#yes the existence of sex work is bad in the western world. as are the existences of cashiering and teaching and carpentry and textiles and | Explore Tumblr Posts and Blogs

magnoliamyrrh · 2 years

Text

believing in female solidarity and class conciousness and sisterhood while dealing with western feminists is actually a nightmare lmao

im so tired of making an effort, i truly am. im so tired. im tired of feeling like i have to teach Basic Empathy and Caring abt Others and Class Conciousness 101. im tired of being the only one whose making an effort in this relation. im so tired of it being the case that its only the westerners who lose their little marbles over whatever feminist points i may be be trying to make, and they somehow don't understand the irony in them prepetually calling so many nonwestern feminists fascists or whatever the fuck else. yes yes, indian feminists are just stupid for trying to ban pornography and surrogacy, please enlighten them. south korean women are just evil brainwashed bitches, that's why they're radical separatists - south asia in general having a separatist and radical wave is for no reason whatsoever theyre just nazis lmao. african feminists, so many of them, are white supremecists for not exactly parroting your western bullshit, yup yup this makes sense. islamic feminists are "suspicious" lmao for the language we use in our writings (analysis of material reality). lets completely ignore that the feministms of the nonwestern world call for the abolition of prostitution. balkan sex trafficking victims, which are most prostitutes and child prostitues in the west, spending years speaking out against all this and trying to change laws? naaah we know nothing, we dont know nothing at all, the well of westerners who have no idea what theyre talking abt will englighten us abt that, while calling for the death of women who dont agree with their sex work bullshit lmao. we also have a bad habit of joking abt unifying and killing men and killing sex tourists, we should probably stop that bc its real offensive and scary to the westerners too

all this god damn endless performative sharade about LiSteN to WoMen of CoLour and LisTen to ThIrd WoRld WoMen and liSten to NonWeSteRn WoMen and poOr woMen and SeX TrAffIcking ViCtiMs (wait nvm they dont even say that now, bc only "sex workers" exist to them, ever) et fucking cetera. yea lmao. they dont actually give a shit about marginalized women though

god help us. how the hell is the cognitive dissonance of this whole situation not hitting them exactly? with. literally basically any other feminist on this planet but the liberal/mainstream westerners you can hold an actual conversation and discourse and understand each other. everyone but them and their postmodern brainrot understands this is a class struggle and understands the root of the opression of the female sex. "ThErES nO UnIvErSalLiTy BetWeEN wOmEn" just shut it already jfc. the fact that we can have international conversations on our struggles basically already proves there is - its only you who cant get what planet youre living on, with the endless relativity and individualism and choice and language politiquing and patriarchal bootlicking

i know, because ive been doing it for years. and ive been watching the feminist movements of the nonwestern world for years. i also know the only reason why on this blog i Can actually for the most part say things without being crucified is bc most of yall arent western or white or both

and apart from the ones who outright lose their mind or feel incredibly comfortable speaking over you or talking down to you - dont rly know how they havent choked on the entitlement yet -maybe they're just fucking lost and too far gone. but. even the rest. who are less hostile or just privileged and dont know better. im just tired, just tired.

the internet is chock full of the opinions of nonwestern women on feminism. the internet is chock full of the accounts of sex trafficking victims, of child prostitues, of prostitutes, of experts on human trafficking. its fucking full of it. and its on tv, and sometimes in newspapers. god fucking damn it so much has been written on this, so much has been done on this, so many efforts movements organizations documentaries whatever the fuck. spains laws were changed by our trafficked women but somehow its like this fact doesn't exist to the westenrs, or the have the gull to explain that, actually, they're wrong.

it is of absolutely no pleasure of me at all to educate the western "feminists" on shit they could educate themselves on in approximately 10 fucking minutes if theyd bother to do a google search and give a shit, actually give a shit and maybe, for fucking once, realize theyre not always right and the center of the world. its of no pleasure to me at all to have to keep my cool and be nice enough that whatever i say isnt just dismissed, because if youre too fucking angry over god damn sexual slavery you're just an evil crazy irrational bitch. im tired. whatever the hell i say has been said by so many before, so many times, for so long, but its like its been said to a wall or yelled out into space

sometimes i wonder what the hell we must even do for it to even matter. rationality and calmness hasnt helped. anger hasn't helped. detailed accounts of what its Actually like to be trafficked or a child prostitute or a prostitute or a sex slave, havent helped. we have bore our pain and sorrows and trauma and soul and so often it doesn't mean a single god damn thing to them. what. what needs to happen. should we just start having mental breakdowns and screaming our throaths raw infront of them? no, they will not care or understand even then. should we show them what the sexual slavery of children actually looks like - except wait, theres undercover journalism and documentaries and accounts written on this. it matters not. it matters not. Whats next? Interpretive dance?? What else we got, should we maybe just start trying to communicate through telepathic waves?? i wonder if some of them are simply doomed to be deaf and blind and unfeeling

im tired of making the effort, and im tired of reaching across the isle hoping that at least some of them can change their minds and give a shit and open their eyes to whats actually happening, and how detached their "feminism" is from the rest of ours. im tired of having to explain to the western women whose ideology is responsable for, lmao, our peoples sexual slavery, that this shit is real bad, and lmao in actuality imperialism, but having to do it nicely enough while They are x30 times more hostile with Me. lord. if youre going to call me a fascist and cancel me irl, if were just throwing words around, can i just start calling them slavers? except thats not going to get us anywhere, except no matter how many times i want to just snap, i know that doing so as badly as i want to to their face isnt going to get anything done

. and.what choice do i have, really? i cant simply leave the western feminists to their bullshit. because what they think becomes law in their own damn countries and then affects us, it becomes international law as well because it is their country who lead the international community. the bullshit that they think, actually, unfortunately direcly affects us. and not only that, but it affects the women and girl-children most vulnerable and opressed in their own countries, whom are still our sisters whose pain and saftey i am concerned with. so i cant just leave them to it, and there is little choice then to not educate, or not try to at least try to reach across the isle. theres little choice but to have the hope that some of them can care and understand, and that some is better than nothing and worth it and a start..... even with how fucking tired and fed up i am and how i wish i wouldnt have to keep bearing my god damn suffering just so theyd get it, im still. frankly so willing to do it with someone who is actually willing to listen and change. i dont believe in canceling people forever, and i have the hope and knowledge that changing one persons mind is a ripple effect, for then they change anothers mind, and on and on

i just wish. theyd at least meet me halfway. im tired of making the effort to still see them as sisters and women whose struggles i care about, while for the most part they could give less of a shit

#feminism

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automatismoateo · 2 years

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Life in an atheist country. via /r/atheism

Life in an atheist country.

I know some of you hear whatabout arguments implying all sorts of horror if we abandoned religion. So maybe some of you might want to know what it's like since some Christians seem to pretend like such a thing doesn't or couldn't exist.

I live in China.

Despite what you might read or what Christians might try to push, it's atheist. You might read online about many people following "folk religions." First off, this is the countryside, and 2nd this is nothing more than rituals regarding death or luck. It is nothing like what a westerner would think of as a religion. And in the cities, people don't follow them. In cities like Shanghai, 26 million people, nearly everyone you meet is an atheist.

If you ask locals, "Where does morality come from?" Everyone will say "From family, from society," which is probably what you expected.

China has both good points and bad points, like any other country. It shares certain cultural traits with its neighbors, Korea and Japan. But one should keep in mind that Korea is way more spiritual, and 25% of the population is Christian, and usually fairly devoutly so. So in atheism caused immorality, shouldn't Korea be 25% more moral than China?

Well I've lived in Korea for 6 years and China for 10 years. Here's my observations as honest as I can (let me preface this with I get along with Chinese people and I really like Korean people). Also, keep in mind China has huge regional differences, and in North China its very similar to Korea.

Sex: Koreans are way more obsessed with it, while in China people are the most sexually unobsessed people I've ever met (maybe because according to a Durex condom survey they're having more of it). I feel like between China, Korea, Japan, American, and the UK, the Chinese have the most mature view of sex. In both Korea and China women worry about their reputation but never feel guilty for having sex. There is no sin associated with it.

Crime: Yes, lots of corruption, however I think accusing Chinese people's crimes of being caused by atheism to be wholly unfair. First off, there are crimes that are very common here: fraud and corruption, but crimes common in the US that are very rare here, like violence, murder. Secondly, the style of criminal here is exactly like the style of criminal in Korea. Except Koreans are far more violent. So it is far more likely that the crimes here are a result of culture, and since the only difference is Korean violence (and jealously) and they have Christians, so if there was a spiritual causal relationship it would be Christianity and violence.

Alcohol: Chinese people are always telling me they drink a lot but I never see it. Whereas in the US many men have a beer after work. And in Korea, a measure of manhood is "how many bottles of soju can you drink."

Morality and political change: Here the inevitable change of moving forward is not blamed on the immorality of pleasure seeking heathens, but of corrupting foreigners trying to make people "unChinese."

No eschatology: people are not constantly thinking the world is at an end nor are natural disasters blamed on the wrath of God.

Money: the Chinese DO have a very unhealthy obsession with money. I wouldn't call it greed, its more because they honestly believe that money is the key to happiness. Hence, they are so miserable, even rich Chinese people.

5000 years: If you said the Earth was 5000 years old it makes Chinese people laugh, "We have 5000 years of history!"

The battle of the sexes: It does not exist here. The perceived differences between men and women is vastly smaller than the US. Of course there are men who are sleezes, but there are also lots of women who use men as well. Like pretending to be pregnant to get money for abortions and "emotional trauma," which is typically around 1000 dollars.

Zealous ideologies: while there are jingoists, there are not all these other zealous ideologies that probably stem from a culture of religion: cults, diet cults, polti-cults, the alt left, the alt right.

No proselytizing and religions dont' wield power: if a religion were to try to vie for political power it would get banned.

People with conspiracy theories are rare, this is probably because a lot of them have a religious basis.

There are many other differences, but those are the ones that have a bit of connection to religion. So the next time someone says your country would fall into chaos without religion, point out the 1.4 billion people of the country with 5000 years of history. And before they talk about how evil China is (yes the CCP are dicks) it doesn't mean the citizens are evil and I hope this list I provided helps provide you with material to draw upon for defense.

Submitted October 21, 2022 at 03:48PM by Hargelbargel (From Reddit https://ift.tt/CdQFlo4)

#reddit

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qqueenofhades · 3 years

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Some additional points about that grave find in Finland that you may or may not find interesting. And that may or may not be dated, because I studied history 20 years ago. That said, I'm not sure if 1000 years ago is firmly middle-ages in this context? At least back in my uni days, they told us that here middle ages got going slowly during 1100's and 1200's when Sweden started converting the population to Christianity and the prehistorical era gradually ended. Maybe they teach differently now.

More about the grave. I don't know why The Guardian would talk about Vikings in this context at all, because the erstwhile population of current day Finland is not considered to have been Vikings, afaik. They were similarly warlike, and the graves from that era have a lot of weapons, and they certainly encountered Vikings, but they never participated in the raiding, and isn't that what makes Vikings Vikings? Their language and religion was also different. But anyway. I don't mean to correct you because the larger point stands. When I saw the headline in a Finnish news paper about that grave and traditional gender roles my first thought was, well, maybe the gender roles hadn't become traditional then yet. Just some additional context, which could be illuminating or could be totally dated.

I did the stupid thing and sent you asks about the Suontaka burial before reading the Cambridge article about it: I'm reading it now, and my comments seem fairly useless. Feel free to ignore with extreme prejudice. We're in agreement on the guardian article.

Aha, well, we all make mistakes from time to time, so no worries! However, since you do touch on a few points that I would like to discuss, I'm going to go ahead and answer, whether for you or anyone else who might find it useful. (It's the teacher in me, I'm afraid.)

First, I have to say that I had a definite "eeegh" moment at the idea that the eleventh/twelfth century isn't "medieval" in Finland just because it (at least prior to the Baltic/Northern crusades, if we're considering them to begin with the Wendish Crusade in 1147) wasn't yet fully Christianized. Scholars pretty universally accept "medieval history" as referring to the time period between 500--1500 CE (the fall of the Western Roman Empire to the Renaissance). These, of course, are horribly Eurocentric frames of reference, but there you have it. Any event or culture taking place within that span of dates, no matter where in the world it is or what its socio-political circumstances may be, is medieval. We have to call out the pernicious equivalence of "medieval" with "Western Christian European," since that seems to be the underlying assumption. This is also what makes people mistakenly think that the medieval world (which, y'know, was just as big as it is now) is exclusively about white Christian Europe, and that no other global regions have a medieval history. Either way, the eleventh/twelfth century is actually closer to the end of the medieval era than it is to the start. I'm certainly not suggesting that you were consciously implying this; I have no trouble believing that that is indeed how they taught it twenty years ago. But yeah, the idea that still-largely-pagan eleventh-century Finland couldn't be "medieval" until it's Christian is definitely not the case as understood now.

The idea that anywhere in eleventh-century Europe is still "prehistorical" in any sense of the word is likewise a little baffling, tbh. Once more, it associates "history" only with "Christianity," and that would get quite a bit of pushback if included in a paper on medieval studies today. That is what also annoys me deeply when I see people describing the pre-Columbian Americas as "prehistoric" (read: pre-white-people-historic). If the chief marker of "history" is "written history," sure, there is a very narrow pedagogical argument to be made that these societies don't have narratives or chronicles in the standard historiographical sense. But also, uh, European colonialism and conquest destroyed vast swathes of records that we have never been able to read, understand, or even access, because they're just not there anymore. There is ample evidence that the ancient (and I do mean ANCIENT, up to thousands of years BCE) and early-to-late-medieval Mesoamerican societies had complex systems of writing, astronomy, calendar-keeping, and other history-recording practices, right up until 1492. There are something like four (FOUR) pre-Columbian Mayan scrolls still in existence, out of probably thousands and thousands, because the Spanish destroyed the rest. So "prehistoric," unless you're literally referring to the Stone Age, is never a politically neutral word or a word to use uncritically...

...and speaking of the Stone Age, we actually have histories for that too! Or rather (iirc) the Ice Age, because for example, Aboriginal Australians transmit their history orally and require each new generation to memorize it, word for word, exactly as taught to them. Some of these histories stretch back over ten thousand years, which means that we actually have first-person accounts of life during the end of the Ice Age, and scientists recently discovered that these traditional narratives accurately reflected the archaeological and geological record of Australia during the time period in question. (Indigenous people know what they're talking about and should be listened to, example number 85,000.) Of course, the Western-white-supremacist model of historiography calls these just "legends" or "myths" or "folktales" rather than history, because I guess not writing it down in a chronicle as a monk in a European Christian monastery in the year 1015 or whatever doesn't qualify as history for some people. (I don't have strong opinions about this or anything. Welp.)

I likewise don't know why the Guardian article brought up the Vikings, aside from the fact that they were quoting someone who explicitly used the Vikings in a hypothetical scenario about "traditional gender roles." This person expressed surprise that an intersex person living in a medieval Scandinavian society could rise to a high social role, by citing the widespread belief that "Vikings" were all dedicated to being very manly at all times and nobody with feminine qualities/feminine-coded social power could rule over them. I don't know if this was just a bad phrasing (plus, it obviously overlooks the often-egalitarian nature of medieval Scandinavian societies and plays into the favored white supremacist stereotype of the Vikings as some Master Aryan Race Where Men Were Men, etc) or what, but yeah, it's wrong across the board. Viking is the name of an occupation, not an ethnicity. It comes from the word wicing, meaning "seafarer" or "sea raider," and referred only to those guys who went out on their longships and stole a lot of stuff from their neighbors, most notably in the eighth to eleventh centuries. Their families back at home were part of the exact same society and benefited from those raids, but strictly speaking, they weren't vikings. We use the word "Viking" to describe any member of a medieval Scandinavian society, but it's similar to describing everyone living in the eighteenth-century Caribbean, no matter who they were or their social status or ethnic background, as "pirates," which is obviously inaccurate.

As you correctly point out, the Finns aren't considered quite the same as the Norwegians, Danes, and Swedes (as anyone can tell from looking at their written language; N/D/S are mutually intelligible and derive from the same linguistic family, while Finnish is COMPLETELY different and comes from an altogether separate branch of the tree) and therefore it's even more baffling that the person quoted in the Guardian article would cite them as an example of a "Viking" society. Likewise as you note, the whole phrase "traditional gender roles" is intensely problematic in most contexts, and especially here. It assumes that modern Western ideals of sex and gender have been static and unchanging throughout history, and that means that we tend to read our own (biased) assumptions onto the historical record and then get surprised when, shock of shock, they don't fit. The burial at Suontaka seems to have been of a biologically intersex person (i.e. someone with Klinefelter syndrome), but this is also the case when it comes to people assigned the usual male or female at birth, without any complicating genetic conditions. I'm working on a book review for an entire edited volume that discusses the intense gender-fluidity and proto-transgenderism in some medieval saints' lives, and how obviously the fact that they have been held up as a holy example, while explicitly subverting the so-called Traditional Gender Roles of the Middle Ages, means that it was (and is) a lot more complicated than shallow stereotypes and Bad Medievalism would have it.

