#you know what panel i'm talking about

[i-need-to-brush-my-teeth]

so maybe i was only able to afford today, but idc, one day was plenty enough for my anxiety ridden ass.

[sysig]

*You’re starting to feel very sleepy... (Patreon)

[rev3rb]

MY BOY HAS RETURNED!!

God, I have so many thoughts about this. The fact that they were playing a word game so they'd know how the other was doing without explicitly expressing how they were doing is driving me insane.

[whywoulditho]

kagiura akira is SO asexual coded i'm losing my mind

[vermillioncrown]

at the risk of sounding butthurt for talking about not being butthurt: going through quals really prepared me for trawling through fandom meta and research while keeping my zen

[everysai]

[x-adoringvoid-x]

Part 15

[pocketramblr]

The more raw translations say the Himura's have been around for a long time, what are the odds of AFO and Yoichi being related to them?

I know I specialize in family trees and not statistics, but think about what else was learned of the Himuras that maybe I don't want AfO and Yoichi specifically to be related to them in this instance

[musical-chick-13]

*sigh*

[proxyedgy]

I don't think I've mentioned it before, but every time I am randomly reminded of Meifang Blazblue I instantly think of. that very specific panel of the manga. and I get reeally jealous of her.

[doctorweebmd]

I started watching bsd cause you post them and it an interesting show I got to the final season and it alright but I like the characters more than I care for the plot but it not bad sskk are soulmates

first of all YESSSSSSS AHHHH I FEEL SO HONERED I LURED YOU IN WELCOME WELCOME THE SOULMATISM IS CONTAGIOUS its the yingyanging. its the rivalry and narrative foilery. i am on my hands and knees LISTEN.

second of all, i wholeheartedly agree with you.

i've actually been thinking about this ask for a few days now - about why bsd feels so weak as a manga/show. i know you didn't ask for this lmao but... rant under cut.

the premise is any literature nerd's wetdream. a world where authors have magical powers, based on their previous works all in search of a blank novel that, when written in, changes the very fabric of reality. there is so much material to draw from, so much that can be done with this concept! but bsd, all in all, falls flat.

the seasons feel disjointed. there's many, MANY glaring plot holes. we know very little about the characters, their thoughts, their feelings, their fears or motivations. the times where the characters actually seem to shine, when we actually get to know them better, are the arcs based on the light novel. Fifteen, Dark Era and Untold Origins of the Detective Agency are all standout 3-episode arcs that add more to the story than the base anime. hell, there is a decent subset of fans that prefer the BEAST light novel alternate universe to original universe (...myself included.)

and honestly, I think that's the answer. asigiri is a short story writer. look at which authors he chooses to have as his main characters. short stories rely on concise narratives, character qualities only being disclosed by actions, and plots that force the readers to look beyond what is simply written. there's a lot we have to infer about the story and characters and thus become active participants in crafting the story itself.

for example, there was a Great War utilizing ability users. We know almost nothing about it, other than it happened 15 years ago. What occurred during this war is a major driving point for many characters motivations/traumas (and may also be the reason that so many of out current main characters are orphans.) Yet, with this in the background, there's a lot of things you can consider - is this why there are so few people with special abilities? were there more before? is that why you can only use your ability in public with a permit? do you have to register than you have an ability? are there people hiding because of their abilities? discriminated against? abused?

i doubt we'll ever know. that's also probably the point.

you can't expect trilogy-level continuity and world building in what, essentially, is a collection of short stories using re-appearing characters. not to say that it's bad, at ALL. but BSD (in my opinion) was meant to be more like a serialized Sherlock Holmes sort of story - just various adventures without any necessity for interconnections. of course, manga doesn't work like that, so we have 12 years of huh?! Asagiri what the HELL are you talking about?! why is there now a random creepy tower in Yokohama? Was Subarachi City there the whole time? Why the fuck are there prison-planes? HOW IS ATSUSHI RELATED TO THE BOOK THATS LITERALLY WHY EVERYONE IS TRYING TO KILL HIM ITS BEEN 12 YEARS THATS YOUR MAIN PLOT DRIVER CAN YOU TELL US ANYTHING. ANYTHING AT ALL. ABOTU THIS FUCKING THIng.

erhem.

it leaves so much unanswered, so much empty space, so few connecting links - and i think that's part of what stimulates the imagination so much. there's so much i need to fill in, so much that i want to see developed that it just HAVE to write for it.

