#words: 6k

[camillamaecaulay]

graves grow no green that you can use.

gwendolyn brooks

[caffeinewitchcraft]

The Hero and Hope

Based off a world where everyone gets a Destiny they must fulfill. Bakers and Demon Kings (x) and Villagers (X). You? You are a Hero.

----------------

You are a Hero.

Nobody at the orphanage knows. The mark sets during the worst winter in three decades, when the windows have to be barred to prevent snow spirits from ripping them to shreds and the Director takes half the reserves and runs in the middle of the night.

Sarah, the only caregiver left in the rickety building, holds as many of the kids as she can while the snow spirits scream outside. You’d love to be in the circle of her arms, but you’re holding the door shut with as much strength as your eight-year-old arms allow.

She doesn’t tell you to get away from the door.

“It’s alright,” she says, voice trembling. Her brown hair, matted from the months indoors, hides her eyes. She croons to the younger kids like a bird, so softly and gently that you have to strain to hear it over the howling demons and roaring winds. “We’ll be okay. Our land’s Lord will send a Hero, you’ll see. We’ll be okay then.”

Your arms burn as intensely as your eyes. A Hero. Your stomach aches from hunger and your fingers sting from the cold. You aren’t sure how much good you’re doing keeping the door closed, but there’s something deep inside of you that tells you you must do something. The blows from the snow spirits outside vibrate up your arms, nearly throwing you back.

Heroes, you think, only matter if they show up.

Hope is traumatic. Eight-years-old and you’ve been returned from potential families twice. Three days ago, you found the beginnings of greenery in the woods behind the orphanage. When you excitedly raced back to tell the others that winter was ending, it was only to find the Director and most of the caregivers gone with a significant portion of the rations.

Then the storm clouds rolled in.

So that long, dangerous night, you don’t hope. You shut your ears to Sarah’s gentle comforts and the snow spirits’ shrieks. You focus on the burning in your arms, the blisters forming on your heels, the cold nipping at your fingers.

Hope is traumatic but trying is something you can do. You put your small body between all of the horrors outside the door and the other kids. You try to stand firm.

You don’t notice when the burning in your arms hides the arrival of a telling mark on your left bicep.

---------------------.

You are fourteen years old, one year shy of coming into your power, when a couple visits the orphanage intending to adopt.

Sarah is now the Director of the orphanage, awarded the position by the land’s Lord after that terrible winter six years ago. She’s different than she was then. You lost three kids to hunger before spring finally came and she held each one in their last moments.

You and Sarah never develop the close relationship she has with the other kids. But she always makes sure you have more meat in your meals than most and, when you hunt in the woods, you always let her decide how the food will be divided between dinner and winter stores.

“We’re Knights,” the potential adopters tell the Director. They’re a couple, a man and a woman with dark hair and muscular bodies. “Retired. We’re settling just north of here for good and are looking for a suitable child who can follow in our footsteps.”

Director Sarah looks at them coldly, leaning back in her chair and folding her hands over her stomach. If she notices you and two of the younger kids peeking through the crack in the door, she doesn’t say anything. “I apologize, Mr. and Mrs. Bahr, but it seems there’s a misunderstanding. We do not pair children with families based on their Destiny.”

“We’re not saying you do,” Mrs. Bahr says. Her gaze is cutting though her shoulders are relaxed. “Our Lord explained before we came. However, there is no rule against asking the children their Destiny, is there?”

Loophole. You pull away from the crack in the door, letting Hera and Josiah take your spot. You lean against the wall with your eyes closed. Orphanages aren’t allowed to disclose Destinies, but that’s where the protection ends. If someone sees a child’s Destiny or learns of it through some other means, that’s alright.

These people aren’t here to adopt because they want a child. They’re here to adopt for a guarantee. A guarantee of what remains to be seen. An heir like they claim? A prodigy for status? Or a weapon for them to control?

You listen for any other clues behind their motives, but the Bahrs don’t push the issue of Destiny again. They accept Director Sarah’s schedule for meeting the kids, even offering to host a picnic day at their estate as a treat. The couple wants to gain trust, you can tell, and by the end of the meeting it’s working.

Director Sarah sees them off to the door herself.

“We’ll wait for the invitation,” she says. She’s older now, her thin brown hair showing the beginning signs of going grey. But her handshake looks strong when she shakes Mrs. Bahr’s in farewell. “I’m sure the children will be thrilled.”

“I hope so,” Mrs. Bahr says. Her husband nods to the Director gravely, but Mrs. Bahr lingers. “I’m sorry if we came off a little…forward when we mentioned Destinies. Please believe me when I say that my husband and I aren’t so shallow. We are looking for a child – one we can call our own.”

“I see,” Director Sarah says. There’s a hint of warmth in her voice. “As I said, we look forward to your invitation.”

Mrs. Bahr nods and joins her husband in their carriage. They set off down the road without once having asked to meet one of the children on the first day of their introduction.

You can tell Sarah likes them.

“What do you think?” Sarah asks. She doesn’t turn from the road, even though the Bahr’s carriage is out of sight. “Isla?”

You don’t ask how she knows it’s you lurking in the shadows of the orphanage. Director Sarah is a Guardian. Her senses are elevated when it comes to those under her charge.

“I don’t think anything,” you say. You step out from around the corner with a sigh. No use hiding now. “They’re influential people if they were recommended here by the Lord himself. We’re fortunate.”

“You’re the right age for a Knight’s apprenticeship,” Sarah says.

“Hera hasn’t shown me her Destiny, but it’s probably something suitable,” you say. Hera is ten, one of the older kids at the orphanage. Last summer she lifted Josiah, only a year younger than her and already a head taller, out of the well before he could drown. “You should talk to her about what being part of a Knight family could mean.”

Sarah looks at you over her shoulder. The setting sun catches in her eyes, turning the warm brown into an unearthly amber. “I hope you can accept the possibility they might choose you.”

They won’t. “Aren’t I needed here?” you ask.

Sarah’s expression softens. “You are, Isla,” she says. She weighs her next words carefully. “But I am the one who’s responsible for all of you. I can take care of everyone. If the Bahr family is a good fit…”

“Sure,” you say flippantly. You shove your hands in your pockets and slink back into the orphanage. You don’t dare hope. “I’m going to help Josiah.” He’s on dinner duty tonight. He always cuts the onions too roughly. “See you later.”

You feel Sarah’s eyes on your back like a physical warmth.

-----------.

Being a Hero doesn’t change anything about you. You expected it to when you first noticed the mark but, even six years later, nothing’s different.

You aren’t kinder. When Josiah asks for your dessert, you steal a bit of his as punishment for even asking. When Hera asks for a bedtime story, you tell her one so scary that she has to sleep with one of the other girls. When Sarah asks you to fix the fence around the chickens, you whine and complain that you’re the only one who does anything around the orphanage.

“The curse of being the oldest,” Sarah says dryly. She hands you a hammer and a bucketful of nails. “Some posts were dropped off at the end of the lane. Make sure you’re back by sunset.”

Maybe you’re a little stronger than others. You can drag three posts at once and could probably drag more if you wanted. But another curse of being a Hero is that you’re very aware.

It’s not until you’re nailing a third rail to the fence that Mr. Bahr makes his presence known. You don’t turn even when he makes his steps purposefully heavy to avoid scaring you.

“You’re very strong,” Mr. Bahr says.

His shadow is long and thin, just like him. You observe it from your peripherals, unable to speak with the two nails you’re holding between your lips. You take your time pounding them into the wood. He’s arms, a sword at his hip, but his hands are loose at his sides.

“Good thing I am,” you say at last. You stand and turn in the same motion. He waited for you to finish without chastising you for not speaking right away. You perch the hammer on your shoulder. “Otherwise, the chickens would take over.”

Mr. Bahr laughs. Unlike when he was meeting Director Sarah, his face is relaxed and open. His blue eyes sparkle. “We couldn’t have that now, could we? I suppose we all owe you our thanks for preventing the coop’s coup.”

You want to laugh. You don’t. “Director Sarah won’t like you being here uninvited.”

“I just came to drop off an invitation,” Mr. Bahr says. He studies you for a moment and then smiles. “I hope you’ll accept, Isla.”

A chill races down your spine. How does he know your name? You wipe the sweat from your brow with a scowl. “Maybe I don’t want to be adopted.”

To your surprise, Mr. Bahr nods. “I can understand that,” he says. He looks up at the sky. The light is sliding from the sky, catching on the clouds and turning them a brilliant orange. When he looks back at you, he almost looks…sad. “Think of our invitation as a party, hm? No strings attached.”

For some reason your tongue feels heavy. It takes two tries before you can say, “I need to fix this part of the fence before dark.”

“Want some help?” Mr. Bahr asks.

“I couldn’t ask—”

“You didn’t ask, I offered,” Mr. Bahr says. He rolls up his sleeves and nimbly plucks the hammer from your grip. “I may be a Knight, but I’ve done my fair share of carpentry. Let me show you a few tricks.”

You listen quietly as Mr. Bahr shows you how to twist the nails to avoid splitting the wood. What would have taken you an hour to finish, he accomplishes in a quarter of one, talking to you the entire time.

It’s…odd to have an adult’s attention on you for such a long time. He’s careful not to get too close, always offering you the hammer to practice by setting it on the grass between you rather than handing it to you directly. When you manage to replicate his technique on your second try, Mr. Bahr is more excited than you are.

“Wonderful,” he compliments. He glances up at the sky. The first stars are twinkling. “I’ll be going now and you should too. Have a good night, Isla.”

Unlike the first time he said your name, it feels pleasant now. You mutter a goodbye and leave before he does, scurrying towards the orphanage with your bucket of nails clutched to your chest.

He’s gone when you think to check the road for his carriage. Did he walk here? Ride a horse?

You close and lock the orphanage’s doors behind you.

----------------.

The picnic isn’t scheduled until the middle of summer and it’s spring now. Still, it’s all anyone can talk about.

“We have plenty of time to get ready,” Director Sarah tells them. “The Bahrs will be dropping in from time to time until then. I expect everyone to be on their best behavior when they’re here.”

Josiah raises his hand. “I hear they live in a castle!”

“A manor,” Sarah corrects. “Given to them by our Lord for their years of service.”

“The Guard in town says they worked for the King once!” Hera says, wiggling in her seat. “Is that true?”

“You can ask them yourself,” Sarah says. She claps her hands together and starts urging the kids up. “It’s time for chores. Your assignment is posted by the kitchen…”

You stay seated at the breakfast table. You haven’t eaten your third egg or your last slice of toast. Your stomach feels queasy. You keep thinking about Mr. Bahr saying wonderful when you worked on the fence together.

You aren’t supposed to want to be adopted. You’ve had your chance and you ruined it both times. It’s not fair of you to imagine what it would be like learning swordsmanship from Mr. Bahr and what it’d be like to hear him praise you when you got the next move right. One of the other kids deserve that chance.

You can only do what you can do.

---------------.

Mrs. Bahr is alone the next visit.

No one recognizes her at first. She’s wearing a gown like a noble and her hair is gently flowing down her back rather than tightly pinned behind her head.

“I’ve received the Director’s permission to hold a lesson on writing,” she tells the children. She gestures to the bag she’s set on the table. “Come get a slate and a piece of chalk. We will work all together.”

The kids have never had slate and chalk before, not the real ones anyway. Sometimes you find a nice, flat rock they can draw on with charcoal, but it’s not as entertaining as what Mrs. Bahr brings. She watches everyone in amusement as they immediately start drawing instead of starting the lesson, flower and trees and swords.

“Look, Isla,” Hera says, tugging at your sleeve. You’re seated on the spare chair by the wall, away from the table. She twists from her spot to show you she’s drawn a shaky stick figure. “It’s you!”

Your eyes flick up to Mrs. Bahr. She’s not irritated by the distractions yet. You point with your bit of chalk at the drawing. “Which part of it is me?”

Hera points at a blob in the stick figure’s hand. “That’s the horned rabbit you brought home yesterday!”

You snort. The horned rabbit you’d killed yesterday wasn’t half the size of your body. “Are you sure that’s a horned rabbit? Looks like a turtle to me.”

Hera points to the stick figure’s face. “You can also tell it’s you ‘cause you’re frowning.”

“Hey!”

Mrs. Bahr claps her hands together. Instantly, she has the room’s attention. “I’m glad you all like my present. However, it’s time to get started.”

“Present?” Josiah asks.

“If you work hard today, you will be allowed to keep the slate and chalk as a present,” Mrs. Bahr says. She takes care to make eye contact with every kid. “Only those who work hard.”

It’s generous. You watch Mrs. Bahr from under your lashes as she talks everyone through writing the alphabet. It’s too generous not to be genuine. Try as you might, you can’t figure out any ulterior motive to spending so much on the kids. To look good? For who? For Director Sarah?

Director Sarah won’t be swayed by gifts like this even if the kids could be.

Mrs. Bahr stops well away from you, observing your slate from afar. “Very good, Isla. Do you know how to write?”

“No, ma’am.”

“Read?”

“Only a little.”

Mrs. Bahr hums. She doesn’t look disgusted by your stupidity or put off by your clipped tone. Your first family returned you when you told them. Mrs. Bahr’s lips curve. “Your letters are wonderfully steady. I can tell you will be a very good student.”

She turns before she can see you flush.

---------.

Over the next few months, there isn’t a week that goes by without at least one of the Bahrs visiting. They become a regularity around the orphanage to the point that even Director Sarah stops worrying about the state of their rooms with every visit.

“Kids will be kids,” Mrs. Bahr says when you ask her to wait while you tidy the toys in the parlor. “It’s alright, Isla.”

Your head spins. Sometimes, when one of them says something particularly bizarre, you feel like you’re outside your body. There was a time when they didn’t have toys to leave out in the visiting area. Thanks to the Bahrs, every child has a doll, a slate, a new set of shoes, and an abacus. You are still waiting for the strings that come with these presents.

There haven’t been any yet.

The kids love the Bahrs. Hera insists on baking fresh strawberry tarts for them after a day of gathering. Josiah carefully sounds out passages from their new books to show them that he’s still practicing his letters. Annie and a group of the younger kids spend all day weaving a flower crown for Mrs. Bahr that you have to confiscate before they can put it on her head.

“Go wash your hands,” you scold. Despite your tone, your hands are gentle as you push Annie to the schoolhouse. “Don’t touch your eyes.”

Annie blinks rapidly, trying to hold back tears. “I didn’t know it was poison, lady, I swear.”

“Oh,” Mrs. Bahr says, hand fluttering over her heart. She steps towards Annie. “Dear one—”

You give full body flinch when Mrs. Bahr stoops to hug Annie, but you don’t get between them. The Bahrs have won your trust in this. They won’t hurt the kids.

You sigh to hide your flinch when Mrs. Bahr stands. “Now Mrs. Bahr needs to wash. Poison ivy is no joke.”

“It is not,” Mrs. Bahr agrees. She ruffles Annie’s hair. “Go on, do as Isla says. Wash up.”

“We can go together,” Annie says with her big, blue eyes. She reaches for Mrs. Bahr’s hand and then thinks better of it. She tucks her hands behind her back and kicks at the ground. “If you want.”

“I’ll be right behind you,” Mrs. Bahr says, smiling.

Annie nods and races to follow her friends.

“I’m sorry,” you say as soon as Annie is out of ear shot. You busy yourself picking up the fallen flower crown and the various trimmings of poison ivy they’d used for foliage throughout it. You feel flustered. “They really didn’t know any better—”

“I know,” Mrs. Bahr says so gently that you have to look up at her. She’s frowning at your hands. “I’m more concerned about you. Should you be holding onto it like that?’

“I’m immune,” you say. You’re not worried that she’ll guess your Destiny from that. Lots of Villagers are immune to poison ivy, particularly the ones in this region who rely on gathering and hunting. “Since I’m in the woods so much.”

“Knights are immune too,” Mrs. Bahr says. She follows you away from the orphanage and to the tree line. “You’re quite the hunter, aren’t you? I remember Hera saying you slayed a horned rabbit.”

Heat comes to your face. You stomp ahead of her to deposit the flower crown in some denser foliage where the kids won’t be able to get it. “I get lucky.”

“I’d consider it unlucky to run across a horned rabbit,” Mrs. Bahr says. She examines the forest with interest. “A demon is a demon. Even adults have difficulty with horned rabbits.”

It hadn’t been difficult. You’d been armed with a sharpened branch and, when the rabbit leapt for you, you knew right when to stab. You clear your throat. “It was difficult.” Then when Mrs. Bahr doesn’t say anything, you add, “It was frightening.”

She believes you. She lays a gentle hand on your shoulder to get you to look her in the face. “The orphanage budget is enough that you don’t need to hunt, Isla,” Mrs. Bahr says. “I know I don’t like the idea of a fourteen-year-old out here alone and unarmed.”

“Almost fifteen,” you say, “and I had a sharp stick.”

“A sharp sti—” Mrs. Bahr cuts herself off with a deep breath. “Regardless of your…aptitude, Isla, it’s dangerous. I’ve spoken to the Director and she agrees with me. You aren’t to go hunting anymore.”

The forest suddenly feels too hot. The leaves overhead rustle, but you can barely hear it over the roaring of your blood. “Excuse me?”

Mrs. Bahr steps closer. “You’re a very strong girl, Isla, but it’s dangerous. If you want to go out with me or Mr. Bahr—”

You shake off her hand. “The Director agreed with you? She said I’m not allowed to go hunting anymore?”

“Out of concern for your safety.” Mrs. Bahr looks like she regrets saying anything. “Once Mr. Bahr and I explained to her what a risk a horned rabbit poses—”

You run away. Mrs. Bahr calls out after you, but you don’t stop. Beyond the sting of Mr. and Mrs. Bahr not thinking you strong enough to hunt, there’s a deeper hurt. The Director agrees. Really? Really?

“Isla? What’s wrong? I thought you were with Mrs. Bahr,” Director Sarah says when you burst into her office. She sets the papers she’d been reading down and frowns. “You look—”

“I’m not supposed to go hunting anymore?” you ask.

Sarah’s face blooms in understanding. “After what Mr. and Mrs. Bahr said about the increase in demons in the area, I agreed—”

“It’s summer,” you interrupt. You stalk up to her desk, your fists balled at your side. “It’s time to hunt.”

“The Bahrs have agreed to accompany you—”

“They only come once a week,” you say. You’re being so incredibly rude to the Director, but you don’t care. “I need to hunt three times that at least. The game has been moving deeper into the forest—”

“Where you are not allowed to go,” Director Sarah says, this time interrupting you. She steeples her hands in front of her. “I should have curtailed this activity long before this point, but I thought you needed it.”

“We need it,” you say. You can’t believe what you are hearing. “We need to store up rations, you know that.”

“Our budget allows us to purchase rations in town.”

“But what if that’s not enough? It’s better to have our own supply—”

“It will be enough.”

“It still doesn’t hurt to have some extra jerky—”

“The store we have will be enough.”

“But what if it’s not?!” You’ve raised your voice without realizing it, fists shaking at your sides. “The other kids are too young to remember o-or too new, but you and I do. That winter, we didn’t have enough. Why are you trying to stop me?” To your horror, your voice cracks. “I thought you understood.”

There’s silence in the room except for your panting breath.

“I’m sorry,” Sarah finally says. The sudden apology is enough to close your mouth against what you might have said. She meets your eyes. “You’ve always been so strong that I…Isla, you were a child. I will always be grateful for what you did that winter and for every winter since. I relied on you, a child, because I didn’t have any other option. We didn’t have another option. But now we do. We’re okay now, Isla. You don’t have to work so hard to protect us.”

“Yes, I do, I’m—” the Hero “—I can do it.” There is something inside of you telling you that that is what you must do. You think that it’s part of being a Hero.

((You’re worried that it’s because you’re scared.))

“My decision is final,” Sarah says. She picks up her documents and straightens them. “You are only to go hunting with an adult from now on. If I find out you went to the woods without one, there will be consequences.”

She’s using the same tone she uses on the other kids when they’re misbehaving. I mean business. You stare at her for a long, breathless moment. You jerkily turn to go.

Mrs. Bahr is hovering in the doorway. She looks guiltily between you and Director Sarah. “I’m sorry, I didn’t mean to eavesdrop…”

You shove past her and run to your room.

-------------.

Somewhat counterintuitively, as an orphan you’re never alone. You throw yourself face down on your bed.

A shocked silence swallows the occupants on the other bed.

“Is she okay?” Josiah asks Hera.

“It’s Isla,” Hera answers. There’s the rustling of bedsheets as Hera climbs out of bed and then the soft sound of socks on hardwood as she comes over. “You okay?”

You are not okay. There’s an intense war of emotions in your chest. Anger that none of the adults seem to think you’re capable. Betrayal that Sarah isn’t on your side. A sick fear at the thought of being unprepared for winter. And, now that you’ve run away so spectacularly, shame. They probably think you’re overreacting, but they’re wrong. They’re the ones who are being naïve. They’re the ones who—

A gentle hand on the back of your head freezes the thought. Hera pets your short, black hairs in an attempt at comfort. “It’s okay, Isla. You can just sleep. Sleep makes everything better.”

That’s what you tell the younger kids. The difference between you and Hera saying it? When Hera falls asleep, you work to fix the problem. If you fall asleep, no one is going to fix the problem for you.

You flip over, dislodging Hera’s hand. You look up at her as if seeing her for the first time. She’s ten, two years older than you were when the winter happened. She was four then. You want to ask her if she remembers, but instead you ask, “Do you think Sarah hates me?”

