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#world inside expanding
trees-and-planets · 9 months
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— Elisabeth Hewer, from "World Inside Expanding" in Wishing for Birds
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gummi-ships · 6 months
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Kingdom Hearts Dream Drop Distance - Prankster's Paradise
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architectural-sims · 3 months
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Sunset in Porto Luminoso
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sparkle on its wednesday dont forget susie and ralsei are friends
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aeternamente · 1 year
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Do you have earplugs in your possession? Do you want to do a little experiment?
Ok, find some kind of audio (with or without accompanying video idc) with words/lyrics in it that are intelligible to you, and set the volume to a comfortable listening level.
Now put in your earplugs and play it, and tell me which of the following is true:
Please reblog if you participate :)
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randomwriteronline · 2 years
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“Almighty Sinnoh above, below and all around me.”
Palkia hears the human, although that is not their name; but when one can see all places all at once, it is easy to understand when their attention is called.
“I apologize for the intrusion. I come to pray to you.”
Palkia listens. They always do, when they are called: Parent allows it, and Parent has taught them to hear closely when called by what is much, much smaller, and much, much frailer.
“I pray for your guidance and your gaze upon me.”
Palkia listens. This human does not simply think his prayers like others do. This human murmurs beneath his breath, as his thoughts are far too loud.
“Please, I beg of you. I ask for a glimmer of clarity.”
Palkia is as shifting as the waters: in the same manner as liquids do, they coat all that their infinity can touch. It is a small infinity, compared to Parent’s - but it is vast and wide nonetheless.
“Please, I beg of you. I fear this is not where I want to be.”
Palkia can reach as far as the oceans expand, below and above the ground. But they are not Parent; they cannot know all.
“Please, I beg of you. Please. Lead me home. Please.”
Palkia could ask for their sibling to answer the human, as they certainly could help. But what then? Humans are much, much smaller, and much, much frailer. If Dialga answers them, will this one be shunned by their people?
“Please, I beg of you. Please, lead me home, please, please, please. I beg of you, please, lead me home. I beg of you. Please. Please. Please.”
Palkia cannot do so. They cannot help, for they must only listen, not lead. Humans make their own fortunes, Parent said, and intervening may turn quite dangerous for them, as they are much, much smaller, and much, much frailer.
“Please, I beg of you... Please... Please...”
Palkia rubs their muzzle on the human’s shoulder; that is how Parent comforted them, when they and their sibling were still expanding so soon after their births.
The small, frail thing will not know it is them: it will be a trickle of water melted out of some snow, seeping into the dark cloth they never part from, sending a shiver down their arm.
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heatherwitch · 2 years
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Today one of my preschoolers pulled something from his lunch box and lifted it with reverence saying “look Miss Mouse, a baby avocado!”
It was, in fact, a pistachio.
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guideaus · 7 months
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so with mokumoku len's last twitter extra, i wonder if they mean to imply hiakru's insides are painful or what. they said before u die endorphins are released, and idk if they mean the myth or for hgsn's circumstances w hikaru, but i guess it is at least it is stressful. yoshiki describes it as cold, and feeling like raw chicken, it hasn't seemed to leave any physical marks. neither time has yoshiki had any lasting pain from the insides, but the first time is when hikaru thought abt killing him, and idk if mokumoku len would wanna say the endorphins rush are canonically yoshiki close to death.
on the 2nd page mokumoku len had the insides focus on a bit of the brain, but i personally feel like its on the intersection of the occipital, parietal, and temporal lobe so i cant really make any observations abt that lol. mokumoku len went beyond just mentioning endorphins, and brought up death so im like 🤔 if it was just endorphins (which couldve been released naturally w/o the mention of death since both times it was a stressful situation, though definitely not that fast lol) it couldve just been akin to a more normal action... not... specifically He's About to Die
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dromaeotrash · 1 year
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nothing happens without evil
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mcmansionhell · 4 months
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.
