#you know what? no more analogies i think i'm good

[transzilla]

How To Suck Roid Clit and Tdick Like A 6Gal Bauer ShopVac

So I'm a trans man and I fucking love trans men and they love fucking me. I minored in t4t gay sex in college and giving head has always came very naturally to me as a specialty, administering orgasms has never been an issue but a lot of people have difficulty figuring tdick out after going on testosterone or figuring themselves out and don't know how to get dudes to pop off which is tragic to me. Plus we don't really have like... sex ed about how to do that so it's not like you can pick up a book. But that's what you have me for. If you suck at giving head I'm gonna teach you how to suck the rest of someone's life away.

So everyone is different, growth might look different on different people and sometimes you'll have somebody who has difficulty popping off just cause of weird nerve endings, obviously listen to what your partner tells you and what works for them because they're going to know better. I've been around with a lot of different men and this is just what's worked for me, if you try it and its TERRIBLE then don't think you're broken or whatever, our willies are just as diverse as we are :)

Generally though tdick kind of resembles a tiny penis especially when you've been on T for a long time. Personally I've been on T for five years and have a 2 inch monster and you can kind of see where the head would be vs the foreskin or whatever. Like my favorite analogy is that it looks like a .45 caliber bullet because that's what my dick looks like when I'm looking down, lol.

Like the cap on the bullet would be the "head" and the cartridge casing is the length of the thing. Like on a guy's dick idk if anybody is getting tdick circumcized so when he's soft the skin will come up and guard the head/clit part because it's sensitive, you're going to want to find the head and kind of gently push past the skin with your tongue or your finger. Like get it on the head because largely that's the most sensitive part of his dick. when it gets bigger it kind of gets less sensitive, and you can't just rub the whole thing like on a clit off testosterone, uniform pressure might not always work. So keep your finger on the pulse, lol.

The simplest motion tht you can do, like a good part to lick on is right where the head meets the rest of his dick. There's almost a seam, kind of like on that bullet. Just rub in little circles with your tongue. Start gentle, gauge his reaction, and then go a little harder or a little faster. Also stay in one place once you get into a groove, the more you rub on one spot the more sensitive and the better it will feel.

On the very APEX tip of his dick is where most of the nerves are bundled it's going to be the most sensitive, so if you want to make him jump or if he's not very sensitive rub there, lol.

Also, once you get that down, you can suck too! You want to make a seal with your lips around his dick, almost like you're pulling on a cigarette, or like you're sucking your lips on a peach to keep the juices from falling out. This intensifies it if his dick is not sensitive and keeps it in one place if he has a big dick.

If he likes penetration fingering him at the same time is not a bad idea either.

Also, mind the teeth, lol.

[ms-demeanor]

So you know absolutely positively nothing about photography

Cellphone cameras are fucking great. I love them. I love the ability to take photos whenever and wherever at basically zero cost.

Point-and-shoot cameras have always been awesome and accessible devices.

This is not a post shit-talking "basic" cameras. This is a post for people who have only ever used basic cameras who want to know at least slightly more about photography.

Because, the thing is, a remarkable amount of photography is math. And if you don't know it's math, it looks like a mystery. And you may be standing there snapping a photo with your phone that looks pretty good, but your friend with a DSLR looked at the sky, twisted a dial, and took three steps to the left and they took a photo of the same subject that looks like it belongs on a magazine cover.

How did they do that?

Probably math.

If you've come into possession of a DSLR camera and are disappointed that the photos you're taking aren't looking like the photos you thought came from DSLRs, I'm here to tell you about the math you may not know about.

What is a photograph?

At its most basic, a photograph is the result of light on a sensor. Let's consider a pinhole camera for a moment. A pinhole camera is a lightproof box with a piece of photographic paper on one side and a tiny hole in the other.

When you create a photo with a pinhole camera, you're using pretty much all of the math you would in a big fancy camera, just in a cruder form they are:

The sensitivity of the paper, film, or camera sensor to light (this is your "ISO" if you're using a digital camera or film). Light sensitivity can be easily changed on a digital camera, but on chemical-treated paper or film the sensitivity is predetermined and cannot be changed. If you want to change the ISO on an analog camera, you need to change the medium that's being exposed.

An opening to let light in - your F-stop, or aperture. The F-stop of a photo is how wide open the lens is to let light onto your film or sensor. In a pinhole camera, you have something that is theoretically a very very large F-stop because you have a very, very tiny opening to let light through (F-stops run in reverse - the bigger the number, the smaller the opening).

Exposure - your exposure is the amount of time you leave your sensor open to the light. The majority of photos you see in the world have exposure times that are measured in tiny fractions of a second, sometimes in thousandths of a second. If you're using photo paper in your pinhole camera, you may have an exposure time of minutes rather than tiny portions of a second, but your photo exposure will still depend on how long you want to leave your "lens" open.

Focal length - your focal length is a description of the relationship of the distance between the light source and the light sensor. You can manipulate this in a pinhole camera by making the camera longer or shorter. A larger focal length means a narrower field of view - it zooms in on the subject.

A pinhole camera is the simplest camera that lets you, the photographer, control all of the elements of a photo. This is, functionally, fully manual photography.

So what's the difference between all that and a cellphone camera?

Point-and-shoot cameras like those on cellphones give the user more limited control over these settings. For instance, think of a disposable camera. On a disposable camera, the photographer has control over one setting - the ISO of the film, which they can select at purchase. They can't control how wide the lens opens or how long it stays open, and the only way they can compensate for lighting that is a poor match to the ISO is flash.

Cellphone cameras are very much like a standard point-and-shoot. By default, users point their cameras, then shoot a photo. Many cellphones have a "pro" mode that will allow the user to emulate different ISOs or f-stops, but the sensors in cellphone cameras aren't as good as the ones in camera-cameras, and the lenses are very limited as well. Some cellphone cameras and point-and-shoot digital cameras WILL allow users to set longer exposures, and many cellphone cameras have multiple lenses which does allow for some lens effects, but they don't give a huge amount of control to the user.

Okay so let's say I've got my new shiny camera, what do I need to know?

For best results, you want your ISO to match the light you're shooting in. Low ISO is for bright light, high ISO is for low light. If you wanted to take snapshots of your family outdoors at disneyland in the summer, you'd buy 100 ISO film. When I used to shoot football games at night in oddly lit stadiums, I'd use 1600 ISO film. If you have a DSLR camera, there's a setting somewhere in there that tells you how to set the ISO. If you are shooting in relatively low light and the photos are turning out darker than you'd like *but* things are moving too quickly to use a longer exposure, you can bump up your ISO for brighter, sharper images but they will be more noisy and grainy than ones shot at a lower ISO. If you want clean, smooth, crisp images, your goal should be to shoot with the lowest ISO possible.

The Aperture of your camera lens determines your F-Stop. This acts like the pupils of your eyes. When it's really really bright out, your pupils shrink down to let in less light. When it's darker out, your pupils get bigger to let in more light. If you are shooting in low light, you want a low F-Stop, which means that your camera's lens is open really wide. If you are shooting in a bright environment, you want a higher F-Stop, which will mean the opening is very small. Since your F-stop interacts with the focal length of your lens, you will find that zooming in with the lens often makes images darker. To shoot clear images from far away, you need to be very conscious of your F-stop, your ISO, and ambient lighting conditions.

Exposure describes the length of time you set the camera to leave the aperture open. In many DSLRs this can span from 1/3200th of a second to infinitely long (the "bulb" setting means "aperture is open until you close it.") If you want sharp images of frozen motion, you want the fastest speed that you can get. Sports photography and photography of things like insects or milk crowns often use extremely short exposures to get sharp images. If you want blurry images you want slower speeds. If you want to take a photo in a low-light environment and capture motion within that environment - for instance, taking photos of cars on a freeway at night - you want slower speeds (if you want to do this in a brighter environment, like taking photos of a stream in the daytime, you want slower speeds and a specific kind of lens filter called a neutral density filter). When exposures are set to be longer than about 1/60th of a second, images with motion start to look blurry.

Focal Length determines the field of view of your subject. If you have a lens with variable focal lengths, this is called a zoom lens. A longer focal length zooms you in and a shorter focal length zooms you out. Lenses with fixed focal lengths are called prime lenses, and can't zoom in or out.

Depth of Field - your depth of field is a combination of the interaction of your focal length, your distance from your subject, and your F-stop. The depth of field describes the relative amount of space in a photograph that is in focus. A long depth of field means that much of the image plane is in focus. A short depth of field means that a narrow portion of the image plane is in focus. A low F-stop produces a narrow depth of field. A long focal length produces a narrow depth of field.

You can think of your camera as a tool that measures time and space. Your ISO and Exposures are measurements of time (how quickly the sensor senses the light, how long the sensor is exposed to the light), the F-Stop and the focal length are measurements of space (how wide the aperture of the camera is, how far the lens is from the sensor).

The pre-set modes on your camera, the ones on the dial that show a person running, flower, or a cloud, or a lady with a hat - these are generic settings that combine an ISO, exposure time, and f-stop that are likely to work well for outdoor action shots, landscape photography, cloudy light, and portraits. When you're using those pre-set modes, you control the focal length and not much else.

When you understand that the running person/action mode means low-ish ISO combined with high shutter speeds, you can start just setting your own ISO and shutter speed when you're shooting sports. When you know that portrait mode sets you up for low-ish f-stops, relatively quick shutter speeds, and mid-range ISOs, you can just start setting those things on your own so you can have more control.

"What about light metering?"

Since your camera is a machine that records light, light metering is pretty important. The light meter of your camera will tell you if your settings are "correct" for the amount of that the light sensor senses. In most modern cameras there is a light metering display on the bottom edge of the viewfinder that goes from negative to positive; if the meter shows that you are in the negative it means that your photo will be under-exposed (too little light will get to the sensor and the image will appear dark), if the meter shows that you are in the positive it means that your photo will be over-exposed (too much light will get to the sensor and the image will appear too bright - "blown out"). The way to correct for under or over exposure is to change the length of the exposure, making it longer for underexposed images and shorter for overexposed images.

What the light meter is doing is thinking about all of your settings and the lighting for you. It looks at the ISO, focal length, f-stop, light hitting the sensor, and planned exposure time and tells you what that combination of settings is likely to produce - something too bright, or something too dark.

When you are more experienced with photography, you get good at juggling these things on the fly and messing around with them more, which is how you can do the magic of looking at the sky, twisting a dial, taking three steps to the left, and knocking it out of the park with a picture.

It only looks like magic because you're doing a ton of math under the hood that is extremely non-obvious to people who are new to photography.

Anyway, here is a good guide to depth of field and what goes into it.

Here is a basic photography textbook that explains the principles that I've gone over here in a lot more detail with a lot better explanations. It's a film photography textbook, but one of the cool things about photography is that a lot of stuff from the analog era is still relevant in the digital area, and the basics haven't changed.

