#without feeling miserable

[not-poignant]

Tbh AO3's actions lately feel so much like the beginning of Livejournal's downfall pre-Strikethrough, where there were just increasing signs that they did not care about their userbase as much. (I was there for that, so before people jump in to be like 'you don't know!' I do, actually, know. I remember having to comment in other news posts because they didn't allow them in their controversial posts.)

From not allowing comments on controversial posts / decisions they were making, silencing their users, to communicating less, and communicating less transparently when they do communicate, leaving us in the dark all too often, it just reads straight from the 'Livejournal is about to collapse and no one knows it yet' playbook. I think AO3 gets more leeway from the userbase when this happens because they're not a commercial entity, so there's this vague sense of 'we all must be nice to everyone at AO3 always and not ever hold them accountable for anything because they're doing this out of the goodness of their hearts.'

But...people are only human, and sometimes the humans in power are not actually doing something in a site's best interests, or in the userbase's best interest. It is both normal and healthy to critique that, even if nothing changes. And it is normal and healthy for an organisation to accept and respond to that critique with compassion, even if nothing changes.

And we're not seeing that at all.

I don't like that I've had this feeling before. Especially because I know a lot of volunteers within the AO3 system also don't want this to be the feeling / vibe, and don't necessarily know what to do about the problems they're facing either. And, this was also true for the volunteers who worked at Livejournal, many who actually streamed on over to Dreamwidth and AO3 because of increasing issues within Livejournal's mixed system and the increasing dissatisfaction they felt with the problems that started from the top down.

It's not like it's everyone's fault there, but there are certainly fandom-harmful decisions being made, from malicious tag wrangling to make life harder for people searching specific kinks, to racism not being adequately addressed, to taking shots at the most active writers on AO3 like they don't even want us there anymore by making us wait 5-15 minutes between replying to our readers and keeping engagement and conversation and the love of the thing alive.

It's not the AO3 I remember from the first 9~ years of being there, that's for sure. And I feel like the more casual readers are just never going to notice, which is good really, but...

Did I start thinking about alternatives for if/when AO3 stops being viable for anything other than a clinically empty repository of fanfiction where fandom communication is actively discouraged and penalised as badly as if you were a scammer?

Yes. Yes I did. And I've never had to do that before.

AO3, you keep asking us to retry later.

Maybe you should also be retrying later, but with something different and more compassionate this time, that doesn't intentionally treat the most prolific / active authors, fanartists, commenters, and communicators, like literal scammers.

[poorly-drawn-mdzs]

Luo Binghe? Sorry, I only know Binghorse now.

[equinox-86]

Anime Yui smiling compilation [UPDATED]

Throughout the entire anime, Yui genuinely only smiles twice, and I'm not counting in Cordelia's possession.

1. When she found her father's diary

2. When she ate Yuma's tomato

this is depressing 😭

[UPDATE] OKAY YEAH YOU WERE RIGHT. SHE SMILES MORE THAN TWICE

3. When she found out that her father didn't know that she was getting sacrificed.

4. Admiring the World Tree

5. getting roses from Kou

6. Amazed by Yuma's garden

7. Complimenting Ruki

[fyllophobia]

[wackywatchdotcom]

before i go do smth else like smth i think abt often but was thinking abt a few hrs ago in particular is how the circus easily tricks the audience into thinking the circus would be Better Than Real Life. when i think from literally almost any angle you examine it its just as bad (if not worse, depending on your own problems)

i think theres like so many problems its hard to even list them all. some of it is personal taste things. cus i think a lot of people think itd be fun because they enjoy specific aesthetic choices in the circus, or bc of other interest related things. but like. what about people who HATE bright colors. what about people who dont like the idea of not being human. what about people who dont enjoy things like roleplaying. some aspects of the circus are only even appealing to specific tastes in things, making one of the few 'draws' of it not really even being a universal thing

and thats the superficial stuff. because more importantly, if you dont like the real world (for whatever reason), the circus may provide a temporary solution to that, because its so far removed from reality. but i think the circus is way smaller than people realize. theres definitely always going to be things to see since caine can always make things, but its just as limited if not more than the real world, because while the world grows and changes, genuinely new things are created and discovered and stuff. caine will never really get to see that, let alone recreate it for the players- and even then, it still isnt actually that thing. that doesnt even factor in that caine is already operating on limited knowledge of the real world. its not clear how detailed he can get on things, since the accuracy can vary (spudsys being so accurate to the real world, vs the dinner in ep 1 being so flat and lacking almost any detail), but theres a good chance that anything he makes is going to be limited to, at the most, a CONCEPT from the real world, if theres nothing in the real world you like, thats still all youll get, just in a different way.and if you DO like things from the real world, youll never get to truly reexperience it (even if caine remakes it, youll know its not the real thing, and it wont be 100% how you remember it, either)

