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sneezemonster15 · 3 years

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I am new to Naruto fandom. Even newer to SNS fandom. I observed the shipping wars, and frankly, participated in it a couple of times. Just to see what it's all about. And I have come to one conclusion.

It's bonkers how far one will go to convince oneself about one's shipping whether it makes sense or not. At the end of the day, it becomes not really about the content itself, but one's comprehension and understanding of content. Which helps me understand why SS, NH, or NS stans exist. Their projection (which it certainly is) almost seems delusional and definitely inconsistent with the content itself.

When I first started watching Naruto, I wasn't aware of Naruto fandom. I am a cinephile and I am used to analysing content involuntarily while I am watching it. I wasn't expecting much from Naruto, I definitely underestimated it and wasn't expecting any emotional impact given it was shonen and I am very hard to please (yes, I am a film elitist). But as I kept watching it, I had to grudgingly change my opinion. By the time I reached Shippuden, I could tell that I was almost fevered with excitement and looking forward to more emotional impact.

I didn't watch it with any romantic lens, I was mostly interested in the fighting sequences initially. Hell, that's all I was expecting from a shonen show about ninjas. But at the end of vote 1, I was like, hmmm. What?? This was so emotionally wracking. Are they really just rivals, or friends? Now, I am a fully fledged cinephile and have watched a lot (a. Lot.) of LGBTQ films, given my interest in shows about emotional and sexual repression. And throughout my first watch of the first part, I kept picking up on the subtle sns moments without actively thinking about them. I was really into the story and wanted to see what will happen next. But at the end of vote 1, I had to stop and think, wait what, are they in love with each other? They are definitely not just friends. Or rivals. The language of their interaction in vote 1 is so fraught with underlying currents of repressed emotions that it just made the cinephile in me ask, what am I watching exactly? Like isn't it shonen (I am also relatively new to anime/manga) where gay relationships are a strict nono? Like why does it have all the tropes of repressed homosexuality in men, just like all the films I had seen. The way Naruto and Sasuke constantly gravitate to each other, their interactions at times feel like a borderline attempt at just staying close to each other, their violent, strong feelings and devotion for each other (land of waves arc) and then denial of those feelings (after the land of waves arc), their contant physical fights for no apparent reason, Sasuke goading Naruto for no apparent reason especially when Sasuke is not the type to talk without reason which had been made abundantly clear. Sometimes, it literally felt like he was flirting with Naruto (during the chuunin exams) while rejecting Sakura. Sasuke constantly appears to be caring and attentive towards Naruto while treating Sakura like trash. This was even acknowledged by Naruto who asks Sasuke to be nicer to Sakura. But Sasuke doesn't even think about it. He instead flirts (?) with Naruto. It made me think, why did the writer choose to do that? Why make it clear that in hierarchy, Sasuke keeps Naruto much higher than Sakura, so early in the show (when there hasn't been so much development either, we were mostly shown how they keep fighting and arguing with each other)? If they are supposed to just be comrades or friends, why pinpoint this? Why use this trope at all if it's about friendship, especially in a show that can't include a gay relationship.

And this kept happening consistently. The writer made the interaction between Sasuke and Naruto to be major turning points in the plot. Vote 1 fight made it clear to me that there was something more going on, but I didn't want to be presumptuous, so I kept it on the side and kept watching.

After watching Shippuden, I was convinced that none of it, was accidental. The writer painstakingly wrote a gay love story and was even obvious about it in a very clever way. Like he fucking got away with writing a gay love story in shonen. I know Naruto is basically a kids' show meant for entertainment purposes, but it touched so many important, dark and adult themes. I knew that it would be difficult for the writer to actually give a proper conclusion to these themes because they really aren't that black and white or even appropriate for children. So I wasn't surprised that he couldn't actually show peace being achieved after the war arc or slavery abolished in Hyuuga clan.

But one thing I was sure of. He wanted to show a gay love story, maybe out of a twisted sense of humor, I don't know. But that's what he did. He could not have made it clearer. He flagrantly used all the related tropes, visuals, sound, dialogues, hell the story. The fucking story...

He was so shrewd about it too. He made it so that people can take away whatever they wanted to take away from it as long as there was some plausible deniability about things that weren't made clear in the show itself. That fucking minx! But he knew that anyone who watches shit carefully, will be able to see what he actually did. He knew that at least some of us will be able to connect the dots. He went out of his way to make sure we connect the dots. There is no other way to explain why Sasuke repeatedly kept asking Naruto why he cared for him so much. There's no other way to explain why he concluded everything with the dialogue where Naruto explains that he hurts when Sasuke does. There's no other way to explain why that affected Sasuke to such an extent. Kishimoto went out of his way, like seriously, to tell the audience that they are Not just 'friends'. He basically used this friend thing with so much saturation and intent in such a twisted way that he made it into something else entirely. In that sense, the concept of 'friend' changed its meaning. Like you can try, but you can't change my mind about it.

Whether I approve it or not, but my takeaway from content depends mostly on the content itself. I do believe that more often than not, the simplest explanation is the right one. And this applies to the phenomenon of Naruto as well. Of course, as a viewer, I can't ignore that my suspension of belief relies on my own understanding of the external world and how I perceive visual language. But that is something that happens anyway, in tandem with consuming the content, while I was pretty much consistently objective about it.

I believe I have a pretty good understanding of how cinematic language works, and I know every creative or narrative choice has a reason and meaning behind it. Absolutely None of it is random. Cinematic language may not be universal in terms of styles, but all the styles definitely have a common ground. And any creator worth his salt knows it, he knows how his content will be perceived and what it is exactly that he wants to show or say. Do not delude yourself that it was accidental or on a whim.

I know for a fact that Kishomoto wanted to show a gay love story. I know for a fact that he wanted to show that Sasuke has feelings for Naruto and he knows it. He also wanted to show that Sasuke not only had feelings for Naruto but also knew that he couldn't show them openly. He wanted to show that Naruto has feelings for Sasuke as well but is confused and naive, like he is about so many other things. He wanted to show us that Sasuke is not into Sakura, that he doesn't even respect her. Any enthusiast of visual/cinematic language and narrative can tell all the above things without going into headcanon or deluded explanations (like SS, NH stans), with just on the basis of content they consumed.

At the end of the day, I don't ship SNS because it's in my head. I was forced to see and believe SNS by the creator. Not forced literally but forced to notice and acknowledge the emphasis and meaning of the twisted/manipulative ways of the creator.

Kishimoto, hats off to you, you sly bastard. You succeeded in trolling people endlessly, you had a lot of fun pitting people against each other, didn't you? Hahahahaha. Well, I call your bluff/or non bluff in this case since you obviously knew what you were doing.

#narutomanga #narusasu #naruto #sasuke #sasunaru #sns #shippuden #shippudennaruto #naruto shippuden #sasunarusasu

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razorblade180 · 4 years

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Ok I gotta ask this now since I just saw your post. How would you have written ddd and kh3 to make it a tighter more impactful plot? (Also would love to know how you would write narusaku or any other naruto ship

[please comment below. This took so much time and it would suck if no one read this😭💀]

I can already tell this will go beyond the line limit so buckle up everyone. We’re only focusing on KH right now. Let’s start with DDD

Dream Drop Distance

Let’s get the major change out of the way, Kairi is on this adventure. Why? Because there’s two previous games where they express how she wants to actively help and KH2 has lines of her saying she refused to be left behind anymore. This works out just fine for Yen Sid, since this test is supposed to be a relatively safe. Sora and Riku are officially taking their mark of mastery exam but for Kairi, this serves as a hands on learning course. Going the sleeping worlds together for them to learn proper keyblade wielding sounds perfectly fine. All three get out on the island, fight Ursula in the tutorial, and then Xehanort starts his shenanigans just like in the game. Here’s the difference! Sora and Kairi are still together, while Riku still accidentally dives into Sora’s dreams.

Immediately the trio would know something isn’t quite right but the only option is press on start figuring things out while completing their task from Yen Sid. This is where gameplay is now a bit different. You play as Sora with one dream eater and Kairi as your support characters while Riku plays the same. The drop system is still the same everything. Sora and Kairi go through worlds together and get to interact. At the beginning Kairi doesn’t know much but gains abilities/confidence as you progress. Sora ends up serving as a mentor for her and guides her through the troubles of going on your first adventure. It’s a good way to put Sora in a more mature role. He’s forced to keep his wits about in order to keep Kairi safe because he doesn’t know the organization is actually after him.

We get a couple of scenes of Kairi getting better and helping Sora through the worlds which still play out the same basically. Bad guys show up and say mysterious things before leaving and the two deal with Disney problems. Riku’s doesn’t change at all because. Things only start to get really different after Symphony of Sorcery. Young Xehanort shows up at the very end of it and goes after Kairi to bait Sora into rushing to save her. Sora ends up getting hurt in the process and Young Xehanort kidnaps him here and immediately leaves before Kairi can do anything. She’s now angry at herself for not being able to apply what Sora had taught her when it truly mattered. She couldn’t protect him or herself. Kairi almost wants to give up but meow-wow lifts her spirits and she finds the resolve to fight before. Sora would never give up, especially when it came to saving his loved ones. Kairi is now a playable character and able to do all the commands that aren’t character exclusive. His dream eaters stick around and become her party members.

You go through The World That Never Was as her back in KH2 attire, fighting her way through it and she’s the one that gets told how the organization has been tracking them and all the other plot things; including why they want Sora. Kairi ends up being the one to have to fight Xemnas and even though she’s outclassed, she’s gonna give him all she’s got. On Riku’s side he sees all the weird dream imagery in Sora’s head since he’s in Sora’s dreams with the added glimpse of Kairi trying her best against Xemnas; motivating him even further to hurry up and make it to her. He still confronts Ansem and makes peace with himself. Riku finally makes it out of Sora’s dreams but retains his dream eater powers like in the game and rushes to help Kairi. He makes it half way through the fight and Kairi tells Riku to back her up. The two of them fight together with you still playing as Kairi and manage to push him back. Riku is extremely surprised by her progress and both of them go together to save Sora because he knows telling her to stay back is not an option. Riku and Kairi both fight Young Xehanort together.

Everything is mostly the same after that in terms of plot and everything that happens in the cutscenes. Including Axel showing up. Riku convinces Kairi to stay when he jumps back into Sora’s dreams, telling her someone has to make sure everything goes fine in the real world and that person has to be her. Riku comes back out after is boss fight and those cutscenes and he sees those two slackers having a tea party. Yen Sid commends all three for their bravery, especially Kairi. He also apologizes. Riku gets named a master, Sora doesn’t. Sora thankd his friends and told Kairi he was proud of her before he left to go thank the dream eaters. Even though she did well, Kairi knew without Riku, the dream eaters, or Sora, she wouldn’t have lasted as long as she did. She wanted to be strong enough to protect herself and others. So Kairi asked Yen Sid if she could have further training. Yen Sid told her and Lea about the dimension where they could train and they both accepted. Riku asked what he should do now and then the 0.2 conversation happens off screen. Boom, DDD rolls it’s credits.

Kingdom Hearts 3 [internal screaming]

Okay! So I gotta tackle this one a little different. First of all, let’s live in a world where ReMind came apart of KH3 (as it should’ve) now let’s put the cutscene between Luxord and Xigbar where it belongs at the beginning of the game, and then let’s put the cutscenes of MoM/ the organization discussing the members somewhere in in middle of the game. Like after Monsters Inc. Because that information had no reason to be hidden. It reveals nothing, but explains how people are back which is important. This knowledge doesn’t even spoil the Luxu reveal!

Second, I have to explain my two major problems that really hurt this game for me. Plot pacing and only setting things up halfway or not at all. So I’m going to tell you what changes narritive and gameplay wise I would’ve changed. Then I’ll go through the game including those changes.