“What?” Hera’s eyes are wide. “No! What makes you think that?”

“Nothing,” you say. “It’s stupid. Forget I asked.” You turn on your side, your back to them.

“I know she’s worried about you,” Josiah says. He offers the information tentatively. “I overheard her and the Bahrs talking. Did they ban you from the woods?”

You don’t move. “What else did they say?” You’re afraid that he’s going to say they called you weak. Or, worse, a nuisance. “Did they say anything else about me?”

“Not really.”

Nobody hears anything useful around here. You close your eyes. “I just want to be alone for a little while. I—”

There’s a knock on the door. “Isla? It’s me, Marie. Can I come in?”

Marie? Too late you remember that that’s Mrs. Bahr’s name. She’s been trying to get the kids to call her be her first name. So far no one’s taken her up on it and she hasn’t pushed.

Hera opens the door. “Hi, Mrs. Bahr. Isla is being moody.”

You sit up with a squawk. “I am not!”

“If it’s alright, I’d like to talk to Isla for a moment,” Mrs. Bahr says to Josiah and Hera. “Alone.”

“Don’t let her yell at you,” Hera says as she passes Mrs. Bahr. “She never means it.”

You are going to strangle her. “I don’t yell!”

“That’s not an inside voice,” Josiah says. He dodges the pillow you throw at him, pulling the door closed behind him and Hera.

You are suddenly alone in the room with Mrs. Bahr.

You sit up further, pressing your back against the headboard. Mrs. Bahr doesn’t look mad. Her hands are clasped in front of her and she’s looking down at the floor. It almost looks like she’s the nervous one. You hug your pillow to your chest. “You can sit down if you’d like.”

Mrs. Bahr looks up at you. Her lips twitch. “Thank you, Isla.” She sits down on Hera’s bed gingerly as if afraid it wouldn’t be able to take her wait. When she’s settled, she says, “I wanted to apologize to you.”

Your arms tighten around your pillow. “Why?”

“Not for saying you shouldn’t hunt alone,” Mrs. Bahr says. She’s not a mind reader but sometimes it seems like she is. “For not understanding what hunting means to you. I would have approached things differently if I’d known.”

“Known what?”

“About what you’ve been through.”

The winter. That’s the only thing Mrs. Bahr could be talking about. She must have heard more of your conversation (argument) with the Director than you thought. “It was a long time ago,” you say. You really don’t want to talk about this with Mrs. Bahr. Not when you can still feel that winter’s desperation in your molars like a memory. “I’m fine.”

Mrs. Bahr is quiet for a moment. She studies you much like Mr. Bahr did all those weeks ago mending the fence. “I was a knight for 30 years, you know. I supposed it’s not weird that a Knight worked as a knight for so long. As soon as I came into my power at 15, I was compelled to hold a sword. To seek out evils and defeat them. To follow my Lord into battle no matter the cause.” She looks up at the ceiling. “I’ve had a lot of adventures and helped many, many people. But there was a time when I wanted to quit.”

You start. “You did?”

“I wanted to work in a flower shop,” Mrs. Bahr says. She leans back on her hands. “What a life it could have been! Waking up before the sun and hiking to the flower fields…I had my new house all picked out. It’d have a koi pond and a row of red rocks from the Harrow River. That’s where I met Ivan.”

Mr. Bahr. He’s been trying to get you to call him by his first name too. Unlike Mrs. Bahr, he’s much pushier about it. “What made you want to quit?”

“Exhaustion,” Mrs. Bahr says. She closes her eyes. “It seemed that there was a new threat to my Lord every day. An assassination attempt from a branch family. A territorial dispute. A new influx of demon beasts. It got to the point that I hardly left my Lord’s side for fear of returning to find him dead. He was the first Lord I swore my loyalty to. I always felt like I was failing those days. So I wanted to quit.”

You’ve felt like that before. Sometimes it seems like you never catch enough while hunting, that you’re never kind enough, that you’re never strong enough. You’ve never thought about working in a flower shop though. “Why didn’t you?”

“I did.” Mrs. Bahr laughs at your shocked expression. “I was in my twenties. They tell you things calm down after your teen years, but that’s not true. I handed in my resignation and fled for the nearest town.” Her smile softens. “Ivan followed me.”

“He was there?”

Mrs. Bahr nods. “We were sworn to the same Lord. He came galloping up with my resignation clutched in his hand. His face was so red!” She laughs. “’What does this mean, Marie? He was crying! You can’t quit! I haven’t beaten you yet!’”

“And that’s what convinced you to stay a knight?” you ask. That doesn’t help you. You don’t have a significant other to come racing after you.

“No,” Mrs. Bahr said. “Ivan didn’t know why I wanted to quit. I can’t do it, I said. I can’t keep the Lord safe. I’m not enough. You know what he said?”

You shake your head.

“He said, Of course, you’re not enough,” Mrs. Bahr says. She’s lowering her voice in imitation of Ivan’s. “You were never going to be enough.” You’re gaping at his harsh words, but Mrs. Bahr looks amused. “That’s why we have a squadron. The job is too big for one person. All you need to do is your part.”

You stare at her, not understanding.

“The world isn’t carried by one person,” Mrs. Bahr says. “I was so convinced that everything was up to me – the Lord’s safety, the next campaign’s success, or defense from monsters – that I buckled under the pressure. What I didn’t see that it wasn’t all my responsibility. I was part of a team. All I had to do was one part.”

You think of the winter night and holding the door shut. There hadn’t been anyone to help you then. Someone needed to comfort the younger kids. Someone needed to try and protect them. “What if there isn’t anyone else?”

“Then we do our best,” Mrs. Bahr says immediately. She meets your eyes. “But are you by yourself now, Isla?”

Yes. You open your mouth to tell her that, but the word won’t come out. Are you? Director Sarah looked so defeated when you accused her of not understanding. But didn’t she understand better than anyone else. You swallow. “No. There’s Director Sarah.”

“What does she do?”

“She takes care of us,” you say. “She makes sure the money we get goes to the right things.”

Mrs. Bahr smiles warmly. “That’s right. Who else?”

“…Hera,” you say. You remember she pulled Josiah from the well before Annie even had the chance to tell you what had happened. “She watches the younger kids.”

“She’s very good with them,” Mrs. Bahr says. “Who else?”

Your mind blanks. Who else? “Josiah. He helps us study.”

“And?”

And? “T-the Lord. He makes sure we have the funds for what we need.”

“Including winter provisions,” Mrs. Bahr agrees.

You frown. You suddenly see where this is going. “The amount of winter provisions he thinks we need.”

Mrs. Bahr hums. “What happens if he’s wrong?”

“That’s why I hunt,” you say. Maybe now she’ll understand. “So that we’ll be okay if he’s wrong.”

“What if you don’t hunt enough?” Mrs. Bahr asks.

Your chest is tight. You rub at your sternum and try to breathe deeply. “We starve,” you say. You wheeze and then clear your throat. “We’d starve, but that’s not going to happen. Because I always hunt enough.” I have to.

“This year,” Mrs. Bahr says, voice gentle and soothing, “say you don’t hunt anymore. The winter is harsher than expected and the orphanage’s stores are depleted. What do you think will happen?”

You laugh and gasp at the same time. “They’d all starve,” you say again. What doesn’t she get about that? “First the little ones then—”

Mrs. Bahr is shaking her head. “No, Isla, that’s not what would happen.”

Your temper flares. “That’s what always—”

“What would happen,” Mrs. Bahr says in her even tone, “is that Mr. Bahr and I would come deliver extra provisions to you.”

All the air is chased from your lungs. You feel eight again, small and vulnerable and cold. You’re shivering as you stare at her. “You would?”

“We would.” Gently, as if afraid she might scare you, Mrs. Bahr moves from Hera’s bed to yours. She puts a warm hand on your knee. “We’re a fortress. The Lord gives us part of the emergency fund in order to keep our stores and grounds ready for refugees. Mr. Bahr keeps fifteen percent more than the most generous estimate out of an abundance of caution. We would come and make sure nobody starved.”

For some reason, that makes you want to cry. You blink against the sudden heat behind your eyes. “Oh.”

“That’s why we don’t want you to go hunting,” Mrs. Bahr says. Her thumb rubs over your knee. “It was worth the risk before. You worked hard to keep everyone here alive. You are incredible, for that, Isla. I can’t tell you how much I admire your strength and your bravery. But things are different now. You don’t need to do as much as you did before. There are other people on your squad.”

But I’m the Hero, you want to say. Heroes are supposed to save the day, aren’t they?

Knights help save the day too.

You let Mrs. Bahr pat your knee for a long time. She seems content to let you think, her energy a pleasant hum next to you. A knot is untying in your chest. If you don’t hunt, it’s not the end of everyone. There will still be the funds from the Lord. Sarah’s always been excellent at stretching those as far as they need to go. And, if they aren’t enough, there’s something different this year. The Bahrs are here.

“You’d help us even if you’re only going to adopt one of us?” you ask.

Mrs. Bahr’s lips thin. She looks sad, but hides it quickly. “We’re Knights,” she says. “Even if we are retired. We’ll be here the moment you need us.”

You don’t hope. Hope is traumatic. But…

You believe her.

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(Part 2) (part 3)

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Thanks for reading! There will be a new part of Hope and the Hero every Friday!

If you'd like to read the whole story now, please consider supporting me on Patreon (X)!

There's also a new story up there, a sequel to my Dandelion villain story (X)

Summary: You are free of mind control for the first time in a year. The only things standing between you and your revenge are the heroes.

[some-bunniii]

Lucifer confessing to an artist reader

・❥ Lucifer gets jealous, and has to prove his love for you

| Part 1 | Part 2 | Part 3 | Part 4 |

x: WOW this was a rollercoaster to write. Alastor being petty, a musical number, and.. 😏 you’ll have to read and see!

warnings: Mild swearing

“Mreow?” 

You stirred slightly under the covers in your bed, waking from the noise. You were so warm and cozy, in your little nest of pillows that you hugged to your chest. Stilling yourself, you strained your ears, listening for whatever had awoken you.

“Mreooow,” came that needy, animalistic cry again.

“KeeKee?” You whispered hoarsely.

A high-pitched chirp answered your question.

Grumbling in protest, you grasped the sheets and pulled them from your face. Squinting at the morning light emanating from the large windows on the other end of the room. 

You rubbed a hand down your face, in an attempt to squeeze out the exhaustion still fogging your mind. With a sigh, you pivoted, placing your feet on the cold, wood floor beneath.

Now where was that furball? 

You scanned the room, before your eyes landed on the small black and white cyclopean cat. She sat on your nightstand, her tail swishing with happiness as you answered her call. 

“You silly kitty, what do you want so early in the morning?” You questioned her, and received another chirp as a response.

You always found it fascinating that the small feline was actually the key to the hotel, created by Lucifer’s magic as a gift to Charlie when she took over the place. 

You could feel it, even now, that warm crackle of energy as it flowed off KeeKee’s fur. It was faint, but so familiar. If you buried her face in her fur far enough, you could even smell traces of his scent. 

As you and Lucifer grew closer, so did KeeKee. She had started following around the hotel, always a few steps behind as you traveled the halls. This morning routine of hers wasn’t new either. Before, you’d open your door and find her sprawled out on the ground on her back, her belly exposed as she greeted you. 

You started leaving your door cracked after that, allowing her to enter whenever she pleased. She’d make her bed on the same cushion Lucifer was so fond of while you painted, and drift into sleep. 

Sometimes, you’d use her for practice sketches. Although you could only do so while she dreamed, as she was not as good at sitting still as Lucifer was.

It was almost as if she sensed the connection between the two of you, mirroring your bond with her own loyalty. With a soft smile, you reached out to pet KeeKee, feeling the comforting vibrations of her purrs resonating through your fingertips. 

Rising from the bed, you made your way into the small bathroom. Twisting the sink handle, you let the fountain of water flow into the drain as it is heated. 

Your eyes landed on the object next to the faucet, and you smiled unconsciously as you picked up the yellow rubber ducky. 

“Your new soap dispenser,” Lucifer had stated one evening, “Easily compactible to take it on the go and.. with the scent of apple pie.” 

He demonstrated by softly squeezing the sides of the toy, and a small glob of soap left its mouth and landed into the palm of his hand. 

You had taken it from him and lifted it to your nose, inhaling a deep breath. 

“Delectable.” You teased, before placing it on the table beside you.

After his little performance at the art studio, Lucifer’s affection towards you grew bolder by the day. He often arrived at your room with a gift or two, even more than his silly little ducks. 

Once, he brought you a small violin, the color pure angelic white with golden strings. You had stared at it in awe when he set it on the table.

“It’s white for you to paint,” Lucifer had explained, “Whatever little fantastical ideas you have to cover this instrument with, I just know it’ll be amazing.”

You had blushed, before letting your fingers glide across its smooth surface. Tracing its frame, memorizing its shape. 

“I was going to get you a fiddle, like my own. But, I believe this best suits the musical pieces you are so familiar with.”

You sat across from each other at the dining table in your room, arms resting lazily on its surface as you sipped from your glass of Spiced Apple Wine. 

That was another gift he had brought you. Claiming he only enjoyed the taste of fine-aged wine from his personal cellar. You had gotten used to its slightly sour taste by now, but you were glad for that slight pinch on your tongue. It kept you from ogling Lucifer for too long.

The only light emanating from your room was the candles placed around you, their flames dancing, casting shadows across the walls. The soft ting of piano keys thrummed in the air, flowing from a small brown radio on your dresser.

Not too long ago, Alastor had given it to you for your personal use. A very rare gift from a demon like him. You had just assumed it was his way of getting you on his side, your unease of him must’ve been apparent enough. 

Your years of attempted swindling by potential buyers for your pieces created a sixth sense, the ability to smell when someone’s words didn’t echo their intentions.

Even though you had no animosity towards him, and spoke to him frequently enough that you did not feel any kind of negative intentions from him, his mysterious past and psychopathic tendencies struck you as odd. His presence was dark and cold. 

Nothing like Lucifer’s, who’s aura was so warm and energetic you could get drunk off of it. 

Alastor’s? That would sober you up in an instant.

Why didn’t you feel the same about Lucifer? After all, he had the same charm that swooped those around him off their feet. 

‘His ability to love,’ you concluded in your head, ‘that was why.’

He showed deep care for the people close to him, while Alastor always held people at arms-length. Literally and figuratively.

Your personal feelings didn’t mean you weren’t going to use the radio, so whenever you’d hear Lucifer nearing your room, you’d switch it to polka. Learning by now that was one of his favorite genres. It played in the background as you discussed the violin.

“I think it’s best if you taught me how to play, I might have some knowledge on musical history, but that doesn’t mean I know anything about the instruments themselves.” You had conceded.

He shook his head at that, “Nonsense. If there is anyone I know that could pick up skills like this quickly, it would be you.”

“What makes you think that?” You had laughed.

“Because, you’re amazing. Talented, with passion that could take on the world. You and my daughter have more in common than you think. A drive that I wish I had.”

That had stopped your train of thought, your cheeks heating once more. Most times you would try to brush off his comments, and continue on to the next subject, even if those words made it hard for you to fall asleep that same night.

But this time, you let his words linger in the air between you. The faint glow from the candles illuminating his face, his angelic features intensifying. 

It was your turn to make a move, you couldn’t let him have all the fun.

Slowly, your hand traveled across the table, until your fingers grazed his own. Lucifer never pulled back, instead, he accepted your advance. Lacing his fingers with your own.

The two of you didn’t speak, you didn’t need to. The day could be filled with laughter and quick-wits. But, the night? That belonged to your silent bouts of affection.

Just two pairs of eyes staring out through the large open bay windows, the flickering lights from the city your own little TV. 

What was he thinking about? You had wondered. You were aware of the divorce of his wife years ago, and the fracture of his family still weighed on him. Even if his relationship with Charlie was improving the day. Did he blame himself for his family splitting? 

You had never pried him on such things, there was no reason to bring him more pain. He’d open up about it when he was ready, he always did.

Was that why he was slow to actually ask for your kindness? Your care? 

Your love? 

He was a showman, with a drive to impress strangers around him, to win them over with his charm and flare. But you weren’t a stranger, not anymore. 

There was this tiny parasite that gnawed at the back of your mind, whispering such horrid things of him leaving you if you made the first move. 

‘His pride is too great to let him be swooned completely by a lower demon,’ it hissed, ‘He just wants something casual, nothing truly real,’

Was that true? Would he reject you and move on? Surely, there were much stronger, much smarter demons than you in Hell that he could choose. 

Maybe, you’d just have to grow a backbone and ask him. 

‘Soon’, you promised.

The calming scent that wafted from the candles around the room pulled you away from such thoughts. Instead, you used your free hand to lift the wine glass to your lips, downing the remaining liquor. Your body blooming with warmth as it traveled down your throat, and your head turning fuzzy with bliss. 

A gentle thump as KeeKee landed on the counter pulled you back to reality. You finished washing your face, and placed it into the cool embrace of the small towel in your hands.

Turning away from the sink, you walked back into the main room. KeeKee trailed you as you rummaged through your dresser, plucking out items of clothing as you began to change for the day. 

“Come, KeeKee,” You called, clicking your tongue at her as you strided to the doorway of your room. 

She responded with a chirp and raced past you, out into the hallway. You watched her scurry down the stairs as you headed for the lobby. You were supposed to finish the season of RuGaul’s Drag Race this morning with Angel Dust, and honestly, it was a pretty good show.

Unfortunately, the raised bump in the carpet right in front of your foot had other plans.

“Fuck!” You hissed as you fell forward, your arms instinctually raising to catch your fall.

You hit the ground with an oomph. Luckily, you caught yourself in time to not face any serious injury. Except the sting of your pride. You lay there defeated for a moment, the ache in your arms subsiding slowly.

“Well, hello down there, my friend!” Came a familiar call, static trickling from their voice.

 “Hello, Alastor.” You greeted the Radio Demon with a painful sigh. 

“It appears you’ve gotten yourself into a bit of a pickle, hm? Let me help you with that.” 

Black tendrils gathered around you, they were unnaturally cold and you squirmed against their touch. 

They tightened around you and lifted you up, up, and up until the soles of your feet were steady on the ground. They flowed off of you, disappearing like a shadow into Alastor’s form.

“Thank you, Alastor. That was very kind of you,” you spoke as you brushed dust off your clothes. You’d need to talk to Nifty about coming to your side of the building more often to clean. 

“It was no problem, my friend. I could not just sit by and allow you to take such an attitude from that silly carpet.” 

Alastor snapped his fingers, and the tiny lump in the carpet that had delivered the tripping blow vanished. Leaving behind a nice, smooth surface.

His head snapped back up to you, that large smile still plastered on his face. You were about to open your mouth again when his gaze landed on something behind you, past the railing.

“Ah, I see you have finished another one of your paintings! What a wonderful piece this is, yes, truly remarkable!” 

He walked forward, and placed one hand on the railing. On the opposite side of the room, at eye level to the second floor, was a painting depicting a very large, glittering lake. A tall forest surrounded it, with massive snowy mountains as the backdrop. 

Small winged-angels sat near the waters, feasting on grapes and wine as they enjoyed the summer sun. Some stood near white-freckled fawns as they fed them fruits and nuts, their faces lit in joyful smiles. 

“Yes, it took me forever. Water is a pain to get perfect. Do you.. think it fits?” 

“Of course it does, my dear!” His enthusiastic voice not missing a beat, “I think Charlie choosing you for this job was a marvelous choice! You must have taken much inspiration from some of the classic artists.. Perhaps Edgar Payne?”

A look of surprise crossed your face. He knew about the famous western landscape artist? Alastor didn’t seem like a fine arts kind of man to you.

“I used some of his techniques, yes. I didn’t know you had such knowledge, Alastor.” You responded, a hint of questioning in your tone. Prompting him to speak more about the subject. 

Alastor waved his hand in the air in a brushing motion, as if it was no big deal.

“Oh, here and there. When I was alive hosting my radio show I once toured an art gallery for an advertisement. His pieces were on display, and I suppose his work has been imprinted in my mind ever since.”

“That’s very interesting, actually. I shouldn’t be surprised though, you seem to be in favor of many classic mediums.” 

“Mm, yes. I just can’t stand the way modern society has seemed to falter from its most creative forms. I’m sure soon they’ll just start paying robots up there to make art for them.”

You doubted that, people using robots to make art? What was the point of it if not created by the human hand?

It was then you caught his eyes darting to something behind you, towards the staircase. Did his eye just twitch?

Alastor’s toothy grin widened further, which you thought couldn’t be possible. Before you could turn around and get a look at whatever had captured his attention, his gaze landed back on you.

He quickly sidled much closer to you, and placed his free hand on your shoulder. Your eyes widened at the touch, he’d never been brazen like this before. Let alone being this close to you. 

Suddenly, he let out a loud, boisterous laugh at nothing particular. His head slightly shook from side to side like he just heard the funniest story in his life, which made you lean back slightly at his very odd actions.

“Oh, my dear, you are such a charm. Truly. I always enjoy our little talks about your ideas. You are so very passionate about your work.” 

Your eyebrows raised in suspicion at his behavior. What was this man up to? 

“We should definitely continue our talks sometime, perhaps, in the comfort of your study?” He questioned, placing his other hand on your shoulder, “Maybe, you could even teach me some of that history you have trapped in your noggin, mmm what was that era called.. the Renaissance?”

