#~separated by ruin and disaster

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[littlexdeaths]

i think they deserve some good ole’ love making, don’t you?

older brother’s best friend eddie x fem reader

18+ ONLY MDNI

warnings: oral (fem receiving), eddie is a pussy drunk lover boy, riding, unprotected piv sex, cream pie and just some over all cuteness… they deserve it <3

it’s a recipe for disaster masterlist.

a/n: big thank you again to the loml @strangerstilinski , also i totally picture time of the season by the zombies playing on the radio during this chapter… enjoy freaks xx.

the sweltering august nights had finally faded into a more tolerable autumn, the leaves beginning to bloom in a array of yellows and reds.

after your disaster of a date at the hawk a few weeks prior, you both agreed to meet exclusively at eddie’s trailer from now on. as it was the one place that was safe from the prying eyes of your brother.

so far anyway.

the cool september breeze that filters through his cracked window offers you some reprieve from the rising temperatures in his bedroom.

his hands are everywhere, gentle and warm as they kept your hips pressed into his mattress. the radio is playing softly in the background, an oldies station that neither of you cared to change.

as the both of you far too preoccupied with the weight of his ribs between your hips.

his tongue continues to lap against your overly sensitive core, already having coaxed two orgasms from you in the last half hour alone. your fingers are buried in his hair, curls mussed from your constant tugging and damp from sweat.

your soft whine of his name has his head lifting, flushed cheek pressing into the meat of your thigh. his pupils are blown out and glassy, your juices that are smeared across his chin shine in the muted light of his bedside lamp. the colorful handkerchief draped over it casts him in a soft pink glow.

and he’s never looked so beautiful to you before.

“c’mere,” you plead.

he’s crawling up your body without another word, lips locking with yours. he kisses you deeply, hips rutting against yours with fervent need. the feeling has you gasping into his mouth, the taste of you still lingering on his tongue.

another pointed roll of his hips has your fingers sliding down his bare chest and lightly pushing against it. eddie pulls back slightly, the worry that fills his features quickly dissolves when he takes in your lustful expression.

“lay back for me, handsome.” your words come out soft, but more desperate than you intended.

and eddie, eager to please as always, just flops down on the mattress beside you. he just gazes up at you, doe-eyes filled with devotion as you place your palm on his chest and move to straddle his waist.

you can feel the flutter of his heartbeat beneath your fingertips, chest rising and falling as you seat yourself on top of him.

you’re both treading in uncharted waters, but the encouraging look in his eyes helps to keep you afloat.

an experimental drag of your hips has him groaning, rough fingers splaying over the tops of your thighs. you can feel him— hard, heavy and straining beneath the fabric of his boxers. the thin layer is the only thing separating your bodies now.

the mixture of your slick and his saliva soaks into the checkered fabric, allowing you to glide your hips more easily against his shaft. the damp material catches against your clit in just the right way, pulling a whiny moan from your throat.

“that’s it,” he mumbles, helping to guide your hips. “take what you need, baby.”

your hands that are resting on his chest suddenly dip lower, the male helping to lift your hips so you can tug his boxers down his thighs. when eddie moves to kick them off the rest of the way, the sudden motion has you tumbling forward and accidentally knocking your heads together.

“whoops,” you breathe as you lean back, cradling your forehead in the palm of your hand. “sorry… you okay?”

your lips jut out in a small pout, suddenly worried that you ruined the moment due to your inherent clumsiness.

he glances up at you before licking his lips, “it’s hard to say…” his brows then quirk up beneath his bangs, a breath blowing past his spit-slick lips.

“but y’know, now that you mention it…”

he draws it out, an over dramatic lilt beginning to bleed into his voice.

“i am starting to feel a bit woozy.” he pauses, before the corner of his mouth turns up in a cheeky grin. “not from a concussion, of course, but having a pretty thing like you on my lap is—”

and quickly shut him up with a kiss, feeling the laugh that rumbles through his chest.

“you’re such a shit head,” you giggle, nipping at his lower lip.

“oh yeah, keep talking to me like that, sweet thing.” he teases, “you know how that gets me going.”

feeling suddenly emboldened you reach between your bodies, grasping his hardened length in your palm. his answering groan only encourages you to grip it fully as you sit back up.

you nudge the reddened tip through your drenched folds, mewling softly when you slowly start to sink down onto his thick length.

“that’s it, slide it in— oh fuuuuck,” he all but whines.

you’re panting by the time you’re fully seated, palms resting on the flat of his stomach. his cock is nestled at your deepest point and you swear you’ve never felt so full in your entire life.

eddie regards you with the utmost tenderness as you raise your hips, nearly letting him slip out of you before you’re guiding them back down with a small gasp. your pace is slow but steady, gradually taking him even deeper with each subtle rock of your hips.

your head falls back, eyes fluttering shut as the tip of his cock nudges against your sweet spot. his hands that were resting on your hips begin to trail up your sides, underneath your shirt to kneed your breasts in his warm palms.

“look at you,” he groans, encapturing you in the warmth of his gaze. “… like a goddamn dream, baby.”

you’re far too engulfed in your own pleasure to register anything he’s saying. besides the lewd whimpers that continue to spill past his lips with each rise and fall of your hips. the sensation soon becomes overwhelming in the most intimate way possible.

“god, i love you…”

those three little words slips past his lips before he can stop them. so drunk off the feeling of you wrapped around him that he doesn’t realize he’d actually uttered them aloud.

despite the lustful haze that continues to dull your senses, you suddenly hear him loud and clear.

when your hips gradually increase their pace, your fingers wrap around the chain that has fallen into the hollow of his throat. you grip the guitar pick in your fist, coaxing him up until your clothed chest is pressed against his own and his forehead touches yours.

“say it again,” you plead.

his eyes widen as the realization of what he’d just said finally sinks in. but there’s no trace of fear in them when he cups your cheek in his palm.

“i love you, sweetheart.”

your mouths meet in a sudden clash of tongue and teeth, and he swallows each breathy cry that leaves your swollen lips as you meet your end. he allows you to bury your face in the crook of his neck, panting as he chases his own release.

his thighs tremble and he fists the back of your shirt— keeping you pressed against him as he fills you to the brim. only then does he let the exhaustion take over, both of you falling back into the mattress in a heap of entangled limbs.

you both lay like that for a while, letting your breathing slow as the radio continues to fill the comfortable silence.

when you dare a quick glance up at him, your heart thumps even louder in your chest. his eyes are shut, his wild curls fanning out over the pillowcase. he looks so content you would’ve thought he was sleeping, but the subtle quirk of his lips tells you he’s wide awake.

eddie carefully peeks one eye open and you quickly hide your face back into his shoulder. a deep chuckle rumbles in his throat when he catches you staring, but it still makes his heart flutter beneath his ribs.

when you finally muster the courage to speak, your words are muffled, lips pressed into the sweaty skin of his clavicle.

“i love you too.”

series taglist: @nailbatanddungeon @angel-eyes-and-devil-hearts @mugloversonly @eddiemunsonfuxks @munsonhoneybaby @alagalaska @creative1writings @missmarch-99 @stolen-in-moonlight @xxbimbobunnyxx @calumfmu @bastardstevie @prestinalove

let me know if you want to join the taglist for this series!

[brawltogethernow]

I would LOVE to hear your aro Hal thoughts if you don’t mind sharing?

[re:] (Sorry in advance there are absolutely no issue citations; I have saved so many pages in random places without labeling them.)

I don't know if I'd even call it having thoughts so much as having...an incomplete collection of Hal...saying things?

And having things said about him?

And he does this very familiar weasel jink when asked certain types of questions.

Like the general direction of authorial intent here is presumably that he's a ~playboy~ who ~can't be tied down~,

but we rarely see him...like...with anybody. He's an informed attribute playboy who's had a handful of onscreen flings that tend to be complete disasters with significantly less chemistry than a poorly measured baking soda volcano, and other than that there's Carol, who he's been failing to marry with high agitation for sixty-five years at this point. Like in cape comics it's standard for your obvious endgame A couple to take twenty or thirty years to get around to that, but sixty is excessive. Like even Alicia Masters and the Thing managed it faster and they kept getting put off because it stressed out too many Marvel writers to contemplate monsterfucking. (And other less comedic factors but this post isn't about that.)

And every time Hal tries to go steady with Carol he acts like he's dying, even though he clearly loves her and holds having her in his life in extremely high priority.

Like he is not enjoying a playboy lifestyle he doesn't want to give up. He has tried very hard to settle down several times, but he always panics and bolts at the last second like someone who's run out of the willpower¹ to keep holding onto an electrified rod--except when he's rescued by deus ex machina.

¹Ha.

And it's also pretty evident that he hates himself for this and doesn't understand why he can't pass this standard life milestone, or why he keeps hurting Carol, his favorite person, trying and failing to do what they think you're supposed to. He very blatantly views his romantic failures as something that let down other people and "improving" as a sacrifice he's supposed to make for them.

When his desires come into it it's primarily in the context of him gaslighting himself about how he totally wants the things he's supposed to that won't disappoint people, definitely definitely for real this time.

As seen above, romantic success for Hal is often conflated with retiring from being Green Lantern to inject cheap drama and insert a built-in inevitable failure, framing him as staying single because he's "married to the job". This barely ever made sense but was already downright comedic by the, I want to say late 70's?, where Carol was in on the secret identity and John and Katma were pulling off extremely successful GL/GL dating in the same book. At this point it's complete nonsense, so writers have been pulling harder on framing Hal as a disorganized man-child with commitment issues who's just sort of arbitrarily rendered undateable by being a committed superhero, something which, although it's a classic source of drama, has not hindered any of DC's other characters to this degree this consistently.

In conclusion: This aro man does not know what aromanticism is despite being one degree of separation from Connor Hawke, which is ruining his life and his ability to have any self esteem. Him and Carol desperately need someone to tell them what queerplatonic relationships are so they can stop doing these wretched I'm-not-touching-you kisses.

#EverybodyDislikedThat

Also he's been dressing up as the aromantic flag since 1959. Okay now I'm done.

[sighmurderbot]

Are you, like me, suddenly obsessed with COD and want to write fanfic, but you don't want to always follow the canon missions?

Introducing: the mission generator. Pick one thing from each catagory and write away. Assembled from various resources and my head.

Objective:

<air strike / aid / arm / assassinate / assault / bombard / breach / build / bypass / capture / clear / contact / contain / control / defend / destroy / disarm / disaster relief / disengage / disinformation / distract / escort / extract / guard / identify / infiltrate / interrogate / isolate / investigation / lead / liberate / medical assistance / neutralize / occupy / patrol / propagandize / recon / recruit / repair / rescue / sabotage / seize / supply / surveillance / train>

Target:

<ship / dictator / informant / army / navy / armor / missile / chemical gas / estate / financial institution / airplane / organization / religious icon / subject matter expert / terrorist cell / journalist / rebels / airforce / drug trafficker / intelligence agency / factory / general / supply chain / submarine / enemy base / hostage / safe house / WMD / monument / leader / deserters / militia / research center / lab / bridge / mountain pass>

Unforseen Complication:

<old rival / dependant / redundant cell / transportation problems / competition / blown cover / legal trouble / old enemy / natural disaster / love interest / old friend / wounded / illness / journalists / bad weather / civil unrest / emergency election / civilians in need / double agent / weapon malfunction / team separated / betrayal / mistaken identity / regime change / deserters / ambush / bad Intel / false flag op / sabotage / traps / hacking / capture / setup>

Location:

<city / town / village / estate / mountains / abandoned house / military base / port / desert / forest / plains / river / ocean / tunnel / caves / swamp / jungle / coast / volcano / ruins / arctic / tundra / hills / canyon / mountain pass>

[pixelnrd]

On the eve of the new millenum, Ginger ran downstairs to inform her family of their potential impending doom. Having read all about it online, Y2K could posssibly be the biggest disaster they would face in their lifetime.

Her frenzied explanation of the situation as she tried to convince them all tospend their new years down in the basement caused confusion for the rest of the family. None of them understood why, and yet to appease Ginger in her heightened state they all agreed to go downstairs to Quincy's basement bedroom, which Ginger had turned into a temporary shelter.

'We all have to stay down here just in case, but I've got a whole cooler of food and beds for us all. It'll be fine! We just have to wait it out!' she insisted.

Once everyone realised that Ginger was trapping them all in the basement together, they were suddenly less compliant. But Jenny and Heather worried that Ginger might be right, so they decided that everyone should go along with it, just in case. Jasmine and Quincy were furious, and began to berate their sister for ruining their New Years plans. Everyone ate cold cereal for dinner and went to sleep on the floor.

Come the next day, having been trapped together in a basement for 24 hours, the tensions dissolved. Heather and Jenny woke up to find their near-adult children all playing video games together in their pjs, and talking to eachother with affection and kindness.

Ginger confessed to her siblings that she was scared of life once they left the basement. Even if things were all fine, and disaster had been averted, they were all about to graduate high school and go their separate ways for the first time in their lives. It scared her, leaving behind their shared childhood here.

'But Ginger, we're all still going to be friends,' assured Quincy. 'We'll always be in touch, even if we aren't living in the same house. We can always IM or email or text.'

'I thought you guys couldn't wait to get away from me, though,' confessed Ginger.

'No way! I'm going to miss you both,' said Jasmine, feeling sad too. 'Even if you guys drive me crazy, I love you both so much.'