However all of that is about the *technical* aspects of photography. Photography isn't just a record of exposure time and focal length, so here's a basic photo composition textbook that talks about the artistic principles of photography.

[moondirti]

blue collar simon x gn! reader. implied cnc.

Simon finds a journal on his lunch break.

It's inconspicuous. A5 black moleskin with an elastic holding it's contents together, bits of paper sticking out like nails on a poorly constructed house frame. He only notices it because his cooler slips off the bench when he blindly places it atop the fat book, sandwiches and packets of crisps now strewn across the dirty pedway.

The day's already been shit. A motley of blows, each made worse by the torrid sun overhead, sweat to cling to his grievances. An uptight site manager. A near loss of life after some tenderfoot got caught in between an excavation truck and the wall. Even his too-long hair, which curls around red ears – having not had a chance to buzz it off since being called in for this job. It's no wonder, then, that the tiny mishap stirs as severe of a reaction as it does; he chucks his hard hat across the road, satisfied only when it finds its fate mid-lane, an obstruction to inevitably fuck the tires on a white collar's new car.

When his rage settles as smouldering ash in his chest, he picks his food off the floor and cracks open the source of his animosity.

With no name or number, the first page holds just a chicken-scratch address. Interesting. Its owner hasn't made this easy on him, crafting it like one would a game. A skewing of traditional acquaintance. Granting nothing of their superficial identity, yet unrestricted access to their innermost thoughts. Thus he's forced to paint his own picture of the figure behind the words.

And what a picture indeed.

The first entry is brief.

13.02 – My therapist expects at least three pages a week. I'm not doing any of that, so don't get your hopes up.

It's evident that you don't stick to your guns. Though the next one is dated several months later, so he see's the attempt had been made. Written in a whole new hand, like you'd picked a dry pen off the floor and practiced your non-dominant grip:

08.05 – I broke my arm playing tennis. The umpire called a match-point in my opponent's favour and I threw the racket at his head.

I am no longer allowed to play tennis. What good is that resolution? My radius has a greenstick fracture. I'm already out of the game.

His laugh is abrasive and sudden, like it'd been pried from his chest by a pair of careless hands. Or as close to that analogy as it can get – your anger is intoxicating and only grows more potent across the pages. Inadvertently amusing. Simon chews through the tough crust of his torpedo roll as he reads, time wearing away under the stiff comb of your words.

There's hardly any variation in your cataloguing –

10.06 – The universe must need more bad people in it, because it tests my limits everyday. Can the fuck next door snore any louder? It's 2 am, goddammit. I wonder if it'd be overkill to ship nasal strips to his mailbox.

26.06 – Dad called today. Didn't pick up.

04.07 – I'm close to killing Kathleen. There's a reason the food in the fridge is labelled as MINE. GET YOUR GRUBBY PAWS OFF OF IT!

13.07 – The world is a shitty, stupid, crappy, icky, lousy, rotten, stinking, stinky, bad place. I hate my coworkers and friends and parents and landlord and etc etc. It's like everyone is out to get me.

– so it's like the honed curl of a hook. Whiplash-inducing, reeling his attention so quick that his neck strains in phantom pain. Simon stops everything, elbows settling onto his knees as he fixates on one entry in particular.

30.07 – I stand by what I said. The world is uniquely horrible. I think that's because I make it that way for myself. Whatever this exercise was meant to do for me, rage relief or introspection or whatever, it's clearly not working. I'm just as angry as I was before. Maybe burning these pages would help. I wish I could play tennis again. I don't know what to do with my hands anymore. I got fired last week. Need groceries. Eggs, spinach. Spinach always goes bad and I never make use of it. I keep buying it though. Dad keeps calling. I've got a migraine and I've run out of advil.

I just need someone to put me in my place.

And it ends there. No more entries after the fact, just a handful of blank pages before the journal wraps to a close.

He flips back over to the address at front. Looking at it a second time, he can tell the ink is still fresh.

Perhaps he misinterprets it. Perhaps it hits a little too close to home. It wouldn’t be the first time he looks for salvation in the empty lines someone leaves behind. Perhaps it’s just been a bad day, and he should go home before he does something he’ll regret. Perhaps it’s nothing at all.

Or–

Perhaps he sees it for what it is.

Here are all my colours. What you choose to do, or think, is no longer my concern.

[muniimyg]

⋆𐙚₊˚⊹ bbydaddy!jk (16) ⋆𐙚₊˚⊹

series m.list // taglist request closed

note: please prioritize your mental health and peace if the following content is too heavy for you. this portion of the plot has a lot of angst, and arguing. overall contains sensitive topics. thank you all for waiting so well for the break-up reveal!

tw: mentions of anxiety/stress/insomnia/ and postpartum depression,, early pregnancy loss (5 weeks), and self-neglect.

🏷️ permanent taglist:

@joonsjuice @pamzn @defzcl @maryy1300 @whoa-jo @taetaecatboy @jksusawife @un06 @firesighgirl @rrosiitas @butterymin @parkinglot-nights @musicjournalsjdb @kissyfacekoo @jkslvsnella @vampcharxter @bloopkook @somehowukook @bbystarcandykoo

//

"so... jungkook moved back in, he bought you a new car, and this entire time you've been broken up—you've been sleeping with him?"

it feels stupid to confess everything to your therapist.

you’ve been avoiding this for 9 months now. 

today it has to be settled. 

it has to be over. 

this feeling in the pit of your stomach that makes you want to throw up over and over again until you have nothing left inside of you. your lips tighten at the way your therapist blinks at you. you've never really been able to read her, but maybe that's what you like so much about her.

sometimes, it's nice not to know and just to take what people say as they are.

"he's not actually moved back in... he just has more closet space."

your therapist notes something down on her pad. then, she looks at you and simply comments, "i see... is that all you think it is? more closet space?"

"y-yes? n-no... no. okay, it's not like we're not back together though..." you begin to explain yourself.

"but you've been sleeping with him the entire time you guys have been broken up?"

you make a face.

your therapist tilts her head and lets out a light sigh. 

"i'm not judging. you two are adults. you both have needs. you both need each other. you both love each other. i'm just clarifying that—"

"okay, yes," you yield. "i have been sleeping with my babydaddy but haven’t gotten back together with him... i mean—we kind of are? to be fair, the break-up wasn’t a real break-up... it just grew into one. i take the blame for the dumping because i was the one who pulled away. so inevitably, i can't help but feel like a villain in all of it... am i? am i the villain? zion had this whole thing about what family is like, a home with another kid from his daycare, and it... it made me feel so guilty. jungkook and i talked about it and worked on it... i know he doesn't blame me, but every time i bring myself closer to... what do i even call this? ... forgiving him? forgiving myself? i d-don't know... all i know is that... every time i want to move on and just be happy—with him. with zion... with my life—i can't find it in me. i pull away, and it hurts everyone around us. sometimes, i wonder if they know it hurts me too."

"what does that mean?" she asks, her tone soft and curious. "good job getting that off your chest. you're doing great, ___."

mumbling a 'thank you,' you sigh and shrug your shoulders. honestly, you can’t think. your mind goes blank. she then sits up, fixing her posture. leaning forward, she makes her observation.

"___, you broke up with jungkook 9 months ago because of the circumstances. sure, he was supportive and understanding, but sometimes, when everything gets too much, the only person who can fix you is yourself. ___, it was a lot. it was heavy. one thing I've noticed about you is that you think and speak as if everything has to be this big thing. you know your emotions are bigger than the problem, yet you suppress them. it's okay to feel them because when you don't, you start to lose yourself. sometimes, it sounds to me like you want to burn the room down for people to empathize with you... for people to see you. for you to see yourself even."

"i don't want to burn anything down—"

"it's an analogy," she explains. "the truth is, for you, being burned out isn’t a thing until you can’t get out of bed. burnout is as simple as not wanting coffee anymore. sometimes, it's losing yourself to stress and anxiety... and people see that. jungkook, your friends, and your parents saw it. you don’t have to prove it. ___, you can’t keep pushing yourself until you can’t run anymore. you have to slow down. you have to let yourself be tired and learn how to rest."

you nod, agreeing with her take. then, you make another confession.

"i understand that," you take a deep breath. "but it’s like… before i knew it, i was upset and unfit for our relationship. i screwed up too early. that's why i broke up with him... but now... i don’t know. the guilt and blame keep pointing in different directions. i don’t know what i'm doing, and i can't do that. i can't not know when it comes to the father of my child and the love of my life."

your therapist purses her lips and offers you a small smile.

"then, ___... is it possible that things are better now? that it's more than his clothes in your home? that the room isn’t burning anymore? is it that maybe... finally, you’re realizing that being tired and burnt out is a part of life? ___, you’ve done nothing but get everything right since your childhood... to let your feelings—good or bad—be true and big isn’t a flaw. it’s you being human."

her words hit you, but not enough to stop your insecurities. with shaky eyes, you ask her, "w-what if i do it again?"

"do what again? burnout?"

"what if i fuck up everything about my life again? my career? motherhood? jungkook and i’s relationship? it hurt so bad... to wake up next to my family and not feel anything. it was so fucking hard... i couldn’t even pretend that i was okay. a-and when i asked for some air... he wasn’t even mad at me. he packed his bags and lost his breath from crying so much. at the door, he asked me if i was sure... and even though i wasn’t; i said yes...." you explain, your voice growing quieter with each word.

suddenly, everything feels so heavy. 

if there was ever a time to understand and relate to the feeling of the world being on your shoulders... this would be that moment. taking a breath, you compose yourself.

"i can’t do that again," you vow. "i can’t change my mind."

"you can’t change your mind again or you can’t hurt like that again?"

you pause.

"9 months ago, my mind kept going back and forth whether or not jungkook cared about me," you confess. "but i recently realized he does. he has. he always will... i just don’t know if i can trust him the same as before... i think i’m a horrible person for thinking that. weird, right? especially with how fucking horrible i am to him now."

"that’s not true." your therapist disagrees. "___, it was traumatic. you went through a lot—"

"—and i will never understand how he held himself together. when he was accused of plagiarism at his company, i took those accusations and sued until jungkook’s name was spotless. it was hard on both of us. he didn’t want me to go that far because they were his coworkers—his ‘friends’—but why... why was he so pathetic then? those people were out to ruin him. they quit the company and went to jyp. they proposed work that belonged to jungkook... it was a conflict of interest! when jungkook launched his work with hybe, jyp accused him of plagiarism. hybe cut ties with him and his company gave him so much shit for losing hybe. and i, his girlfriend and mother of his child, risked my career to focus on his case instead of my clients. i chose him. i did everything to fight for him. then, he told me he wanted to settle and stay at the company... i couldn’t believe it... he had his reputation on the line—his career! mine was too and all for what? because he didn’t want to embarrass his friends? because he didn’t want to cause the company more trouble? then, what about me? what about us?"

your therapist looks at you with sincere eyes. she nods, taking your words in. 

"___, does he know you’re still upset with his decision?"

