#yes i should be writing

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[spaceshipkat]

congratulations! you’re now a pirate. your seventh most recent emoji is the symbol on your flag. mine is ™️

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[estrellami-1]

If I Should Stay

Part 1 | Part 2 | Part 3 | Part 4

He’s staring at him.

Steve Harrington is staring at Eddie Munson.

The thing is, people don’t just stare at Eddie. Not for any reason that means anything good for Eddie. So when, completely unprompted, the fucking King of Hawkins High walks up to Eddie and says, “I need to talk to you,” Eddie thinks he’s entirely justified in the squeak he lets out.

“You? Talk? To me?” Wow. Great job, brain.

“Please,” Harrington whispers, and Eddie thinks desperately this must be some kind of joke, except he’s good at reading people, and he knows the desperation in Harrington’s eyes.

“Okay,” he says, stammers. “Um. There- there’s, behind the school, a, uh-”

“Table,” Harrington nods. “That works. Just…” he sighs, rakes a hand through his hair. “Leave the lunchbox at home.”

Eddie’s eyebrows hit his hairline. “Then what the fuck do you want with me, dude?”

“I can’t explain. Not here, not now. Just. Please. After school, okay?”

Eddie looks at him. Really looks, studies his face, understands the lines by his eyes, the tightness of his mouth. His heart thumps as he realizes. He’s scared. “Okay,” he says, and means it.

Eddie’s a man of his word, so after school he makes his way to the table, pausing when it comes into view. Harrington’s already there, sitting with his head in his hands. Eddie calls out from a couple of paces away. “You sure you don’t want anything from the lunchbox?”

Harrington jumps, hands up, eyes round. Relaxes a little when he sees Eddie. “No. I- I’m good. I can’t, actually.”

Eddie frowns. “What, like, a sports thing? No one’s gotta know, dude, I’ve never been busted, I can keep a secret.”

Steve gives him a half-smile. “No. It’s- it’s not a sports thing. Just… sit down? And promise to listen?”

“Okay,” Eddie says, because he knows how comforting it can be to just have someone there, and he’s not a dick; clearly Harrington’s going through something. Though why he approached Eddie, of all people, he doesn’t know.

“Okay,” Harrington repeats back, taking a breath before starting. “If I were to tell you I’m from the future, a future in which we know each other, how would you ask me to prove it?”

Eddie blinks. He was ready for a lot of things, but not time travel. “Um. I dunno, man, I haven’t really thought about it.”

He takes another deep breath. “Can I try?”

“To- to prove you’re from the future?”

“Yeah.”

Eddie laughs, a little hysterically. “Man, where the fuck do I get the strain you’re on?”

He blinks. “What?”

Eddie gestures at him. “Come on, man, you have to admit you’re not really making sense here.”

Harrington sighs. Takes another breath. Says, “You live with your uncle Wayne. Your father taught you to hot wire cars when you were nine. You listen to Dio and Metallica and Ozzy Osbourne but your favorite song is I Will Always Love You, by Dolly Parton, because it was your mom’s favorite. The guitar pick you wear around your neck was hers. She taught you guitar. You love The Hobbit. Stop me when I’ve said enough.”

Eddie’s never been more scared in his life. “Listen, man, I dunno where you heard all that-”

“Eddie,” he says, implores, and digs something out of his pocket. Opens his hand to reveal a ring.

A ring Eddie already has on his finger.

“What the fuck,” Eddie whispers. Grabs for the ring before he can tell himself it’s a bad idea. Examines it, sees the dent from where his finger had gotten smashed in a door.

His hands start shaking.

“I’m from 1987,” Steve Harrington says, sure as anything. “And I’m trying to stop something terrible.”

“And what would that be?” Eddie asks, feeling strangely detached from the whole thing.

“Your death,” Steve Harrington says, still sure as anything.