It was like old times - being forced into the company of one another had broken down the walls they had all built up as they strove for individuality. Heather and Jenny smiled with happiness, seeing what kind and caring young people they had raised, who could put aside their differences to remember that they loved one another. They felt like they had got it right.

If you wanna be my lover, you gotta get with my friends. Make it last forever, friendship never ends 🎵

[honeybadger16]

Honey Badger in the Lion's Den

Pairing: Max Verstappen x reader x Dan Riccciardo

Warnings: smut, threesomes, fmm, swearing

Word Count: 1.5k

a/n: Maxiel is real, prove me wrong. Let me know what you think about the pairing, I hope you enjoy it!

Summary: Being the girlfriend of Max Verstappen has its perks: traveling all around the world, attending luxurious parties, and grabbing the attention of a certain Australian driver who can't stop staring at you and Max.

You and Max had been dating for two years, and enjoyed every second of it. From traveling around the world to attending the most luxurious parties, Max made sure you were always comfortable and happy during the busy racing season. For him, most weekends consisted of tough practice sessions and grueling workouts.

You made it your mission to help him relax when necessary in order to prevent burn out. This consisted of massages or venting sessions before bed. If it was a particularly bad day rough sex in the bed or shower was usually the solution.

This weekend you arrived in Australia, just as Max and Daniel were doing media duties. You couldn't imagine any serious answers were given as the two drivers loved to mess with other during interviews. Watching the two interact from a screen there was no denying Max's boy crush on Daniel. This had been a long running joke online between fans, but it wasn't far from the truth. Max had been idolizing Daniel since they first met, and considered him a best friend. Max would never tell a soul, but whenever his imagination ran loose, the idea of Daniel on top of you made his pants get tighter. He thinks to himself it's wrong to imagine his girlfriend with another man, but it's just a harmless fantasy right?

Australia had been a total disaster for Max, not finishing the race due a gas leak was the last thing any driver wants on Sundays. Daniel had finished 6th, a respectable position considering he was driving in a shitty McLaren tractor-like car. Max was still in a bad mood as night fell on the racing city. Most drivers wanted to go clubbing and celebrate their earned points, including Daniel.

That's when the two of you heard knocking on the hotel door around 10 P.M. Opening the door you find Daniel's signature smile pulling you into a hug. "Hey y/n I haven't had a chance to say hi all weekend, how are you?" You responded by giving him a recap of the shops you visited and the restaurants you tried- his recommendations of course. Max hadn't looked up from his phone, not in the mood to match the Australian's cheery mood. "Are you guys coming out with us? The club we picked has the best champagne."

Max responds by telling him he's too tired to go out tonight and to have fun without him. Daniel could see through Max's bullshit response and looks over to you for an explanation. You shrug your shoulders not exactly sure what to say. Usually when Max had a rough race, him fucking your brains out helped him feel better. That's when you thought of an idea to cheer up Max. It was risky and could ruin one of the closest relationships Max had, but you were positive it would exciting.

Leaning closer to Max, you whisper, "what if we let Daniel watch as I suck your cock?" Max turns quickly around to face you, turning red in the cheeks, "what?" You snake your hand to palm his crouch, already hardening. You turn to face Daniel who's eyes glaze over with desire as he stares intently at the two of you sitting down on the chair nearby. "I think he also wants to watch me take you in my mouth."

Kissing up Max's neck, you unzip his pants and continue to palm his hard cock through his boxers. Max had given in to the pleasure and began making louder noises in response to your touches. You could hear the zip of Daniel's pants as he takes his semi-hard cock out beginning to slowly stroke it.

You decided it was enough teasing for one night and helped Max take off the article of clothing that was separating your mouth and his cock. He was already painfully hard, his tip was colored brightly red, begging for some sort of relief. You began at the bottom licking the shaft and taking his balls in the hands, avoiding the head. "Fuck-please take it all in y/n." You could see how much pre-cum had collected on top of his cock and collected it all on your tongue.

Max soon becomes confused as you get up and walk over to Daniel. He can only watch as you sat on you on one of Daniel's thighs and connected your lips together. After releasing your mouths apart you ask, "How does Max taste?"

"Like fucking Heaven" Daniel is quick to putting his hands on your shirt tugging it off of you. He was pleased to see you opted for a braless outfit as he began to fondle your breasts, kissing you once again. Max began to notice your hips moving against the Australian's thighs, in an attempt to give your clit some attention. Your hands found Daniel's cock and began rubbing him until he was fully erect.

Max thought he had died and was in his personal Heaven, this scenario only played out in his head when he was jerking off by himself, giving him the most intense orgasms. Yet, here they were, his girlfriend and best friend making out as Max got unbelievably harder. He could see y/n whispered something to Daniel as they both got up to remove the remaining pieces of clothing they both had on.

You came up to Max, while Daniel came from the back. Stroking his cock Max let his head fall back onto Daniel's chest. "That's it baby keep going" You however had another idea. You took one of Daniel's hands and placed it on Max's cock, molding it to go up and down the shaft. Max opened his eyes and began grunting louder turning to face Daniel. The two began to make out as Max was reaching closer to his orgasm. Daniel's lips tasted like the pre-game vodka he drank before he knocked on their door. Even though the taste of alcohol lingered on Max's lips he could get drunk on the feeling of having Daniel so close to him only. Why hadn't they done this sooner?

You removed Daniel's hand and instructed Max to lay down as you climbed on top of him and began rubbing his cock on your wet pussy. Finally, you push yourself down, having to adjust to his size no matter how many times you take him inside you. Riding on Max's cock you take Daniel in your mouth moving up and down. Sounds of moans and grunts could be heard as the three of you reach closer to the end.

Max moves his hips at the same time as yours to reach into deeper and faster. Max's cock curves perfectly into you pushing on your walls as you bounce on him in a faster, more desperate pace. He takes his fingers and rubs your clit, "come with me y/n." With the combination of Max deep inside you and stimulation on your clit, you explode first, Max following soon after. The two of you feel as Max's cum fills you up to the brim.

Daniel grabs your head and brings it down on his cock until your nose pressed against his abdomen. "Shit I'm going to cum." He pulls you off and releases his cum onto your lips and face, groaning as waves of pleasure ripple through his body.

You pull off of Max when Daniel puts you on your back, legs open towards him. Max's cum had started dripping out of you when Daniel began licking at your pussy. Throwing your head back in pleasure you couldn't believe you were close to cumming again so soon. He stuck his tongue inside of you licking up all of Max's cum and swallowing it. You finally reached your end as you tugged on Daniel's dark locks and made eye contact with him. As you rode through your second orgasm of the night, you noticed Max had gone to the bathroom and brought water and washcloths for the three of you.

Still breathing hard, you sat up on the bed and accepted the water giving a soft thanks, while Daniel helped clean you up. The room was silent, but comforting. Daniel and Max put on their boxers once more, while you wore one of Max's shirts. In the middle of the bed Max welcomed the embraces of both you and Daniel. He first kissed you also whispering a soft thank-you. He turned to Daniel and kissed him tenderly as the older man accepted the show of affection. Cuddling up all together the three of you drift to sleep, not worrying about the questions you would receive the next day from the other drivers about your absence.

[norrizzandpia]

Masterlist 2

Lando Norris:

It’s Your Birthday. Of Course, I’m Here

It’s Lando’s birthday and Y/n can’t make it. Or so he thinks.

A Sign Of My Love

In which Lando chooses the most obvious way to declare his love for his best friend and she is the only one who doesn’t get it.

All He Needed Was Her

Following the Vegas ‘23 crash, Y/n and Adam find Lando in his hospital bed, yearning for the comfort of his girlfriend’s touch.

A Second Chance

Secrets are a hard thing to live with, they always come out in the end. When it comes to Y/n and Lando, their loved ones struggle to understand what occurred between the two when both of them refuse to discuss it. What happened that night that warranted two people so in love to separate? What triggered Lando to become so violent, so hostile? Why is there a lone engagement ring lingering in Lando’s apartment when it’s meant to rest on Y/n’s finger? What’s happened?

You Were Never What I Wanted, Pt. 2

Lando and Y/n have never liked each other and it’s only the distaste the world has for them when McLaren forces them to “put on a show for the public”. At first, a few hand holds and light, quick kisses seem to be tolerable, yet feather light touches turn into longing stares and, suddenly, they’re falling in love. Although, hatred is a powerful emotion. Can love really trump it?

Ski Trips and Smiles

A proposal on a snowy ski trip.

Showing You My Love

McLaren’s forced Lando into a PR stunt of a relationship and his girlfriend, Y/n, back into hiding just when she was ready to go public.

One-Sided Fake Dating Pt. 2

When Y/n has continuously been used for the image that has pristinely been constructed for her and the connections she has through relation to her parents, she has cultivated a dark image on the world, especially on love. However, when Lando comes into her life and shows her what it’s like to be wanted for who you are and not what you can provide, she begins to open up and she begins to explore what it’s like to be loved and to love. Although, nothing is permanent and what happens when the man she had thought to be better than everyone who had previously screwed her over turns out to be worse?

Love You the Way I Do

When Y/n starts to pull back, Lando knows exactly what to do.

When?

Apparently, to Lando, it is not a question of if he will marry Y/n, it is when.

Safe With Me, Love

When a man at a club makes Y/n uncomfortable, touching her, grabbing her, Lando’s the first to stop it.

The First Time

In the midst of the dirtiest act, Lando’s loose lips stall his impending orgasm.

Let Me Be Happy. Don’t Be Mean.

Y/n is not experienced in the realm of dating. For years, she has convinced herself that no man sees her as lovable. So, when a guy steps into the picture who checks off all the boxes, making her feel secure in his feelings towards her, she’s elated. However, when she goes to share in the excitement with her best friend, he ruins it all, along with it her happiness, by uttering three small words.

My Coat, Your Coat

Y/n is freezing. Lando is her boyfriend. There’s only one remedy.

Whatcha Readin’?

It was a good story, that was her only argument.

Look How Amazing You Are

After Lando’s disastrous qualifying in Qatar and redeeming podium just hours later, Y/n is there to remind Lando of where his worth truly lies.

Sparkling Eyes

When Y/n is distracted, Lando usually takes the opportunity to admire her. Although, this time, he has an audience.

She Calls Me Daddy Too

When Y/n and Lando are having dinner at her house with her parents, Y/n asks her father to pass the salt. Too bad she didn’t specify which one she was referring to.

His

When a fun pool party turns into a hurtful disaster, the only good thing to come from it is two confessions.

I’ve Got You

In the midst of the FIA determining whether his lap times will be deleted, Y/n finds her boyfriend sitting in front of multiple cameras, but that doesn’t matter, he’s upset and she’s got him.

Lala

When Y/n meets Lando’s family for the first time, Lando warns her about his niece who glues to his side whenever he’s around. What she isn’t expecting, however, is the heart melting nicknames he has been given. It prompts some interesting confessions.

My Name

Y/n and Lando have a painful past together. When they go their separate ways and are left to pick up the pieces, Lando realizes he can no longer hear the woman he loved’s name without feeling deeply ashamed.

We Can Be Kids For Right Now

When her week has tried to suffocate her, Lando turns up at her door and forces her to remember just how worthy she truly is.

Wrong Number, Right Person

A wrong number leads Lando right to Y/n, but even the beautiful love they find together struggles to stand a chance against Lando’s lie of identity.

HE WON! LAN WON!

A long awaited win warrants a shouting Y/n, the proud girlfriend of Lando Norris, 2024 Miami Grand Prix Race Winner. Not only that, but also a smiling Lando now ready for questions about their future.

Olive

After a massive loss, Lando and Y/n find themselves losing sight of the love they once shared. A ghost town in a house they once imprinted their love in is riddled in pain and grief. Right at the edge of the cliff, ready to give up and part ways, an anniversary pulls them back together and reunites them in what they once had.

What Died Didn’t Stay Dead

Y/n’s close to fatal car crash and the epiphanies that followed.

Can You See Me Using Everything To Hold Back

Lando and Y/n have always been as close as can be, but unresolved and disregarded feelings threaten everything they thought they once knew.

Oscar Piastri:

British v. American

In which Oscar tries to teach his girlfriend how to drive in England. The only catch? She’s never driven on the other side of the road. Oh, and she’s never driven anywhere else except for California.

Don’t Worry Everyone. I’m Alive.

The fans love her, so when they hear their favorite driver, her boyfriend, killed her, they aren’t happy.

Sleeping Buddies or Dating?

Oscar and Y/n love to sleep next to each other. They don’t love each other. That’s it.

Storms

Where Y/n hates thunder storms and Oscar’s the only person who can calm her down.

Let’s Have A Baby, Baby

There is nothing Oscar wants more than for Y/n to get pregnant with his kid, and everyone knows it.

When’s It My Turn

When Oscar can’t find Y/n and realizes she’s off with Logan, he gets possessive over how much time his girlfriend has to give.

Chuck a Uey

Blurb when Non-Australian!Reader misses a turn and Oscar tells her to “chuck a uey”. Long story short, she has absolutely no clue what that means.

To Be Loved Is To Be Seen

Oscar knows his girlfriend well and it’s obvious to him when she starts breaking down. He’s happy to help or, more specifically, remind her how worth it she is.

Just Benefits Right Now

It’s common knowledge they love each other. Just not to them - even when they’re sleeping together.

Y/n and the Piastri Sisters, the Piastri Sisters and Y/n

Oscar knew that Y/n and his sisters were close, but to wake up on a Saturday morning to find all of them gone, he wonders if he really underestimated how much the girls loved each other’s company.

