#why is it always projection?

[snekdood]

idk but the way evangelicals talk about the anti christ, he kinna seems like a dope dude. cares about equality... nature... helping people..... reeeally struggling to see the issue here

[mimimar]

finally completed my comic based on the song ivy by taylor swift!✿ please zoom in to read the text and see the details~

✿.✿.✿

you can get the digital zine pdf here! it includes extras like character profiles, costume design, more art of willow and ivy, zine-exclusive sketches and an illustrated guide to the symbolism of all the flowers in this comic.

you can also get prints of individual pages here!

✿.✿.✿

[soapyakships]

cheeseeecakkk🤤🤤🤤🤤

[samglyph]

He needs attention

[caelanglang]

The O(ccasionally)samu D(runk)azai

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[quackle]

childhood best friends to enemies to lovers, 100k words, slowburn, royalty au. does anybody hear my cries. does anybody understand.

[littlelightfish]

I've been thinking about Mickbell since last chapter came out.

Have you noticed how everyone refers to him as Mick? He's a hafling, they shouldn't call him that since its his first name.

But here's the thing.

We know Mickbell didn't have something to call a family the majority of his life. He was all alone against the word for quite some time. He, as I said before, didn't have a proper family, didn't have any friends. He was alone. No one to care about him, no one to love even in a friendly way.

He can seem to be quite unfair towards Kuro, but truth is he doesn't know any better. He does what he can the best he can, the best he knows, because he loves Kuro so much, he doesn't want to loose his first friend, his first glimpse of a family, the only one that cared for him after so long the first one to recognize him as someone rather than something.

Kuro doesn't understand common language well, we know for a fact that he struggles with it and that he's still learning to communicate. When Mickbell found him, it was his sense of "I'm in great debt to him because he saved me" what made him attack the one that attacked Mick. "How dares he tuch my savior?" Kind of behaviour. And also revenge I guess. But, hear me out. He hears Mickbell telling something to him in a language he doesn't understand, but he sticks to his side from then on, because he saw a savior in him. Because he feels in debt with him, because he sees that this guy enjoys his company and also feeds him. He is like a stray dog after being adopted, loyal. He loves and cares for Mickbell, he wants to be able to truly understand him and to make himself known to him by talking. He's learning how to speak common, not because it might be useful, but because he wants to be able to fully communicate with his dearest friend, with the one he considers family.

Going back to Mickbell, he saw someone caring for him enough to take revenge and protect him. This aren't little things to do for someone you just met. He knows this, because he probably wouldn't have done that, he 100% would've runned away because he has sense of self-preservation and knows damn well he doesn't stand a chance and he wants to continue living. He makes sure to keep this kobold to himself, at first because of his "if it can be made use of, then use it" principle.

He freed the kobold, not because he was a good person, but because he wanted to take revenge in his own terms. He wanted this man to suffer, he can't pick a fight because he doesn't stand a chance, so he steels his merch, or in this case, frees it. He freed Kuro because he wanted the man to suffer the loss of his merch. Not because he feels sorry for a kobold that could easily chomp his head off (they're usually agressive). Now, after freeing him, he noticed that this kobold would die if he didn't take off the thing he had in his mouth, so he helped him a bit there. This seems a bit out of character. Why did he freed the starved kobold from what could've saved him of being eaten himself? Because he is a good person. He doesn't want this creature to starve to death after freeing him, it would be cruel, and he isn't cruel. He doesn't want nothing to do with the kobold at first, he just doesnt want him to die because he didnt properly freed him, but after seeing how far is this someone willing to go for him? He has no room for doubt, he makes himself his boss.

As I said, Mickbell didn't had a real family before. He lacks of proper social interactions and bonds due to his past. But he loves so deeply. He doesn't want to loose Kuro. He sees him as the closest thing he'll ever have to a family, but he doesn't know how to treat him properly. He tries his best. He feeds him, and cares about him a lot, but he doesn't know how to talk to him. He wants to have him close at all times, he wants to pet him, to be carried around by him and only him, to tease him, to help him. He's always worrying about his well-being. And above all, he doesn't want to be alone. Never again. This is why he does everything he can think of to hold Kuro closer to him. This is why he's saving money, why he pays Kuro so poorly for his job. This is why he doesn't spent much money on himself either. He wants to live a life with kuro by his side because he loves him. He loves him deeply, and cares about him deeply too. He's his family. And he is terrified of the sole thought of Kuro leaving his side. Because that wouldn't just mean being alone again. It would mean Kuro left.

