#/ very dysfunctional groups of people

[biggest-gaudiest-patronuses]

anyone else have multiple traumatic memories associated specifically with holidays/family vacations? because that is a topic I never see discussed in all the So You Had A Shitty Childhood, Now What? self-help books i've been reading. but for me, it was a significant thing. and the more i think about it the more it seems like this would be an (unfortunately) common experience. would be grateful to hear if this matches other peoples' experiences...

[astarab1aze]

Viresca's Family

     Her family has no clear origin, as her grandmother has kept many a secret, often quickly hand-waving any questions about family heritage, tradition, and bloodline with simple, uninteresting, and ultimately unhelpful answers; "I don't remember," or, "I don't know," or "What family?" 

     Her parents were never around long enough for her curiosity to get the better of her, unlike with her grandmother, and the truth was never revealed; Mandragora is her paternal grandmother's maiden name, but her grandfather is an unknown variable of equally unknown lineage. Perhaps she is somehow a distant relative of Enfurious Night himself? Or, perhaps she should be grateful the truth is obscured. About all she's been able to uncover is a faint, broken whisper in her grandmother's sleep, "A lesser man... Snake-charmer... (your) putridity knows no bounds..." 

     Presumably, Grandma hates Grandpa, and he appears to have been a 'snake-charmer'. Perhaps, one day, she'll discover the meaning behind that.

     As an aside, both the Blackwoods and the Mandragoras are made up of idiots of varying degrees. Petty, selfish, pointlessly squabbling, closed-minded, impatient idiots. The few with any hope are of the younger generations, from Veldora to Viresca and every Mandragora in between. The same cannot really be said for the Blackwoods, as Lutesce had perished horribly, taking much familial confidence with her. Both families have been fractured since the deaths of Lutesce and Agrivayne, though there are some who keep working toward restoring their respective families - this ideal has been more or less a staple in the recent three generations. Viresca has also adopted this goal for herself (among some other, expressly naive ones).

Paternal Family

Great-Grandmother, Viscera Lorraine Morgana**  & Great-Grandfather, Morvayne Athur Mandragora (both deceased)

Great-Aunt, Gliona Mandragora & Great-Uncle, Will Wildewood (deceased)

2nd Cousin, Rivyn Wildewood (deceased?)

2nd Cousin, Regulus Wildewood (deceased)

Great-Uncle, Gawain Mandragora 

Great-Uncle, Vrain Mandragora & Aunt, Caoimhe Murphy (divorced)

2nd Cousin, Veldora Murphy 

2nd Cousin, Calliope Boone (married)

Grandmother, Gwyndolin Mandragora & Grandfather, Unknown (divorced)

Aunt, Vanessa Mandragora & Aunt, Ophelia Winterburn (married)

1st Cousin, Victoria Winterburn (adopted)

1st Cousin, Vicente Winterburn (adopted)

1st Cousin, Sinistyria Mandragora

Uncle, Morteatum Mandragora & Aunt, Andromeda Flynn (married)

1st Cousin, Vera Leanashe Mandragora-Flynn

1st Cousin, Valkyrie Mandragora-Flynn

1st Cousin, Valravn Evander Mandragora-Flynn

Father, Agrivayne Mandragora & Mother, Lutesce Blackwood (deceased)

Herself, Viresca Mandragora

**Viscera Morgana, her great-grandmother, is distantly related to Sortia Morgana; An insignificant detail, truly, but something to keep in mind, as this means she's technically, very distantly, both Sortia and Furie's cousin.

     It was once in utter disarray: A family of ‘pruned leaves’ - those of impure familial blood. Many of its members believed strongly in keeping pure bloodlines, but due to extenuating circumstances, were cut off from those of purest pedigree and promptly disgraced. Ultimately, this proved a blessing in disguise, as the larger the family grew, the more… open-minded they became. Viscera Mandragora was the last of the truly ardent status obsessives, where others have come to a less frustratingly fixed disposition. Most who have anything to say about its either don’t care about it, no longer care about it, or have adopted a ‘keep with yours, I’ll keep with mine’ attitude and do not talk about it openly.

     Some members of the family are more or less disowned for one reason or another. In the case of Corvinus, it is entirely because he’s a liar, supposed “relative” of Enfurious, and a criminal of grave degree. Unfortunately, due to certain uncharacteristic discriminatory attitudes, Vanessa was disowned when she married Ophelia Winterburn; Her children, however, are in contact with Valkyrie, Valravn, and Viresca. Gawain is also disowned by the family at large, having been heavily invested in practicing forbidden Necrosis and openly. The overall logic is not evenly applied to all, as Viscera was not disowned and instead… tolerated, until her death, despite the severity of her beliefs. The same can be said for Vera, who is both harsh in her stance on status and a secretive practitioner of forbidden Necrosis herself, much to the dismay of her siblings.