that is in harsh contrast with my hero academia. horikoshi is a brilliant writer and artist and he only continues to get better. he introduced this world to us within the comforts of the shonen genre and decided to subvert each expectation. now that the series is ending, you see things come full circle. what are heroes? what are villains? who determines this? can someone that isn't born 'special' still make important changes in this world? what does it mean to be a victim? is there such a thing as being born evil? there are a lot of fantastic essayists and analysts that can break things down much better than me, but i'm saying all this because the plot is cohesive. the characters are consistent and have demonstrated stupendous growth. everything and everyONE from the story is making an appearance. its incredibly rewarding as a fan to see these 'lose' threads come together. horikoshi writes like a novelist - everything small in the beginning adds up to something grand in the end.

anyway, i say all this because: when i started writing for my hero academia, it was at the end of the 4th season. heroes rising was just coming out. we had JUST learned that izuku had more than one quirk. deku vs kacchan part 2 was, at that point, the most positive interaction izuku and katsuki had. we had NO idea what the future would look like for any of these kids. but we all that the inkling of something bigger, something GREATER. so many fandom favorites started around this time - because it sparked the imagination!

and, in all honestly, the way in which horikoshi is wrapping up this story is stupendous. there's nothing for me to fill in. it feels complete and resolved in a lot of ways. although i do miss writing for them, i'm satisfied with this outcome.

....this is an extremely extremely long way to say, ugh, i LOVE BSD, and it would be SO GOOD if it was good. alas. thank you for watching it i am truly sorry and/or blessed

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[evangelifloss]

Thinking about a certain scene in Dungeon Meshi that completely encapsulates the Autistic experience of making friends as an adult and how hard it is to try and navigate it without ending up getting hurt.

Like IDK about y'all, but this is a common problem ALOT of Autistic Adults face when trying to make friends with other people, because unlike children who aren't good at keeping their opinions to themselves, Adults ARE. In society, we're even encouraged to "keep the peace" "be polite" and etc, which commonly leads to awful scenarios as shown above when Laois finds out his buddy has come to resent who Laois is without actually telling him. All too often the friends that we love to hang out with, people that we're so happy to spend time with, don't feel the same way and in many cases, come to blame us for our social cues or lack thereof.

And when/if we do eventually find out how our friend feels, Dungeon Meshi hits us with another painful panel of how that usually ends up playing out.

It's hard for Adults with Autism to make friends, and even harder to maintain them because alot of the ways Neurotypicals tell other Neurotypicals that they don't like a certain behavior is by quietly disengaging. Whether that involves having one sentence answers, going quiet, or having a certain tone in their voice, all those things signal annoyance or disapproval, but for the Neurodivergents, those subtle cues are completely missed.

And yet when we inevitably discover we DID do something, it is natural to ask "well why didn't you tell me?" because in our minds, it should've been the next step in the equation. However for the Neurotypicals, that's NOT something to bring up. Its important to be SUBTLE about the issue at hand and rely on signals to tell the other person. Blame is placed on us for not noticing the "obvious" signs of disapproval rather than the idea of talking it out as such things are uncomfortable and harder to do. Alot of the time what ends up happening is resentment due to the idea that it was "obvious" and the fact one didn't notice indicates a deliberate ignorance rather than a complete unawareness. It ends up calling into question our quality as a person and our sincerity. We get called "fake" or "malicious" or even "stupid" for failing social cues rather than questioning the decision to be indirect and vague.

For a manga about exploring the dungeon, it seems that the artist would rather explore very real and prevalent dynamics in society with the adventuring premise as a backdrop. I felt VERY seen in these panels, and many others, because it happens so suddenly and dare I say it, plainly. There's no dramatic build-up or spectacle made and in essence, it just Happens.

I think that's what makes the scene hit even harder. It seemingly comes out of nowhere for Laois, like how it always comes out of nowhere for alot of people, and it's never a dramatic twist either. It's always mundane and hurtful. A sudden unforeseen bump in the road that ends up calling into question one's entire friendship with someone and consequent other friendships. It asks "what if other friends feel the same. What if the people that I really like actually hate me and I don't know it?" Or at least that's what I came away with after reading the chapter. I've been where Laois was and the only reason I'm not there now is because I lost the naivete I had and doubt everyone else's sincerity.

[zosanbrainrot]

part 3 is here!

01 02 03 04

Hii! it's been a hot minute since the previous part, you can see my style shifted a bit, especially when I compare Sanji's hair lol I never know how to draw it, in canon it's more straight but when I'm not thinking about it I instinctively give him more of a wave. It's also generally a bit more loose and sketchy then in the previous ones, I used to use less lines back then. I somehow didn't notice the shift until I was done lmao

I remember I sketched out most of it right along the previous two, but wasn't feeling the panels after "nothing happened" and BAM over 2 months pass and I drew the panels with the hands and OH MY I'm so happy with those, they are a bit dramatic I admit lol but I love a good closeup shot, the way you can push forward a story with just showing small gestures!! And it's something different from the constant ping-pong of the shots where you can see them talking, so it's a breather but it's also holding a lot of tension!

