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#wrong blog! lol
catcrumb · 3 months
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thebibliosphere · 3 months
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I really don't understand hate following.
What's it like to have peaked in high school as a mean girl?
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99redragons · 1 month
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did the drawing, bill in full breakup hibernation + drunk crying
text says: ROCKY PLACE - Drown your feelings!
I. Want. SIXER! & O'Sadleys - "you'll be back"
inspired by the 'shave your grandma' code passage
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harumichiii · 6 months
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SAILOR MOON S: Episode 18 - 「芸術は愛の爆発!ちびうさの初恋」
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ask-the-pioneer · 1 month
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Out of curiosity why do you bow before eating?
"It's a sign of respect."
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"When I kill to eat, I know I am taking a life. I do it out of necessity. The creature's life moves to me so that I can survive and prosper. With this gesture, I pay tribute to its sacrifice."
"The bow is also to acknowledge the work of a person who brought the food, to feed me and the others. You're not pressured to do that, but even if the meal isn't to your liking, you would still recognize the effort. Our colony was small, with Hunter as the only adult, so any food brought back was celebrated."
"In my later cycles, the ability to craft explosive spears became incredibly useful for hunting and self-defense. I had a natural advantage, but it was to be exercised with caution."
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"Truth is, I can do a lot of damage with my «powers». It's a big, alienating responsibility. And it was an issue in my younger cycles when I couldn't control it well - sometimes people around me would get hurt, but despite that, I was shown kindness and given guidance by my mentor. My adoptive family did not treat me like a freak, and it mattered a lot to me. It still does."
"I feel no need for bloodlust. I am content with my life… for the most part. Whatever grievances I may have, I know it's bad to take it out on others. For the temporary relief it gives, you realize it really is not worth it. To kill for sport, it makes my stomach turn - a sad waste of life. Just because I can, doesn't mean I should. Cruel thoughts are the domain of a scared animal. I don't want to live in suffering because of such fear, and most of all I don't want my family to think less of me. Does that make sense? I wouldn’t want to disappoint them, or lose their trust…"
"When I hunt for food, I often think of what my mentor would say. Those thoughts guide my spears, the memories remind me to be kind in the face of the vast, indifferent world. Most of the creatures out there have it considerably worse than me, trying to survive nature day by day. I've been blessed with a mark, I know things that a typical slugcat would never need in their life. I don't think I can ever go back - knowledge, like my «powers», are both a blessing and a curse. And, dare I say, I think it is better that I have those powers… for I know, at the very least, that I trust myself to use them wisely."
"The bow is a sign of respect, and a gentle reminder of the things that I stand for."
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pepperf · 23 days
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I'm a little puzzled by a few takes I've seen along the lines of, Lila was such a great wife and mother and Diego took her for granted! Because I don't think the show gave us that at all, and I think it relied heavily and lazily on societal norms to get the audience to make that leap. It also ignored previous characterisation, which is why I plan to disregard the season as a whole - because if the characters had been like this from the start, I wouldn't have fallen in love with them.
So, what I mean is: the whole time we see her as a parent, Lila is basically phoning it in. She seems to view her kids as one monolithic, sticky entity sent purely to ruin her day (distinct shades of the Handler there). They're just a list of chores - diapers, dentist, ballet, cake, piñata... And I'm not underestimating how much parenting really is a list of chores to be done - but that's all we see, no love, no fun. She's eager to get away from them, and she's only - finally - desperate to be with them when it's convenient for the plot, at which point we're supposed to buy the idea that her kids are her sole focus (not the relationship that they spent the past two seasons building up). And even then, the focus is not on the reunion with the kids, it's on all the awkwardness of the surprise love triangle. Hell, one of the kids doesn't even get a name.
Their intent might have been to have Lila be the better parent, but like much of this season, it's all tell and no show. We're working off a couple of brief conversations from the points of view of two frustrated, tired, biased individuals who are already at odds with one another, plus the evidence of what they actually do. They show that they’re not communicating well, but they don’t show how that happened, how long this has been growing, if one of them really is more at fault. All we know is that he complains a lot, and she’s sneaking out at night to play secret agent. They tell us that she loves her children (eventually, after seven years apart), but they show her being annoyed and/or bored in every normal, non-apocalyptic interaction. They have her (and Five) tell us that Diego is a bad husband, but they show Lila sniping at his weight, his way of running a birthday party, rolling her eyes at his efforts to impress her and regain her attention - and they show him dadding at everyone (he will turn this van around, so help him), the comfortable love and affection between him and his kids, the Punjabi he learned to speak fluently to his in-laws, him looking for ways to fix his marriage...