"yes," you sigh, recalling how betrayed you felt. "w-we don’t talk about it. how do we? it felt like i wasted 2 months of my life and we lost our—we lost."

your therapist reaches over and offers you the tissue box. you didn’t even realize you were crying... but the silence between you two and the ache from the words that you just said begins to sting your chest.

after a few moments, your therapist softly tells you, "___, i don’t think you left him because you didn’t love him... i think you left because, despite everything, you did. that hurt because it meant loving him and putting him before yourself... on top of that, you were at a state where you should have been put first."

you gulp.

she purses her lips and makes her hit.

"___, do you resent yourself for the loss?"

you clench your fist as your therapist rubs salt into your open wounds. "the self-neglect? the stress? the post-partum depression? the insomia—"

"i resent myself for the loss," you admit. "... and i resent jungkook for losing me."

when you arrive home, jungkook is in the kitchen cooking. 

you didn’t expect him to be home. he was supposed to be picking zion up at this time and you were looking forward to some alone time. clearly, you have a lot to think about. as you take off your shoes, jungkook turns his attention to you.

“hi honey,” he smiles brightly. 

truth be told, he had a long day. he was running late this morning and had rushed out the door. as he drove to work, he got annoyed with himself. 

he forgot to kiss you before he left. 

so you can imagine just how excited he is to see you now… especially with all he has planned for tonight. 

“we had a meeting today and it ended early. it went really well so i have some news! also, i picked zion up right after my meeting. took him out for a little father-and-son afternoon... then, i dropped him off at your parents—”

“why would you do that?” you snap, putting your things away.

jungkook chuckles. “uh, maybe because i wanna ask you something tonight…”

your body stiffens.

“but we’ll get to that later! do you want to eat first? i’m cooking your favorite—”

“please stop,” you shut your eyes and take a breath. “jungkook, i had a long day. i’m glad yours was good and you got to bond with zion. i appreciate the effort—i just don’t… i don’t like that you dropped zion off at my parents after picking him up early from daycare. why didn’t you just take him home? and thank you for cooking... but i had a late lunch today, so i’m not hungry.”

“is it so bad i want to spend time with you alone?” jungkook asks, his smile fading. 

jungkook isn’t stupid. 

he knows you’re not in the mood, but he can’t help but push your boundaries a little. besides, communication is always good, right? at least, that’s what he’s been told. 

“it’s okay if you don’t want to eat... as long as you ate today. what did you eat?” he attempts. 

you move past jungkook as he asks you the question. taking out your phone, you check for any missed messages. jungkook’s eyebrows furrow as you ignore him. he catches your waist and guides you against the kitchen counter. grabbing your phone from your hands, he puts it aside.

“woah,” he pouts. “what’s up? why are you acting like this?”

you look at jungkook and hate yourself. his eyes are so kind and full of love. 

you know it. 

you feel it. 

it hurts so bad.

“what’s with the mood?” he asks, more gently this time. 

jungkook moves his hands from your waist to wrap around you. he nuzzles himself into the crook of your neck and hugs you tightly. “if you’re mad at me about something, that’s okay... but be angry here. don’t ignore me. being angry together is better than not being together at all.”

his plea makes your eyes tear up.

this isn’t easy for you either, but to be honest... it’s now or never. tonight, your heart feels especially heavy. you can’t blame it. some people say time heals all wounds—perhaps, this is it. 

this is the time limit.

“can i tell you my news?” he asks, partly trying to stall the conversation and partly because it was good news. 

“sure.”

“i got a job offer,” jungkook says. “i’d have to do an informal interview but it’s basically mine if i want it. they’re setting up a branch in new york. they want me to go there for 3-6 months and help start everything up. guide and mentor the visual director there—”

“that’s amazing—”

“i don’t want it,” jungkook chuckles. “they told me to sleep on it and make my decision in a month. until then, they offered me a raise! isn’t that great?”

your smile drops. 

all of the feelings you’ve been trying to regulate since you stepped out of your therapist's office today feel like they’ve gone out the window. was he serious? he declined such a big step in his career—for a raise? 

“jungkook,” you croak. “do you know why we broke up?”

he pulls away. 

what a fucking switch up. he doesn’t understand. 

for a moment, he doesn’t know what to do with his hands. does he reach out to hold yours or keep them by his side? he’s caught off guard. he doesn’t know how to answer you and frankly, he fucking hates this question.

“uh, why are you asking me—”

“what was the other thing?” you ask, already suspecting it. “are you going to ask me to marry you tonight?” you blurt. 

he shoves his hand in his pocket. 

“jungkook, are you asking me to marry you tonight? yes or no?”

he blinks at you. 

his heart is prepared more than ever; “yes.”

“don’t.”

jungkook’s heart drops.

“don’t because you’re saying no or don’t because you want a better proposal?” he attempts to lighten the mood with a smile. he takes his hands out of his pocket and reaches for yours. you don’t let him take it. instead, you shake your head.

“don’t because you don’t even know why we’re broken up.”

instantly, the tension between you two increases. it’s through the roof, actually. it feels like one wrong word, one wrong move, one wrong recalled memory—everything crumbles.

everything fails.

everything faces the end.

“___, i can’t answer your question because i’m not prepared to. honestly, i wasn’t prepared for the break-up. it just happened. it grew into one. ___, you never said, ‘jungkook, it’s over. we’re broken up.’ ... no. you said, ‘jungkook... i can’t breathe anymore. i need air. i need space from us,’ — that’s what you said. but to hell with that, right? we’ve been sleeping together and it’s not like we hate each other. you love me. i know you do... so i really don’t understand why you won’t marry me despite knowing the simple truth—”

you move away from him.

god, it’s so hard to be next to him sometimes. 

heading to the cabinets, you take out a glass and pour yourself some water. drinking it, you hear jungkook sigh and groan in frustration.

“are we really going to fight tonight?” he asks, annoyed.

you shrug and put your water down. “shouldn’t we? it’s kind of overdue.”

jungkook scratches the back of his head. his lips tighten and his mind is already dizzy as he asks;

“___, why did you break up with me?”

a beat.

“i wanted more from you.”

he looks at you confused. “the fuck does that mean? sex?”

you shake your head.

“jungkook, i was moving up with my career. you were constantly annoyed that i was overworking myself and that i only cared about zion. you were always mad at me when i brought up work—especially about yours. you didn’t want more. you refused the promotions and all the different leadership roles. you refused more hours—you refused to grow… just like now.”

jungkook huffs. “is this about money again? we’ve never had issues providing for zion and this lifestyle.”

“again?” you chuckle. “honey, it wasn’t about the money. at least to me, it wasn’t. i love you and would have married you regardless of my career path and yours—”

“then why won’t you marry me? you always say you will but you say shit like this. you know it fucks me up, right? this isn’t fair. you can’t keep changing your mind.”

“it’s not that i don’t know what you are to me and what i want,” you take a deep breath. it feels painful to be right. “it’s that marrying you isn’t going to make any of this easier. at least, not right now.”

his eyes are filled with hope. 

hope that maybe the reason is childish and not what he knows it really is. he hopes it’s because he left one too many socks inches away from the laundry hamper in your bedroom. he hopes it’s because you got tired of him always queuing his karaoke songs in the car before yours. he hopes it’s because (not really) you actually took an interest in nam joon or something.

most of all, he hopes it’s not what he knows it is.

“jungkook, we were disagreeing on everything. you thought i was greedy for wanting more for myself—for our family—”

“so it’s about whether or not i accept the job offer? i still have a month to think about it. i can’t just leave you and zion. you get that, right? i don’t just leave.” jungkook scoffs in disbelief. “and you act like i didn’t just get promoted. i accepted it, didn’t i? i did so to impress you because i love you. i did it to win you back because i love you.”

“but why didn’t you do it for yourself?” you fuse. “why can’t you want more for yourself?”

“___, i love you—”

you hiss, taking a step away from him. “stop saying you love me when you—”

“when i what?” jungkook steadies his tone. “when i made a decision that you didn’t like? ___, i made a practical choice back then. what other option did i have?”

“you chose wrong,” you cry. “is that what you’ve been waiting for me to say? jungkook, you chose wrong because you were afraid! it wasn’t practical. it was safe. you took the settlement, forgave those friends, and looked stupid while doing it. meanwhile, i risked everything. i fucking fought for you! for what? jungkook, it ruined us.”

jungkook shifts, taking a step closer to you. he runs his hands through his hair and groans.

“___, they have a family too. they fucked up and they apologized. i didn’t go through with the lawsuit because regardless if they deserved it—their families didn’t. their children didn’t. for fucks sake, one of them has a daughter zion’s age—”

a sob escapes your lips. 

jungkook’s shoulders slump as he lowers his head. you lower yours too, feeling your tears roll down your cheeks.

“jungkook, i love you,” you weakly admit. “i swear to god, i have never loved anyone more in my life than i have ever loved you. you’re the kindest man i’ve ever met. you empathize with others and put them before your needs. you chased me around like a fucking dog for the last 9 months, completely disregarding any self-respect. truth be told, you gave me a purpose to live. you made me zion’s mom and the love of your life. in so many ways, i don’t deserve you… but i also don’t deserve this. it feels like even when i can't trust you—i still do. it ruins me, jungkook.”

angry, jungkook disagrees.

“what are you fucking talking about—no. don’t say shit like that.”

“you kept me together for so long that i don’t know how to fall apart if you’re not around. jungkook, i had to fall apart. i was so tired then. i was so unhappy and everything you did to hold me together only angered me. it lit this fire inside of me and i felt like i couldn’t touch anything or anyone… why couldn’t you just be sad with me?”

“you fell apart before i could even process what happened—” he recalls, tears threatening his eyes. “___, i was devastated beyond belief. i was sad too. i was afraid too. you don’t think i wanted to cry in bed all day with you? i had to get up. i had to take care of zion and i’m sorry if i held onto you tighter than i should have—but i had to. there was no other way i could’ve lived if i didn’t hold on to you like that. you’re my air. i love you, ___ and in case you didn’t know; it hurt me too. losing our—h-holy fuck. i love you. ___, i love you. please, i love you so much—”

you sob.

you don’t even try to hold yourself together. a heavy cry escapes your lips and jungkook instantly lifts his head and comes to you. he wraps you in his arms as you cry into them.

“i love you,” you whimper. “i don’t blame you for it—really, i don’t. b-but why did you stay? i worked so hard and you chose to stay. i stressed myself out and couldn’t sleep. i felt so betrayed and i wasn’t eating—”

“i know, i know,” he murmurs, holding back his sobs. “i hate myself for it. it was my fault—”

“don’t—”

you pull away and hit his chest. 

your eyes sting from all the crying and your throat feels dry. yet, every fiber inside of you feels like it’s on fire. it feels like you’re burning down the room and all jungkook wants to do is slow dance in it.

“jungkook, when you settled, it took something from us. something beautiful—our second—our time.” you slow your breathing to gather the courage to say it. 

to say everything. 

to say it all and maybe, save it all.