Anyway, this is long enough (especially considering that you graciously offered me the chance to ignore it) so I think we'll stop here for now. But yes, there you have it. :)

#history #ancient history #medieval history #queer history #anonymous #ask

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hime-memes · 3 years

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( Requested ) This long list of starters comes from the youtube content creator: Nisipisa ! In particular, the video: ‘ Let’s Go Window Shopping 6: Crimes Against Pants with Shein ‘

Trigger Warnings: Sexual Innuendo, Alcohol & Drug Mentions and Swearing.

As always: feel free to change anything within these starters that you see fit to make it work for your muse & the receiver’s muse !

( Some sentences have been modified for length, understanding, or to give fuller context. )

“ First of all, these shorts ? I’m living for the whole outfit. I appreciate _____ finding a use for trashbags that’s not just holding trash. “

“ ... I don’t have enough brain bandwidth to actually hold enough information about it ... “

“ People deserve access to clothing in their size. 100 %. “

“ I’m already kinda impressed. “

“ This is a pretty dress & this is a pretty dress. That’s pretty ! That’s ... passable ? “

“ We had a lot of fun last time with t-shirts. “

“ Oh my god. Oh god ... Oh yes ! This is our first graphic tee of the day. “

“ It’s a crew neck in the ugliest shade of purple known to human or lobster eyes. “

“ Sorry: #Momlife. “

“ You can make sure your search engine optimization is as powerful as possible when you’re waiting in line to check out at Target™ for the fourth time this week. “

“ I didn’t mean to shame anybody that spends three days out of their week at Target™. “

“ If there wasn’t a panna cotta going on, that would be me. It’s my favorite place in the goddamn world ! “

“ It’s second only to shoe stores that sell a size twelve ! “

“ As we all know - I am not a mother and will likely biologically never be one, because God looked at me and said, ‘ If I give you a reproductive system, you’re going to be too powerful ‘ and so, he just nuked my uterus. “

“ I don’t find that this t - shirt celebrates motherhood in any meaningful way. “

“ I do think it celebrates having bad taste in a meaningful way. “

“ You know what ? For some people: That’s enough. “

“ ... We aren’t going to address why having a cutout tight might be useful ... “

“ And THIS is the sexiest shoe we could have put my girl in ?! “

“ You guys put her in this conservative nightmare heel ?! “

“ I like that ______ thinks you should wear all these graphic tees with light wash mom jeans and converse low tops. “

“ I think every website should encourage it’s patrons to dress like the main character of a Sarah Dessen novel from 2007. “

“ There’s some high schooler in a debate club that’s really into it. It’s kinda their whole personality, and they’re like: ‘ This is so ironically funny for me ‘. “

“ In the year of our Lord, 2008: I started high school and my absolute favorite shirt to wear was a shirt quite like this. “

“ It looked like I was wearing long sleeves under short sleeves when in reality, I was wearing a crime. “

“ Have you ever tried layering ? Like, actual layering ? It sucks ! “

“ You’re kidding ! A double whammy in the same row ? Oh my god ... “

“ ... We have also inexplicably made the model hit this pose. “

“ The person who needs these pants is someone who likes to go out and party - likes to go to the club - but, they are also the president of a fan club for Shar Pei dogs. “

“ You know what dogs I think are cute ? ( * Googles favorite dog * ) Just look at this guy ! “

“ Look at these pointy bastards ! “

“ This is like if you had a bat and you did a spell on it to make it a dog ! “

“ These ... Now THIS is a pair of pants ! “

“ Clinically depressed, stressed jeans. “

“ You take leopard print fabric and sew it into your distressed holes. “

“ You don’t have to frankenstein it into this type of fit ... this is kinda like how a hypebeast would dress if they were in elementary school. “

“ If you put a bow on this and a tutu: this is me and my girls rolling up to the Jojo Siwa concert. “

“ Am I saying I wouldn’t wear these shorts ? No, I’m not saying that at all - I would wear the fuck outta these shorts ! “

“ As we’ve established: my taste is awful. “

“ Do you think in 1503, when Lisa del Giocondo sat down to start being painted for this portrait - she thought in a couple hundred years some random fast fashion brand would take her likeness, photoshop a face mask on it ... and sell it on a graphic t - shirt ? “

“ The only responsibilities I had were watching Rugrats and learning object permanence. “

“ Stop living in the past. The future is fun because my videos are in it ! “

“ This little cherry top, I think I’d probably wear. I think it’s very sweet ! “

“ I’m so weak to anything with a grid print. “

“ I’m going to think about this shirt for the rest of my life ... “

“ What exactly does a lil’ house elf from Harry Potter™ have to do with this ? “

“ I do feel like this floral print will cause my brain to atrophy if I look at it too long. “

“ Rosé is not the only wine to rhyme with ‘ all day ‘. Rosé isn’t even good ! “

“ You know what ? I don’t work for _______, so it’s fine. It’s not my responsibility ! “

“ Hey guys, you having fun at mushroom college ? “

“ I saw two things: The crotch butterfly and the booty butterfly and now I’m thinking these are the only clothes anyone should ever wear. Ever. “

“ NOT THE ‘ SEX ’ EARRINGS !? YES ! “

“ This is brazenly and offensively targeting a very very very specific group of people that I went to my preppy college with and I don’t appreciate that. “

“ I’ve worn spaghetti sauce stained yoga pants to bed that are sexier than this ! “

“ I’d wear the fuck outta this. “

“ I don’t know what I can say ... the picture speaks for itself, this is awful ! “

“ I’ve been saying for the longest time there is absolutely no store online that I can find articles of clothing for my single, mid-western, art teacher from the 70s, halloween costume. Finally someone is filling that niche ! “

“ This is absolutely unprecedented, because _______ decided to take something that, not only didn’t exist, but that no one has ever asked for and make it a reality. “

“ They think to themselves: ‘ Man - I love leopard print and I love galaxy print: but, I wish there was some way I could experience them at the same time, in an orientation that looks like the very beginnings of a DMT trip, and I wish I could experience all that whilst exercising. “

“ This is so tacky that I wanna wear it. “

“ Lord - Jesus, life is so beautiful. and full ... and amazing ! “

“ Curse allttle and carra fu///ng ON. “

“ The Rocky Horror Picture Show did not die for our sins for you to make this, okay ____ ? “

“ I feel like the person that wears this is a representative from the International Coalition of Clowns that are also Sexy. “

“ I want the opposite of this: I want a pink pastel frilly one piece that just says across the front of it, in like Curlz MT font : ‘ Death ‘. “

“ Listen, I don’t know what font that is, but I would like President Joe Biden and Vice President Kamala Harris to outlaw it. I don’t think it does society any good. “

“ I heart freak city ? “

“ Uh yeah, I live on Drip Goth Punk street. “

“ Is that near Superfreak Sexy Gurl lane ? “

“ We have a big snake problem here in Boston and I’m glad _____ is finally recognizing this. “

“ Mama. “ * Cue insane cackling *

“ This shirt says ‘ heart stopper ’ ... that’s me when I’m a serial killer ! “

“ That’s so topical and current ! Thank you, _______. “

#rp meme #roleplay meme #sentence starters #sentence starter meme #youtube sentence starters

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profoundnet · 4 years

Photo

PROFOUND MEMBER MASTERPOST FOR NOVEMBER 2020!

Featuring Destiel/Gen works by jscribbles, Jeanne_de_Valois, tiamatv, LeafZelindor, prosopopeya, DragonSgotenks, sketching-fox, kittimau, castielslostwings, FriendofCarlotta, universalsatan, Idjit_01, Destielshipper4Cas, purple_charlie, Maleyah, noeizumispn, kitmistry, TheSongSmith, one_more_offbeat_anthem, interstitial, JusithAndronicus, ArielAquarial, queer-things-do-happen-dean, goldenraeofsun, andimeantittosting, and starprincecas.

Join us on Discord!

Masterpost below the cut.

jscribbles - jscribbles

I’ll Go With You (G, 4.7k)

A coda to 15x18 "Despair".

He hadn't said anything. He hadn't said anything when he'd been given the chance.

Tags: 15.20, reunion, grief, love confession

We Are Real (M, 2.4k)

Smutty sequel to I'll Go With You.

Dean hadn't kissed him yet.

But they were alone now, and free.

Tags: 15.18, smut

404 Error (G, 500 words)

How hablo espaniol?!!

I DON'T KNOW. Neither does Dean.

Tags: spoilers for 15.18, based on spanish dub, crack fic

The Weight of Silence (E, 26k)

The weight of silence is heavy on Dean's shoulders as he learns to live a new kind of life in Heaven. In classic Winchester-style, despite being in a place that isn't supposed to have pain and suffering, Dean rebels against it by being straight-up fucking miserable.

Tags: depression, mentions of john winchesters garbage parenting, canon compliant, 15.20 fix it coda, happy ending, smut, romance, love confessions

Jeanne_de_Valois - Jeanne_de_Valois

Free Bird (G, 1.7k)

Heaven is an open road and not having to pay for gas.

Heaven is a greasy sandwich and a novelty-sized candy bar.

Heaven is awkward, shuffling, confusing.

Heaven is getting to say what you wished you said, a lifetime ago.

(A Coda to Supernatural 15.20- Carry On)

Tags: Post-Episode: s15e20 Carry On, Castiel/Dean Winchester, Requited Love

tiamatv - tiamatv

Stone and Flesh (E, 6k)

Dean didn’t think, even in his filthiest imaginings, that Cas would sound like this in bed—loud, eager, easy with it. He doesn’t give a fuck who hears him enjoying himself. Though maybe Dean should have known. It’s not like Cas has ever once held back on anything he ever wanted to say or do—

Didn’t he?

(Not quite an episode coda for S15e18 per se, but more a "what comes after.")

Tags: AU - canon divergence; Post-Episode S15e18: Despair; Canonical Character Death; Selectively Mute Dean Winchester; Hopeful Ending

Domestic (T, 5.6k)

A little less than a year after the world doesn’t end, he and Cas get married.

Tags: AU - Canon Divergence; Future Fic; Tooth-Rotting Fluff; Domesticity in the Men of Letters Bunker; Kid Fic

Bight (E, 2.5k)

“Do you want more?” Cas asked, against Dean’s thigh. His thumb strummed gently at the soft, folded-up pocket behind Dean’s bound knee.

It tickled, but… didn’t.

Dean didn’t know what the answer to that was.

Tags: AU - Canon Divergence; Rope Bondage; Gentle Dom Castiel; Sub Dean Winchester; Praise Kink

LeafZealindor - @leafzelindor

Artwork for “break to let the light in” DCBB2020 (SFW)

Artwork draw for the DCBB2020 fic "break to let the light in"

Tags: fluff, touching, intimacy. Accompanied by fic by PeppermiintsPlease.

prosopopeya - prosopopeya

Like Real People Do (G, 4.9k)

Castiel experienced a moment of pure happiness, expecting it to be his last.

It wasn't.

Tags: Post-15x18, canon divergence, first kiss, angst with a happy ending, first kiss

Under the Same Sun (E, 14k)

In which time is infinite, and so is the list of people willing to help Dean figure out what to do about Cas.

A fix-it for a lot of things: Dean's repressed bisexuality, Dean's utterly inexplicable failure to realize what Cas meant, the Charlie & Dean brother/sister content I crave, among others.

Tags: Internalized biphobia, Charlie Bradbury & Dean Winchester, angst with a happy ending, post-series, Heaven fic

DragonSgotenks - DragonSgotenks

Say Cheese (E, 50k)

Dean Winchester is thirty, flirty, and thriving, or at least that's how his best friend Charlie describes him. Either way Dean feels pretty good about his life. He has a decent job, a nice house, and a great group of friends and family. Sure his brother's been living hundreds of miles away to attend law school and an internship, and yeah maybe he wasn't working his dream job, and so, okay, he spent most nights zoning out in front of the tv alone but that was fine. Dean was fine. Until he gets a call about a daughter he didn't know existed and suddenly Dean's quiet (boring) life is turned upside down.

Castiel Novak is a photographer whose passion lies in capturing the beauty of nature. However to pay the bills he works part time at the mall doing portrait photography. Sure it might not be as artistic as he'd like and his odd hours make for a dull social life but he's still doing what he loves. He especially enjoys doing the kids photos and over the last couple of years he's built a bit of a reputation for always getting the shot no matter how unruly or stubborn a child might be. So when a handsome father brings in his grumpy little girl for pictures Castiel thinks it will be just another photo shoot.

He's wrong.

Tags: Destiel, Single parent Dean, kidfic, bottom Dean/top Castiel, mentions of childhood trauma, eventual smut, past Lydia/Dean

sketching-fox - @sketching-fox

Dean Winchester Monster Fucker (NSFW)

Arts done for Dean Cas Big Bang in my partnership with LoversAntiquities.

Tags: alleyway, impala, mature content. Accompanied by fic by LoversAntiquities.

kittimau - @kmauspn - kittimau

Beg Pretty For Me (E, 5k)

“Cas…” His eyes flutter closed, mind slipping into the warm, pleasant haze of that special place, the one that allows him release, relief. Peace. Heart pounding in his chest, he fights the temptation to touch himself through the delicate material because Cas hasn’t told him to yet and he wants to be good.

“I want to hear you say it, Dean.”

“Fuck…” He swallows thickly. “Yeah. I- I feel beautiful.”

Tags: Castiel/Dean Winchester, Established Relationship, Explicit Sexual Content, Phone Sex, Light Dom/Sub, Dean Winchester Wears Panties, Top Castiel/Bottom Dean Winchester, Masturbation, Dom Castiel/Sub Dean Winchester

castielslostwings - @castielslostwings - Castielslostwings

Loud (G, 4.3k)

Minutes, hours, days, years might have already passed—time is different here, and Castiel has no way of tracking it, and still the Shadow doesn’t come.

Castiel sits, he stands, he walks and walks and walks and walks. All he ever discovers is more darkness, more nothing.

Tags: 15.19 coda, alternate 15.20, canon fix-it, carry on fix-it, canon-compliant, love confessions, the empty, coda fic, the profound bond

Carry On (E, 8k)

“I think I’ll go for a drive.”

This is what happened between that moment, and Dean meeting Sam on that bridge.

(A 15x20 missing scene/fix-it fic).

Tags: 15x20 fix-it, Carry On coda, love confessions, castiel and dean are in love, first kiss, first time, reunions, Heaven improved, dean gets the funeral he deserves, missing scene

FriendofCarlotta - @friendofcarlotta - FriendofCarlotta

The Novel (E, 4.5k)

Dean, Cas, Sam and Eileen are happily retired and living their best lives. There's just one problem: Sam has decided to commemorate the Winchester brothers' adventures by writing a novel, and it's not very good at all.

AKA the episode coda where 15x20 was nothing more than Dean reading a draft of his brother's first novel and becoming increasingly appalled.

Tags: Coda, Episode Fix-It: s15e20 Carry On, Technically Canon-Compliant, First Kiss, Top Cas/Bottom Dean

universalsatan - @universalsatan - UniversalSatan

Mortal One, With The Sun in His Hands (E, 135k)

Cowhand Dean Winchester is notorious for risky gambles, rightfully proud of his horse Impala (who has the prettiest speckle in the West), and is stubbornly certain that his life is in apple-pie order. His comfortable existence crumbles apart when he's saved from a fire-and-brimstone death by a mysterious wanderer he discovers to be the infamous White Bandit, mythical Angel of the Desert. While his savior is as fearsome as the legends say, Dean can't help but draw closer to the quiet and endearing man the real Bandit turns out to be... even if he doesn't yet realize they're the same person. This time, Dean may have to reach out to the flame instead of recoil.

Tags: Western, Historical Fantasy, Slow Burn, Mutual Pining, Cowboys, Plot-Heavy, Hurt/Comfort, Dean Winchester is Bad at Feelings Graphic Depictions of Violence, Explicit Sexual Content (Censored Version Available). Accompanied by art by Artmetica.

Idjit_01 - Idjit_01

I’m not gonna say that I’d change it cause you and I know that we can’t (T, 1.3k)

After Lisa's goodbye speech to Dean in 6x14, Dean gets drunk and calls Cas.

Tags: Episode: s06e14 Mannequin 3: The Reckoning, Alcohol abuse/Alcoholism, Canon Divergence, Lisa Braeden/Dean Winchester, Castiel/Dean Winchester, Hurt/Comfort, Hurt No comfort, yes both

game over (try again, please) (G, 887 words)

After Case and everyone else's departure in 15x18 Sam and Dean sit and talk. (And yes they discuss Cas's confession)

Tags: Post-Episode: s15e18 Despair, Angst and Hurt/Comfort, Suicidal Thoughts, Canonical Character Death, Good Sibling Sam Winchester

There’s blood on your face. (Beer and Nightmares) (G, 1.4k)

Dean wakes up pretty badly shaken from a nightmare. He struggles with it. He goes to the kitchen for a beer, but Cas and Sam are there. In the end, thanks to Cas's shenanigans, he doesn't even remember the nightmare.

