#working in tandem

[thoodleoo]

it's because youre always on that damn illuminated manuscript

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

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[ddarker-dreams]

if you wear glasses, gojo swipes them at every opportunity so he can hold them over your head and watch you jump to get them back. if you ask sweetly enough, geto will lift you up, but stop just before your fingertips can graze them. they’ve mastered the art of annoying you for your cute reactions.

[stuckinapril]

I will entrench myself in literature this year no matter what the fuck it takes

[zyphnn]

@codywanweek day 3: dancer/musician/theatre AU

can someone PLEASE tell the stage manager to stop making out with the lead actor on the prop table

[llamagoddessofficial]

What about the noble trio from the pride and prejudice au falling for a servant girl at one of the parties they attend. Among all the noble women in their fancy gowns, there is a hardworking lady in uniform making sure everyone is tended to and everything is going well

😳 Anon how did you know that this dynamic is my weakness

Sans: A servant/maid Mc would have a much more favourable view of Sans than an Mc who was of his class. He might even be her favourite out of the skeleton trio. Despite his frosty nature with people in his own social standing, he's very genial and kind with servants, going out of his way to call them all (even those not of his household) by name- that kindness has made him very popular with the local servant population, Mc included. When he sees her, he doesn't dismiss her, he invites her to talk with him... if he ever sees her in town, he stops to politely chat with her as if they're the same standing. She enjoys his company greatly. If she's working for someone else he regularly compliments her work ethic, politeness, tidiness, etc. She's realistic, but... her favourite daydream is the one where Sans gets down on one knee.

If she worked for him, she'd be directly promoted to position more akin to a personal assistant than a maid. She helps him manage his finances, oversee his household- he wants her close by, and he openly expresses to her that she's the only one he trusts to help him with the things important to him.

Red: Though Red definitely has a reputation that makes some want to avoid working for him, his servants also tend to have the most fun. Unlike other noblemen, his servants have a lot of time off, and he openly allows gambling and drinking. He hires people who have a hard time getting other jobs, like the elderly or socially outcast- his reputation is wild anyway, he can afford to hire whoever he wants. Nobody is surprised.

She has the best rapport with Red. He breaks down the walls she built up from a lifetime of fearing the retribution of the upper class, he can make her laugh until her sides ache. He actively encourages her to speak her mind with him; she'll yell at him for beating her at cards and rather than losing her livelihood, she gets raucous laughter from him. After years of silent servitude it feels so good to speak freely with someone.

... She wouldn't work for him, though, unless he was her only option. Does she like him? Yes, so much. But his track record of wooing servants and nobles alike makes her unwilling to risk it... especially when he's so clearly fond of her, and she can't honestly say she doesn't like him too.

Skull: Skull is beloved by his household. Staff only have one rule; don't go into his room when he's in there. He never throws big parties, so no need for massive preparations, he's quiet and gentle in temper around humans, his only regular guest is the ever-popular Red. His staff are immensely defensive of him, and won't hear a word against him despite his unusual reputation.

She'd probably end up working for Skull, one way or another. One look at her, and he'd throw an obscene amount of money at whoever was employing her, he can't bare the thought of her not being his. She arrives to his household expecting the backbreaking work that tends to come with being the maid of a higher class family, and yet finds herself... not really working at all? Her only 'jobs' are what come with being the only person allowed into Skull's room. He keeps giving her nice clothes, rather than a uniform. Why are all the other servants so nice to her? Why do they keep manufacturing reasons for her to be alone with Skull? Why do they all smile like they know a joke she's not in on?

[automatic-midnight]

Episode 13: Lilliputian Hitcher

[shotmrmiller]

I’m using Soap as a goddamn chewing toy and he better like it because there’s no way he’s keeping me away from those arms

???

does he

look like he doesn't enjoy pain???

and pain! make it fucking hurt it def gets his southern blood pumpin.

