Me, Good Omens theory/speculation posting while I’ve still only consumed s2 through tumblr osmosis? More likely than you think
Anyway I hear bunches of y’all talking about Aziraphale getting into some sort of trouble with heaven next season - which I agree is very likely - but then it’s followed by ‘and I want Crowley to save him (again)’
No! We’ve seen 2 seasons of that already! We gotta flip the script in the final act!
I want - I desperately want - for Aziraphale to realize Crowley is in danger and go absolutely fucking feral. I want Aziraphale to be racing to save his love while “I Need A Hero” blares in the background!
and I need Crowley to witness Aziraphale rescuing him. I need Aziraphale showing up in the 11th hour, disheveled and out of breath - maybe even injured - backlit with a halo of light behind him, and the only thing he can manage to say is a desperate ‘are you okay?’
Please
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so you're anthony j. crowley, long-time exile from heaven and recent exile from hell, and you've finally figured out that the mess of overwhelming and infuriating and intoxicating feelings you've been harboring for the only being in the universe you've ever been able to rely on might, whoopsies, be something a little bit like love. but not love the way you remember heaven loved you, or the way they told you god loved you (they lied), but love like the humans do it: messy, and awkward, and incongruously infinite, and so, so fragile.
and, well. okay, you think. this'll be horrible. embarrassing for both of us, probably. but i'll tell him. you've never been a coward, no matter what the other demons might say. screw your courage to the sticking place, or whatever. macbeth. aziraphale loved that one.
so you talk yourself into it, you gather every scrap of courage and honesty you've got left, and you say, all right, angel, i've got something to say, only aziraphale's got something to say, too, and--
aziraphale doesn't love you back.
or. he does, but he loves the ghost of the angel you used to be, not the person you've made yourself since. he loves you, but he loves you like god did--loves you good, and quiet, and dull. he loves you without your grief, or your anger, without even that first bite of the apple. he wants you like that again, he says. defanged, like the Antichrist's domesticated hellhound.
(you worked for hell for a long time, and for god for a long time before that. you're intimately familiar with what it is to offer someone everything they've ever wanted, and then to twist it, to mutilate it, into an unrecognizable hell of their own choosing. you're not sure why it surprises you anymore. you're not sure why you keep letting the surprises hurt.)
and so you do the thing you've done since the beginning, because you've never been able to stop yourself: you push. you push hard, and you grab him, and he's so angry and you kiss him and you don't think about it, don't think about it, this is the most important temptation of your life, the only one that's ever mattered--
and he forgives you.
so you leave. at least that way you can do it before he does. you've always been a step ahead and to the left; stupid to think this would ever be different. stupid to think he might choose you, with all of heaven and earth spread out in front of him. nothing lasts forever, not even the stars.
he told you that a long time ago.
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So you mean to tell me that Disney writters decided it was very much okay to write
Heterosexual selfcest
Whatever the fuck this dependency shit was between an older authority figure and a subordinate
And now A FUCKING AI CARTTOON BEING IN LOVE WITH IT'S CREATOR
But they drew the line at a gay ship? One that has an AMAZING chemistry and a build up of friendship and trust where they would both die for each other?
LOKI WRITTERS WTF ARE YOU DOING DUDES?
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
Then we have this heartbreakingly beautiful moment with Gojo and Geto:
I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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