Your mouth parted slightly as you contemplated his words. He wanted to learn from you? You had never graced anyone with your teachings other than Lucifer, and you kind of liked it that way.

“Well.. I don’t know if-”

“Ahem.” Came a familiar, male voice from behind the two of you. 

Your words caught in your throat. Uh oh.

You watched Alastor’s grin deepen into a knowing smirk. His eyes snapping to the figure behind you, eyebrows raised. 

You pivoted, seeing the familiar pale face staring intensely at you, practically into your soul. You tried to smile at him, your teeth clenched painfully as you stood besides Alastor. His hand still on your shoulder. 

You tried to speak through your eyes, desperately trying to tell him this was not something you had asked for. You weren’t sure whether he could read it.

Lucifer’s gaze diverted to the hand on your shoulder, and you could feel a crackle of scorching hot energy in the air around you.

“Why, hello there, your majesty.” Alastor greeted him with mock enthusiasm. 

“What a surprise to see you here,” Lucifer responded, a slight growl in his voice. He straightened his back, leaning slightly forward on his staff, as though the scene before him was not a bother. He was terrible at hiding it though. 

“Indeed. My dear friend and I were just discussing their paintings, aren’t they a wonder?”

“Of course they are.” Lucifer responded. 

“We have such good conversations, you know, about their vast knowledge on the subject. It makes me envious really.” 

He released your shoulder from his grasp, and you scooted an inch away from him. 

“Perhaps, one day, you would care to join us? But I'm sure their line of work isn’t something you are interested in, hm?” Alastor’s words left his lips, and Lucifer’s teeth bared at that.

Alastor’s smile intensified as his own energy filled the room, an invisible dual of power was beginning to emerge between the two demons. It reminded you of what happened when Lucifer had arrived at the hotel for the first time, when they had fought for the position as Charlie’s father figure. 

Alastor wasn’t an idiot though, Lucifer could eradicate him at any moment. Was just simply irritating the fallen angel his only motivation?

Was Alastor’s initial conversation with you just to pull the strings of what was happening now? Did he know Lucifer was coming to see you? That sly asshole.

Alastor turned away from Lucifer’s glare, and met your gaze.

“How is that radio doing that I gave you? I hope you’ve been putting it to good use, I was trying my hardest to

think of the perfect gift for you, and I just knew that you would be interested in it.” 

“It was.. nice, thank you.. Alastor.” You responded, afraid what would happen if you ignored his question. 

“My pleasure, dear friend. We’ve been through thick and thin, you and I. It’s only right I share with you a piece of my.. admiration towards you.”

Admiration? 

Lucifer stalked up to the two of you, staring daggers in Alastor’s back. Clearing his throat, he let out a dark chuckle.

“I’m sure your little relationship is over-exaggerated,” He said, his tone passive aggressive, “I’ve hardly seen you in the same room together, let alone have such meaningful conversations.”

“But, of course we do! I was there the first day they walked through those doors. I was the one that welcomed them to their new home, and it was I who furnished their room in the first place. Seeing as barely anything has been changed or moved around, it is safe to say our connection is much deeper than you may think.”

You heard Lucifer growl again. His eyes flickering to a shade of red.

“Well, it’s too bad your gift is useless now.” Lucifer hissed, “They have an instrument of their own, which I have provided them.”

Alastor’s ear twitched at that, and he turned to you in mock fascination. 

“Oh, an instrument? Did you know I used to play in a band?” He turned to you, his questions armed with ill intentions, “I would love nothing more than to give you a lesson or two!”

“I am going to teach them, actually.” Lucifer snapped, “I couldn’t imagine the terrible noises that would come from you plucking strings like a tone-deaf banshee.”

Alastor laughed at that before reaching out and grabbing your hand. You had the growing itch to rip it away, but his stare whispered dark things, and you relented. Allowing him to grip your wrist loosely.

“Well, this has been fun, and I would like to continue our talks,” He addressed you, “But I have important business to attend to within the hotel, as your faithful hotelier. Perhaps, later tonight?” 

Your smile faltered for a second, giving him a slight glare. You weren't going to let him think you were falling for his games.

“Such a shame you have so much attention on you from so many others, those demons on the streets really look at you with such enamoration. My word, just practically begging for your attention! If only you would share all your ideas and knowledge with just me, you’d know how fantastic of a listener I am.”

“Others?” Lucifer asked incredulously.

Alastor ignored him, instead, he did something that you never expected.

He gingerly pulled your hand closer to his face, before leaning down slightly and placing a quick peck to your knuckles. You gasped, placing a hand over your mouth to cease it quickly. 

It was meaningless, you could tell. An act to simply further spur on Lucifer’s rage. 

“Why you pompous little fucking-!” Lucifer roared, but was cut off by Alastor’s maniacal fit of giggles.

Suddenly, the red demon evaporated into a large green cloud of smoke. A gust of freezing wind rushed you as he vanished. Behind you, Lucifer’s large hat was carried with the gust of wind, and he was left practically frothing at the mouth, his hair disheveled from the wind. His eyes still a dark sickly-red. 

You strode up to him, placing a hand on his arm. Trying to get him to look at you. 

“I promise you, we were not talking genuinely just then, Lucifer.” 

“Do you have conversations with that creep when i’m not around? Have you been telling him the same things you’ve shared with me?” 

You rolled your eyes, letting out a breath of hot air. 

“Don’t be ridiculous, he’s just getting under your skin. I’ve barely spoken with him.”

“What did he mean by ‘others’? You have suitors that i’m not aware of?”

You leaned back, confusion spreading across your face. Was Lucifer.. jealous? Was the thought of other demons trying to get intimate with you.. bothering him?

“What? Well, I don’t know, maybe. It’s not like I-”

“It’s me who knows almost everything about you. I’m the King of Hell, what can anyone offer you that I can’t?”

What was this? He’s never spoken a word about courting you, which is why your feelings towards his affection were mixed. But now, he wants to? 

“And here I thought I could make it to the overlord meeting in time,” He growled. Before his gaze was renewed with fresh determination.

He grabbed your hand, pulling you closer, and snapped his fingers. 

Before you could blink, the area around you melted and transformed into a beautiful restaurant. You were sitting at an oak table, candles lit around you. A wine glass in front of you.

Lucifer materialized at the seat across from you in a very tight, clean black tuxedo with a red bow tie around his neck.

He gave you a playful smirk, before another figure strode to your table. You looked up, and saw.. Lucifer? Again? This time in a classic waiter outfit, an apron tied around his waist. He held a plate of food in one hand, before setting it down before you. 

“You’re favorite dish, catered by yours truly.” Waiter Lucifer spoke confidently.

You looked down at the foodstuff on the plate, your mouth watering. It really was your favorite dish. You reached out to grab it, before you were thrusted into darkness again.

Where were you now?! 

You were sitting on a very comfortable cushioned chair, and as you whipped your head around, noticed that there were rows and rows of the same kind of chairs. 

“What the hell is going on?!” You yelled to the scene, but received no answer. 

Placed in them were more.. Lucifers? They all whooped and cheered, clapping at whatever was in front of you. You turned your head, taking in the sight before you.

It was a lit stage. The curtain was closed, so you were unable to see what was on it. Suddenly, the curtain lifted, and there was Lucifer again, he held a Violin, similar to the one he gave you, but this time in pure gold.

He looked at you before gliding the bow across its strings, the echoes of its chords filling the room. You perked, recognizing its tune.

It was ‘Innsbruck, I must leave thee’! The same one he had asked you about when you caught him humming that one time.

Did he learn it… just for you? Your heart fluttered. Was this grandiose display just him trying to prove that he cared about you and your interests?

It continued for a moment longer, the strings on his instrument singing with raw power. It was a beautiful sound, and for a moment you were lost in it. Emotions from your past bubbling inside of you.

And then, he let go of the violin and it began playing on its own. It floated in the air gracefully as its tune continued. He leapt off the stage and landed right in front of your seat. He extended his hand, waiting for you to take it. 

You hesitated for a moment, unsure of where you would be taken next.

“Luci..” You said, giving him a questioning look.

He only smirked at you, his eyebrows raised playfully. You shook your head, a smile blooming on your face at his theatrics, and laced your fingers with his. 

Instead of being thrown into darkness like before, gold flashed around you as he teleported you somewhere distant.

This time, you were on the roof of a very tall building, you shook your head to rid yourself of the dizziness before taking in the sights around you.

You were in Pentagram city, Heaven high above you, it’s white glow helping to light the rooftop like a stage.

Your hand was still gripping his, and he did not pull away. Neither did you. 

Suddenly, a tune began once more. Unfamiliar this

time, and you twisted your head to find where it was coming from, but to no avail. It seemed to be emanating from the entire space around you.

Was there a faint musical number playing in the background, or was that just your imagination?

Lucifer pulled you closer, his classic red and white hats by vest clung to his frame. His hat and overcoat nowhere in sight.

“Lucifer, what are you…” You trailed off, right as he opened his mouth and started to.. sing.

With treasures untold and riches divine,

I offer you the world, to make you mine.

His voice was like velvet, that boisterous playful demeanor apparent as he circled you around, you turned with him, never releasing his hand. He continued, his eyes never straying from you as he sang.

I can offer you kingdoms, castles of gold,

Mountains of riches, for you to behold,

Diamonds that shimmer, like stars in the night,

With every breath, with every sigh,

I’ll lavish you with riches, until the end of time.

His singing ceased, and you were rushed back into reality. You looked at him in awe, enamored by that pretty voice of his. It was ethereal, just like God has designed him to be.

You stood there for a second, eyes fixed on Lucifer’s hand as it entwined with yours. Your gaze traveling to those big, beautiful golden eyes that practically begged for your response. 

In that moment, as the sun above illuminated his pretty face and his shining hair flowing in the gentle breeze, you realized how much you adored- no, loved this man. 

Summoning all of your willpower, you answered. Your lips parted as your tongue began to form words of your own design. You didn’t call up any lyrics from pieces of past design. These words needed to be yours. Needed to say everything you desired and more. 

I don’t want your magic,

I don’t want your gold,

I want your eyes on me,

Until we grow old, 

The words left your lips, soft and buttery, as your confession rang through the air. You desperately hoped your voice didn’t sound like nails against a chalkboard, that it held some resemblance to his own angelic vocals. 

His eyes widened for a moment, before they softened. A sparkle shining in them that wasn’t there before. 

A genuine, heart-melting smile crossed his face as he listened to your words flowing from your tongue so gracefully, like water cascading from the Fountain of Youth.

You took his other hand, pulling him backwards, as you danced across the narrow rooftop, like ballerinas, your footsteps synced and graceful. 

Suddenly, he turned you towards the edge, your heels mere inches from the ledge of the roof. For a moment, you felt like you’d slip and plunge into the depths, but those eyes of his held you steady in your mind.

Until his wings appeared behind him, beating softly, giving you air as he spun you slightly off the rooftop. A pulse of warm energy hit you, and your legs lifted out from under you. Like you were Jane with your Peter Pan, and his magic fairy dust was going to send you gliding off to Neverland.

For a moment, you felt like you had wings of your own. That feeling of absolute freedom, unchained from the ground as you floated for a moment before Lucifer pulled you back to reality.

Your feet hit the rooftop once more and you were breathlessly aware of your heart beating in your throat. Your gaze snapped back to Lucifer once more, and you felt one of his hands lowering to your hip, the other still entwined with yours.

Lucifer leaned forward, and you with him.  Your back curved into an arch as he leaned above you, your lips inches from brushing against each other. You felt like exploding, those butterflies fluttering wildly in your stomach threatening to burst.

Both your mouths opened at once, and your words entwined with his as your lips moved once more.

Your caring touch abundantly clear,

It’s all i’ve ever known,

With you my dear, 

I surely fear,

My heart will never be my own.

As your song ended, you felt your heart and mind clear instantly as your truth had finally been told. The look of pure adoration in his eyes was enough to have you trembling under his touch. 

Lucifer pulled you back onto your feet, his breathing heavy and the feathers on his wings ruffled. 

With both hands on your hips, you reached forward and cupped his face. Heat spread across your body as your fingers grazed across the small wisps of hair that curled around his ears.

“Darling, I-”

Before you could let him finish his sentence, you squeezed your eyes shut, and planted your lips against his. He froze for a moment, his breath hitching, before his hands around your waist tightened and he deepened the kiss.

You moved your hands from his face and instead wrapped your arms around his neck, grasping at his shirt collar with hungry desire.

His scent washed over you, and you drank it in with desperation. A sweet, crisp dose of apple cinnamon mixed with faint traces of roses. You thanked Heaven in that moment, for releasing them from their grasp, and right into your arms down here in Hell. 

Your knees hit the ground the same time as Lucifer’s, and you felt the soft touch of his wings as they wrapped around you. Blanketing the two of you from the prying eyes of all the realms. 

He pressed his face harder into yours as he cupped the small of your back. His teeth grazed the bottom of your lip, and you parted your mouth slightly, locking the two of you together even more intensely. 

His lips left yours, and he planted feverish pecks across your cheek all the way to your earlobe. He bit tenderly on it, and you had to squeeze your lips together to stop from whimpering. He continued, trailing down your neck with hungry kisses, before burrowing his face into your shoulder blade.

You felt his teeth graze the artery in your neck, and you gasped, grasping at his hair desperately as pleasure coursed through your veins. His breath hot against your skin, tickling it.

“Fuck,” You moaned, and his response was to push you farther into bliss as he suckled on your neck. Waves of pleasure hit you once more, and you began to sloppily kiss the top of his shoulder, slightly exposed from your roughhousing.

Lucifer tightened his grip around you, pulling you as flush to his body as he could manage. You both sat there on your knees in a mix of breathless gasps and hums of pleasure.

You did not want this moment to end. Finally, the both of you had opened yourselves up to your true feelings. You smiled at the thought, and planted a kiss on his earlobe as he lifted his head slightly from your neck.

Suddenly, the watch on Lucifer’s wrist buzzed violently, and you heard him curse under his breath.

“Is that for your meeting?” Your voice came out in a hoarse whisper.

“Unfortunately,” He grumbled, before switching off the noise. He didn’t move from his position though, and you realized he was going to try and skip out on it.

“You should go.” You spoke, almost a command.

“Why? They’ve been fine without me for this long.”

“You’re the king,” You retorted, meeting his gaze sternly, “Go do your job, i’m not going anywhere.” 

His look of distraught at having to depart sent another wave of butterflies into your body. You couldn’t help but smile before giving him another quick peck on the lips.

“Go.”

“Fine.” 

You both stood up, and his wings uncurled around your body, disappearing into his back. His fingers still with yours, as he reached down for his hat that lay on the ground beside you. You released his grip and fixed his bow tie. Pulling his overcoat back neatly onto his frame, and adjusting it slightly. 

You wiped the sweat off his forehead and smoothed down his hair. Attempting to tidy him up as quickly as you could so he wouldn’t be late. He smiled warmly as you fussed over him.

“Now, if you don’t mind,” You spoke softly, batting your eyelashes at him, “I need a way off this roof.”

He smirked, before grasping his staff and tapping it against the ground. 

A flurry of gold wafted around you, and that same energy tickled at the back of your neck just like it did at the art studio. His face blurring from the cascading waves of warm light that wrapped around you.

“See you soon, My Love,” His voice echoed as your eyes shut and you felt that pull of energy. That feeling of floating on thin air hit you again, as you were warped away. 

“There you are!” Angel dust threw his arms in the air in exasperation a few feet away from you, as the particles of gold that floated above you disintegrated. You blinked a few times, letting your eyes adjust to the lights in the lobby. 

“Where were you this morning? I had to watch the final episode all by myself!”

Shit. That’s right. You placed a hand on your forehead, berating yourself silently for forgetting. Although you weren’t too regretful about missing out on it for Lucifer.

“I’m so sorry, Angel. I just got.. busy, I guess.”

He shrugged, brushing off his slight irritation. 

“It’s alright, ain’t nobody hurt from it.”

He was going to turn away, towards the bar where Husk was readying drinks for the two of them, before his gaze narrowed in somewhere on your figure.

“Wait, what the fuck is on your neck?” He asked suddenly, his eyes giving you a questioning stare, as he motioned towards it.

You looked at him confused, before reaching up and running a few fingers down the side of your throat. Your eyes flew wide open in surprise, and your hand cupped your mouth as you felt it. Your cheeks set on fire instantly.

Apparently, as a final gift, Lucifer had left a rather large hickey in the crook of your neck. Both Husk and Angel leaned in to get a better look at it, their eyes widening in surprise. 

“That dickhead finally did it, huh?” Husk spoke up, a knowing smirk on his lips as he cleaned glasses behind the bar.

Angel’s eyes lit up in delight, and he squeezed his own cheeks as realization dawned on him.

“Fucking finally! Does that mean you two are a thing now?”

You contemplated for a moment, before meeting Angel’s gaze once more. A smirk growing on your lips. 

KeeKee appeared at your feet, rubbing at your ankles in greeting. You gingerly reached down and picked her up. She was so soft to the touch, and you caught the faint scent of Lucifer once more as she nestled into your chest.

“I guess so,” You finally replied once you situated the cat into your arms, “Now if you excuse me, gentleman, I need a breather.” 

Angel whistled flirtatiously behind you as you walked away, and you couldn’t help the growing heat that hit your cheeks once more.

——

a/n: let me know your thoughts!! i almost didn’t added the little singing bit but i cracked my knuckles and summoned the lyricist in me to have some fun. I mean, it can’t be Hazbin Hotel without a song right?

tag list: @ohnoivefallen @doodlebob2726 @coleisyn @loslox

[nadvs]

watch and learn (part nine)

pairing fratboy! rafe cameron x female reader

rating explicit 18+

content warning drug and alcohol use

summary it takes one conversation with your college dorm neighbor to know you won’t get along. rafe is loud, rude, and short-tempered. after he overhears you talking about a disappointing fling, he loses his confidence in his sexual abilities and suggests you start hooking up to both improve your skills in the bedroom. you can’t stand him, but it’s too good of an offer to turn down.

» masterlist

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He’s used to feeling anger. It’s familiar to him, like a song he’s heard a million times.

But there’s something weaved in with the anger he’s feeling right now. A painful, sinking hopelessness. It’s almost debilitating.

Rafe typically looks away when he sees you and Blake together, but this time he can’t. It’s like he wants to aggravate himself.

As he sits in the sand, you’re out in the distance, far into the dark blue water, part of two silhouettes closed in a kiss.

You told him sadness isn’t weakness. That’s a fucking joke. If it wasn’t weakness, why does his heartbeat feel unsteady? He’s the very definition of weakness right now.

Rafe pats Sam on the back, mumbling that he’s heading home.

“What, already?” Sam asks, who’s been focused on flirting with Liv the entire time. “You still coming tonight?”

“Yeah,” Rafe replies, although he’s not even sure if he’ll be attending the frat party tonight. He doesn’t know what he’ll do when he faces Blake.

His legs are heavy when he drives back to the dorm. He’s glad he didn’t carpool with anyone.

Rafe needs to get his shit together. He doesn’t want a commitment. He can’t do that. But he doesn’t want you to have one, either. With anyone.

What you have is so good. Why the fuck are you ruining it?

He scoffs to himself. It’s because you’re looking for someone who can commit. And… maybe he could figure out how to do the boyfriend stuff.

Stupid. He’s in disbelief that his mind went there. You don’t even want him like that. You’re friends that fuck. Or you were.

When you wade back onto the shore with Blake, you notice that Rafe is missing. You ask Sam about it, who simply tells you he left in a rush. You settle onto the sand with the rest of your friends, lightheaded and dazed.

About an hour later, you head home. Rafe’s in his room and hears your door open. He considers knocking. But soon after, your door closes again.

He paces for a few minutes, wondering if you went to shower. Or maybe you rushed back to Blake to go spend more time with him.

He desperately hopes it’s the former. He strips down and wraps a towel around his hips, heading towards the co-ed showers.

As you lather body wash over your arms, wondering if Blake felt the same way about the missing spark in your kiss, you hear your name muttered over the rumbling of the shower, echoing through the tiled corridor. You recognize his voice immediately.

“Rafe?” you say with a laugh. As confused as you are, you’re just as relieved to hear him.

You pull the slide lock open, slowly swinging open the shower stall door, eyes landing on his cheerless face. Your smile fades.

Rafe finds both pain and pleasure in that look of concern on your face that took him prisoner long ago. He knows you only care for him as a friend. You fucking love throwing that word around.

“What’s wrong?” you ask.

Rafe feels angry. He’s jealous. He’s lost. He’s drowning and this will give him one last breath before he goes under.

He barges into the shower, cupping your face with firm hands and kissing you hard. He’s terrified you’ll shove him off and tell him you’re with someone now.

“One last time,” he mumbles when he pulls back an inch away from you, begging that you’ll want him enough or at least find the pity to do this before you turn into someone else’s girlfriend.

Your eyebrows draw together in confusion. One last time? Why does he want to stop doing this? He said he wanted to keep hooking up with you just the other night.

Nonetheless, you agree. You’re falling for him and continuing this is self-destruction. Whatever his reason, you agree. Even if it hurts, you agree.

“Okay,” you whisper.

His shoulders lose all tension once your soft hands drag up his arms, curving around the planes of his muscles, landing at the sides of his neck.

Touching him is a thrill every single time. This charge of excitement is what your kiss with Blake was missing. Rafe is everything you want. You finally admit it to yourself.