“honey, i d-destroyed and hurt more than you did... and i know you don’t blame me; but am i ever going to stop blaming m-myself?” you sob. “i’m pushed into t-this... corner where it’s all my fault—and it is, you know? if i hadn’t stressed myself over your case and just f-focused on making partner at the firm—if i had just i-ignored the f-feeling of the knife you twisted—it was supposed to be this time around.”

jungkook’s heart breaks.

“9 months...” you say, voice trembling.

“don’t say it like that,” jungkook begs. “my love, i didn’t forget.”

that’s just it.

he hasn’t forgotten either.

yet, his body doesn’t ache like yours does. as much as your heart wants to forgive and find beauty in this tragedy—your body hasn’t healed. all those months ago, when you focused on jungkook’s case and stressed yourself to the bone—you made a mistake. you neglected your health to prioritize everything but yourself.

your breath hitches as you recall everything. a part of you feels relieved to have said it all aloud, but inside, it feels like something has burnt up—like a part of you has died.

you reach for him, cupping his cheeks in your hands. jungkook’s tears spill over, and you gently wipe them away with your thumb.

his body collapses into yours. his sobs wrack his chest as he buries his face in your arms.

jungkook cries for the break-up.

for the hurt that’s grown between you two.

he blames himself even though deep down he knows it’s not his fault.

the ache in his chest feels unbearable. you tighten your hold on him, bracing yourself for what comes next, but before you can speak, your body gives in.

everything does dizzy and you hold your breath.

suddenly, your knees hit the floor, and you collapse in front of jungkook, the weight of it all too much to bear.

“i’m s-sorry,” you choke out. "i can't—fuck. i'm so heartbroken, jungkook. i can't—"

jungkook drops down beside you, pulling you into him. as you cling to each other, you feel his heart racing, his breath catching in his sobs, mirroring your own. he holds you tighter, as if he could take all your pain into himself. if he could, you know he would.

and somehow, in the midst of this overwhelming pain, you feel the strangest thing.

this has to be the most painful moment in your entire relationship, but it’s also the most healing.

after nine months of distance, you finally grieve together.

the grief overwhelms you two.

after what feels like an eternity, you manage to compose yourself, pulling away from his embrace. meanwhile, jungkook is still crying heavily. you reach up, cupping his face in your hands again, wiping the tears from his swollen eyes. he leans into your touch, his lips pressing softly against the palm of your hand, his breathing slowly calming down. but then, he moves closer, and you know what’s coming next.

jungkook tries to kiss you.

you push him away gently, your heart breaking all over again.

“... i think you should go home,” you whisper, your voice tired and cracked.

"___, please—"

"we fought enough tonight. i don't have anything left in me, jungkook... just go."

for a moment, silence hangs in the air, thick with everything left unsaid. there's still more. he swears it. he knows it because his heart races with so many more confessions. so many more things he has to tell you.

like the fact that when you cleared his name, he never felt so loved in his life.

like the fact that when you stressed yourself over him and got upset with his decision—he wanted to take everything back.

like the fact that when he let you cry in bed all day over the loss, he cried as he held and fed zion in the living room.

but now is not the time.

now, the hurt aches and he has to let it. he has to let you fall apart. he has to feel this too because if he doesn't—then he misses it all. he misses everything and he can't do that.

he needs to know.

he needs to learn.

he needs to love.

jungkook swallows hard, his voice barely a whisper. “okay… whatever you want.”

you both stand, your movements slow and heavy. you watch as he gathers his belongings, guilt and disappointment twisting in your stomach. at the door, he pauses, eyes closed as he takes a deep breath.

“what about me?”

his voice breaks the stillness. you feel your heart sink.

“what about you?” you ask softly, though you already know the answer.

“___, i don’t want to go,” he pleads, desperation creeping into his voice. “i… i can’t do this. not again.”

“what do you mean?” you force a weak smile. “this is our first break-up.”

“for real?”

you let out a sad laugh, though it holds no real humor.

“for now.”

jungkook takes a second to compose himself.

“i’m gonna pick up zion and have him sleep over at mine... and it’s okay if you’re still full… just eat a late dinner,” he murmurs softly, eyes cast downward. then, turning toward the door, he looks back one last time, his voice soft but filled with emotion.

“for the record, i thought i was home… but if air, space, and time is what you need, so be it. just know, i hope i’m it in the end. i hope i’m what you need.”

they say the 3-year itch is when the sand timer runs out. it takes two people to flip it over and restart the clock. at your 3-year itch with jungkook, suddenly your careers were where you two scratched.

then, the plagiarism accusations came along. as horrible as it was, you thought this was the perfect opportunity to show jungkook how much you love him. how much were you willing to do for him, and how much could your career benefit you two? at the peak of all this, you didn’t know it.

you were carrying more than just work.

at 5 weeks, 1 week after jungkook settled—time was up.

jungkook sits in his car, crying and staring at the ring that should be on your finger. he can’t help but feel all the sides of it. he shoves it back inside the box and opens the glove compartment. throwing it in, he continues to reflect. 

was he insensitive? was he so wrong about not wanting to take the job? the proposal was ill-timed, but was he crazy? weren’t you two doing better? … were you hurting all by yourself this entire time? of course, he hurt too. he was just grieving differently… does that make this his fault? he doesn’t know. he doesn’t care. in the end, losing something is still losing something. 

truth be told, it’s no one’s fault. 

yet, jungkook hits his steering wheel and continues to sob. he wants to blame something. he needs to. as he searches, his heart screams out;

time.

[ixiot-ghostrebel]

Hi! Finally able to request. I really enjoy your work!

Can you try a creator who use their power through music (like singing or playing instrument) in an Imposter-AU with the Archons? (The voice of the Creator is heard as the sound of nature like wind or water, though. No one knows their true voice)

Thank you so much.

🎄Merry Christmas🎄

Welcome @peaceindreams ! I'll see what I can do with Your Request :D

Also VERY LATE Merry Christmas—I'm writing this a few days after Christmas.

Archons Realize Reader is a MUSICIAN WOAHHH

To be honest, you were kinda just minding your business when the Archons found you and your ever-singing glory.

They SHOOKETH so good job! Let's nitpick at their reactions! >:)

(Warning: Might be OOC!)

Venti

Wisp boi HELLA SHOOKETH. But he also happi boi so good job!

Wants to hear your voice sing and not the wind just continues to gently smack his face. Don't get him wrong, he's probably the only one who can actually listen and understand and compute with what you're singing, but like he really wants to hear your actual voice. He thinks it'll be such a treat!

"Your Graceee...Is there a way to let these humble gods hear your voice? Pleaseee? This bard will make a ballad about it and the world shall start spewing about it right after!~ Hehe, it'll be a big hit, one as grand as your visage!"

He really wants to hear you sing now. Good luck explaining that you got no control over dis :)

Zhongli

GRANDPA ABSOLUTELY SHOOKETH. But he finds it pleasant to see that you're having fun and enjoying your time in Teyvat.

Unlike the airhead beside him, he cannot understand what you are singing, and he feels kinda disappointed that he can't enjoy it too. He would share the memory—

Ahem, anyways. Loves it, 100%. Bro's a huge supporter even though he legit has, like, zero comprehension of the situation. He's also giving Venti some bombasic side-eyes.

"Your Grace, please do not be pressured by this wind god. While it would be a stunning blessing, do NOT feel like you owe us anything." You know those memes where like, one person is forcing someone's head to bow while they bow to apologize to whoever got offended? Yeah, it's that one meme except it's Zhongli making Venti bow for his idiocy.

Grandpa wants to hear your voice fr this time, but bro's not gonna force it upon you. Grandpa will, nevertheless, share the memory over osmanthus wine, because "Osmanthus wine tastes the same as I—"

Ei

Raiden Ei, Raiden Ei...I honestly think she feels like she doesn't DESERVE to hear you sing. Like, she feels like she just intruded on your personal space and she crossed some sort of line.

But the wind's pleasant and all of the surrounding area is practically glowing as you sing. Your voice practically carries throughout the place, becoming the nature, the water, the wind, everything.

"Your Grace, you need not heed to the request at all. We are more blessed to be in your presence enough." As much as she's getting more and more used to the present times of Teyvat, she's still kinda stuck in her ways a little. She still thinks of you highly and does not let her beliefs falter.

She really doesn't think she deserves to hear your voice, but she is also very curious. Never wants to push though because she's old-school.

Puppet Shogun looking at this and going "This will be forever engraved in eternity" as Ei is shaking the Puppet Shogun by the shoulders like "NO, WE SHOULD NOT BE HEARING THIS WHAT KIND OF PROGRAM ARE YOU ON I DID NOT PROGRAM YOU LIKE THIS—"

All in all? Mental crisis! :D

Nahida

Cute god loves you! She loves how the flowers bloom, how the wind flows, how the water speaks—not even analogies can describe the amazingness of it all!

She's grinning so wide with such wholesome-wide eyes, like an actual child discovering music for the first time or smth ykwim? IT'S ADORABLE IS WHAT I'M TRYING TO SAY.

"Your Grace...is it possible if we could see this more? You don't have to, of course, but this is really amazing!" She's practically GLOWING with excitement and nervousness. While Nahida wants to hear you sing and see you enjoying your time, she doesn't want to push boundaries!

Safe to say, she'll support whatever your answer will be!

Furina

Girl's flabbergasted. She thinks she might have been sent to both celestia and hell because it was hard to compute whether she was trespassing or if she was being blessed.

Furina is utterly speechless to how your voice alone commands presence and power without even needing to try so hard. Anyone, absolutely anyone, can tell you are truly the Almighty Creator.

Though she's retired from being the Hydro Archon, she still has the slight dramatic flare she has had for 500 years. And she's got to say, she absolutely loved your performance!

"Your Grace, if I could humbly suggest a request on the behest of the follow archons beside me." Furina dramatically bows a little. "May we be humbled by your presence, and continue to gaze upon our unfathomed eyes of what a real god can truly do in the likes of the world? I'm sure this will bring many beautiful pieces of art—be it music, visual arts, dramatic arts, and so on!" Girlie doesn't realize she made a beautiful monologue about your singing on the spot, but one thing's for sure—she loves you and you singing, even if her ears can't understand it. It was still a beautiful piece.

After all, she was the All-Powerful Hydro Archon before she retired. She knows power and art when she sees it, and you bypass all forms of mortal concepts. You're practically her favorite musician!

Please grace her—I mean them—with your singing! It's too beautiful to miss!