Permanent Taglist: @justforthedead89 @ilovecupcakesandtea @madigoround @bookbinderbitch @suddenlyinlove @nburkhardt @artiststarme @paintsplatteredandimperfect

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[theramblingvoid]

Low level/continuous pain tips for writing

Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:

General

Continuously gritted teeth (may cause headaches or additional jaw pain over time)

Irritability, increased sensitivity to lights, sounds, etc

Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)

Soft groaning or whimpering, when pain increases or when others aren't around

Heavier breathing, panting, may be deeper or shallower than normal

Moving less quickly, resistant to unnecessary movement

Itching in the case of healing wounds

Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)

Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)

Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better

May stop mentioning it outright to other people unless they specifically ask or the pain increases

Limb pain

Subtly leaning on surfaces whenever possible to take weight off foot/leg pain

Rubbing sore spots while thinking or resting

Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)

Propping leg up when sitting to reduce inflammation

Holding arm closer to body/moving it less

Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)

Nausea/fever/non-pain discomfort

Many of the same things as above (groaning, leaning, differences in movement)

May avoid sudden movements or turning head for nausea

Urge to press up against cold surfaces for fever

Glazed eyes, fixed stare, may take longer to process words or get their attention

Shivering, shaking, loss of fine motor control

If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)

[thedunesea]

New silly headcanon because my main source of enjoyment from star wars is making myself sad thinking about that sad old man.

When Obi-Wan returns to Padmé's ship after cutting Anakin down, Threepio has already brought Padmé inside. Being the fussy neat freak he is, he has also brought Obi-Wan's and Anakin's robes inside the ship: they are nowhere to be found on the floor.

And Obi-Wan, being the sad, broken man he is, held on to Anakin's robe for the next 20 years. This is why he has Anakin's gameboy advanced! Because it was in Anakin's robe!

But this is not all! Because, this, THIS:

is in no way THIS:

BUT THIS:

And Force do I wish I could see Vader's face HERE:

"Is that MY FUCKING ROBE????? Obi-Wan, what the hell-"

So yes, Obi-Wan Kenobi died in Anakin Skywalker's robes, and you will pry this from my cold dead hands

[heynhay]

woe! klance be upon ye

[prettyboysdontlookatexplosions]

the reason we need to make kids read the classics is i cannot continue to survive watching people gush about the gorgeous writing of texts composed of the most mediocre sentences in existence

[moonlight-prose]

Imagine: Missionary with Din while you hold his necklace between your teeth 🤤 you ain’t getting away from me, boy

YOUR HEART GOT TEETH

a/n: i know you sent in another ask saying you didn't mean for it to be a request, but i started writing it the second you sent it. i just only finished it last night. mainly because my inspo for din has been lacking as of late. although i've been on a small din kick recently which has me going feral over this idea. it's barely even a fic, but i had to write it. din and jewelry is my eternal fucking weakness.

summary: horny thoughts about din's necklace.

word count: 0.9k+

pairing: din djarin x f!reader

warnings: EXPLICIT SO MINORS DNI, biting, p in v sex, din's brain short circuiting, a tad bit of needy!din, unedited and no beta so there's probably mistakes.

Time had slipped away from you the longer you lay there, your nails digging into his lower back and head thrown back. It felt like ages since he came home, practically dragging you into the room with a throaty rasp of what sounded like your name and need you. And who were you to dissuade him? When you were more than willing to be spread out beneath him, his name was a cry that was permanently etched on the tip of your tongue.

“You feel fucking perfect,” he grunted, his teeth sinking into the hot skin of your shoulder.

The spot would feel tender tomorrow, but at that moment you couldn’t stop the way your body reacted. Your walls clamped down around his cock, a garbled moan ripped from your throat as he soothed you with his tongue.

“D-Din—” Your breath caught in your throat, legs trembling as he shifted the angle slightly, striking against something eviscerating.

“Mesh’la,” he panted, hand sliding down to hitch your leg up higher on his hip.

You could feel the cold metal of his necklace press against your chest as he dropped down to kiss you. Licking into your mouth—spit trailing along his chin when he pulled away. He began to speak then. An aimless ramble of how he couldn’t wait to fill you up, to watch you cum on his cock, but your mind had gone empty. The only thing registering, that familiar cold feeling that warmed up against your skin.