     In a few ways, the Mandragora family is of course related to other well-known and respected or afeared families in ridiculously convoluted, vexing, and strange ways. It’s unclear where the line begins or ends, but there are outliers and secrets that ought to be considered. For example, Corvinus Sanguis, who is so shrouded in mystery and countless lies, there simply can be no way to verify his lineage. It could never be seen as a mark of pride to be related to Enfurious, if the liar is to be believed, as there are too few Mandragoras who espouse his beliefs anymore. Shunned by families and peoples they once belonged, spite is largely the reason - and a pinch of heart.

     As a family, they have worked hard to more or less earn their way back into a respectable light by ‘collecting’ talents over the years. For example, Viscera was a multishifter; Morvayne was a transformative Memoria (multishifting memory-eraser, basically); Gwyndolin, Gliona, Vanessa, Vera, Valkyrie, and Sinistyria were or are multishifters, and a good handful of them were or are talented in the handling of both beasts and alchemy/herbalism (though a couple chose to focus on one over the other). Valravn is purely an herbalist, where Vicente pursued Memorian talents, and Veldora went after alchemical mastery. The list goes on. It should be noted that Agrivayne kept secret his natural ability (without specialization) to speak to most animals, not knowing where it came from, but had gone on to become a multishifter and carer of beasts alongside his wife Lutesce.

     In an effort to emulate the Mandragora family’s talents and fulfill its expectations, Viresca has endeavored to discover, learn, and fine-tune her abilities in herbology, beast care, and become an animagus; This effort will extend to other magical subjects and talents as she moves forward in life. All of this is so that she may become a highly valued sorcier, following in her parents’ footsteps, and put a stop to the cruelty of any poachers she may come across. Additionally, she is unafraid of employing what forbidden magic she knows, not unlike the great-grandmother she was named for…

Maternal Family

Great-Great-Uncle, Apollyon Blackwood (missing / presumed deceased)

Great-Great-Uncle, Nicodemus Vaude Blackwood (deceased) & Unknown Women 

3rd Cousin, Nicholas Vale 

3rd Cousin, Niamh Narroway (deceased)

3rd Cousin, Marina Wycombe

Great-Grandmother, Lamia Sylvia Blackwood & Great-Grandfather, Thaumas Blackwood (deceased)

Great-Aunt, Lydia Wright & Great-Uncle, Percy Wright (married)

2nd Cousin, Magnus Wright

2nd Cousin, Letty Wright

Grandmother, Lacuna Grace Blackwood & Grandfather, Virgil Blackwood

Aunt, Lyssa Bernice Blackwood

Aunt, Lorraine Patrice Wheating & Uncle, Harold Wheating

1st Cousin, Jareth Wheating

1st Cousin, Jeannie Wheating

Uncle, Lynceus Blackwood & Aunt, Bella Fleur-Blackwood

1st Cousin, Blake Blackwood

1st Cousin, Lisette Blackwood

1st Cousin, Eleanora Fleur-Blackwood

Mother, Lutesce Mandragora & Father, Agrivayne Mandragora (deceased)

Herself, Viresca Mandragora

     The Blackwood family is a ‘pruned branch’ and thusly distant branch of the Night family that was cut away hundreds upon hundreds of years ago and is so far removed from them that they are considered their own house, and all records proving such relations are either lost or destroyed. Similarly to the Mandragoras, they feel nothing but disdain for their ‘parent’ families, and such bitterness ultimately led to the family no longer believing they were ever related at all. Unfortunately for them, the Night Family motto more or less transcended status, and so many members of the Blackwood family retained the same beliefs regarding purity, wealth, and nobility. Such views have lasted over the centuries, with only too few adopting an accepting and open-minded viewpoint (ex. These views are so ingrained, Lyssa and Lynceus disavowed and disowned Lutesce over it, who was herself unconcerned with status and even advocated for nightfolk and human integration).  

Family Friends

Finley & Anora McCarthy

Daughter, Revina Lutesce McCarthy (4)

Son, Oliver Lucan McCarthy (infant)

Markus Campbell

Mary Heartwell (deceased)

Rita Pellinore & Ewan Kay

Daughter, Bedivera Kay

Paternal Grandfather, Corvinus Drakon Sempra Sanguis 

*A carefully kept secret; He’s basically some bastard from some bastard Night family branch with a minor, bastard claim.

     Vile, foul, rotten-tongued, scheming, no good, very fucking bad sorcerer of tenuous (or potentially non-existent) relations to Enfurious Night himself. Not much is known about him, aside from the tales of his devilish, sinister lies; He was shouted down as a charlatan, a 'man who cried wolf', as no noble sorcerer worth his salt would claim Night blood unless it could be verified; Since much of the Night family tree has been lost to time, except certain branches, it cannot be verified, and, thus...he was proclaimed a charlatan and a scoundrel. On top of this, he dabbled in poaching, intent upon finding, trapping, and bleeding a number of mythical beasts for the life-extending and empowering effects of their combined bloods - he sought immortality and ultimate power. His obsession with this cause led him to abandon his budding family, and when news spread of his ultimate capture by sorciers, he was condemned for: Slaughtering scores of haint dogs, crocodingos, a unicorn, and a dragon, poaching, cruelty to animals, illegal use of magic, use of illegal magic, 7 counts of murder, graverobbing, exposing himself and magic to humans, grave desecration, hate crimes against humans, and plenty more. He remains imprisoned at the Triangulary, and will remain there until his death.