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headspace-hotel · 1 year
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I'm trying to write a post about tick safety and avoiding tick bites, but a lot of the info on websites is like "Avoid going in the woods, in plants, and where there are wild animals" and "Activities like hiking and gardening can put you at risk" and I'm like thanks! This is worthless!
As ticks and tick borne illnesses are expanding their range, I think it's important for people to be educated about these things, and I think it's especially important to give people actual advice on how to protect themselves instead of telling them to just...avoid the natural world
Rough draft version of Tick Advice:
Ticks don't jump down on you from trees, they get on you when you brush against grass, brush, bushes etc.
Ticks get brought to an area when they get done feeding from an animal and fall off them. In the USA, the main tick-bringing animal is deer, but I've seen plenty ticks on feral cats and songbirds.
Ticks get killed when they dry out so drier areas with more sunlight are less favorable to ticks.
The above is useful for figuring out whether an area is likely to have lots of ticks, and how vigilant you have to be in that area.
Wear light-colored, long pants outside. Tuck your pants into your socks, and tuck your shirt into the waist of your pants. Invest in light, breathable fabrics idc
IMMEDIATELY change out of your outside clothes when you come back from a tick-prone area, wash them, and dry them on high heat to kill any ticks that might be stuck on.
Shower and check yourself for ticks after coming inside. Hair, armpits, and nether regions in particular. You can use a handheld mirror or rely on touch; an attached tick will feel like a bump kinda like a scab
While you're outside, you can just periodically check for ticks by running your hands down your legs and checking visually to see if anything is crawling on your clothes. Light colors make them easy to spot, and they don't move fast.
Combing through each others' hair to check for creepy crawly critters is a time-honored primate ritual and is not weird. When hiking, bring a friend who will have your back when you feel something on your neck and need to know if it's sweat or a tick
If you're careful, you can usually catch ticks before they bite you, but if one does bite you, it's not the end of the world. Since tickborne diseases are different regionally i suspect this advice will differ based on where you are, but the important thing is remove the tick with tweezers (DON'T use butter, a lit match, or anything that kills the tick while it's still attached, please) and contact a doctor to see what to watch for. Most illnesses you can catch from ticks are easily treatable if you recognize them when symptoms first appear
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nkogneatho · 4 months
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"𝐈𝐓'𝐒 𝐑𝐀𝐈𝐍𝐈𝐍𝐆 𝐌𝐈𝐋𝐊"
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𝐉𝐉𝐊 𝐋𝐀𝐂𝐓𝐀𝐓𝐈𝐎𝐍 𝐊𝐈𝐍𝐊
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—cw: lactation kink, mentions of pregnancy, dirty, nasty, depraved stuff, vaginal sex, period oral mention, monsterfucking in kuna's (sukuna's is way too dirty), dry humping, drinking breast milk obv, not proofread (this is too long and i have an event tomorrow)
—a/n: i have officially lost it. is it obvious i have lost it? idk if this is the best or the worst thing you will ever read but this is very depraved and nasty. like...aaaaaaaaaahh okay i am normal. i put my big titties non existent breast milk into this so please read it all and i hope you enjoy.
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𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔
— satoru is the man who is always up for something new. especially, if it involves pleasing you because he's a good husband and that's good what husbands do. he knows how to pull out the naughty parts out of you, but he had to work his way up.
"I am just saying. It helps. Believe me," your husband was arguing with you.
"Cut it out, Toru. I am not letting you suck my boobs."
"But why?"
"Because it's gross and weird." The moment those words left your mouth, he audibly gasped.
"Did you just call our baby's food gross?" You rolled your eyes. He's always like this. It's not like you weren't curious of his reaction when he does taste you, you were just scared that he'd be disgusted. Plus the post pregnancy hormones are worst as they make you emotional over the silliest things.
"Please, baby? Just this one time. I'll be a good boy I promise." You hate when he addresses himself as if he's an angel. He is a mischievous devil inside. But rather than having him pester you for the rest of the night and ruin your hard earned sleep (since your baby's cries always wakes you up) You thought maybe let him and just get it over with...
