#yeah I've got a few

[cangrellesteponme]

wife

[poorly-drawn-mdzs]

A fierce duel commences!

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[canisalbus]

What if Vachete holded hands as LPS

.

[crocodilenjoyer]

he's our little brother. take care of him.

anne carson - antigone / alec benjamin - if we have each other / dan pearce - single dad laughing: the best of year one / kodaline - brother

[moreaugriffins]

IDK who needs to hear this, but Egon and Ray aren't the only autistic og ghostbusters

Peter is too

Your telling me this man with two PhDs related to psychology, who always has the exact right thing to say to manipulate a situation to his favour (when it's a planned/known situation), but cocks up massively when it's an unknown situation, who has a massive reaction to getting slimed (more so than the others), who would rather joke all the time than take a situation seriously because wtf should he say

you're telling me this man is neurotypical?

nah

Winston's the only NT in this group (idk how he deals with these weirdos (affectionate))

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[cottonii]

words can't describe how excited i am for this boy

[silverware-is-interesting]

WOE! object show doodles be upon ye!

idk some doodles and some ss redraws of object shows i enjoy

[biblically-accurate-dca]

know it's not something that matters to a lot of people, but imo one of the more insidious ways tsams poisons the well of discussion is in the "sun & moon are brothers!" thing -- not bc of shipping (although that's gotta be frustrating), but bc of how it erases the complexity of systems. like, the fandom's come a long way in that people actually acknowledge the dca as a possible system now, but... well, "brother" is an easier, more digestible way to refer to & understand it -- particularly if you struggle with/are ignorant of this stuff -- but it's not necessarily the most *accurate* way, if that makes sense. the relationship between brothers is easier to understand than the one between alters for most people, yeah, but they're never gonna understand the latter if they don't engage with it at all. it's the coward's way out, and that sucks! (and you're free to disagree, but it's how i feel about it </3) (--springtrappd)

discourse-y stuff under the cut ahfJjdkzjgj

GAAHHHH NO YOU'RE SO RIGHT ABOUT THIS GENUINELY...... LIKE ofc the shipping thing is annoying too but THAT'S MY HUGEST GRIPE WITH IT!!!!!

i know they're not the best system rep in the world or anything but you don't fix that by completely getting rid of the fact that they are, in fact, a system!!! (or at least very easily read as one)... because then you're just erasing that part of their identity to make it more easily digestible and understandable to a common audience who's unwilling to engage with world views that aren't their own (but this is an entirely different subject ghsjgjrj)

at the very least i do definitely believe that tsams was a huge influence on the amount of people who separate sun and moon into two separate bodies in their fan works... and even if it's not entirely the show's fault (since i feel like it would've happened regardless) their huge prevalence in the dca fandom (and at such an early point in it's formation) is undeniably a contributor to it + could be why it's so prevalent these days even outside of tsams related works

tsams has just generally poisoned a lot of the fanwork surrounding the dca in such a way where it's impossible to cleanly separate the two. and as someone who mainly sticks to the source material it's just... i just hate it. idk what else to say about it

[antlerpunk]

octopus pie / rio romeo

[bakasara]

y'all lied to me that "wanna go for the title" scene is SO MUCH GAYER in context

[every-sanji]

[everypanelofizuku]

Chapter 54 - Re: Ingenium

[sukugo]

i have to ask because i adore you and i want to know about your new blorbos- who are they and what are they and why are they always soaked in blood

JDHSJFHJFDDJFFSDFDF, oh man where do i start cassie.

they're from the anime/manga jujutsu kaisen, and they are:

gojo satoru. love of my fucking life. my fucking everything my boy my man, i am so so in LOVE with this man i cant even begin to tell u. he consumes my every waking thought, my life is dedicated to seeing him get fucked. (he's the guy in my header humping his all into the other's arm)

and (ryoumen) sukuna. beautiful sexy evil man.

(can u tell who's my fave)

so in this world, we have jujutsu sorcerers, who are people with special powers that they use to defeat/exorcise curses, which are basically evil spirits born of negative human emotions

gojo is the strongest jujutsu sorcerer alive. he is insanely strong, not a single person can go against him. his powers make it so that u literally physically cannot touch him. he controls "infinity" and can warp space, and he also has pretty special eyes that let him perceive things at a much deeper level than a regular person. those two things combined make him quite literally untouchable. and insanely powerful.

as for sukuna, he used to be a human who lived thousands of years ago, who used to be the strongest sorcerer of his time, and is considered to be the strongest sorcerer in history. he is the King of Curses, no one could ever defeat him, or destroy his soul, which he divided into his 20 preserved fingers so it would survive through time, even after dying.

so itadori yuuji

this lil baby boy (literally the babiest sweetest boy to exist btw) (he's actually the main character haha)

due to some stuff, he ends up eating one of sukuna's mummified fingers and sukuna reincarnates inside him. yuuji becomes a vessel for sukuna, who lives inside yuuji's mind now and sometimes takes over his body (reason why they look the same)

and now, yuuji is sentenced to be executed bc he holds the most evil sorcerer in history inside him, but gojo goes nope! wait a minute, let's not do that. and manages to convince the people in charge to postpone yuuji's execution, saying that they'll get yuuji to find and eat all of sukuna's fingers and then execute him, getting rid of sukuna all in one go.

ok so that's the context (that's actually what the anime's about haha), but as to gojo and sukuna.