     His parents' names are unknown, but he has a sister named Sinisteria Merrow Sanguis. She, unfortunately, perished before graduating from one of the British schools due to suspicious but otherwise natural causes. It should be noted that Corvinus was really quite handsome, and it’s possible Corvinus isn’t his true name.

     Gwyndolin would call him the 'bastard child of a bastard family whose purity has been tarnished', a snake in the grass, deadbeat scoundrel, 'filth', 'a man who, if even a moment's worth of attention is spent on, breeds only hatred and depravity', disgusting, and so on. Grandmother Gwyndolin was not a fan. She feels that even talking about him is enough to 'make her mouth taste like festering rot and vinegar', hence why she adamantly refuses to, family heritage be damned. He is not worth claiming relations to, Enfurious is not worth claiming relations to - all those blood zealots are fools with their 'heads buried in their arse-holes'.

[bookwyrminspiration]

Cannot convey how I feel about Mina and Jonno’s relationship but it’s all /pos. They literally make me so 🥰🙂😊🥺😁

They are everything to me I'd die for them I'd kill for them I'd take on the count himself if they asked me to. Would I be successful? Probably not because I'd meticulously create only half of a plan and then Dracula would set the hot ladies on me and I'd succumb to their wiles--with a fair amount of hesitation and confusion--because I like looking at pretty ladies and then drac would be free to drink london

but I think they would forgive me. at least I hope they would. I would try very hard for them

[fingertipsmp3]

I will never have friends like the friends I had in secondary school ever again. And in some ways this is a good thing

[fvaleraye]

limbus company is a wild game. you play as a nonbinary amnesiac who got their head cut off and responded by replacing it with a flaming wall clock, whose second job is to (ineffectually, at first) be the manager of a group of people on a bus and whose first job is to revive and heal them anytime anything happens, which is all the time. your party is comprised of a dour scientist who has a habit of speaking in poetry, a mysterious white haired genius implied to be in a constant mental discord call with different versions of herself across multiple universes, an autistic woman who named her shoes after a fictional horse and turns into an ancient and powerful vampire if they're ever taken off, a swordswoman who speaks a third of her mind in acronyms and loves to murder people "artistically", an autistic frenchman built like a fridge who refuses to be a person unless ordered to, a long haired rich pretty boy who accidentally pisses people off with his sheltered behavior half the time and pretends to be dumber than he is to purposefully annoy people the other half, a british thug whose entire plot could have been solved by just spitting it out and also turned into a wolf monster for a bit, a ginger who got bored of her office job and decided to get on a boat and hunt whales about it, a russian gambler whose mental health and self image are rapidly deteriorating while she is also getting progressively worse at hiding it, a young man who is really in over his head while also being very good at killing people who also is weirdly good at translating the earlier mentioned swordswoman's acronyms, a kiss-ass former military woman who would probably kill everyone else in the party if she thought she could get away with it, and a german former-soldier who got a mutant bug arm and intense ptsd and depression. there's also the all powerful guide who tells you where to go who is legally not allowed to be too helpful and is also perpetually sick of your shit, and the strange girl who drives the bus you all ride in without a license or a lick of training. also the bus looks like a train. add onto the fact that most of the characters and their backstories are references to classic literature, and you have what is possibly the world's MOST dysfunctional dnd party.

we love this fucking game.

[eldritchamy]

I think I've figured out a good way to articulate one of the reasons Human Domestication Guide is hitting for me in a way really not much else has done for a long time.

HDG is an inverse fandom.

Whereas a lot of fanfiction (maybe just for the sake of the pun we can expand outwards, wink, and call them "transformative works") takes at the core of its nature a specific character or group of characters, and then transplants (sorry, I had to) those characters into Alternate Universes in order to keep telling altered, revised, and original stories with those CHARACTERS, while changing everything else, HDG does the opposite.

It takes the SETTING as the core defining feature, and creates original CHARACTERS in order to tell original stories.

And that's really cool for reasons that, of course, ended up becoming another gigantic one of Amy's Patented Infodump Posts.

Most fanfiction gets to appeal to its audience because of the associations and attachments readers have for the CHARACTERS, and then create a new story from there without having to spend time setting up WHO THE STORY IS ABOUT for you. I don't say this as a bad thing, that's just the attraction. The readers bring their attachment to the characters WITH them before they start reading.

HDG gets to assume you understand the SETTING as a basic premise, and then tell new stories with original characters without having to hold your hand through as much of the set up work, because you already know the SETTING going in.

So instead of discovering how the characters you know relate to a world you don't (and to each other within that context), you get stories where you get to discover who the characters ARE, in the context of a world you already understand.

It's not "what does a different setting do to these characters." It's "how do different people navigate this setting."

You get to meet and learn and identify with the CHARACTERS because you see how they as unique people react to a set premise.

So much of what I've read so far has done exceptional work establishing who the characters are, even making MINOR characters within the story feel like fleshed out people.

