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library-of-vanity · 3 years
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#shelfiesunday
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Women Who Suck: 15 Lesbian Vampire Films
I spent my pride month watching women suck. Blood, that is! Are you ready for the gore and glamour of the queer lady vampire?
The queer vampire has a long, rich history in literature and film, and today we’re exploring fifteen lesbian vampire movies that will make your spines tingle with fear and delight. This list is by no means comprehensive–there are so many vampire films with lesbian themes or sapphic undertones–but but this list will hopefully serve as a starting point for the vampire newbie, or a supplement for the lesbian vampire enthusiast.
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library-of-vanity · 3 years
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portrait of a lady on fire (2019, dir. céline sciamma)
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“The Tenant of Wildfell Hall”
Inspired in the novel by Anne Brontë.
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Audre Lorde in her home study, Staten Island, N.Y., by Joan E. Biren.
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Julie Delpy in BUT I’M A CHEERLEADER, 1999 dir. Jamie Babbit.
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20th Century Women (2016) dir. Mike Mills
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“Nothing beats the silence in a library.” Munich’s Municipal Law Library, built between 1867 and 1908 by Georg von Hauberrisser in a Gothic Revival architecture style. Photo by Raresh
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2021 Pride Month Celebration [5/30 LGBT+ Characters] Eve Polastri “God, it’s amazing how efficient things are when you’re a dick to people?
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Vampyres (1974; dir. José Ramón Larraz)
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Vampyres (1974); dir. José Ramón Larraz
Beautiful gothic erotic horror from the 1970′s. 
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library-of-vanity · 3 years
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can I skip to the part where I live in a Victorian castle, own a secret library and keep meeting new people?
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Monday mornings are literally the hardest and I don't want to deal with any responsibilities whatsoever, but we got this 😤
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Reblog if it’s okay to befriend you, ask questions, ask for advice, rant, vent, let something off your chest, or just have a nice chat.
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“Well, the Gothic can be conducive to suppressed voices emerging, like in a haunted house. At its core, the Gothic drama is fundamentally about voiceless things—the dead, the past, the marginalized—gaining voices that cannot be ignored.”
— Carmen Maria Machado, interviewed by Theodore McCombs for Electric Literature (x)
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