Now, this is what the party sees. A hafling that treats his kobold employee quite unfairly. He doesn't pay him almost anything, he leaves him alone as soon as battle starts, he is possessive about him, and he's terrified of someone snatching him away. The kobold doesn't seem to either mind or notice how unfair his owner is being towards him, and doesn't seem to understand him very well either. They see that they both care for each other more than they first thought as time passes by, but the unfairness of it all is still there. They don't get it. Why would the hafling, if he cares so much, reward him so badly? Why is he taking advantage of the kobold he loves so much? Why wouldn't he let him express himself in his mother language? They don't fully get it.

Time passes and they become closer to each other, just as Laios's party does. They start opening up, bonding, and before they knew it, they're something like a small family, rather than just a group of friends adventuring together. It's clear as day something in Mickbell wasn't quite right just by the way he behaves. He is childish, but it doesn't seem to be intentional. He behaves like a kid, but he is quite mature at the same time. He is like this because he didn't had a proper childhood? He only now can allow himself to behave lightly as he does? To cry at minor inconveniences? To want to be hold on someone's arms? They don't know, but they don't prey about it either.

And without realizing it, they call him just "Mick". Some of them, if not them all, know what it means to call a hafling by his first name. They maybe did it to tease him, maybe because they wanted him to know they consider him family, but he didn't even noticed. He hadn't a proper social interaction with haflings that ever got to the personal level of teaching him something he should already know. Haflings call him Mickbell, he doesn't mind, it's his name. His party calls him Mick, he doesn't mind, it's his name. He doesn't even know hee should care. The party picks up he doesn't mind being called that and gets surprised. Is he letting them know he sees them aa family too? They at first are really surprised, but it losses importance over time. They just use it as a nickname now, but they started using it because they wanted Mickbell to know they're family too, that they don't want to hurt him nor Kuro.

Mickbell it's just a good hearted guy who doesn't know how to do good. He saves up money so he can, one day, live with Kuro. So he doesn't pays him well even if he works hard. So he starves himself (he is underweight too, but it could be for the same reason Chilchuck is, he is 5 cms taller than the common hafling after all). So he allows himself to steal from corpses. He needs money. He has a dream. He wants to have a family.

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

[thefreakandthehair]

(don't bother) calling me when you're sober | rating: m | wc: 1.5k

content warnings: future fic, parental alcoholism ("falling off the wagon"), past parental neglect, minor character death (i've committed wayne crimes i'm so sorry but it's not shown, just mentioned), emotional hurt/comfort, ends on a happy, hopeful note despite the tags

“My dad called.” 

Eddie walks into the room, pinched eyebrows and flared nostrils lit up by the multicolored Christmas lights they string on the tree every year, one hand balled into a fist. The reaction  wouldn’t surprise Steve so much if this happened years ago, when Al Munson was still living in the bottom of a bottle of Jack, but now? 

It’s been eighteen years since he’d gotten sober, nineteen years since his last stint at Hawkins County, and fifteen years since making a genuine attempt to right the wrongs of Eddie’s childhood and build a relationship with his son. 

Fifteen years after Eddie let him in, let him try, let him earn Eddie’s trust. 

Fifteen years is a long time and to see Eddie so vitriolic in the doorway of their apartment’s living room— hands shaking, body shaking— Steve knows something must’ve gone wrong. 

“What happened?” Steve asks, standing from the couch and meeting Eddie where he stands, holding the hand not curled tightly around itself. 

“He’s drunk. He called, and he was drunk.” 

Steve’s chest pulls tight, his heart racing. What does someone say to that? What can someone say to assuage that kind of deep anger, pain, and betrayal? His thoughts are scattered as they try to make sense of what Eddie just said, and he’s even more grateful now that Ronnie wanted a sleepover with Aunt Robin tonight. 

