#why this post exists haha. but anyways

[suddencolds]

i've def heard of people having to be in the right headspace to write like, v thirsty/self-indulgent snz content, but somehow i find it equally difficult to be in the right headspace to write angst

[cosmobrain00]

did anyone think about kid keith td🙂 do u want to🙂

[coquelicoq]

been paying more attention to my r sounds in french lately and while i do default to the voiced uvular fricative /ʁ/ most of the time, in intervocalic contexts i'm doing what i'm pretty sure is a voiced uvular approximant /ʁ̞/ maybe half the time? i wasn't sure if it was a tap/flap or an approximant, but it does sound a lot like the audio clip for the approximant, and apparently the approximant is often an allophone for the fricative, while the tap/flap is an allophone for the trill (which makes sense since a tap/flap is basically an abbreviated trill), and i don't really do uvular trills in speech.

the fricative has always been difficult for me and at this point i doubt it will get much easier than it is now. it makes sense that as i learned to speak faster i would end up producing the approximant in at least some contexts, and i suppose that it makes sense that the main context in which that happens is intervocalic, since approximants are kind of like if you took a fricative halfway to being a vowel.

the reason i've been thinking about this lately is i've been listening to a lot of stromae and his r sounds keep jumping out at me. i mentioned in some tags the other day his r sounds in bonne journée (skip to 1:24):

Si l'bonheur [tap/flap?] des autres [elided] te rend [trill] malheureux [trill] C'est qu't'es un rageux [tap/flap?] Si l'malheur [trill?] des autres [elided] te rend [trill] heureux [approximant??] C'est qu't'es un rageux [tap/flap?]

that sound in heureux in the third line is really interesting because he pronounces that exact word (within the word malheureux) two lines before, but there he's clearly trilling the r, and here he is not, and it doesn't sound like a tap or flap to me either! it sounds like an approximant!

he does do the uvular fricative as well...specifically in consonant clusters (also in variation with trills) (skip to 1:37):

Tu profites [fricative] jamais vraiment [trill?] de ce moment présent [fricative] En fait t'es juste dépressif [fricative]

elsewhere in the song he seems to trill a lot of consonant cluster rs, so i think it may also be a function of syllables/second - in these two lines he's going really fast, and possibly fricatives are faster to pronounce than trills? they certainly are for me, but i'm not sure if that's because i'm not a native speaker or because of some fundamental property of trilling.

between a vowel and a consonant he's sometimes doing a trill and sometimes something else, i think an approximant but it might be a fricative. hell, maybe it's a tap/flap. (rs in this context are fairly difficult for me to distinguish with any accuracy if they're not trills or really emphasized fricatives, so fuck if i know.)

ultimately i think he (at least in song) trills every r possible and resorts to (not consciously, obviously) one of the other options when necessary. i am nowhere near that proficient at uvular trills and can pretty much only do them on extended notes (because they take extra time for me to pronounce) and on higher pitches for some reason. i'd love to learn the uvular tap/flap, and it's probably the fastest of all the options (citation needed but it feels right lol), so maybe a year from now, when my speaking speed has increased another incremental amount, i'll notice that i've started spontaneously producing those as well. i live in hope.

[angryborzois]

at some town they passed by

[triglycercule]

i love doodling swapinverse like hello drawing characters aside from the normal mtt is lowkey therapeutic 🧡🧡🧡 anyways i FINALLY FINALLY finished crash's lore!!!! and vice.SER is connected to him,,,, theyre interconnected!!! i forgot how much i liked crash's design (not the design but all the little gimmicks in the design. figuring out all the hanging ribbon bits is annoying but hey it looks good)

[starryeyesmasc]

me when it’s the week before my period:

[pl4n]

[ladyseidr]

genuinely my issue with keeping up with discord is one part "if i feel even 1% bad in any way it's time to completely isolate myself from 1-on-1 communication until i feel completely better" and 50 parts "my adhd brain forgets that something exists the moment it's not in front of me"

[darqx]

Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

[caligvlasaqvarivm]

Why the Alpha Timeline is the Alpha Timeline

I figured I'd make a post, since it's pretty subtle and I think it genuinely passed a lot of people by? Homestuck is made up of a lot of words, haha.

The alpha timeline is described by Doc Scratch, functionally, as "the timeline that causes LE to exist."

The path which alone has my absolute mastery is the alpha timeline, a continuum I define as that which boasts exclusive rights both to my birth and to my death, two circumstantially simultaneous events.

Aranea also gives the explanation that the alpha timeline is the one where reality is perpetuated.

AG: Reality itself is using you and many others to propagate its own existence. Strictly speaking, there is only one path to its successful propagation. 8ut it still permits you to make choices.

Caliborn also states that his quest as a Lord of Time is coming to terms with the inevitability that everything, ever, in all of time, will be because of him - that he'll be the one to shape it, including the circumstances of his own defeat.

uu: AS A LORD OF TIME. I THINK I'M GOING TO MASTER TIME. NOT WITH MY BRAIN. WHICH WOULD BE TOO HARD. BUT WITH MY INSTINCTS. uu: LIKE IN A WAY THAT WORKS WITH MY NATURAL IMPULSES. SUCH AS MY AMBITION. MY WILL TO COMMIT MAYHEM. MY DESIRE TO PUNISH THOSE I DESPISE. uu: SO IF I WANT YOU TO BECOME STRONG. SO YOU CAN CHALLENGE ME LATER. AND I SEE EVIDENCE. THAT YOU PROBABLY BECOME SUCCESSFUL. uu: I THINK TO MYSELF. WHY SHOULDN'T I BE THE ONE TO MAKE THAT HAPPEN? IF IT'S GOING TO ANYWAY. uu: I THINK PART OF MY PERSONAL QUEST. IS TO BECOME AT EASE WITH THE FORCES OF INEVITABILITY. uu: INEVITABILITY THAT ALL THINGS SHOULD AND WILL FALL IN MY FAVOR. THAT ALL CAUSALITY ANSWERS TO ME. AND THAT ALL OUTCOMES NOT ONLY SERVE ME. BUT CONSIST OF MY BEING. uu: SO I FEEL THAT. THE MORE I GROW IN POWER. uu: THE MORE STUFF IT SHOULD TURN OUT I AM RESPONSIBLE FOR. uu: UP TO AND INCLUDING. EVERYTHING THAT EVER HAPPENS. uu: EVEN IF IT HAS TO BE. uu: RETROACTIVELY.

Aradia's stint as stewardess of the afterlife is explicitly described as "service to the lord of double death," and Dave explains that he acts instinctively - like Caliborn does - to fulfill the conditions of the alpha timeline. It's also worth noting that their classes, Maid and Knight, are roles that directly serve a Lord in the real world.

TEREZI: LUCK1LY YOU M4K3 4N 4DOR4BL3 H4NDM41D TO TH3 M4ST3R OF D34TH, 3SP3C14LLY 1N YOUR CUT3 CH3RRY P1X13 3NS3MBL3 ARADIA: you think so?

GG: well youre from the future right? GG: dont you know already if itll work? TG: yeah more or less TG: i never really studied how it went down all that closely TG: i just figured when the time came to sort it out the right thing to do would be obvious TG: like it is now TG: managing the loops is a balance of careful planning and just rolling with your in the moment decisions TG: and trusting they were the ones you were always supposed to make TG: by now im pretty used to having my intuition woven into the fabric of the alpha timeline

I'm starting with all that so I can explain that the GAME OVER timeline doesn't end when the time players disappear from it, like doomed timeline offshoots normally do, because it IS the alpha timeline: the sequence of events that causes GAME OVER to occur is the sequence of events that Caliborn/Lord English have chosen: one where (nearly) everyone dies, all hope of victory is lost, and his servant, the Condesce, gets to claim the Ultimate Reward, perpetuating the same misery and oppression in the new universe, and presumably all universes to come.

We see from Caliborn's chess match with Calliope that his (and by extension, LE)'s modus operandi is to follow the rules to the letter, while manipulating his opponent, tricking them with "shitty twists". It's always been explained that LE's actions have been "sanctioned by paradox space," that is, everything he's doing is explicitly allowed, nothing he's doing is against the rules - including the fact that he must be defeated. He has, via his mastery of time, perfectly engineered a situation where the only viable reality is the one where yes, he IS defeated... in the dream bubbles, by the dead and doomed, whom he sent to the dream bubbles in the first place via Condy, Jack English, and all the other boss fights. And his will, his ideals, are imposed on the new universe in spite of his defeat.

In a completely Watsonian read of the text, Lord English is an incredible villain because - subtly and unsublty - he IS basically responsible for every bad thing that ever happens, ever, to everyone. He has legitimately been the puppetmaster pulling the strings the entire time, pretty much all because Caliborn is a huge asshole who loves to hurt other people, and wants to do it as much as he can, to as many people as he can, for as long as he can.