The silver of his necklace swayed in front of you. The chain, pristine and perfect even after years of wear. And you couldn’t tear your eyes off it. Could barely understand that he was in fact still talking to you. Din pulled himself up off you slightly and something registered in your brain—flickering bright. Overtaking everything until it practically burned through your body.

Leaning up, you latched your teeth into the chain of his necklace, dragging him back down until his body was pressed completely on top of you. Nearly pressing the breath out of your lungs.

His eyes widened, fingers digging into the meat of your thigh, and you felt it. The way his hips stuttered as his mouth dropped open. He moaned unabashedly, his thrusts speeding up as he desperately shoved you towards a release—his fingers swirling quickly on your clit. You remained where you were. Biting into his necklace and scratching your nails down his back as your release built and built.

Until something snapped so hard your entire body arched. A shout leaving your mouth as his necklace fell past your lips, dragging along your throat. Something about the metal pressed hotly against you unraveled you even further. Sending you so high you feared you may never come back down.

“Look at you,” he breathed, a tinge of awe in his voice. He shoved his hips forward, sinking deeper until a soft tinge of pain mixed with the pleasure. “You like my necklace in your mouth? Huh?”

You gasped, feeling his arm loop beneath your knee and pull your leg up—pressing you into a position that pounded the head of his cock right against that blinding spot inside you. Another orgasm was building fast, but you could barely get words out to let him know. He watched tears stream down your temples, your mouth open yet no sound came out.

“Oh fuck,” he breathed out, feeling his balls draw up and his stomach tighten. “C’mon mesh’la. Give me another one.”

His hips grinded down, the coarse hair at the base of his cock hitting your clit perfectly—shoving you towards another mind numbing release.

“Din!” you wailed, your thighs trembling in his hold—eyes rolling back as you lost all sense.

“Please, please—” He leaned up, his necklace hitting your lips—the plea sounding deliciously perfect on his tongue. “I need…maker—”

Without fully realizing it you latched your teeth around the metal, tugging until it dug into the skin on his neck, the sharp bite of pain all he needed. He fell apart with a choked moan, burying his teeth wherever he could reach as he spurted into you. That familiar warm sensation now sending a soft rolling wave of pleasure through your spent body.

He panted against your skin, his body hot to the touch, but you still ran your hands down his back—soothing him until he felt well enough to say something. Eventually he raised his head, his brown eyes sparkling and lips pulled up into a knowing grin. A look that made your heart flutter—warmth filling your heart.

“Didn’t know you liked my necklace that much.”

You huffed, unable to stop the smile from pulling at your lips. “Shut up.”

“Don’t worry,” he said, sliding his lips along your cheek. “I liked it.”

His fingers played along your collarbone, thumb pressing against the skin and tracing until he hit the base of your throat. “I’ll have to get you a necklace too.”

Your eyes widened, lips parting as the image of him biting down on your necklace entered your mind. As if the breath was knocked from your lungs, you felt your walls flutter around his softening cock—heat spreading beneath your skin. His grin widened, the look on his face so blatant and loud you practically heard him whisper it into your ear. For a moment you wondered if he had in fact said it out loud.

Yet his mouth remained closed, his hand pressing lightly against your throat as he shifted, thrusting shallowly into your leaking cunt. The message, now loud and clear.

Your turn.

[moonhibs]

Au where Julian is a child of divorce

[flowercrowngods]

based on this concept of steve and mike coming out to each other

🤍 also on ao3

The sun is setting in beautiful hues of pink and purple, tinging the town of Hawkins, Indiana, in a light of serenity and beauty it doesn’t really deserve. Steve’s hands are gripped tight around the steering wheel as he carefully scans the road and the houses he passes.

He almost misses the bike where it’s lying on the curb, carelessly discarded by the looks of it, and a tinge of worry shadows his frown. Worry that doesn’t quite dissipate when he spots the figure sitting on the roof, almost black against the lilac colour of the sky, but he breathes a sigh of relief. He considers grabbing the radio to let the others know he found Mike, but decides against it. Something tells him that maybe they’ll take a while. Something tells him there’s more to Will’s stunned silence and Mike’s sudden departure from where they were all hanging out at Steve’s after another successful Hellfire session. 