[badass-queer-couples-battle]

Gay wrongs tournament, round 2.5 of the major bracket

Propaganda:

For Eddie Brock and Venom:

I'm pretty sure its Canon in the comics and like, Canon adjacent in the 2nd movie??? Idk I just watched the first one sooo, anyways, this isn't propaganda i just couldn't remember if you said they needed to be Canon so I put what I rembered about that here, idk I'm proboboly just gonna send the propaganda in the ask box at a later date 

They eat people:) venom is an alien symbiote and Eddie is the host and they have melded together into one being. They care for and protect each other and are so intimately intwined they are only ever separated by force. Also they’re both absolute disasters and they periodically bite and eat the heads off their enemies. 

They eat people <3 

For Will and Hannibal:

Ive previously only heard the term "murder husbands" refer to hannigram so it feels flitting. The whole series culminated with a murder they did together bathing in blood. 

The show and ship that coined murder husbands. It’s in the text in s3 from a journalist side character. They do Many murders either together or as a message to each other. Usually this involves turning the dead body into an art piece. The show ends with them killing a guy together in a slo mo scene backed by porno music.

They're both batshit and manipulative.

ALRIGHT so they're not canonically together but it is HEAVILY implied and they have some sort of fucked up psychosexual obsession with each other. in the later parts of the show they start committing murder and cannibalism together and they're soooo unhinged but it's awesome

kill people for each other. maim each other. kill people together. most batshit insane metaphors. send each other to jail. ruin everyone’s lives. someone can probably say this better than me but these gay people are insane

Literally THE murder husbands. They kill for each other. They've tried to kill each other. They're canon in all but name, like the homoeroticism between these two is the driving force of the show.

one time hannibal folded a guy into an origami human heart

They are in love and they kill and eat people. They are called Murder Husbands in canon.

The original murder husbands (literally, that's not just their ship name, they get called that in canon)

The show begins with Will working for the FBI and trying to catch Hannibal, but because Hannibal is so intrigued by the way Will is able to see the world and the motives behind the killings so easily, it becomes a game of Hannibal isolating Will even more from the people around and seducing him to try and kill. By the time Will starts embracing the side of him that Hannibal sees, he starts oulling back and trying to distance himself so that when the time comes for Will to fully embrace himself and Hannibal, no one really suspects what they have planned. 

hannibal literally does murder as courtship and it works bc will is also a fucked up little guy

I'm actually quite offended they aren't included by default (joke). They are THE murder husbands!!!!!! (mod note: they should have been, but I wanted to see how many submissions they'd get. They got 19, making them a little more than 6% of total submission count).

do i have to say it. they literally get called murder husbands IN THE SHOW

There are 3201 works for Hannibal on ao3 tagged Murder Husbands. They are the ogs, they are the pioneers we owe it all to them.

THEE murder couple. You know it. I know it. They commit crimes at each other as courting and then commit crimes together and then fall off a cliff to wash up somewhere and live on to serve cunt. Get referred to as 'murder husbands' in canon. What more do you need

Hannigram were literally called Murder Husbands in canon, they are the og, they are THE blueprint. They were gay as hell and comitted so much murder so many crimes. THEY RAN OFF TO EUROPE TOGETHER.

[hysteria-things]

based off of this

(ALMOST) RUINED (part one)

part two coming soon…

𝐩𝐚𝐢𝐫𝐢𝐧𝐠: matt x reader

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: at a party, you cannot not drink/smoke. at this particular one, you (almost) ruin the friendship with your best friend.

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: SUGGESTIVE, swearing, mentions drinking/smoking, making out

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 422

𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞: blurb(ish) part one but part two will be longer!

also if you requested something a while ago, i swear i’m getting to them😭

nick and chris' feet hurt as they run all over the giant house. the triplets got invited to an influencer party. you're friends with the host, so you went separately.

throughout the party, you guys smoked and drank, so the mature thing to do was to take ubers.

you're close with the sturniolo's, but it'll never get more than that. getting into a relationship with a friend can be tricky, but you don't like chris/matt that way anyway.

"have you seen matt and slash or y/n anywhere?" chris and nick ask in unison to yet another random person over the music. this feels like the millionth time they're asking somebody this question.

of course, the person shakes their head and murmurs a negative response.

sighing, they turn to a random hallway and gasp.

there you two are, making out and grasping onto each other. matt's tongue explores your mouth, your lips smacking sloppily against each other's. you guys moan and pant, grinding into one another. matt's hands travel to his belt, unbuckling it.

chris lets out a scream, a loud one, and points down the hallway. "they're doing it!"

"no, no, no, no." nick says frantically, his footsteps getting louder the closer he gets. however, you two are still going to town.

he grabs matt's shoulders. "no, fuck, no!"

he uses as much strength as he can to try to pull his brother off, but that only makes him grab your cheeks and kiss you harder. "matt, stop!"

he glances over to chris, who's standing there with his jaw on the floor. he rolls his eyes. "do you want to maybe help me?"

chris snaps back into reality and hustles to matt's other side.

"guys, this isn't the right thing to do!" nick panics, the two of them finally pulling matt off before he swallows you whole.

you reach your hands forward, pouting and stomping your feet like a toddler. "give him back!" you cry out.

nick ignores you and helps matt move over since he's stumbling all over the place. you slide down the wall and sit quietly.

"you cannot do that, okay?" he says calmly.

"but she's hot." matt slurs, eyes red and hooded as he stares at his sibling.

"i get that, but this can end horribly." nick lectures. "you guys are both drunk and high. it's just asking for a disaster."

matt sighs, practically falling asleep while standing. "let's get you guys home." nick states, chris helping you off the floor.

"and zip up your pants, matthew."

𝐭𝐚𝐠 𝐥𝐢𝐬𝐭!

@bunbunbl0gs @lexisecretaccx @thy-mission @angelic-sturniolos111 @sophssturn @mattsneezing @janiellasblog @blahbel668 @meg-sturniolo @hearts4chris @mattslolita @sturnbaby @imwetforyourmom @tillies33ssss @sturnifyed @mayhem-72 @ripmattitude @p1xieswrld @alorsxsturn @txssvx @sttzee @multiluvr @delilahprentiss @matthewsspecial @sturnolio-luvs @sturniolho @suga-daddy-69 @tworosesblackthorn @luckistar-posts @gnxosblog @junnniiieee07 @sturnioloslurps @tylerthecreatorsrealwife @flowerxbunnie @imaslut4kehlani @sturniolosandmoree @hertvgirl @whoreforchrissturniolo @sturniolotriplettoplover @stars4matt @freshsturns @loverrsposts @sturnlcvr @elliesturniolo1 @tpvmz @user283926392 @lalalands86 @sukiipjs @sturniologirl813 @leahrab @chrissturniolosslut @h3arts4harry @sturnioloblogs @creamoncreamoncream2 @luv4kozume @ivyyyyyysposts @mirxcle1 @iluvm4ttsturni0l0 @catalina-island @mbsbaby @mattsdollie @pinkfarts @slut4mattsturn @thesturniolos @vickeyzloserz @nononopenono1 @bitchydragonparadise @gdsvhtwa @hrt-attack @bellasfavbisexual @dwntwn-strnlo @venusbabysblog @meerkatzthings @crazychrisl0v3r @maggieflms @strtuniolo @mutualsafe @riasturns @sturniolowhore @antpile00

[farfromstrange]

Mismatched Bridesmaid | Matt Murdock x F!Reader

PART 2 of The Vault

See this post for more information on my Valentine's Day Special & Follower Celebration, but these fics can be read separately!

Pairing: Matt Murdock x F!Reader

Summary: Deciding to go to your old college roommate's wedding turns into a bad idea when you suddenly have to function as a bridesmaid until you're paired with a very handsome groomsman.

Warnings: Fluff, attempt at humor, SMUT (18+ MINORS DNI), oral f!receiving, use of "good girl", One-Night Stand, shameless flirting, kind of "horny at first sight", so cheesy it might make you hate cheese

Word Count: 4.3k

A/n: I was wondering why this didn't post until I saw that I hit "save draft" instead of schedule, so this may come on time for some and too late for others, but I'm still awake, so it counts as the 15th. Also, when I wrote this it was after hinting at it on here, and I was excited at first, but I'm not too happy with it now because it's just silly and falls a little flat, in my opinion. This is why I went back in and edited a hell of a lot, adding some things, etc. Nevertheless, I promised to clear out the vault for this event, so this is it. I got inspired by seeing the She-Hulk clips when the episode with Matty came out. It may or may not be noticeable. We're also working with the Nelson, Murdock & Page narrative. Enjoy!

You are not made for white-veil occasions. 

While weddings, in their essence, symbolize unity while covering different facets of romantic beauty, they are also inherently stressful for nearly everyone involved in the proceedings. Over the years of adulthood, you’ve found that weddings tend to end in disaster when you attend—and you are not particularly fond of engaging in drama.

When your old college roommate sent you an invitation to her wedding in June, you considered responding with no. You’ve been close for a few years, but then you graduated, found separate careers, and then never talked again. You weren’t sure why she would send you an invitation until you called the number on the back of the card and you began catching up. She told you that she wanted to invite you because you were a vital part of her early twenties, and it reminded you that you are both adults and you have both grown beyond what you thought possible, so you couldn’t find it in yourself to tell her that you couldn’t make it to her wedding. Instead, you told her that you wouldn’t miss it for the world. That answer though seemed to have turned destiny against you. 

You were excited when you arrived at the chapel this morning, but as soon as your foot touched the holy ground, everything went wrong. Maybe it is because you’re an atheist and God hates you, or maybe Karma just really fucking loves toying with you. Either way, when your friend’s maid of honor—also one of the few people you hung out with during your wild college days—came up to you, looking pale and panicked, you knew that the curse you always bring to weddings was only continuing to wreak havoc. 

She said to you, “One of the girls got into a car accident on her way here. Don’t worry, she’s not dead, just a broken wrist, but that means we are one bridesmaid short. I need someone to step in before Janet finds out and cuts off my head for ruining her wedding day,” and she was deadly serious about it, too.

You knew that it was a mistake to come to this wedding, especially without a date or a plus-one to fall back on. 

You were so focused on marveling at the beautiful white and golden decorations living the aisle, fantasizing about the day you might be walking down one of those that you didn’t think anything could go wrong since everything had been going so right. You should have known better than to trust that treacherous feeling of excitement that you made sure to nurture before breakfast so you could enjoy the ceremony and the party afterward without making it dependent on the open bar—although that fact did help.

Instead of dreaming about free drinks though, you’re being squeezed into a satin green dress with a low cut in the front, and someone you don’t know is slathering burgundy lipstick onto your lips. They are purposely trying to turn you into a copy of all the other bridesmaids, and you hate it. You hate it so much you get the sudden urge to scratch your eyes out and tear the skin off your lips. 

Janet, the maid of honor, comes back up to you. She’s aged at least ten years since you last saw her when she pulled you away from the aisle. You feel for her. The entire weight of this wedding rests on her shoulders. 

She eyes you, checking your outfit, before giving you a curt nod. “Thank God, you’re hot,” she mutters. You’re not sure if you were supposed to hear it. 

“Thank you?” you answer awkwardly. 

“Alright.” She fixes the corners of your lipstick. “We need to pair you with a different guy than Miss I-Don’t-Know-How-To-Drive was supposed to walk down the aisle with. Your looks don’t match. You’ll get Kathy’s partner,” she says. “And we need to line up, like, now because shit is happening in five minutes, not a second later. We can’t give Bridezilla the time to kill us all.”

With a frown, you ask, “Is she aware at all of what’s happening?” 

Janet shakes her head. “No, and it’s better this way. Trust me.”

You stop questioning her. She knows what she’s doing. 

When she guides you outside to line up, you’re not sure what to expect. You don’t know the groom, and you don’t know his friends. You’re here on your own, and now you’re part of a bridal party that you are also barely familiar with, wearing a dress that you were forced into for the sake of aesthetics. You hate when something is reduced to aesthetics because beauty has many facets, and you would have walked down that aisle with anyone as long as you could get it over with. 

Until you see him. Strikingly dark hair in a perfectly cut tuxedo that underlines the muscles hiding underneath the fabric. His eyes are hidden behind round, red glasses that reflect the sunlight coming in through the already stained glass of the chapel’s windows. In his hands, he’s holding a white cane, leaning his entire weight on it as he waits. And he waits for none other than you. 

Janet paired you with the most beautiful man on this planet, you can’t deny that. The way he stands there, his sharp jawline on full display—he looks ethereal. Just looking at him makes you sweat, and you’re starting to panic. What if she made a mistake? You can’t do this. You can’t—

“Matt,” she says and shoves you beside him into the line of bridesmaids and groomsmen. 

Janet introduces you, and then she’s gone. She pushes you into the cold water, forcing you to learn how to swim. 

He tilts his head in your direction. “Hi,” he says. The sound of his voice resembles the purr of a black cat as it reverberates, but his grin reminds you of the Devil himself. 

Fuck. Me. 

You either did something very wrong to land here, or you did everything right. 

“Hi,” you stammer. One look at him, and the blood rushes to your cheeks. Your face is burning. 

He offers you his hand. “I’m Matt,” he says as if Janet didn’t already expose that to you.

Still, you take his hand. It’s the polite thing to do. “And I’m not supposed to be here.” Mentally, you curse yourself for being so stupid.