But I think he's especially interesting through a Doylist perspective, through a reading of the text as a coming of age. Homestuck is a worth riddled with theme and symbolism, and thematically, Lord English represents everything that these kids need to overcome in order to mature into kind, empathetic adults who will be one day responsible for the care and oversight of a new universe. He represents selfishness, sadism, greed, destruction, oppression, fascism, murder, genocide, and hatred. And also literally the patriarchy.

And, you know what? Don't take my word for it. Here's Andrew Hussie's commentary from Book 6 Act 5 Act 2 Part 2:

Much of the logic [for who contributes to Lord English] orbits around these negative traits associated with men, or more specifically, the “toxically masculine” aspects often linked to certain male personalities. Dirk has a lot of these traits, which are central to Dave’s feelings of tension and abuse concerning his bro. The intellectual aggression, the power of assertion, the knowitall-ism, the mansplaining. That’s a lot of Dirk stuff when he’s at his worst. Equius shares a lot of those traits too, with some different points of emphasis. Both of them have this creepy-guy streak running through them, with strange or offputting interests, and seem to get a quiet kick out of making others uncomfortable through demonstrations of these fascinations. They are actually pretty similar characters in this way.

He's invited into the trolls' universe (and, by extension, the kids' universe) via the Dancestors, in an original sin kind of way. I'll let Hussie explain on their Formspring (emphasis mine):

We learn more about the troll race, as a once peaceful species and such before kid-ancestors as players scratched their session, though the short term relevance of this is mainly as a preamble to Scratch's religious story. Establishing an Eden-like paradise from which there is some departure through sin is sort of the boilerplate basis for religious lore. ... The failed players from peaceful Alternia made a classic "deal with the devil" move by causing the scratch after being given a choice by the mother of all monsters. (Echidna. Hey, she's a big snake!) By doing so they brought Scratch into their universe, and therefore all the things you'd expect that comes with summoning the devil.

The Dancestor's "departure through sin"? It was the fact that they couldn't get their shit together and grew up inside the Medium. That's why they're the age they are, 9 sweeps - adulthood by troll standards. They aren't kids anymore because that's the ultimate sign of having failed to do a coming of age. Symbolically, the Dancestors represent a prior generation of grown-ups that fucked everything up, leaving a huge mess for their descendents to clean up after. In fact, Doc Scratch even describes the alternate choice Echidna gave them:

The heroes could either accept their defeat along with the extinction of their race, and put no others at risk.

In other words, they could have stopped LE if they'd simply chosen not to Scratch. But once more, in line with their behavior up until that point, they chose the selfish option, and bore descendants into the world they ruined. They're immature, nasty, mean-spirited, cruel, callous, and shallow on purpose, because their role in the story is antagonistic. They're aligned (even if unwittingly) with Lord English, as they're the ones who directly invited him in via their failure to grow the fuck up.

There's also a reason why SBURB/SGRUB directly tie achieving godhood and reaching the Ultimate Reward to planetary quests fundamentally designed to help children mature. God-tiering is supposed to come at the end of one's quest, as achieving it directly teleports you to the Battlefield for the final boss.

AG: I really think how successfully they mature is tied to success in the game. It challenges the players in all the ways they need to 8e challenged to grow, which is different for every individual, and veeeeeeeery different for every race. AG: I don't think we were so hot at that aspect of the game. In fact, I'm sure we were quite awful. Hell, even I wasn't that gr8 at it! I actually just kinda fell ass 8ackwards into the god tier, to 8e honest.

And there's a perfectly functional Watsonian explanation for this - in order to increase the odds that the new universe will successfully propagate new universes, it's ideal to leave it in the hands of kind, mature people. But the Doylist explanation is, again, even more interesting.

Hussie has spoken extensively about the comic having always been about two things at its core: first, a creation myth... and second, a coming-of-age. These are complimentary themes, as Homestuck also makes statements about society and its effects on kids. In the real world, the kids of today become the voters, revolutionaries, and lawmakers of tomorrow. In Homestuck, they create, and are responsible for, a new universe.

I always saw HS as an exploration of young people developing relationships over the internet […] There’s a lot more to HS than just that obviously, but if there’s anything which it’s been about through and through, it’s modern kids relating to each other from afar, developing as people and growing up.

In fact, all the initial kids' entry artifacts are metaphors for "departures, loss of innocence, and sometimes the journey from childhood to adulthood outright." John biting an apple, symbolizing the act that cast Adam and Even from Eden. Rose breaking a bottle, the act of christening a boat, and an item integral to the main means by which she relates to her mother, alcohol - an adult substance. Dave hatching an egg, literally the act of bringing new life into the world. Jade shooting an effigy of her dog, both symbolic of Old Yeller, and of breaking a pinata, an act often done at quinceneras.

There comes a point in childhood where the child stops being a child - the safe, familiar, comfortable world that they knew stops existing, and they can never get it back. They are thrust into a world that is alien and massive, and forced to grapple with the weight of their future duties. They deal with losing their guardians and finding direction in their absence. They must decide how they want to grow up, and then are responsible for shaping the society that comes after them. In other words, SBURB/SGRUB in this metaphor represent adolescence.

Within that context, God-tiering is actually interesting because it symbolizes adulthood - a semi-permanent state that a child is supposed to reach at the end of their SBURB/SGRUB journey. And, in fact, it's treated that way - none of the characters reach god-tiering the "proper" way... and of our god-tiered characters, nearly all of them have some sort of emotional struggle with growing up too fast. Vriska with the expectations of her shitty society, Rose with her emulation of her mother, Dave with his abusive brother, and the Alpha kids with substance abuse (the jujus) and romantic drama.

Anyway, sometimes when Mario's running sideways he gets a star that makes him magic and invincible. OH. YOU MEAN HE BECOMES TRICKSTER MARIO. Yes, but less stupid. So for a while he becomes flashy and hyperactive and nothing's challenging anymore. He just starts barreling over mushrooms and leaping over pits as fast as he can, then gets to the end and jumps on the flagpole and that's it. Mario "wins". But the point is, he didn't really win. That magic star was actually devastating to his development as a human being. WHY. Because he skipped over many critical trials on his spiritual journey. Mario NEEDS to stomp on all those mushrooms. He NEEDS to bonk those bricks with his head, for the sake of his personal growth. By using the star, he is denying himself many powerful moments of catharsis.

Like... I dunno... seems pretty blatant to me!

So with Homestuck so firmly being a coming of age, and with the Dancestors - whose primary failure is that of unrelenting immaturity - being cast in an antagonistic role, doesn't that make Caliborn's position of ultimate final boss extremely fitting when we take this conversation into account?

You may be destined for bigger things, but you’re still an atrocious, stupid child. And you may have won the “game” with your sister, but that doesn’t mean it was the best thing for your development as a person. You had her dream self killed, which is not an opportunity your species typically gets. So she died prematurely, instead of allowing the conflict within you to settle itself naturally. In short, you forced your predomination to happen a little too early, and now you’re stuck. STUCK? Yes. Your personality is stuck in some sort of cantankerous prepubescent limbo. You are going to be a stunted, miserable tool forever.

He's literally a child who chose to stunt his own growth so that he could reap all the game's rewards for himself. Someone who so stubbornly desired the selfish, greedy, and immature option that he was willing to hurt himself to achieve it. Caliborn - and by extension, Lord English - is a direct symbol for the refusal to mature, to be kind, to care about other people. By including Dirk, Gamzee, and Equius at their worst, he also comes to represent misogyny, toxic masculinity, the patriarchy. He's the Condesce's master, and so by extension, he represents fascism and oppression; as Doc Scratch, he gets off on abusing girls, and so he also represents predators and abusers. And his goal is to perpetuate himself, his ideals, what he symbolically represents, down every successive generation. Much like how these cycles of abuse and oppression seek to perpetuate themselves in the real world!

And that's why the alpha timeline, the GAME OVER timeline, is the way that it is: it's one where Lord English WINS. In Lord English's version of the story, everything is fucked up forever. He might be defeated, as is the timeline's inevitability, but his politics, his bigotry, and his ideals live on.

Except.

Our Breath player gains a power that literally unsticks him from time.

Now, personally, I don't believe that the ending we got is the one that was originally intended. I don't feel the need to elaborate upon that here, but suffice to say, given how clearly and consistently these themes are set up throughout the entire rest of the comic, it just makes sense to me that the ending we got, where characters stay dead, never finish their character development, etc. etc., is a MASSIVE tonal and thematic departure, which smacks of external pressures and influences. Everything after [S] GAME OVER is soft canon to me for this reason. But there's things that survive in it that are really really interesting, so I'll mention some.

