martinipols

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Exciting reunion

The #23 Edition of the Tenkaichi Budokai is about to began!

| Patreon | Discord Server |

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I drew this after watching a gruncle stan edit to a sir mix a lot song

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You see I too often sat in school classes and thought “when am I ever going to need this, I’m never going to be an engineer, I’m never gonna be a scientist, I’m never gonna be a linguist” and then I grew up and it turns out a lot of bigots and cults and scams and grifts hinge their entire business model on you just. Not knowing what a protein is or some shit

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c0mm for sappydonut on twitter!

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Superman is on his way but for now Bruce has joined his family

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In an effort to modernize the principles and empirical procedures of examining phenomena and advancing humanity’s collective knowledge, the International Council for Science announced Thursday the addition of a “Seek Funding” step to the scientific method. “After making an observation and forming a hypothesis as usual, the new third step of the scientific method will now require researchers to embark upon an exhaustive search for corporate or government financing,” said the group’s president, Gordon McBean, adding that the new stage of the process, which will be implemented across every scientific discipline, also entails compiling and forwarding grant proposals to hundreds of highly competitive funding sources.

Full Story

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You better call Bucky with the good hair.

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XKCD’s excellent presentation on historical global temperature and anthropogenic global warming. 

[After setting your car on fire] “Listen, your car’s temperature has changed before.”

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this is by far my favorite safety/warning sign btw. they really went off with this one

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Previous polls have already established that a lot of tumblr users don't want children. This poll asks why.

"body is theoretically capable of bearing children" = you have the body parts required to be pregnant. If you've had a procedure that removes the ability to get pregnant (e.g. tubal ligation, hysterectomy, etc), vote as you would have if you had not had that. If you have other conditions that make you unable to carry a pregnancy, use your best judgement to decide how to vote.

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We ask your questions anonymously so you don’t have to! Submissions are open on the 1st and 15th of the month.

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for anyone in the UK, needing to access discord and unable or unwilling to provide an ID:

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STOP assigning pre-modern characters the trait “would commit tax fraud” without understanding how hard tax fraud was back in the days when a tax collector would physically come to your estate and assess your sitch. Do you have any idea how easy kids these days have it? You can just claim a few fake deductions or lie on a form and be a tax criminal. Your ancestors and fantasy faves had to work for those pennies.

Look at this house. This house has no mortar so it can be collapsed or moved to avoid taxation. That’s the sort of innovation I need to be seeing before you can call anyone in a feudal society a tax fraudster. They need to be hiding warehouses of goods, shoving grandpa in the basement to dodge the censusman, starting small regional wars, fleeing their villages in a constant semi-nomadic race against the forces of government, registering twins as a single child, or putting their life on the line to sell blackmarket bread. Come back when you have some tax fraud I can respect, not just a guy who looks kind of sleazy and sometimes does paperwork.

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Thanks, Anon!

-submit your poll!-

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The Matriarch Isn’t the Villain. She’s the Mirror

I often hear a discourse where Celine in K-pop Demon Hunters, Alma in Encanto and Ming in Turning Red are seen as vilains. They’re the ones who restricted the younger generation, hurt them, and are ultimately responsible for their pain, trauma and self-doubt. They’re framed as the real villains of the story. But I’d like to differ.

These are stories of intergenerational trauma. They are women who survived, repressed, and tried to protect their families the only way they knew how: through control, perfectionism, and emotional suppression.

And yet, when the next generation begins to reclaim joy, freedom, softness — they become the obstacle. Not because they’re bad people, but because they’re scarred. Their minds cling to survival strategies, unable to recognize that the environment has changed.

Alma is still stuck fleeing the colonizers.

Ming is still afraid of her true self.

Celine believes that fear and mistakes must be hidden.

It’s not about hating these characters. It’s about how unprocessed trauma twists love into control. How survival, unexamined, turns into rigidity. These women were never given space to process their own pain and they project it onto their daughters and granddaughters.

And here’s something we rarely say enough: intergenerational trauma can create toxic patterns but that doesn’t always mean there was abuse or conscious harm. Even when their love becomes suffocating or controlling, these women are not necessarily “abusive parents.” They are daughters of silence, fear, and sacrifice. And they were never taught another way. It’s important to make that distinction, especially in a world that often pushes a binary, punitive reading of family dynamics.

They’re the product of a generation that was told to endure. But endurance without healing becomes its own kind of violence.

What’s powerful in these stories is that they don’t end in vengeance. They end in confrontation and transformation. The confrontation is necessary: the younger generation refuses the silence. Refuses the shame. Refuses to carry a burden that wasn’t theirs to begin with.

The house is destroyed in Encanto.

Mei accepts her full self.

So does Rumi.

And in the best cases, this confrontation allows the elder to soften too. Alma opens up. Ming listens. And I’m hoping in the sequel, Celine will open too.

Maybe that’s also why these stories speak so deeply to POC audiences. These aren’t stories about cutting ties. They’re stories about how hard it is to transform them, to protect ancestral bonds while refusing to perpetuate inherited pain. In many racialized families, collectivity, loyalty, and intergenerational duty are sacred... even when they come at the cost of personal boundaries.

And sometimes, Western individualist frameworks read these tensions as dysfunction or villainy. But for us, they’re just the difficult truth of growing up and trying to do better.

These women aren’t villains. That would be too easy. They embody the fragile, necessary work of bringing change without breaking the thread. These stories are about refusing to inherit their pain without reflection. Because love, without accountability, is not enough.

These stories show us that each generation has something to learn from the next. And the new generation must also break free from the chains they inherited while preserving what is meaningfull.

But it’s not just their story.

One day, we’ll be the older generation.

And we’ll need to be humble enough to learn from the ones after us.

So don’t be a fool.

We may be Mei, Rumi, or Mirabel today.

But tomorrow, we could be Ming, Celine, or Alma.

And when that time comes, we’ll realize how hard it is to unlearn what once kept us safe.

So let’s have compassion for all these characters.

Because these stories show us not just how the cycle of generations works, but how it can make us better, stronger, and more connected... if we’re all willing to go through the change.

∘₊✧──────✧──────✧₊∘

If you’re curious, I’ve written more on K-pop Demon Hunters:

A post on the mental health themes woven through the songs — right here.

A breakdown of Celine-Rumi in comparaison to Gothel–Rapunzel dynamic — here.

An analysis about Rumi, Jinu, and the danger of sinking together — here.

Some book recs for each of the K-pop Demon Hunters characters — here.

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Drowning in blue