Ghost Rebel Side Notes: I am SAD I couldn't finish this when it was still AROUND CHRISTMAS SOBBING, but I hope y'all like this post, though! Hopefully my next post won't take too long—but I'm not gonna say anything because rn I'm EATING those words up like it's for breakfast lol—I'll see you all next time :)

✦ Check out The Ghost Rebel’s Blog Description & Info Page to See if Their Mailbox is Open! ✦

[mrs-gauche]

On a more serious note regarding the "Solas is like the devil on your shoulder constantly trying to make you make bad decisions".. I think @corseque made a good point, in that Fen'Harel in Dalish legends is known for giving cunning advice that, in true trickster fashion, may lead to a helpful outcome, but always at a cost or in a twisted way. We talked about how Solas might try to prevent Rook from trusting their companions because of his own issues/experiences with betrayal or that he might try to use Rook as a piece on his own "chess board".

But I think this also goes back to the mage origin in DAO and you being tested by Mouse, a pride demon, and how the greatest danger of the Fade is, after all, careless trust. I'm also thinking back to this banter between Solas and Vivienne, in which she literally said that he "sounds like a pride demon" trying to tempt you to "leave the path". Or Cullen saying that no demon will ever possess him because he is "too much like they are". Given that Solas literally translates to Pride and the Dread Wolf itself being described as a pride demon, this "devil on our shoulder" might end up being like one big test for us to pass throughout the story, much like the Harrowing in Origins. And building on that, there's also still this crucial piece of dialogue from Solas himself, talking about the perception of spirits and demons:

"The Fade reflects the minds of the living. If you expect a spirit of wisdom to be a pride demon, it will adapt. And if your mind is free of corrupting influences, if you understand the nature of the spirit, they can be fast friends."

In DAI, Solas was already a reflection of how you treat him. If it's true that, what the devs seem to be hinting at, we actually get to learn and see what happened in the ancient past and who Solas was before he "called himself Pride" (keeping in mind that Rook doesn't know anything about Solas as a person at the start of DA4), and we come to "understand his true nature"/original purpose/true name, then the above quote might be an analogy for how the relationship between Rook and Solas can develop and how we can influence Solas' character arc (on top of the relationship between him and the Inquisitor already having a huge impact on him?).

And if you think about it, it's so brilliant how they seem to put a spin on the whole thing now, by having the "pride demon" be the one who needs to trust the one who dreams. Or rather, expecting the pride demon to be a spirit of wisdom, and not the other way around.

The idea that Rook challenging/rivaling Solas by going against his "devil on our shoulder" advice/proving him wrong/"pass the test" and not expecting him to be that pride demon after Rook comes to understand his true nature/original purpose, could lead to him being more likely to "adapt", open up and learn how to trust again is so beautiful to me, but that could also mean a challenge for us Solas fans if we have to (at least in the beginning) bump heads with him in order to see that development. 🥲😂 Either way, Solas is truly in for the most intense kind of therapy session.

[dovesndecay]

It's June! It's Pride! It's (my) Birthday!

The Introduction Spiel:

Hi, I'm Reyah! (any pronouns! no really, go for it!) On June 21st, I'm turning 32, an exciting and mysterious age to be!! (So I've heard)

Warning: This is a post asking for financial help, and if there's one thing I would ask is that if you read the whole thing: please reblog.

I'm a multiply-disabled queer person of color, a writer, artist, and photographer. I live with three of my best-good-pal-friends, (@renthony, @kryptidkhaos, and @natalieironside) and our collective army of pets.

We all know it's damned hard to be all these things at the same time under the capitalistic hellscape we're living under, and we/I am always in need of a lot of help with the existing.

I ended the month of May with some smaller bills left still to pay, but am thankful to say that June already had fewer bills than usual due, and the amount I need to start the summer off right is actually less than I was afraid it would be! Woohoo!

What I Make

I mentioned my artistic endeavors, let me show you them!!

Writing

I write less often than I'd like, but I share poetry and shorts, when I have them, on my Patreon!

You must be over 18 to pledge, as I have, can, and will again share Adult Content occasionally. Patrons pledging at least $1/month get access to all content. But most posts becomes free to access eventually. :)

When I do longer form content, I primarily write fantasy with a focus on queer brown characters with disabilities, mental illnesses, and disordered attachments. Because therapy is expensive, and writing is free.

Photography

I do wildlife and landscape photography, primarily, but you can also check out my portrait and event work on my website! You can purchase PRINTS HERE.

And because it's my birthday, I'm offering a 32% discount code for all my prints! The code is good from June 1st to July 1st!

A Note, if you purchase a print: first off: thank you. (please feel free to send a photo of wherever you display it!!!) secondly: this will not go towards the received totals on my financial need because Pixels doesn't pay out until nearly 2 months after the purchase. Funds made from sales will go towards future needs.

CODE: PDHHTR

Artwork

I've been exploring art, both analog and digital, a lot more lately, and have shared both process photos and final drafts on Patreon! Here are just a few examples:

I admittedly don't post on patreon as much as I wish I had the energy to, but I try to make at least one thing a month, provided I have the spoons and time.

Creativity is, like, a level 5 spell slot when you're disabled and impoverished, and I appear to have exactly One (1) of those available at any given time.

The Needs:

The Bills: $1,100

Yeah, we had to get here eventually. Since this post is already pretty long, I'm putting the rest under a cut.

More than half of this, as always, is just for the car payment and insurance that keeps the regular day-job-haver getting to said job, and all our medical appointments, errands, etc.

I still owe around $13,000 total on Johnny Car, but I think we all know that's just not a real number.

The rest of the funds would go toward paying the small subscriptions, for my various medications, and the regular attempts to whittle away slowly at the $4,300 worth of other debt.

($2,200 of back taxes, and $2,100 of credit card debt, and gods, do I mean slowly. Interest piles up so much faster than I can seem to whittle.)

If you're able and willing to help with paying the bills, direct donations can be made here:

PayPal | (link)

Venmo | (dovesndecay)

Cashapp | ($dovesndecay)

If you can, and only if you can.

The It Would Be Cools:

Since every dime that comes in goes primarily towards food and bills, there's little left afterward to be put towards other life necessities like clothes, toiletries, let alone things I just think would be nice/neat/nifty to have.

I have a High Priority wishlist. It's mostly art supplies, bulk toiletries, etc.

I'm woefully low on clothes, being short, fat, and trans, so very little of what I own actually feels good to wear so much as it simply covers my body. I have a wishlist of clothes that would be nice to have.

For everything that firmly lands under the "I just want it" category, I have an Enrichment list. It's mostly stuffies, but also games, room decor, hobby supplies, books, and stim toys.

Our household keeps a big wishlist for things we need, want, groceries, accessibility products, and everything in-between.

Okay, now what?

Well, now, I'm gonna ask that if you got to this point, and if you can't/don't want to do any of the things listed above, then please reblog this post.

The more people that reblog it, the more likely I'm able to pay my bills for one more month this year.

But if you don't, it's not like anyone's gonna know. I'm not omniscient, I swear.

Anyway, I don't expect anyone to do anything if you can't or even if you just don't wanna, but if you can and you're willing to, it means the world.

I didn't think this is where I'd be at 32. But I never really expected to get here at all in the end, and it's a lot nicer than I thought it would be. Mostly because I am surrounded by amazing people who have the capacity to be so much kinder than I will ever have the words to describe.

Thank you, and to all, a happy pride!

🧡💛💚💙💜🤎🖤

[comicaurora]

Hey Red, I'm trying to build a better understanding of mathematics, because to my mind math has always been a collection of arcane sigils that I had to memorize to pass tests in school. I must know how these sigils came to be and why they mean what they mean. Are there any resources you recommend I use in my pursuit of these secrets? Please and Thank You 🙏

It's good you described math as something you "build," because I think that's the best analogy possible.

Mathematics, in its purest form, involves no memorization. Math is the process of taking a very small number of established truths and defined operations that preserve truth, and using those operations on your established truths to expand your space of known truths. As long as you start from a point of truth and only use operations that preserve truth, you will derive truths. If you understand the base principles from which a branch of math is constructed, you can rederive it from first principles. Memorization is easier, but you can rederive it.

For instance, we can start with two things, the number "1" and the operation "+". 1 means "a single thing" and + means "put them together." If those two concepts exist, then we also have 2, 3, 4, and every other positive integer, because we can derive them by using + on as many 1s as we want. If we drop a rock on an empty patch of ground, and then drop a rock on that same patch of ground, that patch of ground now has two rocks on it.

If we include within the definition of "+" that there exists an identity value 0, and every value has an inverse that when added to it produces zero, we also get 0 and all the negative integers, producing the group of integers. Every integer can be expressed using nothing but the number 1, the + operation, and its inverse - if we're feeling spicy.

If we decide to add another truth-preserving operation, "*", with identity value 1 and the same kind of inverse property that "+" has, we rederive every rational number. Every number in this field of rational numbers can be described as a combination of 0s and 1s using only + and * and their inverses; truthful objects combined in truth-preserving operations. We started from the truth and we used it as our only building material to create something equally truthful.

We can memorize a multiplication table, but multiplication is just iterated addition. If we forget, we can just do the addition again.

Algebra is a simple rearrangement of a simple beginning math problem by way of other truth-preserving operations. When you're starting out, you might expect to see something like

3 + 5 = ?

Algebra starts when we replace "?" with a placeholder, "x". This is just a change of terminology. It preserves truth.

3 + 5 = x

This isn't what most algebra problems look like, though. Most basic algebra problems look more like

3x + 7 = 31

But these two formulae are the same, because we can turn one into the other through operations that preserve truth.

3x + 7 = 31 -> subtracting the same value from both sides of the equation is an operation that preserves truth. We subtract 7 from both sides, getting

3x = 24 -> dividing both sides of the equation by the same value is also an operation that preserves truth. We divide both sides by 3, getting

x = 8 -> addition is associative, so we can break 8 up however we want if we do

x = 1 + 1 + 1 + 1 + 1 + 1 + 1 + 1 = (1 + 1 + 1) + (1 + 1 + 1 + 1 + 1) = 3 + 5

Solving an algebra problem is the process of breaking down the things that make it complicated using the truth-preserving operations that defeat them. Added values can be subtracted. Multiples can be divided. Exponents can be root'd.

We understand what it means to put a placeholder in a math problem. We realize, by the same token, we can put in more than one placeholder, if we want. This gives us problems that don't have single numerical solutions, but spaces of solutions. Consider

2*x = ?

We do what we did before, replacing that "?" with something that means the same thing. We use a different letter to avoid confusion.

2*x = y

Now we have multivariable algebra. Instead of getting hard numbers for both variables, we have pairs of numbers. If we pick an x, we get a y. If we pick a y, we get an x. The relationship between the values is clearly defined; x will always be y/2. If x is 3, y is 6. If x is -1.8, y is -3.6.

Now for the sake of convenience, we create shorthand - another change of terminology that preserves truth. We come up with a term that describes this relationship between x and y. We decide to call y a "function."

y = f(x) = 2*x

A function is what we're calling one half of an equation; what goes on the other side of the equals sign. It's just a rename, like when we turned ? into x. It preserves truth.