First, the pre-retcon versions of the characters still exist, as we see from (Vriska). That means that everyone who died in GAME OVER would not necessarily have stopped mattering to the plot. I firmly believe that the original ending would've seen Lord English confronted by the GAME OVER (characters), who would also have the most karmic claim to beating Lord English's face in. This would also satisfy his whole deal of playing by the rules - he knows he HAS to be defeated, he just gets to choose the circumstances of his defeat; without realizing that John's retcon powers can rewrite a timeline, he would've set up his own death to be in the bubbles, at the hands of the already-dead, while Condy claims the Ultimate Reward - thus making it so that he still wins in the end.

But Breath represents freedom, choices - and the retcon powers are something John gains mastery over after completing his personal quest, which we've established is directly tied, both literally and symbolically, into growing up and maturing. By becoming a kind, empathetic, mature adult, John is able to choose something else.

Second, that the Ultimate Self is brought up at all, which seems to me like it would mitigate the bittersweetness of the (characters) from GAME OVER staying dead - because, in my head, the original plan for the retcon was that it would bring everyone back, and therefore, all the (characters) from GAME OVER would live on through the surviving post-retcon gang, who will eventually achieve Ultimate Selfhood, as Davepetasprite^2 says they will. This would also directly mirror the words Godtier!Calliope gives to her counterpart:

CALLIOPE: bUt then... CALLIOPE: what shoUld i do? CALLIOPE: you don't need to do anything. CALLIOPE: be who you've become, and who i didn't. CALLIOPE: consume the fruits of an existence i could never understand. CALLIOPE: live.

Third, there's just so many outstanding plot threads, even for the characters that DO survive. Jake's prophesized to defeat Lord English, Dave never actually gets over his hesitance about time travel and defeating Lord English, Karkat has multiple means of bringing his dead friends back to life and doesn't say anything, Vriska and Terezi still aren't 100% reconciled, Gamzee's tragedy is never addressed, Jane, Dirk, Jake, and Roxy never really figure out their situationship, etc. etc. etc. ... to say nothing about all the plot threads left dangling for the characters that stay dead.

And finally...

Isn't that just kind of a better story? One where the kids get to grow, change, learn from their mistakes, and create a better, kinder universe, after defeating the avatars of cruelty, oppression, and immaturity?

Is it just me? Haha.

[kremlin]

after many years my old company has finally allowed people back into the office, haha, not to go to work, no no, solely to collect their belongings from their desks. i picked up my stuff and remembered what a psycho i was about my office back then, let me show you..

i set up an old VT-420 on a side of my desk to read my email on (to flex my computer dick) which is unfortunately a bit too yellowed now for me to post exposed but hilariously enough i did take the chance to fix the faulty RS-232 chip in it and i no longer get a bunch of keystrokes interpreted as ŸŸŸŸs randomly. the fix was great too, instead of having to throw the whole thing out like you'd need to today, i literally just had to pull the PTH chip out of its socket, didn't even need to desolder. nor throw the old one out. i blasted it with a blowtorch for about half a second and it's fine now.

(it is amber by the way, which is the best color)

the keyboard is another story, i think a lot of like, entry-level vintage computing people get this concept that every old keyboard is some treasure, and boy let me tell you, some of them make you want throw up, like the vt420's:

you'll have to take my word that the typing experience is pure ass, but if you look at this fucker for more than two seconds your blood pressure will start to raise. and i'm not just talking about the euro return key. where is the super key? and what is going on left of 'a'? did they decide to solve the age-old "caps lock vs ctrl" debate by putting both of them there (??) what the fuck is going on north of the arrow keys?!?! and even further north, 'help' is funny enough on its own, the fact its next to DO, a truly existentially puzzling key, makes it that much better. why is DO so wide?? why are there so many F keys? and apparantly 20 F keys wasn't enough, they had to go on and invent "PF" keys above the numpad. and it doesn't stop there..

the pre-USB world was pretty nuts, but most keyboards still had sane connectors like DE-9's, PS/2, DINs, etc, but not this one

it uses, a, uh, looks like an ethernet cable. weird. but look closer. six pins. AND, big honking square to key it specifically and make it incompatible with the very-similar already-existing 6P6C specification (why?) anyways, that's enough of this crap, moving on

this is the keyboard for my lisp machine, the famous "space cadet keyboard", i get so many fucking emails about this keyboard, christ almighty. people trying to buy it from me, it's a shame, the machines don't boot without them so seperating them to satisfy reddit guy wish fulfillment breaks my heart. it's a lot better. it's from an era where a good computer would set you back half a million and the hardware reflects it. honeywell made it, it's "solid state" insofar as that makes sense for a keyboard, uses the hall effect. there weren't any rats at my office but just in case i seem to have taped something to the underside:

lol. now for accouterments to cover those hideous eggshell white walls:

in order, openbsd, you know it baby, middle is a weird polish promo for the holy mountain, the last thing was a joke whose meaning has been lost to time. chicken and turkey!

i seemed to have been working on some very bizarre electronics projects, personal, during my workday:

god, what the fuck was this?

oh, duh, it's bort's hat. (??)

some reading materials. K&R C is a first edition, somewhat rare. the 9front manuals:

classic, natch. and a huge gear that's clapped

that's it. that's my office apparently.

[yuri-is-online]

Head up this ask is kinda weird.

So do you think people wear perfume in omegaverse AUs 😀? Because the fact that everyone already has scents, perfume has to kind if clash with it right? Maybe some people use light perfumes to enhance their scents, and then those "Alpha Male" (omg that just gets a whole other meaning) podcast bros call it catfishing.

Would perfume even exist in the first place? I don't really see a purpose for perfume if everyone already has a scent... but bro imagine Yuu (who isn't from an a/b/o world and is getting really confused as to what the fuck an omega is and cringes every time of the guys calls themselves an alpha. Meanwhile everyone else is trying to figure out why this weirdo doesn't even have the slightest sent. Especially jade becuase I'm on that JadeYuu shit rn) that wears perfume or cologne trying to get more. And when they can't find any at Sam's they just try to fucking make it. I mean it's a little weak smelling and some of the notes don't exactly go with the others but hey! They have something to spritz now! :)

And now their friends are doing double takes because bro you did not smell like that last night. Also it smells artificial and it's weirding them out

Anyways I sincerely apologize for making you read that.

oh no you don't go apologizing for this confused, a/b/o is a guilty pleasure of mine (also i am doing concept drawings for asmodeaus rn. the timing of this ask made me laugh real hard) This isn't a smutty ask, but just so all of you know, I am good with those since I need the practice with suggestive stuff. I just won't be very good at it for a bit.

Anyway. I have never actually thought about this, but I have always sort of thought of scents in abo worlds to be a very instinctual thing that no amount of perfume can cover up. I don't know if you've ever encountered a scent you can taste but I have, a light in the room of a pool I was swimming in went out and let out a smoke so foul you could still feel it on your tongue and in your lungs when you pinched your nose. It was beyond overwhelming. That doesn't mean there's any less of a reason for perfumes to exist though, as I talked about in that post about Rollo's handkerchief in the past disease was thought to have been spread through foul smelling odors and bad air. If anything I could see that being an even bigger superstition in an abo world where scent is already super important. I could see people trying to make scents that complimented their natural one, maybe it could even be a courting ritual for an Alpha to give an Omega they are interested in a perfume they've made that compliments their smell and has notes of their own... Oh! Or working in notes of their scent to their own perfume to indicate interest!

a-twistedheartslonging mentioned in their tags on that post about Jade's scent that Morays use scents to attract a mate, so if you take that idea about perfume being a courting step I could see Jade just being so distraught that his beloved pearl has no discernible scent. And what's worse they keep changing what little scent they do have! What's he supposed to do with that huh? I think he'd be the only one excited by Yuu making their own perfume because it gives him an excuse to talk about the scents that Yuu likes and what perfumes are like in their world. Maybe they could make a perfume together next time (⚈_⚈)? Oh haha he's just thinking out loud he knows you aren't close enough for that ye- Oh you... you would like that? You think he smells nice and you want to know what sort of perfume or cologne he uses?

(he'd get so delulu so fast if you said that. sure Yuu you can smell just like him c: just let him dim the lights a bit first he hears that's important c: just remember to be gentle with him ok???)

