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so that new toh pilot leak thing huh?
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Im so normal about this yall.
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its great that the top 3 contenders for the title of Mob's best friend are 1) an evil ghost who wants to become god by brainwashing people into joining his cult and who seemingly cannot resist doing a sick backflip whenever he gets to possess Mob's body, 2) the school's resident weirdgirl who's met real telepaths and aliens and whose preferred method of exorcism is to bludgeon ghosts with a bag of rock salt, and 3) mister popular from the next school over who thinks fighting terrorists is a cool & fun afterschool activity and whose personal style sense could most kindly be described as "baby's first drag race"
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Tim with his hands on his hips while talking to his big brothers.
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Thirteen fanart I made for Supanova last weekend!!!
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“You are worthy of so much, angel.”
“My dear-!”
Oopsie Omens still having my whole heart so I bring a Jophiel forehead kiss to the table. This was supposed to stay a sketch but I got carried away…
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Oopsie Omens my @asleepyy
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Yo so it’s April 27 you know what that means. Happy Death Day, Jason Todd
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link
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If brokenness is a form of art, I must be a poster child prodigy
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gotham nights
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So in my class we name our glue sticks to stop the kids losing or mistreating them - they're much less likely to lose a glue lid if you're shouting "oh no, Alfred's been decapitated". It's fun.
Now, I'm a big batfam girlie ✨ so naturally I named all our glues after these characters. We have Richard and Bruce and Stephanie and Barbara etc. you see the point.
Recently, the first glue stick ran out. It had to go in the bin so unfortunately it "died", and you'll never guess which glue stick was the first to die...
It was Jason.
You could not conceive the sound I made as I had to throw Jason in the bin as all the children shouted things like "Jason's dead" and "noooo Jason!"
Worst things worse, I couldn't even explain how ironic that was that Jason, the second robin, was the first glue to go!
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One thing that really gets me about the opening with angel Crowley is that he's not just excited by how beautiful his stars are, or how fun the process of creation is, or how impressed he's made Aziraphale. He’s not in it for the glory or the aesthetics. He’s actually horrified by the idea that the universe will just be "fancy wallpaper" in the future, even though Aziraphale assures him that humans will "marvel" at his creations.
What Crowley loves about his stars is their potential. He is building, essentially, a nursery. Most of the universe's stars, he explains to Aziraphale, will come pre-aged--but his are just starting out! After they're given time to grow, who knows what could happen! Good or bad, black holes or new constellations—there are so many possible futures ahead of them, and Crowley can’t wait to see what happens.
And then Aziraphale tells him that he knows what will happen: those stars will never grow up. They will never shine or burn out or implode or become anything new. They’ll be destroyed before they get the chance.
"You can't kill kids."
“Whose side are you on?” “God’s, of course!” “Same God that wants me to whack the kids?”
"People die." "They do, don't they?"
“Great pustulant mangled bollocks to the Great blasted Plan!”
"Don't test them to destruction."
"It's always too late."
"Nothing lasts forever." "No, I don't suppose it does."
This fear has been chasing Crowley since before the beginning. It’s what caused his first doubts, put the first traces of gray in his wings. He’s been raging at the futility of watching beautiful, complex things be damned or destroyed for his entire existence, and that’s why he seems to the audience and to Aziraphale to be a mess of contradictions.
He loves to follow the trends of the times, but he clings to his classic car in an era of planned obsolescence for vehicles. He lives in an ultra-modern flat, but finds his greatest comfort in the unchanging security of aziraphale’s old shop. He hates the idea of killing children, but is willing to see a child die if it preserves the rest of the universe and foils the Great Plan. He “goes too fast,” but his most unique and notable power is that he’s learned to stop time.
Crowley hates predestination. He hates divine intervention and the removal of agency. Crowley, the architect of free will, is constantly torn between his love of change and choice and potential and his terror that everything will be destroyed by an unstoppable, incomprehensible higher power. That’s his driving conflict in the way that Aziraphale’s is learning to find his own path without following Heaven’s rules, and I am fascinated to see how it resolves.
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I think Dick is 13-ish when he meets Bruce in this AU.
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batdad speedrun: everything is a riddle now
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AU where battinson gets a bunch of robins at once is back :)
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What I love about Mob Psycho 100 about how we have a kind-hearted protagonist but he is still very human and flawed. And it is meant to scare you and throw you of guard but never is it framed as a moral failing.
He is crushed when he is confronted with betraying his moral by killing in order to save those he loves and listening to his master and running away.
And Mob did hurt people with his powers, intentionally, even when we already knew that he was taught NOT to do that and he very adamant about not to use his powers in order to hurt people! But instead of being angry or reprimanding, Reigen is pissed at the Claw members who cornered him so much that he felt like he HAD to, that there was no other way.
There are a few times where Mob is on the very edge of 'Murderous Intent' and it is other people who pull him out of it.
And they do it because they know how much ot would hurt Mob in the end. Because Mob is a good person! Even when he has these moments!
Mogami's trap did take affect on him, he was pushed beyond the limits and he wanted to cause pain because these people have done nothing but hurt him even though he didn't do anything. And he doesn't understand why people are so cruel without any reason.
Mob was not above Mogami, Mogami's plan had succeeded. And Dimple just takes it in as casual as possible. He quickly realises that this is not the real world, that he isn't alone. But it still allowed him to gain a new view on life.
Mob felt ecstatic and fueled by his powers, how strong they made him feel for a hot second during his fight with Toichiro. Until he sees how scared Ritsu is and he gets thrown back to That Day™
Mob is allowed to not be perfect, this icon of purity how you should always be kind AND pacifistic. Not that he doesn't believe that, but he isn't unwilling to bend if the situation really calls for it. It makes him human and all the more relatable in return
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If you read The Art of War, there are so many elements regarding deception and preparation that very neatly tie in (along with some of Machiavelli's warnings) with the actions Jason ended up taking when he returned to Gotham.
But I've always wondered if Jason was amused when he found the line: "Regard your soldiers as your children, and they will follow you into the deepest valleys; look upon them as your own beloved sons, and they will stand by you even unto death."
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In case you mean the uncut vs. censored version: it doesn't matter. If you have only seen one, it counts as having seen the movie
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