“Eddie, fuck. I’m so— ” Before he can finish his thought, Eddie leans back against the doorframe, ripping his hand out of Steve’s and tangling his fingers in his hair, tugging. 

“How could he? How fucking could he?!” Eddie bellows, eyes squeezed shut. “He knew! He knew that if he ever did this again, I’d be done. For good. For forever. And he did it anyways! After eighteen fucking years!” 

His eyes fly open and Steve stands still and nods him on. There are just no words to fix this, and trying for the sake of filling the silence has never served him well.

“He did it anyway! Two days before fucking Christmas, a week before the anniversary of—” He chokes and cuts himself off. 

He knows what Eddie was going to say. A week before the anniversary of Wayne’s death. It’s been on his mind, too, of course. On his mind and in their conversations over breakfast with eccentric mugs of coffee, over the tangled lights that Wayne could always figure out. The year hasn’t been the kindest to them, particularly Eddie, and Steve wants to protect Eddie as much as he can from whatever he can. 

But he can’t shield him from this. Al Munson skips to the top of his shitlist.

“That son of a bitch!” Eddie rams his fist sideways against the door jam, leaving a sharp, red mark along his pinky. “He promised, and I believed him. Why the fuck did I believe him, Steve?”

Steve takes a step closer and grabs both of Eddie’s hands, carefully soothing the angry mark. “It’s been almost twenty years, babe. Trusting him with so much time invested makes sense. Hell, I did, too.” 

“I’m— I’m in my 30s, hurt and angry about the same shit I was hurt and angry about as a fucking kid. All the nights I slept in the backseat of the car because he blew his money at the bar, all the car accidents and court appearances and jail time, all the mornings I missed school because he didn’t know what fucking day it was,” Eddie rants, stopping to take a breath before picking back up, Steve’s own heart cracking and raging the more he speaks. 

“And every time he’d get sober, he’d always promise. He’d promise it would be the last time, and it never was. Not once could he choose his fucking son and I didn’t understand it then, but now that we have Ronnie, I understand it even less. If I was sick enough to walk away from her, I’d walk my happy ass to the nearest fucking rehab. I get that it’s a disease, I get it, I get it, I get it. But I can’t— I can’t do it again. Not this time. Eighteen years just down the fucking drain because of his company’s holiday party? How can I ever believe him again? Or trust him again?” 

Eddie’s voice grows raspier, breath shallow and quick, eyes watery. “Every time this happened when I was a kid, I always had Wayne. He’s the only person who really got it, y’know? The only one who lived it with me and now, I don’t even have him. My dad’s drunk, slurring his way through who fucking knows what on the phone, and no one else can fully understand the magnitude of what that feels like for me.” 

He squeezes his eyes shut again and drops forward toward Steve, forehead on his shoulder and arms loosely hung around Steve’s waist. Steve still doesn’t have words that bandage this up, but he knows how to show his husband love in other ways. Ways that, over the years, have become a language all their own. Steve pulls him in tight, one hand near his waist, the other cradling the back of his head. Fingers slide carefully beneath the hem of Eddie’s tee-shirt and rub little, repetitive circles into the small of Eddie’s back while he cards his other hand through Eddie’s hair, scratching his scalp and holding him to his chest to feel the rhythm of Steve’s own heartbeat until his breath returns to a steady pace. 

It’s only then that Steve speaks. 

“I don’t know what to say, Ed. It’s fucked up, and if you want to me like, hit him with my car, you know I’m game.” Steve feels Eddie laugh— just a few puffs of air through his nose but it’s a laugh all the same. “But I’m here, and we’re gonna figure it out, okay? Whatever you decide to do, we’ll do it together.”

Eddie nods and lets himself be led to the couch, Steve tucking Eddie into his side and pulling the afghan up over them. 

“I never want to be what Al was to me to our daughter,” Eddie whispers, not looking away from the tree. 