Tags: Castiel/Dean Winchester, Hurt/Comfort, Teasing, Touch-Starved Dean Winchester, BAMF Castiel (Supernatural), Sam Winchester Is So Done

Help(less) (T, 1.9k)

Everyone Chuck took away is back and are doing normal life again. As there are no monsters and everyone around him has someone else, Dean's on his own and feels awful. So he drives away and makes several questionable choices. Featuring: Dean, a missing angel, a moose, Baby and a frankly abused forest

Tags: Post-Episode: s15e18 Despair, Castiel/Dean Winchester, Eileen Leahy/Sam Winchester, Grief/Mourning, Vomiting, Eating Disorders, Suicidal Attempt, Canon Compliant, Canonical Character Death

Destielshipper4Cas - @destielshipper4cas - Destielshipper4Cas

The Alpha Next Door (E, 36k)

When Cas is placed in WitSec, he gets a fake secondary gender designation to go along with his new name, ‘Jimmy.’ All he has to do until the boss of the omega trafficking ring he escaped is behind bars is keep a low profile, always apply his alpha scent, and not fall in love with an alpha. Well—two out of three ain’t too bad…

Dean has never had a crush on an alpha before. Along comes his new neighbor, Jimmy, an alpha who is alphasexual. There’s just something about him, and to his utter confusion, he finds himself falling for an alpha for the first time in his life.

Tags: Past Rape/Non-con, Strangers to Lovers, Mutual Pining, Slow Burn, Hurt/Comfort, Omega Verse

purple_charlie - purple_charlie

Walk Through Fire for You (T, 2.3k)

Boyfriend.

The word still feels foreign in Dean’s mouth, still brings back echoes of John Winchester’s thinly-veiled (if even that) homophobia. "Man up, don’t be a sissy, I didn’t raise a fairy". It’s a swollen blister in the back of Dean’s mind, throbbing with pain whenever a stranger’s eyes linger too long on Cas’ hand in his, whenever a waitress double-takes at how close they sit in diner booths.

But here, dirty dancing with Cas in a warehouse full of other queer folks, Dean wants to shout from the rooftops- I’m Dean Winchester, I drive the baddest car in town, I lift heavy things for a living, and this is my boyfriend.

Tags: Homophobic parents, homophobic siblings, bisexual Dean, Gay Cas, Pride, marijuana use

Maleyah - @maleyah-givemetomorrow - Katherine_Kat

Art for In A State of Perpetual Disrepair (SFW)

Art for my fic, In A State of Perpetual Disrepair, a hurt/comfort A/B/O Destiel fic.

Tags: fanart, A/B/O, hurt/comfort, Alpha!Cas, Omega!Dean

Start of Time (G, 754 words)

Except he never expected to be awake for the aftermath.

You see, he can hear Dean's prayers.

Tags: Castiel POV, Despair, Hope, Coda 15x18, post episode 15x18, Fix-It, Fix-It of Sorts

We’re Not Gonna Take It (T, 1.4k)

Amara gestures at Dean calmly. “Have you been praying lately by any chance?”

Dean flusters and stammers, hands at his hips to give himself an attitude, while his eyes flick from her to Sam and Jack insecurely. “N… No.”

Tags: Coda 15x19, Post episode 15x19, Fix It, Dean's dirty prayers, Dean Prays to Castiel, Angel Wings, Wings, First Kiss

Drive (M, 1.5k)

Dean's prayers take a turn for the sensual, which drives The Empty to the brink.

Tags: Coda 15x18; post episode 15x18,, Dean Prays to Castiel, Dean's dirty prayers, Angel Wings, Wings, First Kiss, Fix-It, Slight Crack

Now That We’re Dead (M, 2.5k)

“You got everything you could ever want or need or dream. So I guess the question is… What’re you gonna do now, Dean?”

Looking around, he doesn’t know how to answer that question. The obvious is suggested when she turns out to have made it to Heaven too. Dust dances in the air around Baby, shining in the sunlight, tempting him to go for a ride. The endless stretched out road and horizon.

He blinks a few times, slow and owlish.

And right there, his shadow falling long and dark, almost touching Dean’s feet, is Cas.

OR: the one where Cas gets the love he deserves

Tags: 15x20 coda, Fix It, First Kiss, human!Cas, Heaven, Heaven happy ending, Canon divergent from the moment Bobby says "Cas helped", Fix-It

I Wanna Live, Not Just Survive (M, 3.9k)

“Dean Winchester,” Cas drawls. “I did not go to The Empty, so you could get yourself impaled.”

Or: the other one, where Cas and Dean get to be what they deserve.

Tags: coda 15x20, Fix-It, Human Castiel (Supernatural), Earth happy ending, Because let's not bury our gays, First Kiss, Cuddles, Hurt/Comfort

noeizumispn - @noeizumispn

Colors (SFW)

Art inspired by Misha's words on Cas' wings

Tags: Rainbow, colors, destiel, wings

kitmistry - @kitmistry - Kitmistry

Don’t You Cry No More (T, 4.8k)

There has to be something, he told himself the first night he pulled an all nighter, only to wake up with his cheek smashed against a book, dark circles under his eyes, a throbbing headache, and nowhere closer to the answer than when he started. The light was still on above his head. He didn’t bother turning it off.

Or the one where Dean doesn't die, but he searches for Cas instead.

Tags: Fix-It, Coda, Episode: s15e20 Carry On, Post-Canon, Angst with a Happy Ending

TheSongSmith - TheSongSmith

Four Seasons (G, 754 words)

Cas is the owner of Four Seasons Total Landscaping, and he received a very curious call on a quiet Saturday morning. Dean owns the adult shop next door, and is very confused by what's going on. Good times are had by all, except Donald Trump because fuck that morally-bankrupt tangerine.

Tags: Four Seasons Total Landscaping, Destiel is Canon, 2020 is a dumpster fire so have this fic, twitter made me do it

one_more_offbeat_anthem - one_more_offbeat_anthem

So Comes Snow After Fire (G, 11k)

Cas was old, like old-old, like ancient, like here for the beginning of the goddamn cosmos old, like remembers rain being invented old, and he could be anywhere, but instead he was in Dean’s kitchen (well, the bunker’s, but no one else cooked--Jack and Cas were kind of clueless when it came to that stuff, and all Sam made was health food), reading The Hobbit aloud to Dean while Dean himself made them all spaghetti.

(or, they got their win--the biggest win of all--and now autumn is settling in. a nearly-human Cas plants a garden, and Dean helps him along.)

Tags: Post-Canon/Canon-Divergent, Domesticity, Getting together, Fluff and comfort, Gardening Castiel

interstitial - interstitial

Thirst Was Made For Water (T, 5.9k)

Cas is hit by a truth spell. The results are unexpected.

And maybe just a tiny bit funny. Unless you're Dean.

Tags: Dubiously Consensual Courting Behavior, Mildly NSFW Art Included, Profanity, Crack & Fluff, Truth Spells, Animal Transformations, Canon Divergent After s7e17 The Born-Again Identity, Light-Hearted and (Relatively) Wholesome For These Trying Times

JudithAndronicus - @judithandronicus - judithandronicus

Up We Go (E, 4.9k)

A coda fic series for 15.18.

Tags: Grieving, Canonical MCD (temporary), Alcoholic Dean, Angst with a Happy Ending

The Kindness of Ravens (E, 7.5k)

Crackfic wherein ravens pooping on Dean lead to feelings realization and eventual smut.

Tags: Fluff, Crack, Feelings Realization, Diners

The Ampersand Chronicles (G, 1.3k)

This is unrepentant canon-adjacent Bunker fluff, set in a universe where everything is kind of the same, except fluffier. Cas lives in the Bunker with Sam and Dean; things like Gadreel and Lucifer aren't a problem; and oh yeah, there's a cat.

Tags: Fluff, Bunker Fic, Kittens

ArielAquarial - ArielAquarial

Boyfriend Blues (G, 1k)

“I have a boyfriend!”

It came out of nowhere. One second Dean was shoveling a truly amazing pork roast into his mouth, already planning the meat to mashed potato ratio of his next bite, when Claire opened her mouth and his fork was clattering to the plate. Cas stopped mid-bite to stare at her while Jack, completely oblivious, continued making a Jackson Pollock out of his potatoes and gravy.

Tags: Parenthood, Domestic Fluff, Married Life, Alternate Universe, Established Relationship, Kid Claire Novak, Kid Jack Kline

Extra Credit (E, 4.2k)

“Hey, babe. Who has the kids?”

“Mr. Winchester…” Cas rumbled, leaning back in his chair and folding his arms across his chest. “You’re cutting it close. My office hours are almost over.”

Dean frowned at him, confused. That didn’t even remotely answer his question. What did he—

Oh…

Oh!

Or, the moment Dean has been waiting for has finally arrived.

Tags: Alternate Universe - Modern Setting, Husbands, Professor Castiel (Supernatural), Mechanic Dean Winchester, Sexual Roleplay, Teacher/Student Roleplay, Anniversary

Never in a Million Years (G, 2.5k)

If someone had told Cas six years ago that he was going to be a happily married man with two kids, he would have laughed. Now, with Dean by his side, he couldn't imagine things being different, even if the path to get there had been a little rocky.

Tags: Domestic Fluff, Holiday Traditions, Alternate Universe, Established Relationship, Backstory, Bickering, Married Life

queer-things-do-happen-dean - @queer-things-do-happen-dean - Latter_alice

Tangerine, tangerine (E, 1k)

“So it’s – It’s really nothin’, huh?” Dean swallows and tries to blink away the wetness in his eyes. His gaze don’t weaver from the road. “No, uh, key words ring a bell? Chuck? Angel tablet?” He pauses, flicks his eyes over to Castiel and back. “... Leviathans?"

When Dean pulls Cas out of the Empty, not everything comes back.

Tags: Canon divergent, post series, memory loss

goldenraeofsun - @goldenraeofsun - goldenraeofsun

Symmetria (T, 4k)

When all’s said and done with Chuck, Dean takes his time getting used to his new gig as capital D Death. Billie, of course, did not see fit to leave him a training manual. But with his brother-turned-God on his side, and Jack as the new Darkness, they all muddle through.

Finally, all that's left is to rescue Cas from the Empty.

Tags: 15x18 fix-it, alternate post-series AU, Death!Dean, God!Sam, Darkness!Jack, love confessions, first kiss, minor Sam/Eileen

andimeantittosting - @andimeantittosting - andimeantittosting

We Are (M, 699)

15x18 coda. When they get Cas back, because they do, because somehow, someway, sometimes good things do happen, Dean...

Tags: Reunion, Resurrected Castiel, Requited Love, Happy Ending

Carrying On (G, 794 words)

15x20 coda. Dean dies and goes to heaven. But then he wakes up.

Tags: Fix-it Fic, Djinn, Happy Ending on Earth

Two Inches to the Left (T, 2.5k)

15x20 coda. Something tells Dean to stop by that bridge, so he does. The last thing he's expecting is for a pair of Vespas to pull up and Becky Rosen to tell him that he's still in Chuck's story. Finally, it's time to write his own.

Tags: Fix-it Fic, Temporary Character Death, Happy Ending on Earth, Fangirls Save the Day

starprincecas - @starprincecas - cuddlesandcas

so it goes (T, 1.4k)

The Empty comes to collect.

Tags: Major Character Death, Episode Tag: s15e18 Despair, Angst

no more waiting on tomorrow (T, 739 words)

For all that they’ve finally won once and for all, the victory feels hollow.

Tags: Episode Tag: s15e19 Inherit the Earth, Fix-It Fic

#dean winchester #castiel #destiel #deancas #spn #profound monthly masterpost #profoundnet #november masterpost #member fic #member art

33 notes · View notes

rumandtimes · 3 years

Text

Does Cultural Appropriation Apply to Natalie Portman?

Sean Ezersky

Assoc. Fantasy Contributor

Does appropriation apply to the worst parts of European cultures?

Today, I want to discuss cultural appropriation. Yes, the issue of the times. But what exactly is cultural appropriation? Well, nobody knows. Starting at the first word, it claims to be some kind of appropriation. And it has something to do with culture.

Firstly, it should be said that this article has nothing to actually do with cultural appropriation. That is because cultural appropriation is essentially defined by racism. The term first appears, so it goes, as a description of how racist citizens of England marginalised and exploited the peoples of the Caribbean, and attacked sections of the working class schtick, for fun. Sounds evil enough.

The term cultural appropriation cannot be used as a mild term or played around with much, because it is by definition a form of misconduct. The term cultural appropriation is defined by the words “inappropriate,” “racist,” and “commercialist.” There is no redeeming quality to cultural appropriation because cultural appropriation is used to describe exclusively irredeemable activity, markedly opposite to cultural exchange or respect.

Consider the worst perpetrator in the United Kingdom and the United States: hip-hop / rap music, curly hair, or a summer tan. Racists always attack these music genres and human characteristics un-European, placing them into the same box on the fringes of their minds, but at the same time view themselves as ‘cultured’ for dipping into the same music, view themselves as ‘interesting’ for factory curling their hair, or view themselves as ‘unique’ for getting a spray-on tan. There is a murderous and delirious sense of bad irony, that racists altogether marginalise, demonise, and lust after perfectly normal traits and human practices, which the racist calls exotic, for fear of being labelled as freaks themselves. That is cultural appropriation.

Another bad actor is the billion-dollar yoga industry in Western nations as well, which attempts at every corner to steal Indian culture then mutilate the original concept, taking the yoga gurus off the cover and planting in some body-bleaching whores, or some wavy Italian guy, to appeal to the racist American, à la youth female target audience. All the while, Hinduism, inextricable from yoga’s origins while not necessarily the same as yoga in any way, is viewed as a false and inexpiable religion by most people in the West. Yoga was not learned from the Hindu, it was looted, and replaced with a shallow, cruel, commercial, and disgraceful attempt to Europeanise and trivialise the hobby while selling it the crude sex markets. That is a form of cultural genocide and religion-sacking. That is cultural appropriation.

But this article is not about cultural appropriation, in a way. The distinction was only added to please those offended by the comparison. This article is about movies, as part of a series of Star Wars critiques, and it’s about Natalie Portman.

Long have I harboured a question about Natalie Portman’s career, as it is so vapid yet so prolific, so vain yet so ubiquitous. This is just the opportunity. Natalie Portman got her start in acting as a 16-year-old leading actress on Star Wars: The Phantom Menace. She returned three years later as a 19-year-old lead on Star Wars: Attack of the Clones, where her character dies. After moving on from the Star Wars prequels, she used that resume to enrol at Harvard University to study psychology.

She has actually commented on this, as all Harvard associates eventually do, saying she and her peers felt she was only enrolled because she was in Star Wars, and this insecurity led her to push harder than her friends in her classes and challenge herself by picking ‘harder-than-necessary’ classes. Still, psychology is the most common undergraduate degree major among women, so hardly original. Whether or not Natalie invites the assessment or feels it is correct, this is undoubtedly true; She, as most people, never would have been looked at by Harvard if she did not have some kind of bank of riches or wealth of limelight that could be mined by the admissions board. Natalie might want to be viewed as a genius of “Hebrew literature” who stood out among the crowd, but that is just impossible parlour speak. Not that she deserves to go to Harvard any less than anyone else, no one deserves to go to Harvard, as Harvard in the 20th Century existed for the sole purpose of excluding people who were not rich, famous, or connected: not academics, so Natalie’s lie to herself merely parrots Harvard’s lie to the world.

But I want to go back just a second. Yes, Natalie Portman said she studied Hebrew at Harvard, even if not intensely enough to double-major in it. That is because her name is not actually Natalie Portman. Her name is Neta-Li Herschlag, and she is Jewish. So, studying Hebrew isn’t impressive knowing she speaks fluent Hebrew at home. That is not to undermine literature, as English-speakers still study English literature, but it’s hardly extraordinary. Hershlag, as I will now be exclusively referring to her, is using her association to Harvard, Judaism, and other, lesser, things to seem smart, yet all of those were gifted to her by either birth or Star Wars.

Now comes the question of cultural appropriation. Neta-Li started her acting footprint as an understudy for the part of Elle Woods in Broadway plays. Yes, that Elle Woods, aside Britney Spears no less. It hardly seems like the right role for a good Jewish girl. But lo, there are some who might point out that Hershlag is an Ashkenazi, and therefore not actually Jewish, that is, not a Semitic person. This is a touchy subject for the Jewish community, particularly since the establishment of Israel: Who actually is Jewish, by means of ethnicity or heritage, and not just language and religion? Is there a meaningful distinction between the Semitic Jewish culture that remained in the Levant, the Sephardic Jewish culture that emigrated to Africa and Iberia, the Mizrahi Jewish culture in Iran and Arabia, the Yiddish Jewish culture that stuck around in Germany, and the Ashkenazi Jewish culture that settled Eastern Europe? Really, who knows, and that is a deeper question; a question, perhaps, for a student of Hebrew literature, wherever we should find one.