then theres the safety/pain/horror aspect to what caine makes. i think because there hasnt been gore or anything its easy to assume the circus is still tame, and that anything bad that happens cant be TOO bad. but this is NOT true at all. the teaser of the show establishes that even when caine is not going for horror, he still hurts the players. theres things thatd be physically horrifying to a person like getting possessed, theres physical pain (i see it debated but i think its clear that even if they were to experience less pain, they still DO experience pain, but thats a different topic) or extreme discomfort, theres psychological torment (the exit doors are genuinely very cruel even if that wasnt caines goal, what ep 4 did to jax and gangle. kinger getting taunted in ep 3, etc). its all survivable but even if you like them caine isnt trustworthy enough in this way to never do smth horrific to a person, or cause it through his actions

then theres the complete lack of autonomy, which imo is one of the most frightening things about the circus. bc unless your tastes are always aligning with the exciting, completely family friendly existence of the circus, and you never deviate even a little, you are going to be barred from any semblance of it. its best illustrated in how pomni HATES being touched but caines always prodding her and moving her places and stuff, and in how zooble is denied the option to opt out of adventures even when they state they want to directly by episode 4 implying the choice to even have time to yourself is deeply conditional (plus, the whole lack of an exit entirely meaning that even if you liked the circus, the lack of option to leave would still affect a person. youre getting locked in a big room for the rest of time and youll never get to leave). and also this post

and THEN you factor in the social aspect. because regardless of how you prefer socializing if at all, the circus is a nightmare. if you dont like people, thats great! you dont NEED to be anyones friend! except that you are going to be forced to interact with them eventually, and when you do its going to be repeated. its not gonna be once. and once caine notices hes going to bother you about it. forever

alternatively, if you DO like social interactions in any way, no matter what, if its not you, youre going to see others abstract. you are going to inevitably watch those you care abt struggle and eventually get stuck in a state that Seems Extremely Horrifying To Experience forever. its long and drawn out and itd suck and it wouldnt happen once

then is the easy to forget fact that if you have psychological problems they can and WILL follow you to the circus. gangle and zooble are the biggest examples of this. the circus didnt get rid of their problems, they just gave it a new, horrifying inevitable consequence. i sometimes fall victim to looking at the circus and assuming that ohhh i wouldnt have this problem! because i wont have to deal w it getting set off! but like... yeah i would. i wouldnt stop having this or that in the circus id just have to deal w it while ALSO going on adventures

theres many things. you cant truly eat you cant die you dont get to decide anything when you do die it seems terrifying to experience and youll be stuck in some level of that forever and anything you enjoy is not with you and anything you dont enjoy will follow you too to some degree and the list goes on and on

all this said i dont think any of this is an indicator that the characters lives are meaningless or smth just because it sucks. theres a reason gooseworx has said that the takeaway from the show should be that theres meaning to be found in a stagnant life. theres still meaning in their existence and i dont think its as hopeless as it may seem- but i think its still BAD. and tbh the idea that its worse only HELPS that theme of the show!!! i dont think itd hit as hard as a theme if the circus DIDNT suck

[saruside-01]

what. what is this. what the heck vivimeng. they weren’t lying about the wiege ivan cover

Idk what to tell you, this guy needs therapy.

one thing that I did notice is how he has the red in his eyes, a colour which is literally on the other side of the colour wheel. you know who also has red in their cover art even though it’s not their signature colour? that’s right, till!

(Do you see what I’m hinting at?)

these two are also the only ones looking directly at ‘us’ in cover art (or maybe at each other haha… who knows)

a lot of ppl already pointed it out in comments under the cover on yt, but I just wanna say how sad it actually is that ivan has a solo cover of wiege, a duet. I believe it’s because he thought he was lonely this whole time (even though he actually wasn’t), trying to comfort himself bcs no one else did it for him. and as much as I know most ppl wanted to hear him saying the monologue, it is actually much more fitting to just leave th silence. since yknow, ivan never told till how he felt about him. sure, he let him know in his final moments, he showed him, but never through words.

hyuna, on the other hand, left a ‘message’ to luka in her final moments, she explained her feelings before dying. luka knew that he was loved. tbh ivan didn’t even give till a chance to speak. and so, he died thinking that he was unloved. (hence the solo cover prob)

I originally hoped that these two would sing together, but now I’m starting to believe till will also get a solo cover of wiege. (the question is, will it be about mizi or ivan?)