[nicoscheer]

Well I’m Alex from the last shadow puppets and I play the awooo

And I’m Miles from the last shadow puppets and I play the midnight moon

Like can we just appreciate how fucking quick witted that was like Alex doing his best wolf impression (for god knows what reason) and Miles just immediately having that midnight moon comeback ready to complete the werewolf

[thoodleoo]

i hope prometheus knows that by giving us fire he gave us sitting around a fireplace and making smores around a campfire. next time i break out the marshmallows im gonna cook one up for him

[muninnhuginn]

The Anya-Twilight interaction in the middle of this chapter is pretty interesting.

The Anya side of this interaction seems clear enough in that she's trying to obfuscate when asked about her exposure to classical language. The fact we don't see her face as she claims she doesn't remember makes me think she very possibly *does*, but doesn't want to talk about it. And, of course, as I've seen pointed out already, her face when she's first asked is very reminiscent of how she looks in the recent 'Ania' short chapter. She has thoughts/feelings about her past and they've clearly affected her, but they're not for the audience to see yet.

However, the Twilight side of this? I'm a bit stunned at how obviously he does not want to be asking this question of Anya. We know he's considered there's some reason in her past for her knowledge of classical language. We know he's a chronic overthinker. Even last chapter, he was thinking of this, but didn't ask. Anya getting second place though basically removes any plausible deniability. If he doesn't ask now, he's neglecting his duty. But still, he has to work up to it, almost leaves the room before he decides to broach the topic, and when he does, he *mumbles* it. Twilight doesn't really *act* with Anya when it's just them. His mumbling is not an act; it's reluctance.

His reluctance to ask the question of Anya is, in some ways, more egregious than how easily he drops the topic once Anya claims she doesn't remember. Not pushing her further and bringing the topic up later is a valid tactic (and likely one we may see), but we can see that he knows there's more to it. Unlike the audience, he can see her face, after all. And for now, he's indicated he won't push further despite that knowledge. By choosing to back off and patting Anya instead, he's (in a very low-key way admittedly) prioritising Anya over the mission.

It's just so neat how this one interaction showcases so much about the both of them. It hammers in Anya's trauma about her past, without spelling it out in words, but at the same time, it shows how Twilight's approach to fatherhood vs his mission are coming increasingly into conflict. We've had something similar on a larger scale with the recent Yuri-mole arc, with his role as Yor's spouse vs the mission, but it's still playing out on a smaller scale in scenes like this. And it's fascinating how the mission isn't always the clear-cut winner anymore. Sure, early on, we had Twilight sabotaging the Eden entry interview, but that was a moment of passion inspired by his whole "not wanting children to cry" deal. In other words, fuelled by some of his own trauma. In the recent chapters though, he's had time to think and justify before he acts. But the pendulum is still swinging towards his family when given the chance.

[genderkoolaid]

I thought we all agreed that patriarchy/toxic gender expectations are bad for EVERYONE including trans and cis men ???

I really appreciate your posts, I���m sorry it seems like you’re getting unwarranted hate from both sides here lol.

well you see, a lot of people agree that the patriarchy is bad for everyone, but then when people go "okay, lets take some time to focus on men's suffering under the patriarchy" they get upset because you aren't actually supposed to talk about it, just vaguely acknowledge that it happens. agreeing that men suffer under the patriarchy is feminist, but wanting to analyze that as a serious issue makes you an MRA.

its extremely frustrating having people who will go "yeah the patriarchy has toxic roles for men" but then when you suggest that hey, maybe "small penis bad" jokes are contributing to those toxic roles and actually help the patriarchy by giving it legitimacy, and directly hurting transmascs and intersex people, you are just being a sensitive effeminate fag MRA :)

[gloombeaches]

transgender frankie stein icons! (transparents found here!)

[dimorphodon-x]

Holiday episode🎄

Featured ocs belong to @cuppajj @whosafraidofthedjd @tigracespace @krutchs-medbay @voiidbots

[bacchuschucklefuck]

you get riz gukgak so well 👍👍

thank u!! he really kinda is all of my favourite character things rolled into one package (negotiation of principles/investigator-truth seeker-negotiator with reality and the narrative/obnoxious character whose narrative reward for participating in the story is getting to be even more authentically obnoxious/deeply and hauntingly aroace