You'd think in a setting that takes at face value the premise of humanity being subjugated and doted on by a species that uses mind control drugs to turn them into docile, obedient pets, the stories would struggle a bit with sameness as the individuality of the characters failed to shine through or were inevitably suppressed over the course of the plot.

In practice, it seems like almost the OPPOSITE is true.

The Affini always win. But every character chooses to lose to them in a different way that speaks to who they are as people.

Getting to explore these unique stories through the eyes of unique characters seems like it's making it EASIER to latch on to what makes THESE characters the focus of the stories being told.

And so far the stories being told are fucking great, and have such a huge range to them.

The original story for the setting is a VERY non consensual medfet/drug play subjugation story where Elvira (captain of a ship for the Free Terran feralist rebellion) is ABSOLUTELY brought into domestication by force (at first), and we get to see the PROCESS of her being broken down and becoming something new over the course of (what we later learn has been ONLY) about three weeks. She's not the same person she was at the start of the story. At all. She's been utterly replaced by a new identity and personality that the old version of her would never have accepted. (Also it's kinda hot that it's actually good for her, and that she very much DOES end up happier for it. She's still Elvira. But she's safe, and she's loved.)

That's a pretty specific vibe for a story.

But the next story I read in the setting takes place over the course of several hours in-universe, and basically follows a dysfunctional, clearly neurodivergent woman stagnating in the limbo of having been failed by capitalism (or in her mind, failing at it) and having mixed feelings about the staggeringly powerful alien civilization that is currently part way through conquering her planet and its people.

The story starts off when she's so hungry after scraping through what scant, nutritionless garbage she was able to find in the capitalist dystopia that it finally overrides her fear, and she goes to the border of Affini-controlled territory in her city. She figures, they're going to do whatever they're going to do to the rest of the city within a few days anyway, so there's no sense pretending whatever outcome she's walking into wasn't inevitable, and even if it's not as good as the Affini promise, at least it's not what she's been stuck in. Fear of sameness finally becomes more traumatic than fear of change.

She proceeds to go on an adorable lesbian grocery date with a 10 foot tall plant that gently flirts with her while remaining very firm that all of this human's needs CAN and SHOULD and WILL be taken care of FOR her from now on, and it's OKAY that she has trouble focusing because it's OKAY that some people need more help than others.

She spends several chapters experiencing repeated Lesbian Bluescreens because of this sweet, doting alien who insists it's no trouble at all and she's happy to help. Then said alien takes her back to her apartment on the human side to make sure she feels safe getting there through the anti-Affini protests, and then in a matter of minutes she has cleaned this girl's entire disaster of an apartment and promised to cook her a nice Terran pizza.

Then the girl has a lesbian panic attack while coming to terms with how much misery she didn't have to be living with, and whether this future isn't exactly what she always hoped for and more, so the alien offers to give her some alien drugs to calm her down, and her now fuzzy brain accidentally crumbles under the weight of all the secret petplay fantasies that have been turning her face red all morning and she accidentally calls the alien "Mistress", and then she goes home to THEIR place back in Affini territory with her new owner and gets absolutely spoiled until she falls asleep feeling safe and loved for the first time in her life.

COMPLETE tonal shift from the original story, but the LOGIC of the story is fully consistent with the setting. It's just a different character responding to that setting in a different way.

The range of what's possible is ENORMOUS.

I went from there to "two humans captured at different times struggle to find their way back to each other and end up with neural implants plugged into each other's brains by their shared Mistress, and the feedback loop helps them domesticate EACH OTHER" and then from there to a mostly historical context story about an Affini who lived for almost 300,000 years and how she feels about the Compact's role in everything they've done to the universe.

And then I got to read "I have to pretend to be a good little floret maid at an Affini Compact hotel because that's my Genius Spy Cover WHOOPS it turns out being a maid means getting teased and played with a lot WHOOPS, OHHhhh NOOOoo~ I'VE BEEN TURNED INTO A FREE USE HYPNO DOLL because EVERYONE KNEW I WAS A SPY THE WHOLE TIME, I'm going to resolve my mixed feelings by erotically betraying my co-conspirator so we can be floret girlfriends together," which was cute, funny, and INCREDIBLY hot.

Seriously, chapter 10 of that story. Holy FUCK. I think my brain has turned fully inside out. I had a DREAM kinda like it afterwards that I wish I could remember more of.

I guess my point is HDG is less like a fandom and more like DND.

It's a shared universe of collaborative storytelling, even if any individual work within it was made by one person.

You get to play within a core set of rules for how the setting works, but the stories that can come out of playing by those rules are so incredible and diverse and interesting, and I'm really enjoying getting to explore all of that within the context of a basic premise that has absolutely grabbed most of my kinks by the throat, stared menacingly into my eyes, and smirked knowingly.

Also it's INCREDIBLY queer and very obviously made specifically for gay autistic trans women who take progesterone, so I guess just like the rest of the little Terrans, I never stood a chance.

[thydungeongal]

There's this idea floating around the general TTRPG space that's kind of hard to put one's finger on which I think is best articulated as "the purpose of an RPG is to produce a conventionally shaped satisfying narrative," and in this context I mean RPG as not just the game as it exists in the book but the act of play itself.