"mmph ffhuck." His moans vibrated through your skin, "mhmm god ywo twaste shwo good." The moment he said that, all the insecurity left your body, and heat forming between your legs.
"Ngh—toru..." you felt so embarrassed—so dirty when his eyes locked with you. Your lashes fluttered and you looked away but you swore you could feel him smiling on your nipples. Your husband really digs out the emotions you never thought existed within you.
He was pressing them together, playing like he had just found a new toy. You had never seen so much amusement in those blue eyes as much as of now. Bright pink tongue lolling out to taste the squirting liquid when he squeezed both your breasts together.
"Feels good, right baby? ah!" *slurp* He wiped the dripping milk at the end of his lips with his tongue, and you couldn't process. You felt so wet. And he knew you very well. After all, you've been together for so many years.
"Lay down baby. I'll fuck you while I drink you." You never thought you'd ever hear that sentence but there it was.
𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎 𝐓𝐎𝐉𝐈
— toji has always been an experienced man. he has definitely tried a lot of things. but there's always areas to expand knowledge and new things to learn. he wouldn't do anything that makes you uncomfortable but he knew the person he was marrying wasn't ordinary. you, deep down, were just very dirty like him.
You had your legs stretched on the sofa, upper body resting on your husband's lap. Since you guys had a baby, it was very rare for you rest. Being a parent is the best thing in the world but it also feels worse than a 9to5 sometimes. Today was a good day though. Your boy was sleeping soundly and you had some quality time to spend with each other. Well, it's hard to go on a date at this time, but you both were just happy to be in each other's presence.
Toji was mindlessly flipping through some channels after he got bored halfway through that one movie he was watching. His emerald eyes fell on your ipad screen where you were scrolling through what seemed like a baby product websites.
"I thought we had bought everything for little gumi." You looked up at him then back to the screen.
"Oh this isn't for gumi bear. This is for me. These are called breast shells."
"What? Show me." He took the ipad from you and carefully observed the product you were supposedly buying. "So what is this a fashion accessory for mommies now?"
"Hehehe," you giggled. "No, baby. My breast oversupplies sometimes and it ruins my dress. They prevent that." You watched him as he sat there in silence, poking his tongue inside his mouth. Within two seconds, he flipped you on the sofa, and gently climbed on you.
"Why are you buying that shitty thing when I am right here?"
"Toji, what do y—OH MY GOD!" he pulled out both your breast pretty quickly, all thanks to your maternity clothes. He knew you won't stop him. He knew you would get wet when he'd do that. And he was right on the money. He started sucking so hard, you felt...foreign. He had sucked them a hundred times before but watching him flick your nipples with his tongue and the milk trailing down, fusing with the tastebuds until it goes transparent and his adam's apple bobs when he gulps it. fuck.
Toji's obvious boner grinds against your heat as he suckled on those pretty tits. The wet patch on your panties were now staining his grey bottoms too.
"Overflowing down there too, mama? Hmph," he chuckled. You were to focused on the feeling of his lips on your nipples that you forgot to see his right hand moving down to cup your heat.
"Ngh—twoji," you mewled.
"Don't worry, baby. I'll take care of you." Thick fingers circled your wet clit, "Ya don't need those shells or whateva when i am right here." He is a great husband. He even saved you so much money that you were gonna spend on those silicones.
𝐆𝐄𝐓𝐎 𝐒𝐔𝐆𝐔𝐑𝐔
—suguru worships you. it isn't obvious but you can feel his devotion towards you. the way his droopy eyes lights up when they fall on you, or his ears turn red when you kiss him. he loves how you take him in, struggling a little at first because he is girthy and a bit long, but when he bottoms out, you finally exhale and relax your walls around him. holy shit. he loves it. but this time, something different struck his curiosity.
"fuck. you sure we can do this baby?" He asked.