Matt chuckles. Even his laugh sounds bittersweet. Like dark chocolate. “I, uh, gathered as much.”

“I’m sorry,” you bite your lip, “I’m not—this is really weird. I don’t even know what to say.” You pray for the ground to open up and swallow you whole, maybe that will make it less embarrassing.

His features soften. There is no judgment. You can’t see his eyes, but there is a certain softness about him that throws you off guard, but you no longer feel like you’re drowning. “If it helps, I’m only here because I helped the groom graduate law school by writing his essays, and he feels like he owes me, so…I also don’t want to be here,” he says, and he reaches up to adjust his glasses. You get a small glimpse of his eyes. They’re hazel. Beautiful. He has an aura that draws you in; it’s not just his physical beauty that strikes you.

This man—this magnetic force of a man called Matt—is a stranger. He’s a man you were paired with to walk down the aisle even though you were never meant to be a bridesmaid in this wedding in the first place. So many things are happening to and around you at once, and you can feel the flames starting to burn and sizzle away at your skin. 

You should pull yourself together. You shouldn’t stare at him. You shouldn’t listen to your heart which is hammering against your ribcage. But the emotions are already running high and you can’t possibly focus on anything else. He’s like a lifeline to you.

And God, you want him to put those calloused hands on your skin and take you to bed. But that’s not something to think about in a place of God. On the day of someone else’s wedding. Except that you can’t think of anyone else, and his proximity isn’t making the situation any better for you.

Another blush threatens to take over your features. “Oh, you’re a lawyer?” you ask.

“Yeah,” he says. “I have a firm. Nelson, Murdock & Page.”

“Here in New York?”

“Hell’s Kitchen, yeah. Me and my associates just reopened our doors to the public after a rough year.”

“Oh, that’s...cool. I’m happy for you.”

“Thank you. And what do you do, if I may ask?”

His interest takes you off guard, but you don’t hesitate to answer his question. You tell him your profession, and how you met the bride, and he listens without another word. No man has ever paid you this much attention before.

Though Janet meant it when she said that you will have to start walking in exactly five minutes, not a second longer. She passed by everyone, handing out bouquets. Green with hints of red and gold. It fits the theme. They’re beautiful, but the flowers within the bouquet become a problem when she hands you your own set. 

“Janet,” you stop her from leaving. “I can’t take these.”

“The fuck you can’t,” she retorts. 

“Seriously, I can’t. I’m allergic to Jasmines. I’ll sneeze.”

She glares at you. “Then fucking hold it.”

There is no arguing with her, and she passes by you to continue putting everyone in their places. You stare down at the bouquet, your nose already starting to itch. The smell alone is enough to make you nauseous.

To your surprise, Matt reaches for the flowers. “May I?” he asks, but he has already grabbed a hold of them.

“Sure,” you answer, curious about where he’s going with this.

“Hold this.” He guides the top of his cane into your hand.

His fingers feel along the red ribbon. He takes a whiff. There are so many scents that would be overwhelming even to someone without heightened senses due to a lacking fifth one, so you’re even more surprised when he finds the Jasmines without a struggle. He traces the petals just to make sure, and he quickly pulls the flowers out of the bouquet, tightening the ribbon around the now smaller girth in the process.

Tossing them behind one of the pillars in the corridor, he hands them back to you. “Here,” he murmurs. “For you.”

Words elude you. 

“Are you allergic to anything else?” The question is valid, considering you’re still not making a move to take the bouquet from him. 

You exhale a shaky breath, reaching for the flowers, and answer without missing another beat, “Weddings.”

That elicits a giggle from him. The sound is enough to make your heart melt. Does he know what he’s doing to you?

Matt opens his mouth to respond, but the sound of heels clicking against the marble floors stops you both dead in your tracks.

Your entire body recoils when the bride’s voice rings out, echoing, “Who the fuck mismatched my bridesmaids?”

A hand rests on your bicep, and you don’t even have to look down to know that it is Matt’s. He’s the only one standing to your right, anyway. He squeezes as though to let you know that you won’t lose your head, but you’re not so sure now that your college roommate is glaring at you in a white dress that reminds you of a pastry, and her eyes are full of fury. He can’t see it, but he would cower in fear if he did.

Thankfully, Janet pulls her aside, explaining the situation to her. 

“She what?!” she screeches. “On my wedding day? Are you kidding me?”

“Yes, because car accidents respect timing when it comes to special occasions,” Janet counters.

You snort. Matt beside you digs his teeth into his bottom lip, but even he can’t hide his amusement.

“Oh, snap,” you mutter under your breath. 

“Shots have been fired,” he says.

“I think we’re witnessing a double homicide.”

“I’m not a very credible witness. I can only describe how it sounded, unfortunately.”

Your snort turns into a laugh. The bride’s head snaps around, and you go quiet. “Sorry. I’m sorry,” you choke out.

“If she decides to throw a punch at your pretty face,” Matt’s breath tickles your ear, “I can be your attorney and sue her ass.”

This time, you’re conscious enough to slap a hand in front of your mouth to stifle your reaction. “How do you know I’m pretty?” you whisper back between little giggles.

He shrugs with a smirk of his own. “I just know.”

He’s got you wrapped around his little finger, and you have no choice but to submit.

Janet manages to bring some calm back to her friend eventually, and then it’s showtime. Right on the second, it’s time for you to walk down the aisle, and you have never been happier about a strict schedule and someone adamant about keeping that schedule for the sake of all of your lives.

Your roommate has always been a very dominant personality, so you’re aware of the things she can do when she doesn’t get what she wants. 

An 80s pop ballad begins to play. You make sure to match your pace to everyone else but also make sure that you’re not running away from your partner.

You may have been a mismatched bridesmaid, but you can’t complain about the company. 

Against all odds, the service is beyond beautiful. It’s not often you get to stand so close when two people who seem to truly love each other make a vow to be there for each other for the rest of their lives. You can’t help but shed a tear. They complement each other perfectly. Is that ever in the cards for you? Will you ever be able to have what they have? Or will you always feel like you’re not worthy of this kind of unconditional love and endless devotion—of someone wanting to spend the rest of their life with you?

You look over at Matt. The hint of a cross necklace is starting to peek out underneath his dress shirt. Of course, he’s Catholic. 

He carries himself with such a grace that puts everyone else in this room to shame. Does he know that you’re staring at him? You hope not.

After the ceremony, you lose sight of Matt in the masses. He doesn’t owe you a goodbye, but you still feel a little disappointed when you return to the dressing room and finally peel the satin dress off of your very sweaty skin. 

At the party afterward, he’s still nowhere to be found. You give up. Not that you want to spend the evening with him anyway, but you kind of do. You drown your sorrows in a glass of vodka cranberry and a bowl of olives. They taste like rotten meat, but there are too many people by the buffet for your liking. The last thing you want to do is mingle and get asked stupid questions by people you don’t even know. So, you stay back, and you watch from afar as everyone is having the time of their lives not so far away from you, but far enough for you to breathe.

“And here I thought weddings were supposed to be a joyous occasion,” Matt pipes up beside you, and you twirl around in your chair to face him with wide eyes.

You didn’t expect to see him back here. “Hi!” you exclaim. “What’re you—I thought you left.”

“Nah,” he says. “I just had to take care of some things.”

“Oh, yeah? Like what?”

He smirks. “Wouldn’t you like to know?”

“Yes, that’s why I asked.”

Folding his cane, Matt lowers himself down on one of the chairs beside you and orders himself a beer with the bartender. “Let’s just say that I have an important court case coming up and I had to make a call.”

You take another sip from your drink. “That sounds a lot more exciting than my life, to be honest.”

“You are sulking at a wedding. Thinking about an ex?”

“More like life in general.”

“Ah, yes, the eternal fear of dying alone.” He raises his bottle to yours. “I’ll drink to that.”

A laugh escapes you. “That was cynical,” you say.

“And you’re not?”

He beats you at your own damn game, and he finally gets that smile he has been vying for. 

“Are you smiling?” his voice is barely above a whisper. 

Your tongue darts out to wet your lips. “Maybe.” But the smile is audible in your voice, giving you away.

Matt smirks, nodding his head. “Good girl.” 

The sharp vodka runs down the wrong pipe. You cough. Did he just—

He did.

He pats your back, and his hand lingers a lot longer than it should. He looks so smug. Pleased with himself. That part of him is stupidly attractive to you, even though you would usually hate such cockiness in any other man. But Matt isn’t like any other man.

You apologize for your reaction, but he should be the one apologizing to you for throwing you off your game. What is he doing? You can’t read him. You wish you could because that would make this so much easier, but that’s probably the point. He wants to tease you. He wants to mess with your head. He’s a dick. A fucking attractive dick that could tell you to do just about anything and you in your flustered state would go along with it without hesitations. That’s the kind of control he has over you, and you just met. It feels like a twisted form of destiny, but you can’t quite believe it. Yet.

“Do you always do that?” you dare to ask.

He frowns. “Do what?”

“Flirt with women who were forced to be bridesmaids even though they were only supposed to be guests?”

A playful smirk plays on his lips.  

“It’s been known to happen,” says Matt.

You poke your tongue against the soft tissue of your cheek. “Cheeky,” you murmur.

“That’s also been known to happen.”

“What, being cheeky with—”

“—with women who were forced to be bridesmaids even though they were only supposed to be guests? Yes.” He’s catching on quickly.

You laugh and nod. “Yeah, that.”

“I do have to say though,” he adds, and for a second you think he might ruin the joke instead of playing it out further, but Matt is full of surprises, “Out of all the mismatched bridesmaids I’ve met in my thirty-something years of, um, living, you’re my favorite so far.”

With your hand, you start fanning your face rather dramatically. “I feel honored,” you say. 

Again, he chuckles. “You should be.”

“Why, because you’re so irresistible?”

“I was going to say that I don’t like a lot of people because, you know, they’re dicks, but that works too.”

“Wow.” You take another sip. The liquor burns its way down your sore esophagus. “You have balls, man.”

“Is that a problem?” he counters with a question.

The answer comes naturally. “No,” you say. “I like it.”

“Good.” Hearing you clink the ice cubes against your empty glass by swirling it around, Matt concludes that you need a refill. “Can I get you another drink?” he asks.

The question sounds so innocent, but the look on his face renders you speechless. His hand inches dangerously close to yours on the counter, his knee brushing yours, and the heat shoots straight to your neglected cunt. 

Fuck this.

“You could do that, or we could skip that part and just…you know.”

One brush of your hand against his thigh, that’s all it takes for him to know. 

Pushing you through the door to his apartment a few minutes later, his lips are on you. The door falls shut with a loud bang, and he presses you against the wall of his hallway. 

His lips feel like a silky cloud of lewdness. The way he kisses you is utterly erotic. Your lips part in a delicious moan that he swallows with a grunt of his own. He swallows it all, shoving his tongue into the tight confines of your mouth, and exploring every inch he can reach. He tastes you. He consumes you. 

His hands desperately search for an ounce of bare skin. He’s tugging at your clothes, sliding and tearing them aside. Once his fingers finally brush over the bare skin of your stomach, he melts. 

You tangle your fingers in his hair, pulling him impossibly closer. Your leg hooks around his waist. You can’t wait. He has ignited a fire within you that no one has been able to light before. He’s touching you with a precision that puts your former lovers to shame. He’s paying attention to your every breath and heartbeat, and with every touch, he asks, “May I?” 

You don’t even make it to the bedroom. Once he has successfully removed the bottom half of your clothes, he falls to his knees. He is a sight to behold. The disarray of colors that shines into his apartment illuminates his face, bathing it in a selection of hues that bring out his best features. 

Matt has yet to take off his glasses, and you take the opportunity to tear them away from his face. You’re gentle though. You ask him, “May I?” mirror the question he has been asking you throughout the night, and after a thick swallow, he nods.

You caress his cheek as you remove his glasses, and when you finally see his hazel eyes in all of their glory, you have to bow down to capture his lips in a soft kiss. 

“You’re beautiful,” you whisper. “So fucking beautiful, Matt.”

He whimpers. You could have sworn to have imagined it, but when you stroke his cheek with such a gentleness it almost makes him recoil in anguish, you know that you didn’t imagine the sound from his lips. You kiss it away. You kiss all of his insecurities away. You want him to feel as good as he is making you feel. You don’t know him, but you want to get to know him, and if he’s ready to surrender himself to you, you are more than ready to do the same for him. He can feel that with every brush of your fingertips and every kiss you deliver to his plump lips that taste like heaven and hell in itself.

Your words don’t leave him cold. His cock is aching in his pants—you take note of his impressionable size, which only makes you more excited for what’s to come—but he refuses to take it out. Not until you’re fully satisfied. To be honest, you could come just from staring at him on his knees in front of you, looking like he would lay the world to your feet and kill everyone who has ever dared to hurt you, but that is not enough for him. 

He needs the experience. Feeling your skin, tasting you, and breathing in all facets of your natural scent mixed with the artificial one from your shampoo. He can’t get enough of it. Of you. Of everything about and within you. He’s as attracted to your body as he is consumed by your soul. You’ve got him in a deadlock, but he would never complain about that.

You gasp when Matt grabs your thigh and throws it over his shoulder. Your panties are gone within seconds, torn on the floor somewhere. You’re completely bare to him. 

You want to warn him that you didn’t shave, but he doesn’t care. 

Before you know it, he has flattened his tongue against your pussy, and he licks a long stripe from your hole to your clit. 