And this isn't exactly a new thing: since time immemorial people have tried to force TTRPGs to produce traditional narratives for them, often to be disappointed. I also feel this was behind a lot of the discussion that emerged from the Forge and that informed the first "narrativist" RPGs (I'm only using the word here as a shorthand: I don't think the GNS taxonomy is very useful as more than a shibboleth): that at least for some TTRPGs the creation of a story was the primary goal (heck, some of them even called themselves Storytelling games), but since those games when played as written actually ended up resisting narrative convention they were on some level dysfunctional for that purpose.

There's some truth to this but also a lot of nuance: when you get down to the roots of the hobby, the purpose of a game of D&D wasn't the production of a narrative. It was to imagine a guy and put that guy in situations, as primarily a game that challenged the player. The production of a narrative was secondary and entirely emergent.

But in the eighties you basically get the first generation of players without the background from wargames, whose impressions of RPGs aren't colored by the assumption that "it's kind of like a wargame but you only control one guy." And you start getting lots of RPGs, some of which specifically try to model specific types of stories. But because the medium is still new the tools used to achieve those stories are sometimes inelegant (even though people see the potential for telling lots of stories using the medium, they are still largely letting their designs be informed by the "wargame where you only control one guy" types of game) and players and designers alike start to realize that these systems need a bit of help to nudge the games in the direction of a satisfying narrative. Games start having lots of advice not only from the point of view of the administrative point of view of refereeing a game, but also from the point of view of treating the GM as a storyteller whose purpose is to sometimes give the rules a bit of a nudge to make the story go a certain way. What you ultimately get is Vampire: the Masquerade, which while a paradigm shift for its time is still ultimately a D&D ass game that wants to be used for the sake of telling a conventional narrative, so you get a lot of explicit advice to ignore the systems when they don't produce a satisfying story.

Anyway, the point is that in some games the production of a satisfying narrative isn't a primary design goal even when the game itself tries to portray itself as such.

But what you also get is this idea that since the production of a satisfying narrative is seen as the goal of these games (even though it isn't necessarily so), if a game (as in the act of play) doesn't produce a satisfying narrative, then the game itself must be somehow dysfunctional.

A lot of people are willing to blame this on players: the GM isn't doing enough work, a good GM can tell a good story with any system, your players aren't engaging with the game properly, your players are bad if they don't see the point in telling a greater story. When the real culprit might actually be the game system itself, or rather a misalignment between the group's desired fiction and the type of fiction that the game produces. And when players end up misidentifying what is actually an issue their group has with the system as a player issue, you end up with unhappy players fighting against the type of narrative the game itself wants to tell.

I don't think an RPG is dysfunctional even if it doesn't produce a conventionally shaped, satisfying narrative, because while I do think the act of play inevitably ends up creating an emergent narrative, that emergent narrative conforming to conventions of storytelling isn't always the primary goal of play. Conversely, a game whose systems have been built to facilitate the production of a narrative that conforms to conventions of storytelling or emulates some genre well is also hella good. But regardless, there's a lot to be said for playing games the way the games themselves present themselves as.

Your traditional challenge-based dungeon game might not produce a conventionally satisfying narrative and that's okay and it's not your or any of your players' fault. The production of a conventionally satisfying narrative as an emergent function of play was never a design goal when that challenge-based dungeon game was being made.

[ponett]

Bobby's 2023 Media Wrap-Up

So! Like I said before, this past year I kept a running list of everything I watched, every game I finished, every new album I listened to, etc., and wrote one-paragraph blurbs with my thoughts on every single one. Please enjoy this journey through everything I liked, or didn't like, in 2023, with my favorites of the year listed at the bottom.

(Yes! This is long!!)

Some notes:

I mainly only included things I finished. Exceptions are marked with an asterisk.

I included some YouTube stuff as "TV shows" - mostly particularly long, high effort video essays and documentaries.

I was a bit less adventurous than I'd like to have been this year. Part of this was just that I felt like I was constantly playing catch-up with Big Releases I felt obligated to check out, and part of this was just executive dysfunction from burnout. Wait until you see how long it took me to beat Mario Wonder lmao

Yes, I need to read more books. I don't read a lot of books these days. I need to get back to Discworld.

COLOR KEY

Video Games • TV / Web Video  •  Movies  •  Comics  •  Music

January

1/15: Final Fantasy XIV: A Realm Reborn (MSQ) - Very slow at times, the Primal shit is generally extremely lame to me outside of the boss fights themselves, but god if the quality of life improvements over WoW, the JRPG energy, and the fact that it Actually Has A Story carry it pretty hard.

1/18: Sonic the Hedgehog: Scrapnik Island miniseries - One of the most creative and compelling uses of the Sonic IP… ever? Fantastic little self-contained arc about the struggles of Eggman’s abandoned creations that gracefully weaves between heartfelt optimism and moody horror with some of the best art ever seen in a Sonic comic.

1/18: Mega Man X4 - Glad I finally actually beat this after never even beating any of the Mavericks as a kid! I can see why it’s a lot of peoples’ favorites. The gameplay has very little of that X series bloat and is just fun, especially after getting X’s armor upgrades. (But the story really is a long series of missed opportunities.)

