#&& peter

[stillgotscars]

you guys… “don’t read the last page, but i stay / when you’re lost, and i’m scared, and you’re turning away” -> “there was nowhere for me to stay, but i stayed anyway” -> “and you say i abandoned the ship / but i was going down with it / my white-knuckle dying grip / holding tight to your quiet resentment” -> “forgive me, peter, please know that i tried to hold on to the days when you were mine”… thinking many thoughts

[noturlondonboy]

(Out on a mission)

Kate: Yelena, were you able to pick up my scattered arrows on your way up?

Yelena: yep, here they are detka

Kate: thank you my love 🥰

Yelena: *smiles and kisses her softly* always, milaya

Natasha, over the coms: you guys are gross. You know we can all hear you right?

Yelena: might I remind you of the “conversation” with Wanda we all overheard last week?

Natasha:

Yelena: that’s what I thought. *kisses Kate again*

Bonus:

Peter: yeah Nat that scarred me what the hell

[thisisustrying]

I hate it here so I will go to lunar valleys in my mind

t.s. + the motif of space

[piecesintoplaces]

forgive me, peter, my lost fearless leader.

[reputayswift]

THE TORTURED POETS DEPARTMENT + literary references (part 1)

(sources: cassandra, who's afraid of little old me, peter, the prophecy)

[evermoredeluxe]

in peter, taylor spends the song talking about how she thought if she would just wait, the goddess of timing would fix things up and their time would come. he would grow up and come back to her, he would keep his promise of dealing with his shit and being there for her. in so much of her previous work, she talks about how he knew her so well, and now she is wondering if he can still read her. he was high above everything and could see the whole forest (her and her life) for what it was, but now he is so far high above that he can’t see it (her and their relationship) anymore while she’s still in the thick of it alone. they’re in the same difficult time, but their minds are working differently. same page, but on different lines.

she sings how she was fine with letting the lamp burn and waiting, she didn’t wanna come down, she kept her hope up, and she was okay with him being absent because she thought they’d gain perspective when he came back and it would’ve made their love better and it’d be worth it. but then she just realized that she doesn’t want that. she doesn’t wanna be betty, waiting 20 years of her life, thinking if he’ll ever be there. she wants more and she wants better. in their time together, he never grew up, so now she’s turning out the light and leaving.

[ourstaturestouchtheskies]

Illustration from The Adventures of Peter Pan – Alice Bolingbroke Woodward // Wendy – Maisie Peters // cardigan – Taylor Swift // Peter – Taylor Swift

[iwachu]

Work night - YBG comic

Heyyy hi there, long time no see haha (geez I've been inactive for a long time sorry ;;;;)

Apparently I hadn't adapted very well to tumblr and I left it for a while to do other things, but when I wanted to make this comic I was looking for a good medium to publish it and that the quality wouldn't be affected. It was then that I remembered that I had a Tumblr account and well---- when I logged in I was surprised by the amount of reactions that my first and only publication had. I literally almost fell off my chair haha, I can't believe I had so much support. Seriously thank you so much to the people who liked my art and decided to follow me ;;;;A;;;. Sorry to leave you with a blog full of cobwebs.😔 But well, here I come back to show one of my comics of this beloved golf ball head.💙 I might use this tumblr to upload only comics or something like that, it will depend if people are still looking for more of this interesting character hehe or who knows. Anyway I hope you like it and enjoy the comic ✨

[hope-ur-ok]

this is one of my top 3 for ttpd

EDIT: Should be fixed

[stillgotscars]

peter - taylor swift

[noturlondonboy]

Kate: 28, 29, 30! Ready or not, here I come!

Yelena, distantly: I am not ready yet Kate Bishop!

Kate, yelling back: babe please that’s not how hide-n-seek works

Peter, distantly in a different direction: cmon let’s just play

Yelena: I am not. Ready!

Kate:

Kate: Yelena are you trying to fit in the laundry chute again?

Yelena: …maybe

[midnightsslut]

religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.

taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.

the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.

when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.

side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?

the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.

the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.

ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.

[sleipliir]

Goth boy on WORLD GOTH DAY! 😘🖤🖤🖤

[illustratus]

Jesus Praying in the Garden by Gustave Doré

[letraspal]

Forgive me, Peter

My lost fearless leader

In closets like cedar

Preserved from when we were just kids

Is it somethin' I did?