“Fuck!” you cry out, reaching for support on the wall behind you.

He flicks the sensitive bundle of nerves with the tip of his tongue, testing the waters before he sucks it into his mouth. 

His grip on your thigh becomes bruising. Matt eats you out like he has been starving for years and you are his first and last meal. He sucks on your clit, and he fucks you with his tongue. Your pussy is the altar he worships at. Your arousal is his holy water. He dives deeper and deeper into the wetness between your thighs, and he moans loudly when you pull at his hair.

“Fuck, Matt–” You’re clawing at whatever you can find. It feels so good. You’re higher than you have ever been.

The sound of his mouth working your slick folds toward eternal bliss is obscene and utterly sinful. His stubble scratches against your inner thighs. The pain grounds you in the here and now, making you focus on the tidal wave that is about to crash into you and tear you to shreds. 

You can’t even warn him before your orgasm takes over, and it takes you into another dimension. You come with a shout of his name. It’s nothing short of explosive. The orgasm drags on through his mouth on your clit, relentlessly sucking until the nerves jump, and you’re begging him to stop. 

His face glistens. With every kiss up your body, Matt marks you. By the time he has reached your quivering lips, he still tastes like you.

“You did so well,” he whispers. “Such a good girl for me.”

You exhale. Without his shoulders to hold onto, you would probably lose your footing. “You’re crazy,” is all you can say. 

He smirks. “In a good way, I hope.”

“Yes. Fuck.”

“Regret coming home with me?”

“Absolutely not.”

That’s all he needed to hear. He lifts you with ease. “Then I’m going to make it worth your while.”

And when your back hits the soft mattress and silk sheets of his bed, you don’t doubt that he is going to make good on his promise. 

Matt Murdock Smut Tag List: @acharliecoxedfan @gpenguin666 @linamarr @mcugeekposts @itwasthereaminuteago @norestfortheshelbywicked @yarrystyleeza @littlenerdyravenclaw @etanordoesbullsh1t @thychuvaluswife @harleycao @schneeflocky @imjustcal @pipsqueakkitten @merlinbtch @sya-skies @amberritonicole @ravenclaw617 @pigeonmama

[neomel]

Alrighty fellow insane sonic fans i have something very cool for you today: a WORLDBUILDING theory!! this is something that's been kicking around in my head for so long that i forget it isn't something I've shared with many others yet lol

[ This post primarily covers stuff from Sonic Adventure, Sonic Adventure 2 and Sonic Advance, and ignores Sonic Chronicles and Sonic Pocket Adventure as they have been struck from canon (see: Encyclo-speed-ia) ]

[ It should also be noted that this theory is built on the idea that "the world" as depicted in Sonic Forces is not accurately depicting the entire globe, but rather depicting Eggman's takeover of just the island archipelago where the animal cast lives (South Island, West Side Island, Mirage Island, Northstar Islands, Angel Island) as to explain its geography and lack of human characters ]

Right! So, a big theme in the environmental design of the original Sonic Adventure was having the Sonic cast sort of "cross over" into the human world more - the wording on this was initially nebulous, but with updated translations and clearer official word recently, we now know that it means that the "human world" is moreso like a mainland populated by humans that exists separately from the animal-inhabited island archipelago of Sonic 1, 2, CD, 3&K and Superstars (see: Sonic Origins). My immediate first point of comparison - of all things - is something like the first Madagascar movie, where the lemurs are able to be a fully functioning society in a region completely isolated from humans.

Except it's not quite like that movie, is it? We see in Sonic Adventure (and further in Unleashed, 06) that animal characters like Sonic and c.o are able to exist just fine within the human world, to where Amy has flat-out moved into Station Square. Big and Tails, too, have settled down by the Mystic Ruins close to where Angel Island (sometimes) crashes down by, Rouge owns a club in Sonic Battle - you get the gist. Animal characters, the majority population of the islands as we see in Forces and the IDW series, are able to migrate into the "mainland" human societies, but it appears to still be a rarity, likely not even something everyone has the opportunity to do (Big might've been born on Angel Island, Tails and/or Sonic can fly any of Sonic's friends to wherever they want to go, etc.). The most contact humans have with the animal world is through the Mystic Ruins site, or Eggman using his excessive wealth to fly in and try and effectively colonize the islands as we see in Sonic 1, 2, Superstars, CD, 4.1 and 4.2 (for note: CD, 4.1 and 4.2 take place on the same island of Mirage Island)

Sonic Adventure 2's level select is obviously to be taken with a grain of salt as a stylized take on a world map, but it seems to infer the same thing that Origins' main menu and Angel Island's close proximity to the Mystic Ruins both corroborate - the island archipelago inhabited by the animal characters seems to be quite close to the mainland "United Nations" landmass, most evidently close to Rouge's Route 280 level. And given how often Eggman lays his sights on the islands as a primary target for his schemes (Heroes may well also be taking place on the islands, as Seaside Hill is confirmed to be near/on South Island), it would make sense from the United Nations' POV to try and make access to the islands more accessible. For example, to enable easier import and export of goods, help citizens evacuate from possible disaster (eg. how the Metal Virus in IDW described how it was impossible to evacuate to anywhere else but Angel Island), and so on - a way to connect the two societies more smoothly only makes sense.

With ALL that context and preamble out of the way, this is my theory, and where Sonic Advance finally comes into the picture:

Radical Highway in Sonic Adventure 2, and later Neo Green Hill Zone from Sonic Advance, were together depicting a brief attempt to connect South Island to the United Nations mainland.

You may think this is a bit of a nutty conclusion to draw given how little of a story Sonic Advance actually has, but I think there's a lot we can glean from just the environmental design of Neo Green Hill Zone alone. Compared to the original Green Hill Zone, and most of the levels in the Classic Sonic games that aren't just flat-out urban cities/facilities seemingly built under Eggman's control (Star Light, Spring Yard, Chemical Plant), Neo Green Hill Zone's touches of human infrastructure are far more...friendly, for a lack of a better word. There's parasols and wooden scaffolding, a grind rail or two along paved sidewalks, yet the natural beauty of the area is left entirely in tact. Nothing about it appears like Eggman's work, yet it is quite evidently structured for human interests, for tourism and walking/biking rather than all the funky ways in which Sonic's animal cast are comfortable moving around. Then there's of course the name: NEO Green Hill Zone, as if it's reinvigorating the idea for a fresh new facelift, re-marketing it!

But how does all that connect to Radical Highway?

Radical Highway (and Mission Street by extension) have a quirk unique to them when compared to almost all other urban city levels in the series - as you can see in the image above, they're themed around still being under construction. Compared to a level like Lethal Highway from Shadow the Hedgehog (or the aforementioned Route 280 from SA2) the holes and gaps in Radical Highway are presented as being specifically because the winding roads are still under construction. You can see this on the level map above too - Route 280 and Route 101 appear to be part of a long, linear, already-finished stretch of road, wheras the area of Radical Highway and Mission Street is filled with gaps, inlets and breaks in the road. Route 101/Route 280 already appear to fill the function of letting people cross between the two city areas depicted on Adventure 2's world map...so then, what exactly is the construction and general wobblyness of Radical Highway for?

Well, let's look at Sonic Advance again: Specifically, the end of the Neo Green Hill Zone stage, and the way the game progresses immediately thereafter:

The natural beach environment of Neo Green Hill Zone Act 2 suddenly bows out before the Eggman boss fight to give way to something quite interesting: A red bridge extending out from the island's coast. The bridge's architecture doesn't quite match that of Radical Highway, most notably using tall suspension wires hooked up to some off-screen upper portion of the construction, but I think the idea alone is fascinating enough: This is drastically more modern architecture compared to the rickety wooden bridges otherwise seen in Green Hill Zone. We're still a bit unsure of if Advance 1 takes place before or after Sonic Adventure 2, but if it's before - it may also be possible that the work on this bridge began on the South Island end of things *before* the mainland Radical Highway-end were finished with their work, with the idea of joining the two bridges somewhere in the middle.

Let's again also consider where this bridge takes our characters in Advance - to Secret Base Zone, a shockingly urban facility which we still don't really know the location of. Sonic and c.o need to zip-line into its entrance, with a background that only features light and buildings far off into the distance - is it possible that the Secret Base exists sort of like an oil rig in the middle of the ocean, inbetween South Island and the mainland, as some sort of production facility for the UN? Regardless, it serves as a pit-stop in the Advance campaign - after it, we can pretty cleanly chart a roadmap for where the cast travels. Casino Paradise's ocean background seemingly depicts it as being part of the coastline (bottom left of the SA2 map), Ice Mountain is pretty clearly meant to be another area of Ice Cap Zone given how it leads to the Angel Island Zone - which is, in reality, a dilapidated Sky Sanctuary. Effectively, the campaign seems to go from South Island, to the bridge connecting South Island to the mainland, to a coastside Vegas-like casino wonderland built by Eggman, which is near the Mystic Ruins and thus near Angel Island by extension (it may be connected to Night Carnival from Sonic Rush?). And all of it connected thanks to the works of a bridge, seemingly set up in Adventure 2 with Radical Highway being under construction, possibly with the goals to connect the two core parts of Sonic's world.

Whew! That's pretty much all the words I have, and I've now reached the max cap of images per posts. I truly don't know how many Sonic fans care about these granular details and concepts about the environment of Sonics world in games from 20+ years ago, but I hope it got some gears turning - and if there is some merit to this, it may further get you wondering as to why the path connecting the two was seemingly cut off in the end? Given the cityscapes we see in Forces and IDW, it's possible that this mutual relation between the two worlds lasted for a fair while - what could've possibly led to that bond being broken? Maybe Unleashed breaking the world apart had something to do with it...

Thanks for reading this far if you did - and feel free to add your own ideas or things I might've missed in all of this!

[dreamwatch]

Hello, I've Waited Here For You

Written for @corrodedcoffinfest

Day #18 - Prompt: Freak | Word Count: 1000 | Rating: T | CW: period typical attitudes to women, period typical homophobia, internalised fat shaming, period typical sexism, sexist language | POV: Matt (Freak) | Pairing: Steddie, Matt/OC | Tags: Falling in love, CC is a family, secret relationship

I hope this makes up for yesterday.

Matt has always liked girls. Sadly, girls didn’t hold him in the same high regard.

He’s not an idiot. Yes, they were freaks in high school, no one liked them, boo hoo, but even then he was the odd one out. Because Jeff was seeing that irritating mathlete for a while there, Gareth went on a couple of dates with Samantha-what’s-her-face, and Eddie had actual women hanging off him at The Hideout, though he always seemed pissy about it. Fuck, even Henderson and Wheeler had girlfriends, though they don’t live in Indiana.

Actually, yeah, that’s probably bullshit.

And Matt? Nothing. If he looks at a girl he gets a curled lip and a side eye for his troubles. Because no one wants the fat dude. So he doesn’t talk about girls, and the boys don’t ask. It’s a pleasant status quo.

When they move to LA and start playing proper gigs in proper venues, suddenly girls are interested. But there’s a hierarchy.

The really pretty ones attach themselves like limpets to Eddie and Jeff. The shy ones hang around trying to catch Gareth’s eye. And then the bored friends who struck out with everyone else will rock up to Matt like they’re doing him a favour. It really fucks him off. But he’s a nineteen-year-old virgin and it’s slim pickings.

So he leans into it.

He doesn’t exactly sleep around, but if the opportunity presents then he’s not saying no. Girls come to a gig, they queue up for their spoils, the guys do whatever it is they do, and Matt gives some bored hanger-on a good time. 

But he rallies, chin up, he’s going to be a rockstar, women are going to be pounding down his hotel room door, and he’s going to be swimming in pussy. Really bored, would-rather-be-washing-their-hair pussy.

Jeff moves in with his new girlfriend, a sweet student named Melody. She’s going to leave him when she realises he doesn’t understand the concept of putting the toilet seat down.

Gareth moves his girlfriend in to make up the rent. It’s a fucking disaster, and they all fight constantly. In the end, they all go their separate ways: Gareth and the girlfriend in one direction, Eddie and Matt in another.

The new place is ok. Eddie is weird when it comes to girls. He lets them paw at him a little before he gets antsy, like an overstimulated cat. Like he wants it but doesn’t at the same time. So the apartment is girl-free, everyone goes to bed early, and by the way, did he mention he was going to be a rockstar?

Another backstage, another endless stream of girls pawing over all the bands, and another night of Matt nursing a beer and being ignored.

He’s thinking of leaving when he sees her.

She’s sitting in a dark corner on her own, black leather jacket, ripped black jeans, and long hair that looks dark pink under the lighting. He wants to find out what colour it really is. She glances at him occasionally, before looking away as if she’s trying not to get caught.

He’s never done this. Never approached a girl. He’s always left it to them to come to him. But she’s beautiful, and they’re only in town this one night.

“Uh, are you with anyone?”

She nods. “Yeah, um, Sandy. She’s over there with Eddie.” 

Sure enough, Eddie’s looking exasperated while Sandy practically climbs in his lap. Matt laughs. 

“She won’t be long, trust me. What’s your name?”

“Lily.”

“I’m—“

“Matt.” She smiles, shyly. “I know who you are.”

Damn. 

“Matty! Hurry the fuck up!”

“I’m trying!! This fucking—“ he scrabbles at the bow tie and yanks it off for the fifth time. Fucking thing is ruined. 