[serpentface]

Don't get too attached

[meyhew]

i miss one direction 😔 not in the way i missed them before it’s not abt a reunion now i just miss being able to listen to them and have it be nothing but immaculate vibes. i miss being able to blast never enough in my car and scream AAOOWA without feeling this hole in the world where liam should be and it makes me so so so sad every time i think about it every time i want to listen to one direction and Cant 😔

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[skunkes]

can i ask why ur getting the surgery? /gen curious /no hate

i am getting a bi(lateral)salp(ingectomy) bc i never want to be pregnant or be a parent!

Even if i do change my mind later about the parent thing (not super likely but things can change, sure) theres noooo shortage of single parents lmao

And even if I never End Up In The Circumstance(s) Where I COULD Become Pregnant in my life, I'd want the peace of mind anyway...

I've always felt disgusted that this is something my body is capable of. I want it to be MY body and not a site and vessel for potential tragedy in any direction. And I want it to be something permanent and not dependent on access to services/medicines or even laws!!! Dis is a gender affirming surgery for me honestly...

[lavampira]

.

[lunaechaos]

sometimes i think some people in this fandom believe they own the characters they like, and this turns fandom experience into such a toxic and unhealthy one. caring and worrying about a character is very different than disliking anything it's done to them because it doesn't please you and your idea of their personality and who they should associate with.

this begs the question as well, how much is this about Agatha and how much this is actually about just petty hatred/dislike towards Wanda and canon discourse towards Rio? because, in the dawn of Agatha All Along's release, she's been the least one talked of in comparison to her witch mates in some corners of this fandom.

[author's note: it's just so funny to see some clearly biased complaints about recent events in the mcu and the comics, such as Agatha's deaging in the recent runs of the comics. it's obvious that she's been deaged, and it's very ill-intentioned to bissfully ignore the exact time period that her character was first de-aged and redesigned: after Wandavision and Kathryn's Agatha. i thought this was obvious, but since it evidently isn't, Kathryn's Agatha isn't Hagatha. it makes much more sense to match a character that has always been secondary and related to others, without well-defined appearance, and with the ability to age herself down, to its more popular mcu counterpart. also, why complain about a character that hasn't even been released yet, that we don't know a single official thing about, not being inserted in the comics? when said character is rumoured to be a genderbent version of an already existing character i.e Emerald Warlock? so now everything is bad because a single character that never even existed until a few months ago isn't inserted in everything that pertains Agatha's storyline and Agatha's only? are you even listening to yourselves? how come Agatha allegedly being ever-tied to Wanda is such an awful issue, but suddenly her being tied to Rio isn't? are the double standards in the room with us right now? these are just a few issues and complaints i have, and i feel it's high time they were voiced]

[apologize if there are any spell/grammar mistakes, this was written in the middle of a research lab meeting]

[oraclenthusiast]

anyway the juxtaposition of tim's secret identity being both his truest form and one he frequently feel uncomfortable with. the parallels between secret identities and queerness. just saying.

[canisalbus]

That Les Mis line is SO good for them! Every time I hear that line my heart hurts. Also cause I was in a really intense production of that at an intense point in my life.

But seriously. Can’t you just imagine Vasco watching Machete sleep and just having a moment of “I get it. I was never that confused about religious belief, but in some way now I really get it.”

.

[willowser]

sometimes i get the very strong urge to write a comes back ??? fic for bakugou but the more i think about it, the more i realize how emotionally taxing and honestly horrifying it would be.

you and bakugou spend a few years in that weird will-they-won't-they stage before you officially start seeing each other seriously, and then it takes some time to adjust to having a pro-hero for a partner — so it's not always easy. until the time goes by and you have a break up scare or two and things finally level out, and you figure out how to talk to each other and you fall into the beautifully warm comfort of just being together, in love.

and then he fucking dies. in a heart-explodey, blind-in-one-eye kind of way.

the two years that follow are just — time passing, like pages in a chapter you can't understand the words to. you know grief in a way you never could have comprehended before, you wonder what it's all for and how you'll go on. you're angry at him for sacrificing his stupid life and angry at the world for taking him from you, but you're so deeply, down to your bones, heartbroken over losing him.