Nonetheless, Hershlag is most certainly not British. That Israeli-American nuance is fine for the world of “Naboo” in Star Wars, which ideally would defy every concept of the term “ethnicity,” but works less congruously for Elle Woods. In Star Wars, Hershlag was a doppelganger of Keira Knightly, a dyad which has persisted the entirety of Netali’s 30-year-long career. Here too, we find questions.

Netali gave an interview, which I discuss almost on a daily basis among my social circle, where she firmly wanted to establish herself as a kind of British legacy. She said, of herself, “I iron out my Jew curls” and bleaches/dyes her hair, for no particular reason other than she wants to, and thinks it will make her fit in. Netali also went on to say that no one has naturally yellow hair — which is true, they don’t — implying that a non-Jewish, European actress would not face the same questions about her hair she did. Because the concept of hair straightening and hair bleaching are Nazi holdovers in British and American culture, and as someone who personally hates Nazis, this endlessly infuriates me. All the more so because Hershlag identifies as Jewish!

If Hershlag thinks modifying her hair to make it look ‘more European,’ or, more correctly (since almost all young Europeans have brown hair), to make it look more Hitlerite, more ‘Arianised,’ is acceptable, then she must either view herself as European first and Jewish second, or just care very little about the legacy of antisemitic racism. Why else would a person who calls herself Jewish want to alter her appearance so drastically, in order to look like a posterchild for one of the Hitler Youth?

Many Jewish-Americans feel pressures of Nazi antisemitism and colonial racism in the United States, and many Ashkenazim respond to that by changing their names, Nazifying their looks, and abandoning the Jewish religion. Netali retains a veneer of her Jewishness on the inside, within her own self-perception, while turning into the Arianised version of the Elle Woods archetype on the outside, for the world to see. Is she just playing a part? Is there a real difference in the personality and values of Netali Hershlag vs. Natalie Portman?

People don’t treat her as such. Keira Knightly, for instance, is an Englishwoman. Knightly claims she is ‘British,’ not English, but she is definitely English. Intriguingly, Knightly never went to school, reportedly a dyslexic, while Hershlag, in the Jewish stereotype, went straight to Harvard College. I wouldn’t say Hershlag seems like a nice person, she seems like an ordinary person. Remember that she is part of the Star Wars pantheon of small-time actors who were lifted by George Lucas to notoriety, like Mark Hamill (despite him being my favourite Star Wars actor, I can never remember his name), Harrison Ford, and of course, Sir Alec Guinness CBE.

Jokes aside, with all the classically-trained, upper-class, heavy-hitters from Britain — Peter Cushing OBE, Sir Christopher Lee CBE, and Sir Alec — not to mention the affable nobodies from Hamill to Ford, most Star Wars people are considered likable, especially by fans of nerdom.

That is not to say anyone was struggling, as every lead character in Star Wars was already documented as rich and famous by the time they were cast, but they were “nobodies” in the sense they were not household names until after the film became one of the first Hollywood summer “blockbusters” in history.

Most of all, it is undeniable that, other than Lucas, no one defined the Star Wars films as much as Carrie Fisher, if not for a want of contrast. Fisher was the only female character in all three of the movies, and both the predecessor and counterpart to Hershlag’s character in the Star Wars prequels. Does Hershlag meet the comparison?

The two are very different, both personally and on-screen. Fisher at the age of 19 had sex with numerous middle-aged members of the cast, often the only female and only teenager in a room of dozens of men, forbidden to wear a bra or choose her own hairstyle but allowed to partake in the rumoured plethora of drugs on the set. Hershlag, part of Star Wars from 16 to 19, was entirely unremarkable, both in life and profession, not a very impressive actor or much of a hoot. Again, the good Jewish girl. Some blame Netali’s poorly role on the weakness of the prequels compared to the originals, just as some blame Carrie’s bipolar diagnosis for her eccentricity. Both of these are half-truths, as personality and talent can never be substituted for anything other than what they are. Nonetheless, Fisher and Hershlag were both made rich and famous. While Hershlag is the lesser in terms of her performance, she probably got in the end a much better long-term deal.

A boring role meant Netali would not be immediately typecast, though she went on to play exclusively the girl-next-door leading female interest for a male protagonist, much the same as in Star Wars: Episode II. Coming into acting younger meant she could largely leave acting after childhood, then return to it later as an adult experience. Moreover, we never got to see teenage Netali chained to a bed in a gold bikini.

Our good, Jewish girl.

So, if Hershlag is playing roles given mostly to British, or Hitlerite, actresses, is she not taking away from the British actor? There are too many actors in the world. They are overexposed and over paid, seen too much and given too much, as they are in the same camp as clowns, entertainers, and comedians. But, people like to be entertained, and in the world of capitalism where only money is worship in lapse of dignity, anything people like sells, and anything that sells can make people rich, and riches are a substitute for class, if only a thin one. Just as the weak-minded can be fooled by the Force, so are they easily bought and sold. The British or American actor suffers for nothing, and there are too many of them as it is.

But, does Hershlag have a place in displacing them, or moulding in to become one of them? And would it be cultural appropriation? Undeniably, Netali is conforming to something objectionable when she plays simple roles as sex objects and Hitlerite women, embracing if not embodying the racism and problematic nature of Hollywood casting. But then again, it is with her very body that she represents this trend. One could defend Hershlag, saying she is made to do these things, that she is not so much appropriating Western culture for her ends, but more so that Western culture is stifling her true self, at least if she wants to continue to have a role in acting.

An interesting counter-point, but undermined by Hershlag’s particular brand of coy self-promotion, and eagerness in taking on such roles. And are the Jewish people entirely exploited by Hollywood? In many respects, so-called Europeans are exploited by powerful Jewish moguls in media more often than the other way around, even if they are Jewish Europeans themselves. Harvey Weinstein, a Jewish millionaire who sexually assaulted non-Jewish Western women in order to get them roles, his Jewishness hardly made a ripple.

The biggest names in Hollywood: Steven Spielberg, Gwyneth Paltrow, Jerry Seinfeld, Paul Rudd, Marta Kauffman, J.J. Abrams, Scarlett Johansson, Harrison Ford, John Stewart, Louis Szekely, Mila Kunis, Daniel Radcliffe, Rachel Weisz, Gal Gadot, Roseanne Barr, Judd Apatow, Marcus Loew, Lauren Bacall, Adam Sandler, Amy Schumer, Larry David, Daniel Day-Lewis, Cassidy Freeman, Stanley Kubrick, Jennifer Connelly, Richard Dreyfuss, Samuel Goldwyn, Julia Garner, Elijah Allan-Blitz, Kirk Douglas, Ellen Barkin, Ingrid Pitt, Darren Aronofsky, Eva Green, David Geffen, Lesley Ann Warren, Paul Newman, Sarah Michelle Gellar, Ben Stiller, Louis B. Mayer, Alison Brie, Julia Louis-Dreyfus, Chuck Lorre.

As Conan O’Brien jokingly stated: “The Cash-ews run Hollywood.” Almost every major production in Hollywood has a massive Jewish section of development. The United States, for whatever reason, is a majority “Christian-identifying” country, but Judaism plays a much more massive role in the culture than Islam, Hinduism, and Buddhism combined. Even most of the agnosticism in ‘progressive’ Hollywood values comes largely from material secularism, or Jewish incredulity of Christianity, not an ideological pull towards atheism. Is this cultural reproachment why Jewish people are pulled towards media and entertainment, theatre being a known haven for outcasts and oddballs? The Judeo-Protestant alliance of the Hollywood ilk would seem to disqualify the established Jewish community — rich, interconnected, secular Jewish communities of New York, Los Angeles, and DC — from being an oppressed mass.

An important editor’s note is that the actors listed are: Jewish people who adopt non-Jewish appearances or non-Jewish values to a borderline-racist degree (i.e. Eva Green: Jewish actress who plays roles bookmarked for non-Jewish Europeans), thoroughly Jewish people who refuse to identify as Jewish (i.e. Julia Louis-Dreyfus: Jewish billionaire heiress who plays Jewish characters on TV), or regular observers of Judaism who are really, really famous (i.e. J.J. Abrams: co-director of the controversial Star Wars reboot).

More often behind the scenes than on-screen, but usually leading the show when taking a starring role, the Jewish imprint is inseparable from American movies, media production, television, the comedy scene, finance, and screenwriting. Is Jewish not the ruling order of Hollywood? And then would Europeans be the group on the margins? But why, if Jewish people write, pay for, and put on the shows, are there so few Jewish actors, and of those who are, why do they not look Jewish, or a better question would be, why do they try to avoid looking Jewish, and actively attempt to look Western European? That gives the impression that Jewish people are still marginalised in media, even if they are overrepresented in media, and generally more affluent, interconnected, and educated than those non-Jewish counterparts. Why do Jewish people go out of their way to appeal to racist audiences, and in the process erase their own Jewishness.

Maybe it is because the Hollywood Jewry isn’t actually Jewish. Nothing about their jobs or their behaviours embodies the Jewish religion. Most people in Hollywood in general consider themselves as nonreligious, yet that too, might be an influence of a markedly Jewish trait. Non-Christians in the United States are much more likely to turn to atheism and agnosticism on the one hand or fanatical extremism, likely due to being outcast by the mainstream Protestant dialogue, with liberal Jewish people often going agnostic and conservative Catholics often going supercharged while Muslims live on somewhere off in the shadows of public perception.

Yet nonreligious Jewish people still identify as Jewish, separating the religion of Judaism from the ethnic mark. Faith has nothing to do with appearance, and appearance is the base of antisemitism. Enter non-Jewish-looking Jewish people, usually women with heat-flattened hair, like Netali Hershlag and Gal Greenstein Godot. That is not to say they don’t look Jewish, as in an equal measure they all do and at the same time no one does, since what a Jewish person “looks like” is a narrow heuristic based on problematic cultural expectation. That is not to say they are or aren’t Jewish. But are Jewish people like Natalie Portman being forced to conform to racist society, or are they jumping on the bandwagon of racist society and using it to their advantage? Is there actually a difference between the two?

There is a deeper question lying beneath the surface here: The questions of “Jewish complicity in racism?,” “Jewish participation in neo-Nazism?,” and “If ‘Jew’ is a ‘race’ and ‘White’ is a ‘race’ then why are there ‘White’ and ‘non-White’ Jews?,” which other people have asked before. This article is not to address those questions, but they are acknowledged.

Certainly, there are some Jewish people who attach themselves to racist tendencies and Hitlerite habits out of personal advantage in the racist countries in which they might live. In this narrative, the notional collaborator Jewish community would blame the Europeans for racism and cast themselves as convenient survivors. That is not a uniquely Jewish trait, it is a flawed human trait, bystanderism, which defies religious teachings. Why there is such a prevalence among rich, secular Jewish people, of racism mixed with liberalism, is a concern. It could be as simple that, at a certain point, the trait “rich” might start to cancel out the trait “religious.” Old guard antisemites would be unforgiving regarding hatred towards ‘ethnic Judaism,’ and contemporary racist sentiments would reject Jewish people from the points of heritage and beliefs, but it is not immediately clear if Western neo-Nazis would target non-religious Jewish people who, quote, “pass” as Euro-Christians.

If Ashkenazim, Sephardim, and Mizrahim join Western cultures, ideals, and appearances while abandoning the Jewish religion, are they functionally Jewish at all? In the absence of different brands of generational antisemitism, what is holding back an atheist Ashkenazi from becoming a Nazi themself? The Jewish community and Israel critics have been ablaze with debate about the Eurocentric, Ashkenazim-focused account of Judaism in the West, drawing attention to the issue of inter-Jewish racism and inequality among the diaspora of the Jewish faithful. This question is debated separately for Jewish communities because unity is their faith. Followers of Christianity have always cut one another down over heresies and infidelities, but discourse and diversity have defined the post-Rabbinic tradition. The notion of one Jewish diaspora being more powerful than another, based not even on secularism such as in Christianity, but based solely on racism and adjacency to Christian empires, causes non-Ashkenazi Jewish communities to question that proximity in values and appearance Western Ashkenazi populations have with the goyish counterparts. Even the terms Ashkenazi and Mizrahi have taken fundamentally racist connotations, particularly in the advent of Zionism, to separate the ‘European Jewish’ from the ‘Arabian Jewish,’ in a kind of wartime apartheid of academia; a conflict emblematic of larger paradoxes in modern Israel.

This is not the focus of this article. Obviously, Jewish people living in Western Europe and urban America are more “Western” than people who live somewhere else. And obviously, Western nations have a serious and prolonged issue with racism. However, welding those two facts together, then conflating them with Judaism in some sense, would be a mistake.

There are some racist people in Hollywood who identify as, or are identified as, Jewish. That is not the question. The question is: How does the concept of cultural appropriation contribute to that complex dynamic, of conformity and exploitation in Hollywood, even amongst the big names?

This all comes back to the perceptual balance of power. Just as the term cultural appropriation is defined as a group being in a oppressive position and exploiting something that that group itself has made derogatory.

Is Netali Hershlag appropriating Western culture? In a way, yes. As a rich, powerful Jewish actress, she could hardly be said to be put at a disadvantage to Keira Knightly (Harvard versus dropout, remember), or the millions of aspiring brown-haired actresses who are shunned from Hollywood castings. And yet, she decides to look more like them. Obviously, as an ordinary woman herself, she has been victim to the usual sexism and obsessive demands of producers and directors concerning appearances, but that is hardly so say she is a victim. At any moment, she could deign to take a different part or produce her own movies (I would balk to call them films), rather than be typecast as the sexy and innocent girl-next-door. She lives the life of the good Jewish, girl, but never takes on those types of roles, opting instead for Princess Amidala, ballerina Nina Sayers, valley girl Elle Woods, comic book Jane Foster, or Englishwoman Anne Boleyn. Hershlag could at any moment leave acting to climb the ladder a Harvard A.B. clears the way for. How could Harvard Law School, or subsequently the California Democratic caucus, say no? Who wouldn’t pay for a doctor’s visit with the woman from V For Vendetta?

This is not to say that Jewish people are appropriating or imposing themselves upon Westerners, but it is to say that there is a distinct group of Jewish people who draw from Western or Hitlerite practices while entirely avoiding ‘Juden-haus’ or ‘Euro-trash’ rhetoric that hampers people on both sides of the racist conflict. Portman is Netali’s grandmother’s name, so she does have some kind of loose claim to it, if her cousins are still go by that name and she is close with them, while Natalie is a form of the name Neta-Li, and plenty if not most actors use stage names. Many people do racist or questionable things because they are in fashion. But altogether, one must ask the question why the self ascribed curly-haired Netali Hershlag is appearing is French wig and makeup commercials. Is it raw, unidealistic money? Is it Maybelline? Or it is fake hair, fake lashes, and a fake identity?

Natalie Portman is hardly an inspiring figure for women, playing roles subservient to men, often murdered by her lovers or terribly afflicted herself. This is true in Star Wars, Black Swan, Thor, V For Vendetta, and when she played the wife of wife-killer Henry VIII. Where is the liberty in being bedded by an uxoricidal maniac, be it a tired British period piece, or the obsessive Anakin Skywalker? Body modification of any type is not the product or respect or exchange, and can only be looked down upon as unnecessary and insecure. Acting is lying, but that does not mean the actress must change their looks or change their self to read some lines to a camera.

#Natalie Portman #Hollywood #Judaism #Cultural Appropriation #Star Wars

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nouveauweird · 4 years

Text

A Short Essay on Metaphor by Ocean Vuong

The following is a transcription of the instagram stories shared by Ocean Vuong on the subject of metaphor, which I found quite moving, and hope others can take something valuable from it as well. You can find the originals on his instagram highlights.

Each paragraph below is transcribed from one instagram story slide.

[ The first part is Vuong’s answer to the initial question that sparked the discussion, he went on to elaborate some more, but in his longer discussion several days later he reused some of the same examples so I will only be featuring the longer, 25 slide, “mini essay”. ]

QUESTION: How do you make sure your metaphors have real depth?

VUONG: metaphors should have two things: sensory (visual, texture, sound, etc) connector between origin image and the transforming image as well as a clear logical connector between images if you only have one of either, best to forego the metaphor. otherwise it will seem forced or read like “writing” if that makes sense.

[ elaborated discussion ]

I’ve gotten so many responses from folks the the past few days asking for a deeper dive into my personal theory on metaphor. So I’m taking a moment here to do a more in-depth mini essay since my answer the Q/A the other day was off the cuff (I was typing while walking to my hair cut appointment). What I’m proposing, of course, is merely a THEORY, not a gospel, so please take whatever is useful to you and ignore what isn’t. ...

