I HAVE BRAIN POWER BUT MY BRAIN POWER HAS ADHD AND MY ADHD IS NOT LETTING ME WRITE but I might tbh if I come up with a good plot
I kind of want to see a hero and villain trope/story where the villain shows up at the hero's doorstep, clearly upset, and the hero's just like, "come on in, spill."
And then they get the villain's perspective, comfort them, worm their way into their heart, so the villain actually explains their reasoning for doing what they do.
But the hero doesn't change the villain's perspective, they try their best to understand it, and use their ties to whatever sources they have in the story (government, hero headquarters, etc) to fix that problem for the villain. Bonus points in it doesn't get fixed right away, so the hero's like, "either we fix it, or I'm blackmailing you."
And the hero still never stops being a hero, never changes their sides or morals, they just save the world by being emotionally mature, empathetic, and strategic.
Things Tessa would have loved doing if Cyn hadn’t freaking killed her:
Uzi in general.
Finding out that N and Uzi are dating.
Telling embarrassing stories about N in front of Uzi.
Stealing clothes and hair from all the skeletons on Copper 9 to play dress up with the drones.
N being tall enough to carry her on her shoulders.
Riding V’s pet sentinel. (She’d definitely call it a dingo)
Telling everyone V used to wear glasses and embarrassing her.
Watching horror movies with N, V, Uzi, and J.
Forcing J to be friends with the others against her will.
Being Uzi’s “I’ll help you bury a body and not ask questions” friend.
Going to drone prom and tearing up the dance floor.
Just… just finally being able to be her weird self without fear of judgement and having friends as creepy and strange as she was and… THIS GIRL DESERVED TO LIVE, DAMNIT!
I kind of want to see a hero and villain trope/story where the villain shows up at the hero's doorstep, clearly upset, and the hero's just like, "come on in, spill."
And then they get the villain's perspective, comfort them, worm their way into their heart, so the villain actually explains their reasoning for doing what they do.
But the hero doesn't change the villain's perspective, they try their best to understand it, and use their ties to whatever sources they have in the story (government, hero headquarters, etc) to fix that problem for the villain. Bonus points in it doesn't get fixed right away, so the hero's like, "either we fix it, or I'm blackmailing you."
And the hero still never stops being a hero, never changes their sides or morals, they just save the world by being emotionally mature, empathetic, and strategic.
No, I am putting them through the most traumatic experiences to process the fact that those experiences happened to me. There's a difference no there isn't
i swear all writers are mentally ill. y'all keep putting your "beloved" characters through the most traumatic experiences ever just to feel something.
"How do you write such realistic dialogue-" I TALK TO MYSELF. I TALK TO MYSELF AND I PRETEND I AM THE ONE SAYING THE LINE. LIKE SANITY IS SLOWLY SLIPPING FROM BETWEEN MY FINGERS WITH EVERY MEASLY WORD THEY TYPE OUT. THAT IS HOW.
"Tommy jumped over warped branches. Unusually green grass for the Nether rustled under his feet. Everything around him was quiet, the ambient sounds that sounded like the call of the void eerily hung in the air, wrapping the forest in a blanket. For the Nether, the forest felt unusually cold. Though, that feeling didn’t quite describe the actual temperature of the place, but more its atmosphere. As though the forest was supposed to be cold and might even send shivers down your spine despite there being lava right beneath them. The flakes from the trees around him flew up and down, circled and floated, disobeying the laws of physics in every way possible. Or, perhaps, they obeyed every single one. Just, not for the Overworld."
-small piece from the upcoming "Temple of Fire," sequel to "Tomb of Fire" by InitialCellar