With a sigh, Steve cuts the engine and gets out of the car, keeping his eyes on Mike the whole time — ready for him to take off again, ready to go sit a while and wait for him to come back. But Mike doesn’t move, even after he shuts the door and approaches the Wheelers’ house. He doesn’t acknowledge Steve when he pulls himself up to the roof, easier this time than the first time he did this. 

There’s a snide comment in the air between them, a version of Mike that would have lashed out at him, made fun of and insulted him. But this one just sits there, hands in his lap, frown on his face, and stares ahead. 

“What do you want,” he asks eventually, though it doesn’t have the kind of heat that Steve expects. He barely even sounds like a teenager. Just sort of… dejected. Steve aches for him; just a little bit. 

“Just making sure you’re alright,” Steve says, shrugging, looking ahead as well so Mike doesn’t feel watched. Or seen, maybe. 

Because the thing is, Steve does see him. He sees the way he looks at Will sometimes, and the way his eyes fill with something that can only be described as yearning, or aching, followed by regret and fear. Which always, always turn into anger. Into frustration. Into snide comments and rolled eyes and walls that keep getting an inch added to them each day. It’s never directed at Will, that anger, and rarely at the rest of the Party, but Steve still sees it. Gets the worst of it and takes it, because he knows something about how that feels. 

He knows something about looking at someone like that, about feeling that fear, that regret, that worry that come with it. He knows something about never really daring to meet someone’s eyes for fear of what they would see. 

“I’m alright,” Mike says, sounding anything but. There’s a bitterness in his voice. Frustration in the way his thumb is picking at the skin of his fingers. Confusion in the tension of his shoulders, and Steve feels like he only needs to make one wrong move, say one wrong word, make a single sound that’s off key to the melody of this moment, and Mike will jump off the roof and take off again with his bike. 

So all he says, after a moment’s consideration, is, “Cool.” Like he believes him. Giving Mike room to breathe, room to pretend. He knows something about that, too. 

He knows and he sees and he feels. 

And suddenly he wants to say something he’s never said before, something he didn’t even get to tell Robin because she knew and saw and felt, too, taking something from him that he hasn’t yet been ready to reclaim for himself. 

And maybe it’s because he sees something of himself in the way Mike holds himself, in the way he snaps at anyone willing to listen, in the way he frowns in regret and barely meets anyone’s eyes except when it’s in challenge — and, most of all, in the way he never, never meets Will’s eyes. In the way he looks away when the other boy turns to him, and in the way his eyes will snap back and take in everything about his best friend when he’s not aware of it. 

Maybe it’s because the sky is pink and lilac and purple above them, allowing for a certain magic to happen, allowing for a bravery that doesn’t come easy to him; but as he sits on the roof next to Mike Wheeler, the only one of the Party he never really connected with, he closes his eyes against the breeze that catches in his hair and opens his jacket a little further, slithering beneath the fabric as if in a brief embrace, a nudge, a sign to take this leap, and takes a deep breath. 

His heart is picking up its pace inside his chest, taking this leap along wit him, and pulls up one of his legs to wrap his hands around it — just to have something to hold onto. 

He opens his mouth once, twice, three times, but the words never really come out. They don’t know how, and he’s beginning to tremble a little with it, tension building in his chest where the words are still locked away, hidden among layers of truth. 

Mike looks over with a frown and eyes him warily. It makes Steve want to laugh, this sudden change of pace, but he just keeps staring ahead; even when Mike asks, “Are you alright?” 

“Yeah,” Steve says. And then then dam is broken and breaking further, and with another deep breath, still not meeting Mike’s eyes, instead focusing on the tree tops in the distance that shine in hues of purple, he finally says, “I’m kind of dating Eddie Munson.” 

And just like that, it’s out. He’s out. 

He doesn’t know if the world still spins, if time still passes, if he still breathes, because for a moment there is only silence. Mike stops picking at the skin of his fingers, Steve stops trembling, and neither of them moves. 

It’s both anticlimactic and momentous, this silence between them when their eyes meet. When the words unfold and grow wings, when Mike understands, his eyes growing big with something that Steve can’t quite read with how tense he is despite his best efforts. 