Before I begin I want to encourage everyone to forge your own theories and praxis for your work, especially if you’re a BIPOC artist. Often we are perceived by established powers as merely “performers” suitable for a (brief) stint on stage-- but not thinkers and creators with our own autonomy, intelligence, and capacity to question the framework in our fields.

It is not lost on me as a yellow body in America, with the false connotations therein, where I’m often seen as diminutive, quiet, accommodating, agreeable, submissive, that I am not expected to think against the grain, to have my own theories on how I practice my art and my life. I became a writer knowing I am entering a field (fine arts) where there are few faces like my own (and with many missing), a field where we are expected to succeed only when we pick up a violin or a cello in order to serve Euro-Centric “masterpieces”. For so long, to be an Asian American “prodigy” in art was to be a fine-tuned instrument for Mozart, Bach, and Beethoven.

It is no surprise, then, that if you, as a BIPOC artist, dare to come up with your own ideas, to say “no” to what they shove/have been shoving down your throat for so long, you will be infantilized, seen as foolish, moronic, stupid, disobedient, uneducated and untamed. Because it means the instrument that was once in service of their “work” has now begun to speak, has decided, despite being inconceivable to them, to sing its own songs. I want you, I need you, to sing with me. I want to hear what you sound like when it’s just us, and you sound so much like yourself that I recognize you even in the darkest rooms, even when I recognize nothing else. And I know your name is “little brother” or “big sister” or “light beam,” or “my-echo-returned-to-me-intact.” And I smile. In the dark I smile.

Art has no rules-- yes-- but it does have methods, which vary for each individual. the following are some of my own methods and how I came to them. I’m very happy y’all are so into figurative language! It’s my favorite literary device because it reveals a second IDEA behind an object or abstraction via comparison. When done well, it creates what I call the “DNA of seeing.” That is, a strong metaphor “Greek for “to carry over”) can enact the autobiography of sight. For example, what does it say about a person who sees the stars in the night sky-- as exit wounds? What does it say about their history, their worldview, their relationship to beauty and violence? All this can be garnered in the metaphor itself-- without context-- when the comparative elements have strong multifaceted bonds. How we see the world reveals who we are. And metaphors explicate that sight.

My personal feeling is that the strongest metaphors do not require context for clarity. However, this does not mean that weaker metaphors that DO require context are useless or wrong. Weak metaphors use context to achieve CLARITY. Strong metaphors use context to SUPPORT what’s already clear. BOTH are viable in ANY literary text. But for the sake of this deeper exploration into metaphors and their gradients, I will attempt to identify the latter.

I feel it is important for a writer to understand the STRENGTS of the devices they use, even when WEAKER versions of said devices can achieve the same goal via different means. Sometimes we want a life raft, sometimes we want a steam boat-- but we should know which is which (for us). My focus then, will be specifically the ornamental or overt metaphor. That is, metaphors that occur inside the line-- as opposed to conceptual, thematic, extended metaphors, or Homeric simile (which is a whole different animal).

My thinking here begins with the (debated) theory that similes reside under metaphors. That is, (non-Homeric) similes, behave cognitively, like metaphors. This DOES NOT mean that similes do not matter (far from it), as we’ll see later on, but that the compared elements, once read, begin to merge in the mind, resulting in a metaphoric OCCURENCE via a simileac vehicle.

This thinking is not entirely my own, but one informed by my interest in Phenomenology. Founded by Edmund Husserl in the early 20th century and later expanded by Heidegger, Phenomenology is, in short, interested in how objects or phenomena are perceived in the mind, which renewed interest in subjectivity across Europe, as opposed to the Enlightenment’s quest for ultimate, finite truths. By the time Husserl “discovered” this, however, Tibetan Buddhists scholars have already been practicing Phenomenology as something called Lojong, or “mind training”, for over half a millennia.

Whereas Husserl believes, in part, that a finite truth does exist but that the myopic nature of human perception hinders us from seeing all of it, Tibetan Lojong purports that no finite “truth” exists at all. In Lojong, the world and its objects are pure perception. That is, a fly looks at a tree and sees, due to its compound eyes, hundreds of trees, while we see only one. For Buddhists, neither fly nor human is “correct” because a fixed truth is not present. Reality is only real according to one’s bodily medium.

I’m keenly interested in Lojong’s approach because it inheritably advocates for an anti-colonial gaze of the world. If objects in the real are not tenable, there is no reason they should be captured, conquered or pillaged. In other words, we are in a “simulation” and because there is no true gain in acquiring something that is only an illusion, it is better to observe and learn from phenomena as guests passing through this world with respect to things-- rather than to possess them.

The reason I bring this up is because Buddhist philosophy is the main influence of 8th century Chinese and 15th-17th century Japanese poetics, which fundamentally inform my understanding of metaphor. While I appreciate Aristotle’s take on metaphor and rhetoric in his Poetics, particularly his thesis that strong metaphors move from species to genus, it is not a robust influence on my thinking. After all, like sex and water, metaphors have been enjoyed by humans across the world long before Aristotle-- and evidently long after. In fact, Buddhist teachings, which widely employ metaphor and analogy, predates Aristotle by roughly 150 years.

Now, to better see how Buddhist Phenomenology informs the transformation of images into metaphor, let’s look at this poem by Moritake. “The fallen blossom flies back to its branch. No, a butterfly.” When considering (western-dominated) discourse surrounding analogues using “like” or “is”, is this image a metaphor or a simile? It is technically neither. The construction of this poem does not employ metaphor or simile. And yet, to my eye, a metaphor, although not present, does indeed HAPPEN.

What’s more, the poem, which is essentially a single metaphor, is complete. No further context is needed for its clarity. If context is needed for a metaphor, then the metaphor is (IMO) weak-- but that doesn’t mean the writing, as a whole, is bad. Weak metaphors and good context bring us home safe and sound. Okay, so what is happening here? By the time I read “butterfly,” my mind corrects the blossom so that the latter image retroactively changes/informs the former. We see the blossom float up, then re-see it as a butterfly. The metaphoric figuration is complete with or without “like” or “is”.

Buddhism explains this by saying that, although a text IS thought, it does not THINK. We, the readers, must think upon it. The text, then, only curates thinking. Words, in this way, begin on the page but LIVE in the mind which, due to limited and subjective scope of human perception, shift seemingly fixed elements into something entirely new. The key here is proximity. Similes provide buffers to mediate impact between two elements, but they do not rule over how images coincide upon reading. One the page, text is fossil; in the mind, text is life.

Nearly 5000 years after Maritake, Ezra Pound, via Fenolosa, reads Maritake’s poem and writes what becomes the seminal poem on Imagism in 1912, which was subsequently highly influential to early Modernists: “The apparition of these faces in the crowd: Petals on a wet, black bough.” Like Maritake, Pound’s poem technically has no metaphor or simile. However, he adds the vital colon after “crowd,” which arguably works as an “equal sign”, thereby implying metaphor. But the reason why he did not use “are” or “is” is telling.

Pound understood, like Maritake, that the metaphor would occur in the mind, regardless of connecting verbiage due to the images’ close proximity. We would come to know this as “association”. Even if the colon was replaced by the word “like,” the transformation, though a bit slower, would still occur. In fact, when I first studied Pound years ago, I had trouble recalling whether this poem was fashioned as a simile or not-- mainly because the faces change to fully into blossoms each time I try to recall the poem.

Now let’s look at a simile that, to me, metaphorizes in the same way as the examples above, in [a] line ... from Eduardo C. Corral: “Jade moss on the tree intensifies, like applause.” The origin/tenor image (moss) is connected to the transforming element (applause). This metaphor suggests, not an optical relationship, but a BEHAVIORAL one. Both moss and applause are MASSES that accumulate via singularities: grains of moss and pairs of hands clapping to form a larger whole.

By comparing these two, Corral successfully suggests that moss grows at the RATE of applause, creating a masterful time lapse effect. Applause speeds up the moss growth, connoting rejuvenation, joy and refreshment. That something as mundane as moss deserves, even earns, jubilance, also offers a potent statement of alterity, that the smallest flourishing deserves celebration, which in turn suggests a subtle yet powerful political critique of hegemony. The poet, through the metaphor, has recalibrated the traditional modes of value placed on the object (moss). And no other context is needed for that.

You might disagree, but when I read Corral’s line, I don’t SEE an audience clapping BESIDE the moss. I see moss growing quickly to the sound of clapping. Although the simile is employed, the fusion of both elements completes the action in my mind’s eye. Like Maritake and Pound, metaphor has OCCURRED here-- but without “metaphor”. HOWEVER, the simile is still VITAL. Why?

Because the transforming element is abstract (applause) and looks nothing like moss. We don’t want moss to BE applause, we want the nature of applause to inform, imbue, moss. The line, I feel, would be quite poor if it was formed sans simile: “Jade moss is applause on the tree.” The “is” forces transposition, which is here akin to slamming two things together without mediation. We also lose the comparison of behavior, and are asked to see that moss BECOME applause, which doesn’t have the same meaning as the original. So, although the simile fuses into metaphor (via association) in the mind, such a metaphor would NOT have been possible without the simile. Similes matter greatly-- as tools towards metaphor. Why? Because (thank god) our minds are free to roam.

To summarize, one of the central strategies (and, to an extent, purposes) of the Japanese Haiku is to juxtapose two elements to test their synergy. This impulse is grounded in Shinto and Buddhist concepts of impermanence and structural malleability. That is, all things, even ideas and images, are subject to constant change-- and such change is the most pervasive nature of perception.

The Haiku then becomes the perfect medium to test such changes. This principle is of central importance to me because it is rooted in non-dualistic (or non-binary) thinking. The poem becomes the theatre in which fixed elements can be transformed, their borders subject to being dissolved, shifting towards something entirely new-- to “create”, which is the Greek root to the word “poet”. The metaphor, then, is more like a chemical, whose elements (like hydrogen and oxygen), placed side by side, becomes water. In this way, Buddhism’s influence on my work and, specifically, my use and understanding of metaphor, is a foundational QUEER praxis for alterity.

The reason why I emphasize the malleability of simile’s impact is that, although syntax and diction can aide a metaphor towards its more luminous embodiment, the ultimate key to its success is you, the observer. YOU have look deeply and find lasting relationships between things in a disparate world. In this sense, the practice of metaphor is also, I believe, the practice of compassion. How do I study a thing so that I might add to its life by introducing it to something else? At its best, the metaphor is what we, as a species, have always done, at OUR best: which is to point at something or someone so different from us, so far from our own origins and say, “Yes, there IS a bond between us. And if I work long enough, hard enough, I can prove it to you-- with this thing called language, this thing that weighs nothing but means everything to me.”

In the end, it is less about how you set up your metaphors (you will eventually find a way that suits it and you) but more about how you recognize your world. THAT is not easy to teach-- it comes with patient practice, with a committed wonder for a world that at times might be too painful to look at. But you must and you should. Good metaphors, in the end, come from writers who are committed to looking beyond what is already there, towards another possibility. This calls that you see your life and your work as inexhaustible sites of discovery, and that you tend to them with care. That’s it. That’s the true secret to a strong metaphor: care.

Lastly, I want to recommend the work of BIPOC poet and theorist, Thylias Moss, who discovered the Limited Fork Theory, a theory which suggests that the mind engages with the world, and especially with ideas, including text and art, the way the tines of a fork engage with a plate of food. That is, only so much can be held on the work/mind with each attempt to consume, and that no “work” can be possessed in its entirety, which I find happily congruent with Lojong. What a wonderful anti-imperialist and forgiving way to engage with our planet and its phenomena. Thank you, Mrs. Moss!

And thank YOU for sticking around through my little seminar. I hope this has been helpful. Again, this is just my 2(5) cents! Now I’m going to sleep for four days. In the meantime, me-ta-phors be with you. [concludes with a pixel gif of Obiwan Kenobi with a blue light saber]

#writeblr #poetry #writing community #metaphor #amwriting #ocean vuong #my posts.#long post.#( i thought his quote of 'like applause' said applesauce )

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ladiesofmarvelbingo · 3 years

Photo

Week 32 to the end of Round 2! (If we missed anything do let us know!)

Title: All It Takes Content Creator(s): GaeilgeRua Square(s) Filled: N4 - AU: Fairytale Rating: General Pairing(s): Darcy Lewis/T’Challa Content Warning(s): Alternate Universe, Cinderella Elements Summary: Darcy’s life is about to change. All thanks to one rainy night and a single red shoe. Link: AO3

Title: A Relaxing Night In Content Creator(s): articcat621 Square(s) Filled: M3 - Free Space Rating: Teen+ Pairing(s): Hermione Granger/Darcy Lewis Content Warning(s): Not Canon Compliant, Massages, Crossover Summary: Darcy can tell that Hermione is over-stressed from work. She knows just what to do to set her girlfriend's mind at ease. Link: AO3

Title: there's nothing like this type of view Content Creator(s): Ellerigby13 Square(s) Filled: A3 - “Watching you beg on your knees.” Rating: Explicit Pairing(s): Ransom Drysdale/Darcy Lewis Content Warning(s): Crossover, Semi-Public Sex, Suicidal Thoughts, Explicit Sexual Content Summary: “You don’t dance,” someone declared from behind her - Darcy jolted a little bit, hating being snuck up on. He was tall, with the smooth kind of haircut, the crisp kind of cologne, the pressed kind of khaki shorts that all these guys dabbled in. Unlike many of them, though, he was built like a brick shithouse, broad shoulders and chest straining his light blue button-down. The thing he seemed to wear the most comfortably, though, was the unabashed smirk playing across his undeniably handsome face. Link: AO3

Title: In The Restaurant Content Creator(s): ibelieveinturtles Square(s) Filled: M3 - Free Space Rating: General Pairing(s): Jane Foster & Darcy Lewis, Darcy Lewis & Brock Rumlow, Darcy Lewis & James “Bucky” Barnes Content Warning(s): Lab Accidents, Explosions, Alternate Universe - Canon Divergence, Time Travel Summary: “Ladies and gentlemen, the Universe as we know it has now been in existence for over one hundred and seventy thousand million billion years and will be ending in a little over half an hour.” - Max Quordlepleen, The Restaurant At The End Of The Universe by Douglas Adams.

OR, there’s an explosion in the lab (again) and Darcy goes time travelling. This time, she’s not alone. Link: AO3

Title: Not So Quiet Content Creator(s): GaeilgeRua Square(s) Filled: O5 - Pillow Biting Rating: Explicit Pairing(s): James “Bucky” Barnes/Clint Barton/Natasha Romanov Content Warning(s): Alternate Universe, BDSM, Dom!Clint Barton, Switch!Bucky Barnes, Sub!Natasha Romanov Summary: Her lovers have no issues reminding her to not keep her pleasure to herself. Or giving her what she needs. Link: AO3

Title: Unhappy Partners Content Creator(s): periwinklepromise Square(s) Filled: O2 - Daisy Johnson/Wanda Maximoff Rating: Teen+ Pairing(s): Wanda Maximoff/Skye | Daisy Johnson Content Warning(s): Not Canon Compliant Summary: Things had been going well in their relationship, until ... well, maybe Daisy would have been happier not knowing. Link: AO3

Title: The Maze Stumbler Content Creator(s): ibelieveinturtles Square(s) Filled: O4 - Kidnapped Rating: Teen+ Pairing(s): James “Bucky” Barnes & Sam Wilson, James “Bucky” Barnes & Darcy Lewis, Darcy Lewis & Sam Wilson, James “Bucky” Barnes & Sam Wilson & Darcy Lewis Content Warning(s): Everybody Lives, Crack, Pre-Relationship Summary: Don’t drink Thor’s Asgardian booze. Ever. Link: AO3

Title: The Shock Of Waking Up Content Creator(s): periwinklepromise Square(s) Filled: O1 - AU: Dystopian Rating: Teen+ Pairing(s): Pietro Maximoff & Wanda Maximoff Content Warning(s): Alternate Universe - Firefly Fusion, Hurt Wanda Maximoff Summary: Steve froze, staring down at the young woman curled up in the crate. This day had gone from bad to worse, and he wanted just one moment to ponder on that.

And then she woke up and started screaming. Link: AO3

Title: Not A Lot Of Options Content Creator(s): periwinklepromise Square(s) Filled: W1 - Arranged Marriage Rating: General Pairing(s): Wanda Maximoff/Tony Stark Content Warning(s): Post-Avengers: Age of Ultron (Movie), Hate at First Sight, Arranged Marriage, Wanda Maximoff Has Issues Summary: “There isn't anyone else.” “Of course there is!” Link: AO3

Title: body language Content Creator(s): Ellerigby13 Square(s) Filled: L3 - Hope Van Dyne/Natasha Romanoff Rating: Teen+ Pairing(s): Natasha Romanov/Hope Van Dyne Content Warning(s): Fade to Black, Pining, Flirting, Sparring Summary: For some reason, Hope’s eye kept catching on the droplets of sweat glistening against Natasha’s skin.