Take the bracelet thing, for example. "You hate bracelets," says Diego. "I gave you one for Valentines and you traded it for a Dyson vacuum." I think what we're supposed to take from that is a) Lila stopped wearing the wooden bracelet (uh oh, signs the honeymoon period has worn off!), b) Diego gives thoughtless, stereotypical gifts, and c) he doesn't understand what she really wants.
But an alternative reading is this: a) Lila stopped wearing the wooden bracelet (could not be a clearer or more loaded 'fuck you' to Diego), b) Diego tried to find another way to win her affection (on his pay as a delivery driver, with a wife and three kids to support, he managed to buy a bracelet that was expensive enough to trade for a Dyson?), and c) she rejected that gift as well, without any deeper explanation than 'I hate bracelets'. She's shut down all communication between them and is not telling him what's wrong. She has shut him out so comprehensively that she's got a whole undercover life - for which she apparently has the time and energy! - and yet we're supposed to think that oh it's all on Diego. Why? Lila is not a shy and retiring flower, and she and Diego have been shown before to have some very sincere heart-to-hearts about their relationship. Something changed, okay, fine - but why would we assume it was Diego that caused that?
I think our expectations about What Women Are Like are doing a LOT of the heavy lifting in how the show wants Lila to be perceived. She's a woman, and therefore she's automatically a good wife and mother - that she's emotionally intelligent, the organiser, she'll love her children and would do anything for them, she'll tried the hardest to make her marriage work, just...because boobies, I guess. This is not how you write good parents, or good female characters, TUA! A truly astonishing amount of people actually ARE women, and they know that it doesn't automatically confer any kind of maternal or wifely abilities! These things have to be worked on!
(In real life, women are often socialised to be better at these things, this is sadly true. But an awful lot of us do not have an innate talent for it, and there's no shame in that. And, more relevantly to this post, this is not real life, and Lila is not your average person. She's not normal, and I love that about her. She was raised to be a weapon. Do we really think the Handler installed the 'homemaker' module? Lila herself said that she was scared that she wouldn't know how to be a mother, because she had no good example to base it on.)
I also think the show assumes that, when you get married and have kids, you're automatically granted a house in the suburbs, a bunch of in-laws, and enough money from just the husband's job to get by. And I think that is an incredibly privileged and blinkered assumption. Frankly, unless her parents are financing them, they should be struggling a lot more. None of that is explained, and for me it was a real gap, because these are the arguments that Lila and Diego should be having. Lila caring for the kids versus getting a job. Living with family versus striking out on their own. Diego sticking at a job that makes him miserable and difficult to live with, or taking the huge financial risk of trying to find something better. These are the real life issues they should be facing.
Listen, I think the characterisation of Lila as a parent and spouse in this season is horseshit. I think she would be so much better than they showed - of course she's going to have some low times, she's going to struggle with her own upbringing, but I think she would try her damndest to get it right, and I don't think she'd be defeated so easily. But if we're dealing with what canon actually shows us, she's, uh, kind of mediocre as a mother, and really not that great as a partner.
And yes, I'm sure Diego is no angel, either, he's obviously wrapped up in his problems, and he's probably not much fun to be around when he's fixating on, uh, *checks notes* wanting a more fulfilling job (the fiend). But honestly, he's not that far removed from the Diego we've seen all along, the one she fell in love with. It takes one conversation for him to realise how incredibly fortunate he is, and to convince him to try to work harder on his relationship and stop focusing on the unobtainable. The idea that he's the only one who is failing at this whole gig - the chief culprit in the failure of their marriage, the only one who needs to make an effort to fix things - is bizarre. And it's pretty obvious why they've done it: to justify her thing with Five later and make it all seem more palatable. But there's no real substance behind it.
tl;dr: this season was badly-written, takes some incredibly antiquated attitudes towards the role of women that are inconsistent with the characters they themselves established, and some incredibly classist attitudes towards manual labour, and just hopes that you'll either take it at face value or read the fuck into it, to better sell you a shitty romance that added nothing to the plot.
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harps-chord · 1 year
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autisticsonic · 2 years
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Your Fault.
guilt arc guilt arc GUILT ARC GUILT ARC
I know I may dream but I think Sonic should go through a depression/guilt arc, bc you know, he thinks he straight up killed everyone he loves + his whole world while at it. He’s a really neurodivergent kid, he can’t handle something of this magnitude.
Also the second panel happens after their  fight, I just wanted to get this finished quick. Anyway yeah they fought and the realization hit Sonic during it and he just froze, and Shadow decked him and probably kicked him to a new shatterspace
AU version where due to that guilt he begins to despise himself, and isolates from everyone, because he feels he’s a liability, and that anyone he comes close to will meet their doom because of him. EDIT: After reading some theories, I came up w an alt AU version! So if all the shatterspaces are in fact the prime world getting split into pieces, same going for the gang’s personalities and such, the change is that Sonic pushes through and reunites the shards, fixing his home world! But once done so, he disappears from sight, doing the whole isolation bit. The heaviest part of the guilt arc basically gets pushed back to until the prime world’s already fixed.