[stylespresleyhearted]

POV: AUSTIN BUTLER IS IN LOVE

(AND DOESN’T CARE WHO KNOWS IT)

masterlist here x

liked by fan21, user13, and 937 others

enews Love is in the air! Austin Butler and his girlfriend shared the sweetest reunion outside the airport 😭 more photos at the link in bio

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fan34 omg i am so freaking jealous

user12 GOD HAS FAVORITES AND IT AINT ME

butlerfan It feels so good to see him be publicly in love and not hide it anymore

liked by florencepugh, tomhardy, and 15933 others

austinbutler Happy day 🎂❤️

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fan13 LMAO THE OFFICE MEME RETURNS

tchalamet happy birthday gee! @yourinstagram

zendaya 27 has never looked better queen 💕

ashleytisdale I’m telling Jupiter LOL! Happiest birthday to you @yourinstagram you are a blessing in our lives 🥰🥰

ashleybee HAPPY HAPPY BIRTHDAY 💘💘💘

liked by keoghan92, zendaya, and 97188 others

yourinstagram 💋 smooches for @austinbutler

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glenpowell Austin Butler is one lucky lucky man

fan13 not glen in the comment section please

user13 this gets cuter when you realize she was actually kissing him through the glass 😭❤️

oliviadejonge absolute stunner 🥀

austinbutler Get over here right now

liked by fan12, user13 and 988 others

enews Austin Butler and girlfriend spotted sharing a few cuddles and kisses while on a date! We all know how much they love their smooches 😚

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user21 one hand on her back, other in her pocket this man knows he’s fine

fan13 IM SO FUCKIN LONELY 😩

liked by ashleytisdale and 13794 others

austinbutler sweatin’ because my date is so hot

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ashleybee HAHA the caption 😂😂

yourinstagram lol u cheesy man 🫶🏻 ily

anthonyboyle He was probably so proud with it too 😂

keoghan ace mateeee 😌

ayoedibiri this is my favorite post you have ever posted

liked by keoghan92, zendaya, and 93166 others

austinbutler Took over lighting production during a visit on set and she killed it !!

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florencepugh I’m so mad you didn’t bring her on the Dune set

yourinstagram WHAT DO YOU MEAN I WAS THERE EVERY WEEKEND

florencepugh not enough. i needed you there every day.

yourinstagram Michael Mann said the job is mine 🤩

user13 y/n getting a job on the heat 2 set iktr!!!

liked by tchalamet, bazluhrmann, and 101766 others

austinbutler I want to do with you what spring does to cherry tress - Pablo Neruda

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fan23 … is everyone else also transfixed on her awesome boobs or am i a perv ?

oliviadejonge gorgeous girl

tomholland2013 aren’t we lucky boys mate?

ashleytisdale 😍😍😍

ayoedibiri she’s got you quoting pablo neruda and i completely understand why

yourinstagram if your boyfriend isn’t also your photographer break up with him

liked by catherinemartinedesigns and 89716 others

austinbutler 🕶️

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zendaya the coolest to ever do it

keoghan92 sickkkk

rileykeough Austin we’re gonna need you to release a book of all the photos you have of this gorgeous girl 🌚

ashleybee Her job is Cool Barbie

liked by ashleybee, anthonyboyle, and 67178 others

yourinstagram was my turn to snap a photo of this handsome guy who makes me the happiest i have ever been ♥️♾️ ‘love could be labeled poison and we’d drink it anyway’

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austinbutler oh no

yourinstagram taste of your own medicine mister lol

keoghan92 my teeth can’t handle the sweetness

florencepugh not one bad photo of either of you exists

ashleybee Having a big sister moment because he’s winked the same since he was like 5

yourinstagram can we look at baby pictures again 🥹

—

No disrespect intended to Austin’s current relationship, I respect their privacy but also I really wish Austin would post his gf, talk about her, all that good stuff I GET WHY HE DOESN’T 😭

also using Sydney Sweeney as a FC because I’m currently obsessed with her she’s awesome?? Brilliant ??? She is everything. Also I may have an idea for part 2 but it would be nsfw concerning leaked nudes and such but would anyone be interested in that? Lemme know! As always feel free to come chat 💬

[stellamancer]

obligatory (satoru gojo x reader)

notes: haha. the valentine's fic. it's funny i still have to post halloween fic. maybe i'll finish this week since i'm off work. uh anyway, for those who say my posts, i'm kind of hesitant to post this for two reasons: 1) it's removed from context— like you can still get a feel of what is going on, but there's no explanation as for why and 2) due to reason 1 it's tonally different than usual, at least according to my beta reader. my eternal gratitude goes to @momodita who helped me workshop this fic and continues to demand i write more gojo fics despite denying being a gojo fucker.

contains: implied f!reader (no pronouns), the return of gojo's pov (a little less whacky this time lmao), jealous gojo (because those who know me know i can't get enough), light angst or whatever the hell is going on there. additionally, for those who don't know giri choco is chocolate you give out of obligation to your coworkers and honmei choco is chocolate you give to someone you have romantic feelings for. part of the infinite loop verse.

wc: 1.8k

“Here you go.”

Satoru graciously accepts Shoko’s offering: a thin, delicately wrapped box of Valentine’s Day chocolate. Naturally, it's giri choco; Satoru is well aware that Shoko would be caught dead before even thinking about giving Satoru honmei choco. That said, it looks like she's given more thought to her gift this year— the last few years she's just handed him a gourmet chocolate bar from some high end chocolatier. Actually, the last time she'd given him something wrapped up like this was…

“There better not be any liquor in this,” Satoru says in a petulant tone reminiscent of his high school days.

Shoko merely laughs. “As if I'd waste something like that on you.”

There's no way she’s forgotten how sick Satoru got the one time she did give him liquor filled chocolates. Not only had it made him sick to his stomach, it'd given him the worst headache of his entire life. If it were up to Satoru, liquor filled chocolates wouldn't even exist. “Welllll, thanks for the chocolate. I'll be sure to get you something good next month.”

Shoko gives him a relaxed smile. “Looking forward to it, Gojo.”

Knowing Shoko, she'll want liquor as usual. Maybe the same bottle of shochu that he got last year? She liked that, but then again, the same gift twice would be boring and Satoru is not about that. Whatever it is will be a little pricey, but Satoru doesn't mind it one bit— anything for one of his oldest friends.

Having given Satoru her yearly offering of chocolate, Shoko shoos him away so she can actually get to work. Satoru considers ambling around for another hour or two, but Ijichi will probably have a heart attack if he delays his mission briefing any longer. The sooner he does it the better, he guesses. Satoru starts sauntering toward the assistant managers’ office to find Ijichi, pulling at the ribbon on the box he received from Shoko as he goes. Inside are two rows of perfectly round chocolate truffles and Satoru picks one at random and pops it into his mouth. It's filled with a sweet raspberry cream that practically melts on his tongue. Shoko really went all out this year, but no matter how good these are they'd never match up to anything homemade.

Though, when he thinks about it, Satoru supposes he won't be getting anything like that this year.

When he gets to the assistant managers’ office he easily finds Ijichi, who, for once, is not bent over a mountain of paperwork, and with him is—

You.

Handing Ijichi a box of chocolates.

For some reason, Satoru suddenly feels very, very annoyed.

“Well, well, well,” he says, the volume of his voice louder than intended, but he doesn't care. “What do we have here?”

Ijichi whirls around and lets out a squeak, his face red as can be. He starts to blubber and it almost feels like Satoru's caught him in the middle of something more illicit than receiving chocolates. If Satoru weren't feeling so annoyed, he'd find the whole sight rather funny.

You, on the other hand, are far calmer, indifferent even, as a slight frown mars your features. Something about it makes Satoru's blood burn hot.

“Did I just interrupt a heartfelt love confession?” Satoru asks dryly and Ijichi starts to freak out even more, and while Satoru notices the slightest twitch of your eye, you remain impassive.

“I hope you like the chocolates,” you tell Ijichi, outright ignoring Satoru and somehow that makes Satoru's blood run even hotter. “I kept in mind what you said about last year's so they're not as sweet.”

“Thank you!” Ijichi squeals and you give the man a sympathetic smile before you head toward the door where Satoru's standing. He knows he's blocking the way, but he doesn't move.

Will you say something to him?

You don't.

Instead, you keep your head down and squeeze past him. Or try to. You brush against his side and Satoru doesn't miss the way your body jolts when you make physical contact with him. But it only lasts a second, and when that second ends, Satoru tries to ignore the feeling of bitterness rapidly spreading throughout his chest.

He means to say something, anything to you, but the words get caught in his throat.

By the time they free themselves, you're already gone.

Satoru sighs and saunters over to Ijichi, who's been taking deep breaths to calm down after Satoru's little bout of teasing. He leans against one of the desks and crosses his arms. “So, you had a mission for me?”

“Right! Yes!” Ijichi squeaks again and takes a deep breath before he starts to explain. Satoru only half listens to the briefing, his attention more focused on the little box sitting on Ijichi’s desk. The mere sight of it spurs a complicated set of feelings. He doesn't understand. You've been giving Ijichi chocolates every Valentine's ever since you moved to Tokyo and it's never bothered him before so why now?