THEY ARE IN LOVE

well, they're there. sdkkhfkjdkfdf

ok no, so like they do their things right. gojo is a teacher (tho we never actually see him do any teaching lmao) and sukuna lives inside yuuji and causes trouble sometimes. they don't really ever interact in the story (they literally meet and have a lil confrontation, decide to kill each other and never talk again djshjfdasdadfd) (until they actually have their Fight, more on that later)

BUT!!!!!!!! they may not interact, but they are completely tied together narratively.

as u can see, they're both the strongest from their respective times, so they have a lot of links when it comes to their characters themselves and what they are referred to in the story. specifically that, in being the strongest, they exist in a plane above everyone else, literally untouchable.

now, in the story, this position of strongest is coupled with solitude, being the strongest meaning u're alone and no one else understands you bc of this

and SO they have their fight. bc plot reasons right. this is obv what it was all gonna lead to. fight of the two strongest.

and the fight, consequently, revolves around that idea of solitude, and understanding each other.

which like. ok. yeah we saw that coming. ofc. no big deal.

EXCEPT, to make reference to their relationship and that idea of understanding each other, the term that is used is, and i kid u not, love.

there's a very specific phrase that is used multiple times between them. which is actually used originally with a character who shows romantic feelings towards sukuna.

she challenges sukuna to a fight and sukuna promises to marry her if she wins. her goal in this fight is to share in sukuna's solitude and show him love (read R→L)

but she says this to sukuna and this. this is his reaction.

SUKUNA KNOWS LOVE ALREADY

to which she gets super pissed bc that's not!!! love!!!!!!!

sukuna defeats/kills her. and u know when the next time that exact fucking phrase is used? when sukuna and gojo finally meet again and set up the date to have their Fight, where sukuna remembers her words

which tells us that.

sukuna was.

thinking about gojo when she said that.

*screams into hands*

BUT IT DOESN'T STOP THERE. this phrase is then repeated. multiple times.

1. right after gojo punches the fuck out of sukuna:

2. said in reference to gojo, when he realizes there's a chance of him losing:

3. gojo reminiscing about their fight:

so, as u can see, they were going to teach each other love. their fight is. canonically. about teaching each other love. what the FUCK.

but ENOUGH love talk (or else i'm at risk of going crazy insane)

LET'S TALK ABOUT HOW THEY'RE LOADED WITH SEXUAL TENSION

this was in their first meeting where they fought (for quite literally 10 seconds)

like... why he do dat.... .......... . ....

next day sukuna goes "hey im gonna kill u first <3" and gojo just goes "teehee omg really? *hair twirl* <3"

they also decide to have their final battle on dec 24 which is like a super romantic date in japan (explicitly said so by another character)

and their FIGHT. it is LITERALLY just them flirting and touching each other

LOOK AT THIS SHIT!!!!!!!!!!!!!!!!

i fucking lost it. i still haven't recovered. that is the hottest thing i've ever seen in my life. gojo wants that dick so fucking bad

not to mention thigh grabs and hand touchies

and the entirety of the fight is just them having fun 😭😭 they're supposed "enemies" on opposite sides and the fate of the world is at stake here, but they actually don't give a fuck about that.

they're literally smiling and having a great fucking time. this fight for them is just play. their fight is just for them to have fun as the strongest and to connect with each other. they're enemies but they don't hate each other or anything, they only search for that sense of fulfillment in each other OTL

AND ABOUT THAT, oh my GOD

sukuna wins. he defeats gojo. and at the end, this. is what sukuna says to gojo at the end of the fight:

FUCKING. I'LL NEVER FORGET YOU. SCREAAAAM THAT'S ROMANCEEEEEE.

and the soft smile? the fucking petals falling all over them? oh GOD they're trying to kill me

but that's on sukuna's side, what about for gojo? well

HE GENUINELY TRIED TO REACH SUKUNA, GAVE IT HIS ALL TO CONNECT WITH HIM. TO TEACH HIM LOVE AGFKDHSKFHFKJFHDF (BUT HE FAILED HE COULDN'T GIVE SUKUNA WHAT SUKUNA GAVE HIM 😭😭😭😭😭😭😭)

HHRRRRGJFHSJDFHDSJFSDFA KJHDKFJSFKASLDKS ADKJKFHEWRKJEKRKTRELRW

and if i start crying OTL

but alas *deep breaths*

even without all that they're just very fucking sexy. two insane powerful men going at it? come on. how could u NOT want them together. they both hold the same title of the strongest, might as fucking well fuck nasty about it.

and oh god, when i tell u gojo is a fucking brat and he's so strong and untouchable, but then sukuna is capable of putting him down which is. insanely sexy. and i need it. i need gojo obliterated. and i know sukuna won't let me down (AND HE DID NOT. HE OBLITERATED THAT MAN) can he now obliterate his holes too

agdkhfhdkhdhs, anyways.... yeah.. that is the situation.........

im just gonna end this by saying

SUKUGO MY LOVES

[overly-verbose]

Seriously, bro's a professional yapper lmfao

Tbf it's not completely unprovoked and he does just want to at least try explaining some things, if in a roundabout way, to make people more at ease (if not in the moment then overall) but, well-

sometimes it has the opposite effect lmao 😂

Also like, it's absolutely hilarious how I thought

'oh but this is just, like three scenes - how long could this be'

but all the freaking talking and stuff that everyone's doing is making Part 8 the second longest in the series 😂😂😂💀😂

(I fear for my poor brain, man - we've only just barely almost covered the Detention Center Arc

(and a little bit of the VS Mahito Arc Mahito Gets Curse PTSD Arc but I do wanna fill in some of the gaps between those)

and it's already gonna be over 40k words???

Why am I being so ambitious for my first ever proper writing project frrr *perishes a bit*

but I do hope to get it to the end - and beyond because there's no way I wouldn't constantly add to the post-main-plot shenanigans lol - however long that takes heh (just try to be patient with me pls I try my best here 😂) 👍)