Sora getting his power robbed consequence will be in every world and weigh on him.

The time characters get rescued/revealed

Ventus and Roxas’s heart influence

Isa’s plan

Aqua’s trauma

Xion, Vexen, and Demyx appearances.

Multiple playable characters.

Kairi and Lea contributions.

Also if I don’t mention something then assume it happened just like in the game.

Okay, let’s get started at Olympus. Everything is the same except one thing that I will continue to do for the other worlds. Sora will try to be proactive in stopping an Organization member, triggering a 1v1 boss fight. He’ll fight Xigbar and lose so bad that his friends have to save him. This puts in perspective that Sora really has lost his powers and is frustrated about it. This will do two things. One of them is make him slowly get more upset when someone brings up him failing the exam, being a half pint, or not being able to do things on his own. I’ll come back to the second thing later. Sora is order to continue to gain the power of waking while leaving finding Aqua to Mickey and Riku.

Twilight Town is also basically the same. However, the Demon Tide really roughs him up. Ansem and Xemnas bring up how they hope Roxas didn’t get this weak as well just to anger him. Sora wants to put them in their place but is convinced not to by Donald and Goofy. Now he’s doubting himself internally a little. Also Merlin shows up now instead of later. The trio bump into him and He tells Sora that Lea and Kairi actually are almost done training because they trained in a place where time didn’t matter. The moment they went in should’ve technically they came out but I’m being generous. Sora is shocked to realize his short time at Olympus might’ve equaled months of training for Kairi or even longer.

Toy Box is the same with the addition of fighting Young Xehanort and losing to him before a gigas piloted by his friends intervene. We still get the comment about putting hearts into vessels of their pleasing. When the world is over Kairi calls to tell him she’s finishing training and wants to see him back at Yen Sid’s tower.

Kairi and Lea are both really jazzed about how strong they’ve gotten and ready to help. Before they do, Kairi asks for a friendly spar against Sora. While he does win, he is amazed by how strong she’s gotten. Kairi comments on how she’s still lacking the real battle experience and skill he’s gain over time and he actually starts to feel better, until she asks if she could go to a world with him to get it. He wouldn’t mind it if wasn’t for one thing, he’s worried he might not be enough to save her if she needs help. Not with all his strength gone. He keeps this to himself and Kairi and Lea end up tagging along to Kingdom of Corona. On this world you get the option to be Sora with Rapunzel Flynn has mandatory party members and the choice to choose Kairi and Lea or Donald and Goofy; Or you can play as Kairi which automatically makes the party during gameplay Flynn, Rapunzel, Sora, and Lea. This works out fine because half this world has Rapunzel and Flynn leave your party so the other two characters can fill in during those sections.

So the Disney plot in this world doesn’t have to change one bit. The changes that happen all occur with all the Kingdom hearts characters. For example, Marluxia now meets Sora, Lea, Kairi, Donald and Goofy when he first reveals himself. We get sassy and rude dialogue between Marluxia and Lea about being alive and who’s actually the traitor this time around. Lea can also fill Sora in on CoM since no one does it. What makes this scene important is the moment Marluxia directs his attention towards Kairi, she starts getting really nervous and Namine’s voice comes out unexpectedly, telling him to stay back. It’s Namine who’s actually nervous, terrified even. Sora might not have the memories, but the entire exchange is enough for his heart to remember the intense desire to protect Namine from Marluxia. Sora and Lea get in between the two. Marluxia only looks at everyone and can’t help but get a little nostalgic. “The more things change, the more they stay the same. Except for one...” he says that vague response referring to how Lea and Rikuplica switching sides, then he leaves.

The next major change is Soar and Kairi spend time at the festival together and share a moment during the lantern scene. It’s at this time Sora expresses the doubt he has to protect her and the others with his current strength. Kairi tells Sora that he can do anything he puts his mind to and to never lose that smile of his. She tells him how they will protect each other and that his heart will never steer him wrong. This touching moment is ruined when Donald screams off camera. The Nobodies shown up. Everyone quickly jumps into action when another hooded figure appears. Sora goes off to pursue them triggering Lea to follow him. Sora is evenly matched with the figure back and then hood falls off. It’s Xion. Immediately seeing her causes an intense reaction from Roxas’s heart that screws up Sora in the fight and he his taken out by her. Xion planned to take him but Lea intervenes, causing both of them to get a painful reaction to each other. Marluxia shows up to retrieve Xion, who was sent there for a test run and leaves Axel in pain because Kairi caught up to protect both of them despite the fear from earlier. All he can see is Namine finally taking a real stand against him before finally going. Sora wakes up that morning on the outskirts of the kingdom where he sees Flynn riding Maximus with Lea still out of commission. Donald and Goofy looked after him while Kairi helped resuce Flynn. He tells Sora about what’s happened to Rapunzel and they all go rushing to the tower, except for Kairi who’s understandably tired, and chooses to look after Lea since he’s also still recovering. The rest of the world stays the same.

Sora and the gang try collecting their thoughts and info while in the gummi ship. So many things were happening so fast. Sora tried to apologize to Lea and Kairi but they told him there was no need. They end up going to Yen Sid again for answers to things like the new seven princesses. While there, Donald ends up taking another jab at Sora for still not having the power of waking. Sora actually gets fed up this time around, frustrated with himself mainly. He yells how he’s doing the best he can and it’s not like Donald is being of any real help either. Sora claims that he can do this on his own and takes off to the Gummi Ship before anyone could really get a word in.

Monster Inc ends up being the next world he finds himself in but not by choice. Sora had been so worked up he had forgotten the ship ran on smiles and crash landed to the nearest world. That’s not all, Kairi had actually manage to sneak aboard by surprise. Now he felt bad about endangering her but didn’t get to apologize before Kairi bonked him on the head. She reminded Sora about their conversation on the pier and expressed how determined she was to knock Sora out of his funk. They’d be stranded here otherwise. Through all of that it slipped their minds that they were monsters now and decide to look around. One thing that immediately stirred something within Kairi’s memories was the unversed which convinced them that this place was now definitely worth looking around. The plot points of this world are pretty much the same. As you go through the factory making Boo laugh. Sora is also gaining his cheerfulness back and opening up more to Kairi about how down this situation had gotten him. He was happy she was here to cheer him up. Vanitas shows up and still gets thrown through doors. Sora wonders about his desire to save Aqua so quickly stems from the possibility of Ventus’s heart sleeping in his. Kairi tells Sora about how Namine’s heart reacted to Marluxia which only made his thought more valid. He tells Kairi how he really thinks he can save her and Kairi agrees, but tells Sora it would be easier with more people. He needed to make up with Donald and to some extent, Goofy. As if on que the gummi phone rings with Chip and Dale telling Sora that they’ve lost trace of Riku and Mickey in the Realm of Darkness. What’s worse is Donald and Goofy acted rashly at the news and took Yen Sid’s star shard, sending them to who knows where. It was possible that they actually got sent to the Realm of Darkness! Sora calls Ienzo to ask if he knows a way there but he only knows about the corridors of darkness.

Kairi tells Sora that he really is connected to Ventus then maybe he can open a gate. Even if he can’t, Sora’s connection with his friends might do something. He just has to do what he did to get to Olympus. Sora opened a gate that brought him and Kairi back to Destiny Islands where they found Donald and Goofy. More importantly, an unfimiliar keyblade. Sora uses it to create a door and heads off. The others try to follow him but he tells them that they need to stay behind just in case. He also apologizes for his outburst which prompts Donald and Goofy to apologize for not seeing how much the teasing was getting to him. Kairi tells him to be safe and Sora smiles truthfully. He just has to believe in himself like she said. He can do this. Sora goes through the door.

Sora drops right in the middle of the Riku vs Aqua fight and things play out normally until the halfway point where the darkness in her becomes almost too much for Sora. Just like with Vanitas, Ventus’s heart starts to react to seeing Aqua in such a state. Suddenly Sora summons Master’s Defender again and holds it back handed. Aqua is left shocked, she can only see the friend she promised to wake up. With a heavy heart she manages to ask for help and Sora nods. You play the remainder of the fight with attacks and even a command style used by Ventus. He’s calling the shots now. You beat Aqua and she gets saved. Everyone’s happy, everyone’s crying.

Aqua takes Sora, Donald, Goofy, and Kairi to go wake up Ven while Riku and Mickey rest up. Sora gets more strange feelings at the sight of Castle Oblivion. He can’t help but think of Namine, as well as fuzzy memories of Marluxia and a few other people but he keeps it to himself. Aqua remakes the Land of Departure and they make their way to Ven. Vanitas shows up and Aqua challenges him alone. Instead of her loosing because she blocked a fireball with her body, We get Aqua losing because she’s still very tired and the PTSD she has from the realm of darkness. Everyone panics. Sora activates the power of waking to wake Ventus (I’ll cry when he thanks Sora) and he saves Aqua. Vanitas leaves.

Everyone regroups at Yen Sid’s tomorrow again. Finally, progress is being made in collecting guardians. Ventus and Aqua need more time to recover and choose to rest. Kairi keeps them company to learn more about them, her past, skills, and also take a break. All this adventure has gotten her really exhausted. Mickey goes looking for Ansem the Wise and Sora manages to convince Riku to tag along with him. Maybe they’ll find Terra? Onward to frozen!

Sora and the gang meet else Elsa and Riku empathizes with not being able to control power and being scared of hurting people close to him. Sora emphasizes with Anna when it comes wanting to help someone important to you but they keep running away and create things that make it harder to reach them. It’s one big moment of reflection and growth in this world. Larxene still shows up and Sora knows her by name surprisingly. The feelings of anger he gives her is all he needs to know that she cannot be allowed to do whatever she pleases. He tries stopping her but fails. He’s not too upset though. His previous accomplishments and encouraging words from Kairi push him forward. Unknowingly, Vexen shows up and has an argument with Larxene. She complains about why he’s heat and he tells her that he heard memories are extremely malleable here (trolls) and he’s come to look into it before leaving Larxene to her own devices. Elsa starts really thinking her powers are nothing but darkness but Riku convinces her otherwise. Elsa thanks him but that moment of weakness creates the boss of this world. Sora and Riku fight it with Snowball while Elsa goes to save Anna. Things work themselves out the same from there. Riku and Sora feel closer than ever and Riku tells Sora he’s a master in his own right which makes Sora’s day. Vexen got valuable data.

Ventus finally felt like his body was used to moving again and was ready to start getting back in the swing of things, but Aqua was still feeling down. The guilt of taking so long and trauma was weighing on her heart. Kairi tried everything to cheer her up but nothing helped. Kairi has no choice but to pull out the big guns. She called Sora. Through lot of persuading, he convinced her to tag along with him and Ventus to go traveling with him to get them up to speed. Part of the agreement was Riku and Kairi go finding more clues about Terra’s whereabouts so they stayed behind. Checking Radiant Garden again seemed like a good idea. Kairi hadn’t been so it would kill two birds with one stone.