“Um, Gojo?”

“What?” Satoru almost snaps.

Ijichi doesn't answer right away, instead he clears his throat and then says. “It's giri choco.”

Satoru scowls. Of course it is. It's not like you'd give Ijichi honmei choco. You don't see him like that. “I know that.”

Ijichi swallows thickly. Nervously. “Just making sure.”

Then he falls silent, the air between them now terribly awkward.

“...do you want some?” Ijichi asks.

“It's your chocolate.”

“I don't mind sharing,” Ijichi says, reaching over and opening the box to reveal your homemade chocolates. They're nowhere near as perfectly round as the ones Shoko bought for Satoru, but he can tell you put effort into making sure they looked presentable. “Help yourself.”

Even Satoru isn't terrible enough to steal an entire box of chocolates meant for another man, but he does grab the nicest looking one and tosses it into his mouth.

It's bitter; a mix of dark chocolate and black coffee that's not only completely unpalatable to Satoru, but disturbingly reminiscent of the bitter feeling that's now threatening to eat him whole. He almost wants to spit it out.

But he doesn't.

Satoru swallows it all.

The mission is uneventful, absurdly easy even, though Satoru took a little longer than he needed to by toying with the curses a little prior to exorcising them. Some would consider it a touch cruel, but Satoru doesn't care. Anything to rid himself of that pesky feeling from earlier.

If it were up to him, he would have headed straight home afterwards, but Yaga had asked him to come back and do some paperwork. Satoru had tried to reason with him, tell him he'd just do it tomorrow but the principal was insistent.

Satoru trudges to his office and throws open the door. Inside, someone lets out a surprised yelp.

It’s you.

Again.

Both you and Satoru stare at each other in surprise. Given that you've been avoiding both him and this entire corridor like the plague for the past two months, you're the last person he’d expect to find in his office, hovering over his desk. And yet…

You look away from Satoru, your expression awkward. This isn't like your encounter in the assistant manager's office earlier; you can't just walk out of his office without an explanation of why you're there.

Well, you can try, but it's not like Satoru will let you.

“Weren’t you supposed to be out on an assignment?” you finally ask. Satoru thinks you mean to sound annoyed, but your tone is watered down.

“I was, but it was so easy I could have done it blindfolded.”

Normally, you'd just roll your eyes or snap back about how he's a show off or his jokes are shit, but you remain quiet. He shouldn't be surprised, but it still makes him feel weird. Almost sad. Almost empty.

“Principal Yaga asked me to leave some paperwork on your desk,” you say, sounding uncharacteristically meek.

Satoru frowns a little. Yaga, huh? He never pegged him as a meddler. Satoru approaches the desk to look at the paperwork in question; he grimaces— it's a whole freaking stack.

You start to shuffle away from Satoru and toward the door as Satoru flips through all the papers. “Anyway, if you'll excuse me—”

“Wait a sec.” Satoru says and you glance back at him in confusion. There's something peeking out from under the stack of papers. Satoru gingerly fishes it out, revealing a familiar looking box. He holds it up and adds, “Did you leave this too?”

A myriad of varying emotions flashes across your face before you settle on an awkward sort of embarrassment. “I… did.”

It's weird. Satoru didn't expect you to be so straightforward given that under normal circumstances you always choose to be as obstinate as possible. Which Satoru doesn't mind in the slightest; it makes things exciting. There are few things more fun than prying the truth out of you with whatever means necessary. Answering him so readily like this… almost feels wrong.

“I accidentally made too much,” you explain.

Satoru stares at you. It’s not an excuse, not a lie. Honestly, adjusting the amounts to account for one less person probably slipped your mind until it was too late. You could have done anything with the extra chocolate, given more to each person, eaten it yourself, but instead…

You still chose to give it to him.

Satoru tries to ignore the strange feeling stirring in his chest.

“Anyway, eat it if you want, toss it if you don’t,” you add, almost hurriedly as you move closer to the door. You give a quick bow to excuse yourself and before Satoru can say anything else, you run off.

His eyes remain glued to the empty doorway where you were just standing for a second before looking back at the box of chocolates you left for him. Carefully, he unties the ribbon and pulls off the lid. Just like Ijichi’s chocolates, the ones in his box aren’t perfect, but something about them looks nicer than the ones Ijichi got. Satoru wonders if you consciously put in a little more effort when you’d realized you had extra. The thought makes him chuckle a little.

He delicately plucks one from the box and pops it into his mouth. It’s sweet, infused with a hint of strawberry and vanilla that makes Satoru crave even more. As soon as he’s done with the first he shoves another into his mouth, and then another. With each chocolate he eats, the painful feeling in his chest grows, but he ignores it.

Before he knows it, the chocolates are all gone. Satoru licks his lips, hoping for one last taste of that strawberry vanilla sweetness only to find nothing. All he has left is the empty box and an aching heart.

if you read this whole thing, thank you and i hope you enjoyed it.

also yes, shoko got chocolates (tomo choco) too. they were similar to ijichi's, but with liquor instead of coffee.

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: edition post-Punk Hazard (part 4)

This one will definitely live up to it's title. The "love is a hurricane" tale continues~

Luffy again showing interest in what Torao is doing. This is already like third time he shows his unusual interest in him (and it will happen a couple more times in this post as well). He really wants to know more about him. Despite the fact he's usually sleeping through backstories of his own crewmates, like Nami. His unusual interest isn't because he doubts Law, we already know he deeply believes him to be a good person. No, this scene exists purely to show us how big and special interest Luffy has for Law. Luffy is also a bit concerned here, we saw the switch happen in Punk Hazard, from now on Luffy will also worry back for Law.

Someone's trolling Luffy here and it's not Usopp, lol. I wonder if this is how Law was as an older brother to Lammy, telling her fake tales just for amusement. He's a teasing older brother type, isn't he? And now all of that is directed towards Luffy. That's so sweet.

Luffy, you were supposed to tell them before, why are you telling them only now?! Take things a bit more seriously!

Law though is so displeased. Not only a hand was slammed into his arm (he secretly liked it despite everything), he was told to get along (he doesn't want to!), and Luffy disappointed him for not sharing about the alliance before.

But let's stop at the "get along" complaint for a bit. Luffy, you goofhead, you didn't introduce Law to your crew?? (and please, don't you know Luffy, ofc Luffy didn't do it "offscreen", this is Luffy we're talking about! He doesn't do introductions! At all!) Poor Law doesn't know their names! How is he supposed to get along with them?? You think Law would ask them about their names? Definitely not! Can you even imagine Law asking about anyone's name?? (yeah, I can't either lol) So to save up his face, he would have to utilize all that info he gathered beforehand (he already knew who they were all the way back at Sabaody after all!).

So he recognized Robin, Nami, Zoro, Sanji, Chopper (and so is able to call them by their names, tho it's worth noting Sanji being a special case and referred to by his title), but he didn't apparently know about Brook, Franky or Usopp (because they got called Bone-ya, Robo-ya and Nose-ya instead of their names+ya). Brook got recruited in Thriller Bark so there wasn't any wanted poster for him back then in Sabaody, so that's understandable. There was one for Franky already, but before timeskip Franky looked completely different so Law didn't recognize him. And...

wait for it...

He didn't recognize Sniperking as Usopp that's why he became "Nose-ya". Yes, the joke lives on! LOL.

Oh Luffy, you really don't make Law's life easier for him, do you? And this way Law got exposed that he did research a bit about the Strawhats before, enough to memorize them. (I mean not like Bartolomeo, but... but! It kinda looks a bit like that here, doesn't it).

Law will get back at Luffy in Zou for that, no worries. Now you will never see the "Law didn't introduce his crew" in any other light from now on, haha. It was a payback. Luffy didn't care tho lol.

You don't have to believe me on that one, but you can't really deny it does sound suspiciously consistent, doesn't it? :3

Law: Why is everyone telling me that?

Also Sanji, we appreciate it, but you're a little bit late with that warning there lol.

To be honest, I think Law is actually perfectly aware of that, but at the same time he wouldn't mind to be called a friend anyway. He only minds it now because he wants to keep his distance and not form any attachments on his way. And doing poor job at it too.

Luffy looks so happy sitting there next to Law, he looks like he's having the best time in his life. He's probably having a lot of ideas of what to do together with Law now that they're friends in alliance. (many of which would not be met with Law's enthusiasm probably lol).

Luffy: Did you just say dinner will happen 5 times a day from now on??

Luffy's level of excitement here is absolutely stunning. And one more thing very important to note: remember how Luffy usually acts when someone yaps a lot? He might for example ask Nami about something difficult, but quickly loses interest with the answer. He often sleeps through explanations. But here? Law's got his full attention! The one who is actually napping through this is Brook, not Luffy. Luffy thinks Torao is cool and he *wants* to listen to him.

