the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.
It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.
Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.
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Mech pilot yuuta and his mech that’s incredibly possessive over him. He takes to you as a handler almost immediately, excited for the help after his last few handlers were scared off. You’re not allowed inside, your constantly dodging malfunctioning limbs and faulty wires, but you’re not one to back down, and gaining her trust is just as important as gaining his.
Rika only realizes how important you are to Yuuta the day after you spend the night with him, and he’s left alone in the morning with an empty bed and a broken heart. You’re his handler. You’re not supposed to leave him. Not ever.
She lures you into her chest one night, faking some sort of lighting malfunction and allowing you inside for the first time. She keeps you inside all night, enduring all your yelling and banging on her insides to be let out, a nice gift for Yuuta.
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it's fun because the things that appeal to me most about the three canonical evil clones/twins of hermitcraft are similar, but they're all different.
evil x appeals to me because he is very much Just Some Guy, for all that he's an evil force of nature; when he's sympathetic, it's because he's Just Some Guy who's been shackled to the terrible fate of being "evil", but when he's a villain (like in season eight!), the things that make him villainous also aren't the supernatural aesthetics, but the ways he is also the evil of being just some guy. for all the lightning and thunder and echo of xisuma's appearance, he isn't anyone special. (xisuma is.)
helsknight appeals to me for almost the opposite reason: this isn't just some guy, this is you, explicitly, a demon that possessed your clone and possesses all the things that are bad about you, magnified. he's a mirror, inherently, in his very creation. in the stories where he's a threat, he's menacing because he's a mirror of someone we should like; in the stories where he's sympathetic, we must confront how much of ourselves are also mirrors. (what happens if you don't like what you see in those mirrors, anyway?)
empires!false is somewhere in-between; she's not a mirror but she is the result. she's learning something you'd rather have forgotten about your past, and at her most sympathetic, we feel for the way she's been cast aside so false can 'fix her', the things done to her memory. at her least sympathetic, though, she's reflecting these pains onto others; violence begets violence, and even with it missing, the past begets her. there's no looking at empires!false without seeing the echoes of what false did to her. (there's no looking at false without it either.)
............then they also all appeal to me by being ridiculous failguys but like if you want to be DRAMATIC ABOUT IT, the ways they appeal to me are like the above,
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