This chapter broke me. The fact that the wife turned out to be a good person, the fact that after loosing everything in the war, Martha has managed to continue with her life has resound in me. It wasn't easy of course, maybe it was the hardest thing she had to overcome in her life (and this woman has been in two wars), but we are discovering this through her flashbacks, she is telling this as a storytime to Becky at teatime. So what does that mean? She already got over it, she survived. And you may think 'well of course, its been years' but i wouldn't judge her, i would even consider other reactions normal, like staying stuck in the past, because loosing the things and people you loved most to an absurd war simply is not fair.
Martha, you're so strong, i love you so much. I chose the picture of her breaking down after her performance because I understand how her dancing, having the chance to have a little of what she really deserved to live, could have reminded her of what it felt like to be alive.
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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I love these polls. But this feels like a weird and uncomfortable time to continue them. While we are in the process of deciding whether or not to give fascism unlimited power in the greatest military power currently on the planet, these posts feel uncomfortably out of touch with the existential threat facing all of humanity. I cannot enjoy voting in silly polls when I know that all of humankind faces the threat of extermination.
When we can return to a less horrifying reality, I would enjoy revisiting these polls. At the moment, to continue them feels like a cruel celebration of privilege from those who are insulated from the most extreme consequences of current proposed policies. It is hard to think of what level of inhumanity is necessary to continue laughing in the face of so much world-wide horror.
Of course you don't have to stay, and I won't begrudge you at all for going. But there's one point of yours here I feel is worth discussing, and it's your last one: laughing in the face of world-wide horror.
There is a difference between laughing at horrifying things and taking a break to laugh. In a world that is horrifying—and, to be honest, has been horrifying since this blog began, and long before then, and will be after it's done—you need to laugh to keep your endurance. I mean that every step of the way. You will not be able to keep fighting for the people who need your help, including yourself, if you don't give yourself a break and let yourself have joy and silliness in little dollops on the regular.
In my real life, when I'm not posting hot silly people on the hot silly people blog, I try to find ways to help change the world for the better. I've been trying for a while. And one of the key things I've learned in that while is that having a little fun and silliness does not dilute the work of making the world better—it gives you the fuel to keep doing it. Your human brain and body need a muchness. They need joy and sorrow and work and rest and laughter to keep going—and before you say, that's a privilege! yes, in today's broken world it often is. It should not be one. It is a right. You have the right to find spots of joy, silliness, time off from the world.
Stuff sucks right now, but taking ten minutes off to let yourself rest is not going to contribute to the end of the world. We need to rest and laugh if we want to keep going. I've always said this is a silly blog, and I maintain that yes! it is silly, it is pointless, this is nothing big at all. Nothing here has any consequence. And that can be a small good thing at the end of the day. It doesn't mean the big stuff doesn't matter if we have the small stuff too. We can have both. We need both.
I hope you find peace, wherever you are.
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okay but does it ever kill you how much Wyll loves being the Blade of Frontiers? I think we tend to think of Wyll as this serious, stoic guy, but he's so ridiculously silly about his whole superhero persona. He grew up absolutely in love with storybook heros and tales of bravery and all the bard songs and legends. Look at his reaction to meeting Minsc and Boo!
He must love getting to be a figure like that for a whole new generation of kids. He loves the bard songs (even the bawdy ones!) and the title and the stories, but he just loves being someone brave and worthy and able to help. He loves being a hero!
And to add on to that, its definitely a coping mechanism for him. Perhaps a bit of a messed-up one, but hey, its working.
Which is why the body modification by Mizora seems doubly painful- it doesn't matter that Wyll got them for noble reasons, what the horns do- (and what Wyll knows they do, because he's not an idiot and he understands the common people better than probably anyone else)- is send that whole dream crashing to the ground. He's immediately marked as other. Florrick almost completely passes over him. The tiefling refugees shrink around him. The guards at the doors of his own city don't recognize him. I think Wyll could absolutely win the people's hearts back, he's Wyll Ravengard, of course he could! But in the short term, by gods that's got to hurt.
This is at least the second time in his life he's lost everything in one fell swoop. No wonder he's miserable at the tiefling party- I would be too! It's a testament to his frankly astonishing emotional fortitude that he's barely even moping.
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Mdzs Fandom: JC suffered so much, he lost his entire family and sister and even his clan, surely his taking out his anger and resentment at others is totally misunderstood and reasonable, I relate to him so much 🥹
WN (who lost not only his sister and entire family and clan but also his literal life, and was held captive and experimented on for thirteen years as a trophy, watches his relatives die a second time, is treated with prejudice and disdain and fear by most of the cultivation world, yet despite all this still manages to retain a bone-deep kindness and humility, as well as a sense of righteousness as fierce as himself): Am I a joke to you?
This is what I meant when I said characters who are constantly declaring what they went through are put up on a pedestal for their non existent resilience. It's so easy to forget that other characters went through much of the same pain and handled their circumstances better, like WN who went through literal hell himself, because he barely mentions and even downplays his suffering.
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