Eddie slaps his hands out of the way. “Let me look.” He scowls. “Jesus— why did we think we could do this? We wear fucking t-shirts for a living for Christ’s sake.”

There’s a knock on the door before Steve Harrington pokes his head inside the room.

“Hey, sorry, but the bride-to-be just arrived.”

“Oh fuck.” Matt can feel his insides flopping around like they’re looking for the exit. Why is he doing this, why is she doing this? She’s so beautiful and she could have anyone but—

“Hey! No zoning out, we don’t have time!” snaps Eddie. He glances at Steve. “Do you know how to tie these things?”

“Oh yeah, sure.”

He can’t figure his life out at all. In eight years he’s gone from school freak to minor rock star, he’s marrying a beautiful girl, and to top it all off, Steve Harrington’s tying his bow tie. Is he high?

“There ya go, you look awesome man.” Steve claps him on the arm. “I’ll see you out there,” he says, but Matt doesn’t miss how he looks at Eddie as he says it. 

Then it’s just the two of them.

There are a lot of things he wants to say to Eddie. He’ll get round to some of them later when he’s blind drunk and crying. But he needs to be sober for this.

“Just one of us left.”

Eddie smiles sadly. “Well, you know me, confirmed bachelor.”

“You know… if there was something you wanted to tell us. That— that you thought you couldn’t—”

Eddie shakes his head. “Matty—”

“—just listen. Please.”

Eddie freezes, eyes fixed on the floor.

“We love you. And if there was anything you ever wanted to tell us, we would be over the fucking moon to hear about it. And… and Steve’s a good guy.”

Eddie looks like a deer caught in a trap and Matt hates it. Hates that Eddie feels he can’t share the most important part of his life with them because the world is so shitty he couldn’t even be sure his best friends would be okay about it. So it stops now. 

They’re a family. Gareth and Bonnie, and Jeff and Melody, and Matt and Lily. And Eddie and Steve. 

[mazeinthemiroh]

So I had an idea 💡 so I was thinking what would be ateez ot8 reactions ( separate ) to you being broken up with and all they can think about is how much better they could treat and how much happier you would be with them

best friend! ateez wishing they were dating you

genre: headcanons; hurt / comfort??, slight angst, a sprinkle of crack

word count: 1k

song rec: treat you better by shawn mendes

warnings: cursing, woosan are bold, iconic kings

please like and reblog if you enjoy! thank you for your support <3

hongjoong

hongjoong has to hold his tongue each time you tell him you have a partner

because he has a problem with it. and he doesn't realise at first why he had such a problem with it

until you come to him crying because of the horrible breakup you were currently going through

he let you cry on his chest and cuddled you close for the rest of the night

... yeah, this is the guy who supposedly 'doesn't like skinship'

and yet here he is, wanting nothing more than for you to stay in his arms, where he can keep you close and safe

and thus, his feelings are realised. and suddenly being jealous of all the guys you ever talked about started to make sense to him

seonghwa

seonghwa can't help but feel a little disheartened

seeing the people you end up with and how they always end in disaster, he feels bad for you, of course

but he can't help but feel you are missing out on a guy that has always treated you with love, respect, sincerity, kindness, and nothing less

*cough, cough* HIM *cough*

he will continue to comfort you and provide a listening ear as your... 'confidant'. but all he really wants to do is ask you to be with him instead, so that you'll know what it's really like to be in a good relationship. one that doesn't have an ending...

but he wants to choose an appropriate time to confess his feelings. so for now, he'll be there to dry your tears

yunho

yunho would literally take the complete piss out of your partners like he's so shameless

can and will laugh in your face when you whine about your relationship issues

because he knows they would all be solved if you go out with him

and he'll flirt with you and make jokes about you guys dating:

"you know, none of this would be an issue if you went out with me 👀" or "technically, we're on a date right now... as we speak... should we kiss?"

but you just take that as him being one of THOSE besties who just flirts for the sake of it

and he's giggling and laughing along but really he's dead-ass serious ☠

it's all fun and games ig??

yeosang

would focus more on your feelings than his own

he wants to comfort you and be a supportive friend; he's not going to let his feelings for you get the better of him when you're going through a relationship crisis or a bad breakup

and it doesn't really faze or hurt him at all. he's good at separating his feelings for you and being a comforting, good best friend

whether that's healthy or not is up for discussion!!

but unless you suddenly take a serious interest in him and make advances to him first, he's not going to go for it himself

because if he reads your signals wrong, he is at risk of ruining your friendship

and he would rather have at least one connection with you, rather than none at all

san

san is always there for you

especially when you have just broken up with your asshole partner that he hates so much anyway. he is there to cuddle you tight to his chest and comfort you, asking if you want him to beat your ex up, etc...

he's a great friend in this way. but he can't help but feel like he wants more

and so he hopes and wishes that you see his efforts. you appreciate his comfort and the way he's there for you whenever you need him - enough to not go out with anyone who isn't worth your time, but rather, go out with him

and he might just come out and say this because he can't bare to deal with another one of your heartbreaks

"this is where i want you to be," he'll say. "in my arms. every night. not just the nights you get dumped. you deserve so much better, baby. and i want to be the one to make that happen."

mingi

he literally loves you he loves you HE LOVVVESSS YOU

it's so obvious, come on guys

when mingi has a crush on somebody it's painfully obvious, it's actually hilarious

so you ignoring his adoring eyes and his attempts to make goofy jokes only to see your smile, and the way he buys you gifts and dotes on you and does anything for you ITS SO OBVIOUS

but yeah, stay blind ig?

he will flinch every time you mention your partner or your ex only because that pulls him right back into the reality that he is, in fact, not dating you currently

then he gets pouty but tries his best to hide his disappointment about the situation and fails lmao

wooyoung

will get frustrated. like, superrrr frustrated

because he has a massive phat crush on you BUT he has to hear about all the people you've dated and blah blah blah

ON TOP OF THAT!!!! he gives you advice on how to fix your relationships that pretty much inevitably fail anyway?? nope, he's defo losing it

for the longest time, he's always wanted to just ask you out himself. but there was never a good time. between you going out with people and recovering from break-ups, he never deemed it appropriate

but after what felt like the thousandth time of you crying about some asshole who had broken your heart, wooyoung had finally given in to his desires

"you're not going to waste any more energy on someone who doesn't care about you. instead, you're going to use it on me, your new boyfriend."

jongho

jongho is hilarious in this situation

because he's so subtly trying to make it clear that he likes you in his own... special way

he's not always sure how to go about it

to be fair, he's a very good supportive friend. he provides with the consolation and comfort you need when you come to him with relationship problems or are going through a breakup

but he also tries to use this as an opportunity to give you hints here and there

"you know... the love of your life might be closer than you think 👀"

"maybe your next partner is with us right now 👀 👀 👀"

".... but it's just me and you, jongho."

" 👀 isn't that interesting, y/n"

i literally can't take him seriously atp

ateez taglist: @a-wandering-stay, @xlovehwa, @yeosangsbiceps, @anyamaris, @acciocriativity, @hawaiian-angel, @chammak-challokys

[horseshoegirl]

Set Me Alight: Part 8 - Salt and The Sea

📜Everyone has been on a Bob kick lately (I think), so this is coming right when it should! Let's see how Grace and Bob feel about all this. Shall we? 👀

‼️ - +18, Minors DNI, Strong Language, Original Female Character (s), Bradley Bradshaw x Natasha Trace, Bob Floyd x Original Female Character (This is all in their perspective), Third Person Pov for this one, Angst, mentions of bullying, hurt, overheard fights, preventing a panic attack, frustration, and Grace being sad and done with Bullshit. 

#4.6k

Part 7 | Masterlist | Part 9

Present Day

Sixteen hours.

That's how long Bob's carefully guarded, carefully constructed walls took to crumble after all these years.

There was an inkling the night before as he settled into his tent, a feeling that knocked once or twice from the inside of his chest. It wasn't there when he woke up this morning or during the trek here to the falls.

But the second Grace raced up behind him, everyone watching Veronica climb out of the water, that feeling returned. It seemed no longer content to sit around and wait for Bob to figure out why it had.

Grace grasped his hand, pulling herself to hide behind his body so she could stifle her giggles into the back of his shoulder. Bob couldn't help the few snorts that shook through his body either. However, he pitied Javy, watching as he tried to console his girlfriend, who was stomping her foot like a three-year-old child over the fact that her makeup had been ruined.

The both of them couldn't say it wasn't an unwelcome sight. They knew what Maeve had done, catching her hooking something onto the loop of Veronica's jeans, knowing it was damn well meant for Jake. Though the pair knew better than to act on it, they imagined themselves holding up a fist to the air, like in the Breakfast Club, silently praising the act of Karma on her behalf.

Maybe even quietly counting tallies next to her name in Bob's traveller's journal.

Maeve needed a win. A big win against one of those two. They weren't going to say shit about it. They only wished, deep down, they could have helped.

But when Bradley had taken her by the arm, leading her way, another knock, this time harder, thumped in his chest. Another followed it. And another, until that feeling morphed into what Bob could only describe as a white-hot pain, burning every nerve in the pit of his stomach.

Bob knew what was about to happen.

While there hadn't been much to discuss, Bradley had pulled all the guys together after Maeve went to bed last night to discuss his proposal. Standing in that circle, Bob realized it had been more of a pep talk than anything else.

Everyone already had a predetermined role—some part to play in helping Nat get to the right spot. Bob and Grace merely had to act surprised, with the rest of the group save Jake, Maeve, and Rueben, when they eventually emerged from the bush, a shiny new ring hopefully on her finger.

It was a horrible plan, he had thought then. He knew—more so than most—that involving Jake and Maeve in such an event would only result in disaster. He even had said as much to Grace when he turned in for the night, climbing into their shared tent.

Grace merely highlighted Nat's inconsiderate behaviour regarding her feelings, turning her back to him as she settled into her sleeping bag. The action was so absolute, so final, they said nothing else about it the rest of the night.

But laying awake, staring at Grace's back, Bob couldn't help but think about it. Grace was right. With all the shit Jake and Maeve threw at each other since the moment they had met, Nat would have to be completely stupid not to realize just how fucked up it was not to tell Maeve Jake would be coming on this trip.

It wasn't the first time Grace brought it up, either. Bob knew how his girlfriend felt about Nat, Maeve, the entire group, their inability to stand up for her, and their failure to separate themselves from Nat.

He'd be lying if he hadn't felt the same at one point or another.

But Bob knew why everyone didn't, why he didn't, and why, even to some extent, Jake didn't either, even if he was more verbal about it than anyone else.

From behind the scenes, everyone tried to protect Maeve and themselves from a fallout with Natasha. Not the fallout itself but the aftermath. At that point, he had rolled on his back, trying to figure it all out from the safety and privacy of his tent.

But who was he kidding? There was nothing to figure out.

Nat's scandal was an anvil, and her history and behaviour were hanging over every person in the group by a single thread. Even in the years since it happened, since they had all left school and Grace and Cora joined the group, it still had everyone in a chokehold.

And Maeve was oblivious to it all.

Bob wasn't sure when it happened, but it became an unspoken agreement to protect Maeve from that truth. So they were burying it to keep the peace—at least, everyone but Bradley. Bob couldn't say what was happening inside his friend's head, nor would he ask him.

But nobody would go out of their way to upset the group's 'supposed' hierarchy—not when real friendships and relationships, whether made with Nat's influence or not, were at stake.

Maeve had to deal with the brunt of it, and Bob would regret it every day for the rest of his life.

No kind words or assurances could help the cluster of nerves swimming in Bob's stomach when Grace hooked her arm through his. Leading him to a section of the pond free from tourists, she wanted to avoid the temper tantrum Javy and Rueben, to an extent, would have to deal with. Seeing fish in the water earlier and knowing Bob would get a kick out of trying to identify them, she welcomed the distraction.

But as the pair searched through their books to match the first fish they saw, the first shout vibrated through the air, and Bob felt like he was going to hurl.

There was no mistaking it for what it was. Nat was, for lack of a better word, shitting on Maeve and Jake. It was loud. It was scary. And no matter where anyone went, it was impossible to block out the noise.

They stood there, staring down at the words and diagrams in their books, no longer interested in the fish, scared any movement or action would have them on a chopping block. Though her eyes blurred, Grace was sure there were no more fish to look at anyway, for they, too, would have felt the noise vibrate against the water and would have been scared away.

At least they felt like they were able to.

When it finally fell silent, Grace nervously reached for Bob's hand. She led them away from the water through a tiny gap in the bush, deep into the forest. She didn't dare stop, walking blindly for minutes until she saw a little nook encased by a massive tree.

Its branches hung low, as did those of the surrounding trees. Each covered the space in a vibrant green shade, offering a safe place from the events leading up to this moment. A giant, thick tree root rested above the ground, and Grace pulled Bob down as she sat upon it.

Neither one spoke, nervous to say anything. Birds, the wind and bugs filled this space instead. It could have been hours, though Grace started to play with Bob's fingers only minutes later. He let her slide her fingertips over his skin and grasp around each finger until she smoothly threaded each together. Over and over, she did this, never once altering her pattern or rhythm.

Grace was trying to ground herself. And for Bob, it made everything that much worse.

It had been sixteen hours to the dot since that first knock in his chest. And while Bob had admitted last night and perhaps now that the trip, the excuses, the group dynamic, Nat's behaviour—was hopelessly warped—the truth was he had known for days, months, maybe even years.