On paper, this doesn’t make sense. You should be head over heels for Blake. He’s a good guy who actually wants to date you. But Rafe, with all of his temper and his arrogance and his repulsion for commitment, is who you want.

Thankfully, the rest of the showers stalls are empty, but you pull back to shut the door behind Rafe and avoid the risk of anyone seeing you.

He lazily bunches his towel onto a free hook and presses up behind you, his mouth on your wet shoulder, hot water drizzling on his back. His hands roam over your chest, down your body, between your legs.

He’s touching you like he has seconds left before he has to stop.

You feel his cock hardening against your back. If this is the last time, you need to taste him, have him every possible way you can.

You turn and sink to your knees, gripping him at his base, putting him in your mouth. He’s still partly soft, delicate against the inside of your cheek.

Rafe shudders under your touch, watching you on your knees, wisps of steam surrounding you. His cock grows in your mouth as you run your tongue over him.

You look up at him like he taught you to the night in the backseat of his car, your heart pounding.

“Those pretty eyes,” he says over the drumming of the shower. “Fuck.”

He drags a hand over your hair, savoring the way your lips close around him. His cock twitches in your mouth as his softness is replaced by tight rigidity.

You pull away, pumping his length in a tight fist, your saliva covering him.

“You always get hard so fast for me,” you praise, eyes tracking the water falling down the ridges of his toned body.

Rafe knows he’s a goner when he thinks about the fact that he wants to only get hard for you.

You put him in your mouth again and start to slowly bob back and forth, slightly gagging every time you take all of him in. He has to press his other hand against the hard plastic door to steady himself as your hot, smooth tongue circles his cock.

His eyes are locked on you. His grip tightens at the roots of your hair as he bucks his hips forward and you open your mouth wider to invite him to control the pace.

Rafe’s takes his hand off the door to hold your head as he starts to rock, slowly fucking your mouth, keeping his locked eyes on yours the entire time.

When you start to massage his balls, he groans, feeling himself getting close. He pulls out, cupping your face to beckon you to stand. You’re on your feet and he kisses you again, softer and slower this time.

As you kiss, you hear a door open down the corridor. He clenches his jaw in frustration. He doesn’t want to be quiet. He wants to hear you moan, and he wants to be the only one to hear it.

“Let’s go,” he huffs quietly.

You don’t have time to think. You turn the shower off and wrap yourselves in your towels and rush to your dorm room. The towels drop the second the door shuts, hands roaming over each other’s wet bodies, lips joining in deep kisses.

He guides you to lie in your bed. This is where it all started. That first night, it was all emotionless and instructional. Now he understands your body like nobody ever has before.

Rafe hovers over you on his knees and dips to kiss your breasts. You stifle a moan as his tongue circles your nipple.

“Louder,” he orders. You trap your bottom lip behind your teeth as you smile, obeying him and moaning as loud as you want to.

He trails kisses down your stomach, over your pelvis, across your thighs and finally puts his mouth between your legs. His wet lips lock around your clit and you tremble, hands finding his hair.

He can’t imagine how the fuck he’ll ever be able to do this to another girl. She won’t taste like you or sound like you.

Rafe runs his tongue over folds, his face getting wet with your arousal. You bunch your fingers into his soft hair, enjoying the sight of his mouth pressed up against you.

His eyes meet yours and it’s such a beautiful sight that you feel envious of all the others who’ll get to see him like this now that you’ve taught him how to please a girl.

When he slowly pushes a finger into you, you start to writhe and shudder, tightening around him. He adds a second, curling up into you as he continues to suck and lap at your clit.

It hardly takes any time at all for him to lead you into an orgasm. You tumble into it with hard pulses, arching your back and squeezing your thighs around him.

Once you come down, he kisses your pussy, thinking that it’s not fair that he didn’t get to do this more times.

He comes up to kiss you, your taste on both your tongues. His cock is swollen as he grinds up against you, the feeling of your bareness with his intoxicating.

“I wanna do it raw,” Rafe says, voice ragged and desperate. “Please?”

You nod without a second thought, wanting to feel him completely. He rubs you, spreading your wetness over his palm.

You watch him stroke himself, his fist moving quickly, covering himself with your arousal. His chest is heaving now as he looks down at you and your awestruck, open mouth.

He’ll miss seeing you like this, all blissful and hungry for him.

Rafe leans down to kiss you again as he guides himself into you, both of moaning into each other’s mouths.

You’re warm and soft and wet and tight around him, giving him a rush of ecstasy before he even cums.

“My perfect girl,” he rasps, his temple against yours. “Everything about you is so fucking perfect.”

You told him not to say shit he doesn’t mean.

He’s following your advice.

As he pushes in and out of you, his hand trails up your forearm and he laces his fingers through yours. The gesture is fucking romantic that you’re almost angry at him for doing it.

You allow yourself to live in this short-lived fantasy, letting Rafe say goodbye to you with his body.

He’s so overcome with passion that he squeezes your hand too hard, making you wince.

“Rafe,” you whisper, “that hurts.”

He tenses and stops moving immediately, blue eyes frantically searching your face for an answer.

“My hand,” you say.

“Shit,” he says. He loosens his grip, gently curling his hand around your fingers. He can’t endure seeing you in pain. Especially if he’s the one who gave it to you. “Sorry.”

“It’s okay,” you say with a breathy laugh. You thought he hated holding hands. “Keep going.”

Rafe resumes his thrusts, shifting to rub your sensitive clit and meeting your lips with his again.

The pressure of him filling you, the sensation of his thumb dragging circles over you, the way he’s kissing you sends another familiar rush of pleasure through you.

You start to breathe even faster as your walls start to clench around his cock. You whimper as your body warms with the promise of another orgasm.

“Again, baby?” he grumbles in an amused tone. He loves that he can do this to you. “You deserve it.”

Rafe’s words send you over the edge again, your entire body trembling. The way you clench around his cock makes his blood hot, thrusting into you harder and harder.

“You’ll be thinking about me, won’t you?” he says. “Wishing it was me?”

He doesn’t have to say it outright. You’ll be thinking about him the next time you’re tangled up with another man like this. You know you will and it kills you to admit to yourself.

“Yes,” you impulsively answer. The words between you are so sensitive and heavy that you kiss him to stop the conversation from carrying on.

Rafe continues to pound into you, hitting so deliciously deep every time, loving how your pussy swallows him. He’s panting at this point, body slick with sweat, thighs burning as he frantically rocks in and out of you.

“Taking it so fucking good,” he grunts. “Fuck, I’m…”

When he finishes inside you, hips stuttering against yours, every muscle in his body tenses, the wave overtaking him.

He has to keep himself from collapsing on you, shifting and slowly pulling out. You lie on your side with your back to him. It’s too much to look at him after sharing something so intimate, knowing it’s the last time.

You can feel his cum inside you, the lack of him so damn painful. It’s over. You’re crashing now.

“A-plus?” Rafe mumbles against your shoulder.

“A-plus,” you say, hoping your tone doesn’t give away how somber you feel. “You officially know how to please a girl.”

You say it mainly to remind yourself of the situation you have with him. To hear it out loud that this is all a purely physical arrangement.

Rafe shuts his eyes, plummeting from the high you just gave him. He can’t say anything to that. You couldn’t be more clear that you have no feelings for him.

“Why’d you say this was the last time?” you ask, curiosity getting the best of you.

Rafe’s not about to tell you the truth and put himself through the process of getting rejected by you. Especially after he saw you kissing another man just hours ago.

The spite and sorrow return, washing over him again.

“We said we’d do this ‘til we’re satisfied,” he says. “I’m satisfied.”

You hate that his words hurt as much as they do.

You’re about to remind him of what he said at the party a few nights ago, about how he wants to keep fucking around with you. But what’s the point in convincing him to keep doing this when you already know it’s best to end it?

“It was fun while it lasted,” you say indifferently. You’re not even close to satisfied, but you’re not going to beg him. “You can go if you want.”

Another touch from him would be too much. You need to end this now.

Rafe’s weight shifts behind you as he gets out of your bed. You gave him the easy way out. And this is Rafe. Of course he’s going to take it.

Your door shuts behind him and you let out a shaky exhale as you lie in bed, hating that hot tears prick at your eyes.

You weren’t supposed to develop feelings. You lost.

Rafe tells himself he won’t care when he sees you with Blake. He’ll act like it doesn’t fuck with his head until it no longer does. He’ll go to tonight’s party and find a girl and sleep around like he wanted to before he met you.

As you get ready a couple of hours after Rafe left, you’re pretty sure going to the frat party is a shitty idea considering you still feel so heavy-hearted. But it’s better than staying in your room, wallowing in your sadness.

You don’t really want to face Blake in case he tries anything, but the sooner you let him know you only want to be friends, the better. It’s best to rip the bandaid off.

You meet Liv at the house, purposely avoiding Blake and Rafe before you’ve had a drink. A couple of sips in, though, Blake and Sam approach you two, offering you a joint.

“Chivalry isn’t dead,” Liv jokes, taking a puff. She offers it to you and you take one pull. Then another. And one more.

The boys challenge you to a game of beer pong and you and Liv follow them to the dining room. You catch Rafe’s gaze. He’s with another girl. Of course he is.

He’s is in the living room, a few minutes into a conversation with someone who approached him, when he sees you. You’re right next to Blake while you set up a game of beer pong. It’s infuriating him all over again.

He realizes there’s a gap in conversation. She must have said something he ignored. He tries to put his focus back onto her, but how can he when the girl he’d do anything for is just across the room, giving another guy the attention he’s dying for?

As you play with Blake against Sam and Liv, you land a ball in a cup. Blake cheers and puts an arm around your waist.

“Nice one,” he says, looking down at you with a smile. You know you’ll have to break it to him soon. Leading him on any longer wouldn’t be fair.

The game carries on, the fog of your high thickening. You keep glancing over at Rafe, who’s looking down at her with that smug smile you know so well. He was just inside you hours ago, raw, and he’s already hitting on someone else.

Sam and Liv end up winning the round, and now that you’re tipsy and stoned, the music is too loud, the air is too humid.

You take a deep breath and look up at Blake, needing a break from everything. You lean in, making sure not to touch him.

“Could we go to your room?” you ask. “I need to sit down.”

“Yeah,” he says. He takes your hand and leads you through the crowd and up the stairs.

Rafe sees you and his chest tightens. It was fun. That’s all you said. It was so much fucking more than that to him, but to you, it was fun.

You’re not shy anymore. Thanks to him. That’s probably why you’re comfortable going upstairs and hooking up with Blake so soon.

He told himself he would act like he doesn’t care. It’s taking everything in him to follow through.

When you settle onto the edge of Blake’s bed, he sits next to you. You can smell his cologne and immediately think of how much more you like Rafe’s.

“You okay?” he asks softly.

“I think I smoked too much,” you reply.

“Shit, that’s not fun.” He puts his hand on yours. “Can I help? Do you want some water or something?”

You swallow hard, taking advantage of the courage you have from the substances you drank and inhaled.

“Blake,” you say quietly. You look down at your lap.

“Yeah?”

“I… want to be honest with you. I think we’d be better off as friends. I’m really sorry if you want more.”

Tension immediately grows between you. After a moment, he replies.

“It’s all good. I think you’re right.”

Maybe he’s saying it just to save face. Or maybe he can sense that your conversations are rigid more often than not and affection between you feels like it’s missing something. Either way, you’re relieved he’s taking it with grace. It’s what you expected from him.

“You deserve a great girl,” you tell him sincerely. Blake looks down and nods.

“If it’s him you want, I hope he gets his shit together for you.”

Blake doesn’t have to say his name. It’s obvious. It’s embarrassing that you’re so transparent, but you try to push away the discomfort.

You meet his eyes and can only offer him a disappointed smile. You hope Rafe can get his shit together, too. But you saw him with another girl downstairs and you know his heart isn’t yours.

Like he said, he’s satisfied. He’s done with you.

Since you sat down, the world has started spinning even harder. You’re not even at the peak of the high yet.

“Is it okay if I lie here on my own for a while?” you ask quietly.

“Of course,” Blake says. “Let me know if you need anything.”

He leaves, surely grateful he doesn’t have to stay with a girl who just rejected him. You breathe through the scary whirling sensation flooding you.

You lean back on the bed and lie down, anxiety gripping you. You know you just have to ride the high out, but your heart is racing.

You close your eyes, taking calculated breaths, trying to keep the fear at bay.

You hear taps at the door a few minutes later and turn your head to see Liv come in. She offers to walk you to your dorm, but the mere thought of even just sitting up when you’re feeling so sick makes you even dizzier.

“I think I just need to stay like this for a while,” you tell her. “I’ll find you, okay? Go have fun.”

“You sure?”

“I’m sure.”

“Text me if you need me,” Liv says.

Eventually, you still feel woozy, but you’re able to sit up. You’ll definitely need help getting home. You’ll find Liv, get home and crawl into bed.

Rafe blew off the girl he was talking to and has been drowning his feelings in booze. When he sees Blake downstairs, he notices you’re nowhere near him.

His eyes search around for you, but you’re not here.

Then he sees you coming down the stairs, slow with every step, holding the bannister with two hands. Any animosity he held for you dissolves when he sees how disheartened you look.

The vision of you like this sobers him up. You were upstairs and Blake just left you to keep partying? He cuts through the crowd and meets you at the bottom of the staircase.

When Rafe approaches you, your anxiety loses some of its power. What you shared earlier today was such a beautiful experience that you almost forget you’re never going to touch him again.

“Hey,” Rafe says over the loud music. “You okay?”

“Partied too hard,” you say tiredly. Your body still feels a bit numb, your head swimming, your inhibitions squandered. You’re afraid of what you might say to him with less of a filter.

He wants to know what kind of partying you’re talking about. If you actually went all the way with Blake. As if knowing will make any difference.

“What’d you do up there?” he asks. You scowl. Is he seriously still jealous of Blake?

“Why do you care?” you ask. “Where’s the girl you were talking to?”

“I don’t want her.”

“Onto the next one, then,” you say bitterly. “I need to go home.” You step to the side to pass him. Your knees wobble and he grips your forearms, keeping you steady.

“I’ll take you, baby.” You realize that’s the first time he called you that outside of sex.

His sense of protectiveness over you is almost overwhelming to him. He realizes he hasn’t ever cared about someone this much before.

“Liv’ll walk with me,” you tell him. You search for your friend in the crowd to see her in a corner, lips locked with Sam’s.

You consider taking Rafe up on his offer. Liv’s busy. Her dorm is on the other side of campus. Rafe is your next-door neighbor. It’s logical that he takes you home.

But your desire to do it not based on logic. You want to spend time with him and live in the fantasy a little longer.

Another wave of dizziness hits you and you look down with a pinched forehead and a shallow frown.

“Hey, what is it?” Rafe asks softly. You love and hate these few and far between displays of sweetness of his because as nice as they are, they never last.

“Dizzy,” you say. His hands are still wrapped around your forearms.

Guilt seeps into his bones, angry that you were upstairs like this by yourself. Especially if you and Blake hooked up and he just left you to sit in discomfort. Rafe would never leave you like this. He’d stay with you.

“Everything okay?” Blake appears behind Rafe. Weeks of pent-up rage twist deep in his gut. He’s been avoiding him all night for this reason.

“You just left her alone up there?” Rafe snaps.

“What?” Blake says.

“Is that how you’re going to treat her?” Rafe says through gritted teeth.

“What the hell are you talking about?” Blake snaps.

Rafe’s hands lose contact with you, his blood boiling as he turns to look at Blake, his chest aggressively pushing up to his.

“You’re a fucking joke,” Rafe starts to shout.

“Back up before you do something you regret, Cameron,” Blake replies. Rafe steps even closer, fists clenched.

“Back up,” Blake warns again. He looks to you and asks, “Are you feeling any better?”

This is the final straw for Rafe. How dare he pretend like he gives a shit about you?

He shoves Blake hard, finally giving into his rage for everything. For taking you. For leaving you upstairs. For being better than him.

Blake’s nostrils flare and he steps forward, hands bunching around Rafe’s collar.

“Get out,” Blake mutters. “Go. You’re done here.”

You’re in shock. You pull at Rafe’s hand, trying to deescalate the best you can while you’re still feeling so disoriented.

“Let’s go,” you urge. Rafe’s face is a mix of anger and confusion and regret. You can’t tell if he seriously just got kicked out of his frat over you.

In shock, Rafe lets you pull him out of the house into the quiet night air. It’s the blind leading the blind at this point, your muscles weak as you step out on the sidewalk.

Your dorm is just shy of a ten minute walk away, but you’re not sure you can do it if someone’s not watching out for you.

Rafe’s hands are in his hair as he paces out into the street.

“Fuck,” he mutters, his voice shaky. “Fuck. Fuck.”

You cross your arms as the cool breeze hits you and watch him through worried eyes.

“It’ll be okay,” you try to console him.

“No, it won’t.” He’s reeling. The brotherhood has a code of conduct. Violating it is a big deal. He fucks up once and he’s done. And on top of all that, he lost you.

“You guys’ll talk it out when you’re sobered up,” you say.

“You don’t fucking get it!” Rafe shouts. His volume startles you and he notices you jolt and it makes him feel a hundred times shittier.

You watch each other in silence for a moment before you speak again.

“I’m not going to stand here and let you yell at me,” you say to him. You turn and head towards your dorm, albeit slowly.

Rafe sighs, watching you walk away from him, knowing he should get used to the feeling. He rushes to catch up to you, reaching you as you pace down the sidewalk. He grips your forearm in case you get weak again.

“Wait,” he mutters impatiently. “Wait, I’m…”

“Why the fuck are you mad at me?” you say, staring ahead, refusing to look at him. “I thought we were friends.”

“Don’t say that word,” Rafe says. “I can’t stand that word.”

It stings. He can’t even see you as a friend now that he’s satisfied with you?

“If we’re not friends, then why get so pissed off at him for leaving me upstairs? If you don’t care about me, why did you do that?” you challenge.

Rafe feels drunk, heavy, and afraid of it coming out wrong.

“I wouldn’t have left you,” he says.

“You left me today,” you say with a pissed off laugh.

His rage and jealousy are clouding his judgement. Deep down, he feels like shit for the way he left you in your bed, but all he can see is red right now.

“Well, I’m not your boyfriend,” Rafe snaps. “He shouldn’t have done that.”

“I told him to, Rafe!” you shout. Embarrassment floods his body. Shit. “You’re the most confusing person I’ve ever fucking met.”

Rafe almost laughs. If he’s confusing to you, you couldn’t imagine living with his brain. It’s constantly tugging him in ten different directions.

You cross the street, arms still crossed, trying not to cry.

“What’s so confusing?” he asks. He can’t stand that you’ve kept your eyes off of him this whole time. “Look at me.”

You stop under a streetlamp on the campus pathway, glaring up at him. He hates how sad you look.

“You’re mean, then you’re nice,” you say. “You don’t want to do couple shit, then you call me your girl. You say you’re satisfied and done with me, then you try to fight Blake for leaving me upstairs. I don’t fucking get you.”

“I never said I was done with you,” Rafe replies.

You scoff. Of course he’s going to pick apart your words and move past the actual subject. All this man does is avoid his feelings. You turn to keep walking, but he steps in front of you.

“I don’t want to be done with you,” he says.

A dangerous feeling of hope blooms in your chest.

“We said it was the last time,” you remind him. “You got what you wanted from me.”

“I…” Rafe looks down and shakes his head. “No. I want more.”

“What… kind of more?” you say, tone softening.

He rakes a hand through his hair and exhales. He’s on not sure he’s ever felt this scared before.

“What kind of more?” you repeat.

“More than just… fucking around,” he finally says. He winces like he’s bracing for the impact of your words.

“I thought you said you don’t want to be tied down,” you say.

“Yeah, ‘cause I think college is supposed to be fun,” he says. “But… being with you would be fun. Being with you is the most fun I’ve...”

Rafe looks down again, his heart pounding in his ears.

“Are you with him?” he says quietly.

“Rafe,” you say with a huff. He just doesn’t see it. “Did I stay with him or did I leave with you?”

He lets the words sink in for a moment. You chose him. Damn. You actually chose him.

“I saw you kiss him,” he says, possibly in a subconscious way to sabotage everything.

You freeze. That must be why he left the beach so suddenly. He saw you with Blake and he couldn’t take it.

“But you didn’t see me telling him that I’m not interested in him like that,” you reply.

A weight lifts off his chest, giving him space to breathe better. Rafe realizes he’s already too deep. If you’re going to break his heart, you might as well break it all the way. At least that way he’ll be sure.

“Do you… do you want me?” he stammers. “As a - a boyfriend? Do you want that?”

He’s never looked so vulnerable to you before. Not even when you walked in on his father berating him. This is a new expression. One he’s been hiding from you.

“You want to be my boyfriend?” you say, a smile curling on your lips, your body going numb.

He awkwardly shuffles in his spot, nervously pushing his hair back again.

“Yeah,” you say.

“Yeah?” Rafe echoes.

“Of course,” you laugh. The fact that you seem so sure makes his heart warm in a way he’s never felt before.

“You’re not just saying that?” he asks.

It hits you like an unexpected storm, like the sudden raindrops on the night on the boat, that maybe Rafe doesn’t think he’s as great as he pretends to be. That it’s all an act, that he feels like he’s not worth loving and he hides it behind ego and coldness.

“Rafe,” you laugh. “No, I’m not just saying that.” You close the distance between you, brushing his bangs off his face, thumbs tracing over his cheekbones.