The trick at this stage is that every element of this seeming increasingly complexity is actually an attempt to make the process simpler as we handle more and more things. We don't technically need any numbers other than 0 and 1 if we're just dealing with rational numbers. We could write 378/5 with nothing but 1s and +, -, * and /, but by god we wouldn't want to. We could write [x^3 + 2x + 5] as ?*?*? + ? + ? + 1 + 1 + 1 + 1 + 1 and it would mean the same thing. The shorthand and symbols get dizzying if you lose track of what they mean, but when you remember what they mean, you understand why you need them.

Any piece of mathematical shorthand basically means "for this thing we're talking about, this set of things is known to be true." We can rederive those things if we need to, but the shorthand is there to help us avoid doing it unnecessarily. We call the integers a group because that means it has an associative operation that is invertible and has an identity element that, when used in the operation, leaves the operated-on value unchanged. We don't want to write that out every time we use + or remember what 0 means, but we can if we have to.

Calculus is where most people think math turns into wizardry, but derivatives and integrals are just another pair of inverse functions like + and - or * and /, and the building block of this branch of math is the derivative. Any formula for a derivative can, in a pinch, be rederived by calculating the difference quotient (f[x+h]-f[x])/h as h approaches 0. If f(x)=x^2, we may memorize that its derivative f'(x)=2x, or we may calculate

[f(x+h) - f(x)]/h =

([x+h]^2 - x^2)/h =

(x^2 + 2xh + h^2 - x^2)/h =

(2xh + h^2)/h = 2x + h

And the limit of this as h->0 is 2x.

Everything in math can be broken down to first principles. Everything. Sometimes it's very hard to figure out what tool you need to break it down to its next stage of simplification, but it was built from first principles and it can be broken down the same way. If it isn't making sense, break it down with truth-preserving methods until it does - even if you have to go all the way back to zeroes and ones.

[mylasteverlution]

Disco Elysium has a lot of fascinating fictional technology but I have been rotating the radiocomputer in my mind for months now. From what I can gather, they operate in a way very similar to modern cloud computing. It doesn't seem like the mainframes we interact with have any processing capability. Instead, they use antennas to process "on air":

SOONA, THE PROGRAMMER - "Alright, well... All radiocomputers perform operations up on air, so in order to gain more processing power you need to invest in a *good antenna*."

The only information we get about what "on air" really means is from the same conversation with Soona:

YOU - "Wait, what's 'on air'?" SOONA, THE PROGRAMMER - "On the *front*. The unified front of radiowaves, licensed and controlled by Lintel in the East-Insulindic region." SOONA, THE PROGRAMMER - "It's all around us," she waves her hand, "that's what 'on air' means."

The nonspecific language used here really invokes cloud computing to me. I think there are two main possibilities for how this could work, one being much more likely than the other.

The more likely answer is that information is sent to and from the in-game equivalent of data centers, which would host massive computers with processing capabilities. I'm not sure what their processors would look like, but they'd almost certainly be analog (the lost Feld tape computers are most likely the in-game equivalent of early digital computers).

The significantly less likely (but more interesting) answer is that in-game radio waves are somehow capable of processing information on their own. I have no idea how this would work, and as far as I know there's no real-world analog. But it's clear the world of Disco Elysium has some crazy things happening with radio waves (see how they interact with the pale), so I'm not ruling it out entirely.

The filament memories are like hard drives, but my guess is they would function more similarly to an optical disc (CDs, DVDs), which use patterns in the disc to encode information that's read using lasers or light. The filaments glow inside the mainframe, so it's not a huge leap to assume they're read using light.

The amount of thought put into radiocomputers is so fascinating. As far as I can tell, their version of the internet has been wireless from the get-go, which makes perfect sense! Antennas and other wireless radio technologies would have to be pretty damn powerful to communicate across and force dimensions on the pale. And you have to assume huge amounts of government money has gone into funding their research and development for those purposes. The technology of radiocomputers is so tailored to the world of Disco Elysium, and it's been a lot of fun trying to untangle how exactly they would work.

[howtofightwrite]

Most traditional boxing instructors will tell you that if the opponent is taller than you, has longer arms than you, or is heavier than you, you're fucked and you need to stay extremely aware and work really hard to compensate for all the advantage he has over you.

In a recent forensic survey, it was determined that most traditional boxing instructors who get into real world altercations die when they're shot in the head.

This is the problem with a lot of these kinds of arguments. No one practices traditional boxing. At least, no one does so publicly. How do I know this? Because traditionally boxers fought in the nude. Yeah, we're not seeing that, are we? Now, maybe they meant bare knuckle boxing, but really no one does that either, these days. Boxing without safety equipment is not a particularly good idea, for fairly obvious reasons.

The only reason the word, “traditional,” is in the ask is to lend their statement unearned credibility. It's an attempt to make their statement sound more authoritative, without offering any evidence to support the statement.

Who said that?

“Traditional people did.”

Okay, but, 'traditionally,' people cleaned shit off their ass with a stick. So, maybe appealing to Hellenic sports isn't the best gauge of how a fight will play out.

Also, I know I just said it, but, who are these authoritative sports guys? Because they're not named. We're simply told, “most,” of them agree. Which starts to sound a lot like “four out of five dentists agree.” Who are these instructors? What do they teach? Why are the currently in prison for indecent exposure? And how much did you pay them to get their uninformed opinion? Salient questions which may need to be answered, if the original question wasn't invalid on its face.

Why do I say it's invalid?

Because boxing isn't fighting.

Boxing is a sport.

Boxing has rules.

Kick your opponent in the groin, or shin, and you're punished.

Step on their foot, push them, and watch them tumble to the ground before you start stomping on them, and you'll be punished.

Throwing your opponent will be punished.

And of course, as mentioned at the top, pulling out a gun and expanding your opponent's mental horizons is extremely frowned upon.

These are all things that can happen in a real fight.

These are all things that do not benefit from increased height or reach.

There is one genuinely accurate statement. In a fight, you do need to be very aware of what's going on around you. Everything else is the product of someone who's been punched in the head repeatedly until the CTEs got them thinking that boxing is analogous to a real fight in any way. (And, statistically, will probably end their career sitting in a jail cell over an aggravated assault charge, because their emotional self-control was completely destroyed by those same head injuries.)

The rules that boxers need to follow are designed to (somewhat) protect the participants. It reduces the dangers of a boxer being killed in the ring. In an observation that I would hope to be self-evident, those rules don't exist in actual combat.

It's also amusing, because the original Asker had to go so far as to single out an ill-defined, “traditional” boxing, because no other martial art they checked gave them the soundbite they wanted.

And, of course, women box. Historically, you could say, “traditionally,” there were even boxing matches between men and women. It wasn't until the 1880s that women were excluded from competitive boxing in the UK. (I'm not sure of the exact date when women were banned from boxing in the US, though that prohibition lasted for less than a century, before the modern return of women to the sport.)

So, either these “traditional instructors” don't know the history of their own sport... which doesn't sound particularly “traditional” to me, or they're full of shit.

My advice to everyone would be, maybe, don't take the advice of a sports coach about how he's secretly an absolute badass in all the delusional fantasies he's cooked up about how he'd like to inflict violence on others because they wouldn't date him.

-Starke

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[meanbossart]

Hey! I was thinking of trying to write something for you about DU Drow but after a trying to gather stuff about him via your page I’m struggling to get something substantial for his personality- like I get it mostly (I think?) but it’s hard to put into words (which makes it easier for me) so if it’s not too much to ask; how would you explain DU Drows personality and maybe some of his values? - if you don’t mind! I love your art BTW!

Man, this is a tough ask and I MADE the guy. The fic is definitely the best place to see his personality in action, but it is also 20 chapters long so far - and I'm a fairly reasonable man.

Before I get to any descriptions, there's two important things to note: A) Overwhelmingly, his looks do not match his demeanor. and B) DU drow is extremely hedonistic in practice. He might claim to have certain beliefs or standards but hardly ever practices them.

Anyways, I present to you: The guy, more-or-less summarized to the best of my abilities.

BEHAVIOR: Purposefully standoffish. He wants to be noticed, but he does not want to be bothered. He's a little bit stiff with his body language and mostly makes use of head/neck gestures to assert his sentences and signal his level of interest. On that note, me makes it extremely obvious for the socially-versed individual to tell what he thinks of them - he hardly ever tries to hide if he's disinterested, annoyed, or having a laugh at your expense. He expresses emotion through his face a normal amount, but his default look is eerily bland, and subtle emotions might go unnoticed because of his eye-color and thin brows.

As it is with most people, the more uncomfortable he is with a situation the more stiff and inexpressive he becomes, and vice versa.

SPEECH: DU drow is very much well spoken, and simultaneously very blunt. He abides by most conversational formalities (definitely more formal than you would assume him to be) and basic etiquette. He will greet you and he will say please and thank you even if clearly not meaning it or feeling like you're unworthy of the gesture. Sometimes, he does it just to be patronizing.

With all of that in mind, he has a tendency to use violent turns of phrase and analogies to express himself, this applies to both negative and positive feelings. That being said he's aware of social norma and knows full well when things are or aren't appropriate, even if sometimes he chooses to ignore that and be weird anyway - usually with the purpose of intimidation.

He is the most earnest and sincere with very close friends (quite literally only Astarion and Shadowheart) and rather curt with everyone else unless you catch him in a particularly good mood. He's a little chummier with dwarves and duergar (he finds them amusing and fun to hang out with) and reserves a slight bit more tenderness and kindness for children and mothers, especially if they're elves. He's also fond of animals. He is dismissive of gnomes, goblins, bugbears, half/full orcs and hobgoblins. He despises githyanki and drow. He treats humans fairly respectfully but thinks they are a far lesser race than pretty much all others.

He has a very dark/offensive sense of humor and a tendency to make well crafted, but cruel jokes or quips about sensitive topics. This goes for everybody, including people he's on good terms with.

VALUES: Here's where things get tricky. DU drow is both a hypocrite and a unreliable narrator of his own story, not to mention deeply unfamiliar with his own inner-workings and feelings. Politically, he would be the guy who doesn't vote, doesn't want to pay taxes and dreams of living off the grid, who thinks everybody should pull themselves up by the bootstraps and that it's a dog-eats-dog world. He hates systems of government, authority figures, hierarchical structures and archaic customs. He believes it would a chaotic but functional world if people governed themselves.

In practice, he doesn't stand for anything and gladly overlooks injustices and things that don't align with his supposed values as long as they favor him, or just don't get in his way, and easily makes exceptions for things on a whim. He's indifferent to slavery; unless it's Astarion's. - He thinks humans are a worthless pet-race, except for his dearest and nearest friend, the half-elf Shadowheart. He thinks Half-orcs are intellectually inferior, but he will gladly be chummy with them if they amuse him and make for good-company during a night-out.