Of course he deals with a lot of quilt and depression in the meantime, but he learns to bottle up and hide his emotions. Prime!Sonic is very emotional, open and talkative, but in this AU, over the course of the series, he becomes more dubdued- again, hides emotions, talks less (tho not too much less, cuz boy’s gotta mask) and starts keeping to himself more. He’s doing the whole “talking about surface troubling stuff to appear open and honest, while in fact keeping all heavier trauma concealed underneath”. Keeps on a smile, but it begins to hurt.
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hakucho-art · 5 months
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hi can you draw fem ladynoir being gay and smoochy with flustered ladybug pls. no this isn't alizeh i am just a random admirer
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Of course, non alizeh. There you go have your gay ladynoir non @rosekasa uwu
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itisilithi · 1 year
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??? lol get eeby deebied, idiots
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mistykaru · 2 years
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i couldn’t make up my mind for who would be who for this meme but this is what i thought of first therefore
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padfootswhiskers · 6 months
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i know i make fun of regulus fans but just taking a moment to appreciate how absolutely terrifying it must’ve been for him, as such a young boy, to die alone in that cave. this chapter with dumbledore drinking the potion is as heart wrenching as ever. and he’s one of the cleverest + most powerful characters in the book. imagine doing this at the age of 17, fuck. regulus was brave in his own weird way, huh! it’s also so interesting to me that he comes from a house that literally beheaded house elves when they got old but refused to let kreacher drink the poison instead of him.
much to think about the black brothers and the moralities they developed in their home environment…
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Working on next week's video!
Make sure to keep an eye out for it, ‘cause it’s gonna feature a very special announcement…! 👀🦝🍁
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fjordfolk · 26 days
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I've been considering making commercial jewelry of my trotting sheltie model and it was ~pointed out~ to me that there is another norwegian-made sheltie pendant on the market that's like 1/3 of the price of what my original piece and i dont know how to respond to that except, you know, here's my model:
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Which was entirely handmade from thick plate (so a commercial version would be somewhat cheaper, wax cast and hand-finished most likely)
And here's the competition:
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Which isnt a BAD model. But it is a product for it's price point.
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yzafre · 28 days
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I've decideeeed to do a "draw fast" experiment this week. Basically: given a sketch I already have on hand, I have to get to "finish" (new line art, flats, & shading) in under two hours - the closer to 1hr, the better.
The idea with this is that, like... trying to get a fast time will keep me from sitting and overthinking things, then fidgeting with it. I just gotta get stuff on the page. Don't know how, if at all, it'll help my art, but I think it'll be fun.
I figured my "three iteration" sketches I did last week were good ones to use, so have some Leo's for today. This one was at 1hr 32min.
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biggestqiblifan · 1 day
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tw: mentions of self harm
*The anniversary of the Battle of Manhattan was round the corner.*
*Will woke screaming and sobbing every night* *He would go out for a walk, avoiding everyone. The memories and burdens made him work non-stop at the infirmary. HE had to be better. HE couldn't dare to fall behind. To let others down. To be useless. HE couldn't let others die. Him. It was all on him. Everyone counted on him. Him.*
*On and on it went in a cycle. Till a camper came in with head trauma. Will broke*
*Will handed the case off to Kayla, making up some excuse before dashing off and locking himself in a pitch-black room* *The sounds of the war, of the infirmary clashed in his head. All of them screaming for attention, to be heard. A replica of what he had heard that day. Images, red, white, grey, flashed in an unbreakable series. It wouldn't stop. Will began hyperventilating. His chest ached. he couldn't breathe. Couldn't see. Couldn't hear. Every shook, every part of him trembled. His cheeks and clothes were soaked with his tears. His throat was raw, and aching, mouth dry and sour. Lips struggling to keep his screams, sobs and pleas silent.*
*Will felt trapped. In his own skin. He'd already made it red from clutching on it too tightly. Now he desperately scratched at his skin, trying to escape. The scrape bleed. * *On instinct, without hesitation, its a practiced movement from the number of times he's done it. Will reaches for the scalpel in his shirt. * *He cuts. For the first time in a while, Will is able to take a full breath. His chest unclenches a bit with every cut. With every stream of blood that ran across and down his body. More scars for the collection. *
*Will feels some tension his body by way of the numerous deep cuts. It was an escape. *
*The voices quietened. Quietened. Never silent. After all, the screams never leave.*
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