In this sequence MagicPoser was a real help, I posed the models and moved the camera around so I had anatomy refs from any angle I wanted!

I can't wait to show you the next part, I'm so excited to see what you'll think!! I hope to update sooner than later, but I'm gonna be busy with a freelance gig for a bit :(( hope it goes smoothly!

[hoshigray]

𝐓𝐞𝐚𝐬𝐞 𝐚𝐧𝐝 𝐅𝐞𝐚𝐬𝐭 | fushiguro tōji

𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞: Toji being a pxssy-eating menace man idk, we all watched the same episode, ykw scene I'm talking about!! like sir put that tongue away before i suck on it :/ @ramonathinks ahemmm, I did it (,,>﹏<,,)

𝐂𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Toji x fem! reader - explicit content; minors DNI - oral (f! receiving) - biting/nibbling (ankle, inner thigh) - fingering (f! receiving) - clitoral play (swiping and pinching) - overstimulation - impact play (pussy slaps) - pet names (baby, mama, princess) - heavy depiction of receiving oral.

“—Hahhhn! Uhhhn!! T–Toji, stop—Ehhkk!!”

It all happened in a flash, way too fast for you to comprehend. The man hadn’t said a single word to you when he came home; you greeted him sweetly when you saw him from the other side of the kitchen island. You were just about to get ready to cook dinner for the night. Next thing you know, the man brings his lips to yours, surprising you with a squeak when he sweeps you off the floor. 

He brings you to the dinner table, immediately having you lie on your back. His kiss continues to become more passionate, drowning your moans with the thrust of his tongue in your mouth, and his hands prop your legs apart after pulling your bottoms off of your legs. Exposing your panties, you break the kiss with a bashful tone. “Toji, wait! Don’t look at—Nnnmph!”

“Heh, well, look at this,” the older man whistles, noticing the lacy designs of your undergarment. “What’s the occasion, lookin’ all sexy fr’ me, mama?” He doesn’t even give you time to respond to his rhetoric. Toji’s fingers press into the crotch panel of your underwear, teasing and sinking between your folds. To and fro motions of his digits evoke whimpers past your control, and it only takes seconds for a wet spot to come to fruition on the material.

He slips one finger inside your leaky entrance, and a sharp gasp is released from your pretty lips. Toji notices your legs quiver and his touch, bringing one to rest on your shoulder. The space between you two is soon filled with erotic noises coming from your lower region, coating his digit with your wetness as it brushes the gummy walls of your chasm. 

“Ohhhh, ohoooo, Tojiiiii, yourrr fingersss,” You try to say something to him, but it’s to no avail as he slips in his middle finger. The addition of another thick digit has your body jolt upward. He snickers, kissing and licking your ankle as his emerald eyes scan your reaction. 

“Hmm? What about my fingers, baby?” Oh, he knows; he just loves to tease. His hand pulls your lace material off and has it meet the wooden floor, your bare cunt finally freed and wet for him. His fingers slide back easily, his fingertips scraping your velvety texture with precision. The heat on your face makes your ears ring, along with the noises from Toji playing with your pussy. 

Then suddenly, you choke on your spit when you feel his thumb on your clitoris. Oh, it has you seeing stars as he presses the delicate bud down. “Ahhhck!! Ahhaann!! T–Toji, nooo!! I’ll cum, I’ll—OhJesussss…” 

His thumb then swipes your clit, and it has your back curving up to him. “What’s that, princess? Wanna cum for Daddy, huh?” He bends down to observe your blissful expressions fully, massaging your thigh with his free hand.

“—Yessss, please, lemme cummm..” You sound real pathetic with your words slurring out like that, but your brain is gradually evolving to mush. It’s embarrassing, yet worrying about your responses is the last thing on your mind now.

However, he doesn’t use his fingers. No, no. He withdraws them from your slit, and the whine you let out only feeds his ego. Instead, he kisses from your ankle to your inner thigh, nipping and nibbling your skin as he ventures down. And when he approaches your bare cunt, he tantalizing licks your folds and clit, his hands keeping your hips in his stronghold to prevent you from removing yourself.

You can squirm all you want, but it won’t stop him from having his lips stuffed into your swollen lips. His tongue circled and lapped around your folds and clitoris with a vigor that could shut you down. And if you keep trying to escape his feasting, Toji won’t hesitate to correct you with a slap to your cunt, a sharp and choked sob comes along with the quick pain before he returns to lapping your essence. Your climax climbs up tenfold – it hits you before you can even prepare yourself. 