Well, Hope was perfectly aware of the reason she kept looking at Natasha, but she wasn’t going to admit to it anytime soon. Not out loud, at least. Link: AO3

Title: The Bath of Venus Content Creator(s): remreader Square(s) Filled: M3 - Free Space Rating: Teen+ Pairing(s): Pepper Potts/Tony Stark Content Warning(s): Fluff and Humor, Bubble Bath Summary: Pepper takes a bubble bath and Tony develops an appreciation for fine art. Link: AO3

Title: Bringing Work Home Content Creator(s): Gavilan Square(s) Filled: N5 - "You own my heart." Rating: Explicit Pairing(s): Peggy Carter/Daniel Sousa Content Warning(s): Oral Sex, Vaginal Sex, Flirting, Established Relationship, Domestic Fluff, Domestic Smut, Post-Canon Summary: Bringing work home is better than staying in the office all evening, but it does have some... distractions. Link: AO3

Title: Stripped Content Creator(s): The_Alias (Artemis_Day) Square(s) Filled: M3 - Free Space Rating: Mature Pairing(s): James “Bucky” Barnes/Jane Foster Content Warning(s): Alternate Universe - Stripper/Exotic Dancer, Stripper!Bucky, Fluff and Humor Summary: Bucky thought it would be a normal job. Then he ends up at his crush’s front door ready to strip for her. This really isn’t his night. Link: AO3

Title: A Gentleman Content Creator(s): The_Alias (Artemis_Day) Square(s) Filled: N5 - AU: Historical Rating: Teen+ Pairing(s): Darcy Lewis/Steve Rogers Content Warning(s): Alternate Universe - Historical, Alternate Universe - Western, Bar Fights Summary: Darcy's mother always told her to stay away from cowpoke and find a gentleman. She should've thought of that before getting a job at the saloon. Link: AO3

Title: Fan Preferred Content Creator(s): The_Alias (Artemis_Day) Square(s) Filled: W1 - Mistaken for a Couple Rating: Teen+ Pairing(s): Jane Foster/Loki Content Warning(s): Denial of Feelings, Mutual Pining, 5+1 Things, Fluff and Humor Summary: The first time someone suggested Loki and Jane were a couple, it was a fan. This was also the first time Jane realized she had fans.

Or: Five times someone thought Loki and Jane were a couple, and one time they were right. Link: AO3

Title: Like Emptiness and Harmony Content Creator(s): remreader Square(s) Filled: M5 - Insomnia Rating: General Pairing(s): Pepper Potts/Tony Stark Content Warning(s): Post-Traumatic Stress Disorder - PTSD, Tony’s Space Trauma, Tony Stark Needs a Hug, Mild Hurt/Comfort Summary: Tony may be back on Earth, but he's still trying to find his way home. Luckily, he doesn't have to do it alone. Link: AO3

Title: Ghost and Shadow Content Creator(s): ibelieveinturtles Square(s) Filled: M2 - Ava Starr Rating: General Pairing(s): Ava Starr & Okoye Content Warning(s): Crossover, Pre-Pitch Black Summary: Ava and Okoye are looking for someone - they find him but are they too late? Link: AO3

Title: the best babysitters Content Creator(s): eachpeachpearplum Square(s) Filled: N3 - Found Family Rating: General Pairing(s): N/A Content Warning(s): N/A Summary: Howard and Maria are, as ever, too busy to look after their son. Luckily, Tony has the best godparents in the world. A day at the park is just what they all need. Link: Tumblr

Title: N/A Content Creator(s): nivellesart Square(s) Filled: O2 - Hope Van Dyne Rating: Not Rated Pairing(s): N/A Content Warning(s): N/A Summary: N/A Link: Tumblr

Title: It’s A Start Content Creator(s): nicnac Square(s) Filled: W1 - Magical Accidents Rating: Teen+ Pairing(s): Wanda Maximoff/Reader Content Warning(s): None Summary: After an accident causes the reader to take Wanda’s powers, the pair work together to train and build enough control to return her magic. However, it’s a steep learning curve and not everything goes quite to plan. Link: Tumblr

Title: Tell Me What To Do Content Creator(s): nicnac Square(s) Filled: W2 - Carol Danvers Rating: Teen+ Pairing(s): Carol Danvers/Reader Content Warning(s): Angst, Post-Endgame/Blip, Break Up, Sad Feelings, No Happy Ending Summary: The reader scavenges alien tech and fallen space debris. When they follow up on a recent job, they see Carol for the first time in over five years and painful feelings re-emerge. Link: Tumblr

Title: burnt to a crisp Content Creator(s): queen-of-the-avengers Square(s) Filled: ?? - “Why are you orange?” Rating: Not Rated Pairing(s): Jane Foster/Reader Content Warning(s): Sunburn, Fluff Summary: N/A Link: Tumblr

Title: Yes, Mistress: The Meeting Content Creator(s): nicnac Square(s) Filled: E5 - Trust Rating: Mature Pairing(s): Natasha Romanov/Female Reader Content Warning(s): D/S Relationship, Sexual Themes, Domme!Natasha Romanov, F!Sub Reader Summary: The reader goes to a quiet café to meet Mistress Natasha in person for the first time and they talk through what she can expect from this new relationship. Link: Tumblr

Title: succumb to your urges Content Creator(s): queen-of-the-avengers Square(s) Filled: M3 (?) - Free Space Rating: Not Rated Pairing(s): Natasha Romanov/Reader Content Warning(s): Fluff, Implied Smut Summary: Every thought you have is of Natasha, and it’s starting to interfere with your missions and your job. How can you get her out of your head? More importantly, does she know? Link: AO3

Title: Sharon Carter, Agent Thirteen Content Creator(s): ibelieveinturtles Square(s) Filled: E4 - Comic Panel of Sharon Carter Rating: General Pairing(s): N/A Content Warning(s): Moodboard, Crossover, Sherman's Gallifreyan, Gallifreyan Writing, Doctor Who Summary: N/A Link: Tumblr

Title: small world Content Creator(s): queen-of-the-avengers Square(s) Filled: ?? - AU: No Powers Rating: Not Rated Pairing(s): Wanda Maximoff/Female Reader Content Warning(s): Fluff Summary: While waiting for your flight to arrive, you watch one of your favorite shows to pass the time. Little do you know, you have someone watching you who just so happens to love the same show. Link: Tumblr

Title: i’m not the same Content Creator(s): that-wimpy-cowboy-doll Square(s) Filled: L4 - AU: Post-apocalyptic Rating: N/A Pairing(s): James “Bucky” Barnes/Ava Starr Content Warning(s): N/A Summary: Fallout 4 AU. A former Raider and before that, Vault Dweller, Ava Starr begins working with the Railroad to help synths escape from the Institute. Bucky, a synth with missing bits of memory and a chip on his shoulder trying to dig up the history of his namesake in Brooklyn, makes an impression. Link: Tumblr

Title: Pepperony’s 12 Days of Christmas Content Creator(s): rebelmeg Square(s) Filled: W1 - Twelve Days of Christmas Rating: General Pairing(s): Pepper Potts/Tony Stark Content Warning(s): Moodboard, Some Angsty Movie Screenshots, Happy Endings Only Summary: A themed moodboard story of Pepperony’s 12 Days of Christmas. Link: Tumblr

Title: Wanda Maximoff Content Creator(s): ibelieveinturtles Square(s) Filled: O2 - Comic Panel of Wanda Maximoff Rating: General Pairing(s): N/A Content Warning(s): Gallifreyan Writing, Sherman’s Gallifreyan Art, Graphics Summary: I used Gimp to make the Gallifreyan writing, Inkscape for the background, and the collage was done using PicsArt. Link: Tumblr

Title: Stitch ‘n’ Sip Content Creator(s): ibelieveinturtles Square(s) Filled: O3 - AU: coffee shop Rating: General Pairing(s): N/A Content Warning(s): Alternate Universe - Coffee Shop, Knitting Summary: Where Darcy owns a combined coffee and yarn shop, The Stitch 'n’ Sip. Link: Tumblr

Title: Stay Content Creator(s): rebelmeg Square(s) Filled: N5 - Bucky/Nat Comic Panel Rating: General Pairing(s): James “Bucky” Barnes/Natasha Romanov Content Warning(s): Moodboard, Implied Hydra/Red Room History Summary: BuckyNat moodboard of their past, present, and hinted plans for a future. Link: Tumblr

Title: Ghost and Shadow (moodboard 1) Content Creator(s): ibelieveinturtles Square(s) Filled: E3 - Crossover Rating: General Pairing(s): N/A Content Warning(s): Crossover, Chronicles of Riddick - Pitch Black, Moodboard Summary: Ava and Okoye are now onboard the Hunter-Gratzner but they have no idea what’s in store for them. When the ship crashes, they find themselves stranded on a desert planet with a motley crew of survivors.

Their first priority is to activate their emergency beacon and send a distress call. Will help arrive before disaster falls? Link: Tumblr

Title: Survuval (Ghost and Shadow moodboard 2) Content Creator(s): ibelieveinturtles Square(s) Filled: M1- AU: Bodyguard Rating: General Pairing(s): N/A Content Warning(s): Crossover, Chronicles of Riddick - Pitch Black, Moodboard Summary: The onset of the eclipse threatens the fragile coherence of the group. As they race for a way off the planet, all Ava and Okoye can do is keep as many people alive as possible and hope their rescue wagon arrives sooner rather than later. Link: Tumblr

Title: Higher, Further, Faster, Forever Content Creator(s): Gavilan Square(s) Filled: M5 - Happily Ever After Rating: General Pairing(s): Carol Danvers/Maria Rambeau Content Warning(s): Picture of Food (Cupcakes) Summary: Carol and Maria affirm their love in a star-filled wedding. Link: Tumblr

Title: Midnight Visitor Content Creator(s): rebelmeg Square(s) Filled: M5 - “You see that child staring at me too?” Rating: General Pairing(s): Pepper Potts/Tony Stark Content Warning(s): Iron Family, Drabble Summary: Tony and Pepper have a wee nighttime visitor. Link: AO3

Title: Devastated Content Creator(s): rebelmeg Square(s) Filled: E4 - Comic Panel of Carol and Rhodey kissing Rating: General Pairing(s): Carol Danvers & Tony Stark, Carol Danvers/James “Rhodey” Rhodes Content Warning(s): Amnesia, Past Relationships, Angst, Drabble Summary: Carol brings back the Xorrian elixir for Tony, and finds out another part of her past she’d forgotten. A friendship and a relationship she’d forgotten. Link: AO3

Title: The High Castle Content Creator(s): ibelieveinturtles Square(s) Filled: O1 - Dragons Rating: General Pairing(s): Darcy Lewis/Brock Rumlow Content Warning(s): Dragons, Alternate Universe - Fantasy, Alternate Universe - Reincarnation, Alternate Universe - Soulmates Summary: a moodboard as per the description above Link: Tumblr

Title: Nebula Content Creator(s): ibelieveinturtles Square(s) Filled: N1 - Picture of Nebula from GOTG Rating: General Pairing(s): N/a Content Warning(s): Moodboard Summary: a collage of Nebula Link: Tumblr

Title: Red Sunflower Content Creator(s): jayankles Square(s) Filled: ?? - Baking Rating: Not Rated Pairing(s): Wanda Macimoff/Reader Content Warning(s): Food Summary: Wanda tries to bake for a busy Y/N but when she realises she has messed up a few times, Wanda takes her to their favourite coffee shop. Link: Tumblr

Title: Start Caring Content Creator(s): jayankles Square(s) Filled: ?? - “You saved a piece of cake for me?” Rating: Not Rated Pairing(s): Carol Danvers/Reader Content Warning(s): None Summary: Something feels off but Carol is there to make sure you feel better Link: Tumblr

#round ups

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itsuki-minamy · 4 years

Text

“K - THE FIRST STORY”

CHAPTER 4: BLACK OR WHITE (Part 2)

* K - The First Story (List of Chapters) * Projects & Chapters

Translation: Naru-kun Raws: Ridia

Inside the lunch box, alongside the white rice, the colorful and well-balanced garnishes are well packaged. The boy thinks it's like being full of "happiness".

The boy loves it because it looks like the treasure chest with an unbalanced brown lunch that is filled with "special" items like meat and fried foods that are always blessed with recommended side dishes. However, he was impressed by the desperate lunch that Kuro prepared as a harmonious world.

From the lunch box, the boy takes a plump, beautiful yellow egg with chopsticks and puts it in his mouth. The sweetness spread through his mouth. He asked Kuro to do it yesterday, the rolled egg was delicious too, but the sweet flavored egg grill is good too.

While trying with a smile, he heard a clear voice next to him.

"Shiro has his own lunch with side dishes!"

Kukuri opened her eyes and looked towards the shrine that surrounded the lunch box with Kuro and Neko in the coffee shop. For whatever reason, he have two lunches on his hands.

He decided to advance through school with his own face, saying he was a "transfer student."

This school is located on an island, isolated from the outside, and basically he cannot enter the site without a pass. However, probably because they were relieved by safety, the people on the school island were enthusiastic about the safety aspect. Even the seemingly suspicious Kuro and Neko are accepted as "I'm a school person because I'm here with a natural face."

By the way, he managed to calm down Neko, who doesn't like clothes, and put her in the Ashinaka school girls uniform (when the boy praised Neko in uniform like "cute!) However, Kuro is still in his uniform. Also, even though he had a sword on his waist, the people around him naturally accepted Kuro's existence, probably because the boy was with him.

Kukuri looked at the contents of the boy's lunch box with a surprised look, and the boy put his hand on his cheek.

"This time it is my beloved wife's lunch."

"If you just say stupid things, I'll stick my tongue out at you."

Kuro draws his sword threatening to cut off the boy's tongue.

As for Neko, he has already eaten Kuro's lunch, and she looks at Kukuri's lunch and makes a voice that waits, "Are you hungry?" Kukuri opened the lunch box and asked, "Do you want to eat?" She opened the lunch box, but for some reason there was no main food, such as fried or roasted salmon, and various kinds of vegetable side dishes such as slow-cooked dishes, salads, and hot vegetables were packed in the lunch box. She wonders if she is on a diet.

Despite the interaction between Kukuri and Neko, the boy looks towards a PDA.

"Oh, what's up? It's different from the school's designated PDA."

Kukuri said, paying attention to the boy's PDA.

The boy's PDA has disappeared, therefore he borrows Kuro's. By the way, a handmade plush doll hangs from Kuro's PDA. When he told him that he thought it was a hobby that did not suit his face, it seems that it is a doll that he made himself, imitating the appearance of Miwa Ichigen, and from there he began to sigh the story of how wonderful Ichigen was. So sorry to ask. Frankly speaking, Kuro's emotion when he talks about "Ichigen" is very disgusting.

The boy squeezed Kuro's PDA and made another comment.

"It's from my wife."

"Do you really want to separate yourself from your tongue?"

Kuro draws his sword again threatening to cut off his tongue. He's not sure if he's unexpectedly good or if he's really mad, because he can't even pull a joke, but his reaction when he hit him is a bit funny.

After a little tantrum, Kuro regains his mind and turns to the boy looking at the PDA.

"Did you find out something?"

"No, it is an unclear image..."

What the boy sees on Kuro's PDA is that video of a person, who looks exactly like the boy, killing a person.

This was transferred from his classmate Mishina. He said he found this video on a website. With the curiosity and drive of a healthy high school boy, Mishina is good at watching erotic videos and images, avoiding the security restrictions placed on school-designated PDAs. Some of his classmates also have part of the videos that Mishina found. Yesterday, Mishina intercepted the boy in an uncrowded corridor and told him a secret story: "I found a bad video yesterday."

Although the boy does not have a young and perky sex drive like Mishina, he looks at Mishina's PDA with the feeling of "Well, if he wants to show it, I can't wait to see it." But, it was not an erotic video.

It is the video of a murder that was shown on a huge monitor in Shizume.

However, Mishina believed that this video was false. It seems to be treated like a naughty video even on the net. However, the criminal's face looked exactly like the boy, so he became interesting and came to show him.

Mishina laughed mockingly, saying, "If you did something wrong, should you be selfish?"

In fact, the boy cannot tell if it is a fake video. But if the person was actually killed and this was false, it would probably mean that the real criminal had redesigned the footage to replace himself with the boy. However, this video was taken by the murderer himself, and from what the video looks like, it appears that it was taken with a retro camera rather than a PDA. The video itself is also owned by "Homura", whose partner is the murdered person. Could the criminal have tampered with the video? If that is not possible, is it the crime of a person with the appearance of the boy? Is that possible?

The doubts have no end, but what the boy must do is not pursue the truth, but prove his innocence.

The boy never does. The boy who lives in the dormitory has rarely left Gakuenjima except to run errands these days.

The boy looks at the picture. It says "12.07 23:45". It's been a week. Of course, the boy does not remember leaving Gakuenjima at that time.