February

2/2: Donks - Felix Colgrave continues to be an exceptional artist. The sound design on this is fantastic and really sells this short as something unique. Had to go back and watch his older stuff again after this.

2/4: Final Fantasy XIV: Heavensward (3.0 - 3.3 MSQ) - I get it now. I get why people say this is just a proper mainline Final Fantasy game built into the framework of an MMO. That shit ruled. Not even walking back the drama in Ul’Dah from the end of ARR can sour me on it because the main storyline was so strong.

2/8: Disneyland's Forgotten Sci-Fi Rock Band - Live From the Space Stage - A nice and honest tribute to a group of artists who could have easily been forgotten. In hindsight this feels like a precursor to Kevin’s Disney Channel jingle video, a tribute to the unsung artists pouring their hearts into “lesser” art for a megacorporation, art that was designed to be transient but sticks with people nonetheless.

2/9: Metroid Prime Remastered* - Not gonna finish because I just played through the Wii version in 2021, but still. Very, very pretty remaster.

2/16: Theatrhythm Final Bar Line - It’s more Theatrhythm. What more could I want

2/17: JoJo’s Bizarre Adventure: Stone Ocean (anime) - Probably the best part of the anime so far (assuming they continue on to SBR). A near perfect mix of the more structured plot of part 5 with the goofiness of parts 3 and 4 that crescendos into a fantastic, bombastic, emotional, bittersweet ending. The use of footage from the original opening and the new ending set to Roundabout in the finale were perfect, and made me intensely nostalgic for the early days of my JoJo fandom between seasons 1 and 2 of the anime.

2/22: Aggretsuko Season 5 - I don’t really know what to make of this one. Once you get past the agonizing initial arc all about Haida where Retsuko has to be his overbearing mommy GF who flips out and starts spying on him when she’s left on read and chides him when he misbehaves, it feels like an improvement over the previous seasons. But I don’t know how much of that is due to the extremely low bar set by season 4. And then the ending is extremely rushed and anticlimactic. They got legally married and the only acknowledgement was a shot of them signing the paperwork in a montage partway through the final episode?????????

2/24: Double Fine PsychOdyssey - God, what a journey the making of this game was. I already loved 2 Player’s past efforts at documenting Double Fine’s process, but this takes it to a whole new level. This feels culturally significant. The depth and honesty with which they depict not just the nitty gritty of making a game, but also the inherent struggles of working on a collaborative creative work for years at a time, is astounding. Not to mention that they were there to capture the shift from office life to remote work as COVID hit. So much of this would have been nightmarishly stressful to watch if I didn’t already know how successful the game was, but that’s just because they really didn’t sugarcoat it. And yet even after all that, it leaves me feeling optimistic about video games as an art form in a way that the constant headlines about cynical live service games don’t. There are still people out there pouring their hearts into making real art, and this is their story. Everyone who plays video games should watch this.

2/25: Cracker Island (Gorillaz) - New Gorillaz albums feel like less of an event these days, but after Humanz it feels like they’re just more chill with the project and their ambitions with it. Every couple years we get some more laid back jams from Damon along with some fun new collabs. Hard to complain. Favorite track: New Gold

2/25: Pool Kids (Pool Kids) - I discovered this band because Derek knows them and was excited when they got a song added to Fortnite through the Bandcamp collab. Always down to find more cool indie rock bands I can vibe with. The mix of dreamy vocals and energetic riffs on some of the tracks here almost fill the Crying-shaped hole in my heart. Almost… Favorite track: Conscious Uncoupling

2/25: Insane in the Rain (insaneintherainmusic) - I thought it was really funny timing when Carlos announced that his first original project would be a jazz fusion album inspired by acts like T-Square and Casiopea right as I was getting into those two specific bands. The final product does not disappoint. Favorite track: Insane in the Rain

2/26: Get Up Sequences Part Two (The Go! Team) - I’ve never been one to believe that a band’s sound has to remain exactly the same forever, but it really does hit you hard that the first two tracks here sound like classic The Go! Team. Their more recent cleaner sound is still here too, though, for a nice mix of old and new. Favorite track: Divebomb

2/28: Mobile Suit Gundam: The Witch From Mercury (Season 1) - Oh my god. Oh my god. I got distracted around the time I was finishing SLARPG, but finally catching up now, wow. My assumption that the seemingly lighter tone of the series compared to the prologue was there to lull us into a false sense of security before twisting the knife when war finally breaks out was spot on. This is peak Gundam.

March

3/4: Pizza Tower - One of the best platformers I’ve played in a long time. It transcends its blatant Wario Land inspirations with the sheer speed at which Peppino can move and the way things like the level design, his wall running, and even the hidden ability to do a second lap around the level reward getting into a flow state where you’re just constantly moving. This is the type of game that wants to turn you into a speedrunner. My only real complaint is a few iffy enemy designs that I wish would get patched.

3/6: Bloons TD 6 * - I bought this before bed one night on a nostalgic whim and then the next morning woke up and saw the Steam receipt email on my phone in one of the most “what did I do last night” moments of my life. I like when the monkeys pop the balloons.