Pirates world was next on the list. This time we there’s four organization members! Luxord goes looking for the box and Demyx is forced to help because Isa wants him to prove his worth or why even be around? They’re on the water so he should be decent muscle. Vexen is intrigued by Davy Jones but also dropped Xion off with Luxord to see if his recent research on memory would have her perform better than earlier. Aqua and Ventus marvel at the stars, thinking of Terra. Sora told the two of them about the first adventure he went on to look for his friends. Sora praises both of them by telling him that he was at least half as skilled as they were back then, telling them that they’ll find Terra way faster than he took finding Riku and Kairi. They came across the waterfall fell. Aqua nearly panicked at the thought of being trapped when they woke up in Davy Jones’s locker but Ventus calmed her down. Sora needed to find a way to build her back up. The plot of this world doesn’t change but gameplay does a little. Ven and Aqua will grant the pirates ship most of its abilities by controlling the wind and sea while Sora navigates. More fights by boat grant them more abilities and gets them back into the swing of things. Ventus and Sora team up during the air skirmish against the flying heartless. This invigorates Aqua not just because she wants to protect them, but they looked like they were having some fun. Yeah they were fighting a heartless but they were doing it together and trusted that they had each other’s back. Aqua had missed that feeling, it had been so long since it wasn’t her vs everything. She quickly got her chance to be apart of a team again in the underwater fight. Her nerves weren’t completely calm but Sora taking her hand and being excited about getting the treasure pushed those feelings away. She had friends again, friends that wanted treasure and to sail the seas with her. How could that not be fun. Sora happily let Aqua take the lead and supported her alongside Ventus.

The crew bumps into Luxord and the black box conversation happens that leads into the race but with the added wager of Luxord willing to tell them about Terra if they win. The race has still has the heartless boats but as well as the water nobodies to personally attack your crew and hinder your abilities. After you win, Luxord still cheats and you have that boss fight. Things change when you board the boat. He still leaves but Demyx and Xion stay behind with some Nobodies to by time. Halfway through the fight, Xion starts clenching her head again and Sora does the same with his chest. Seeing Ventus’s face and feeling Roxas’s presences is just too much. Luxord takes the opportunity of the chaos to nab is companions and attack the ship. Fortunately Aqua was able to protect everyone. Vexen orders Demyx to take Xion back and that he might as well not come back either. Demyx really doesn’t want to face Isa since he was basically told not to comeback without anything useful. So he drops Xion off and plans to avoid him altogether.

After the ship is repaired and Phantom Jack leaves, Aqua takes a minute to think. They were about to head into what sounded like a war. Their fun treasure adventure had turned a serious matter. She confessed that she might not be up to the task. This one, or even the keyblade war. Ventus pulled out his wayfinder and told her even if she decides not to go, she’ll always be fighting beside him as long as he had this. He believed Terra was still fighting and got his strength from them. Aqua pulled out her wayfinder and simply held it to her chest. He wasn’t wrong. All that time in the darkness and a piece of her never felt truly alone as long as she held this. Their unbreakable connection to her friends was something Aqua would never doubt. To top it all off, Sora had remembered he still had Kairi’s good luck charm from before the exams. He said he couldn’t count how many times this simple thing had driven him to keep going. Aqua joined them on the boat. It was only after seeing the other pirates did her resolve really hit its peak. All of them were ready to face staggering odds to fight for what mattered most to them, despite the fear. Aqua was sure of it now, she’d stand with her friends when the fated day came. Aqua raised her keyblade a creates the whirlpool for the Kraken fight. For the first time since she arrived, she looked at Sora and completely immersed herself in the moment. She calls him captain, and says she’s ready whenever he is. He couldn’t be more thrilled and Ventus was happy to see Aqua ready to go. The rest of the world plays out the same all the way until the very end. I would personally add a scene though of three sailing alone for just a little longer. Sora can’t help but think about how this was his dream with Riku and Kairi once. He wondered if is the only one who even rememberers or cares about a thing like this. Suddenly another ship Sails by them. They get ready to fight until they sea a papou fruit flag. Riku and Kairi unexpectedly reveal themselves on it with smiles on their faces. Apparently the gummi phone had really included all of information Jimmy had written. Riku explained that he just knew without question Sora would come here of all places to try and cheer someone up. Riku and Kairi told Aqua they hadn’t found much info on Terra but they did find her armor and keyblade thanks to Kairi’s foggy memory of certain places and Ienzo’s participantion in those lab areas. They all were about to continue their journey but since they were here, something had to be settled. Sora wanted another race to decide who would be captain. Riku laughed and told him they both have ships and that didn’t matter. However, he vaguely mentioned another reason to race, the real reason Sora tried so hard that day on the island. Riku pointed at the symbol on his flag and Sora immediately pouted. He grabbed the wheel of the ship and told Kairi to countdown for the race. No one knew what they were racing for except them and a giggling Kairi, who had a pretty good idea on what it was about. She says go and then the cutscene ends.

Big Hero Six is exactly the same except Sora sees Riku Replica and is pretty sure he’s from castle oblivion. Vexen uses the knowledge Rikuplica favs him about making Baymax filled with suffering so he can fix Xion to her absolute peak. When he’s done, Isa informs him that a Demyx has ran off and orders Vexen to go bring him back. Which is actually code for “good job, now escape while you still can.” Vexen informs him that it would take an extremely strong connection for Xion to have any “unfortunate” memories of the past to resurface. Things play out normally until Zexion meets Ansem the wise. What happens this time? He tells Sora and friends that he’s back with Vexen. (That’s kinda important.)

Everyone rests up for the final battle. The Sora and Kair scene on destiny islands is now longer. Kairi asks if Sora is feeling like his old self again. Sora tells her that he is thanks to her never giving up on her. Both of them get quiet for a moment before Sora speaks again. He does confess that he’s still worried a bit. Every word he went to had one thing or another that ended up being too much for him alone, and couldn’t help but feel like it would’ve been different if he truly regained all of his power. Kairi tells him that he isn’t alone but he shakes his head because she’s missing the point. Sora wasn’t scared of the organization overwhelming him, but he was terrified of that he’d try protecting someone and fail. He admitted he was scared of losing her. Kairi admitted that tomorrow scared her too. Every adventure they went on together was filled with so many enemies and left her exhausted by the end of it. Now she was joining the war. Kairi felt more than a little unprepared despite all the prep she tried squeezing in. Sora tried asking if by any chance at all that she could wait here one more time and she refused outright. No matter how nervous she was about the whole thing, Kairi told Sora that she would never wait again. That they will protect each other no matter what. And for added luck, she hands him a papou fruit. Sora was shocked. Kairi simply smiled and placed it in his hand before grabbing another one. Sora pulled out her good luck charm to give it back but she said it’s basically his at this point. The two smiled gently and finally shared the fruit. You get OathKeeper

Keyblade war time! Woo! This is by far the easiest to put into words. Riku and Kairi are your party members for the 10,000 enemy battle because it’s a literal crime that the Destiny trio didn’t work together. You get past that and Terranort still bodies half the team. Aqua’s resolve starts the crumble as she races to Ven, he isn’t moving at all. Sora is left in a state of disbelief as Goofy and Mickey try getting Donald up, and Kairi checking on Axel. In no time at all, his fear seams to be coming true. They need to regroup. Unfortunately the demon tide appears and blocks the exit. Riku gathers the remaining forces to try and fend it off but seeing Ven taken out by Terra really shook Aqua. We see the shadows turn into Anti-Aquas as the real Aqua starts to slowy panic. She doesn’t even hear the others screaming her name, telling her to look out before Mickey and Goofy try saving her, but they’re all swept up. Now it’s the Destiny Trio vs the Demon Tide in a fight the player is forced to fight, but can’t win. No music plays, just the sound of the fight and the sight of the organization watching from above. Eventually Kairi slips up due to the overwhelming odds. Sora quickly tries to outrun the Demon Tide coming towards her but can’t. Sora screams for Riku’s help but turns to see nothing but his friends hand reaching for him before being swept away. He can’t hold it in anymore, Sora drops to his knees and screams. He wouldn’t have made it this far without all of them, but now they’re gone. Sora drops his keyblade, then is swept away.

He arrives in the final world and gets his task from chirithy. In the beginning he feels so defeated, then encounters Namine. Instead of her telling him that Kairi is keeping him together, Namine says that she can feel everyone connected to him doing their part. Sora has done so much to try and keep everybody safe and spent all this time with them during their adventure that it’s only natural that they would believe in him. Now Sora feels a twinge of guilt, he gave up way too soon. No way he can let that slide. He was going to make it up to them for this second chance. Sora tells Namine about all of these flooding emotions he’s had involving her and everyone else in castle oblivion. Namine is genuinely shocked. Despite the chains being broken, Sora retained the key events. He didn’t look at her like he did back in The World That Never Was. Sora had been talking to her like an old friend he hadn’t seen in years. Sora told Namine that he was going to save everyone, including her. He promised that they were going to get her a body and she had to wait just a bit longer. Namine believed him and said she will try to get in contact with Terra. For a moment it felt like Sora could actually see Namine smile at him instead of just being a star. Sora smiled back and told her thank you, for everything. He ran off to do his job. Namine simply watched and tried not to cry. Their promise really found a way for them to meet again in a way she would’ve never dreamed of. Instead of it fading away. You get oblivion.

Before Sora really starts piecing himself together, he encounters the mystery star, and then an extra star. This extra star follows him around and surprises Sora when it reveals himself to be Roxas. He tells Sora he should’ve expected this since Sora was barely hanging on himself! Sora sheepishly apologizes but Roxas isn’t too bothered by it because he knows it’s temporary. What bothers him is Xion. He tells Sora who she is and the reason he feels hurt when they’re around each other is because of Xion’s connection to himself. Roxas asks Sora to face Xion and embrace that hurt so they can save her. Sora agrees but wonders if he can handle it. So far all fights against her didn’t go well. Roxas tells him not to worry. All he needs Sora to do his try his hardest and Roxas will make up the difference. Sora has no doubt Roxas will and thanks him before heading off. Roxas continues to follow you just so you have someone to talk to. Sora puts himself together and opens a gate to go find the others. Chirihy tells Sora that for future reference not to use the power of waking like he’s about to and explains how incredibly dangerous it is. Sora nods and leaves.

Sora beats up The Lich like usual and Young Xehanort calls him dumb. Everyone gets rescued from the cusp of death, now thoroughly frustrated by how sloppy they were. They’re going full throttle this time.(Oblivion obtained!) The team runs towards the fight again. Aqua and Ven are ready for Terranort but Lingering Will beats them to the punch, taking Terranort away as they fight. The Demon Tide arrives again with heartless and you fight it with the Destiny Trio. The fight has custom team attacks and even a trinity limit. You win and it turns into the hurricane again. Union X keyblades show up. (It’s so cool.) Ventus puts his hand on his heart. He feels oddly happy. All the scenes leading up to the boss rush are the same.

Sora and Riku vs Xigbar and Dark Riku goes off without a hitch. Nothing changes with Xigbar but Dark Riku is different. The original Riku Replica takes over the vessel. It’s clear the other’s could use the help and Vexen is on the good guy’s side so they can make more, is his reasoning. The original Riku goes off to chase Ansem while Rikuplica stays with Sora. He tells Sora it’s nice to see him again and Sora couldn’t agree more. The two of them don’t even have to speak to know exactly where to go next. They rush over to help Mickey, swiftly beating Luxord and freeing him so he can go after Xemnas. Suddenly the war feels like an old grudge match. Sora and Rikuplica vs Larxene and Marluxia. The heroes point their weapons at their foes and tell them this one is for Namine. Marluxia is actually happy Sora finally remembers him. It makes this fight all the sweeter. The fight ends with the heroes win, but at a price. Larxene and Rikuplica had struck each other down at the same time. Sora rushes to his friend who was starting to fade. Rikuplica told him not to feel bad about it. He planned on giving up this vessel after the fight anyway. The only reason he took it was to make sure those two wouldn’t hurt Namine and to fight by Sora’s side again at least once. Rikuplica tells Sora to take care of her before fading away, leaving the vessel. Sora finally remembers Castle Oblivion in its entirety. He simply clenches his fist and accepts the hurt before pressing on.