INNER WORLD AND INTIMACY: DU drow is extremely unfamiliar with his own emotions and very often comes up empty when he has to justify or explain anything that is based on feeling, while simultaneously operating on impulse and instinct for the vast majority of the time. He is subject to fear, resentment, and insecurity as much as anyone else, but carries a deep shame in acknowledging his own vulnerability at all. He is very intense when it comes to love, however, and shows no reluctance in expressing it through his words and actions towards the people he cares about. He does care for the levels of comfort of those dearest to him though, and doesn't bombard them with it unless the moment is right, or if overwhelmed into doing so. The same applies to physical affection - he's extremely comfortable with it, but cares deeply for respecting the boundaries of his loved ones. When it comes to strangers, he only touches them outside of combat if there is some kind of power-game at play.

A couple of other things that might be of note:

-He likes creature comforts, but is also fine with going without them and won't ever complain about having to live, sleep, or survive in less-than-ideal circumstances as long as he feels in control of the situation. -He can be enticed by valuables and gold because they make the immediate future easier, but he doesn't seek a life of vast riches. -He is not an alcoholic but probably has a binge-drinking problem. -While he is fond and respectful of animals, he has no issues killing them if the situation calls for it. -He pretty much always believes himself to be the most impressive person in the room. -He is not a vain man, but very much likes the way that he looks and to have it be acknowledged by his partner. -He believes faith, religion, and gods to be a waste of time.

[hotheadedhero]

i am absolutely in love with your writing style and i see requests are open hehehehe

perhaps a rise!donnie with a gn reader that is “high intelligence low wisdom”? like, theyre smart and all and can understand a lot of his work, but they next moment they do something absolutely idiotic?

anyway thanks for considering <3

AN: If I've got the right idea then oh, ohoho, I think I can do this. Kinda describes me as a person 😅 And thank you!! I'm glad you enjoy the spoils of my crazy brain <3

A Dichotomy in Donnie's Dearest

Donatello x Reader

Donatello has a field day with you. Finding another entity as smart as him is unfounded but you're an enigma altogether. You're not necessarily the next Einstein, but your ability to fathom even half of the stuff that comes out of his mouth is impressive. Some nights, you'll both have conversations about biomechanics, nuclear chemistry, or anything that weasels its way into the mix. It isn't uncommon for you two to stay up until the break of dawn when you get caught up in such exchanges. In fact, your propensity for science drew him towards you in the first place. You make quite a pair, like how a covalent bond is a formation of electrons shared between two atoms.

Although, he supposes that if that is the attractive force in this analogy, your disposition for thick-witted conduct is the repulsive force. The difference between your divine intellect and your misshapen ability to function in society is an astounding, if not worrying prospect. It's as though you completely forgot yourself and he can only speculate how.

Initially, he chalked it up to a faulty memory: forgetting to switch the socket on when you plug your laptop in, not realising your phone is in your hand whilst it's 'lost', completely losing your train of thought mid-conversation. Standard, everyday predicaments that aren't unfounded amongst the greater world.

That assumption was quickly abandoned when he took closer note of some things that come out of your mouth - certain "theories" of yours that he hopes are funny thoughts and nothing more.

"Do you reckon tissues get their name from the fact that when we sneeze, we say, a-tissue?" you ask him.

You can't be serious, surely. Perhaps it was merely a bad attempt at a pun. If so, he'll have to limit your spending time with his oh-so-dear brother, Leonardo. It's bad enough having one person galivanting around thinking they're funny, let alone two.

He can't even begin to form a base for what you've just asked him, and instead replies so, "Life is too short for me to answer such questions."

It doesn't end there. He wishes he could say it does but it doesn't.

"I just figured out why a peanut is called a peanut!" The unparalleled excitement in your voice is enough to shock him out of his mortal body but the content source of your jovial commotion is mind-boggling and not in a good way. When he does nothing other than stare, you continue, "They're like peas in a pod but the nut version!"

"A dazzling deduction, my love," he remarks tiredly, wondering how you're the same person he discusses string theory with. "The limits of your knowledge truly know no bounds."

He's just glad Aristotle isn't around to see this side of humanity. It isn't limited to what you say, either. Worst of all, it's the things you do. Such as, when you try to eat something despite the fact it's just come out of the oven. Bonus 'dumb-dumb' points if you try to take food out of the oven without gloves. To put it simply, he doesn't trust you in the kitchen - a caution further validated when you rubbed your eyes after cutting jalapeno peppers once. You have been effectively banned.

He's lost count of how many times you've elbowed your own hip whilst rolling over in bed, or the many instances you've attempted to pull a push door and vice versa. That isn't even taking into account the countless times you have visited the lair without waterproof clothing, despite how long you've been coming down. Let's just say that the already long list is seemingly never-ending.

His frequent sighs of annoyance never offend you. If anything, it makes you laugh that much more when he appears physically pained by your antics. It's as though you enjoy his suffering. From your perspective, there's no harm in the odd hiccup here and there. You're merely enjoying life for what it is and know when to have a giggle at yourself.

Donnie believes himself to be a prodigy and he is! He can solve most if not all conundrums thrust his way but you - you - are the one he can't figure out. Yet, no matter how many times you engage in these idiotic behaviours, he still loves you. Besides, thinking any less of you would be a stupefying case of hypocrisy if he weren't to acknowledge his own blunders. Granted, his mistakes are often in the name of science but you are truly a match made in imbecilically astute Elysium.

AN: Btw, the things about the tissues, peanuts, and elbowing hips? Real stuff from me. Idk how I function

[weirdmarioenemies]

Name: Blewbird Debut: Super Mario Bros. Wonder

Blewbird is weird. I mean, no duh, it's being featured on "Weird Mario Enemies," even if our blog title gets less and less fitting by the day, but I mean weirder than you'd realize by just looking at it at a glance. If you just take a quick glance at it, you might not think much of it -- just a stylized cartoon bluebird, reminiscent of The Artist Formerly Known As Twitter.

But then you look at it more closely, notice things like its black shell and brown shoes. How weirdly smooth its skin is, without even the suggestion of feathers. The fact it doesn't have wings at all. The fact these things burrow out of the ground.

Oh, and let's not forget the fact they shoot off their own beaks!

Yeah, let's not ignore the main hook of the enemy here! Blewbirds predominantly appear in the level Blewbird Roost, where they'll stand against walls and shoot out their beaks at Mario and Friends. Of course, usually their beaks end up sticking to walls across from them...

And unfurling into platforms! That's right! Blewbirds are an animal that evolved to create Platforming Challenges! Is this how they traverse all the open air in the caves they live in without wings? It's not like they can burrow everywhere!

So whatever Blewbirds are, I'm pretty sure they're not birds. Blewbirds are birds in the sense that jellyfish are fish. (A comparison I'm pretty sure I've made multiple times on the blog at this point.) But if they aren't birds, then what are they? Well, let's take another look at Blewbird without its beak...

Does it remind you of anything...?

Because it reminds me of Birdo, another character who's named after a bird for no particularly good reason whatsoever! Almost like it's all connected... But I mean, the similarities are hard to ignore -- the tube mouth optimized for shooting projectiles, the white underbelly, the weirdly smooth skin, heck, you could probably make the very bold argument that Blewbird's ponytail and Birdo's bow are connected somehow.

But wait! I'm not ending things right there, because Blewbird doesn't only have similarities to Birdo...

You see, Nintendo has connected the Birdos and Yoshis for a while now, as Mario's main Weird Dinosaur Characters, but there hasn't been an awful lot actually connecting them in-universe... until now?! For you see, I'm making the radical claim that Blewbirds are proof of a missing link species that connects the Yoshis and Birdos! Look at it! The tube mouth of Birdo. The shell and shoes of Yoshi. It's all so clear now!

Blewbirds aren't birds! They're some sort of weird dinosaur! Just like... just like... just like real birds. Hmm.

Maybe I need to rethink the point I was making with this post. Taxonomy is weird, guys.

*phone ringing*

Oh! Hold on, I need to answer that. Hello?

Hmmm... as a matter of fact, I think I am! I spent so much time talking about Yoshis and Birdos that I forgot to do this: *touches Wonder Flower to trigger Wonder Effect for the post*

During Blewbird Roost's Wonder Effect, Blewbirds will start blowing very large, very colorful bubbles! Your character can bounce on these bubbles to go *Pauline voice* ♪ High up in the sky~! ♪, but you need to be careful, since each bubble pops when you jump on it! The number of Blewbirds in the Blewbird Roost doesn't make that much of an issue, but in a Special World level where you're a Goomba who can hardly jump at all? Well... Good Luck!

That being said, this raises even more questions about Blewbird anatomy, because they blow these bubbles out of their beaks! You know, the ones they shoot off that, as far as I'm aware, aren't even part of their bodies? And in order to blow bubbles out of their beak, their mouth has been moved to the end of it! What is going on here?!

I'm not sure, but I can try to provide a relatable human analogy! Imagine if you put a Cone in your mouth, but someone nearby touched a Wonder Flower, so the Cone fused to your face and the mouth was at the end of the Cone, and you were very scared about this development so you tried to scream but only bubbles came out. We've all been there! And for the Blewbird, it's exactly like this. Hopefully now you understand!

[fdelopera]

JVP Explained

So, I've been seeing WAY too many gentiles ignorantly uplifting an American "Jewish" group called JVP this past month.

Members of JVP have been very loud this past month, pretending that they speak for Jewish people. They do not.

As a Jew, I'm here to help you understand who this group is, why they act in the blatantly antisemitic ways they do, and why they are dangerous to Jewish people around the world.

And, as an ACTUAL Jewish voice, I am here to tell gentiles to STOP uplifting them.

If you have never heard of "Jewish Voice for Peace" (JVP), or even if you have, I want to give you an analogy that will help you understand this group:

JVP are to Jewish people what Blaire White, Kalvin Garrah, and Caitlyn Jenner are to trans people.

And it's worse, because JVP have gentiles (non-Jews) in their membership. (At least Blaire, Kalvin, and Caitlyn are actually trans.) So for JVP to even call themselves a "Jewish voice" is a lie.

Like Blaire, Kalvin, and Caitlyn, JVP's Jewish membership desperately want to be seen as "the good ones" by bigots, and they are willing to throw vulnerable people in their own community under the bus just for a chance to be accepted by those bigots.

JVP has been called out REPEATEDLY by the Anti-Defamation League for harassing observant Jews at synagogue, harassing queer observant Jews, invoking the antisemitic blood libel canard against Jewish people, and most recently, cheering on and uplifting Hamas after their pogrom on October 7. Among many, many other antisemitic offenses.

There are LEGITIMATE and VALID ways to protest the atrocities and war crimes of the Israeli government.

Let me say that again.

There are LEGITIMATE and VALID ways to protest the atrocities and war crimes of the Israeli government!

But JVP doesn't do that.

Instead, JVP chooses to amplify Neo-Nazi dogwhistles, harass American Jewish people at shul, and uplift Hamas — an antisemitic terrorist organization.