The silence stretches between them, surpassing comfort and overstaying its welcome, and suddenly it’s Steve who feels like he’s about to take off if Mike so much as twitches his brows. 

“You… What?” 

Forget it, Steve wants to say. Nothing. 

But also, I’m in love with Eddie Munson. And I used to be in love with Nancy. And that’s okay. Both of that, it’s okay. 

He ends up repeating his words, though, because they know what it’s like to be spoken now. “Eddie. I’m kind of dating Eddie.” 

“But…” It’s Mike now whose mouth is opening and closing without saying anything. Mike who’s blinking, trembling a little, twitching, picking at his skin again, moving further along his hand this time to pinch the skin between his thumb and pointer finger. Steve almost reaches out to stop him, but he doesn’t really dare to. 

“But?” he prompts after a while, not quite comfortable with this loaded kind of silence. 

“Eddie’s a boy.” 

But Tammy Thompson is a girl. 

“I know,” Steve says, his tone carefully neutral, wanting to see, to wait where Mike takes this, to hear what’s on his mind, to watch the wheels turn and the gears shift. He feels awfully raw and open, vulnerable with someone who hasn’t been treating that with care yet. But there’s something about this moment that feels bigger than his own fears, bigger than the light nausea settling in his gut; far more important than the way he wants to run and hide, away from the scrutiny. 

“And…” Mike continues, still battling the words inside his head. Steve wonders if there are too many or none at all. “But you… You loved Nancy.” 

Ah. Smart boy. “I did,” Steve says with a small smile. “And it was never a lie. But I found that… Yeah, I can kinda like boys, too, y’know? And that’s, like, okay.”

A beat. A frown. A confused, hopeful, small, “It is?” 

Steve just nods, smiling in reassurance and relief at equal measures. Silence settles once more, now that the sky has darkened into a deeper, darker blue; but it’s not as loaded this time, not as tense. It’s an invitation. An offering. A promise of I’m here, I’m with you, you can take as long as you need. To get down from the roof, to come back, to come out of wherever you think you need to hide from the world. 

Mike takes it. He stays, pulling up his leg, too, mirroring Steve’s pose and staring ahead, but not as far away. He seems alert, seems to be thinking rather than dwelling, seems to be gearing up for something. Steve watches and sees and knows, remaining patient beside him, his chin resting on his knee as Mike learns to deal with this new world that has been presented to him. This new world that comes with opportunities and chances and possibilities that are scary and big and difficult to make. 

“Y’know,” Mike starts at last, interrupting the silence, playing with it, his voice hushed and quiet to keep it from disappearing completely. “Lucas, when he had that championship game? He told us, Dustin and me, that we didn’t have to be the losers this time. The nerds. The outcasts. Different. And all I wanted was to scream at him, because…” 

Mike swallows his words, keeping them from tumbling out of his mouth, and Steve aches for him again. He wants to reach out, wants to say it’s okay, tell him it’s alright, to take his time. But he waits in silence, lets Mike find the bravery he needs on his own, and waits. 

“Because how could he say that, you know? How could he, when… Will wasn’t there. And all I did, all I ever did anymore, was miss him. And I loved El, I knew I did. And she was gone, too, but…” 

He trails off again, and this time Steve picks it up. To let him know he’s not alone. To let Mike know he understands what he’s saying. He understands. “But she’s not Will. You needed Will.” 

“But I shouldn’t!” Mike explodes suddenly, riled up because Steve adds fuel to the fire, because Steve has that same fire, too; and because they are so, so similar when they want to be. “And now he’s back and it should be fine, I shouldn’t be feeling like this, it doesn’t even make sense! How can I…” 

Steve looks at him, at his expression that is nothing but lost — completely and utterly. He’s seen it on the bathroom floor at the mall; high out of his mind as he was, he’ll never forget the way Robin looked at him, the sheer crestfallen expression. All that confusion, all that fear and frustration and, in the end, resignation. He’s seen it in the mirror, and he’s seen it in those pretty brown eyes that he just can’t get out of his head anymore. 