Ventus and Aqua catch up to Vanitas and Terranort. Aqua demands to know what happened to the armor that appeared earlier and Terranort simply laughs. Enraged, Aqua summons Master’s defender and rushes in to fight. Ventus follows her lead and Sora joins in a few minutes later. While that’s happening, Riku rushes through the maze towards Ansem until he hears a familiar voice. It leads him to dark chains that suspend and crush Lingering Will until he cuts them. The armor is cracked but still functioning. He thanks Riku and starts heading off before Riku stops him. Riku hadn’t told Ven and Aqua but he found something else at Radiant Garden. He pulls out Terra’s wayfinder and gives it to the armor. Riku tells him to go protect what matters and heads off. Things aren’t going to well back at the battle. Terranort manages to break Ven’s keyblade and Vanitas rushes in after Aqua as she tries to save Ven. Sora is quick enough to try and take the hit for both of them but Lingering Will swoops in again to save them. They’re all stunned to see him. Terra thanks Sora for looking after his friends but he can take it from here. Sora nods and manages to escape the battle. Terra tries to convince Ven and Aqua to leave too but they flat out ignore him. They pull out their wayfinders and each one starts to glow. Aqua tells Terra from this point forward they fight as a team. She tosses Ven Master’s Defender and summons her original keyblade. Her and Ventus bring out their armor and stand beside Terra. Now the real fight begins. The fight gives you the same team attacks from the Mirage Arena and each character gets their original command style that transforms into their character exclusive one from bbs. Wingblade, Ghost Drive, and Rockbreaker; while Terranort uses Dark impulse and Vanitas loses his mask and fights like he does in the final phase against Ventus. Vanitas is the first to fall. He nearly beat a Ventus until the boy gained a boost of strength from seemingly nowhere, his swords of light turning into starlight keyblades and striking down Vanitas. He simply laughs, giving Ventus no answer to his many questions about Vanitas. The entire wayfinder trio is know souly focused on Terranort. Refusing to give up, the man summons the chains again and captures them. He goes after Aqua first who almost managed to break free. The others scream her and The Guardian rises from the shadows to save her. It breaks the chains and rips off the bandages. Ven quickly uses the keyblade to wrap Terranort in chains while Lingering Will holds his body down for The Gaurdian to fire his heart out. A massive beam of light shoots up before fading and only leaving the armor. Ven and Aqua are speechless until the armor lifts its helmet to reveal Terra underneath in tears. Ven and Aqua throw their helmets off too and ran into their friends arms. All three of them hugging and crying.

Sora runs right into the middle of Saix and Xion fighting Axel and Kairi. Instinctively he screams out Xion’s name and everything goes quiet. Axel is confused by the name until she finally takes off the hood to reveal the white hair and yellow eyes. His memory starts to reform bit by bit and he grabs his head. Sora and Kairi’s chest both feel heavy but for the first time, Xion doesn’t react. Because of all the experiments, the only thing she has is broken memories and the suffering from them. You begin fighting her alone but to no effect. Sora rememberers Roxas’s words and lets in the pain. Xion comes at him again but stops at the sound of her name, this time with Roxas’s voice coming out of Sora. Xion’s head gets a little fuzzy but it doesn’t break the rampage. Kairi and Axel manage to endure the pain as well and stand with Roxas/Sora. If one voice isn’t enough then they’ll all try calling to her as they knock some sense in into her. Sora/Roxas summons Two Become One. The three are ready. It’s now or never. After an intense 3v2 fight, Xion starts to mentally down in the middle of combat. Then the standard cutscene happens where Xemnas shows up. The only difference being Axel’s keyblade doesn’t break. Xemnas grabs Kairi with his lightning instead of her wrist and leaves. Sora tries running after her best Saix gets in the way until the Seasalt trio pushes him back. Roxas tells Sora to go after Kairi and leave this fight to them. Sora runs off and you basically play the Remind fight but with no Xemnas. It ends the same though.

The battle against the Nort court is the same. Kairi getting shattered is the same, as well as getting into Scala. Xion tells Sora she can still feel Kairi and for him to remember her words. The thirteen armors and Xehanort boss are all the same as well. The only difference I added was a clash that sent both Sora and Xehanort flying backwards. Sora gets up first and has the chance to end it but realizes the good luck charm had fallen to the ground in front of him. Sora picks it up and all the pent up anger frustration he has from Xehanort ruining his and his and friends lives gets put on a leash. Sora remembers Kairi’s words about never losing his smile. He can’t help but get emotional and once again asks Xehanort what was the point of any of this. Xehanort gives his speech about balance and the entire scene and plays out like normal. Next major change is the end. Riku and Mickey convince Sora to not use the Power of Waking right off the bat, fearing the consequences. Sora listens to their idea to see Yen Sid but even he isn’t sure how to get Kairi back but they’ll do their best to find her. Sora leaves to get some air outside. Riku can’t help but follow him outside minutes later and finds Sora looking at his keyblade. He calls out Sora’s name and the boy turns around and does a smile similar to when he released his heart in Hollow Bastion. Riku knows Sora better than he knows himself. He doesn’t even try to stop Sora, but tells him to be careful. Sora puffs out his chest and says he’ll be back with Kairi in no time at all. Sora asks Riku to tell the others thanks and not to worry before opening up a gate and walking through. The ending sequence plays out the same and then the credits roll.

ReMind is a bonus episode after getting the secret reports and nothing in it changes because it’s perfectly fine. The only added thing we get is Sora giving back the lucky charm before he fades away, telling Kairi to be sure and bring it back to him. Limit cut and secret episodes are DLC or more extra stuff but yeah, I’m done.

In Summary:Kingdom Hearts 3, but the characters interact with each other and are allowed to feel multiple emotions at a time for extended periods of time. I know I sound like I’m punching down on this game but I genuinely do love this franchise since forever and I have strong feelings about almost everything to do with it. Which is why I’m bummed that KH3 is like my least favorite kingdom hearts game. It has good things in it but falls short on so many scenes and opportunities. This soft rewrite was literally me taking 92% of what the game already had in it and rearranging it to create various new situations that inevitably end the same way it does in the actual game. So yeah I give this game a 7/13 I’m still buying every game though 💀 (I’m not getting into any of my ideas of how kh3 could’ve gone before we knew too much about it. Now that’s a rewrite!)

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tarotnoob · 3 years

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I have been following you since the beginning and always checking ur new posts, however I realized I know nothing about you, without any pressure share anything about you, whether it be your tarot journey or what u do as a living or anything else ❤

thanks for asking.

i thought about this when i read it and why i don’t share too much or if there was anything of interest to say. i used to be interesting when i was younger. some basics - i’m an older millennial, i’m american. i went to grad school in the uk. i was in LA for a bit but stuff got screwed up bc of covid. i am applying for some jobs on the east coast atm. i’ve been doing tarot for not quite a year yet. the blog was started in... july? forget. i’m a writer by trade. i’ve written fanfic in the naruto fandom for AGES, but my degrees are in news print journalism and creative writing. i’ve also written for magazines. mostly i’ve been in marketing for various colleges, typically copywriting or managing their social media. i’m pretty normal but i have a lot of nerdy hobbies. i like anime, i like kdramas. i won’t say i like kpop but i like bts a lot. i just finished watching mandalorian. hm. i am a gemini but i can tell my mind/mouth are very earth lol. i’ve been working on my self for a year since i started tarot. once i got into tarot i started doing a lot more nightly meditations and became more open to the law of attraction and such - but i was always into tarot and supernatural things.

i’m pretty annoying and self righteous as i think about it. i usually pick fights with people bullying others. i went to the jingle ball in LA last year and this karen (before we had a word for it) was annoying the young girl sitting next to me because she was standing at a -gasp- concert. and then she proceeded to insult the girl as well as myself after i stood up for her. even tho this karen had brought children and then went on to blame us for her children crying despite the fact she was being a major bitch and i told her the only reason they’re crying is because their mother is such an entitled embarrassment.

so i get very naruto-y. like i said - i wrote in naruto fandom (a specific ship heh) for a very long time. and i had a lot of accounts associated with that but it’s how i met my bad ex and he stalked and harassed me a lot so i had to delete almost every account to get away from him. so, probably why i try to keep it on the DL here since he was effing nuts. plus i try to keep it about tarot. tho i think at the start i shared more? holidays had me a little busy. i don’t particularly even like christmas for the simple reason i’m always poor and you can never enjoy it bc ur too busy trying to buy presents and find money and there’s always drama -

i’m glad it’s over. new year’s is tolerable. i travel a lot but i haven’t since covid since i’m around family a lot and i don’t want to get anyone sick.

other than that, dunno. you’re always welcome to ask stuff as i’m pretty transparent. i appreciate you asking tho. it’s weird how when people are thoughtful it ends up feeling like a surprise yknow. however, i’ve found that people online when you have carved out a niche can be rather supportive and caring. granted, they can be the opposite. but. i appreciate the ask. i hope you are well and enjoying the blog, you seem to have nice energy so i hope things are going well for you and if good vibes can be sent, i hope something super awesome happens to you soon *sends it off*

#ask #anon #personal

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d-n-battle · 4 years

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You know... it’s not so much that I hate Naruhina and Sasusaku...

It’s more like I just really don’t get how anyone can really like these pairings?? Like I really just don’t understand the appeal???

Like did I really watch the same series as all you Naruhina and Sasusaku shippers????

Y’all: aaawww look at all of these Naruto and Hinata scenes, he clearly loves her sooo much <3 <3 <3🥰😍😌

Me: bitch where????😂😂😂

(Literally, I could make the exact same joke about Sasusaku)

Like, is it just me, or are these two ships literally just about the girls’ feelings???

I mean I’d be totally fine with these two couples, if they didn’t put this emphasis on the girls, and completely ignore the guys...

I mean ok - serious time now - can the Sasusaku shippers and Naruhina shippers show me any evidence from the anime (or manga if you’re a reader) of Naruto and Sasuke returning Hinata and Sakura’s feelings respectively???

Again, I want to reiterate that this is a genuine request, I’m not trying to poke fun with this one. I’m just genuinely curious as to what you guys can dig up. (But also, side note - please refrain from using the films or Boruto as I haven’t watched them yet. I honestly don’t think I’m even gonna watch Boruto, cause I’m not a big fan of like spin off series, so yeah...But anything from the 720 anime episodes, or any of the manga chapters is fine.)

Anyway, back to my point.

Relationships are about two or more people coming together because they recognise that they have romantic feelings towards each other.

Which is exactly why I, like I’ve said already, don’t understand how Naruhina and Sasusaku are supposed to work???

Like yeah, Sakura and Hinata both like/love Sasuke and Naruto.

But when have Sasuka and Naruto expressed that they like them back in that way???

I mean as a whole the show was never even about romance, sure there were hints at possible relationships throughout, but that was never the point of the show.

I mean I feel like this all harkens back to some points I’ve already seen made by other people, but like why is romance necessary in this situation???

.....siiiiiigh.....😒

Because what else are female characters for??? If not to fawn over the male character then really what are they for??? I mean it’s not like they’re meant to represent real life people just like the male characters right??? It’s not like they’re meant to actually have well fleshed out characters with goals that don’t revolve around getting the guy of their dreams to notice them right??? Nooo, of course not, don’t be ridiculous....

I am seriously just soooo done with this bullshit. Like I’ll be the first to admit that Hinata and Sakura are not my favourite characters, but I mean it’s not like that’s really their fault now is it??? I mean they honestly both had a lot of potential. Like, seriously, soooooo much potential. I’m being completely honest here, I was well and truly so disappointed by how these two girls’ character potential was squandered 😔😔😔

And all for the sake of fullfilling their ‘true’ purpose in the show....

And don’t even try to give me the excuse that because Naruto is a shounen anime aimed at a primarily male audience, female characters can’t be feutured as anything besides the love interst. Like what kind of shit is that - so guys can’t even enjoy female characters unless they’re lusting after the male characters they like to insert themselves into???? I mean if you really think that then you must really hate guys.