“Well, you’re ahead of the game, because she’s already older than you were when he started hitting the bottle hard. And I know there’s the genetic piece to it that everyone talks about, but nurture counts for a lot of who we become, too. Shit, I owe Joyce Byers a huge thank you for being more of a parent to me than my own were because she’s probably the reason I didn’t turn out like Dick Harrington. Ronnie’s never going to have an Al Munson in her life, because you weren’t raised by Al Munson. That’s not whose legacy you’re passing down. You’re passing down love, not pain.” Steve presses a soft kiss to Eddie’s temple and feels his whole body sag into him. 

“Yeah. Yeah, I guess you’re right.” Eddie’s voice is quiet now, a far cry from his earlier venomous edge. 

Silence nestles onto the couch with them, a comfortable addition, as they watch the basketball game Steve had on before Eddie told him about the phone call. Watch is a loose description, actually. They're more just looking at a moving, flashing screen. 

“My hand really hurts, by the way,” Eddie announces, holding up the hand he’d used to punch the doorjam. “That was fucking dumb.”

“Maybe a little bit, but I get it,” Steve untucks a hand from beneath the blanket and outstretches his palm. “Lemme see?”

Eddie plops his hand into Steve’s and Steve takes a look, mentally working down the check list he’s memorized from his decade plus of EMT work. No obvious breaks, nothing looks crooked, Eddie’s able to move each finger and flex his hand without severe pain. 

“If anything, it’s just gonna be bruised tomorrow. But I’ll fix it,” Steve grins and lifts Eddie’s fist to his lips, carefully kissing each knuckle and paying a little extra attention to the pinky that delivered most of the blow. 

“I’m so in love with you, Steve.” Eddie rests his temple on Steve’s shoulder. “You know that, right?” 

“I know,” Steve agrees, chest fluttering despite the circumstances. “And I’m in love with you, too. You know that, right?”

Eddie snuggles in and wraps Steve up, full koala, as though he’s trying to get as close as possible without actually cracking Steve open and climbing inside of him. 

“Definitely.”

The next morning, Aunt Robin brings Ronnie home and together, they decorate the gingerbread cookies that only vaguely look like people but are good enough to pass for a seven year old. Halfway through, Eddie’s cell phone rings and the caller I.D. reads Al. Steve watches, worried that Eddie’s going to answer in the middle of their decorating. That he’ll forget Ronnie’s having the time of her life, and that in his righteous indignation, Eddie will leave the table to go fight and argue.

There’s so much to be said, and Steve wouldn’t blame him, but he breathes a sigh of relief when Eddie simply declines the call and sets about pouring more edible glitter onto his design with a smile down at their daughter. 

[pantherloid]

The duality of Kaito.

[the-one-that-weeps]

As someone who avidly reads wxs sleepover fics I've seen countless of times how wxs reacts to Tsukasa's mansion but. Don't you guys think we can try thinking from his perspective too?

Imagine Tsukasa, age 8, alone for the first time in a house too big to hide himself, playing with some plushies to cover up the fuzzy feeling of loneliness.

Imagine Tsukasa, age 13, plushies discarded and alone again, sitting on the piano stool with no one to hear him play.

And now imagine Tsukasa, age 17, house full of music and friends and life.

How would he explain to his younger self that in some years he won't remember his own house having a clean floor and deafening silence? How can he explain it to himself?

But now Emu is bouncing on 3 beds at the same time and Nene is eating Cheetos under his table and Rui is awkwardly shuffling his feet and preparing an excuse for blowing up half the front wall. Tsukasa hasn't seen his house's floor clean for an entire year. Tsukasa hasn't been alone for an entire year and it's all worth it.

[royalarchivist]

Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.

Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.

[ Full Transcript ↓ ]

-

Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.

Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.

Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.

In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.

That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.

Thank you for all the love and support, I love you all so much.