He offers, gently, “How can you need him when he’s right there? How can you love him when a year ago you loved El?”

And Mike just looks at him before he deflates completely, his shoulders falling along with his face. He nods. Shrugs. Looks away and hides his face behind his leg. 

Steve sighs softly, watching the boy and speaking the words he wants to say the sixteen year-old version of himself. “I don’t know,” he says truthfully. “I really don’t, and it sucks sometimes, having this need to, like, decide. Or understand. Or stop and be like the rest of them.” Like Robin and Eddie, or like the rest of the world. “But I like to think, sometimes, that maybe it’s a good thing. That there’s just… I don’t know, it sounds corny as hell, but like, there’s just so much love to give, we can’t even stick to only boys or girls, y’know.” 

“That does sound real corny as fuck, man,” Mike says, and back is that long suffering tone of his, back is that eye roll and the twitching elbow, ready to nudge Steve in the side. It’s still tinged with that vulnerability, not quite Mike yet, but it’s an offering.

One of many tonight, it seems.

Steve grins, a bit lopsided and raw, shoving Mike gently as he remembers something he overheard once. “Sorry, mister Heart of our group, but I don’t think you have any leg to stand on here.”

That makes Mike freeze, though, and he stares at Steve wide-eyed; caught. Exposed. Reminded.

“What did you say?”

“Uh,” Steve falters, not sure where he went wrong — or if he went wrong at all. “I overheard Will calling you that, talking about you to, uhm. Someone. I don’t know. Why, what’s— What’s wrong?”

“Nothing,” Mike says, way too quickly, pulling away again with everything he has, hiding behind those walls once more, and Steve feels whiplash from it.

“Mike,” he says, his voice quiet and gentle as he turns to face him completely.

“No.”

“It’s okay,” Steve says. Promises, as much as he can.

“Shut up!”

“You’re not wrong or bad or broken. It’s okay, you’re okay.”

“I said, shut up, Steve.”

“You should see the way he looks at you, too. You should go talk to him. You—“

Mike lashes out, finally coming out from behind those walls again, only to shove at Steve, to push him away — hard enough for him to lose his balance and almost fall off the roof, clenching one hand on the edge, the other in the rainwater gutter with a bitten-off curse.

“Shit, I’m sorry!” Mike reaches for him immediately, snapping out of whatever anger Steve caused, and pulling him back until he’s safe again, apologising over and over, dead to Steve’s promises that it’s alright. “Fuck, I’m so sorry, Steve, I’m so—“

He pulls Mike against his chest, finally reaching out to hold the boy who always pushes people away when they get too close — quite literally, too.

But he doesn’t shove this time, doesn’t move out of Steve’s grasp as the mumbled apologies become heaving sobs.

“It’s okay, you’re okay, you’re so okay, Mike,” Steve tells him over and over as he holds him. The sky above is almost black now and Steve lets Mike cry into his chest.

It takes a while for Mike to calm down, but Steve just holds him through it, ready to let go whenever Mike wants to pull back and snap out of it again — but he never does, and Steve feels a certain kind of affection for the boy that is usually reserved for Lucas or Dustin.

At last, when he’s calmed down, Mike pulls back a little. “Do you really… Does it… Is it really okay?”

Can it be okay? Can I really like both? Is that not just me, being broken and wrong and bad? Will I get the chance to not be alone?

Steve swallows hard, and his voice is hoarse when he says, “Yeah. It’s really okay. ‘N’ I’m with you, yeah? If someone gives you shit for it. Or if you need a reminder.”

And Mike — puffy eyed, snotty nosed, so, so young — looks at him with those trusting eyes and nods, like he believes Steve. Like he trusts him. Like he hopes.

“Just don’t fucking shove me off your roof again.”

Ans just like that, the spell is broken, the tension is lifted, and silence has left them, as Mike almost chokes on a laugh and shoves at him again, lightly this time, before jumping off the roof so Steve can’t retaliate.

“Asshole,” he mutters, shaking his head as he, too, jumps off the roof, dusting off his pants as he watches Mike grabbing his bike. “Hey, Micycle,” he calls, cackling when Mike flips him the bird. “You want a ride back?”