3/7: The Book of Boba Fett - I put off finishing this show for a very long time but finally caved upon the release of The Mandalorian season 3. This show spends four episodes failing to make me give a shit about Boba Fett trying to be “the daimyo” and drive the drug trade off of Tatooine, then just gives up and becomes season 2.5 of Mando, which in turn feels like it undercuts the main series. It fails as both its own story and as a spinoff. I know that finishing this after Andor did it no favors, but WHOOF.

3/12: Obi-Wan Kenobi - Some interesting ideas in the first half hinting at a more introspective show, but it’s mostly swept aside in the back half so it can become a generic Star Wars adventure remixing things from A New Hope and Rebels (and apparently Jedi: Fallen Order). Action scenes have zero stakes because you know nothing can happen to any of the returning characters and none of the new ones are particularly interesting. Why there’s a second climax hinging on a Luke Skywalker death fakeout eludes me. Obi-Wan throwing the rocks at Vader is one of the funniest things in Star Wars history. But it was still better than Book of Boba Fett, I guess.

3/19: The King of Braves GaoGaiGar - Wow, cool robot indeed… GaoGaiGar isn’t going to blow anyone away with its writing, but sometimes you just need a really fun monster of the week mecha show with great action and lovably goofy characters. This is a show where like 20% of every episode consists of recycled transformation, combination, and signature attack sequences and I ate it up every time because they look fucking cool as hell. I don’t care. I’d watch Final Fusion another 49 times.

3/21: The Last of Us (HBO) * - Watched the first two episodes out of curiosity, but I’m not sure if I’ll continue because I don’t give a shit about The Last of Us. It’s definitely a well done adaptation, though, even if I know it’s inevitably going to devolve into miserable torture porn with questionable politics if they adapt Part II faithfully. The ending of episode 2 also lines up perfectly with where I stopped in the game in 2013 lmao

3/27: The Future is a Dead Mall - Decentraland and the Metaverse (Folding Ideas) - Another banger from Dan Olson. This time the premise inherently gives him more time to just show off a bunch of stupid ugly bullshit made by crypto guys, which is fun. My main complaint was that I wished he would’ve brought up Second Life more as a point of comparison (a thing I basically always want out of discussion of “the metaverse”), but he at least did touch on it in the last section.

3/31: The Murder of Sonic the Hedgehog - I can’t believe after years of begging for the supporting cast to get more and better material in a Sonic game I got my wish in the form of a freeware murder mystery VN released for April Fools. This kicked ass.

April

4/7: Berserk - Completed Miura’s run and caught up on the chapters that have been released posthumously. It’s hard to say anything that hasn’t been said about Berserk, universally agreed upon as one of the greats of manga and fantasy fiction as a whole. What begins in its first few volumes as a nihilistic and edgy action comic built to facilitate as much sex and gore as possible quickly evolves into something deeply human and vulnerable and beautiful, both figuratively and in terms of its lavish art. The world sucks and is immeasurably cruel, and you will see that cruelty illustrated in graphic, sickening detail repeatedly throughout the series. (Perhaps a little too often throughout the Golden Age, where it feels like Miura never misses an opportunity to threaten Casca with sexual assault mid-battle.) But the point isn’t to wallow in that misery. It’s the story of a victim of horrific abuse learning to slowly open up to others, having those people he cares about torn away from him in the worst night of his life, hardening himself into a cold killing machine, and then slowly learning to open back up again, even if it means leaving himself vulnerable to more hurt. Anyone who says that the series peaked with the eclipse and went downhill in the “Guts’ JRPG Party” era is missing the point. Guts needed to find new people in his life to care about, to begin to find happiness again. Because no matter what unspeakable things Guts has gone through, it’s still possible for him to heal and to be loved. It takes time, but eventually you stop and realize that life has moved on.

4/8: Dedede’s Drum Dash Deluxe - Skipped it upon release because I didn’t particularly care for the minigame in Triple Deluxe, and I didn’t miss much. It’s fine as a little distraction, but not as a standalone rhythm game with only seven songs. If you don’t bother with the hard modes or chase after high scores this game is 15 minutes long. Oh how I yearn for Kirby to get the Theatrhythm treatment.

4/10: The King of Braves: GaoGaiGar FINAL - Eh… It was okay. Lots of cool robot fights, but said fights are stitched together with a mediocre plot that tries too hard to be more “mature” than its unabashedly schlocky kids’ show predecessor. Not crazy about the ending, either, which tries to be a bittersweet farewell closing off the series once and for all while also teasing that maybe there’ll be ANOTHER sequel after the OVA series they literally called “FINAL.” Ah well.

4/11: The Owl House - Sad to see this one go, but it’s hard to imagine them doing a better finale than this, even if they had gotten the six seasons they deserved. I’m not as obsessed with The Owl House as I probably would’ve been had it come out when I was, like, 20, but it’s a really fantastic show for all the reasons people always say. Great characters, great world, great story. I love that this starry-eyed fantasy story about a teenager finding love and a place where she belongs is also set on the rotting corpse of a titan with Hieronymous Bosch-inspired scenery and freaky monsters everywhere. What a great mix. If anything, I just wish I would’ve watched the first season as it aired so I could’ve had more time with it.