He'd simply shoved it all deep down under lock and key, partly for selfish reasons. Sixteen hours was merely all the time it took for that lock to break and for everything to come rushing back to the surface. Because while the person he loved was hurting on behalf of someone else, it was too silent in this forest, even at this distance.

It was the lack of Maeve and Jake tearing each other apart.

"I think something happened to Jake and Maeve," Bob said in a rough voice, finally finding the courage to speak.

Grace's hands froze, not moving an inch. She lifted her head, eyebrows knitting together. Bob didn't meet her gaze, too nervous to look away from their joined hands.

"It's too quiet," he offered softly. "Especially after that."

Grace also dropped her eyes to their hands, biting the inside of her cheek hard. "She'd be tearing into him right now. Forget Nat. Maeve would clear out the whole damn park with a single shout."

Bob nodded absentmindedly, turning his hand to mock Grace's earlier pattern, a silent gesture to let her know he had been paying attention.

"Or she'd be running off to apologize to Nat, and Jake would be seeking us out, tail between his legs."

"Nat should be the one apologizing to her."

Grace's statement was so blunt and sharp that Bob feathered his jaw. And something in that quick movement made a thread in Grace's gentle heart snap.

She tore her hand from Bob's grip and shuffled away from him further down the log. She swallowed hard, refusing to turn back and look at him as she fiddled with a ring on her finger. When Bob went to follow, naturally reaching for her like it was second nature, she shuffled again.

"No," she mumbled lowly, shying away from his touch. Bob frowned, sliding closer once again, softly calling her name. But Grace only pushed herself up from the log, her fists balled and clenched tight. "No!"

She stomped forward a few steps, not wanting to leave the found safety of their little nook. Threading her fingers through her hair, she paced back and forth, trying to count her breath.

"Grace..."

She spun wildly, her eyes narrowing, her lips pressing into a thin line, and her jaw clenching. "Don't 'Grace' me," she gritted out behind her teeth.

Bob dropped his forehead into the palm of his hand, his elbow digging hard into his knee. "Don't..."

"Don't what, exactly?" she seethed. "Don't talk about 'it'?

Bob dug his nails into the denim of his jeans - enough to feel a pinch through the fabric on his thigh.

The laugh Grace let out was bitter, morphing into a harsh shout. "Come on, Bob! Cora and I might have been the last ones to join whatever fucked up friend group this is, but Nat couldn't give two shits about Maeve! And it's this unspoken thing nobody talks about. Why?!"

"Grace..."

"Don't!" she snapped, stomping her foot, making clumps of dirt fly out in all directions. "I don't care about some fucked up unspoken agreement! I care about Maeve! Don't tell me you don't, Robert?!"

Bob finally lifted his head, though he focused on the way they came, not once meeting his girlfriend's angry stare.

"Bob, so help me... If you say no..."

"You know I do!" he rushed out, shaking his head.

"Then why don't you fucking say something?!" she cried out. "Why doesn't anyone say something?! She's suffering, and nobody does anything!"

She didn't even know she was crying hot, angry tears until she felt one fall off her cheek, a slight cool breeze marking a path on her skin.

"I wanted to. I wanted to, so badly, the first time I noticed it. And you told me not to."

Bob did, and he always wondered if Grace resented him for it.

She sighed, wiping the tears from her face. She paced back and forth a little bit, trying to calm herself down. Because Bob didn't deserve her anger, it was unfair of her to even yell at him in the first place.

Instead, she walked up to the tree, pressing her forehead into the bark, once again trying to count her inhales and exhales.

"When Bradley told me about Nat when he was going to school, I thought she was just a phase. Whenever he called to talk to Dad, I just sat back and wondered. I wondered how long it would take and what the reason behind the break between those two would be."

Grace lifted her head, fixing her eyes on a ladybug climbing the trunk. "You could imagine my surprise when he brought her home for spring break."

She placed her hand on the wood, twisting back to look at her boyfriend. "I never told you this, but I didn't like her the second I met her."

Bob lifted his head to meet her gaze. "Why..?"

"Because she thought I was a threat. That I harboured a crush on Bradley, and I would steal him from her," she shrugged.

Bob's eyes shot up his skull. "... I mean, you two grew up together... did you... ever?"

Grace audibly gagged, adding a few choking noises for a dramatic effect. "He's like my brother, Bob. What the hell?"

He held his hands up in surrender. "I had to ask."

Grace didn't address the remark when she continued, "She treated me horribly that entire week. She sweet-talked my dad and only was nice to me when he was around. Thank God he saw right through her. The second he left, he said that Carole, Bradley's mom, wouldn't have approved. I agreed."

With a narrowed forehead, Bob's mouth gaped open, bobbing like a fish. "Wait... then why did she..."

"Why did she suddenly start inviting me to stuff? It's cause I was dating you. I was no longer a threat. And she acted like she had never done what she did in the first place."

While Bob might have met Grace through work, he was surprised to learn she had grown up with Bradley. How she acted around Bradley bore no resemblance to a long-lasting, familiar childhood friendship. However, the longer he thought about it, the more it made sense—her closed-off and quiet nature when she was around them.

That the first time they saw each other again, all Bradley could manage was a slight nod.

"Why didn't you tell me?"

Grace only offered causally, "You'd be surprised at all the stuff that doesn't require your input. Sometimes you gotta leave people to do the lame shit they do and watch them fuck it up on their own."

A ball formed in her throat. "But Maeve... when I met Maeve and saw what was happening, my heart broke. And she is the only exception to what I just said."

Bob knew what was coming next. Like a coward, he braced himself hard.

"You told me not to say anything when I first brought it up. But now? I can't keep doing it. Not after what she just did to them. Not after that."

"Grace... Don't..."

"Maeve is drowning, Bob! Drowning!" she shouted angrily, startling a nearby bird on a branch. "And I can't stand it any longer. We need to find her, grab her, and take her home. Take her away from all this. From Nat, from those two bitches... God, if they gaslight anything else, they could practically set the whole fucking forest on fire."

"You don't believe in swearing, Grace," he deadpanned.

"Maybe I do now!" she cried. "I feel guilty. Guilty Bob! Cause I bit my lip like a good girl when Nat just what? Uses her? Ignores her? Disregard her feelings? Like hell, why didn't she try harder to figure the fuck out why Jake and Meave are at each other's throats?! Or how those two bully the fuck out of her?"

"Maeve wouldn't tell us about Jake when we asked."

"And you don't find it strange she wouldn't?" she challenged him. "Out of everyone in the group, she didn't tell a soul. Why? Why didn't she? Why wouldn't she?!"

Grace's heart was hurting, and she knew Bob truly knew why. He had been around them longer than she had, so there must have been a reason he told her not to. There had to be.

"At first, I thought it was something everyone accepted, you know? That everyone was trying to figure out what had happened between her and Jake. I thought tensions were high because of that."

She blew out a shaky breath, Bob not once interrupting her.

"Maybe it was a fucking game they were playing with each other until they finally worked up the courage to admit they like each other enough to get into each other's pants. Cause whatever the cause, Maeve wouldn't be so goddamn hurt if she didn't care!"

Bob closed his eyes, a huff of a laugh escaping his mouth.

"But last to join the group, right? You have to be quiet. Read the room. Get a sense of how to act and what you can say. Cause learning to fit in with new people, you have to pick up these things. The best way to get along with everyone else. Like how Maeve runs the second Jake walks into the room? How she avoids conversations about him if she can help it?"

Grace blew a raspberry out of pure frustration. "Jake was never the real issue, though. Everyone just made it out to be. Everyone should have noticed how Maeve bit her tongue as Nat walked over her opinions. How Nat derails conversations, not just where Maeve is concerned, but practically with everyone to make it about her."

Grace laughed, shaking her head. "She got the brunt of all of it, and we just... watched."

Grace finally approached Bob, standing before him, though he didn't lift his head from where it hung low on his shoulders. Had he chosen to look up, he would have noticed how the sun finally peeked through the leaves, beams of light breaking the shade, leaving Grace in their spotlight.

"I meant, she invites us all on this trip so we can watch her get proposed to? And she doesn't bother to tell her that Jake is coming along, too? I mean... how selfish can she get?!"

"Grace, this isn't going to solve..."

"WHAT ELSE CAN I DO?!" she yelled, throwing her hands at the sky. "That ship left the fucking dock ages ago."

Bob's eyes fixed on a leaf stuck under a fallen branch at her words. Grace knew from that reaction alone that she had resonated with something within his kind, caring soul.

"I just... can't... I can't anymore, Bob. If I'm the first to take the leap and break up this group, then good fucking riddance. It needs to be done so we all can get some peace."

She slid to her knees in the dirt in front of him, her hands resting firmly on the sides of his thighs.

"How many years have Nat and Maeve known each other, and not once did Nat realize how hard her supposed best friend had been falling? How could she not recognize that, Bob? And how could she continue to force Jake and Maeve together when Maeve just wanted to escape?"

She reached forward to cup his cheek, guiding his gaze to meet hers. While silent rage resonated within them, Bob knew it wasn't meant for him.

"Why did you tell me to be quiet that first time I brought this up? Why do you still tell me, too?"

Bob gulped, forcing his eyes away. Grace stroked her thumb under his eye, encouraging him on. "I don't know what happened, baby, but I don't think it will be all sunshine and rainbows when we return to the group. Not this time. Just tell me, please."

Bob blew out a shakey breath and shook his head. "Because I wanted you to stay."

"Stay?"

He had contemplated all the reasons, stacking them up brick by brick last night, refusing to acknowledge the leverage Natasha could have used against him. But Bob had damned himself with that one word.

Stay—He wanted Grace to stay. Because if he brought this up, if he told her, there was a chance she wouldn't—at least, there was a possibility.

He lifted his chin, staring into her eyes.

Nat's so-called leverage was kneeling in front of him, begging him to tell her the truth. Her eyes were desperate, so much so that Bob knew he was possibly damned if he did and undoubtedly damned if he did not. Grace had chosen her path, and he would steadfastly follow her wherever she decided to go.

There was no ever questioning that.

Bob reached for her sides, pulling Grace close between his spread legs. She let him, hands landing softly on his biceps before they slid down to his forearms. Bob traded his grip on her jacket to hold her hands, only to trace the same pattern she had a few minutes before.

He braced himself and took several sharp breaths before asking, "Did anyone ever tell you about Natasha's so-called scandal? Back in school?"

Grace cocked an eyebrow. "Only what Maeve's told me. Bradley and I weren't on speaking terms, and he'd never tell Dad if she had one. Though, Maeve didn't even know the complete story."

She let Bob turn her hand over and trace the lines on the palm of her hand. "But she shut me down hard after that. Saying Nat worked to put it behind her and move on, so we all should, too."

Bob scoffed. "Always protecting her."

"Bob?"

Bob hesitated, his gaze flickering away from Grace's expectant eyes. He swallowed hard, the reluctance clear in his tight jaw. Then he closed his eyes, leaning over to whisper in her ear, his voice cautious but a whisper.

Grace's eyes widened, and a gasp slipped through her parted lips at his words. She could hardly breathe as he told her the story. And when he was finished, she tilted so far back on her heels in shock that she almost fell onto her butt.

"Bob! What the hell? After everything I just told you?!"

Bob still hadn't opened his eyes, his head hung low in shame.

"I would have never left you over that! Over complete and utter bullshit? Who do you think I'd believe more? Her or my boyfriend?"

"I didn't know. I didn't want to risk losing you."

"You listen here, Bob Floyd," Grace urged, grabbing his face with both hands and forcing him to look at her. "I'm in a relationship with you. I love you. I would have never believed her if she had done that to us."

He kissed the inside of Grace's wrist, a deep weight lifting off his chest.

"God, I want to throttle her."

"I think that's why everyone doesn't call her out. Cause they don't want it to happen to them. Or at least, deep down, I never did 'cause I didn't want Maeve or Bradley to be alone with..."

Grace nodded, letting Bob know he did not need to continue explaining.

"We should try to find her, Bob. Let her know we love her and that we'd follow her. I have no idea if anyone else would besides Mickey and Cora. Hell, I'd even offer to leave with her and get drunk on her Aunt's apple cider 'cause this whole damn trip was a bad idea."

Bob huffed a sad laugh. "It is apple picking season. I bet she'd love it if we went with her."

Grace snorted. "You just want free apples so I can make my apple crisp."

With the tension from before gone and the weight of Bob's chest finally disappearing with his confession, he joked comedically, "Ssshh, don't jinx it."

Grace rolled her eyes, letting the moment pass before offering quietly, "Where do you think she is? Maeve?"

Bob regarded her for a moment before letting out a long sigh. "Considering the lack of voices, Maeve's probably tried to separate herself. Or she made a rash decision and decided to leave alone."

Grace gasped. "What about Jake?"

"Jake ... I bet 50 bucks Jake ran after her regardless."

Her face contorted into one of disgust. "What? Why? Can he not leave her alone for once in his life?"

Bob stood, wiping his hands on his jeans, before extending a hand to Grace. She took it without another word and allowed him to guide her up and off the tree. He revealed yet another truth as he helped her step over the massive root.

"Remember when I went with Bradley and Jake before Maeve hurt her wrist? Jake wanted to show us a fishing spot...?"

Grace winced. When Bob told her what happened, she instantly regretted not being out there with her. Hold up in her tent, she had been working on plans for a museum exhibit. Even if she had to do a little work, she could have at least done it in the company of a friend.