Mike stops, considering as Steve casually flicks his keys into the air and catches them expertly. “What kinda music do you got?”

“The Clash, ‘cause Eddie hates them.”

“Yeah, that’s because they suck!”

Steve snorts, opening the driver’s side door. “Y’know, they’re one of Will’s favourites, actually.”

He watches Mike freeze with a grin on his face, knowing there’s no way the boy would take the bike.

“You’re so annoying,” Mike sighs as he brings his bike close to the garage and carefully lays it on the grass this time before hurrying over to Steve, getting in on the front, rolling his eyes when Steve cackles. “I don’t know why Eddie would date you—“

His words are drowned out when Steve turns up Train in Vain, drumming along on the steering wheel with a shit eating grin. Though the atmosphere is wildly different now, the spell broken and the bubble burst, it’s undeniable that something happened between them. Something big, something important.

Something that makes Mike’s annoyed, long-suffering expression be broken by the smile he’s trying to hide. It makes Steve laugh, elated and feeling something that’s much, much bigger than he himself ever could be.

It’s going to be okay. So, so okay.

Before they know it, they’re pulling up to Steve’s and he turns off the car, is about to get out when Mike makes him still again.

“Hey, Steve?”

“Hm?”

“I think it’s cool. You and Eddie.”

He smiles, relief and fondness washing over him. “Yeah?”

“Yeah.”

“Thanks.” He reaches over and ruffles Mike’s hair — a wild mane these days, but they could make it work with some care and some products. “Now go get your man, lover boy.”

“God, you suck so much, you’re so annoying!”

Steve’s cackling again when the passenger door slams shut and Mike lets himself into his house.

He spots a figure in the dark, their face lighting up when they take a drag of a cigarette — and Steve’s heart stumbles in his chest. He scrambles to get out, attempting to look calm and collected, even though Eddie always manages to see right through him.

“Hello, stranger,” he says, leaning against the wall beside Eddie, hiding away in the dark, where the world won’t see their shoulders touch, or their fingers tentatively playing with each other before they can’t take it no longer and lace their hands, holding on tight.

“Hi,” Eddie breathes. “How’d it go?”

“Fine, I think. But, uhm… I told him. About me. About us. That, uh. That okay?”

Even in the dark, Steve can feel eyes on him, but he just stares ahead, opting instead to give his warm hand a squeeze. He smiles when Eddie’s thumb begins to draw patterns on his palm.

“Hmm. Very. You think they’ll be okay?”

“Yeah,” Steve breathes, stealing Eddie’s cigarette from his mouth and pulling it between his own lips. “Yeah, I think they will be.”

[heart-of-the-morningstar]

Lucifer Morningstar from Hazbin Hotel is Demisexual :)

[braisedhoney]

we’re supposed to be the good guys.

[mangostarjam]

leaving bite marks on kiyoomi's biceps. he wears compression sleeves up to the edge of his uniform shirt, so it should be fine, right?

not that you care, not that you're even thinking about it when he's got your ankles up by your ears and you're trying to stifle your moans in his skin. in the moment the sting barely registers, all of his focus is on the slick clench of you around him, the way your nails scrabble down his broad back as his thrusts grow erratic.

it isn't until atsumu spots the ring of teeth marks at the volleyball court later that he remembers.

"omi-omi, what's that?" comes out in a shriek that pierces his eardrums. kiyoomi doesn't even look at him, but the expression on his face is clearly ticked off.

"it's nothing."

"hold up, are those bite marks?" atsumu gets close enough to tug at the sleeves, but kiyoomi jerks his arm away. "what, were you fightin' a hellcat or somethin'?"

kiyoomi fixes him with a flat stare. "are you sure you go on dates?"

atsumu splutters. "whaddaya mean?! i go on tons a dates!"

"doubtful."

[azuries]

fellas you ever thought of a scenario where mike had a terrible day in school and so he decided to try to contact will after trying for so long, thinking itll be different this time and his fate being kind to him, but then getting nothing. well now you have