Like I’m sorry but that just makes men sound like shit. It makes them sound like they only view women as people who belong to them, and are only relevant when it comes to how they are connected to men.

Women are their own goddamm people!!! They don’t exist solely to appease men!!!

As I woman, I have had to put up with this shit for years, and I am so done with it. If guys get to have characters that represent them in almost every piece of media out there, then why don’t women get to have the same treatment??? We make up a whole half of the entire goddamn population!!!

Honeslty, a bitch is soooooo mad about this 😡😡😡(thag bitch being me of course)

And what I’m also super mad about is that these two relationships imply that the guys feelings are completely irrelevant. Like I’m sorry but no amount of Sakura liking/loving Sasuke makes it okay for her to end up with him - if he doesn’t feel anywhere near the same amount of love or appreciation for her. And the same can be applied to Hinata and Naruto.

This outcome also forces everyone to just completely ignore/forget the fact that Naruto and Sasuke are completely unready to be in a relationship with anyone.

Like, yeah I’m gonna admit here that I am indeed a Narusasu shipper, but I’ll also admit that I dead ass don’t think they’d even be ready for a relationship with each other.

I mean the war and everything else just completely messed them both up, so they would both probably need some time to heal. And knowing those two, it would most likely take quite a while before they’re anywhere near healed enough to date - let alone fucking marry - anyone.

And, also (so that I’m not accused of favouritism towards the boys) - what about Sakura and Himata and the shit that they themselves experienced??? I mean Hinata had to watch her cousin die in front of her - that’s gotta mess you up. And Sakura was a medic - there’s no imagining the shit she must have seen.

War messes people up for a long time, and bassed off of what I’ve heard of Boruto - the timeline implies that these two couples got married and had kids pretty soon after the war.

That. Does. Not. Add. Up. Sis!!!!!

Honestly, the series should have just had what I like to call an ‘open ending’. This is where pretty much everything is left (you guessed it) out in the open. By everything I mean like the final relationships and stuff like the minutiae of the story. Unless, your story is a romance story in which case the romance is the most important thing, but as we’ve established- this is not the case with Naruto.

If you don’t explicitly state that characters X and Y are married with 2.5 kids, everyone who would dislike that as an outcome is free to think that they didn’t.

Like seriously, the whole point of using the line “and they lived happily ever after”, is so that you can leave the ending open to the interpretation of the audience. That’s why I’ve never liked being told how they lived happily ever after.

Because, ultimately everyone has different ideas of what happy looks like.

Some people want to get married because that’s what would make them happy, and for some marriage would achieve the opposite. It’s the same case with having children. Or what job you wanna have.

I mean really, there is soooo many different ideas of what happy looks like.

So why limit yourself and more importantly your audience/readers????

I mean think about it like this. The purpose of a main character is basically to give us a point of view of the story through which we can be influenced. That’s why a lot of the time they don’t really have distinct personality traits - so that the reader can project their own onto them. That way the reader/audience member is able to immerse themselves in the story. We are allowed to image that the main character is us. That’s why we get angry when they do something we don’t like, our first thought is - “well, I wouldn’t have done that...”. So image how disconnected you would feel, from a character who makes a big decision that you don’t agree with. Like say, getting married, when you yourself can’t imagine yourself getting married??? Or say, getting married to someone who you yourself wouldn’t want to get married to???

I think that’s the real issues in case of Naruhina and Sasusake. The majority of us - who are clearly of sound minds - would not want to marry Hinata, Sakura, or even Naruto and Sasuke. Most likely because their characters often times feel like caricatures of people, instead of real life people. They feel somehow unfinished, and so we have a harder time seing the bigger picture, and how these big decisions they have made are supposed to make sense.

Okay, I feel like I’ve rambled enough. I leave you with this -

I don’t mean to offend anyone with this post, and so I hope I haven’t/didn’t/won’t. I’m truly just stating my opinion here. If you don’t agree with anything I’ve said here, please do let me know; I’ll always appreciate constructive criticism.

I will always love Naruto. But in order to truly love something you have to also recognise it as flawed. And this was simply me pointing out some of the things which I perceive as flaws of the show/manga.

Please, don’t think of this post, or any others which I might make in the future, as hate posts. As I’ve said, I do love the show/manga - but that doesn’t make me unwilling to crique it.

Alrighty, this is where I actually end the rant.

Thanks for coming y’all,

Love,

Danny

#boy this took a while #almost as long as it’s taking me to re-watch Naruto #this really isn’t an anti post #please dont hate me #sasusaku #naruhina #sasunarusasu #I really do love this show ya know???

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olliya · 4 years

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How popular is MadaSaku in context of other Madara’s and Sakura’s ships? Part 2 - revamped

Thank you @purple-possibilities for your suggestions about searches of multi-words phrases on ff.net. Putting the phrase between quotation marks worked and I could include 4 additional phrases into searches for each ship!

Additionally, I noticed and error! Grrrr... Even though I took under consideration that Tobisaku may mean Tobirama x Sakura and Obito x Sakura, later on I switched from manual to automatic layout of formulas in my excel. And, of course, automatic layout had no clue about Obito/Tobi thing...

So, important errata: Tobirama had only 13 fics (as opposed to 31 which I reported) according to Ship Names Searches. I corrected it also in the original post.

I’m posting the improved version below, but for those who are not into reading this again: Including additional Ship Names in my search didn’t change much. Lee and Ino switched places 6th and 7th, Madara x OC ship gained a lot of entries, but not enough for a position change, and that’s basically it.

Finding the popularity of ships on ff.net is both easier and more complicated, depending how do you approach the problem.

Let’s break down the task into two parts.

Approach 1

FF.net has a Pairing Option that was introduced in October 2013. This function makes the names of characters appear in square bracket, for example: [Madara U., Sakura H.] indicating that those characters form a romantic pair in a given fic.

When using Filters (Figure 1.a.) after choosing the character of interest, one can tick the Pairing Option, and then browse (using up and down arrows) through all the characters of the fandom. The number of fics tagged with Pairing Option between the character of interest (here: Madara) and every character B (here: Sakura) appear on the bottom of the panel (Figure 1.b.).

Data gathered through browsing through all of the Naruto characters with Pairing Option On give unequivocal results. The only limitations of this method is the relatively late introduction time point of Pairing Option (introduced in 2013, while Naruto started publishing in 1999), and sometimes peculiar definitions of “Characters” on ff.net (example: Naruko as a separate character, “Team 7” as a “Character”).

Results for Madara and Sakura are presented below (Figures 2. and 3.) For clarity, ships with four or more fics are shown for Madara. In case of Sakura, all the ships with >4 fics in a graph would blur the picture. Therefore, her Top 20 ships are presented in Figure 3., and the rest is summarized in the Table 1. The analysis was performed on 22.10.2019.

However, ff.net was launched on 15.10.1998 (which precedes publication of Naruto by one year) so there is a 14 year-worth of fic creation when the Pairing Option wasn’t available. To get the complete overview of ship popularity it is necessary to include the body of work created in the earlier years of ff.net.

This issue was addressed through Approach 2.

Approach 2

During the period of 1998-2013 fics were labelled with ship names in the summaries, and readers would look for ships of interest typing ship name into the search box. During those times certain conventional phrases were coined for the ships, and putting those in the summary allowed potential readers to find the story. Searching ff.net using selected phrases and collecting the corresponding fic numbers gives insight into those part of fanworks. Employment of search engine is shown in Figure 4. on the example of phrase “madasaku”.

I performed searches for common ships, basing the list on the ships with 4 or more fics as found using Pairing Option (see: section above).

I searched for the phrases that were and still are still commonly used ship names in Naruto fandom.

In general, there are three common ways to indicate a ship:

a) Merger of names, usually using first two syllables of both names, usually (but not always) with male name being first part of the phrase. Example: madasaku, and (less commonly used) sakumada. For the M/M and F/F couples, both orders are used, and it is impossible to predict which form is more common. Example: sakuhina and hinasaku would be used with similar frequency. In case of names composed of two syllables or shorter, one syllable is often used.

b) Name_1xName_2 – complete names of characters separated by letter “x”, without spaces in between. There is no strict preference as to which name goes first more frequently, i.e. sakuraxmadara is equally plausible as madaraxsakura.

The same naming scheme exists also in a version with spaces (example: Madara x Sakura). Searching for such phrases (and all phrases including spaces) required putting the Ship Name between quotation marks (”Madara x Sakura”).

c) A combination of the above, i.e. shortened versions of names connected with an “x”; with spaces (example: mada x saku) and without spaces (madaxsaku - again searched using apostrophes)

Search engine of ff.net is case-insensitive, i.e. searching for “madasaku” will bring the same results as searching for “Madasaku” and “MadaSaku” (thank gods).

Naming convention that is common on AO3, i.e. separating character names with slash “/”, isn’t correctly recognized by search engine. If the phrase is written without usage of spaces (example: Madara/Sakura) the search results in list of fics containing “Madara” and “Sakura”, not necessary together (slash symbol gets ignored). When phrase “Madara/Sakura” is searched with quotation marks, slash still gets ignored and results include all entries with any symbol between the names. Therefore, the ship names weren’t included in this analysis.

Other potential ship names variations (using “*”, using “&”, and surely a multitude of others variants that I couldn’t think of) were not included due to their relative infrequency (and limits to my capacity and imagination).

For every ship included in the results of Approach 1 (total 43 searches for Sakura’s ships, and 12 searches for Madara’s ships), I searched for the following phrases (on example of MadaSaku ship):

madasaku

sakumada

madaraxsakura

sakuraxmadara

madaxsaku

sakuxmada

madara x sakura

sakura x madara

mada x saku

saku x mada

Certain ship names don’t follow the usual rules and/or required special treatment. For example, for the ship Gaara/Haruno Sakura the common name merger is GaaSaku (and not GaaraSaku). Tsunade/ Haruno Sakura is equally often (or rarely, because it is very rare) abbreviated to TsuSaku and Tsunasaku. Fics tagged with TobiSaku name merger may mean Senju Tobirama/Haruno Sakura as well as Tobi (Obito’s persona)/Haruno Sakura – in this case, fics were manually inspected, and assigned to correct categories. Ship with Naruko (which scored relatively high in Pairing Option analysis), was not possible to correctly assess, because the merger name “narusaku” is identical for the merger of Uzumaki Naruto/Haruno Sakura (for good reasons).

All the fics for given pair were summed up (i.e. for Uchiha Madara/Haruno Sakura ship the fic numbers retrieved through searches for “madasaku”, “sakumada”, “madaraxsakura”, “sakuraxmadara”, “madaxsaku”, “sakuxmada” “madara x sakura”, “sakura x madara”, “mada x saku” and “saku x mada” were added together). The obtained results will be referred to as those of “Ship Name” in this analysis.

Results for Madara and Sakura are presented below (Figures 5. and 6.). In case of Sakura, including all the examined ships in a graph would blur the picture. Therefore, her Top 20 ships are presented in Figure 6., and the rest is summarized in the Table 2. The analysis was performed on 22.10.2019. The additionally searches performed on 31.12.2019 did not take under consideration fics published after 22.10.2019, to reflect the state of fandom on the day of main analysis.

This list presented in Table 2 is not a comprehensive one. There are certainly more ships with >10 fics that were not included. One prominent, detected example is Chōji, who has 13 fics in as a ship partner of Sakura, but was not included in Table 2 because according to the Pairing Option he had no fics with Sakura.

Limitations of the method

Employed method depends on performing six independent searches and summing up the numbers from those searches. A fic tagged with more than one of the searched phrases will be counted multiple times. For example: if a fic contained phrases “MadaSaku” and “MadaraxSakura” in its summary, it was counted twice. In extreme case, one fic would generate ten data points: one real, and nine false.