Law, where are you looking? Clearly at your favourite Mugiwara-ya grinning over there. His eyes are always tracking Luffy.

A moment later Luffy turns to see Kin and Zoro fight. Do you all think he noticed Law staring at him right there? You two need to stop being so cute. I can't even believe Oda actually drew a scene like that in shonen, even if he didn't make it obvious. I mean, look at it, Luffy's eyes are shining, I bet their eyes met. I told you all that One Piece is a story about love. Omg I'm disgusted with how this scene tugs on my heart right now. To be fair, I'm not even the first person to notice that Law is staring at Luffy there, I saw people pointing it out before.

Luffy: Hey look Law, we're famous!!

Law: But ofc we are, what do you mean?

Luffy is again trying to get any sort of reaction out of Law directed just for him (did he feel encouraged after he noticed Law staring at him the day before?). Luffy, please, stop, this is getting more and more embarrassing to watch you craving for Law's attention like this.

Law though always gives him that attention, curiously enough. There's not even one frame of Luffy calling out to him and Law just ignoring him. Which shouldn't be surprising, Law always seeks out Luffy as well, rarely with words, but at least with his stares.

In this regard, they're a really good match. Luffy wants to be pampered, and Law wants to pamper. I would usually say it's gross, but it's actually really heartwarming. They both get something out of it that they were both craving.

Law: Hey, am I not providing you with enough entertainment? Forget those boring fellas!

Someone's a bit jelly...

And Brook is again watching over them. God, I swear, it feels like he just *knows*.

Again, Luffy listening to Law talking. He would listen to him no matter what Law is saying, wouldn't he? Luffy is known for his terribly short attention span, but for Law he is capable of unusual feats.

(Also notice Law is always grabbing Caesar by his clothes, never in direct contact)

Time for the ransom call. I know that everyone is screaming there, but Law is suspiciously quiet, this is when he should be firm and confident, but instead he's just standing there. I think it means he was actually pretty anxious about this call, kinda taken aback (and it's not because of people screaming around, he had enough time to get used to that with the Strawhats, also usually it doesn't actually faze him). Luffy on the other hand is excited and thinks this is all super fun lol.

And then Luffy goes and takes over the call. Of course we all think he did it just because he's Luffy and that Law is displeased/angry here, but let's do uno reverse. I might turn your worldview upside down from this point on.

What if Luffy actually sensed Law's anxiety and decided he will help him? Luffy is after all really good at reading people's emotions, right? And of course he would want to help his beloved Torao.

Law looks displeased, but that's because of a sudden closeness. Those of you that followed my series on Law's fear of touch and closeness know what I mean. He can stand Luffy when he's close to him, but not out of a blue like that - he needs to brace himself first. That's why his first instinct here is to try to move away. Sure enough, right in the next moment we see Luffy holding the transponder, which means Law lets him do that actually. If he truly was so displeased and angry, he would have reacted faster to take it back or shouted at him.

Luffy's fuming here for no reason whatsover, Doflamingo didn't actually say anything bad to him yet (or at all really). Sure, Luffy got mad over Caesar, but the conversation already changed to something else, and Luffy is still showing an attitude. He's doing it for Law, isn't he.

Law meanwhile is just standing there, still not attempting to take the transponder back. He's not even trying or talking at all. This really doesn't support the idea of "he's so mad at Luffy for doing this", it actually seems to be the exact opposite: he's kinda overwhelmed here and was ever since Doflamingo picked up his call. Ofc he's also more and more distressed now, bracing himself mentally, because he knows he needs to do something and can't leave it all up to Luffy.

Law realized he needs to stop it, because Doflamingo is trying to bait Luffy, and everyone knows Luffy is weak to baits. In a way, stepping up just to prevent Luffy from getting into dangerous scenario, helped him overcome his own helplessness and anxiety. Luffy meanwhile indeed is losing it lol.

Let's look more closely to Law and Doflamingo's conversation here. Law is trying to make the talk very short, down to business and finish it off quickly. Doffy though stays confident and even tries to mock Law a little bit. It's almost like he's saying "Law, kid, you forgot to show me that my subordinate is fine, you need to step up your kidnapping game a little", he's kinda having this patronizing vibe here. "First step of a ransom call, remember? I taught you that myself".

Putting it all together can explain why Law is so anxious, he expected to hear Doflamingo all devastated, angry even after giving up warlord's title, instead Doflamingo is relaxed, mocking and confident, generally acting like he has the upper hand here. Law is worried, did he miss something, because this is not how it should look like, and he is right. Also he can't stand Doflamingo's confident tone, it's most likely making him feel weak, remembering the past. In their fight in Dressrosa Law will try his best to overcome this feeling by mocking Doflamingo back, but right here he was surprised and unprepared. He probably felt again like a kid, still part of Doflamingo's family, and Doffy's mocking tone like a mentor/parental figure scolding his clumsy subordinate truly added salt to the wound.

Law grits his teeth and continues, attempting to finish the call as soon as possible, full of bad feelings. And this is when Luffy snaps back to reality, gasping and reminding himself "I need to help Torao!" and so he does, by doing actually the best thing possible: cutting off the call.

This seems not-canon to you I bet, but I truly think Luffy tried to actually support Law here and it DID work in the end.

Of course Strawhats don't catch up to it and think Luffy just straightup ruined everything, but look at Law's reaction here. He's suddenly calm and does not blame Luffy for anything, in fact, he goes as far as to declare this is all fine. Would he really say something like that if he was truly angry? No, of course not, we have seen him angry everytime he truly believes his plan was just kicked out of the window by a Strawhat Luffy. This is simply not the case here.

Law is still looking pretty anxious there, probably thinking over multiple scenarios in his head. What did he miss? Why is Doflamingo so confident? This is crucial, after all it's not only about his own safety, but safety of Luffy and his crew.

Luffy meanwhile shows his interest in Law again, wanting to know about Law's adventures. He's probably trying to make Law think of something else instead of overworrying, put his mind off of it. Luffy really sticks with his resolve here of taking care of Law as well.

Also it's ultimately cute how Law is mechanically correcting Luffy on the name of the island (helpfully pointing out only the part he got wrong so it's a shorter word to remember for Luffy, awww), but he does it without even an exclamation mark there. He's not angry or irritated about it. In fact, it just shows he understands Luffy has problem with long and complicated words. He probably knows that's the reason he became "Torao" as well. He gets it, he accepts it, in fact he has no problem with it whatsoever.

Even when distressed and lost in his thoughts Law makes sure to still respond to Luffy when he asks something from him, and Luffy this time uses it to bring him out of his thoughts instead of just seeking attention.

Luffy: Yay, so if Torao has never before been to that island, it means we will have an adventure together! And not just one, there's no way I will let you leave me right afterwards. We're so gonna do more adventures! Dressrosa and Wano! Two adventures with Torao!

Law: This isn't an adventure, be serious!! Our lives are on the line!!

Luffy: Breakfast time!

Law: Breakfast time! *gasp* fuck!

Someone got caught up in someone else's pace. 1:0 for Luffy, he did manage to make Trafalgar Law take a break from his worrying.

Now to understand Law's exaggerated reaction here as something more than just a comedy moment we need to first elaborate a bit on the chapter's title that sets the tone between Doflamingo-Luffy-Law interactions and honestly spans through the whole of Dressrosa arc. This is chapter 700 titled "his pace", the next round chapter is 800 which wraps up Dressrosa. Chapters with round numbers tend to have a huge impact on the whole storyline happening (because Oda really loves his number games).

"Pace" from the title means someone dictating how fast the events are going or swaying things to move in their preferred fashion. Doflamingo does it in this snail talk by playing confident and trying to bait Luffy and undermine Law's confidence. Later he also showers his subordinates with compliments so they will do what he asks them to do - that's also setting pace by keeping everyone in line.

Law's pace in this chapter (and in whole of post-punk hazard transition) was him spiraling the things to move where he wants them, his first snail talk with Doffy was just Law having an overwhelming victory over him. Then through the span of one night things move very fast exactly towards the result Law wanted (Doflamingo resigning from warlord's position). Law usually doesn't use his power of controlling pace to make people do what he wants (unlike Doffy), that's not his style, they're just forced to stick for the ride, but he always leaves liberty in their own hands. For example, when he told Luffy to kidnap Caesar or assemble back Kinemon, he didn't tell them exactly step by step how they should do it: instead he left it to their judgement. In other words, he tells them what to do but not *how* to do stuff, he instead trusts in their ability to figure it out on their own.