"'s okay, sugu. doc said we had to wait like six weeks and it's been three months." You were so busy in your post pregnancy life that you barely got time for just each other. You hadn't even kissed properly in months. "plus," you reached for his cock, "i need you." Those last words came off as a whine. You needed him and who is he to deny you off your pleasure.
You were on top of him as you positioned his boner to your entrance. He watched as your cunt swallowed him. This time, not struggling as much. Thanks to dilation.
"anh! suguuu~ mhmm missed your cock." You moaned so beautifully, he found himself falling in love over and over again. Yet, something was different. Normally, his eyes would focus down on how you well you take him as you ride it, but today he had found something rather more interesting. Your big tits bumped against his face and he couldn't take his eyes of those nipples. Those glistening nipples. He could see droplets of milk settling and honestly, they looked so fucking tempting. He let his intrusive thoughts win as you felt a warm sensation on your boobs.
"haaa—fuck. sugu, mhmm—no, it's gross" He didn't reply. He didn't need to. Pretending he didn't hear that was just right. Why would you even think anything about you is gross. He would kiss the soil you walked on.
"so fucking sweet. my sweet girl." *sucksucksuck* "these are f'me too, right? these were made f'me. hmm...sweet *suck* fucking *suck* girl.
congratulations. you just unlocked his new kink.
𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎
—nanami is a gentke lover. we all know that. he is only mean in bed if you ask him too. that alone needs a lot of convincing because he is scared of hurting you. he is not too kinky but you can't say he's completely vanilla. he enjoys wrapping a tie around wrist as be eats you out. he also found himself getting hard when you called him "daddy." So yeah, he is a little kinky. But not in a million years Nanami Kento would've thought he would get hard watching you wipe the excess milk off your breasts.
"So i just put her down to sleep," you walked out of the baby room, with your left tit out, wiping it with a napkin. "What do you want for lunch—Kento?" He immediately broke the staring contest he was having with your boobs and looked at you.
"Yes, sweetheart?"
"Is everything alright? Is there something on my breasts?"
"Yes—I mean no. of course not." It was rare to hear panic in his voice which only made you mroe curious. You walked closer to him, hsi breath heavier than usual.
"What's wrong, Ken? Talk to me." shit shit shit. you were too close. he could feel your wet boobs rubbing against his cyan blue shirt. If you got any closer, you would loathe him for having a boner for such thing. He was ashamed of himself.
"Why are you looking away, baby? Do you not like me anymore?" Fuck. You're so stupid. Not like you? That man is in love with you so much. He cannot contain himself. You tried to get closer but he tripped on the foot of the couch and felk on it upright, and you on top of him.
oh.
OH.
You could feel it between your legs. You didn't even kiss him and it's not like you were seducing him earlier so you connected the dots pretty quickly on why he was hard.
"hmm hmm" you giggled. "is this what makes you hard you, ken? my lactating tits?"
"don't say it out loud, please." it was so fun seeing him all flustered. you adjusted yourself on top him as you thought of something very dirty.
"wanna taste? i know you're curious." he hesitated a bit, but a man like him can only go so high with his walls before he breaks them and let's his wife take control.
He started off with a few licks, testing his feet into the water. It was sweet with a hint of tanginess. The moment he felt it squirting a lot when he sucked, he fell in love. He acted like a kid who had just discovered magic. You chuckled between your heavy moans as you witnessed him trying to fit in your tits in his mouth as much as he can. You start grinding on him and it only makes him more desperate. He taps your thighs, a cue to pull your dress up and throw it in the floor. You watch as he hungrily latches his lips on your nipples quickly again. Your dress was not even off your arms yet. Nanami had discovered his obsession when he watched you squeeze you tits to squirt your milk on him.
𝐑𝐘𝐎𝐌𝐄𝐍 𝐒𝐔𝐊𝐔𝐍𝐀
—sukuna didn't even think it was possible for him to have a child as him being a curse and you being a human but here you were. he was in love with you. maybe his expression for love was different than others, but you felt it. be wasn't an embodiment of rage, but rather an overflowing confidence in his skills. That's where the cockiness came from. Existing for over a 1000 years, he thought he had experienced everything. Well...he was wrong.