and you're not the only one; more than any of his friends that you see, deku is the one who is there for you the most. calls you daily and pulls you out of bed, makes sure you eat because he knows that's what kacchan would want. lovingly flings out a few gruff insults that make you laugh until you're both crying in your kitchen. it means something, maybe, that you both can just mourn in the presence of one another, without judgement or care.

your relationship gets a little — dependent. not romantic, at least not for you, but it's like you need the other person for the bits of bakugou they hold that you don't. the memories and the laughs and the bad times as well as the good. the secrets katsuki would never tell you, and the tenderness izuku was never shown.

it never gets easier. every day is just another day. if you think about it for too long, it all comes crumbling down. you're almost having to disassociate through your life just to make it, and that's hard when the whole city mourns him, too. but you do it. every single day, even on the worst of them.

izuku calls you a little more than two years after, in the middle of the night.

sounding way too awake and out of breathe, though you don't think that's necessarily out of the ordinary, considering his profession. he's a very hyper-fixation kind of guy; you can only imagine what hobby he's picked up and also mastered in the last 48 hours.

he asks if he can come pick you up from your apartment because he "needs to show you something important" and you agree, even if it doesn't feel like it usually does, when the nights are long and you both need someone to talk to. this feels — urgent. a bit worrisome.

you don't know where he takes you, but he's quiet the whole way there. in an old sweater, hair mussed, bags under his eyes like he really hasn't slept in the last 48 hours.

("stupid flighty fucker," katsuki would say, sometimes, when the weight of the world was weighing too heavily on the number one hero's shoulders, and even if he would huff and puff and grit his teeth, you'd notice him checking his phone more often than usual. taking every phone call that came without hesitation.)

you almost want to tell izuku that, in the car, because that's what you do, that's how you've kept him alive between the two of you; kacchan would make a point to tell you that's not how generators work, in the shitty horror film you and deku go see, that kacchan wouldn't dare sit through.

("no, he would," you argue, solemn as the lights in the theater warm back to life, as it empties. "he would."

and after a long, heavy beat, izuku would agree. "yeah. he would.")

izuku brings you somewhere that's too clinical to be as quiet and as dark as it is: inside, the walls and floors are sterile with anti-septic but the lights are off, in every hallway. the only visibility comes from a small lamp that's in a lobby of sorts, and there is a small handful of people you don't know, at all, already there. waiting.

you say his name in a small, concerned question, and when he takes both his hands in yours, they're warm and too wide and sweaty. his eyes glow, but in a way you don't recognize. everything he says to you is — gibberish, a mish-mash of worry and half-sentences and all the warning bells are going off in your head.

"y-you can't freak out, okay? you have to—i can explain all this when...when the time is right."

"you said that you would give anything to have kacchan back, remember? you said—you would do anything."

"i know this sounds—i know how this sounds, okay? but nothing is impossible!"

"i just need you to trust me."

and up until now, you had no reason not to. but you're not sure when he slept last, or even when he ate last, or why he's muttering things about his quirk, how he and katsuki are connected somehow, in ways he's not able to explain.

or why you can faintly hear the steady beeping of a heart monitor just beyond the only closer door in this wing of the hospital.

[loopscereal]

thought about this a little bit more

La ropa de chica y toddys es referencia a su interaccion en la gala, el concurso, lo que sea, es referencia a los vestidos que tenian puestos. el degradado en la camisa de chica representa el vino que toddy le tiro y cómo ESO es lo que piensa de cuando piensa en toddy,

La remera stá en la forma triangular , igual a la forma q tenia el vestido de toddy. sus shorts son más oscuros como la sección inferior del vestido uh. los bordes amarillos en su camisa son los accesorios dorados que tenía toddy, tmb tiene los mismos aretes circulares que tenia toddy, circulares pero azul, ( color de ojo wue tiene todddy)

esto pensando si le deberia cambiar la chaqueta naranja de Toddy para una chaqueta de mezclilla o algun material mas firme…. para tener un shilouette completamente afilado, punteadudo,??? uhhhh im too lazy to change it

. ok bueno la esquema de color de la ropa de toddy es la del vestido que tenia Chica. tiene estrellitas en el borde del pantalon como la parte inferior del vestido. el moño en la hebilla de su cinturón como el moño en la parte delantera del vestidoooo

uh chicaaaaa los huaraches y eseee chocker tmb, ambos estan atadas por detras, es referencia aaaaa como el vestido de Toddy tiene un moño en la espalda y los colores generales de su ropa son un poco más apagados porque está tratando de verse mas seria,??? less weirdo weird girl very sad