And then we have Luffy, who selfishly chooses islands they visit and what enemies they're fighting, so he's also "setting the pace" for others. He controls it to a minimum as well like Law, he just makes sure to take care of the biggest danger himself and trusts the others to do whatever they want, he gives them freedom. His crew do their best out of their own free will to deserve Luffy's trust, every chess piece on the board moves according to what they believe is right, so Luffy's board isn't actually a game of one vs one, but instead of one versus many, because every player has as much liberty as Luffy has.

In this chapter Law lost to Doflamingo's pace, but restored himself, and lost to Luffy's pace and this time declared defeat. Doflamingo won against Law, almost won against Luffy, but then Luffy defeated him in one neat swipe. And why? Because Luffy actually wasn't playing alone, Law and Luffy supported each other there. So in the end Doflamingo lost to both of them.

You think Law didn't take a defeat against Luffy here? Then let's rewind back:

Remember this scene? Law was amused that Smoker would even think that Law can overpace Luffy (after all Luffy punched Caesar instead of kidnapping him and did a feast instead of leaving immediately), but he wasn't going to always allow Luffy to do that. Here he declares he's gonna set the pace and make Luffy follow his plan. He does it because it's neccessary or he won't be able to protect him, but also because of his petty pride or "saving up face", if you prefer that term here. He's not gonna just sit there and let Luffy do everything he wants and wait for him to finish off enemies. Law is throwing a challenge, he's gonna compete with Luffy in that regard.

But before they even reach Dressrosa Law already declares his defeat. Let me show you how: remember how he always loses his hat when he's losing?

Like here. Or in Dressrosa, or Winner Island.

Wait, where's his hat here? And this is the next frame after Law's big comical "gasp" moment, when he got dragged into Luffy's pace of "enough worrying, time for breakfast!". Yep, he knew he lost there, allowed himself to loosen up and took off his hat by himself as a sign of his defeat and Luffy's victory. But that's also because he's just a good mannered boy who knows you don't eat with your hat on.

It truly is a 1:0 for Luffy and Law is actually okay with that (losing to Luffy's pace is actually not a negative experience, because Luffy doesn't manipulate people with evil agenda in mind, like Doflamingo. He did it only because he wants Law to relax). And this sets up how the events went on in Dressrosa.

Also can I just point out that all it took for Luffy to sway him was to declare with a smile "Yay adventure with Law! Can't wait! And now breakfast!" and Law was already dragged into his pace? I mean... Law, Luffy didn't even do anything special. He was just basically himself there. Law's so smitten with him that it's all it took, honestly. Of course the support he got on that call from him also counted into that, but Law didn't declare defeat then yet, after all he also supported Luffy back in that call.

In later arcs Law will still attempt to be petty about this ongoing "competition", not wanting to leave it all up to Luffy, lol. He migth have lost once, but the war is ongoing! He's such a petty loser, I adore that flaw in him.

Luffy butting-in, making sure Kinemon doesn't just steal Law away for the Wano adventure. Hey, I'm gonna be part of that adventure as well!

Law's attempt to stop him there is really miserable. He can't bring himself up to deny Luffy when he sounds so happy, huh. My heart can't take it.

Law's already back to worrying again haha. His neverending journey of worrying when together with Luffy continues! Let it never end honestly.

He's also conflicted, because everytime Luffy acts so excited he thinks back to Lammy, as she was the exactly same energetic type of a person as Luffy haha.

i don't think Luffy gets it that this time around he's only making Law worry more and not less, awww.

That's all for now. Dressrosa will come up next (I might take a break from this series to answer some asks first :D). I hope you enjoyed seeing this chapter through different lens, it's fine if you still prefer it as just a comedy moment of Luffy acting like a complete menace and Law regretting his life choices. I think it's neat that the manga supports actually both interpretations, one on more casual level and the other more in-depth.

There is something I want to share about World Seeker Law's dlc, it's not really a spoiler, just one line that Law says that relates to the previous part of this series of posts (if you want to skip it then just don't read from now on! There's nothing more to this post afterwards).

This is what Law says in the game. I know that games are not considered 100% canon, but Oda DID work on both World Seeker and Odyssey, and honestly many lines and overall feeling of the game goes along with the canon. Law's complicated relation to closeness is definitely a part of this DLC, for example.

And here he says he doesn't mind what people actually call him! He never complained about "Torao" when Luffy called him this way, not even once. But he does make this one sour face when Nami does that as well. Makes one really think why is this such a special case for him, doesn't it? :D Again, he wants it to be a special name only from Luffy, doesn't he.

[honeyangelkiwi]

Coachella Weekend 2 | H.S.

Plot: A bet is made on whether Harry will address his album being leaked during his second set at Coachella…

Sexual content: fingeringish (f receiving), grinding, teasing, subrry

Word count: 3.1k

I started writing this the day after this performance and then set it aside and got distracted haha. I don’t remember exactly what he said on stage, and quite frankly I don’t care to look it up. You’ll get the gist, it’s only a few words here and there. Maybe posting this here will finally get me to finish the second part.

I wasn’t sure if he was going to be able to top last weekend. His performance for weekend one completely blew me away. He wouldn’t let me see anything, saying it had to be just as much of a surprise to me as it would be for everyone else, which was very annoying. I’ll admit though, it made the performance so much better.

I almost forgot how much of a flirt he can be on stage. The little smirks, smiles, and not so subtle touches that drove me to so much pent up frustration that I jumped right on him when he came off the stage. I have a feeling tonight will be much more exciting.

The vibe from the crowd tonight is so much better. It’s been vibrant and buzzing all day and we all know why. Weekend two is nothing but harries. The lineup hadn’t been announced yet when weekend one tickets went on sale. However, as soon as the lineup dropped and everyone realized H was headlining, they came in full force. Nothing impresses me more than his fans and their dedication to him.

That leads us up to right now. H and I are sitting in his trailer in the artist village just lounging around while everyone else is out watching artists across the site. We wanted to stay back though, knowing he would get too much attention no matter where we were out there.

We’re sitting on the couch, watching the piece of shit YouTube live stream, but not really paying any attention to it. He’s laying back against the arm of the couch with one leg up on the couch and the other on the floor, my back pressed to his chest while he rubs soft circles into my left hip.

Both of us lay in robes, too lazy to get fully dressed even though he is on in two hours. That wouldn’t matter anyways because he, again, won’t let me see what he’s going to be wearing tonight. Knowing Lambert and Alessandro it will be nothing short of amazing and mouth watering.

“What do you think you’re doing H?” I question when I feel his left hand start to pull my robe open a bit and slip under it. He doesn’t say anything and continues his hand up, gripping the thin band of my barely existent panties.

Just the feeling of the pads of his fingertips on my skin heats up my body like a wildfire. I know the game he’s playing, he does it often. The game where he loves to work us both up, teasing not just me, but both of us, to the point it almost physically hurts. Just for him to go on stage and act like a whore in front of the world.

The result usually ends with me begging him to fuck me as soon as he gets off of stage, dragging him to the nearest secluded…ish spot so he can finger fuck me until we can get somewhere more private. He may act like a whore on stage, but behind closed doors we’re both filthy.

I gasp sharply when his fingers dip down to brush my clit lightly. My hips involuntarily shifting up to chase his fingers when he starts pulling his hand away. “Harry, please don’t do this tonight. I have a feeling I won’t be able to handle it.” I plead softly, knowing that since he’s already started I don’t want him to stop.

I feel his chest move as he chuckles at me. “C’mon babe, I know you don’t want me to stop. You were wet before I even started.” He whispers into my ear. His lips brushing up and down my neck with his breath tickling me, sending goosebumps erupting across my entire body.

I let my head fall back onto his shoulder, exposing more of myself to him. His lips start planting soft kisses up and down my neck, stopping to suck a bruise where it meets my shoulder.

His left hand moves up my body to my breasts, taking a handful while his free hand pulls the tie of my robe and lets it fall open, completely exposing me to him. I only had on panties, and a shiver ran through my body when my hot skin was met with the cool air conditioning of the trailer.

While his left hand starts playing with my freed nipples his right pulls my underwear to the side, and he runs his fingers from my opening up to my clit, spreading the arousal around between my legs. I couldn’t help the whimper that fell from my lips at the all of the stimulation he was giving me across my body. Enough to start a knot forming in my belly, but not enough to be chasing a release.

The soft sounds coming from me cause his hips to shift up and grind into my backside, allowing me to feel how hard he was from the little bit of work he was doing. Knowing this is what he loves doing I open my eyes to glance at the clock and see he has to leave shortly.

Mad at myself that I let him play his game I grab his hand that's still running up and down my heat and press his fingers to my clit, forcing them to rub in quick, harsh circles. Immediately my eyes shut again and a loud moan fell from my lips, drowning myself in the pressure that I needed to push me towards my end.