"So...you just out this device on your chest and it gathers your milk?"
"Yes. It's called a "breast pump" and not a device," his vocabulary according to the new era was still weak but he was working on it.
When you detached the the vaccum of the breast pump from your boobs, Sukuna's eyes were fixated on them. He loved your tits. He had his fair share of biting and sucking on them till they were sore, but today they looked so plumped and so...succulent??
"What are you staring at? You want to drink it too or what?" You joked as you closed the lid of the bottle.
"Yes." You stared at him. Two minutes of complete shock snd silence.
"What?"
"What? You said if I want to drink it, and I answered."
"Yeah but—"
"Be a good wife, my little human. Good wives obey their husband's wishes." (Please let the feminist in you shut up for a sec and enjoy cuz i know he'd say smtg like this)
"Kuna...I don't know. It's nasty, y'know?"
"I think you're forgetting that I am a monster, baby. I ate you out during your those days of the month. This is less dirty." He yaps a lot someone shit him up before I die from embarrassment.
Sukuna laid you on the bed gently after getting you undressed. For the first time in so.many years, you were feeling shy again in front of him. It was quite an amusing sight to enjoy for him. He summoned a mouth on both his palm and licked your nipples. He wasn't sucking yet, but the hint of sweetness still laced his tastebuds.
"I am going to squeeze your breasts in my mouth now, okay?" Why did he feel the need to announce it? Weren't you already so flustered?
The tongues on his palm licked the skin of your tits before squeezing it when his mouth crashed against your nipples, spraying the milk. Sukuna sometimes forget you're a human. You're delicate unlike. The strong force of the suction made you whine and moan so loudly, it vibrated through the walls of the bedroom.
"mhmm I did not know my beloved wife enjoyed such depraved acts," he smirked when his thighs brushed against your bare pussy. you were dripping wet.
"Don't worry, little one. Let me please you. Hope you have pumped out enough in that bottle of yours. Because, I am going to milk you dry today."
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taglist: @aztecbrujeria @sachiyoh @hellkaiserinphoenix @his-saiko @kokonoiscoconut @numbinyourchest @shewritesallnight @valiantmilkshakekoala @oreo-creampie @kutabaka @gojoxxluv @desi-the-blue-eyed-kakushi @chronic-claire-universe @katsukichu @shutyourwhoremouthbecky @mostlyhornyandsad @leelee-66 @stargirlstabber
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cloverstellar · 8 months
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mhm, mhm, noted 📝 (/j)
personally i would ask what lies beyond the universe. because sometimes i can’t stop thinking about how even before the big bang (if this theory is true), there was that before. so what is beyond the universe, where is it located? these are my personal existential dread enablers lmao
MAN I watched that oldish video called Fabric of the Cosmos or something yesterday again because I find quantum mechanics n shit really interesting and I’ve been Thinking about it
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slvttyplum · 2 months
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one thing about suguru, he can hold a grudge and can hold it for the longest time. he will literally argue with you while he's fucking you, and he has, multiple time in fact.
putting you in missionary while pushing your thighs up to your chest and giving you a kiss before his mood changes, and he starts spouting bullshit, you couldn't even rebuttal like you wanted to and that's exactly why he did what he did.
if he knew you were getting fucked out of your mind with the way his dick was touching and swirling your insides, there was no way you could shoot him down the way he knew you wanted to, and that brought a smile on his face.
no smart remarks, only stuttering and moaning trying to get your point across. he was never going to let you win whatever argument the both of you had that day, if he feels as though you were even on the track to winning, he was going to fuck you until you gave up.