[baalzebufo]

THE WEIRD AL-CANA - THE MAJOR ARCANA, INSPIRED BY WEIRD AL YANKOVIC SONGS

---

ho-ly shit, this actually got finished. this was so much work for something that is so incredibly niche, but im so happy with it. this was SO MUCH FUN to come up with, to think of songs for each card, to slip in silly references and make my little border designs... thank you so much everyone else who has been enjoying these posts!

tumblr wouldnt let me upload the full-size stitched canvas so I had to shrink it a little, so if you want to see all the individual cards at their full size PLEASE look at the individual posts on my blog HERE! this was the first time I ever got the tumblr warning that a photo was just too big, haha.

this post also goes out to everyone on the weird al side of tumblr- yankoblr, y'all have brought me so much joy in such a small amount of time with your posts and memes, even though i just got here and started randomly posting one day. i went from being very self-conscious about what i considered an 'embarrassing' interest to wholeheartedly goofing and it feels great. keep being silly no matter what guys

stay weird, y'all :)

[starry-bi-sky]

I'm having incoherent thoughts about clone danny again from the clone/clone^2 au (when am I not?) but more specifically I'm thinking about his reaction to finding out he's a clone. The standalone clone au digs into that a little more than clone^2, which is more focused on Danny and Damian's relationship. But neither (so far) really get into Danny's issues about finding out he's a clone after 15 years of thinking he wasn't.

Because he resents his parents for not telling him for so long. He resents the way he found out; through a trivial school project rather than a sit-down talk. He resents the fact that, apparently, they had meant to tell him sooner. But forgot. He resents the fact that they never told him because finding out feels like something was stolen from him when it had the chance to not be.

Danny Fenton, just fifteen, cloned not even half a year ago, knows what that personal violation of autonomy feels like. He knows what it's like to be cloned and while he loves Ellie, he does, she's his sister, and in this au his twin. But he is still left with that feeling of unsafety after realizing he'd been cloned. Being cloned is violating. The onset realization that it's so easy to get DNA without the other party noticing, and that what was stopping someone from trying to clone him again?

Followed only after with the rest of the inexplainable mix of feelings of being cloned, the rest of that inner conflict and panic that's an ugly mocktail of emotions that range from horror to fear. Trying to imagine what it's like to be cloned from the cloned party, and I imagine that it leaves you with the feeling of needing to crawl out of your own skin with discomfort.

And then he gets put on the other side of it. Danny Fenton, only fifteen, was cloned not even half a year ago, finding out he is a clone. And reactions, I imagine, can vary from person to person. But to him, it feels like something got stolen from him, like someone took a hole puncher and stuck it right into his chest and stole a chunk of himself from him.

It changes nothing about him and yet it changes everything. It's a betrayal on it's own to just find out he was a clone and they didn't tell him for fifteen years -- it shouldn't mean anything, because he's still Danny, and yet it means everything. It's him, it's him, it's about him. It's his personhood. It's about the fact that a load-bearing rock in his identity just crumbled beneath his feet and now there's a rockslide.

Because then he finds out that they used the wrong DNA. Its like pouring salt in an open wound. He's not even related to his parents or his sister, when for years he thought he was. It's the fact that pieces of his identity that he's been so secure in for so long just got ripped away from him in an instant. Then they tell him -- only through his own horrified prompting -- that the person whose DNA they used -- Bruce Wayne -- didn't even know he existed. That they accidentally used the wrong DNA, then didn't tell the person whose DNA they used.

The betrayal of being lied to for years turns really quickly into horror at his own existence. Something very similar to the horror he felt at being cloned and the skin-crawling discomfort that made him feel like his own skin wasn't really his. And then its not. It's actually not. Nothing but his own name feels like it belongs to him anymore -- not his hair, not his eyes, not his heart or his lungs, nothing feels like his anymore and he didn't know what that felt like until it was gone.

It's a question of Nature Vs. Nurture -- where does the line of "nature" begin and where does the line of "nurture" end? What of him is actually his? What of him is Bruce Wayne's? It's not logical, it's not supposed to be. It's a load-bearing wall on the house of his identity being destroyed and now everything else is caving down in on him. What belongs to Danny, what belongs to Bruce Wayne?

[uncanny-tranny]

I think people are too normal about just how much goes into making things.

I've gone through nearly sixty-six yards of yarn on my project so far. If I stacked myself up, it would take thirty-five mes just to equal that. And that's only after ribbing and two and a half rows of normal single crochet on a project that will be done in five pieces.

There is so much that goes into art. There are so many hours, material, blood, sweat, and tears that go into even the most simple of projects. Once you start realizing this, you start to truly appreciate everything about art.