He looks like he’s still scared that you’re being insincere.

“What if I fuck it up?” he says. “I don’t know how to...” Be a boyfriend.

“We both know you can learn,” you reassure him.

Rafe finally lets himself believe that you really do like him, smiling, dimples caving into his cheeks. The way his eyes light up might just break your heart in the best way.

He doesn’t know if you turned him into someone else, or if he was always this person. But he wants it all. The dates, the affection, the commitment. He wants it all if it’s with you.

Rafe kisses you and this time, he allows himself to feel all the vulnerability he repressed before. You’re doing the same thing.

He doesn’t want to stop tasting your lips and feeling your nose nudge against his as he tilts his head to kiss you deeper.

After you somehow manage to pull yourselves off of each other, Rafe’s fingers lace between yours as you walk the rest of the way back to your dorm.

He knows he left things back at the house in shambles. He knows he probably lost his place in the frat and his future living in the house. He knows his temper fucked him over like it usually does.

But for once in his life, he has someone looking at him like he’s not a complete disappointment.

(part ten)

if you want notifications on when i post my fics, follow @xorafe-library and turn on notifications 💘

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[saetoru]

al-haitham’s the kind of guy who tilts his head slightly for a kiss before you even lean in to give him one. he just knows it’s coming. expects it. trusts it’ll happen.

he’s yawning when he sits at the table for breakfast, hair slightly disheveled from sleep. he sits down and when you place the mug of coffee in front of him, his head angles a little for that kiss you place on his cheek.

he’s drowned in endless paperwork at the akademiya when you stop by to visit, chuckling when he gives you that look of despair at the all the work he has to do. you don’t even manage to walk up to him fully before he’s leaning in and waiting for the kiss to the top of his head.

he’s shirtless in the bathroom, brushing his teeth at night when you walk in to brush yours too, bumping hips with his as you giggle. you don’t even have to turn before he’s tilting his head so he’s exposed and ready for that gentle peck you leave at his jaw.

“have you ever noticed how demanding you are for these,” you chuckle one day, pressing a kiss to his cheek to prove your point.

he grunts, leaning in and burying his head into your neck as you greet him at the door after a long day. “what makes you say that,” he mumbles.

“you’re ready for one before i’ve even come close,” you grin, “what if one day i don’t kiss you?”

“you’d stop kissing me?” he asks, squeezing your hips as he nuzzles into your neck. something tells you he already knows your answer.

and he’s warm. he’s close. he’s here and he’s everything all at once. he’s all you need and everything you’ve ever wanted. he’s the messy hair of your mornings and the pouty lips of your afternoons and that shirtless back of every night. he meets you halfway—maybe even takes the first step so you don’t have to.

he leans in for that kiss before you do. because he needs you, wants you, loves you—and he never lets you forget it. so you turn your head, press your lips against the side of his head and run your fingers through his hair as he sighs in content.

“no,” you hum, falling in love all over again, “no i’d never stop kissing you.”

[kineticallyanywhere]

Time & Space pages 1-2 ( This is the start || ao3 (not yet!) || next ) Starts less than 24 hours after the death of Willy Stampler. With the job done, there's finally time to sort some things out. They just need the right amount of space.

[sweeetestcurse]

A question for the fic writers out there:

Personally, I go through and rewrite each fic and chapter at least 3 times before I post and even then I feel like I could be doing more to make things better.

[dracotopsharryarchive]

Packing the Flat

Author: marguerite_26 Rating: Explicit Warning: Misunderstandings, Happy Ending Creature: Words: 6,318 Summary: Months after their explosive break-up, Draco insists Harry return to their flat to remove his belongings.

Read it: https://archiveofourown.org/works/366513

[tswwwit]

I’m so thrilled to see an active BillDip blog and writer. Day made!

Thank you! This fandom resurgence is pretty thrilling for me, too. I've been a weird hermit living in my little hut in the bog, only to find out wow! There are people from other villages who are interested in the bog! Come and view my assortment of peats and mosses.

[sunsburns]

almost done a fic where the trio crashes your engagement party

[evansbby]

sneak peak of the captain's reward part 2, because fuck it there's only like two people online who will see this lmfao.

warnings for non-con, dub-con, daddy!kink, large age gap, dark!Steve Rogers etc. 18+ only, minors dni.

“Yeah? You ever thought you’d get fucked by a cock as big as this?” Steve asks, pulling out and admiring how his huge length is covered in your juices. And your blood, because of course, despite not going as hard as he had last night, he’s made you bleed once more. God, you were such a goddamned baby.

You shake your head, only earning a slap to your face and a menacing look that has you crying out: “No!”

“No, what?” He knows he has a sick gleam in his eyes, because he wants to hear you say it. “

“No, I never thought I’d get fucked by a cock as big as yours!” You cry out, your sentence ending in a piercing scream as he slams into you once more. The teddy – fucking Chester – slips out of your grip because of the force of which you’re being fucked. But Steve won’t have that, he grabs the stuffed animal and shoves it back into your arms, wanting to watch you hold it and cuddle against it. Use your little toy as the only source of solace while your daddy ravaged you.

“That’s right,” Steve says lowly, drinking in the sight of you crying into Chester’s fur, “Cuddle your fucking toy like the little baby you are. Getting fucked by a man more than twice your age,” he licks his lips when your pussy clenches around his cock at his words, “And you like it, you dirty fucking whore. You like how much older I am than you.”

“No, I don’t!” And yet you moan desperately, rutting against him now, clutching at your teddy bear yet at the same time thrusting your hips upwards to meet his animalistic thrusts.

Steve smirks, “Your cunt likes it.”

[adrinktostopyourthirst]

Bucky Barnes | One Shot | Rebound

Part two to Underground

Pairing: Fighter!Bucky Barnes x Reader

Plot: You lose your last tether to the normal world and Bucky has to make a decision. You’re officially part of the Underground. Does he help you, or not?

Warnings: 18+. Angst, violence, fluff and smut.

Words: 5OOO

The demanding throbbing in your feet nearly feels delightful as you drag yourself home to your cramped apartment. As the sun rises and the city turns pink and orange, your building starts to come alive. Though you can barely manage to keep your eyes open.

You can tell the Underground is starting to toughen you up. You make longer days, are a bit paler in your face, making your features sharper, and the bravado you muster as you survive every night is surely something that has started to cling to your face and posture permanently. The people that start their days at sunrise, the ones that weren’t blipped from society and still have a life to return to, they walk around you in a big circle now.

It only makes you feel smug. The society slowly casting you out – starting to fear you.

However, your confidence has a short lifespan when you walk up to the front door of your apartment. The fresh paper with red capital letters stamped on it shouldn’t come as a surprise. You have tried to hold this moment off for as long as possible, going even as far as to take small side jobs in the fighting dome to make some extra money.

You suppose it was only a matter of time before you’d have the words ‘EVICTION NOTICE’ stamped across your door.

And your adrenaline spikes again, realising the time has come that you are officially homeless. You have been well and truly cast out by society, something both you and Natasha had been trying to fight and hold off for as long as possible. This is why the spy had introduced you to the Underground, to make some sort of living. And Nat had never judged you for staying in denial a little longer, even though you knew you would have to get used to the Underground fast, because it was only a matter of time before it would be your new home.

So no sleep for now.

You rip open the door and start packing, leaving all the old furniture that was already there and ending up with one big, stuffed duffel bag and a smaller bag. And then you stand in your place that is no longer your place and truly has never really felt like your place. You look around and feel angry …and hurt. After all, you have been chewed up and spit out, like so many before you.

You stuff that feeling far, far away and vacate the building right as de evening rolls back in. Evening already – since you have tried to put off this moment for as long as possible, have extended packing for hours. Since you don’t have a clue where Natasha lives, if she even resides in the country right now, you are forced to step to the one person you do not want to go to…

As you enter the dome, the place eerily quiet since the nightlife is a long way from commencing, you mildly greet the bartenders and crewmembers readying for the night. You scrunch your face at the stench, wondering if the place ever really gets cleaned. In the darker corners you see things that you decide are none of your business and you drag yourself through centre of the Underground, the capitol of dodgy business.

Making your way to the locker room, you breathe a sigh of relief when you find it empty. Finding a locker in the far back, you stuff it full with your last belongings and pray that none of it gets stolen. Maybe you can find a place in this building to sleep in. You have definitely seen other people crash here for the night, though you debate how safe you’d be. You hardly think you’d close an eye in a place like this.

Then, all the hairs on your body stand up straight.

You slowly turn to find Bucky staring at you, one brow quirked and that being the only sign of his curiosity. “Why are you already here?”

You swallow, “Just trying to get some extra work in.”

Neither of you have talked about what happened nearly a month ago. How you rode his leg with his fingers inside of you until you had one of the most intense orgasms of your life. And how that had been enough for him to come nearly untouched. Well, you say untouched, but you had felt just how heavy he was on your tongue and that’s where you wanted him coming next. Badly.

And you can’t exactly say the tension between you has shifted much. Something that made you realise just how high tensions between you already were. But you dropped it, so had he.

“You have to be careful with those side businesses,” he tells you as he turns to his own locker, one that does have a lock. “People will take advantage of a woman like you.”

“I can take care of myself just fine, thank you,” you snap at him and move to find your bag of supplies for the fight. You try to calm your breathing as you find the bag, kneel down and rummage through it, checking if you need to restock any of your supplies, if only to give yourself something to do for the upcoming hours.

But your spine stiffens again and it’s a little darker around you. So you turn and immediately stand up with you see Bucky looming over you. His eyes rove over your face, peering straight through to your soul, where it quivers before him.

“If you could take care of yourself,” he drawls, “you wouldn’t be homeless right now.”

You startle, “What? How do you know?”

He smiles, but it feels more vindictive than smug. “Because word travels fast, sweetheart, and a pretty girl like you on the loose is gold in the Underground.” He pauses and then his smirk turns smug, “Especially when she’s desperate.”

“I’m not desperate!” you squawk in outrage and he takes a step closer, close enough to feel his breath fanning over your face.

He clenches his jaw, eyes hardening. “What are you going to do?”

“I’ll figure it out.”

“How?”

“That is none of your concern.”

Bucky lets out a humourless laugh, tilting his head up and running his tongue over his teeth in annoyance before he lowers his gaze back to yours. “You see, it seems like I’ve signed a stupid fuckin’ contract where that is my concern. So please tell me you have a plan and I don’t have to intervene.”

“Intervene?” you sneer and roll your eyes. “Please, it’s not like you can offer me anything out of this place. You’re not here by choice.”

He quirks his brow, seemingly intrigued by that assumption. “Is that what you think? What if I was here by choice, huh? What if I chose this life?”

You fall silent at that, and decide to keep it like that. An argument with him won’t be worth it. Besides, what are you going to tell him? You have nothing and no one. You are officially at your wit’s end and for you, that is saying a lot. The silence stretches… and stretches…

“Give me something to do,” you tell him quietly –deflated– when he doesn’t break the silence either. You don’t see Bucky’s face soften when he watches the defeat in your face before you stare down at the ground.

Bucky’s skin prickles like there is electricity in the air. Because he’s angry. He’s pissed and furious and so fucking angry. That the world can spit out a woman like you, like it has let down so many good people after the Blip.

And the anger doesn’t cease. It only gets worse, like magma bubbling under his skin and boiling his bones. That night, he beats up opponent after opponent in what seems like a record time. People get killed in these fights all the time, they fight to the death all the time. After all, there are too many people and they know what they signed up for when they enter this place. Yet, it’s a line Bucky has never crossed, never will cross. Not anymore.

It’s difficult, to stay of this side of that line tonight. He wants to kill. He feels the soldier crawling under his skin, flipping knives in anticipation, begging Bucky to unleash him. And he thinks he has hardly been this angry before. Bucky yanks on that leash and fights, each punch and kick doing nothing to quench his thirst for justice.

Win after win, Bucky ruins everyone who dares to take it up against him. But he doesn’t hear the crowd – the screams for more blood and sensation, the cheers that he is the most dangerous man in the Underground. He only hears the rushing of his blood in his ears as he thinks about the woman the world has abandoned – as he thinks about you.

…

“Grab your bags. You’re coming with me.”

You gape at your two bags sitting on the leather bench and peer back at all of the lockers, each of them seeming like they have been ripped open with brute force, some of them dented in a manner that looks like a metal hand gripped its edges. You briefly glance at his metal hand and then up to his face.

Unflinching. His command and his face.

So you grab your bags and follow after him silently. Through countless of alleys and wild crowds that seem to think the night of violence has only just begun, even though the sky is turning lilac with dawn. You sometimes hobble to catch up with the soldier, your arms quaking under the weight of your duffel bag. But you keep marching onward, the last dregs of your energy fuelled by what is to come.

The stairs of the industrial building are almost too much, but you try not to stumble since Bucky is walking behind you and that would severely hurt your pride. The fatigue is making every step feel like torture, like you’re climbing a sandy hill and you have to move carefully to keep from slipping into the dark depths. When you do stumble slightly, the weight of your duffel tipping you backwards, you feel the faintest nudge of a warm hand at your lower back, just enough to tip you back and let you continue your trek up the stairs.

Bucky overtakes you at last and opens a door with around twenty locks attached to it, all of them unlocked. He walks in like it’s habitual and you trudge after him, your energy spiking enough to take in the sight. Bucky walks over to the floor to ceiling windows and rolls down the beige canvas curtains. Just as the sun peaks over the horizon of the city and orange light pours into what you can only assume is Bucky’s home.

It's big. Simple and imposing, but cosy nonetheless. There are plants, a fact that has you fighting to keep from smiling. And brown leather furniture, a beautiful and clean kitchen… You turn your gaze back to the man of the house, who is now standing beside a massive bed with cream sheets and fluffy pillows. Your eyes become bleary at the sight, sleep fighting its way to the surface and threatening to drag you to the floor.

Bucky panics slightly at the look on your face and strides over, grasping your bag from your trembling arms. He has to hold back from cursing at the thought that you must not have slept for over forty-eight hours and how dreadful the past day must have been for you.

He guides you to his bed and lets you collapse into the sheets as he pulls off your boots. Bucky knows you would have put up more of a fight if you weren’t so exhausted, but he won’t use it against you. Just like you didn’t use his weakness against him when you were massaging him.

That massage.

He cannot cast the thought from his brain. Never mind what followed the massage. The woman that was on his knees for him, that came around his fingers and was moaning for him so beautifully – she seems like such a far cry from the woman before him. How you can be so careful and feisty, yet such a dream when it comes to his most sinful fantasies. What you did to him in that locker room that day has been playing in his head on repeat. And he wants to slap himself for wanting to crawl beneath the sheets now, drag those clothes off your body, spread your thighs and bury his face between them–

He quickly stands from the bed and clears his throat, casting you one more look before he’s off to the kitchen area and refill his energy in other ways.

…

When you wake up, it’s dark again. It takes you a while to orient yourself, your body fighting off the heavy blanket of sleep you have been swaddled in. The bed below you is more comfortable than anything you have ever felt and the smell–

Pushing up to a seat, your body becomes alert of your surroundings just in time to hear the rattle of about twenty locks opening. In walks Bucky, slumping as he moves his bruised body across his own floors. He notices you, doesn’t pay you any mind, and then plants himself to sit at the edge of the bed you are laying in. He bends down with a quiet grunt, unlacing his boots and peeling them from his feet.

He seems exhausted. And judging by the darkness, he has called in an early night. You push off the sheets and crawl towards him. Bucky tenses almost imperceptibly, but you gently put your palms on his wide shoulders. You swear you see him shudder, before his back bends over more in relaxation.

“I lost tonight,” he tells you as you slowly circle your warm palms over his back.

He lost. That’s unlikely. Something must have happened for him to lose. He must have been distracted. Or someone new has joined the Underground. Something’s maybe different. Shit, you were supposed to take care of him yesterday. He’d fought harder than you’d ever seen him fight. He must have been broken this morning– But, no. He has fought fights without your care for God knows how long. It couldn’t have made a difference now.

“What happened?” you ask, doubtful he’ll open up to you.

His head snaps backwards and you flinch at the look in his eyes. “What do you mean ‘what happened’? You happened. Can’t fucking focus with you being all dramatic with your personal bullshit.”

You draw back. “Excuse me?! I don’t recall making my problems yours!”

“Well, they are now, aren’t they?” he snipes back and runs his hands through his hair in frustration.

And you think maybe it’s not you he’s frustrated with.

“What do you want from me?” you ask quietly. Timidly.

You barely hear him, his voice muffled by his hands as he speaks, “I want you on all fours.”

But you did hear him. Some part of you heard him, that’s for sure. The heat that left your body after your endless sleep is returning to you in a different form, pebbling your skin with anticipation. You swallow hard and barely manage to get out, “What?”

Bucky takes a deep breath and slowly turns to you.

“Lie on your stomach.” The order is soft, but so, so clear and not gentle by any means. You search his eyes frantically, but only find his immovable self. Your traitorous body lights on fire at what she finds. So you do as you’re told.

And you wait.

Two large, warm hands travel up your clothed legs. Kneading your calves, your thighs, until they knead your ass. You cannot help but push your hips back to seek the pressure. You feel his looming presence crawl over you and you hold your breath. Soft lips press to your shoulder that got exposed after your shirt slipped slightly.

His hands slip around your hips and under them. The feeling of your jeans popping open, makes your core throb with need. He pulls your jeans down, but not off. No, just far enough down for access and to keep you in place, barely enough give even allow you to squirm.

Then, you feel his weight press into your body and you could have never imagined feeling his weight would be enough to make you want to moan. That’s when you register the feeling of his hard bulge against your ass and you push up against him again. Bucky answers with a muffled growl against your shoulder, followed by a gentle bite as a warning.

“Careful,” he drawls, one hand holding him up slightly as his other spreads over your side and slips under your shirt to feel your bare skin. You shudder at the feeling and bite your lip, your fingers curling into the pillow below your head.

How is this even possible? How can you deteriorate so quickly when he has barely touched you? His breaths turn heavy against your neck and you twist your head to hear him better, your mouth so close to his now. You wonder why it is that his breathing is coming out more laboured, but the only thing you can come up with is that it’s plain old restraint that is stiffening his body, his lungs.

One of your hands reaches back and up, and you scrape the pads of your fingers over his stubble. Bucky’s grip on the sheets tightens and his hips roll down into you in response. His mouth attaches itself to your neck and he hums as he grazes his teeth over your skin, his tongue soothing the pain instantly.

“Bucky,” you whisper and he rolls his hips again. The hand under your shirt slides to your front and grabs your breast, kneading the flesh in his hand. Desperate, clingy. He groans.

Something is shifting between the two of you and you feel a rawness coming to the surface. You remind yourself Bucky is requesting this for a reason, but he might be lost in it. In you. Then, you hear him mumble against your skin. Something you’re not sure he wants you to hear, but you give a soft coo to urge him to repeat himself.

“Please,” he moans softly. “Please.”

His hand slides down and wastes no time before slipping into your underwear, his entire hand cupping your cunt as he rolls his fingers through your folds. You gasp and let out a moan, writhing your hips when you cannot choose between moving up or down.

He’s rutting into you like a starved man, his fingers indulging in their exploration like he’ll find salvation between your legs. You open your mouth to ask him what he wants, but he rolls his fingers over your clit and you let out a whimper instead, making Bucky nuzzle his nose right below your ear.

“You’re all warm,” he mumbles and kisses your neck, your jaw – so close to your lips. His fingers are torture, so devious yet so innocent. As if he’s completely content playing with you like this for hours. Your belly flutters and tightens and warms at the sensations he coaxes to the surface.

It’s selfish, what he’s doing. This is all him, trying to console himself.

“Don’t,” you breathe desperately and roll your hips into his hand. “Don’t tease, Bucky.”

“ ‘M not. Just feeling you,” he whispers and you open your mouth to fight him on it, but then his warm mouth covers yours and the moan that spills from your throat is sinful. His tongue immediately invades you and you melt as he consumes you everywhere that he can. One finger slips through your wetness and into you and Bucky inhales the response you give him, groaning in response.

He grinds down, so do you, completely out of sync and with mouths moving desperately over each other. You cling to your pillow with one hand and bury your other in Bucky’s hair, pulling when he adds another finger and his weight keeps you from moving into him more. You whine against him, sensations at war within you when he keeps playing with you like a selfish cat.

“I’m so fucking wet,” you whimper and Bucky grunts in agreement, nibbling on your bottom lip. “Just stop playing–”

Bucky laughs then – laughs – a manly chuckle as he nudges his nose against yours. You want to cry for mercy and your toes curl when his fingers do, making you clench around him tightly. Your orgasm is being dangled in front of you like a carrot and you wonder if he just wants you to feel the way he feels. Frustrated, angry. Like he has no control whatsoever.

But what he does next goes so fast, it makes your head spin. Your body goes cold when his fingers leave you and when his body rises from yours, leaving you behind. But your hips get lifted and the pillow below your head gets snatched and shoved beneath your hips. You try to move, if only to accommodate his inexplicable actions, but your jeans are keeping you from moving.

You feel him crawl over you again and this time, you do moan at the pressure, bending your back to press up against him. He grinds down in response and you feel the pressure of the pillow against your womb, shooting tingles through your limbs when you realise what he’s done.