“mm no baby. if i say i want you home at a certain time, that's what i want.” while pushing himself deeper inside of you so that you couldn't say anything and if you did, it would just be inaudible blabbering while you scavenged your brain trying to find the words to say if you could even get it out.
this is something that could be categorized as a toxic trait or “red flag” if anyone knew that suguru pulled you into the bedroom to just fuck you and argue with you while doing it, people would throw a fucking fit, not you though, you tried to hold your own.
blabbering your nonsense trying to defend your case while he dug you out, and it's not even like he did this on a whim. he fucked you so good that it had your toes curling and your stomach caving in like a caprisun.
don't play with him because he will do this off guard and all, you won't even know when he's going to toss you over and slide your panties off and just fuck you like he had all the time in the world. no one liked being right more than suguru did, it was in his everyday agenda to make sure that any and everything he said was right and that if you disagree then he was going to make sure you agreed.
“huh? oh, i thought you said something about me being wrong.” with a smirk on his face. suguru knew you like the back of his hand, of course he would know his favorite person, so with that being said, he knew that fucking you until you couldn't properly form a sentence would get his point across and not yours.
whispering in your ear while he pushed into your sweet spot over and over again, your heart racing so fast and your legs quivering with the amount of force he was putting on your thighs. expanding his point out even more just to hear that pretty voice of yours whimpering and pleading for him to just stop because you couldn't take it anymore.
all the pleasure was building up to the point you were getting cramps, so you knew you were done for.
“tell me im right, tell me that i fucked you so good that i made you a mess.” his mouth near your ear as he continues to fuck you in, your body jolting up and down, your mouth moving but nothing coming out, that's how he knew you were done.
“thought so. good girl.”
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fuckyeahgoodomens · 5 months
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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊
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PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON
WORDS: DAVE GOLDER
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Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.
“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”
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GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”
But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”
For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.
But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.
“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.
“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”
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Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.
“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.
“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.
“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”
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(look at the description under this, they called him 'Azi' hehehehe :D <3)
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Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.
“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.
“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”
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Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.
“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”
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It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”
Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.
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The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.
“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”
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beakers-and-telescopes · 11 months
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OKAY THIS ARTICLE IS SO COOL
I'm going to try to explain this in a comprehensible way, because honestly it's wild to wrap your head around even for me, who has a degree in chemistry. But bear with me.
Okay, so. Solids, right? They are rigid enough to hold their shape, but aside from that they are quite variable. Some solids are hard, others are soft, some are brittle or rubbery or malleable. So what determines these qualities? And what creates the rigid structure that makes a solid a solid? Most people would tell you that it depends on the atoms that make up the solid, and the bonds between those atoms. Rubber is flexible because of the polymers it's made of, steel is strong because of the metallic bonds between its atoms. And this applies to all solids. Or so everybody thought.
A paper published in the journal Nature has discovered that biological materials such as wood, fungi, cotton, hair, and anything else that can respond to the humidity in the environment may be composed of a new class of matter dubbed "hydration solids". That's because the rigidity and solidness of the materials doesn't actually come from the atoms and bonds, but from the water molecules hanging out in between.
So basically, try to imagine a hydration solid as a bunch of balloons taped together to form a giant cube, with the actual balloon part representing the atoms and bonds of the material, and the air filling the balloons as the water in the pores of the solid. What makes this "solid" cube shaped? It's not because of the rubber at all, but the air inside. If you took out all the air from inside the balloons, the structure wouldn't be able to hold its shape.
Ozger Sahin, one of the paper's authors, said
"When we take a walk in the woods, we think of the trees and plants around us as typical solids. This research shows that we should really think of those trees and plants as towers of water holding sugars and proteins in place. It's really water's world."
And the great thing about this discovery (and one of the reasons to support its validity) is that thinking about hydration solids this way makes the math so so so much easier. Before this, if you wanted to calculate how water interacts with organic matter, you would need advanced computer simulations. Now, there are simple equations that you can do in your head. Being able to calculate a material's properties using basic physics principles is a really big deal, because so far we have only been able to do that with gasses (PV=nRT anyone?). Expanding that to a group that encompasses 50-90% of the biological world around us is huge.
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