Nevertheless, since the same treatment was applied to all the pairings, the errors should be distributed in the same way across all the ships. Therefore, even if the numerical values obtained through this analysis don’t necessarily correspond to reality, the results should reflect respective relations between the ships (i.e. “ranking” should be correct). This assumption is true however only if all the subdivisions of the fandom follow the same customs and tagging etiquette. I.e. if creators writing for SasuSaku followed a habit of including only one Ship Name in their summaries, while creators of MadaSaku tended to include multiple Ship Names, then my method of analysis would overestimate the significance of MadaSaku ship. However, I am not aware about such trends existing in Naruto fandom.

Additionally, Ship Name tagging system allows for tagging infinite number of ships in one fic, therefore certain fics have been counted multiple times.

Discussion

When considering fics tagged with Pairing Option, Sakura ranks as Madara’s second most popular ship partner, after Hashirama and before Tobirama. As on AO3, it is telling that a relatively “exotic” pairing with OC ranks 4th among Madara’s ships.

Madara is the 9th most popular ship partner of Sakura. Comparing and contrasting Sakura’s data between ff.net and AO3 would be an interesting analysis in its own right, but here I will only point out the switch of positions between Naruto and Kakashi as Sakura’s ship partners (Naruto is a strong 2nd on ff.net, while Kakashi takes this position on AO3); and relatively low, 7th place of Ino (strong 4th on AO3).

When taking into account data gathered though Ship Names Searches, Sakura ranks as Madara’s 2nd most popular ship partner (after Hashirama and before OC).

Madara, on the other hand is Sakura’s 15th most popular ship partner. Since Ship Names Searches results are mostly derived from fics published in earlier years in Naruto fandom, his lower place can be explained by his very late appearance in the franchise (on-panel in February 2008 - almost 9 years after Naruto started publishing and in person in the story in October 2011 - 12 years after begin of publishing).

Data gathered in this analysis present a unique opportunity for looking into the development of ship popularity over time.

Results from Pairing Option reflect mostly the state of fandom in years 2013-2019, while the results from Ship Names Search show the status from the earlier years. The exact division is however somewhat blurred as some fics published before October 2013 has been retroactively tagged using Pairing Option (even if the majority of older fics remain untagged). The reverse is also true – many fics published after introduction of Pairing Option, even as recently as end of 2019, fail to use it. Additionally, many fics are tagged using both systems: the Pairing Option and Ship Name in summary.

Nevertheless one can tentatively regard Pairing Option results as “new”, or “current” ones, while the ones coming from the Ship Names Searches as “older” ones.

Figure 7. presents position changes in Top 12 Madara’s ships. Ranking from Pairing Option analysis was regarded as current and compared to the “older” ranking composed from all the fics tagged with Ship Names (regardless their publishing date). A positive value in the Figure 7. indicates a gain of popularity, for example: Tobirama gained 2 positions among Madara’s ships when comparing the “current” and “older” results.

This analysis reveals that certain ships (with Tobirama, Naruto and Hinata) gained, while ships with OC and Itachi lost on popularity. Dramatic loss of Itachi ship popularity is very interesting and one can speculated that it could be caused by Tobi/Obito reveal.

The same analysis was performed for Sakura’s ships and is presented in Figure 8.

Inspecting changes in Sakura ships’ rankings allows for several interesting observations. Minato, Shisui, Madara and Sasori are among greater winners. It is symptomatic that all, except Sasori, are characters that appeared (or became relevant) later during the franchise. Among the characters losing in popularity as Sakura’s ship partners are members of Konoha Eleven (Lee, Kiba, Sai, Neji), an Akatsuki member (Deidara) and OC. It should also be noted that five top positions (Sasuke, Naruto, Kakashi, Itachi and Gaara) remained unchanged.

To further examine the “current” and “older” state of fandom, upon harvesting Ship Names data I sorted the fics according to publication date and took note of how many fics were published before and how many after 01.10.2013 (approximate date of introduction of Pairing Option tool).

If one repeats the analysis from Figures 7. and 8. considering only fics published before 01.10.2013 as “older” ones, the following pictures appears (Figure 9. and 10.):

Using this definition of “older” fics (i.e. fics tagged with Ship Names that were published until October 2013), the gain of popularity of Tobirama ship becomes even more evident (gain of 7 positions). Ships with Itachi (as in the previous analysis) and Sasuke (undetected in the previous analysis) lost on popularity.

Sakura ships’ dynamics according to this definition of “older” fics show even more pronounced positions’ gains of Minato and Shisui, but otherwise similar trends to previous analysis.

Analysis of ship popularity on ff.net is a challenging one, but since this platform was, and still is main archive for Naruto fandom (407 thousands fics vs 49 thousand on AO3) it is important to address this issue even if methodology is far from perfect.

I am open to all the comments, suggestions and hints, as the data collection was a major effort and I’m sure that this data can be used in many other different ways.

And, your feedback showed me that people are interested in such stuff. Thank you for this!!! I have at least three further ideas for analysis, and now, when I have some experience and first insight into data, it will be easier.

#multisaku #madasaku #fandom statistics #naruto stats

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natsubeatsrock · 5 years

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Opinions I’ll Probably get Stoned For: My Hero Academia Edition

Happy Not Fairy Tail Month! Regardless of whether or not we still celebrate Fairy Tail now, I’ve always loved celebrating this time. My first year posting launched Quick Notes as a continuing series. The next year, I released 10 long posts to celebrate Fairy Tail’s 10th anniversary, including some of my favorite posts. Two years ago, I posted one of these every day for a stretch of time as Fairy Tail ended.

Of course, with Fairy Tail over, I figured I ought to So starting last year, I used this time to take a break from Fairy Tail to talk about some other series I’ve wanted to talk about. In the same vein, I’ve decided to apply the series I’m most well known for to a couple of my favorite series and franchises. I guess I’ll be releasing these every Wednesday Friday for the next few weeks. As the title implies, I’m going to be doing this for the current shonen darling of the anime community. Nothing in this should be considered hilariously spoilers for the anime.

And, because I haven’t done one of these in a while and I know this particular issue is pretty contentious among fans, here’s an example of this for the uninitiated:

I refer to the series as MHA because BNHA is for weebs.

Let’s go!

It’s not that I like Mineta. I feel as though my energy is better used hoping he gets redeemed than hating his mere existence.

LET. ENDEAVOR. GET. REDEEMED!

Izuocha is the cutest ship I can remember seeing in anime. It only makes sense that Tumblr underrates this ship, calls it boring, and expects some other Midoriya ship to happen over it.

Momo Yaoyorozu is fine as is and needs no changes from fans. Whatever you think this refers to, yes.

I don’t have a good ship for Bakugo.

Congrats! This fandom is worse than Fairy Tail and probably Naruto.

I still can’t get over Izuku Midoriya being called “Deku”, despite that being his hero name.

Midoriya is still a good character. Yeah, I’m shocked this can be counted as one of these opinions.

The people who consider MHA to be “subversive” or “deconstructive” of shonen action series miss how those labels better apply to its handling of the concept of a world where superpowers are the norm.

I cannot stand Monoma. The fact that people like him and not Mineta annoys me. Mineta’s annoyingly pervy, but I can’t deal with actual bullies like Monoma.

I don’t have particularly strong feelings for/against fan changes to costumes, aside from aesthetic dislikes. The one thing that annoys me is the addition of armor. You’d think the costumes have some basic level of protection on their own.

“Dabi is a Todoroki” feels so heavily implied it’s almost annoying to see brought up ever.

I’m glad there’s not too much beef between Momo and Kendou.

I’m not saying that Hagakure is the worst girl out of Class 1-A. I’m just saying she’s least best girl out of everyone in Class 1-A, by virtue of me not being willing to pick anyone to be under her.

I like the manga, but MHA works better as an anime.

Shinsou is kind of overrated. I like him, but I don’t love him the way the rest of the fandom does.

The people who called Ochako the worst WSJ heroine are weak. Especially if the list was history-based. That honor is specially reserved for Misa Amane.

I don’t know what to tell people who complain about the cast size. You signed up for an anime set in a school, what did you expect?

The comparison to Bakugo and Sasuke should have died once he decided to side with the villains. He’s closer to the next Vegeta and that’s even up for debate.

Like I said, I have a couple series I want to do this with through the month, in addition to other posts. See you!

#my hero academia #let the stones fly!#not fairy tail month: the sequel #okay fine #boku no hero academia #and yes #i know this fandom is pretty bad #but i've kicked plenty of hornet's nests #and live to tell the tale #i think i'll be okay #now if you'll excuse me

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hypeathon · 5 years

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RWBY - Volume 6, Chapter 10 Production Analysis

Previous Volume 6 Production Analysis Posts:

Chapters one, two, three, four, five, six, seven, eight & nine

The first RWBY episode of 2019 also marks what seems to be the beginning of the last act of this volume. By now, this usually means action sequences and coordination and entanglement between various characters. But how does all of that hold up in this chapter’s presentation?

Since the first scene in this episode involves a cooperative operation between the main cast and Saphron’s family, now is as good of a time as any to go into one character in particular. Adrian is... a fascinating character to put simply, though it’s not just because of what he’s capable of but also because of how he exists. Though not common, models of kids and animals have existed before in the show, but never a fully rigged model of an infant. The closest instance there was of one prior was in the premiere chapter of this volume and even then, the model wasn’t really moving at all. Given his body size, it would not be surprising if Adrian’s model was entirely key-animated which can potentially lead to some awkward motion to make a baby’s fidgety nature look and feel right. But not as much has been needed out of Adrian’s animation outside of a few giggles and small gestures, with one exception of course but more on that in a bit. One last note, Adrian has an actual “voice actor” despite not having any audible words named Lucella Wren Clary who is actually lead producer for volume 6, Joe Clary’s baby daughter.

Going back to Adrian’s animation, the whole opening scene with him, Saphron, Weiss and Caroline was animated by Colin McAtee, Alex Hoyle, Vince Cappelluti and Hannah McCravy. Most of these animators, have been mentioned before through these analyses with the exception of Alex, who confirmed to specifically have done the cut with the Nubuck guards trying to tend to Adrian’s fake crying whereas Colin supposedly animated the cuts that came right before and after. Colin also stated that Kerry Shawcross gave them quite a bit of freedom regarding how to animate the characters. Since Kerry became the main director of the show back in 2015, he has been accused of having a draconian grip over what animators are or are not allowed to convey, namely with fight scenes. This has stemmed from some critics wanting a justification to point fingers at someone for not having certain aspects of the show be as ideal as they want without needing to spend time fact-checking. The reality is that Kerry will always have a vision for how he wants a given scene to be expressed, he simply needs to as the director. However, he is willing to let any animators assigned to a scene (as well as storyboard artist, camera layout artists and whoever else involved) to provide their own creative input to depending on the scene. With some exceptions, he’s actually more easy-going with action sequences than dialogue ones, the latter involves the animators being more precise with character acting (and the animators themselves don’t usually mind it either). So to see confirmation that he gave the assigned animators more creative freedom with the Adrian distraction scene is an interesting change of pace.

In the next scene at the cliff side, there is concept art accompanied with a couple of set design notes. First is, “boulders cover path & jut up from rock wall along entire cliff side” while the other says, “Path width: 20-30 ft, tree height: 30 ft”. In the first place, these design notes are likely to provide details for environment modeling team to maintain the dimensions and key features of a given setting. That said, these same pieces of information can also help give an idea as to what is in store for the story from here on. Between the boulders and trees, they may potentially serve as cover for the main cast once they start fighting Cordovin’s mech. It’s also possible that the height of the trees specifically may serve for another fight within this episode, but more on that later. One other quick thing to mention are the splash effects at the bottom of the cliff side. Splashes have been done before in the show, but given the setting, it’s appropriately presented with more nuance.