With shaky legs and an elated wail, you come into this man’s mouth. Your eyes begin to water as your body experiences the electrifying shocks crawling up your spine, your chasm contracting through the high. And Toji happily takes it all in, his nose buried close to your clit while drinking your release. It’s all too much to bear, your mind stuck in a haze, staring aimlessly at the dining room ceiling. 

Finally, when your body stops shivering, Toji removes his lips and fingers from you, licking access from his scarred lips and digits. Here, you can finally get some grounding, your breathing falling into a fixed tempo and the fog that clouds your brain up— “Eyaahhhh!!”

Or so you thought. Because Toji then gives your sensitive folds another smack, your cries dialing to screams when his thumb and forefinger return to pinch your clitoris. Tears form and threaten to fall as the man grins hard.

“C’mon, mama. I know ya can cum fr’ me more than that. Be a good girl and keep sittin’ there lookin’ pretty, ‘kay? 

Oh, poor you. It’s a good thing you didn’t leave anything cooking yet.

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2023 – dividers from @/animatedglittergraphics-n-more

[littlelightfish]

Holm nation... I have a heartbreaking announcement to make.

We didn't get to see this panels animated.

(I wanted to see Laios helping him, this one isn't the one this post is all about)

I feel it's important to his character enough that Kui decided to dedicate three panels about how he aproaches and resurrects Kabru.

He is used to resurrecting people, his party sucks at keeping themselves alive. He walks up to Kabru's corpse with a worried look on his face. Then he kneels besides him and takes a second to process what he is seeing. He is seeing a young man, Kabru, dead. It makes him feel unseasy, a bit of shock that he can't take the luxury of process at the moment. He doesn't want to look, so he closes his eyes and focuses on his spell. He is realizing he is the only one alive from his party (he doesn't know where Mick is or how he is). He is the last one standing. The reality of it all slaps him in the face.

The panel of him just... looking at the mess Kabru's corpse is was just... It was important. It talked about him as a character. "I'm not doing this because I want to, but because I have to". He doesn't has time for emotions. He has a job to do.

It's just three panels. But they provide lots of context between the ones that came before and after.

He doesn't just rubs Kabru's head because he's being afective. He does it because he cares. He does it out of relief. "As long as I'm here, any of you'll be dying soon. And I'll always be here. Don't worry." He is far from being OK after all this. Marillier died, Daya died, Kuro died, Kabru died, Rin died, Mick probably died too (but he doesn't saw it). He... By the time he was the only one standing, the fight was over, and he could alredy resurrect them. He wants to feel sad. To worry, to be concerned, to mourn. But he can't. It isn't necessary.

He is a cleric. He for sure has a notion of dead way different than anyone and feels a certain way about resurrection. "Dying is dying, even if you resurrect." It's a bug at the corner of his mind, he doesn't pay it any attention. He gets resurrected multiple times, he is gratefull he is alive. But seeing all his friends dead? And the most of them mutilated? Covered in their own blood? He has this desire to mourn. To cry the loss. To panic. "They are all dead."

He knows they'll come back. He has to make them come back. So he does. And they are alive. But they weren't a few seconds ago. And he just plays it off, he puts his calm face on as soon as there is another party member alive that could ask him what happened that it disturbed him so much. He throws all those sad feelings under the rug and focuses at the task at hand.

They're going to be ok, he just has to do his job: bring them back from death. They shouldn't even be dead. But they are. And he's going to fix it. No point on feeling sad about them dying if they can be alive soon!

I think the concern that the anime puts here it's something that could come close to what he feels inside. Those seconds are the only ones we see him looking something akin to worried for his friends.

But then...

His worry vanishes in seconds. The moment Kabru revives, he does it in such a "Kabru" way, that he tells himself: "This is fine, they're going to be back soon, nothing to worry about, I just have to hurry". He wants them all back to live. We know for sure that in his priority list there wasn't any "reviving Toshiro's party members first". He was going to make sure all his party, all his friends, were alive before even thinking of resurrecting other people if he still had the magic.

Those three panels they didn't animate are something that was there for a reason. To give depth to Holm. This last episode is definitely the one in wich he shines the most. He isn't the main character at all this episode, but he does the most important stuff on the background. He revives them all. This all lack of something if you don't show what Kuy drew on those panels.

Here he just... goes to work. He says: "lemme handle it" and he does. No concern, no worry, no, nothing. He just does. No thoughts.

It makes me sad. Those panels were important. :(