You DO NOT, and I repeat, DO NOT!! get to call yourself a "Jewish voice for peace" and then use BLOOD LIBEL, UPLIFTING ANTISEMITIC TERRORISTS, and HARASSING OBSERVANT JEWS as a way to "criticize" the Israeli government.

You are not a "freedom fighter." You are just a Jew who is a self-loathing, Jew-hating antisemite.

Now, if you're queer like me (nonbinary, genderfluid Jew here, hi!), you're likely aware of how Blaire, Kalvin, and Caitlyn have harassed countless other trans people, especially nonbinary people, for not being trans in the "right way." They do this because they are desperate for approval from right-wingers. Why? Because they, and trans people like them, have a deep sense of self-loathing, shame, and guilt about being trans. They think that if they harass other trans people, right-wingers will accept them. All they want is for right-wingers to tell them, "It's okay, we know you're not like those cringy trans people over there. You're some of the good ones."

Right-wingers then benefit from this "relationship" because they can deny that they are transphobic bigots. Right-wingers can say things like, "I don't hate all trans people. I watched a couple of Blaire White's YouTube videos, and she's alright." So by seeking out right-wing approval, people like Blaire are making it more difficult for other trans people to fight back against anti-trans bigotry. But Blaire doesn't care, so long as Republicans will pat her on the head and tell her she's "one of the good ones."

JVP are very similar to this, except that they are seeking approval from extreme left-wing groups. Jews in JVP may be on the opposite end of the political spectrum, but they are behaving in the exact same way as Blaire, Kalvin, and Caitlyn. They are members of a marginalized group who are seeking approval from bigots, and they're throwing their community under the bus in the process.

JVP's Jewish membership desperately want to be seen as "Good Jews."

(JVP's gentile membership, of course, are just leftist antisemites and are there to harass Jewish people they deem to be "Bad Jews.")

Why? Why do Jews in JVP want to be seen as "the good ones"?

Because Jews in JVP have a deep feeling of self-loathing, shame, and guilt about being Jewish, and they think if leftist groups tell them, "It's okay, you're some of the good ones," that this will somehow assuage their guilt for being Jewish.

This self-loathing, shame, and guilt goes far beyond the current Israel/Palestine conflict. That's just how it is manifesting right now. There have always been Jews who have wanted to assimilate into gentile spaces and be told that they're "the good ones." There have always been Jews who are ashamed of being Jewish.

Jews in JVP consider spreading antisemitic Neo-Nazi conspiracy theories, uplifting Hamas, and further marginalizing other Jewish people to be a small price to pay if it means that they are provisionally "accepted" by certain antisemitic gentiles. Even though these antisemitic gentiles will discard the Jews in JVP as soon as it is expedient to do so.

And of course, just like Blaire, Kalvin, and Caitlyn do with right-wingers, the Jews in JVP sanction left-wing antisemites to say: "I don't hate all Jews. I'm not antisemitic. I just hate Israeli Jews 'Bad Jews.' I just want those 7 million Israeli Jews 'Bad Jews' to be exterminated."

Sure, Jan. Sure, you're not antisemitic. You just want 7 million Jews mass murdered. In case you didn't know, you absolute ghoul, that's the very definition of antisemitic.

Oh, and Gentiles, many of you have gone mask-off enough with your Jew-hatred this month for us Jews to know that when you say "Israelis," "Zionists," "Zios," "Zio scum," "Zio rats," and every other permutation of those words, you really mean "those dirty Jews I'm allowed to hate publicly now."

But the Jews in JVP haven't studied their Holocaust history. The Jews in JVP don't care to remember that the Nazis, too, rounded us up into groups of "Bad Jews" and "Good Jews" — or, really, "Bad Jews" and "Useful Jews." Then the Nazis used the "Useful Jews" to attack the "Bad Jews." Finally, they shoved ALL the Jews that they could get their hands on into the gas chambers and tried to kill every last one of us.

And what I know from studying Holocaust history is that as soon as Jews start getting sorted into camps of "Good Jews" and "Bad Jews," you had better say, "Fuck no, I'm not being a Good Jew!"

You had better get into the "BAD JEW" camp as FAST as you can and start SPEAKING OUT, and uplifting the Jewish community, and supporting as many other Jews as you can.

If you try to be a "Good Jew," antisemites will just use you as a useful idiot and a pawn against other Jews. Then within a short period of time, you will find that EVERY Jew is lumped into the "Bad Jew" camp. And EVERY Jew is now in danger. Including you, O "Good Jew" who tried so hard to convince antisemites that you were "one of the good ones."

If JVP studied Holocaust history, they would see that they are being useful idiots for Neo-Nazis, Hamas, and other antisemitic groups that want Jews around the world to be eradicated. (You should read Hamas' excruciatingly antisemitic charter sometime. I have. The group is literally founded on Jew-hatred.)

But the Jews in JVP do not study Jewish history, or Holocaust history.

The Jews in JVP don't want to acknowledge the truth:

In siding with the Neo-Nazis, the Hamas supporters, and the other antisemitic groups that are co-opting the Free Palestine movement and turning it into a movement of Jew-hatred, the Jews in JVP are signing their own death warrant, too.

It's only a matter of time, O "Good Jews," before you are rounded up with us "Bad Jews." Because to antisemites, we're all just "dirty Jews who deserve to die."

[irisintheafterglow]

it takes forever, but you and opla!zoro admit you love each other while both of you are sober. (drunk zoro and drunk you)

"so, you do love me."

"yes, i love you. i'll say it as many times as you need to hear it." you rub your eyes with the heel of your hand, still adjusting to the dim light of your room. it wasn't uncommon for him to creep into your room and look out your window; you both agreed that you had the best view when the moon was full. nonetheless, you can hear the grimace in his voice.

"this is a lot harder to do without alcohol."

"you can only say you love me when you're drunk?" it's meant to be a joke, but he shakes his head adamantly and you breathe a tiny sigh of relief. at least he wasn't faking, all this time.

"that's not it. you know that's not it."

"what is it, then? i don't want to force you to do anything you don't want to do, zoro," you say gently, pulling your blanket tighter around your body. he sits across from you on the seat of your window, one leg dangling off the side while the other props up his forearm. his eyes search the darkness of the night for some unknown answer and you'd never seen him look more beautiful.

"i want to do it; i'm just not good at it," he huffs in mild annoyance, his sharp eyebrows furrowing in deep thought. you remain silent in question of what he means and he shrugs like a misunderstood child. "you know, feelings and shit." you can't help the chuckle that escapes you at his emotional constipation. his gaze flicks to your face and immediately softens. no one else gets these fond looks from zoro except you, you've learned.

"you're the one that came into my room in the middle of the night. you don't have to say anything about feelings and shit." standing from your bed, you settle against the other side of your windowsill, crossing your legs on the wood. "i do wonder why you're here, though."

"it's a rare moment when we're both here-"

"and we're both sober," you finish for him, the corner of your mouth quirking at the irony of not being able to express your feelings because one of you was always intoxicated. "can i ask you a question?"

"go for it."

"what am i to you?" he tenses and you understand immediately that the question caught him off guard. you're about to apologize profusely when he nods, like pieces are clicking together in his mind.

"you're like... a well-made sword," he says carefully. it takes all of your willpower not to burst out laughing because, from his expression, he means every word with his whole heart. the realization must dawn on him at the same time and he verbally backtracks, exhaling in exasperation and stammering to explain what he means. "i-you know, it's like...fuck, this is hard to do."

"just speak your mind. let it flow naturally." you reach forward and take his hand in yours, running your thumb over his knuckles.

"it's just that a well-made sword is hard to come by. if wielded correctly, it's resilient and reliable, something that i would trust with my life and the lives of those i care about. it keeps me safe and keeps me grounded, moving with me without thought and understanding me without language. i'd do anything to keep you safe, and if i died, i would drag myself out of hell by the skin of my teeth to get back to you. you are everything to me; i just don't know how to say it."

"i think you just did," you whisper, slightly in shock from his passionate analogy. sure, it wasn't like any other declaration you'd heard before, but it was also so wholeheartedly zoro that you knew you'd never want someone else. "so, do you love me, roronoa zoro?"

"more than the moon, the stars, and the sea."

"that wasn't so difficult, was it?"

"i guess not," he murmurs thoughtfully. "can i ask you the same question?"

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[super-who-locked-me-in-here]

Okay I need people to look at these two gifs together:

This gif made by @lousolversons

And this gif by @not-psychotic

THAT IS THE SAME SMILE. THAT IS HUGH DANCY'S ROMCOM SMILE AND I HAVE SO MANY FEELINGS ABOUT THE DIFFERENCES IN THE WAY HUGH PRESENTS IT FOR EACH MOMENT.

First of all, the moment presented in the first gif is why I believe Will did love Molly. Yes, I'm a firm believer that Will still held feelings for Hannibal while he was with Molly, but I don't think she was a placeholder. The way I think Will's love for Hannibal and Molly works at the same time is like when you meet a widower who remarried.

Yes the widower (Will) still loves his first spouse (Hannibal), and it's terrible that they were ripped apart the way they were, but he can eventually move on. And he loves his new spouse (Molly), but there will always be a part of his heart that belongs to his first spouse. Except in the case of this analogy Hannibal isn't actually dead and he will come back.

And I mean, honestly, if the love of your life died and came back completely in one piece and still loved you after years of separation, what would you do? Would you tell them to move on because you've found someone else that you love almost as much as you loved them? Or would you discard your new spouse for the one you had always imagined you'd stay with? It's a really difficult decision.

But anyway I do wanna analyze these smiles. Obviously in the second gif Will is smiling at Hannibal, but in the first gif, Will is smiling at Jack while talking about Molly. They're the same smile but they're also so different.

In the first gif, the "romcomness" of the smile almost feels exaggerated. It's the way he smiled and kind of laughed but especially it's the way he broke eye contact. He breaks eye contact but the smile stays. It says "Molly and I can't see each other completely, but I'm happy enough." It reads as coy in a way we know Will Graham is not. It's a performance, but it's a performance based on a truth.

On the other hand, in the second gif, Will's smile is there but more subdued. Of course it could be just that he's tired and/or in pain as he's obviously injured, but to me it's lesser because it's just him and Hannibal. He doesn't need to wear his mask for Jack or for Molly or for anyone else. And he keeps eye contact with Hannibal even as his smile falls away because he and Hannibal can see each other. They accept the good (the smile) and the bad (the loss of the smile) in each other but that's okay for them because they're true to each other like they are to no one else.

The way Will smiles at Hannibal in the second gif is so much more intimate than the way he smiled about Molly in the second gif, and I can't help but wonder: if we got more scenes where Will and Molly were interacting face to face (because let's be honest there's not many), would Will smile the same way he did in the second gif? Would he even smile at her the same way he does talking about her in the first gif, or is that just him trying to appear like the happy/satisfied husband in front of company? I know Will loved Hannibal, and I know Will loved Molly, but these two gifs side by side just confirm for me that what he felt for Hannibal was so much more impactful for Will than his love for Molly.