 [which is valid lol]. If anything I could maybe see like TWWAY, Special or maybe Greener? Or go a different route with the og I'm Gonna Win or like a more outta the box one with like Just a Friend [only cos be did a 20 second "cover" of it in Mucka Blucka]. Again, I do not see him touching anything Vol.1 related but still something to entertain ig? [4th TME cover; The Chonny Electric when/j]
Tho maybe he'd just remake songs that he he fully made [like the before. or Gothic Whore], since those are more of actual Chonny Jash songs rather than the others just being covers. Would be very cool to maybe see a remake of some of his Majora's Mask song tho [no this isn't me coping over HEAL not being on spotify shush]. Or maybe he'd do songs from his old stuff like Don't Take it Personally? [also not me coping over wanting that song on Spotify too]
Idk these are just my thoughts on the idea of a CJPH [or even a Can of Soup Power Hour/j]. Either way I am gonna say idc what he'd do, BDG or Streetlight Manifesto are my other guesses, but anything he makes is always rll good & fun so I'll be interested to see whatever it is.
But ya know considering I typed all this out in the span of an hour & a half I kinda hope im not wrong PFFT
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I just want to say, that I agree with almost all of your Critical Role takes and you have 1000% better and more nuanced takes than all of Twitter and I greatly appreciate it! The takes over there regarding Liliana and the gods are just wild and you bring some much needed sanity to the content I see
Thanks! I hope you don't mind because I've been thinking about this re: the Twitter takes but the thing about Twitter and Liliana specifically that I've seen is that there's this really bizarre fetishization of like, the fact that she is a (white) southerner (this also weirdly happened for Birdie though to a much lesser extent, and the person who spearheaded that wasn't even American so I have to assume this is a specific corner of Twitter Culture At Large). And like, here's the thing. It's true that fantasy tends to be very British in its accents, and it's also true that accents in a fantasy world are used to convey the same things we'd assume in our world - RP British for educated, southern American for rural, Cockney for rougher types, etc.
It's also true that laying the exact socioeconomic parallels from our world onto, say, Liliana and Orym (who reads to me as non-regional but I, like Liam, am from the Northeast originally) is a recipe for disaster. Or rather, it's not, but it is going to reaffirm your own biases, some of which are dangerous to reaffirm.
There was a popular post on Tumblr a while back, probably not long after Trump was elected, of someone talking about how they were convincing a relative with the confederate flag towards socialism by appealing to the idea of "isn't in unfair how uneven wealth distribution is and how a small group has so much control" and a number of people were rightfully like "uh, maybe you should focus on the racism" or "hey OP ask your relative who they think that small group in control is because I'm getting a really bad feeling they're going to say it's The Jews." And I feel that a lot of the empathy for Liliana from those spaces feels like that OP. Or in other words: I get that you see your relatives in Liliana. Unfortunately, I cannot help but see me and mine in Orym.
You see someone trapped by circumstance and desperation in a dangerous ideology. I see the fact that I haven't gone to a synagogue in easily 6-7 years without there being a security guard present and usually, the doors locked with someone looking through the window to let you in, and then in the sanctuary there's been an installation so that you can quickly bar all the doors in case an alarm goes off or you hear shots in the lobby.
I think there's a great case for seeing yourself in Imogen, who is in a painful struggle with the fact that her mother does love her very much but is in dangerously deep and has done a number of incredibly terrible and harmful things. That latter point is important, incidentally; I get that cult members sometimes rise through the ranks but all but the leader are being manipulated. But the fact remains that a brainwashed person can still commit atrocities, and in this story, they have, many times over. It's especially true because like...sure, plenty of people are like "I lost my relative to a cult and I just want them back and I couldn't harm them," but also, as we've seen, this cult can and will harm Imogen! Plenty of people are also like "yeah I gotta cut them off, it hurts but unfortunately my horribly bigoted and violent relative, while a victim of brainwashing, is a threat to me too." It's not even the full picture of the Temult side of things, let alone the picture that includes the Vanguard's victims.
I also think the Southern gatekeeping is unhinged because it's like. guys there's QAnon members and other cults across the country; the Confederate flag example above was actually notable in that OP wasn't even Southern so you couldn't even write the flag off as deeply misguided heritage but rather was explicitly being used as a hate symbol. It's awfully presumptive to assume all southerners have the same experience (especially since the Temults are portrayed, physically and in accents, as white southerners, not that the experiences of white southerners aren't also incredibly varied). It's awfully presumptive to assume that people find Liliana threatening because they have no personal experience with people like her; often, it's because they have all too real experience with people like her, and it says something even worse about you if you can say "but you guys, I see me and my family in Liliana" when people are telling you that they see them and their families in Orym. I would not, personally, publicly admit that one's empathy extends to the people who remind you of your family but runs out before it reaches their victims. Nor would I publicly admit that I assume everyone who disagrees with me clearly has never had personal experience with this topic.
I should also note that, as I've noted a number of times before, that these are fictional characters and not real people. Twitter seems to be really fucking bad at grasping that. Like, yes, this is the other thing; I do not think that OP should kill their Confederate flag-toting relative, whereas if Imogen did so to Liliana I'd be like "hell yeah." The former is a real person who I do hope gets deprogrammed, just, you know, maybe adjust those priorities; the latter is a fictional character in a story.
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