Taking a moment to skip ahead, this is a good opportunity to touch on the visual effects in this episode a bit. More specifically, the effects when Cordovin fires the warning shot from her mech. There is a lot of great timing with the build-up where the ball of energy swells up in small bursts within the cannon while a shock wave releases to help sell that effect. The small shock waves themselves also dissolve into particles which were an interesting touch. The swelling ball also has two bits of animation going on in which the layer of roundish shapes give off a backspin while the slender pen-stroke like shapes spin to the left. The best comparison to make would be the way veteran animator of the Pokemon franchise, Masaaki Iwane, animates effects such as explosions and flames. Iwane very similarly uses that swelling build-up effect in many instances such as this sequence in Pokemon: Mewtwo Strikes Back and this one (about 54 seconds in) from Pokemon: Spell of the Unknown. Describing all of this is frankly very difficult but that is simply a testament to how intricately handled the visual effect itself is from just one cut alone. This is not even counting the next cut of when the cannon fires. From then on, there is an extended swelling effect from the ball of energy as well as small sparks appearing in the form of particles and streams. Once the cannon does fire, we see a couple of split-second white flashes on the screen. This is honestly the only part where a small opportunity was missed to capitalize on the effect and apply something called impact frames. They are basically effects in the form of a few frames that are inverted in color to make a sort of flash to help give off the sense of impact as the name suggests. The white flashes from when the cannon fired almost did something like this and could have benefited from adding say, a more blackened silhouette of the mech and the burst from the cannon, similar to what was seen in these stills which may have come from this sequence in Naruto Shippuden.

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Despite calling the lack of impact frames a missed opportunity, it’s also nitpicking, as it doesn’t take away from the outstanding work done in just one instance. It is hard to tell how much of each aspect of the moment was due to the visual effects team or the compositing team or whether 2-D Effects artist, Myke Chapman had any part at all in say, the sparks all over the control panels in the ship Weiss and Maria hijacked. Regardless, this is the most creatively handled work from those departments done yet, outmatching that of the electricity swirling around Hazel’s arms in volume 5 or Cinder’s wind column in chapter 5 of this volume.

With all of that gushing of the effects out of the way for now, let’s rewind back to a scene with Maria and Weiss being found out by Cordovin. In terms of animation, there was one bit of confirmation from Nyle Pierson and what he contributed to this episode, that being the comedic and now meme-worthy part where Maria is chewing cashews. If you recall, Nyle was also the one that confirmed to have animated Ruby’s reaction to seeing Jaune’s sister as well as Blake and Yang treading through the snowstorm to the shed. With three confirmed sequences, this should help give a small idea of how he animates. His timing with character acting can be a bit comparable to Hannah Novotny’s in terms of how he applies small bits of anticipatory action before body gestures or head shifts. That said, they don’t approach animating mouths and eye pupils the same. Where Hannah is more likely to shrink the pupils and makes a snarl mouth shape when say, characters get angry (in fact, she may have animated Cordovin threatening Maria through the intercom), Nyle keeps pupils fairly dilated and the mouth movements can be similar to characters in various Sonic the Hedgehog games.

One aspect of this episode’s production that has been neglected are the storyboards and that’s because there was not much to highlight. Or rather, it was a struggle to find anything to bring up. Part of the problem was that aside from a couple of having establishing shots that make note of the terrain of the different characters and Qrow being framed at certain moments to show him being opposed to everyone else’s plan, the visual direction felt standard overall. There was one fairly clever instance of Qrow blaming himself where the main cast were several feet away from him, only for Ruby to wind up in front of him a few shots later after talking some sense into him (along with an interesting “misty” effect likely from the compositing). Other than that, not much else. That is not meant to be taken as a criticism so much as an observation. Not every episode needs to hit it right out of the park, as this one served as mostly a build-up episode. That said, there’s also the matter that in this episode, there were six storyboard artists which makes this and chapter 2 the most credited. This is strange because usually, an episode will vary from 3-5 storyboard artists and the number is never really dependent on episode length either. Chapter 3, the longest episode in the series (not counting credits) had only Rachel Doda, Kevin Harger and Mari Yang credited while chapter 4 which served as a transition episode, ran only at 13 in-a-half minutes and had all of the previously mentioned names as well as Emily Little, making for four artists. It’s honestly unclear as to why this type of pattern occurs aside from maybe scheduling.

Moving on to the last segment of this episode, we have the start of a fight sequence between Blake and Adam. As much praise as there was with the effects from the cannon fire prior, the moment where Adam launched his attack at Blake was nothing to sniff at either. The attack came with everything expected from what Adam has done before where the screen dims and parts of his body glow. But this time, some black and red-colored spark effects were added which have never been done before and thus gave off an extra menacing feel. The effects of the slicing wave were also a little different from his character short where in that instance, it felt more like a stream of wind. Here though, the shapes are more defined with a heavy blur layered on top. Then there’s the animation. The only animator confirmed to have had a part in Adam and Blake’s fight this episode was John Yang who very likely animated this segment, though it’s unclear whether he animated anything after that though. John has been involved with the show since volume 5 and some of his previous sequences include Blake firing on Ilia which came prior to Kim Newman’s sequence, Oscar vs Leo, Ozpin vs Hazel, and part of Maria vs the bandits. In the chapter 1 production analysis, I speculated that he may have done Oscar leaping from train car to train car to get to Dudley. After some observation, I’m more convinced that he actually animated Qrow’s initial fight against the Sphinx Grimm and Ruby and Weiss helping Oscar defeat the Manticore Grimm. The way John times movement is with a brief but explicit sense of anticipatory action before each strike and movement is suddenly unleashed. The movements and strikes feel swift but intense in ways that feel a bit similar to animation director for volume 6, Joel Mann. In fact, John’s sense of timing can be compared to animator Yuya Takahashi who depending on whp you talk to, is known for contributing to various fan-favorite sequences in both Dragon Ball Super and Fairy Tail.

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All of that aside, one last thing of note towards the end of the sequence were the cold-air effects when Blake and Adam spoke their lines, likely done by the compositing team. This was a neat touch in that it helped indicate the temperature of where they are. It’s one of those neat attention to details that along with the dust particles showing through the light in Lionheart’s office in chapter 1 of volume 5, many viewers would not think of acknowledge but none-the-less add a touch to the atmosphere.

That marks the end of this production analysis. This one was admittedly a bit more scarce and scattered in terms of what to talk about, but the parts that were noteworthy through the presentation definitely had much to breakdown. With the first of what seems to be a set of action-oriented episodes out of the way serving as build-up, we seem to be in for a bit of a wild ride as teased by assistant lead animator, Melanie Stern. Here’s hoping that there will be quite a bit more to touch on through the production of the next chapter.

#rwby #rwby6 #rwby spoilers #rwby analysis #crwby #production analysis #production #analysis #john yang #john #yang #nyle pierson #nyle #pierson

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ronitas · 5 years

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Ok welcome to my Kingdom hearts blog where my motto is FDB Kairi, Vanitas and Sora deserved better, Repliku deserved to be with Namine or at least say goodbye to her before disappearing, Sora and Riku shared the paopu first and the ending of kh3 is the result of the paopu gods being pissed because Sora shared the paopu with another and you cant tell me otherwise, Soriku is canon fars Im concerned and every Sokai moment in this game was awkward and forced af, Namine, Roxas, Xion and Ventus all deserved more screentime, we have a million Sora’s but we cant have 2 Riku’s? come on man

So anyway to sum up my main view points

FDB Kairi, KH3 literally made me hate her when before I just simply disliked her

Namine, Xion and Aqua are best gals

Roxas, Vanitas, Ventus and Sora are best boys

Riku’s cool although not my fave he has my respect

Vanitas and Ven should have reconciled in KH3 and possibly reunited, if not then the two should have reconciled and actually had a heart to heart instead of just ‘I am darkness goodbye’ ��ok’ that is NOT how that should have gone, Xehanort gets to reconcile with Eraqus but not Vanitas with Ventus? gtf outta here man, I didnt expect Vanitas to have some big sappy ooc moment I just pictured something similar to Naruto at the waterfall training with Bee fighting his darker half and only after he learned to accept and embrace it could he move forward, THATS what I expected but nope, what was the point of even bringing Vanitas back if you werent gonna let these two make peace? this whole game has been villains having change of hearts and the worst one of all being Xehanort even has one but Vanitas just goes out as ‘I am darkness’ which makes all the build-up to Vanitas redemption till this point just to have it end like this in the end of the Xehanort saga is a huge slap in the face, so in that regard I guess I empathize with Kairi fans who expected her to do something but did absolutely nothing

Nomura unintentionally confirmed Riku did the paopu ritual with Sora back in KH1 by confirming in this game that the whole sharing of the paopu legend didnt require you to eat it but just giving it to the other person, proven by Kairi simply giving Sora the paopu but neither of them actually eat it yet that was supposed to represent them finally doing the legend thats been built up since KH1 which was supposed to be a huge Sokai moment but it just ended up becoming a huge Soriku one instead lol

Sea Salt trio is best trio next to the Lost trio

Sora and Riku are the best duo

Kairi should have never had a keyblade and not because of my personal bias but because HOW she got to be able to use one shouldnt even be a thing, you shouldnt be able to just touch the handle of a keyblade wielder and be able to use a keyblade no, it should be like what Terra did formally bequeathing Riku that ability the same should have applied to Kairi and everyone else, Sora touching Riku’s light is excusable because the keyblade chose him which is the ONLY other way someone should get a keyblade is if their CHOSEN by the keyblade itself, please tell me why the keyblade would choose Kairi, what has she done to EARN or DESERVE a keyblade? be a princess of heart? shouldnt all of them have keyblade then? no? of course not cuz thats bs, there is no reason thats why she needed just a half-assed excuse as to why and how she got one, hell even Axel had to prove himself to earn his keyblade, Kairi’s literally the only one who it was just handed to with minimal explanation

I love Sora but I swear in some areas in KH3 it felt like I was watching 2 different people, our Sora and whoever the hell that was

Kairi should have stayed dead in KH3 not just because of my personal feelings toward her but because they literally set it up in POTC with Wills death and Elizabeth being strong and going on without him and then Xehanort kills Kairi and although I knew it was unlikely I figured it was even MORE unlikely that Sora would be the one who dies because hes the protagonist and Nomura literally said Sora would continue to be the protagonist in future games so it’d make more sense for Kairi to die and Sora just having to learn to live on without her and accept the fact that no matter how hard he tries he CANT save everyone, but nope Nomura just pretty much tossed that opportunity for growth and development with Sora and just lets him abuse the power of waking and die for some chick who didnt deserve it that he already killed himself once for this SAME person in KH1 only this time it was alot less impactful but just really infuriating and unnecessary and just overall pointless

Kairi shouldnt have been in the final battle, PERIOD, Roxas should have been brought back earlier on and HE be the 7th light needed while Kairi hangs back and keeps training with Merlin, the fact that anybody let an amateur into the final biggest most dangerous fight ever for her first time using a keyblade on the battlefield boggles my danm mind that even Sora or Riku or Yen Sid didnt tell her to sit this out because she WASNT ready or hell Kairi HERSELF saying she shouldnt go acknowledging that she herself isnt prepared for this serious a battle and she doesnt wanna get in their way and risk them getting hurt trying to protect her, the fact that NEITHER of these happened boggles my friggin mind and please dont say ‘well they needed a 7th light and Roxas needed a spark yatta yatta yatta thats why’ because I can make a whole separate post about why thats bullshit and how it could of happened if the writing was actually GOOD and SENSIBLE there

I cant stress this enough but I DO NOT CARE about the pairings in Kingdom Hearts and I wanna be very clear on this