"Are you seeing it multiple times?"

Kukuri looks mysteriously at the boy's hands.

"Hmm, this is a mysterious video delivered by Mishina."

"Eh, Mishina-kun?"

Kukuri overreacted to Mishina's name. The cheeks are slightly tinted red. The boy suddenly remembered the incident that would save himself at Kukuri's appearance.

++++++++++

Fushimi snorted as he watched the scenes projected on the many monitors in the information room.

Each image in each location is displayed one after another on the monitor. Not only the city's surveillance cameras were collected and analyzed, but also all kinds of data such as personal camera images of PDAs and the content of private communications.

Knowledge of the system. As long as the system is up and running, there will be no privacy for the people of this country.

It was a system that prioritized investigations into people's human rights, which could be triggered by the special "Real Level" information disclosure request issued only in emergencies where an undetermined number of lives are in danger. Since the approval of the activation also requires the permission of the Prime Minister, the order of the "Golden King" Kokujoji Daikaku has also been obtained.

He doesn’t want to activate it to find a child.

Fushimi was alone in his heart and ironically distorted his mouth while looking at the private lives of strangers.

"It is quite a masterpiece."

"Help me if you have free time."

Awashima takes Fushimi's words as dislike without raising her eyebrows.

"I am not free."

Fushimi looks back at his desk and slides his finger over the keyboard.

On Fushimi's desk monitor, there was a video of the murder posted by "Homura." A bullet was fired into the roof of the Hirasaka building, in the Western District, at 11:45 p.m. on December 7.

Tatara Totsuka was not good for Fushimi. When he was in "Homura", even if he showed that he didn't like that Fushimi didn't get used to it, he didn't care and felt like he would stop him and see through the line that he really didn't want to step on. He saw it with his eyes. It was not good for those eyes.

He was a man of the opposite nature to Fushimi, and he always laughed with a face that everything he saw was funny.

"Totsuka-san, you are dead."

A whisper came from Fushimi's mouth.

Fushimi stared at the image of the man whose face was always smiling, falling on the concrete without force.

Suddenly something happened. Akiyama, who was doing the compilation work, called out to Awashima in a whispering voice, "Lieutenant Awashima!" The voice turned the eyes of everyone in the briefing room towards Akiyama.

There was a child on the monitor that Akiyama showed. The facial recognition matches the criminal boy that Fushimi just confirmed. Fushimi's expression also tightened slightly.

"Do you know where he is going?"

"Yes, please wait a moment."

Akiyama immediately responds to Awashima's question and runs his finger across the keyboard. Review the points on the web in chronological order. He was at the foot of a bridge where he is captured by Shizume's surveillance camera, an ordinary PDA camera trying to capture the confusion caused by "Homura's" people, and finally the boy.

A connecting bridge that spans from Tokyo Bay and leads to an artificial island. The boy goes over the bridge and enters the island. That was the last appearance of the boy found by "Yuishiki" (Wisdom).

Awashima looks at the map of the place where the boy was last seen.

"The Ashinaka school island?"

It is a gigantic school that is very independent and does not allow outsiders to enter easily, partly because the whole island is one site.

He hears Awashima mutter under her breath, saying it was troublesome.

++++++++++

Anna finally did.

Yata was running. Anger and fighting spirit burn the flames of the body. From that day on, he couldn't find a place to hit and was swirling in his stomach, turning Yata into a fiery bullet with the target he should be heading for now.

A motorcycle gets next to him and they run side by side, they seem to fly in the landscape around them. There was a huge body that he knew on the motorcycle.

"Yata-san! What's wrong?"

"Oh, Kamamoto! Very good, you are coming too!"

"Where you go?! What happened?!"

Yata looked down the road and told him to sharpen his eyes and growl.

"We're going to the school island."

"Gakuenjima? The school island in Tokyo Bay?"

"Just a moment ago, Anna's skill finally found out where it was!"

Kamamoto took a deep breath.

Anna is a member of the "Homura" clan, but has more power as a Strain than the power of fire. She has always been searching for the criminal's whereabouts with her sensitive ability.

It finally showed results.

Yata remembers the bar just before. Anna spread the map on the table and stared at the many red marbles rolling on it. Its responsiveness detects the criminal's signal, and the marbles move and gather towards a point on the map. Beneath the bright red marble is an artificial island in Tokyo Bay.

“Here.”, Anna's transparent voice said like a decree. The criminal is there.

Yata holds his hand tightly in his fist. That night, it was a hand holding a bloody body. This hand knows the cold body that fell on the rooftop in the middle of the night and the warmth of the blood that was spilled.

Yata gritted his back teeth tightly and said, "Kamamoto, take me." He put his hand on Kamamoto's shoulder and jumped into the back seat without slowing the skateboard propelled by his skill. At the same time, he kicked the skateboard and lift it to catch it in the air.

"Speed it up! I'm going to Gakuenjima to kill that damn guy!"

"Hey!"

Kamamoto twists the throttle grip to accelerate the motorcycle. Grasping Kamamoto's thick back, Yata puts his strength into his arm holding the skateboard.

"Wait, you fucking bastard!", he whispers into his mouth.

++++++++++

In the locker room, which was simply installed by pulling a curtain in the classroom, the boy dressed in a khaki kimono and looked at the borrowed PDA. The video plays on the PDA.

“The date shown in that video that was shown in the city was at 11:45 p.m. on December 7th. Given the distance between the school and the crime scene, it is not possible to move in an hour."

"And so..."

Kuro was also dressed in Japanese clothes. With a short sleeve and a hakama, the original long black hair hairstyle collected and the sword attached to the waist match, and it looks like a samurai.

The boy wears a yellow garment over a khaki kimono. It's a hand-sewn costume for a female student, but it's pretty cool.

"Yes. If it is proven that I was at school around 11:45 PM on the 7th, my alibi will be established."

"But you're in a single room. If you slept alone in the room, it wouldn't be an alibi."

Kuro turned his eyes to Neko. Neko also wears kimono. Although she was wearing it, she didn't seem to know how to wear the kimono, so he could see the white skin with the front wide open.

Neither the boy nor Kuro did not change their complexion because they got used to seeing Neko naked. Perhaps he couldn't see Neko playing with the obi in her hand, and when she approached him, he wrapped the obi around Neko's body with one hand as if he was gathering an old newspaper.

"I'm telling you! I don't accept this testimony as an alibi!"

"Kurosuke, you are stupid! Shiro has been with me since I met him! Wagahai's Shiro is a good Shiro!"

"Shut up. You're saying you don't trust me. If I find out you were responsible for this, don't worry. I'll be prepared."

The boy opened his mouth sweetly, looking at Kuro and Neko as if they were really like a dog and a cat.

"Well, it's my fault. That day was the day that preparations for the cultural festival were allowed at night, and as I recalled earlier, it was a day where there were many incidents."

"Incidents?"

The boy trusted the mysterious Kuro.

"So there must be someone who can prove that I was there too."

The boy used a bird hat to finish. A beard is also attached to the mouth.

"Hmm! How many times do you change your clothes while chatting!"

Feeling free to open the curtains on the simple wardrobe, Kukuri stuck her face inside.

"Oh, it looks good! Shiro-kun, you are a valuable person to look good like Ebisu-sama even if you are not fat at all."

The boy, Kuro, and Neko were forced to try on the costumes they would wear to the main event of the school festival. On the night of the school festival, they will wear these costumes, carry a sword and pull a horse to parade to the shrine behind the school.

The Ashinaka school school festival has a mysterious flavor, in part because it overlaps with the annual shrine festival.

Kukuri was in a good mood when she saw the three people wearing costumes, and while saying to Neko, "Wagahai-chan is a beautiful woman!" On the first day, Neko who hated wearing those clothes and had trouble with the boy's hands, was also happy to be told that she was a beautiful woman.

Well, the boy changed his expression.

He has been living at school almost normally for the past half day, but his life is involved. He has to ask someone to testify that he was at this school that day.

The boy saw Kukuri. The girl who started the confusion that night.

Yes, it started with a runaway boy who fell in love with her.

--- Testimony of the classmate, Sota Mishina.

Oh sure, it was around 11:45 PM on December 7th. There is no doubt that the preparations for the night of the school festival had just finished.

He climbed the stairs of the clock tower with the determination of a generation.

In progress…

#k #k project #k the first story #k novel

11 notes · View notes

diverse-writing · 4 years

Text

Book Review: “Queer City” by Peter Ackroyd

Thanks to @kyliebean-editing for the review request! I have a list of books I’ve read recently here that I’m considering reviewing, so let me know if you’re looking for my thoughts on a specific book and I’ll be sure to give it a go!

2.5 ⭐/5

Hey all! I’m back with another book review and this time we’re taking a dip into nonfiction with Peter Ackroyd’s Queer City: Gay London from the Romans to the Present Day. Let’s dive right in.

The good: Peter Ackroyd is a hugely prolific writer and a historian clearly trained for digging through huge archives of history and his expertise shows. This particular volume--his 37th nonfiction book and 55th overall published work--provides a startlingly comprehensive timeline of London’s gay history, just as promised. Arguably, the book’s subtitle short sells the book’s content; Queer City actually rewinds the clock all the way back to the city’s origins as a Celtic town before it became Roman Londinium. From there, Ackroyd’s utilizes his extensive historical experience to trace proof of gay activity through the ages. From the high courts of medieval times to the monks of the Tudor era, the gaslit back alleys of Victorian London to the raging club scene of the 1980s--gay people have lived and even thrived in London for literal millennia, and Ackroyd has the receipts to back it up. If you need proof that homosexuality has been a staple of civilization since the Romans--and the homophobia has often recycled the same arguments for the same period of time--then look no further.

The mediocre: All that being said, Ackroyd’s “receipts” often tend towards the salacious, the scandalous, and often the explicit. It seems that legal edicts and court cases made up the foundation of his research, so us readers get to hear in full detail the punishments levied against historical queer individuals, from exile to the pillory to the gallows. Occasionally, Ackroyd dips into the written pornagraphic accounts of the time to describe salacious sexual encounters, which add little to the overarching narrative except proof that gay people do, in fact, have sex. Later down the historical record, once newspapers became more common, we also receive extensive account of the gossip pages of the day, complete with rants about the indecency of “buggery” and the moral decay of “the homosexual.” Throughout the book, ass puns and phallic wordplay run rampant, so much so that it occasionally feels like it’s only added for shock value.

While I’m not a professional historian, as a queer person I can’t help but feel that there must be more to the historical record than these beatings, back alley hookups, etc. In focus on the concrete evidence of gay activity--that is, gay sex and all the official documents surrounding the subject--it feels like Ackroyd neglects the emotional side of queerness in favor of the physical side. Even the queer poetry excerpts or diary entries of the time (which I’m nearly positive exist throughout the historical record, though once again I’m not a professional) sampled in this book are all focused on the physical act of sex. No queer person wants a pastel tinted, desexed version of our history--but we also don’t need to hear a dozen explicit accounts of gay park sex. Queer love and queer sex go hand in hand and to focus on one without the other is disingenuous, not to mention dangerous in promoting the idea that queer people are hypersexual and predatory. Admittedly, I do think the omission of queer love is an unintentional byproduct of Ackroyd’s fact-checking and editorial process. He may not have intended to leave out tenderness, but his intentional choice to focus on impersonal records--court cases, royal decrees, newspapers, etc.--rather than personal ones--diaries, poetry, art, etc.--meant that emotion was largely excluded anyway.

The bad: Though Queer City does a good job of following queer history through the ages, Ackroyd fails to connect his cited historical examples with larger sociocultural movements of the time. He discusses queer coding in Chaucer’s Canterbury Tales but not the larger (oft homoromantic/homoerotic) courtly love traditions that Chaucer drew on. He describes the cult followings around boy actors playing female parts in Elizabethan and Jacobian London but neglects to put those theaters and the public reaction to them within the context of the ongoing Renaissance. Similarly, Ackroyd omits explicit connections to the Enlightenment, Romanticism, Neoclassicism, free love, and countless other cultural movements that undoubtedly shaped both the social and legal responses to the queer community. This exclusion, unlike the exclusion of queer love, had to be intentional on Ackroyd’s part; it’s hugely unlikely that a historian with his bibliography accidentally forgot to mention the last millennium’s worth of Western civilization cultural movements. It’s a massive oversight that utterly fails to place London’s queer history within the context of wider history.

And finally, last but definitely not least, oh boy does Ackroyd have some learning to do when it comes to gender, gender presentation, and gender identity. From the very first chapter, it’s apparent that Ackroyd’s research and writing focused largely on MLM cisgender men, with WLW cisgender women as a far secondary priority. While there are chapters on chapters dedicated to detangling homosexual men’s dealings, homosexual women are often pushed to the fringes of London’s queer history. They receive paragraphs, here and there, and occasionally the closing sentence of a chapter, but overall they’re clearly downgraded to a secondary priority within Ackroyd’s historical narrative. Some of this can once again be blamed on the type of records Ackroyd uses; sex between women was never criminalized or discussed in the public sphere in the same way that sex between men was, so it was a less common topic in London’s courts and newspapers. (And, once again, I have the sneaking suspicion that turning to less traditional sources would’ve helped resolve this issue, though in part the omission can likely be pinned on Ackroyd’s demonstrable preference towards male history.)

Additionally, Ackroyd tends to treat crossdressing as undeniable proof of homosexuality. While it’s true that historically queer individuals found freedom or relief in dressing as the opposite sex, the latter didn’t necessarily equal the former. Additionally, if the crossdressing individual in question was female, dressing as a man was often a way for a woman to secure more freedoms than she would receive while wearing traditional feminine outfits. (Also, he tended to use “transvestite” over “crossdressing,” and while I tend to think of the latter as more preferred, the former may be more in use among queer studies circles or British slang). Though Ackroyd briefly acknowledges that women could and may have crossdressed to more easily navigate a misogynistic world, he nevertheless continually dredges out records of crossdressing women as concrete proof of historical sapphics.

Which brings us to the elephant in the room; in clearly identifying crossdressers as homosexuals, Ackroyd entirely overlooks the existence of transgender and nonbinary people in London’s historical record. This omission, arguably unlike the others, seems definitively intentional and malicious. In the entire book, I could probably count on one hand the number of times Ackroyd mentions the concept of gender identity, and I could use even fewer fingers for the number of times he does so respectfully and thoughtfully. Though he largely neglects to discuss transgender history as a subset of queer history, when he does bring up historical non-cisgender identities it’s often as a component of his salacious narratives rather than a vibrant and storied history all on its own. In the final chapter on modern gay London, Ackroyd’s casual dismissal of the concept of myriad gender identities felt dangerously close to modern day British “gender criticism,” which is likely more familiar to queer readers as TERFism masquerading under the guise of concern for women and gay rights (JK Rowling is a very public example of a textbook gender critical Brit, if you’re wondering). By the end of the book, Ackroyd’s skepticism of so-called “nontraditional gender identities” is so glaringly evident that he might as well proclaim it outright.

The verdict: For a book supposedly focused on queerness, the focus on male cisgender homosexuality is both disappointing and honestly not surprising. This book is a portrait of gay London, yes--but it’s also a portrait of Peter Ackroyd as a historian and a professional. It’s clear from early on that he’s writing from the perspective of an older white gay man (I think queer WOC know what I’m talking about when I say that that POV is very distinct, and his clear idolation of 1960s-1980s gay culture makes his age quite evident as well). As you progress through the book, his blindspot in regards to gender and gender politics become increasingly clear, as does his simultaneous obsession and criticism with transgender identities. Overall, Queer City is a clear example of how “nonfiction” doesn’t necessarily mean unvarnished truth--or at least not all of it--and how individual historian’s methods and biases bleed into their research.

A dear London friend suggested Matt Houlbrook’s Queer London: Perils and Pleasures of the Sexual Metropolis as a more gender inclusive review of the famous city’s queer history. While I take a break from London for a bit, I would welcome any and all thoughts on either Queer City or Queer London, the latter which I fully intend to get to eventually so I can properly compare the two.

#book review #queer history #queer city #text heavy tw #sex mention tw #long post for tw #wow this got really long sorrt #kinda starts rambling by the end oops

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santaclausdeadindian · 4 years

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Sorry for doing it this way, I think OP deleted their post or blocked me like a mature, balanced person would, so I have to tag you in

@mr-laugh

Oh boy, lot to unpack here.

So you didn’t even know there were that many subgenres of fantasy, one of the most popular classifications of fiction on the planet... And you think you know enough to tell ANYBODY what classic fantasy is?

And where exactly I attempted to do that, huh?

If you don’t even know the most common subgenres of this vast pool of fiction, why are you jumping into this discussion? You just admitted you don’t know anything!

There is no discussion, there is a stupid ass post. Don't flatter yourself, you don't know jack shit.

Me not knowing what exactly are the precize subgenres of a genre of literature, which, btw, are completely arbitrary and for your information, sword&magic is a legitimate category, has absolutely nothing to do with what that post you were so keen on agreeing with above. It was you who said pretty much any classic fantasy is like that: some poorly written, self-indulgent and borderline racist.