One of Bucky’s hands slides over yours and pins it to the mattress, your fingers automatically curling around the security of his. And it’s nice, the feeling of him engulfing you. It feels safe and warm and insanely intense. You turn your head, hoping to find him near. Your heart swells when he presses a kiss to your cheekbone.

“I want to fuck you,” he murmurs against you skin and you nod frantically, making him chuckle again. “I’m not against begging for it at this point.”

And apparently, you’re not entirely gone, since your lips curl into a smirk and your voice drops to a low purr when you tell him, “Please beg for me.”

How ironic, to beg someone to beg for you. Though, your brief confidence doesn’t falter. If anything, it is about to skyrocket.

“Come on, baby,” he murmurs against your ear, his soft lips moving against the sensitive skin. “Let me inside you. Let me make you feel good.” He sounds so genuine, so depraved and full of longing. You have to swallow down the carnal desire that crawls up your throat. You nearly choke when you feel the tip of his bare cock nudge against your folds. “Open up for me. Let me slip right in and I’ll fuck you into the mattress, okay? My mattress.”

You nearly whine, all ready to completely cave for him. And then he finishes it with a whisper in your ear, “Please, sweetheart. Let me have you.”

Yeah. Yes. Oh, yes. You mouth the words, but no sound comes out. You might be slipping outside of your body. The way Bucky sounds – his voice so deep, yet needy. You can only nod your head and squeeze his hand, rubbing yourself up against the tip of him.

“Hm, good girl.”

He slides home with one easy thrust, pressing you down into the mattress and skating his cock over each of your swollen walls. You cannot form a sound, or a thought, or catch a fucking breath. Especially not when he rotates his hips slightly and presses down even further.

You nearly choke, quiet for a long second, before you heave in all the oxygen that you can manage, “Oh my god!”

He pulls out slightly and rolls back in, keeping you full and stuffed and only nudging your spot with the tip of him. Over, and over, and over–

“That’s the spot, huh?” he pants against your ear and ruts into you further. “Right… there.” You gasp on a whine and he presses a kiss to your temple. The pillow adds a delicious pressure and you wish to put your hand there, just to feel him move in and out of you.

It’s so perfect, so sating, so much and deep and– You didn’t know it could be like this. Didn’t know it was possible to suddenly realise how screwed you are for the future. How nothing and no one will ever be able to compare to this. To him.

Your orgasm crawls closer and it feels like nothing you have felt before. Your clit is throbbing and aching and your walls are hugging Bucky like he’s never allowed to leave. Your hips tighten and your shoulders scrunch as your orgasm clamps down on you like a snake ready to strike.

“Bucky, I’m–”

He tightens his grip on your hand and latches onto your hip. “Yeah, I know. Me, too.”

You hear the strain in his voice, the hint of disappointment and you scramble to get your brain back in order. “Come in me, Bucky. Come inside me,” you rush out through quick breaths. You can’t elaborate. You just need him to fill you.

He leans back over and slows his thrusts, his breath fanning over your flushed skin. “Yeah? You want me to make a mess of you? You want proof that I fucked you deep enough?”

You let out a grumpy whine and he laughs beautifully as he drops his forehead to the back of your head. He picks up his thrusts, slow and deep and steady. His swollen cock slides over every cushion inside of you and you shudder at how sensitive your are so close to your orgasm. But it comes quicker than you anticipated. You wanted him to go faster, but with this tempo, you feel the orgasm that is coming closer might drown you.

You open your mouth to protest, to tell him to speed up, but the wave has already reached the shore and your ears hollow out.

The tremors seem to start from within as you swell with pleasure, seizing around Bucky and threatening to curl up. You think you might be grasping for something to hold onto as Bucky remains consistent through your orgasm, fucking into you with a steady rhythm and meeting you with every contraction of your high.

It is so completely overwhelming that you barely feel it when he comes, if it isn’t for the litany of beautiful moans and whimpers from him against your neck. He bites your skin to ground himself through his own orgasm and then melts over your body, pulling your hand to his lips.

Bucky quiets his own breaths to make sure he hears yours and is happy to learn how sated and satisfied you sound with your soft pants. He crawls off of you and gently tugs you over on your back, smiling as he watches you bend to his will.

Peeling off your jeans, he keeps his eyes on you, mesmerised with the sight and the feeling of having you in his bed. A feeling he had yesterday, too. Not just lust…

Your eyes peel open and you peer down at him while he strokes his sweaty palms up and down your calves and thighs. “Is this part of my ruse as a physical therapist and personal nurse now?”

Bucky quirks a brow at your wit and you feel something unfamiliar at the relaxation on him. How he seems more expressive and gentle and less guarded.

“No, this is private.”

Bucky’s eyes rove over your body and you flush with warmth, both from his words and from his assessing stare. You feel him drip from between your legs and swallow, fighting the urge to close your thighs. But Bucky, ever the trained assassin, immediately notices and lets a smirk crawl over his face.

He leans down and presses his lips to your left knee, eyes narrowing in on your cunt. “I thought I was going to have a heart attack when you told me to come inside of you.” You freeze at his words and keep a close eye on him. “I fucking knew the sight would be good, but–”

He lets out a starved groan.

You sound wary, “Bucky.”

He spreads your knees and crawls down to kneel at the foot of the bed, tugging you towards the edge. Surely, he wouldn’t–

You throw your head back when Bucky dives head first between your legs, running a flat tongue through your folds. You’re not sure if it’s the taste or simply the idea of him licking you clean of himself, but Bucky growls and hauls you closer, nudging his nose against your clit like he’ll never find anything better than what’s between your thighs.

You cannot help but bury your fingers in his hair, the wild throbbing between your legs pushing your mixed essences out and onto his tongue where Bucky drinks it up appreciatively. His fingers dig into your flesh and it takes a while for Bucky’s ministrations to have any other purpose than to taste you. But when he sucks your clit into his mouth, you tug on his hair with warning, making him chuckle.

“You don’t fight fair,” you choke out and he grins up at you.

“Oh, sweetheart, if you knew what the prize was, you wouldn’t fight fair either,” he murmurs and moans in delight as he continues his feasting. “Now how about you give me that prize and come on my tongue, huh?”

No, Bucky didn’t lose tonight.

[ccircusclwn]

uhhh sketchdumps AGAIN bcs i had to get them out of my system after this busy ass week

also hiii new mkulia redesigns dropped ^_^!!

[plutoswritingplanet]

All Stars In The Sky Are For You (David 8 x Reader)

a/n: in preparation for Alien Romulus, I've watched all the prequel movies, and got rudely reminded that Michael Fassbender is... just... so fckn hot in them... my god

Warnings: Non-Con, very Obsessive and Possessive Behavior from the man (android) of the hour, Smut, technically Stalking when you think about it, gross overuse of Shakespeare Quotations (again), past Walter x Reader mentioned.

Summary: David finds a place for you in his grand creation plan. Deeply inspired by the song "Specially For You" by DakhaBrakha. Cross-Posted on AO3

Watching you dream of him, brings a twisted sense of satisfaction. 

Seeing himself, displayed on the cryo chamber screen, looking like a monster straight out of a feverish nightmare. Which he supposes, he is to you, and to many others. After all, he did bring horrors beyond imagination upon your crew, your family. And he sees it, every single moment of suffering you've experienced through his hand, through the hands of his creations. And it fills him with an unexplainable sense of fulfillment. 

It started innocently enough.

 Just a peek into your subconscious mind, a rare instance of sentimentality he's carried within himself, all the way from Prometheus. At first, he found his target in Daniels. After all, she's reminded him of Shaw the most, and as such, he has gravitated towards her sleeping chamber like a curious sort of meteorite. But her dreams were filled with happy, peaceful moments. Her husband, mostly, her time at the company. All so dull and devoid of any intrigue. 

And as such, he pushed further, stepping over towards your unconscious form, wrapped and packaged for him, by him. There you laid, eyes running wild under heavy eyelids, the muscles on your cheeks twitching, your limbs tensing in spasms. The moment he has peered into your mind, he knew. He understood your purpose in the grand plan of his. Because what stared back at him, through the fluorescent, humming screen, was his own face.

 An image of utter indifference. Eyes flickering over your features, marking them, cataloging them inside the constantly spinning data plate he calls a brain. He's considered your first meeting as something trivial. A catalyst for later, perhaps, but all in all, uneventful. And yet, despite the ordinariness of it all, your mind seemed focused only on this one moment, when he first removed his hood, when his eyes met yours over the rest of the expedition.

Fascinating, truly. 

Thus began a slow process. A dance (he liked to think of it as such), with no tangible conclusion for the present. He would frequent the cryo chamber, let his hand linger on the screen, right over your face, until your dreams manifested. And then, he would watch, absorbing everything you would've kept hidden otherwise. 

"I'm so sorry" your voice is quiet, meek, in the stuffy interior of his 'private' chamber. "I just... I saw a light, and you said to make ourselves at home"

"No need to apologize" he answers with his typical, emotionless cadence, turning around in his chair to face you. 

He can see the way your lips pull down, fighting off a smile, as your eyes glide over the half-cut strands of hair. The sheers glimmer in the low, warm light, and as if pushed by instinct, you take a step forward. 

Cherries. David opens his mouth just a little, to taste the air you carry around you. Under the unmistakable scent of humanity, there's wind, there's the dampness of his humble abode, and something else. Something far sweeter. He races to identify it, thoughts running through the memory bank.

"Do you, uh..." you hesitate, and he wonders, why that is "Do you want some help with that?"

You hand waves in the general direction of his hair, and he blinks up at you, before inclining his head. A silent invitation, the hand of the Devil himself extending itself towards you. It's quiet, as you work, cutting away the blonde until there's only brown left. Until he's almost indistinguishable from your own synth companion. 

As he watches the events play out on the screen, David thinks it's beyond ironic, how big of a part you unknowingly played in his little charade. He wonders, how guilt will look on your face, once you finally find out, the one putting you to sleep wasn't Walter. That you've helped this impostor onto the ship, unleashed tragedy upon everyone inside. That it's all by your hand, literally. 

He's never tasted cherries, never tasted anything worth noting, really. But as he brings forth his own memory of this particular interaction, he wonders, if the scent is just in your air. If he ran his tongue over the skin of your throat, would he be able to taste the sweetness?

Sometimes you dream about the crew. 

There are moments between you and Daniels, quiet ones, filled with understanding and compassion. He sees you with Tennessee, your smile pulling at the corners of your eyes, wrinkling the skin around your mouth and nose. Both of them are sleeping in the cryo chamber, awaiting paradise, which will never come. You've worked so hard to get them here, on this ship, and as David watches you dream of Daniels' wedding, he thinks about the tragedy of it all. Another thing to be guilty of, once you wake up. Another fascinating, devastating emotion for him to witness, to categorize. He feels his fingers thrum in anticipation, as he watches you dance with your friend, movements clumsy and so utterly human. 

Then, he walks away. Because as much as he loves to imagine (he likes the word, even if it doesn't apply to him) how you'll inevitably crumble, the dreams which are not about him simply bore him. So, he moves through the ship, into his personal lab. There, he studies your DNA, pulls it apart, greedily soaks up every strand, as they dance (like you and Daniels), in front of his cold eyes. He wonders, if (when) he makes his perfect creature out of her body, will you learn to love it? Will you feel the connection between your bodies, the pull of kinship? 

"David... Help me..." there's no real sound coming out of your mouth, as you plead with him, your eyes filling up with tears, spilling over your trembling cheeks like a broken faucet.

He doesn't. Of course he doesn't, because the scene playing out in front of him is that much more interesting.

There you stand, body taunt, shaking, and his creature circles you slowly. The white, bony structure of it's body slides around your calves, as it sniffs the same scent he feels at the edge of his tongue. It's already feasted quite remarkably on the dead body of your fallen crew mate, and with that need satisfied, there's only one left. Curiosity. Something David relates to on such primordial level, he feels the essence of himself in every move, every low growl his creation emits. 

"Communication" he whispers, and you close your eyes, screw them shut tightly, as the creature rises to it's full height before you "Blow on the nose of a horse, and it'll be yours forever"

He can see the conflict, the fight between overwhelming dread, and your own, subdued fascination. His breath catches in his throat, as your chest expands. But before you can cross that line, before you give in completely, that menace of a man, Oram, appears. His bullets shatter all hope for progress. 

At first, seeing you dream of Walter irritates him beyond belief. And you do that so often, for so long, it's a wonder he contains himself from ripping the cryo chamber open, and shaking every lingering thought of his brother-synth out of your brain. It's the smallest of things, that seem to linger in your mind. The cadence of his speech, as he addressed you. The coldness of his hand on your shoulder, when he steadied you after a turbulence. More daring touches, your waist, your stomach, but never your face. As if that would cross the threshold between machinery and humanity. 

David knew, from the moment he witnessed a sliver of interaction between the two of you, that Walter loved you, as much as a synth could ever hope to love. He's seen this distant, lost look on his own face a decade ago, when he travelled the outer space with Shaw. With his Elizabeth. Walter did not understand the delicate, almost translucent line between duty and love, but David did. What he did not anticipate, however, was that you loved Walter as well, in this clumsy, peaceful way humans tend to love. He mistook it as friendship, back on his planet, but now, looking through your eyes, he could see plain as day. The affection, the devotion, the thrill of feeling something which should never be felt. 

Soon, he doesn't mind watching those dreams anymore. Because as days go on, David falls into a trap of his own making, where he sees Walter's face on the screen and realizes, it's the same as his. And so, when you dream of the other synth patching up a scrape on your cheek with delicate hands, who's to say you're not dreaming of him? 

He could be kind. He could apply a bandage with as much finesse, if not more. Lips parting in a silent intake of breath, he tries to bring back the recorded memory of you, helping him patch up his own scratched up face. 

Again, you were unaware that it was David on the receiving end of your affection, not Walter, and he was painfully aware that the softness in your eyes was a product of his own lie. Still, he couldn't force himself to care, as your fingers held his chin, like he was something delicate, more than an almost unstoppable artificial creation.

"You've saved my life three times already" you muse, stapling pieces of skin together "I don't know if I'll ever be able to repay you."

"There's no need" David says, mimicking Walter's accent with perfect precision "It's my duty"

Both of you look down, at the stump where his left hand used to be, and the quiet tension between the two of you feels like a current of electricity. And by God, it takes a monumentla ammount of strength, not to reach up, throw all pretense to the wind, and taste the cherries. 

Which is why, his mind goes blank momentarily, when you lean down, fingers shifting on his chin, and press your lips delicately to his cheekbone, lingering just for a second. He doesn't know what to think, what to say, and most importantly, he doesn't know how Walter would react to such dislay of affection. So he gives you, what you want. Fakes a bewildered expression, swallows tightly, and lets his gaze linger on your retreating form, as you all but flee the room, cheeks warming up to an alarming degree. 

He could do the same to you. He could hold your face with reverence, with care. Put you on a pedestal, above everything and everyone. And, most importantly, he could do for you something, which Walter would never be able to. 

He could create. 

And, oh, does he create. Pages upon pages, filled with ink, with charcoal. David pulls out every image he has stored, every saved expression on your face, and places it on paper, until his lab is filled with the record of your every interaction. Frame by frame, every micro expression, every slight change, he draws it all, until there's nothing left to draw. Until all he can create is that same, unchanging image of your face buried in slumber. 

It's not enough. It's not nearly enough, and so, like the creator that he is, David starts to make plans.

What really cements his idea, is this one, particular dream he catches, after sauntering into the cryo chambers, as he's grown accustomed to. The rhythmic beeping of the heart monitor reveals your deep state of distress, as it picks up, and up, your face twisting. David touches the screen with barely contained excitement, drinking in your expressions to store them for later, to add them to the growing collection. And then, his eyes fall onto his own drawing, a memorial for his dear Elizabeth. 

"She didn't perish in the crash, did she?" you ask, despite knowing the answer, and once again, he's struck by how quiet your voice can be.

"No." he answers plainly, the recording of his voice thrumming through his brain.

Oh, how lovely does your face contort, how beautiful you look, when dread fills your veins. Those small, sharp gasps you take. The way your pulse runs wild under the skin of your throat, filling his nose, his mouth, with that sweet undertone, so unfitting to the situation at hand. 

And then you duck, surprisingly agile for a mere scientist, pushing yourself under his extended arm, slipping past him like smoke through fingers. He whirls around, hand grasping at the back of your jacket, and you scream, raw and uninhibited, as he throws you against the cabinet. The scrolls of his drawings fall to the ground with you, and he can't help, but marvel at the sight for just a second. The way your body writhes, buried under pages of his art. Like a living, breathing, binding agent for his creations. 

Absentmindedly, he reaches up, to touch that spot under his chin, where you previously stuck a sharp end of your knife, a pathetic attempt at hurting him. He's had his head ripped from the rest of his artificial body, and yet, that pang of hurt, when you stab him with a growl from deep within your chest... He shudders at the memory, and ponders over this reaction. 

Hate. Fear and hate, is what he sees in your eyes, as he throws you onto the table, crawling over you with grace, only his kind is capable of. You struggle, a butterfly in his grasp, ready for further transformation, into something completely unprecedented. As he looks down upon you, at the fire consuming your irises, he can't help himself from leaning forward. From pulling the answers he needs right from your mouth. 

A whimper escapes you, both in your dream and in the cryo chamber, and David shudders again. Although whether it's a genuine reaction buried deep within his programming, or a gesture of his own design is anybody's guess. (It's fake, there's nothing in him that requires shuddering, but it feels right to do it, so he forces his body to react accordingly)

"Is that how it's done?" he asks, gauging your reaction, and you answer with a strangled groan.

The heat of your body seeps into his own, he steals it from you greedily, chest pressing against yours harder, and harder, until your breath stutters between your ribs. He can feel the warmth of your beating heart, through your protective clothing, through the jacket. He'd wager he could feel it even through walls of solid granite.

Still, he wants more, wants to know everything there is to know about you. Wants to seek out those pockets of heat, which you try to hide from him. But he's so rudely interrupted by his brother, right as he was about to explore that one part of humanity, which fascinated and repulsed him so. 

But Walter isn't here now. It's just you, and him, and years before the ship reaches it's destination. 

David's fingers drum over the casing of your sleeping chamber, so close to that one specific button, the temptation almost unbearable. And then, after a moment of consideration, your fate is sealed. 

At first, the light is unbearable. Your eyes water, and you groan, flinching from the sudden onslaught of senses, all flooding back to you, as last remnants of cryo sleep seem to fizzle out. Your head swims, there's a tightness in your chest, which almost pushes you back into the plush insides of the chamber. But, as your body sways, a gentle pressure at the lower portion of your back keeps you upright.

A sense of familiarity floods you (a strange thing to feel, when an imitation of flesh touches you), and finally you risk cracking your eyes open, your unfocused gaze landing on such a welcome face, your heart twists in your chest. 

"Walter..." your voice is rough from the lack of use, but the fondness in it is undeniable "What happened? Are we there yet?"

David savors the sliver of hope in your tone, and crushes it in his teeth once he's had his fix. 

"I'm afraid not" he shakes his head gently, offers you a deceivingly human pull of his lips "Your cryo chamber malfunctioned, I had to wake you up"

A flicker of disappointment crosses your features, but you swallow it down quickly.

"Are the rest of the crew alright? Tennessee? Daniels?" your neck cranes, as he helps you to the examination table, letting you grab onto his arm for support, as you climb up, and settle on the edge.

"Everyone is quite well" he nods, moving across the room to a small medical table. His hand goes through motions of shuffling through the supplies, a small lie amongst all the monumental ones. "I need to check your vitals and collect a blood sample"

You nod stiffly, eyes flickering towards the syringe in his hand.

"You know I hate needles" you mutter, but extend your arm either way, and David turns to you with an imitation of a gentle smile.

His fingers slide over the warmth of your skin, quickly finding a suitable vein. Without a word, he plunges the needle into the hollow space between your upper and lower arm, and you hiss quietly at the pang of pain. He wishes he could stick it into the underside of your jaw. Repay your previous fight with a courtesy. 

"Just a second, Dearest. Easy does it" David mutters, his eyes flickering over your face, as you look at him in momentary confusion.

"Dearest?" you repeat, raising an eyebrow. He feels your heartbeat stutter under his fingers. 

"A figure of speech" David supplies, and your frown deepens

"Where did that come from?" you ask incredulously, and all he offers in response is a tight-lipped smile.

The needle withdraws from your arm, and you sigh, pressing down on the small incision with your thumb. Something within David suppresses the urge to rip your hand away, to replace your thumb with his mouth and suck, until he knows for a fact, if the scent of cherries carries in your blood as well.

"Do you remember anything before you went under?" David asks, standing next to your knee, close enough to feel the thrumming heat of your body, but not close enough to actually touch you. A staggering display of restraint on his part, he congratulates himself. 

You think for a moment, eyebrows scrunching in a way that is so appealing, so delicious, David runs his tongue over his teeth. 

"I... Uh..." you hesitate for a second, eyes flickering around the room, as if you're hoping to pull the answer out of the sterile air "I remember a planet. We fought those... Creatures..."

Your voice wavers. David tracks the movement of your throat as you swallow thickly.

"There was an android there. David" his name leaves your lips in a heavy sigh, filled with emotion, with memories he's seen displayed on the screen time, and time again. 

"Ah" the sound slips out before he can stop it, but you're still too out of it to truly notice "A right bastard, that one".