I do not care if Roxas ends up with a friggin tree or Axel smashes a toaster or Riku with Xion or Sora with Isa IDGAF about shipping in KH because there is way more important things going on then to worry about who gets with who, the only reason I care about Sokai is because I love Sora but despise Kairi and think he can do so much better and even if that ends up bein a frog IDC just as long as it aint her so its really not about the ship but more about what a garbage character Kairi is

I have plenty of ships that I like, but I could care less whether or not they become canon because to me thats just a bonus not a necessity I’ll still enjoy the pairings regardless

KH is supposed to be a combination of Disney and Final Fantasy, if Nomura separates from FF hes makin a huge mistake, you cant remove part of what literally started the franchise in the first place

I think thats about it but If I think of anything else I’ll add it here but yea thats pretty much it, those are my basic views for the series so far so either take it or leave it, if you disagree then just agree to disagree Im not tryin to change any of your opinions and you cant change mine, scratch that you cant change my opinion on Kairi but Im open minded on just about everything else so maybe my opinion CAN change in some areas but Kairi is the one area it wont

#kingdom hearts #kh #new blog #may change name later #kh3 #kingdom hearts 3 #kh3 spoilers #if it wasnt obvious that part about the paopu gods being pissed was a joke to cope with that awful ending #seriously the power of waking is so vague you cant even understand the ending because you really dont know wtf happened #so the paopu gods being pissed and punishing sora for sharing the paopu with another makes the ending more understandable #and now the only one who can save him is riku whom he originally shared the paopu with #because their destinies are truly intertwined #perfect ending #im serious about sora and riku sharing the paopu first though because they did #kh3 confirmed you dont have to eat it you just have to give it to the other person #that was an unintentional confirmation that cant be taken back now #you can try to twist it if you want but thats canon now

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some-cookie-crumbz · 6 years

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Crumbles’ Big Dump of Upcoming Fics

Happy New Year, everybody! I certainly hope that so far things are going well for you all. I had been meaning to make this post a while back but things got kinda… delayed. Between a lot of really painful personal tragedies – including the death of my dad – and a stressful schedule with work and school, I’ve been a little all over the place. 2017 has been, by far, the cruelest and loneliest year of my life. My dad’s death has shattered me in a lot of different ways, but it had a huge impact on my ability to write, which crippled my usual coping mechanism. He was always really invested in the original stories that I work on as well and was also so supportive of my works. It made writing – something that I have always relied on as a stress relief and outlet for my negative emotions – painful and challenging and it, in turn, made me bitter and resentful at myself and at him. I’ll make another post about where I’ve been in my own mind fully just to get it all out eventually, but for now I just want to offer up an abridged version.

Most days I didn’t – and, honestly, there are still days where I don’t – feel like myself at all. But I feel that, at this point, not writing would be a disservice to his memory.

In the last few weeks I’ve felt a bit more clarity and I’ve been able to find my voice again. I don’t want to stop writing and I have no intention of doing it. In fact, my imagination has kinda jump-started back to near-normal capacity and I have a lot of ideas I’m really excited to share. This post is about the ideas I have in mind and when I intend to upload what. I want to put myself on a schedule because I feel like setting goals for myself will be a good way to get me back in the swing of things.

In preparation for this, I’ve actually gone ahead and made myself an AO3 account – which can be found [here] - because the ideas under the “Read More” are all going to be multi-chapter projects. I’ll still make posts here on tumblr when any updates go live (and should have schedules for when each fic will be updated), I just don’t want to post full chapters here, since I tend to write long chapters. I am also adding the disclaimer here that one-shots (with some exceptions)/ requests/ and other things of that ilk will not be listed here because those have no real schedule in mind.

Ships to Expect: SasuSaku (Naruto), SoMa (Soul Eater), Hance (Voltron), and a whole mess of Kidge (Voltron) because I have no control.

The Shrink Treatment 3: Voltron (Kidge): I am almost done with this one and, surprise to no one, there’ll be one more part after that to just wrap it all up. Regardless, though, I should be able to finish this short series up before the end of the month! Release Date: January 11th/12th, 2018 Update Schedule: Once (Part 4 will hopefully be done within two weeks from whichever day I upload Part 3)

Request 5: Voltron (Kidge): Leaving this vague, because I still want it to be a surprise, but the final of a list of requests I received a few months ago! This, much like The Shrink Treatment, ended up getting away from me. I relaly loved the idea and it’s taking me a while to get it finished. Release Date: February 14th, 2018 Update Schedule: Once (Valentine’s Special)

Like Treading Water: Voltron (Kidge): Love isn’t exactly an emotion that is easy to explain or acknowledge if you aren’t actively looking for it. Little nuances will stick out as something irregular and strange, but can be easily shrugged off when a mind applies logic or sound reasoning to it. You can blind yourself to something that is so obvious to those around you simply by virtue of coming up with other explanations. This is a chronology of how each Paladin realized that Keith Kogane and Pidge Gunderson were falling for each other; including the two Paladins themselves. Note: I started working on this back in October of 2015, shortly after I watched the first season and became Voltron trash. As such, I’m currently having to re-read what I’ve written so far to assure that it falls in line with the canon of the series thus far. Release Date: February 14th, 2018 Update Schedule: Once (Valentine’s Special)

Keidge Month: Not a multi-chapter story, but I just want to say I have every intention of participating in Keidge Month in March; in fact, I’ve already started to work on some of my prompt fills. I’ll post all my prompt fills to both here and AO3, just so that people can choose to read it on whichever outlet is more comfortable for them. It’s my number one ship and it happens to take place during my birthday month, so what kind of smuck would I be to not participate? ;3c Release Date: March 1st, 2018 Update Schedule: Daily (Month Long Event)

Cherry Bomb: Naruto (SasuSaku) – After an accident in the facility that she is interning at, Sakura Haruno gains super strength and an accelerated healing element. With the help of her role model, Dr. Tsunade Senju, she learns how to control and harness this power to help protect the denizens of the city. She is thrust into stopping a plot by other humans with genetic mutations to take control of the city using intimidation and force while also trying to keep her secret identity hidden from her photo-journalist boyfriend, Sasuke Uchiha. Note: I’ve been planning this project for roughly three – Hell, almost four – years now. This is going to be my final Naruto project – excluding any requests I get – and I want it to be something really special and significant to not just anyone who reads it, but also to my own growth as a writer. Naruto has been one of the longest fandoms I’ve been in and SasuSaku was one of my first really big ships; I want this to be a final love letter worth my time to write and worth everyone’s time to read. Release Date: March 2nd, 2018 Update Schedule: Bi-Weekly

Kidge Week: Again, not a multi-chapter thing but I really needed to say I have every intention of participating in this as well! My goal is to finish as many of my prompt fills for Keidge month before the prompts for Kidge Week drop in February as possible so that I can start working on that ASAP. Release Date: April 15th, 2018 Update Schedule: Daily (Week Long Event)

Hance Month: What do you know, I had way more things to list as non-multi-chapter fics for the first half of the year than I thought! Another extended event I have every intention of participating in because I really want to produce more content for Hance. It’s really such an great, under-rated ship that deserves more love! Release Date: May 1st, 2018 Update Schedule: Daily (Month Long Event)

Lance McClain vs. The World: After getting involved with a charming young engineering student named Hunk Garrett after meeting at a bar, Lance McClain finds himself getting dragged into a series of events that seem to be ripped right out of a comic book. He is given a warning from the leader of something called “Team Voltron”; a group of Hunk’s ex-lovers and close personal friends, dedicated to determining the worthiness of Hunk’s suitors through various competitive means. Never one to back down from a challenge, Lance agrees to the terms and is forced to learn various new skills and talents in order to compete with the roster of powerful opponents he faces. Note: The fact that there aren’t more Scott Pilgrim AUs in any of the fandoms I like is really disappointing, so I decided that I’d fix that problem myself. While I’ll be following the basic formula set up by the source material, I intend to take a very different approach and keep it fresh with some ideas of my own. So if you’ve actually seen Scott Pilgrim? This’ll be of a different flavor, so don’t assume you know what I have up my sleeve. ;3 Release Date: May 10th, 2018 Update Schedule: Weekly or Bi-Weekly.

Bodyguard AU (Title TBD): Voltron (Kidge): After publically calling out the shady business practices of Galra Tech, acclaimed actor Keith Kogane finds himself the subject of both an attempted assassination and threat of blackmail. Undeterred, he feels no fear at the prospect of making an enemy of the powerful conglomerate. Worried about his safety, both physically and his privacy being violated, his agent, Allura LeAltea, calls upon the help of an old charm school friend of hers. Enter Katie Holt; renowned tech prodigy and secret hacker known as Pidge Gunderson, hired on to be Keith’s personal bodyguard. The only catch? The two must pretend to be dating to assure that Katie can tag along with him wherever he goes without cueing Galra Tech into knowing their threats have had an effect. Note: I love Bodyguard AUs. I love Fake Dating AUs. I love deviating from the expectation. On top of that, an amazing Bodyguard AU one-shot has already been written by the talented Camphalfgalra on AO3, in which Keith is the bodyguard and Pidge is his client, so I decided to flip the roles for my own version of the trope. Release Date: June 15th, 2018 Update Schedule: Weekly or Bi-Weekly

Twilight: Voltron (Kidge): One night, Matthew Holt disappeared from his room without a trace. In the time that he’d been gone, his younger sister, Katie Holt, has been frantically pushing for more action to be taken in bringing her brother home; believing he has been whisked away to the deadly mystery of the forest around their small village of Kerberos. With her brother missing, her mother’s health rocky in her grief, and her father away to help a neighboring village with a fast-spreading illness, she is struggling to maintain not only all effort to bring her brother home alive, but also keep the family farm up to its normal functionality. The Head of the Village Guard, Thace Kogane, insists that she accept the help of his two children, Keith and Allura, to assist her with the farm. Initially cold and distant, Katie slowly warms up to the duo and finds that they may be able to offer her more help in finding her brother, as well as unraveling the mysteries of the dark forest just outside the fences of their small village. Note: I basically just threw the Voltron cast into the universe of one of my own stories – The Tragedy of Helena and Jeremiah – and went with it. Pidge is a pseudo-replacement for Helena and Keith is a pseudo-replacement for Jeremiah, though they have drastically different personalities from my own characters, and as such the story goes in a much different direction. I also borrowed some elements from another project of mine - Sweet Tooth - which The Tragedy of Helena and Jeremiah is a prequel to. Release Date: August 17th, 2018 Update Schedule: Bi-Weekly or Monthly

SingleParent!AU (Title TBD): Soul Eater (SoMa): Soul Evans has been struggling with life as a single father for roughly three years now; working two jobs and odd hours to support himself and his precious daughter, Harmony. Upon the announcement of his older brother, Wes, getting married, he is begged to return home to help with preparing for the ceremony and to be his brother’s Best Man. Feeling that he’ll have better opportunities with his family’s support and more time to spend with Harmony, Soul agrees to moving back to Death City. Through fate and circumstance, Soul meets Maka Albarn, the writer of his daughter’s favorite series of children’s books and intended Maid of Honor to Liz Thompson, Wes’ fiancée, and the two get along pretty well. And, perhaps from there, more will develop between them. Note: Bodyguard, Fake Dating, and Single Parent AUs are my fucking weakness. On top of that, I really want to write something that kinda messes with the typical tropes of Single Parent AUs that I’ve read. Hopefully it’ll be a fun ride for everyone! Release Date: September 28st, 2018 Update Schedule: Bi-Weekly

#crumbles grumbles #wow now that I look at it I have a lot of fics planned this year #and this isn't even all of them but just the ones I want to work on the most #might make another later with some other ideas #info dump about my fics

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