Harry, being the man he is, let me do what I wanted for all of a minute before pulling his hands away from my body. I wanted to scream, but before I could he was already flipping me over to straddle his lap, slamming his lips to mine.

I couldn’t help the moan that escaped passed my lips and into his mouth, the way he tastes never getting old to me. His hands grip tightly onto my hips, pulling them further into his lap, allowing me to feel how hard he is through the little barrier between us.

I weave my fingers into his hair and tug on the roots as I roll my hips into his to get some more friction. I know he can feel the wetness seeping through my panties. The slippery fluid dampened his briefs and surely let him feel how much he’s worked me up.

He groans into my mouth, pushing his tongue into mine and licking into it like he’s searching for more of the taste. A hand comes up to the back of my neck pulling me into him more and he obscenely starts sucking my tongue between his lips.

He pulls his mouth from mine and moves his face into my neck, pressing hot, open mouthed kisses, and starting to suck a bruise into my sweet spot. “Baby, please.” I beg, knowing and not knowing what I’m asking for.

My head is so far into the clouds that I don’t realize he’s pulled his mouth off of my skin until he’s gently pushing me off him. As he stands up he looks down at me with a smirk I could slap right off his face.

“You’ve got to be fucking kidding me H!!” I huffed angrily at him. I know I’m more angry at myself for falling into his trap again, but I could help it. He’s irresistible.

“Sorry babe. It’s about time for me to go get changed and make sure Lizzo gets her coat for tonight.” He shrugs like he hasn’t also worked himself up. I raise an eyebrow at him and glance down at his hard cock before looking back up at him.

He just smiles at me, popping those dimples out laughing. “Nothing I can’t take care of love.” And truly, fuck you, Harry Styles. As I’m about to snark back some quirky comment an idea pops into my head, and now I’m the one smirking.

“Are you gonna mention the leaks tonight?” I ask and watch his eyebrows furrow. “I am, why?” He responds back, confused because we’ve already talked about this yesterday.

“I bet you won’t. You’ll get up there and chicken out.” I taunt him. He’s too predictable. I know what I’m doing. If he wants to play games, then we’ll play games.

“Babe, I’ve told you already. I’m going to bring it up. I would never be rude to them, but I want to say something.” He sighs, rolling his eyes. He’s probably tired of me bringing it up, but I know he won't say anything. He would never make his fans feel bad, even if they did listened to the leaks.

“How about if you say something you fuck me and if you don’t… I fuck you tonight.” I say with the biggest smirk on my face. I know Harry can’t turn this down. Mister cocky and confident until he’s the one under me.

The shock on his face is something I wish I could have gotten a picture of. He stands speechless for a minute, mouth falling open and snapping shut a few times before he finally answers… or whimpers. From that alone I know I’ll be winning this bet, but it’ll be fun to see how he attempts to win anyways.

He walks up to me with a big smile on his face, like he didn’t just let it slip how much he would like to be the one bent over tonight. However, I also know he can’t deny a good competition between us. “Looks like we have a deal baby. I hope you’re ready for what I’ve already got planned.” He says and gives me a soft peck on the lips.

He steps away and turns towards the bathroom, undoubtedly to take care of the issue he caused himself and to get dressed and meet Lambert. I sit myself back down on the couch, thinking about the ways in which I will have him begging for me.

I’m pulled from my thoughts as he comes back fully clothed… kind of, in small shorts with a tee shirt layered over a long sleeve shirt. His hair is hidden under a bucket hat and his clip firmly attached to his shirt. It never ceases to amaze me how good he looks in something so simple.

Without any shame I slowly drag my eyes down his body, letting him see the look I’m giving him. When I get back up to his face he simply smirks, steps up to me and gives me a kiss to the forehead. “I’ll see you in an hour, love.” He states and heads out the door.

********

Harry Lambert and Alessandro have really outdone themselves this weekend. The pink leather, the cherries and strawberries… and the initials on Harry’s ass have me ready to drop everything and suck his dick right on stage in front of everyone.

He truly has no business looking as good as he does. The way his abs have been flexing as he dances around on stage is disgustingly attractive. During Carolina he came over to the side of the side stage where VIP was and gave me a big, teasing, cheesy grin.

“This is for you baby!” He yells at me. I couldn’t hear him since he yelled it away from the mic, but I could make out what he said. He does that often when he’s on stage. He turns around and gives his focus back to the crowd and continues on into Woman.

After Woman the high energy dies down a bit as Elin, Sarah, and Nyoh come up to the front of the stage to sing Boyfriends with Harry. His little speech last night ran through my head and made me laugh.

He steps up to the mic with his guitar and clears his throat. He takes a glance over at me and smirks, raising his brows playfully. I gulped nervously because I really didn’t think he would be saying anything. I catch Sarah nudging Elin and giving her a look with wide eyes. I guess I’m not the only one surprised by him.

“Respectful kings and queens…” he starts and trails off a bit as the crowd goes insane by the way he addresses them. As they continue screaming I see it. The hesitation flashes across his face and he looks over at me again with wide eyes and a nervous twitch of the lips. I feel the smirk spread across my face realizing that, even though there is still half of the show to go, I’ve won this bet.

He visibly gulps and shakes his head chuckling. “We’re going to play a new song for you, one that I’ve only performed once. Here’s Boyfriends.” He spares another glance my way, this one being much darker with his face on fire.

I quick a look towards Sarah and Elin and see them trying not to laugh and I know for sure that they had a bet on if he would say something or not also. The rest of the show goes by fairly quickly and the anticipation to get my hands on him has been growing and spreading like wildfire through my body.

The stage goes red and the old Kiwi intro starts. I am so glad he brought it back because there is no other feeling of the build up during this. He goes to grab a water bottle and all of the fans start going crazy knowing what’s to come.

He looks at me as he comes running down the catwalk, smirking and pointing at me. “You better not throw that water on me Harry!” I shout at him. I know he can’t hear because of the in ears, but he can read my lips. He simply laughs and turns to throw it on the fans opposite of me.

As the bridge comes around I take it as my cue to head to the side stage to meet him as he runs off. 10 minutes later and he’s finishing Sign of The Times and running off stage. As he approaches me I open my arms and let him pick me up, swinging us in a circle.

“I still can’t believe that was my first festival!” He shouts over the still screaming crowd. He leans in to kiss me but I pull back. When I look up to his face and see him pouting I chuckle at him. “I think you need to go shower and change baby, you’ve got a long night ahead of you.”

His face drops even more, eyebrows raising and lips parted slightly, wet and shining from having licked them. “Oh haha, you remember that little bet.” He speaks lowly, rubbing the back of his neck and avoiding eye contact.

“Mhm baby, I do remember. It seems like the band thought the same thing.” I say laughing and sliding my arms down to his hips, giving them a squeeze. “What happened? Why’d you back out at the last minute?” I ask, rubbing circles into his ferns.

“I don’t know. Just kind of choked up I guess.” He shyly mutters and I can’t help but give him a quick peck to the lips. He may seem overly confident on stage, but he's still just a cute little baby most of the time. He smiles down at me and kisses my forehead, wrapping his hands around me to pull me in for a hug.

For a moment we just stand like that backstage, embracing each other, forgetting that there are 50 people around us running around to deconstruct the stage and get everything set up for tomorrow. His face is buried in my hair, his sweat is sticking to my skin and he smells, but I don’t complain. Moments like these are meant to just live in for a bit.

After a few moments I slip my hands from his hips to his plump ass and give a firm squeeze. The whimper that came from his lips was low enough that only I heard, and it went straight to my core. I could feel him harden against my lower stomach already.

“Go get showered baby. Be a good boy and wait for me on the bed naked.” I whisper into his ear. His hips shift and rub against me and he moans softly, only for me to hear. “Hm, maybe you purposefully didn’t say anything because you wanted me to fuck you tonight.” I say to him, my voice having dipped down and dripping in honey.

“And if I did?” He says and steps back with a smirk. I cock an eyebrow at him, glancing down to the bulge in his pants. He unashamedly looks down and rubs his hand over himself. “I would say you better do what I say if you want my cock in your ass tonight.” I snapped at him.

His mouth drops open and his hand snaps back to his side. He turns around and starts walking away, but not before looking back at me with eyes blown in lust to tell me loves me. I look around and catch eyes with Sarah and Elin and see them laughing, knowing they saw the encounter.

“See you guys tomorrow!” I yell over to them and we all share a look. They know how H and I are. Not by choice initially, but when Harry came into rehearsal the first time a few months back with red cheeks and a limp, the whole band kind of guessed and teased him about it.

They waved back and I turned to make my way back to the trailer. Taking my time knowing how worked up he’s gonna be by the time I get there.

bully me to finish the second part