"I found out Bradley's been trying to coach Jake into mending things with Maeve. We might have been giving him some... advice."

Grace froze with her two feet atop the curved piece of wood.

"What!!?" she shrieked, making Bob wince. "Please tell me you weren't the one who encouraged him to keep up the prank thing. Bob, if you told him to scream 'there's a Bear..'."

"It wasn't me! Nor was it Bradley! We just told him to try to talk to her without anyone around. Cause things seem to go to shit when everyone else is there. He just needed to incite her to stay. Make her laugh. Talk to her like a human being!"

"Men," she scoffed, jumping down off the root. "Never go to a group of idiots to do a woman's job."

Bob froze, eyeing her carefully. "Are you calling me an idiot?"

Grace smiled, reaching up to stroke across his cheek. She kissed his lips with a quick peck and leaned back. "Hmm... my idiot, though."

She took several steps back towards the falls when she called out over her shoulder to a befuddled Bob. "You realize if we locked them in a room or trapped them in an elevator, with nobody else around, they'd probably figure it out?"

"How so?" he called back, finally following her.

"Jake obviously wants to fix it. Maeve runs. All you need to do is stop her from running. She'll give in if you provoke her enough, which Jake already does. "

Bob paused, reflecting for a moment. "He doesn't think when it comes to her, does he?"

"Does she?"

When they emerged from the bush, Bob and Grace ran to the first person they saw, hoping at least someone saw either Maeve or Jake. Nobody had. Not until a few minutes later did a couple mention seeing someone bearing her resemblance climbing the waterfall. They also mentioned seeing someone who looked like Nat go up, but she had already come back down.

Grace stared at them in horror. "I'll go get Mickey and Cora," she rushed out quickly, leaving Bob alone to start the trek up the rocky slope. As he did, a million thoughts crossed his mind.

Finding Maeve and Jake tearing each other apart, hoping Mickey and Cora's skills weren't needed. Or the more stupidly optimistic thought - either was trying to find a few moments of peace.

As if.

Or perhaps it was none of those things. Maybe what awaited him above was something far worse than he could ever fathom.

But when he reached the top of the falls, neither Maeve nor Jake were there, and Bob didn't spare the effort to take in the view. Instead, he searched the ground, kneeling when he spied several tracks in the mud.

Two sets, both inherently female, were marked along the river bank in the mud. Bob's eyes followed them until he saw a separate path of them walking back. Then he noticed another pair of tracks, the boot tread clearly belonging to a man. They followed one of the other tracks, veering quickly off into the bushes. They were noticeably disturbed, leaves and branches bent unnaturally, and the longer he followed the underbrush and mud, the more he understood what happened. 

Bob set off, knowing just exactly where he needed to go.

Can I just say I love Bob and Grace?

Tag List:

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[sunshine-jesse]

Ashley Graves Did Something Wrong

TCOAL plays a lot of fun games with the ways it makes you perceive events. From the title screen itself, to various pieces of official art, it primes you to accept certain narratives surrounding the game. Namely, the one that Ashley is very not good. She is, in fact, very bad! And it's pretty easy to see why- many of her actions fit neatly into the mold of an abuser. She's controlling, she tries to deflect blame, gaslights Andrew into making him take the blame for things she pushed him to do to begin with, and harasses other women to ruin his relationships with them.

It's all so easy, and makes so much sense. Case closed.

Right? Well, no. But actually yes! But actually, it's not that simple.

Y'see, as I said, the game establishes this framing from the get-go. It introduces us to our, uh, heroes and tells us in no uncertain terms that Ashley is bad and Andrew is a non-entity. It sets this framing intentionally so that many players will engage in a little quirk of human psychology called…

Confirmation bias!

I'm sure we all know what that is, right? Well, for those who don't, it's when we start with a bias towards something- or an idea of how things SHOULD be- and view every piece of evidence as confirmation that said bias is correct. The game, very blatantly, does this with Ashley's actions by priming us to see them as part of an abuse dynamic, with her as the primary abuser. And, indeed, it's not too hard to dig into Andrew's behavior and figure out that he, too, is fucked up and awful and come to the conclusion that their relationship was mutually fucked up and abusive. I did that in my last two essays, so I won't cover that ground again here. With this, it's easy to think that they bring out the worst in each other and that any relationship they have would be toxic, fucked up, dark, and every other word or phrase that describes the same idea, whether it makes them happy or not.

… But what if I told you that this, too, was an intentional misdirection?

So. Let us, for a moment, completely remove the framing that their relationship is toxic. Let us remove the framing that their relationship is abnormal or aberrant. Let's even remove the framing that either one of them is responsible for the harm of the other. I'm not arguing that any of this is not the case. Please, for the love of god, do not think that I am, if only so you can take the rest of what I have to say seriously. What I'm doing is trying to examine the two of them free of as many preconceptions as I can, using nothing but textual evidence and inference to figure out why Andrew and Ashley treat each other the way they do.

I will later examine why they MIStreat each other too, but first comes the reasons they treat each other well.

I'm going to start with Andrew, because, despite being the more complex of the two, it's actually pretty easy to figure out why he treats Ashley the way he does based on what he says. Let's go all the way back to the earliest known incident between the two in the story, where the two of them were at their most, uh, "pure," for lack of a better word: The cupcake scene.

Leyley was supposedly a problem child. She was neglected by her parents, disliked by her friends, and had nobody else but Andrew to rely on. She got nothing- absolutely nothing- from anyone else. And so, Andrew decided to celebrate her birthday, by buying her the cupcakes she wanted, by giving her what she lacked from others. By providing for her, and taking care of her. All he wanted was to make her happy, more than anything else. And, as Nina learned the hard way, at the expense of everyone else.

He doesn't lack empathy, per se. Andy just loves Leyley more than he loves anyone else by such a wide margin that his desire to provide for her overrides his fear of consequences… until those consequences threaten to separate the two of them.

That is a very Gender Roles thing to do. More on that later.

So. Ashley. Everyone's favorite disaster. Why does she treat Andrew the way she does? What does she provide for him? Well, isn't it obvious? She, too, wants to provide for him. Remember, she wanted the lemon cupcake because she thought it's what HE wanted. She also does most of the chores around the house. She prepares food, cleans the house, and does their laundry. She also provides for his non-sexual physical needs by offering him comfort whenever he needs it. It makes her feel useful. Wanted. Needed.

Ah, another very Gender Roles thing to do. See where I'm going with this?

The two neatly fit into a standard husband/wife relationship in a lot of ways. It's THE platonic ideal of such a relationship, actually! They make each other happy and provide WHAT THEY THINK the other really wants. It's really cute and perfect! As long as you ignore all the bad.

ignore all the bad …ignore all the bad… But we obviously shouldn't ignore all the bad. That would be ridiculous.

What I want to do is, instead, examine where the bad comes from, and why it's there. With the abuser/abused dynamic in mind, it's pretty easy to come to the conclusion that a mutual desire for control and power over the other is the sole determining factor. It's arguably the Central Theme of the game, and maybe a big part of what Nemlei is trying to convey. But, like, why should it end there? Why should that be where the analysis ends? There's a reason for everything.

They don't want to control each other for its own sake. They don't want to control each other solely to cover their own insecurities.

So why?

Ashley, first. She's obviously an insecure little monster, having never received the validation that she needs to really come into her own as a person. She keeps seeking it. Keeps trying to provide for Andrew. Keeps trying to make herself useful. Now, let's look at her calls towards Julia:

"DO YOU THINK YOU'RE BETTER THAN ME!? Just because you can fuck him and I can't?"

Ah, wait, hold on a minute.

"You think that's love?! Are you fucking delusional?? Cumdumpsters like you are just that."

Where does that wording come from?

"He will never love you. Not like he loves me. I am the only one. I am everything."

She doesn't need validation just for the sake of her insecurities. She needs it because she needs Andrew to be happy, and in her mind, she's the only one who can provide it. She knows him better than anyone else. She can see how happy she seems to make him, and that nobody else can do what she does. She knows, beyond a shadow of a doubt, that she makes Andrew more comfortable than anyone. She knows how important physical affection is to him. She can feel it. She doesn't lack empathy towards his plight or feelings; she has more of it than anyone, actually!

But Andrew, crucially, never seems to provide her any validation for this, even though she knows better. That's why she's so insecure.

"But wait," you might say, "didn't he, literally, fucking kill for her?"

Yes. But he always tries to place the blame on Ashley or use her as a scapegoat, when he was the one who pulled the trigger. He never accepts even the smallest amount of responsibility. And if a man can't even take responsibility for the violence he inflicts on others, what does that say about him? What does it say about how much he actually cares? oh. more gender roles. huh.

In Ashley's mind, that validation isn't validation because he didn't do it to prove he cared about her. He did it to shut her up. And… he never says anything to the contrary. He refuses to. All his validation is depressingly, overbearingly conditional.

His words always come with a caveat. They're always said in spite of something. They lack warmth. They lack kindness. They lack affection. She is never, ever given a key to lock the door to her insecurities…

…even though Andrew obviously has that key. He just refuses to give it to her.

But why?

Society! :D

There is something so fundamentally, obviously wrong with the way Andrew feels towards Ashley. She is a tar soul. A pariah. So horrid that her parents don't want her, so obviously bad that even demons don't want her. And yet Andrew, in spite of everything, still wants her. He wants to take care of her, when society tells him not to bother. He wants to protect her from other men, and even from herself. It manifests as jealousy because…

He, too, thinks the only one qualified to provide for Ashley is himself, because he was the only one who ever had. Violence comes so naturally to him that he takes it for granted. He kills for her, threatens to physically assault her when he thinks she's putting herself in danger.

It's so second nature to him that he thinks it should obviously be enough. But it isn't. His violence is so second nature as to be passive. It's non-committal. And what Ashley wants is committment.

But because of how society views Ashley, and how the world would view a romantic relationship between them, he can't truly commit to her. He can't give her the validation she really needs, because everything and everyone has told him that it's wrong. That she's wrong. And all his parents ever taught him is to be afraid of how others will react to that wrongness.

hey look, a man fearing the commitment a woman wants from him! more gender stereotypes!! I wonder what this game is trying to say!!!

Maybe I'm crazy or something. Maybe I'm just looking into it too deep. But I don't really care. I don't care if this is the intended reading, and neither should you. The fact of the matter is that most of the things that define them as toxic are not their fault. Most of the reasons they mistreat each other come from without, rather than within. The only reason they can't love each other is because the world tells them not to. Because it expects them to fill certain roles, to be certain people.

But Ashley can only ever be herself.

Maybe someone who's an actual expert on this subject matter could weigh in and give a true feminist reading. But me? I'm just here to point out patterns. I'm just here to point out facts. And one of those facts is that, to the world around her, Ashley did something wrong: She was born.

The Steam reviews of this game are fucking funny, but a lot of them say one thing that couldn't be further from the truth:

"I can fix her!"

No, you can't. She's only 'broken' in the context of her environment.

But in the words of another analyst:

It's madness to expect tar to behave like water.

So cut them some slack! They might finally succeed in a world that wanted nothing more than for them to fail. It's not our right to take that away from them.

[m3gal3sbian]

ok adding to my tdwt alenoah ex situationship au

so, it all starts when noah meets alejandro during his run on total drama dirtbags. noah is still an assistant and alejandro is just like The Worst, but he's kinda nice to noah and noah is like. weird but ok.

alejandro chats him up before and during filming, noah just tries to be polite before he actually finds himself really enjoying talking to him.

they start hanging out a lot more, off set, on set, they share looks in the middle of filming when alejandro is on camera and makes a particularly fun joke or when another cast member says something stupid.

it's still the middle of filming, albeit neither of them are on camera, when they sneak off to a beach off set and share their first kiss.

it's like super uber romantic and noah is like omg. okay. work. lets try and be normal about this.

alejandro however is like internally freaking the fuck out. mans is like holyyyy yfuckckckkk i ruined everything even though everything is literally fine. but he's dealing with some shit so he's just a mess despite how much he actually likes this guy.

so they keep sneaking off together and making out n stuff but alejandro starts acting super weird. noah notices that he's starting to treat him kinda like everyone else and is closing himself off, so he obviously has to talk to him about it.

it goes horribly. the last day on set, noah confronts alejandro about it and alejandro doesnt rlly know what to say so he's like uhhhh i didnt like you that much anyway/you were clingy/we arent even dating, and noah is like FUCK this guy im leaving. and they both go their separate ways thinking they'll never see each other again.

too bad, chris mclean says, as he offers noah a shit ton of money to join total drama world tour.

and, obviously, noah is in no position to refuse the money, especially with his younger sisters needing to go to college not to mention the work chris put in negotiating his pay.

noah already knows who is finalized for the cast, now including himself.

so, he finds himself in a position where he not only has to deal with his ex situationship on a daily basis, but he has to work with him on the SAME TEAM.

alejandro doesn't know that noah was on season one, much less he's joining world tour, so he see's noah on the bus and is like FUCKKKKK!!!! literally he's like oh my god the love of my life i fucked up so bad i need him back RIGHT NOW

so he makes it his mission to win back noah, but he's still playing the game, so it's like a disaster of alejandro trying to play the game and play people but also trying to be honest with noah and get him to trust him again.

and noah doesn't really know what to believe, plus, he's still super mad. so he kinda just watches alejandro be stupid and then makes fun of him while his heart is beating super fast bc he likes that dork so much.

basically they're just disaster gays and are STUPID!!!