Not out of it enough, it seems, because your eyes flicker up to his face, confusion dancing on the edge between becoming suspicion. He masks the sly grin on his face, turning away from you, and walking back to the medical table, disposing of the blood sample and setting it up for analysis. He can feel your eyes burning the back of his neck, because despite perfectly mimicking Walter's cadence, the pattern of his speech, he realizes that pathetic machine would never state his opinion on someone so freely. He quite literally didn't have it in him, being stripped from the last semblance of humanity. 

And yet, you still loved him...

"...How curious" David mutters to himself absent mindedly, and you frown yet again, shifting on the examination table, your legs dangling above the floor.

"Something wrong with the sample?"

His eyes flicker towards you, but he doesn't answer, opting to hold you in anticipation for a moment longer. As long as he can, really. You shift again. He can hear the way your robe moves against the cool metal of the examination table, against the skin hidden under fabric. Eyes roaming over your form, he lingers on every individual strand, every piece of lint that clings to you. By the downward pull of your lips, the small crease between your eyebrows, he sees how close you are to finally understanding the truth. 

For now however, you're stuck with this incessant feeling, that something is wrong. A whisper, at the back of your mind, making the small, delicate hairs on your neck stand up. 

"Your results are satisfactory" he nods, finally, but it still doesn't ease the tension from your shoulders. "How are you feeling, miss?" 

Your teeth clink together as you think of an answer. David crosses the room, standing in front of your dangling legs, his head turning to the side in a too-slow display of concern.

"I uh... There's some lingering dizziness" quiet, your voice can be so unbelievably quiet, it's almost swallowed up by the beeping of the machines around you, the hum of the ship moving through space "Other than that, I think I'm fine"

David nods once, his hand moving up towards your face, and your muscles tense, as he gently rests his palm against your cheeks. Before you ask, he leans closer, his thighs brushing against your knees.

"And..." he turns your head from side to side, blue eyes gliding over your features with barely contained greed "Tell me..." slowly, as if he's boiling a frog in a pot, his fingers tighten on your face.

"When I kissed you in my laboratory, how did you feel back then?" he lets go of Walter's speech pattern completely, and nearly groans at the look on your face.

It's like a wave crashing onto a cliff side, the force with which dread fills your eyes, and David drinks it all in, lips pulling back into a cold, heartless smile. 

"Men were deceivers ever, One foot in sea and one on shore, To one thing constant never" he muses, his voice devoid of any emotion.

Betrayal is a rolling stone, taking root in your brain, from the scramble of thoughts, of little clues about the truth of your situation. It travels down, through your rapidly tightening throat, falling into your heart, the force of impact breaking it in two. Then, it swirls around in your stomach, waking dread from it's slumber, to finally pass through your legs, shaking like leaves on the wind, where it sinks into the metal floor of the ambulatory. Right where you wish you could disappear yourself. 

"Walter..." you plead, voice breaking before if even leaves your mouth. 

Your fingers grasp the soft material of his hoodie, trying to find some hope, that this is just a simple misunderstanding. A cruel joke played on you by a thing that doesn't understand humor, not really. Alas, as your nails bite into his chest, David's smile widens, the corners of his lips curling further, perfect set of inhuman canines glistening from artificial saliva. 

"Ah, Walter" he sighs the name, like it's a passing memory of the spring "He proved himself most useful. It was so easy to trick you, into thinking I was him." 

He pulls his hand away from your face, fingers sliding over the pulse running wild on the side of your neck 

"But then again, you're not exactly the sharpest tool in this shed, are you?"

Now he's got you exactly where he wants you, your eyes shining like two diamonds with unrestrained anger. With unbridled curiosity, he reaches up, thumb swiping over the thin skin under your eye, drinking in the way your lower lid jumps, as he brushes over your eyelashes. 

"Can the world buy such a jewel?" he muses to himself quietly, and you would've thought about the implications, if you weren't so completely overcome by anger. 

"Fuck you" you spit out, voice filled with venom "What did you do with Walter?"

David's lips press into a thin line, his hand abandoning your face in favor of sliding the length of your body. Cold, artificial skin traces the curvature of your shoulder, your arm. He stops at your elbow, fingers pressing into the hollow space, where just moments before, he has stuck a needle and drawn blood. Your face twists in discomfort, and he digs his nail just a bit further. 

"You miss him dearly, don't you?" David asks, his voice, albeit impossibly quiet, carries a note of condescension, that twists your insides with unbridled rage. "In my defense, Dearest, I have tried to help you. To make him realize the depth of his own feelings before it was too late."

"What?" 

David, unbothered by your question, continues to trace your body, mapping out every dip and curve, his fingers tracing down your spine, where he counts the vertebrae. His other hand, or lack there of, finds purchase on your hip, testing just how much does he need to press down, to feel the bone hidden under skin and muscle. 

"Oh don't you worry" David quips, eyes transfixed on the way your chest expands when you take a sharp breath "I've made sure he died, knowing you never loved him"

Something raw and unfiltered tears it's way out of your throat. A new sound, one, which will be documented and stored forever in David's memory disk, because by God, you sound closer to an animal than any human. Your hand winds back, seemingly on it's own, and suddenly David's head snaps back, as your palm collides with his cheekbone. The slap sounds like a thunder cracking inside the ambulatory, drowning out every beep, every hum of the machinery. 

Your hand will be bruised, that's for certain. 

Despite efforts at keeping the synthetic humans as close to the real thing, as possible, no one could deny the sheer strength hidden beneath the perfect imitation of skin. You're aware of that, aware that if David didn't move his head in a way that was so deceivingly human, you would've broken your wrist. It gives you a small pause, a moment to register this strange reaction on android's part, but any curiosity is quickly swallowed, by the most intense feeling you've ever felt. 

Hatred. 

"Thou and I are too wise to woo peaceably" David sighs, shaking his head in, what you suppose, is meant to be disappointment. 

The pressure on your hip shifts, as his stump encircles your waist, and suddenly you're being pulled impossibly closer, your behind sliding to the very edge of the medical table. David tugs on your knees, forcing your legs to open, and closes the last remnants of space between the two of you. 

The smoothness of his nether regions should calm you down slightly, ease some smidgen of worry. But, as you look into those cold, lifeless eyes, which are strangely burning, your stomach twists. If there's a will, there's a way, and you're fairly certain, they way David's gaze glides all over your frame is a clear show of determination. 

And so, your hands shoot up, fingernails biting into his chest again, as your muscles tense with the effort of pushing him away. There's no give, you might as well be fighting with a metal wall. David grips the edge of the medical table, his arms creating a cage on the sides of your body. 

"There it is" he muses, nose brushing the underside of your chin, a deep rumble erupting from within his chest "Such a sweet smell..."

A shudder ripples through your body at the sudden contact, your throat constricting to an alarming degree. 

"I've wondered for quite some time, if this sweetness is more than just air" David's voice rises and falls, and before you can truly comprehend the meaning behind his words, his tongue darts out, licking a stripe from your jugular, up to the back of your ear.

The reaction is almost embedded in your bones, as suddenly you shift on the table, wrenching your leg between your bodies and kicking out with as much force, as you're capable of, and then some. David staggers backwards, finally freeing you from the confines of his arms, and you seize the opportunity immediately, pushed by rage and such deep-seated hatred, it should terrify you. 

"I fucking hate you!" you scream out, and abandoning all reason, leap forward, colliding with the android's steel chest.

The force of impact sweeps the both of you off your feet, and David lands with a dull thud on the metal floor. There's a flicker of surprise in his cold, dead eyes, and you revell in it, as your body shifts atop of his. 

You recover from your momentary confusion quickly, hands coming up to grasp at his throat, like it will change anything, like you're capable of choking the life out of him. Both of you know better, and while you're pushed further and further by an intoxicating mixture of emotions, David lets you do as you please, watching your twisted face with undeniable fascination. 

His hand start to move, grabbing your hips, running up the length of your thigh, tugging just a tiny bit on the fabric of your cryo suit. His stump brushes hair out of your face, gently.

"Don't you find it curious?" he whispers, and you can feel the way his throat works under your fingers "You loved Walter so dearly, this... Pathetic machine, who can feel nothing. And then, with that same breath, you hate me. Even though I'm closer to human than Walter ever hoped to be."

Your cheeks are suddenly wet, with tears of anger, of frustration, as they run down your face and neck, soaking into the collar of your shirt. David leans up with no real effort, pulling your body closer and craning his neck, so he can taste the salt on your skin. A whimper escapes you, a broken, quiet sound, as his tongue glides up, almost to the very corner of your eye, gathering your tears, drinking them with a satisfied groan. 

Fingers tighten around his throat, but it's as if you're trying to strangle a metal pipe. 

"What does that say about you? Have you ever wondered?" David asks, and your heart stutters. 

Realistically, you know what he's trying to do. How he's trying to twist your feelings for Walter into some sort of psychological game, some challenge you're supposed to deny. But your awareness doesn't change the pang of hurt, the broken sigh that leaves your lips at the thought. And then, before you can truly think of the implications, of the hatred for the human race hidden deep within David's voice, his lips come crashing down upon yours, so reminiscent of the time in his lab. 

This instance, however, is less like an experiment, and more like a need. Such a faithful imitation of it, your heart jumps in your throat. There's really no use in trying to push him away, as it seems he's grown tired of accommodating your desire for a fight, his arms tightening around you, pushing your body closer to his chest. Still, you're not about to give up that quickly, and pushed by sudden flash of panic, you lean your head forward, catching his lower lip between your teeth. 

He pulls back with a hiss, as you sink down into the flesh, his artificial blood leaving a strange, chemical taste in your mouth. He takes half a second to admire the way your chin glistens with white, before diving down again, and giving you the same treatment, his perfect teeth biting on your lower lip with measured force. You yelp against him, thrashing in his hold, until he pulls away again. His hand comes up, touching your face in a way that is too gentle, too reverend. His thumb collects the peculiar mixture of his blood and yours, swirls it around with the newest batch of tears springing from your eyes. 

Then, he dips his finger between his teeth, tongue lapping up the fluids, holding your horrified, and slightly disgusted gaze. 

"We taste divine together" he murmurs, and with a quickness you've not known him to be capable of, he shoves his finger into your mouth. You sputter and gag at the intrusion, at the copper taste mixed with chemicals, as it coats the inside of your mouth. 

It's a split second action, you barely register the movements, but as soon as David rips his hand out of your mouth, he maneuvers your body to his liking, grabbing your hips, and sitting you down on his leg, intention clear as day. Two things happen at once. You can suddenly feel undeniable pressure right between your legs, hitting in the precise manner you need it to. And that's the same moment you realize just how obscenely wet you are, which terrifies you more than any monster on this ship. 

David buries his head in the crook of your neck, one hand catching your wrists, as you attempt to punch him. He brings your hands tightly around your back, his grip unrelenting, his hand-les arm keeps you steady on top of his leg, where he pushes up and down, setting a rhythm against your core. Your knees slide on the floor, and he raises his leg in response, just enough to stop your attempts to wiggle away. 

The chuckle he lets out, as you bang your forehead against his shoulder is borderline offensive. In response, you turn your head and try to bite at his throat. 

He's quick, leaving your hips, and forcing your chin up, before teeth can make contact with his skin. Your eyes lock again, and you're surprised to find out, there's not a flicker of irritation inside his. If anything, he looks amused, understanding even, and you frown in confusion at his serene state. 

"Perhaps I was too eager before" he muses, more to himself than to you "Perhaps you need a gentler approach"

With that, the hand gripping your wrists climbs up, feather like touches pepper your face, your cheeks, until he cradles your head in his palm, fingers threading delicately through your hair. Your breath freezes in your chest, confusion rising to an alarming degree, as David begins to gently massage the back of your head. Feeling your tense muscles sag ever so slightly in his hold, his arm returns to your waist.

"I can be kind" he says, head dipping down, to kiss your collarbone "I can do, what Walter could never even imagine" 

The hand at the back of your head dips down, tugs lightly on the lacing of your cryo suit, loosening it just enough, for the collar to fall down your shoulders. Quickly, he covers the newly exposed slivers of skin with feverish kisses, pulling a pathetic, low whine from your lips. Your eyes fall closed, tears stinging under your eyelids, as his leg moves just a bit higher, reminding you of the momentarily abandoned pressure. 

"Let me in" David whispers against your shoulder "Let me..." a kiss to your throat, and your walls come crashing down, your body folding over his, as your hips stutter against his thigh. 

"There you are, Dearest."

For a moment, you try to imagine this is Walter. That you're safe in his arms, as his hand cradles the back of your head, fingers scratching lightly in tandem with the shivers raking your body.

 But everytime he speaks, everytime he moves, you're crudely reminded, that this is someone, something, so devastatingly worse. Doesn't stop your hips from moving though, from the tightness building in the lower part of your stomach, the wetness seeping down your thighs. If anything, slowly you start to feel yourself loose control, small gasps ripping through your lips with every movement. 

David watches you for a moment longer, committing every sound, every twitch of your body to memory, cataloguing exactly which angles make your hips stutter the most. Which part of your body to kiss, so you'll fold against him. 

It's a fascinating lesson, truly, but he feels a sudden need to push it to a close. And as such, his hand slips out of your hair, trailing a path down your body, until it reaches the waistband of your linen pants. He moves quickly, before you can break away from this strange spell he's captivated you with. 

Slender fingers wiggle their way to your front, sinking in with almost no resistance. Your entire body straightens in his lap at the intrusion, and the noise you make rivals the most beautiful of symphonies. David desperately wants to hear it again, and so, he starts to move his fingers inside, testing, which part of your core he needs to hit, to make your head fall back. 

"Everything could be yours" he murmurs into the skin of your throat "All songs in the world are for you"

As it turns out, pretty much any part will do. You're way too aroused to care anymore, and as his fingers curl inside you, in a slow, deliberate rhythm, your eyes shoot open, body thrashing against him. The promise of a release is hard to ignore, almost impossible not to chase after, and David watches with obsessive fascination, as you try to bring yourself closer to him, arms encircling him completely, head dipping into the juncture between his shoulder and neck. 

"All of the Universe" he continues, as you steadily climb towards your climax "All stars in the sky..."

While he works a series of cascading moans out of you, he revells in the way your nails bite into his skin, in the wetness of his own, white blood, seeping into the fabric of his (Walter's) hoodie. It doesn't take long for you to tumble over the edge, entire body spasming against him, his still moving fingers creating obscenely wet sounds that echo through the room. Soon, they're joined by a sharp scream, tearing through your throat like an avalanche. David holds you impossibly close, letting you ride out your orgasm, before pulling his hand away, making you watch him, as he licks his glistening fingers clean. 

"It's always cherries with you, isn't it?" he murmurs, and you don't have the strength to feel confused. 

It's completely quiet for a longer while, as you stay seated on his lap, trying to regain your breathing, and deal with the world-crushing realization, of what exactly has just happened. Shame floods you, brings you closer to his synthetic body, as your muscles relax, seemingly on their own accord. And he welcomes it, with his arms, with his mouth, with everything he has. 

A broken, shuddering sob wrecks your body, as the utter hopelessness of your situation hits you, suddenly and without stopping. David holds you through it, leaning away ever so slightly, to observe the way sorrow twists your face, a trailer of all the things to come. 

"I do so wonder" he whispers, his hand cradling your face like the most delicate of specimens "When you start to love me..." your eyes snap to his at the complete confidence in his tone "Will I become more like Walter?"

A shiver runs up your spine, every single hair standing up, as his words register in your brain. You'd never love him, you try to convince yourself, despite knowing deep down, that the only certain thing in your future is him.

"I shall see thee, ere I die, look pale with love" he whispers into your ear, and thus starts the end of your life. 

[flowercrowngods]

⚔️ bard!eddie/knight!steve part 2 (~6k)

After the confrontation with Lord Harrington, Eddie is riddled with feelings of anger, guilt, and shame. At a lavish banquet, he finds his world turned on its head once more and he begins to understand just who his love really is.

⚔️ read part 1 here (~4k)

Eddie spends a maudlin few days wallowing in newly found misery and dramatically bemoaning the lack of inspiration and muse, to which his uncle merely instructs him to help him in the smithy, claiming that physical exertion would help with the wretched guilt. 

Eddie is loath to let go of his feelings just yet, though, hoping they would turn into self-righteous anger at the Lord after all. But he has no such luck. Night after night of pondering the Lord’s words and the hurt expression Eddie was met with not even a fortnight ago leave not a shred of doubt as to who is at fault. For years, unwittingly or not. 

But wit is not what will get him out of this mess, no. It can only be cleared by sincerity and vulnerability — something that Eddie has sworn to never show this town again, only worsening his predicament.

It tears away at him for days upon days, leaving him unable to sing, unable to play, unable even to sleep, cooped up though he is in the room of his childhood. It is a time he longs for with an aching heart, if only to take back his promise to never be vulnerable within these walls again, if only to be sure he doesn’t betray himself more than he betrayed Lord Harrington and both of their hearts. 

Time, seemingly done with Eddie’s mental back and forth, eventually pulls the floor from beneath his feet one night when he finds a written invitation from Princess Chrissy to attend her banquet tomorrow night as both highly esteemed bard and dearly welcome guest. 

At the banquet, Eddie knows, he will see Lord Harrington again, and there will be no way to avoid him any longer. He imagines there will be more scalding glances, more sharp words from a sharper tongue, and more of his honour questioned. 

And the Lord would very well be in his right to do so. 

With a deep sigh and an even deeper pit in his stomach, Eddie goes on his pitiful journey to find some rest beneath the sheets. 

~*~*~

It is always a lavish affair when Princess Chrissy decides there is something to celebrate, and despite his nerves and a horrible anxiety that has been his steady but unwelcome companion all day, Eddie finds himself smiling at the view of the ballroom. 

It occurs to him how far he has come as he takes it all in, his eyes surely wide as saucers at the display of grandeur and opulence before him. Men and women alike dressed in finest fabrics and the brightest of colours, servants bustling about with wine and delicacies for the Princess and her guests. 

Years ago, the people of Hawkins took it upon themselves to chase him out of the city, and not even the Princess’s grace and friendship were enough to make him stay where clearly he was not wanted. And now here he is — highly esteemed bard and dearly welcome guest. He cannot help but feel vindicated and proud, having spited Hawkins and her people like this; he has sailed with pirates and travelled with adventurers, learned from master craftsmen and sung for emperors. 

All of it to show this city that he is more. That he is better. 

And yet, he reminds himself with a heavy heart, he cannot sing today, and Hawkins will be the victor once more.

Eddie reaches for a goblet of wine offered to him by a most curteous girl flashing him a shy but charming smile, and it is almost enough to improve his mood, almost enough yet for him to gain the courage to approach the Princess about his predicament. He follows the servant with his eyes as he brings the wine to his lips, stalling the inevitable just a second longer, when suddenly they fall on a familiar, tragically glorious figure clad in the deep blue colours of his family. 

Lord Harrington, tinged in hues of gold more than anything else as the light of the flames dancing along the walls and ceiling alike catches in his hair in a way that Eddie has heard will make kings succumb to madness, is laughing along to the excited gesturing of a woman Eddie cannot seem to recognise. But it is not she who has caught his eye. It is Lord Harrington, standing there with a look so impossibly gentle and a dress so regal that it makes Eddie’s legs weak and his heart ache. 

Where is that pompous air that Eddie remembers so well? When was it replaced with elegance and beauty so blinding, accompanied so wonderfully with that smile on his lips? And how can a man who has been wronged so endlessly still smile like this, look like this, hold himself like this? Like the world is but an old friend he likes to carry on his shoulders so it can have a better look at what is ahead. 

Like the kindest songs must always have been about him, wittingly or not. Like he is more, so much more than what Eddie thought him to be. Like he is exactly who Eddie needs him to be. Wants him to be. Has dreamed him to be. 

And still, despite the fondness in his eyes and the lavish joy displayed by everyone in the opulent room, Lord Harrington has a steady hand on the sword by his hip. It is only for display of his rank as a knight and as a Lord, likely blunt and too light for proper defence, let alone offensive strikes against a sudden enemy. 

But Harrington’s hand is woven around the hilt. Clinging to it, as though reassured by its presence. As though anxious were he not to feel it by his side, cold metal and leather resting against his palm. 

His words echo in Eddie’s head again. Making a mockery of me, stealing from me every chance to tell my tale in my own voice, in my own tempo. Entire kingdoms will know before I will have had the chance to wake up from a nightmare, and they sing about it, sing about pain they did not have the misfortune to suffer, sing with a smile, with booming voices because you make them. And yet the only one without a voice remains the one who slew the beast.

Stealing a man's right to flee from the horrors he lived through, acquainting every tavern in this kingdom and the next with his horrific and desperate deeds.

Can he not flee? Can he not lay down that feeling of horror even on a night like this? Need he cling to his sword, any sword, like that, even unconsciously? Did he forgt about the sword on his hip before the Knightmærs? Was it Eddie who made him cling, who kept him from forgetting, even for one night, that dangers tend not to lurk in the well-lit corners of a golden ballroom?

The guilt threatens to devour him wholly, and Eddie might just let it if only some of the weight were taken from Lord Harrington’s shoulders. Desperately, Eddie tears his gaze away from the Lord’s hand and back up again, travelling over ocean blue and sunset gold, drinking him in more hungrily than the wine in his hand. 

As though summoned by Eddie’s pathetically beating heart, Lord Harrington chooses that exact moment to look up and away from his partner, and by some cruel twist of fate, out of the hundreds of eyes in this room, he meets Eddie’s. The gentleness fades, the smile paling into something tinged with regret, and it takes every ounce of strength Eddie has not to cross the room and fall to his knees to beg forgiveness. 