Did ya read the link, buddy? Howard talked about knowing what burning black man smelled like. He was quite approving of these things! And the books are pretty racist, it’s not hard to see, unless you ain’t looking.

Yes, I started reading and by the end of the first paragraph I was convinced he was ahorribly racist man. And? Still doesn't change the fact, that for my 12 year old self, there was nothing racist about it. I definetly wasn't looking for it, that much you got right. If I'd read it again, I'm sure I'd catch on to it now, that I know what kind of asshole he was. So the implied racism would be there. You got a point for that.

Rugged individualism? It always amuses me how that argument always pops out of the mouths of guys who are aping what they’ve heard their buddies say. If ten thousand mouths shout “rugged individualism”, how individualistic are they?

Then you should amuse yourself by looking up why this thing crops up as of late. It's coming from certain, supremely racist yet unaware of it publications that claim ridiculous shit like "rugged individualism" is a hallmark of white supremacy, among other, equally laughable things, like punctuality. It's a joke.

Again, I will give Howard to you, if someone that racist writes a black man saving the hero of the story, I bet there was something else still there to make it wrong.

Conan’s not some avatar of rugged individualism.

Uhm, yeah, he pretty much all that.

He’s as unreal and unrealistic as the dragons are,

It's called fantasy for a reason, buddy.

but more dangerous because White Men model their ideas of reality on Big Man Heroes like him;

Glad you are totally not racist, yo!!! It's such a relief that White Men are the only ones with this terrible behavior of looking up to larger than life, mythic superpeople and nobody else. Imagine what it would be like, if we would have some asshole from say, hindu indian literature massacering demons called Rakshassas, by the tens of thousands, or some bullshit japanese warlord would snatch out arrows from the air, or a chienese bodyguard would mow down hundreds of barbaric huns without dropping a sweat, or some middle eastern hero would fight literal gods and their magical beasts in some quest for eternal life.

it's a poison that weakens us, distracting us from actually trying to solve the world’s issues, or banding together to deal with shit.

This is what you just said. It's up to the white man, to get their shit together, be not racist and solve the world's problems, because those poor other people's just can't do it. If we would just not be oh, so racist, then China would surely stop with the genocides they are doing now, or blowing more than half the greenhouse emissions into the athmosphere, the muslims would stop throwing their gays from rooftops or ramming trucks into crowds and would just start treating women as equals, India's massive rape problem would be gone, subsaharan African would be magically bereft of the host of atrocities committed there on a daily, yeah, you sure have that nonracism down, buddy!

A rugged individualist would be smart enough to realize that even the most individualistic person needs others; no man’s an island, and a loner is easier to kill.

Individualism doesn't mean at all what you think it means, it's a cluster of widely differeing philosophies that puts the individual ahead of the group or state, it's ranging from anarchism to liberalism and is also has nothing to do with my point.

Central Europe? What, Germany? Because let me tell you, historically they are SUPER concerned about race!

Germany traditionally considered western european, central europe would be the people stuck between them and the russians, to put it very loosely. We are equally nonplussed by the self-flagellating white guilt complex and the woe me victim complex of the west. We did none of the shit those meanie white people did to the nonwhites and suffered everyting any poc ever did and then some. We don't give a shit about your color, we care about what culture you are from and if you respect our values.

I’m an American from a former Confederate state; trust me, race is everything. It always is.

No it really isn't. How old are you? Asking without condescension, genuinly curious, because if you are in your low twenties at most, it's understandable why you think like this.

See that hike? Do you know what happened at that time that made virtually all american media suddenly go all in with racism?

Occupy Wall Street, that's what. It's a brilliant way to sow victimhood and hate and desperation amongst the people who have one common enemy, the powers that be, the banking sector, the politicians, the megacorporations.

Can't really blame you if you are in your early 20's at most, you grew up with this bullshit hammered into you. If you are older, step out of your echochamber please!

If you actually believe, that mankind doesn't progress naturally towards a more accepting society purely on the merit of there being more good people than bad and sharing a similar living with all the hardships in life, seeing that our prejudices inherited by our parents are baseless, that's how we progress, not virtue signalling courses and regressive policies. I was raised as any other kid, I had a deep resentment towards the neighbouring nations, I said vile, racist shit against people who I actually share a lot of genes with, of which fact I was in deep denial about, and then as I gradually got exposed more and more actual people of these groups, I started to realize I was wrong and everybody should be judged by their individual merits. It works throughout the generations, my grandma was thought songs about Hitler and how all jews are evil in school, she legit thought all black people at least in Africa are cannibals and shit, my mother stillsays shit that would get her cancelled in the USA, and I will probably have a mixed race kid as we stand now.

This whole racism is an eternal problem is laughable and disingenuous and I am actually sorry for you that you feel like that.

Moving on. As for Dany, the “noble white girl sold to scary dark foreign man” is a very popular trope, especially in exploitation films, which Martin draws on much more heavily than most authors do.

No, he fucking doesn't. I already wrote a bunch of examples from the books you seeminly ignore willfully. First of all, she is sold to those olive skinned savages by a white man, who is a terrible, increadibly evil man. He want's to fuck the then 11-12 ish Dany so bad, she picks his slave most resembling her and rapes her repeatedly, "until the madness pass." He also maimes children and traines them as disposable slave spies by the hundreds. There is no boundaries colour here, GRRM prtrays all kinds of people as reprehensible, evil and disgusting. Just like you can find plenty of examples to the opposite.

What is he drawing from your exploitation movies exactly? He writes about the human anture, he writes about the human heart at war with itself, that's his central philosophy of writing.

ASOFAI is basically just a porn movie with complicated feudal politics obscuring it, which is probably why it worked so well as an HBO series (up until the last two seasons or so.)

There is no gratuitous sex scene in the books, the rapes are described as rapes, they are horrible, they are very shortly described and usually just alluded to.

The people commiting them are not put into generous lights and one of the single most harrowing stories hidden behind the grand happenings of the plot is a girl named Jeyne Poole, whose suffering although never shown, is very much pointed out, along with the hypocrisy of the people who only fight to try and save her, because they think her a different person.

Honestly, if you actually read the books and they came of to you as porn, you might want to do some soulsearching.Btw, the HBO series was a terrible adaptation, it immedietly started to go further and further from the books with every passing season and the showmakers made it very clear to everybody, that they didn't understand the very much pacifist and humanist themes of Martin. And neither did you.

We also get no indication Essos will eat it when Winter comes; hell, they seem to not know Winter exists, given the way people act, even though that is also unrealistic and weird. Essos was just super badly designed, and Dany is a terribly boring character.

to be continued

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normal-thoughts-official · 4 years

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Do you have any hcs for Magnus taking ppl to pride for the first time? I kinda feel like he’d act as a guide for others, making sure everyone feels safe and happy during their first time. Like, I can picture him bringing daylighter Raphael out for the first time, showing Meliorn around (bc even though they’ve been around for a while, the Seelies don’t really do human stuff) and holding Alec’s hand while he looks around in amazement.

well surprise surprise this got very long. bet y’all never saw that coming

ok so i particularly love this ask because like, the idea of meliorn going to pride for the first time is a riot and i adore it

like seelie society has developed completely independently from mundane society in every way, hell, it existed before humans did. so there's absolutely no reason whatsoever to believe that their culture even has the concepts of gender of sexuality, and believing that it would be the same as modern western ones is just straight up anachronistic tbh

so like personally i hc that seelie society has no gender (and therefore no concept of sexuality in the way that we see it), so the idea of pride- doesn't even make sense to them, cuz there's no concept of these identities, much less a history of oppression that would bring forward the need to celebrate their resistance like there currently is

so meliorn would want to go just to like, see what that's like and what's it all about. and the whole time they're just following Magnus around and like, taking notes. hm, interesting, what is this trans thing again? ah yes, people who dont think their personality matches the one mundanes believe would be brought by their genitals. hm. fascinating. and Magnus is just like, laughing loudly and it's the best pride he's ever been to, because he knows how ridiculous queerphobia and cishetnormativity are, but meliorn can make that so clear in their words in a way thats just, like, fantastic to hear, you know? and they dont even mean to, but it's great all the same

plus meliorn actually does feel good because a lot of people look at them and smile broadly or even wave, especially younger people who are just like, in awe of them and Magnus, who are so unapologetically gnc and indisputably beautiful, and looking at them is just like, inspiring, you know? and Meliorn has never felt this admired and appreciated and they dont even fully understand why, they're just walking around in their usual clothing and leaf makeup and everyone is just like, in love with them. and it's nice. they can tell there's an edge of sadness to the whole thing, like how their normal everyday existence seems to be so shocking and refreshing for these people, but mostly they feel good about it

later they bring their findings to the other seelies - you know, the ones who dont usually leave the realm and are way less familiar with mundane culture(s) than they are - and the others are like. shut up. there's no way this is real. the shape of their genital defines what wavelength they are supposed to find appealing? this makes no sense. and meliorn's like "idk what to tell u buddy i literally physically can't lie" and they're like surely this is an elaborate prank

but anyway it's fun and nice and they enjoy it greatly and ask Magnus a lot of questions, and Magnus loves going with them more than anyone else because its just so fun and the way this is completely unnatural to them feels refreshing - Magnus doesnt have to explain why he feels the way he feels, for once, but rather he has to explain why people dont get that, and thats a good change tbh

okay onto other ppl im sorry for this tangent djdndjdndk RAPHAEL YES. god i just. okay i love the mental image of Magnus taking Raphael to pride aaaaaaaa

like okay first of all so many layeRS to make this emotional, okay. the fact that he's now a daylighter and can enjoy being out in the sun, the fact that this is a bright costumed parade and it kinda reminds him of the día de los muertos parade and makes him feel at home, the fact that he gets to celebrate and meet other ace ppl - just, so many good things going on here dundidmdi

and Raphael was kinda unsure about going because 1- pride can get pretty sexual at times, and while he gets it and doesn't mind other people's business, he doesn't want to be hit on or participate in that; 2- big crowd makes senses go craycray and it can get very overwhelming and he's scared of overload, plus it's just not his scene in general with huge parties and such. but a part of him does want to go and he's torn, so of course Magnus is immediately like "oh dear, don't worry, i can take you, i'll make sure it's good" and Raphael is like okay

so Magnus takes him and it's :') nice, because as always he’s just so attentive. disclosure i’ve only ever been to the São Paulo pride so i’m gonna go with how it works in here but im assuming it’s not that different in like, other places. also São Paulo currently has the biggest pride parade in the world along with NYC so you know, i think it’s influential at the very least

anyway so he finds a section that’s led by ace pride groups, one that’s considerably small (in number of ppl) and spacious, and it’s. nice. very nice. magnus makes it a point to paint the ace pride colors on raphael’s face (we deserve raphael in makeup tbh) and raphael is all like “it’s fine, it’s not like i’ll want to draw a lot of attention” (like he isn’t wearing the ace flag colors already) and magnus is like hush, let me have this, i want my boy to have a good pride experience. so raphael lets him and hides his smile and lets him, and it’s. cute okay

also idk why but i have the mental image of raphael seeing some other latino guy with some sign like. “i’m not your fetish” or something of the sort, and kind of tearing up because his whole life he’s been seen as this kind of sexual fantasy that couldn’t not be about sex, much less not be interested in it, and he feels seen. and it’s nice, okay

and as promised it’s not too overwhelming in matters of like people, tactile issues and such (there’s little magnus can do about the noise other than spell raphael to decrease his sensitivity so he doesn’t get overwhelmed, which is not ideal because it makes communication a bit harder between them, but he does it anyway if raphael asks him to), and if raphael gets tired, they can always turn into a corner and take a portal back home and cuddle the post-crowd jitteriness away. so it’s a success. and raphael hugs magnus later and thanks him and says that it was so great, that he’s missed this, the energy and the colors and the sun, and he never thought he’d get to have it again, and he did thanks to magnus. and magnus hugs him back and tells him “anything for you, my boy,” and it’s the sweetest thing okay im emo

also okay this still falls under Raphael and Meliorn but the POLYCULE okay, or at least saiaphaeliorn. like sign me the fuck up for the 4 of them together at pride, meliorn and magnus helping make some cute pride-themed makeup on the other 3, just aaaaaaaaa. maia looking absolutely gorgeous with her face framed in the bright bi colors, maybe a sunny dress with the trans flag colors? just because i think she’d look so cute in like, a mostly white dress with baby pink and blue details, okay. simon just paints the pan flag on his cheek but it’s still vibrant and cute and it suits him. and ghhghghghg meliorn delicately painting raphael’s face with colorful glitter..... effervescent, okay. just beautiful

and they get to hold hands in public and laugh and crack jokes and simon loves the music and the festival and raphael smiles fondly at him and maia singing along (him and meliorn definitely don’t know what the fuck they’re singing, but it’s okay because they’re clearly happy and that makes the two of them happy too) and just duahsdiahdaiuha soft okay. also they all get to experience meliorn’s takes on the whole thing and it’s fantastic and as usual meliorn gets raphael to laugh until he almost cries, and simon smiles brightly at the sight and gives meliorn a peck for their efforts, and just aaaaaaaa

in short they’re SOFT and i’m SOFT. and look yes i know that usually parades esp big ones are super crowded (lord knows the SP pride parade is an experience) but if in SP with 5 million ppl parading i could find sections with less people where you had enough space to walk holding hands and hear each other and not be overwhelmed, then i’m sure they can too, especially with magic and powers at their disposal. so i’m going to have this

also like. as much fun as this is for magnus (and it definitely is, it’s very nice to get to enjoy to be himself openly, and to bring kids there for their first time, and you know), it’s also bittersweet because like. he was there at stonewall, he was there for the first pride, you know? and apart from the obvious part where he lost so many friends who were there, there’s just. the very bad memories of the riots, because as important as they are and as much as he obviously doesn’t regret them, riots are hard, they are the language of the oppressed. he’s had to magically protect people from being shot by the police, he’s had to withstand trial by the Clave for using magic to shield the people from the tear gas and risking being seen, he’s had to save a lot of lives and he’s failed at it sometimes, too (i’ll always hc that he’s the reason neither Marsha nor Sylvia died during the riots and you can pry that away from my cold, dead hands). and he’s also seen it be whitewashed and lose some of its resistance and meaning, he’s seen Sylvia be booed at a later march when she spoke against imprisonment, and he’s seen so much be lost

and in that sense going to pride with alec later on might be his favorite, because it’s not like, a first time where he’s trying to get everyone to have the most fun they can and shit, you know? plus alec loves watching more than he does participating, he feels way too exposed in the crowded streets with so many openings and whatnot. but watching from a rooftop, where he has the best view, can still hear the sounds and enjoy the colors and the beauty of it from a distance? that’s perfect for him, and it’s a different experience

and magnus sits by his side as they watch, hand in hand, and reminisces about everything that he’s experienced after so many years, all the changes he’s seen, how he feels pride but he also feels loss and he feels old, and he fears what happens if pride’s history is forgotten, you know? and alec listens to him, listens to his version of this story, playing with magnus’ fingers and just enjoying the sound of his voice and the sight. and it’s nice. alec is always super attentive and enjoys hearing him talk and magnus can get lost in his memories unapologetically, you know? and it’s good

but that’s later on, of course, when they’ve already attended plenty together. for alec’s first pride he probably wants it to be like, perfect, so much so that alec has to tell him to slow down again, because of course magnus wants alec to have The Full Pride Experience, but alec would rather soak it up slowly than participate in a lot of stuff, anyway. magnus paints the rainbow flag on his cheek (one of the only occasions alec lets magnus put glitter on him, then promptly complains for the next three months because i swear that stuff is still on my skin, magnus, the other day i found some on my shoes! and magnus laughs at his antics as always and alec is forced to laugh too and can’t even be mad) and they kind of stay more by the end, and alec is kind of smiling in disbelief to himself the whole time as he watches all the colors and the unapologetic way people express their pride, and magnus can’t stop looking at him and grinning, too. and they walk hand in hand and it’s cute

(later, magnus says, see, mundane culture isn’t so bad, is it? and alec looks at him with a way more serious look, full of joy and happiness, and says, no, it isn’t. and kisses him and thanks him for everything, and it’s sweet)

also I'm soft thinking about Magnus reminiscing about planning the first pride along with "his dear friend Brenda" to Alec and/or Raphael, them putting their arms around his shoulder as he tells them the softer stories, too, the good things they did

small bonus: Magnus plays 2 truths and a lie with Simon regarding his memories of past prides, and Simon gets it wrong every time and is all wide eyed by the end, which makes both Magnus and Raphael laugh :)

#ask #anonymous #sh #shadowhunters #magnus bane #malec #The Polycule™#saiaphaeliorn #simon lewis #maia roberts #raphael santiago #meliorn #alec lightwood #brotp: i'll do whatever it takes to protect them

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