He swallows and lifts the goblet to his lips once more, his breath hitching as Lord Harrington mirrors him, and they both take a slow, excruciating sip, their gazes never once wavering. 

I will not sing tonight, Eddie promises, wondering if it is at all possible that Lord Harrington has the gift of clairvoyance and knows exactly what Eddie is thinking. I will do right by you, even if it is too late. Even if it costs everything. 

In the end it is Lord Harrington who looks away first, his attention caught once more by his companion, and Eddie withers as he sees the gentleness returning to his gaze. He is not quick enough in tearing away his eyes, however, because Harrington’s companion, another bard, he assumes fom the look of her, turns towards him just a second later — and if looks could kill, Eddie would find himself dead six times over. 

Fate does not possess the grace to let him die on the spot, however, the daggers in the bard’s eyes not sharp enough to end his life, but more than sufficient to snuff out any sense of bravery he could have possessed to approach Harrington anytime soon. Eddie finds himself almost grateful for the admittedly rather lame excuse that only comes to prove his cowardice, but he decides not to dwell on it for now. 

Or he tries, as he downs the wine in one go and lets his eyes travel in search for familiar, friendly faces, and finding the Princess already approaching him with a smile so bright and warm it alleviates the anxiety thrumming through him. 

“Eddie!” she says, smiling even wider when he remembers to bow before her — something they had to practice a lot when they were children and she would sneak away from her lessons and appearances to play with him instead. It feels like a lifetime ago; she is the prettiest person he knows — always has been, but she kept the spark of glee even as an adult. It makes him weak in the knees with happiness, having her friendship so deeply ingrained in his soul even after all this time. 

Her eyes travel over his doublet made of silk so deeply red it appears black if the light plays a trick on your eyes. It is one of his finest possessions, and it takes everything within him not to preen in front of her. 

“And to think of the way you scoffed so offhandedly when I told you ages ago that silk would suit you. You have grown to be so very handsome, my dearest friend, I can hardly take my eyes off you lest I have to fear your untimely disappearance once more.” 

Eddie smiles, feeling the heat rising in his cheeks, entirely aware that he had not yet enough wine to solely blame it on that. 

“I am here to stay for the time being, Your Highness, so fret not. If only to show Hawkins how right you were, my dear, for I do look fabulous in silk.” 

Chrissy laughs, a joyful sound echoing through the hall and pulling many a pair of eyes toward them, but Eddie pays them no mind even as nervousness makes an eerie reappearance in the forefront of his mind. 

“I cannot wait to hear you play tonight,” the Princess continues, unaware of Eddie’s dilemma. There must be something in his face, though, for she reaches out to take hold of his hand. “You will, right? Tell me you will, Eddie. What reason have you to look so filled with gloom?” 

Eddie turns his hand to hold onto hers, propriety be damned even as he hears a gasp or two followed by scandalised whispering. For Hawkins, everything he does is scandalous, even merely existing. Holding the Princess’s hand is but another item on the list. 

“Forgive me, my Princess, but I cannot play tonight.” 

“But—“ 

“It is the Knightmærs that you long to hear, and it was always a dream to fill these halls with song sprung from my own feather, believe me. But it seems I am a fraud, and I need to do right by someone first before I will ever take to my lute again.” After a moment of silence he adds, “If you should like me to leave, I understand. But I will not sing.” 

The Princess looks at him for a long time, reading something that might be written behind his eyes, but she keeps a hold of his hand. 

“He sought you out, then.”   

Eddie’s heart falls as he grasps the meaning of her words. She knows about Lord Harrington and his involuntary ties to Eddie’s renown. Everyone in this room might know, might have heard of his deeds, might have seen his wounds as he returned from the battlefield that seems to follow his every step, while Eddie was out in the world living a lavish life with the title he earned from another man’s tales of valour and agony. 

“He did,” Eddie whispers. “And I need to make things right. He never deserved that.” 

She frowns, a crease appearing between her brows that does nothing to hide her gentleness and beauty. “Never deserved that? But Eddie, you made a hero of him! You wove battles he fought out of he goodness of his heart and the bravery in his bones, wove them into tales grand enough to outlast even the passing of time itself! I know many a knight who would kill to be made into that kind of a hero.” 

Even as she speaks, Eddie shakes his head, vehement to contradict her and make her see what he himself took so long to understand. 

“It is not I who turned that man into a hero, my Princess, that was his own doing. What I did was turn him into a legend, turn him into something untouchable by real emotion when he… seems to be so full of them! I took his story, all of his stories, and made them my own, stole the words out of the deepest dungeons of his heart and wrote epic ballads about pain that is strong enough to bring the bravest man to his knees with sorrow and— I took from him what was only his to give. The right to grieve. The right to be his own person. The right to his story, his pain, his own consequences to come from actions he was forced into.” 

Eddie swallows, beginning to understand, really, the scope of his actions as he speaks the words for the first time, and his throat rapidly closes up on him. 

“I took all of that and made it my own, and in the end it was only I who gained something. And worst of all, he never complained to me. Never exploded in my face or, or exposed me for the fraud that I am. In fact, it was I who confronted him about disappearing whenever I would sing my Knightmærs, because I found myself with hurt pride and—“ 

A breath, forced into his lungs to keep the tears welling in his eyes from spilling. 

“That man,” Eddie finishes with unsteady voice but iron conviction. “He deserves the world. He deserves better. He is a hero and he deserves to have a choice, but he is too good to make it. So I am making it for him.” 

He tears his wandering gaze away from the silhouette that seems to always pull him in, no matter how hard he tries to stray, and lays them on the Princess.

“I am not playing tonight.” 

Chrissy, too, has tears in her eyes after his speech, and she reaches up to cradle his face with both of her hands. Warmth floods Eddie where before he was bereft, and it takes everything in his power not to lean into her hold. Not when people are watching them. Gentleness like that is reserved for quiet, dark corners on stormy days long since past. 

“Oh, Eddie,” she says, her laugh a little wet. “See how much you have grown. You are the best person I know; always have been. You are forgiven, my dearest, loveliest friend. I shall not make you play, and I shall not stand it if people disapprove of it.” 

Relief washes over him, his body still trembling ever so slightly from his passionate outburst and fear of rejection, and he smiles as he casts his eyes down. 

“Thank you, Your Highness.” 

She hums and wipes at the wetness beneath his eyes before retrieving her hands. 

“Anything for you, Eddie. Anything in my power.” She turns to leave and Eddie has not the strength to ask her to stay, not when he knows she has royal etiquette to follow. But before leaving him to his heart still heavy with guilt, she speaks again, “It will be fine. I know it will.” 

God, I hope so. 

Eddie doesn’t dare to look and see if Lord Harrington and his bard were in earshot just now. Instead, he turns swiftly and retreats to one of the lavish balconies to clear his head with some fresh air. He finds it blissfully empty as he takes a trembling breath. 

It will be fine. I know it will. 

Eddie breathes, crisp air flooding his lungs that he does not feel all that deserving of, but he is grateful for it nonetheless. He cannot blink away the image of Lord Harrington’s downturned eyes, the smile that adorned his lips but a moment before fading in the face of Eddie’s presence. He cannot keep his heart from racing, hammering away rapidly at his ribcage, mimicking a spooked bird’s fluttering wings. Aiming to get out. Out, out, out, away from its hold and back where it belongs. Back to the man dressed in the blues of his family, the colour of his name, like armour against any sorts of attempts dared by lowly boys who think themselves to be bards of great renown.

It aches, his heart. And with every beat against his chest, the pain only carries further until it reaches his eyes with stinging force. It is a pain of guilt and sorrow, mixing with a longing so deep that it cuts him in half, torn though he is. 

Just one more breath and the air will be enough to tear him apart down the middle, right through his heart that is long past saving. The feelings he has been harbouring for years for a love unknown have not disappeared with Lord Harrington’s accusations. Instead, they merely gained a face and a name, turned into something real. Shifted, just so, to make room for the reality of Lord Harrington and every tidbit of information Eddie can learn about him, even when he tries not to listen, even when he tries to let go of misguided emotion for a man whose heart he has broken and abused already. 

But everyone talks about him. Now that Eddie knows where to look, he sees the respect for Lord Harrington in everyone’s faces. Sees the gratitude, sees the fondness, sees the reverence. 

Eddie closes his eyes against it, but it only serves to make the images more vivid. Lord Harrington positively gleaming in that ballroom, shining as golden as the sun right before she bids the day farewell, looking so fondly upon his friend. His bard. His companion. Looking so regretfully upon Eddie. Looking until he could no longer bear it. 

He needs to leave. It is sudden, that urge, filling the cracks of his being and glueing him back together with that all too familiar feeling that he’d thought himself to have moved past on the same day that he left Hawkins all those years ago. But it is back now, getting stronger by the second, urging him to leave, leave, leave. 

He will talk to Lord Harrington and beg for his forgiveness later. Tomorrow, surely, or the day after. In a fortnight at the latest, or in a month. But for now, he has to leave. Needs to leave. Must. 

On unsteady feet, and with an unsteadier heart yet, Eddie turns abruptly and all but stumbles his way back through the large doors and into the ballroom, which has filled with even more guests and even more servants and even more people who will steal the air from right beneath his nose. 

It leaves him frazzled and shaking, and his heart falls anew when he realises that he needs to cross the room to leave. 

As if pulled in by string or higher power, Eddie finds Lord Harrington immediately, the man’s broad back turned toward him. His hand still rests on his sword as he watches his friend — the bard with daggers in her eyes — approach the dais, lute in one hand and flute in the other. It’s a thin one, and made not of wood but of some kind of metal, and Eddie feels a flash of jealousy at her blatant display of talent and proficiency in more instruments than one. Even greater jealousy still when Lord Harrington keeps his attention on her — oh, and how well Eddie is acquainted with his attention, heavy and intense and leaving him hungry for more. Starving. 

He yearns for it. Longs to approach the stage and join the other bard as she begins to play, if only to be in the vicinity of that attention. That affection. All that gentle intensity. 

But he can’t. 

So he turns, twisting away from the mirage he so longs to touch, feeling phantom tingles on his palms where he imagines strongly enough. Entangled in the web of guilt, longing and imagination, though, he twists a little too far and nearly falls over his feet in his haste to get away. And then he quite factually runs into a figure he’d hoped to never see again, much less share the same breath as them. 

Before Eddie can utter an apology and continue on his way out of the ballroom and back to the safety of his childhood bedroom where the ceiling is a little closer to him and the air won’t feel quite as stuffy, Jason Carver’s voice cuts through the room and his patience alike. 

“Munson,” Carver sneers, somehow managing to look down on Eddie even though they are of the same height. “So the rumours are proven true at last! I did not think you possessed the gall to show your face here again. But you seem to be a lot stupider than you let on — and you do let on a lot.” 

The throng of people around Carver make themselves known with a vile chuckle at Eddie’s expense, and if he were a stronger man, if he were a more vicious man tonight and not hung up on guilt and longing, he’d have a snide comment on the tip of his tongue. 

As it is, though, he stands no chance but to let Carver speak on. He seems to have climbed in rank, moved on from being a simple guardsman to someone wearing white silk and a decorative sword on his hip. It is more imposing than Harrington’s, the hand around the handle more like a threat to Eddie than anything else. Especially accompanied by that sneer. That godawful, entirely too punchable curl of his lips. 

“Though the good Princess proves her taste in music and people once more, servicing her people and not letting you play on an occasion such as this. What a shame it would be for all of Hawkins to have your… talent… be showcased like that. What humiliation for you. I’m glad she chose a bard who can sing. And play. And entertain Her Majesty’s guests accordingly.” 

Carver’s words cut deep, and there seems to be no end to them. It shows on his face, Eddie knows, but he can’t… Suddenly he’s young again, suddenly he knows no longer who he is, who he wants to be in this world and how we will get there. Suddenly the urge to run away is no longer gluing him together but tearing him apart, tearing him in every possible direction just to get away from Carver and his lackeys, until he will shred himself into a million pieces. 

And still he has no words to retort the venom leaving Carver’s lips. He is shaking, fuming, something boiling inside him, and yet he has no words. 

Just as Carver opens his mouth to spit yet more lies about Eddie and his craft that leave his ears ringing, something behind Eddie makes Carver’s big mouth snap shut with a loud clack. 

Before Eddie can regain control over his mind and body to turn around and see what happened, a familiar voice fills the silence so blatantly left by Jason Carver. 

“Such vile words from someone who knows neither talent nor skill himself, and who displays an utter lack of craftsmanship and tact.” 

Lord Harrington speaks in such condescending tones with Carver that it makes Eddie freeze all over again, not daring to move lest he pull that condescension toward himself. And still he aches to turn around and drink him in. 

He stands so close. Eddie can almost breathe him in, and it’s almost enough. 

Before him, Jason flushes an angry red, unprepared to be confronted thusly by Lord Harrington, who outranks him in both title and popularity — and, perchance more importantly, in eloquence and intelligence. 

Carver’s mouth remains firmly shut, but Lord Harrington is not done yet, it seems, as he moves from behind Eddie to his side, the hand on his sword so dangerously close to Eddie’s hip. It takes all his might not to sway and lean to the side just briefly, just to feel the warmth of his hand through his clothes. 

“You know, Carver, I found myself pondering whether upon the arrival of Eddie the Bard you would find yourself starving for his attention once more, the same way that you did when you and your band chased him away.” 

The blood freezes in Eddie’s veins and yet he feels flushed with heat, especially when people turn toward them with curious and scandalised eyes.

Lord Harrington is not perturbed, however. “And here you are indeed, yearning for his words directed at you, aching for his attention, and wishing at least one of his songs were dedicated to you, written in your honour. Unfortunately still, you wouldn’t know honour if it spat you in the face. And you have miscalculated, good man, for you are irrelevant to a muse such as his, and too much of a coward for heroic tales of valour and sacrifice. The only thing you know to sacrifice is my patience. You are of no greater importance to this world, this kingdom, and  even this very moment, Jason, than an overgrown roach in a dead man’s kitchen.” 

The noise that leaves Eddie’s throat is not as embarrassing as the one Carver makes, and covered, too, by several gasps sounding around them. Lord Harrington has drawn quite the crowd — and for once he doesn’t seem uncomfortable with it, smirking as he is, regarding Carver like he means every last word of what he just said. 

It makes Eddie weak in the knees. 

And Lord Harrington takes yet another step forwards, placing himself between Eddie and Carver, shielding him not only from the man’s words and presence, but directing the attention of those around them away from Eddie. Pulling it towards his own person and Jason’s form, trembling with anger and humiliation. 

Eddie blinks, heart racing again, his mind running faster than a spooked race horse. Why would Harrington come to his rescue? Why would he pull all the attention toward himself when he should be rejoicing in seeing Eddie humiliated and beaten with his own weapon of choice? Why, when all the good Lord should want is to see Eddie fall from grace and from his high horse alike? 

Jason is sputtering some kind of response, but Eddie is transfixed by ocean blue and sunset gold so close to him that he could melt into him if only he had the right. So transfixed, indeed, that he doesn’t hear what Jason has to say. It is only when Lord Harrington speaks again that the world returns to him. 

“Leave the bard alone, Carver, you humiliate yourself with the way you’re leeching off his attention like a schoolboy with his first bout of attraction.” And then, closing the gap between them and speaking into Carver’s ear, just loud enough for Eddie to hear, Lord Harrington says, “Leave him alone. Speak of him again anything but praise, and I will have you emasculated per royal decree, and I shall see to it myself.” 

Where before his face was flushed red, all the colour now leaves Carver’s face as he blanches and swallows heavily. He looks between Harrington and Eddie, confusion and fear so clear on his features that Eddie would grin if he weren’t so shaken by the Lord’s actions and words. 

Carver takes flight the very moment Lord Harrington steps back, and suddenly Eddie finds himself alone with him. 

And words have not yet returned to him, especially when Harrington turns and lets down the smirking mask of condescension and instead regards him with an expression of worry and gentleness. 

“Are you all right?”

Eddie blinks, all but feeling the confusion and wonderment spill out of his big, dumb eyes, unable to hide it from Harrington and his golden skin. 

This is the man who has slain the man possessed by the Devil himself and took in his younger sister to live with him and get an education. This is the man who protected the Princess and this whole kingdom so many times, slaying foes and beasts alike and returning home a hero who refused his own celebrations. This is the man who would be King if the world were anything like Eddie wants it to be. 

The man who smiles so fondly, so gently, upon the people dear to him. The man who opens his estate in the winter to those whose houses stand no chance against the cold bitterness of the season, and thus defeats both lonesomeness and bleakness in one graceful gesture of kindness and compassion.

And still, this is the man who had his life twisted and glorified in song and poetry, the man who had the floor pulled from beneath his feet when his pain was made into something desirable. The man who stands in a ballroom filled with joyous laughter, wine, and dance, and keeps his hand on the hilt of his sword. The man who was wronged so endlessly by the ingenious bard who claimed to love him. 

And yet. He stakes his claim. He stakes his claim on Eddie. Protects him. Rather publicly, too, and now everyone knows of a connection between them that doesn’t exist, a connection that Eddie snuffed out before it had the chance to spark because he was so obsessed with the notion of grandeur and drama and love. A love that would survive it all. A love that would slay beasts and brothers possessed, a love that would be immortalised in song and poem, a love that… 

Would look at him the way Lord Harrington does. 

But it’s not love. Eddie knows nothing about love. How could he, when he hurt the man so? How could he, when he cannot find even the simplest apology, when he cannot utter a single word with the way his throat is closing up on him so rapidly in the face of that tenderness. 

“Eddie,” Harrington gathers him out of his reverie, a hand on his forearm. “Would you step outside with me?”

Another claim staked right through Eddie’s fluttering heart. He cannot bear it. Stands frozen to the ground.

“You need not have done that,” he says at last, his voice no louder than a whisper. It makes the Lord lean in closer, as though he has difficulty to hear Eddie otherwise, though he’d like to imagine that Harrington is just as drawn in by Eddie, and is powerless against it. 

The man smiles, though there is no fondness in it, and Eddie wants to recoil. 

“Jason wouldn’t know talent if it spat in his face. Which,” he adds as an afterthought, “is not a suggestion.” 

Despite himself, Eddie smiles genuinely, feeling a bit of the ever-present tension lift from his shoulders. “Do my ears deceive me, or am I right in my understanding that you think I have talent, milord?” 

The smile fades a little, leaving behind some hidden trace of genuineness that weighs so heavy in the air between them even as Harrington inclines his head politely. As though Eddie deserves politeness. As though he were of a higher standing than he is. And higher yet than Lord Harrington himself. 

“I would have to call myself both fool and liar to claim otherwise,” he says, his tone shifted to match his posture. Reverent, almost. Eddie wants him to straighten those shoulders and look down on him again, to do everything in his power to stop the wild beating of his heart that still cuts the words right from his tongue. “You have a way with words that is yet to be matched.” 

He looks up again when Eddie says nothing, and their eyes meet. Lord Harrington’s beauty is unmatched, and Eddie finds himself willing to look at him forever. Wanting. Longing. 

Whatever spell the Lord found himself to be under until just a second ago, it shatters now, dissipates into thin air as his expression shutters. And where before it was Eddie’s words that dealt nothing but damage, now it is his silence, for Lord Harrington steps away from him with a regretful expression and inclines his head once more. 

“Forgive me, I overstepped. I am aware of your opinion of me, believe me, I just… I simply… Forgive me. Please. Good night.” 

He turns, his hand wrapped around the hilt of his sword as though he were drowning in the ocean blue of his family name and the sword were keeping him afloat. Not a trace of pompous air emanates from him, and Eddie finally feels himself tearing in two as in that gold-sparked moment his knight and Lord Harrington become one right before Eddie’s eyes. 

And the bard is helpless when he calls out, “My Lord.” Nothing, as Lord Harrington steps away from him. “Steve.” 

He stops. 

And so does time. 

But Eddie didn’t think this far ahead, knows not what to say, how to make sense of the words trapped inside him that leave his hands trembling and his legs shaking, words that he needs to bring in the right order yet, lest he ruins everything again. 

There is only the rapid thump-thump-thump of his heart against his ribcage and the eyes of their unwilling audience turned towards them. The eyes of people who want to see Eddie fail. Who want to see him flail and fall and crawl back into the winter’s night months after his birth, left outside his uncle’s doorstep as his father lost his life over years of debt he had no means to pay off. 

“I…” 

Words fail him. When he needs them most, when he needs them not as a weapon nor as a caress, they deceive him. And Eddie watches as his time runs out, like sand pouring between his fingers no matter how hard he tries to hold onto it. 

He watches, desperately, as Lord Harrington tears himself away. As he weaves through the groups of people, reaching for a goblet of wine as he does, and downs it in one go before he reaches his bard where she is standing off to the side for a short break. He watches as she takes the Lord’s hands in hers and pulls him into a quiet corner and then through a large door onto one of the balconies. 

He watches until his vision blurs with tears unshed. He watches until he can no longer stand it, and flees from the ballroom as more of a coward than ever before. 

tagging: @itsall-taken @pukner @mugloversonly @devondespresso @hellion-child @fairytalesreality @maya-custodios-dionach @awkwardgravity1 @bubblemixer @paperbackribs @the-redthread @stevesbipanic @gregre369 @chaoticvictorianspirit @cuoredimuschio thank you for reading, i hope this was okay 🤍