4/29: Mega Man Battle Network 3: Blue Version - FINALLY beat this via the new collection, 20 years after playing it as my first Mega Man game. (Technically my first was White, not Blue, but whatever.) There are more annoyances than I remember - lots of really really bad forced backtracking sections where you have to revisit every previous part of the internet, low chip drop rates, some really aggravating bosses like BubbleMan and KingMan, etc. But it’s still a great time overall. It’s Battle Network. In the back half the story gets surprisingly emotional, too. I was always under the assumption that the Hub stuff never came back up much in the story after 1, so I was pleasantly surprised with how relevant it was to the emotional arc of 3.

4/30: Mega Man Battle Network 4: Red Sun * - Yeah I’m not playing through the whole thing lmao. I just wanted to play the first couple hours for nostalgia���s sake, and as a baseline for how much better the rest are. Even before getting deep in the game and having to deal with all the shit gated between doing two new game+ playthroughs, it’s immediately obvious how much of a downgrade this one is. Tons of glaring errors and typos all over the script, blander music, a way more boring aesthetic for the internet, and a premise that mostly just recycles the tournament idea from 3.

May

5/14: The Venture Bros. - Glad I finally sat down and watched all of this with Anthony after having seen one (1) episode as a teenager and a bunch of random clips in the years since. Great show. Some jokes in the early seasons haven’t aged gracefully, but what the show grows into over time... man. Hank and Dean go from being the butt of the joke to being characters you actually sympathize with - while still also being funny little goofballs. And the journey Henchman 21 goes on throughout the show. Man. Amazing that a comedy like this could run for 20 years and maintain its level of quality. Can’t wait for the movie.

5/18: Future Me Hates Me (The Beths) - Okay yeah I’m now just discovering bands through Fortnite lmao. I can’t complain really, they pick some really great indie artists for the in-game radio stations. Anyway: It’s very easy to win me over with a combination of energetic power pop, catchy guitar riffs, and earnest lyrics like this. One of those albums where three or four tracks in I know I have to buy it. Favorite track: Not Running

5/18: Jump Rope Gazers (The Beths) - Ditto. Favorite track: Dying to Believe

5/18: Expert In A Dying Field (The Beths) - Another good album. (I’m listening to these in release order.) I’ve been a bit slower to warm up to this one, initially thinking it was a little too mellow overall, but it might be my favorite after a few listens. Some real high highs. Interestingly, the lead singer’s New Zealand accent is also coming out more in her singing? Favorite track: Your Side (or maybe Head in the Clouds)

5/19: The Super Mario Bros. Movie - As a Mario fan, I think I enjoyed it? As a movie, less so? It was decent, in spite of feeling like they came up with a list of fun action setpieces first and then wrote the absolute bare minimum possible for the story scenes tying it all together. Full thoughts here. (This is the first movie I’ve seen this year, huh? I really don’t watch a lot of movies.)

5/23: Don't Know What You're In Until You're Out (Gladie) - I feel like I don’t like Gladie as much as I should. Their style of noisy indie rock is very much in my wheelhouse, and I do enjoy listening to them, but I dunno. Maybe it’s that the particular style of vocals makes it more monotonous to me. A good album nonetheless, if not 100% my thing. Favorite track: Nothing

5/24: City Slicker (Ginger Root) - Yes I am still making my way through Bandcamp artists I heard on Fortnite don’t @ me. Any excuse to get me to listen to some cool city pop-inspired funk like this is a good excuse. Favorite track: Loretta

5/24: Rikki (Ginger Root) - Favorite track: Why Try

5/25: Spotlight People (Ginger Root) - Favorite track: The Classic

5/29: Succession - A good dramedy series that increasingly focuses more on the drama than the comedy as it progresses, but it’s hard to complain about that since the drama is so compellingly produced. I enjoyed it. That being said, I kind of rankle at the claims that it’s The Greatest TV Show Of All Time. It’s great, don’t get me wrong. Amazing performances all around. But the show LOVES to spin its wheels, to repeat itself, and to let most of its interesting dramatic developments fizzle out before anything really comes of them, almost as if the show is constantly getting bored with its own ideas. To some extent this is intentional - Logan Roy is the untouchable billionaire, his kids fail at everything (but will nonetheless remain billionaires), and in the long run none of them really give a shit about anything other than their own status. But it’s not like things tend to visibly impact anyone else, either, be they supporting characters or the world at large. Even the Big Scary Election, where the Roy siblings are directly responsible for plunging the nation into chaos, ultimately has zero impact on the finale a mere two episodes later. Certain Other Things do have an impact in the last season, though, allowing things to meaningfully change for the cast and for the show to sit with the ensuing drama, which has stopped me from souring on Succession more. There was finally a payoff for something. But it does still kind of feel like a show that goes in circles until it’s ready to call it quits, even if those circles did contain a lot of great acting and music along the way.

5/29: Kipo and the Age of Wonderbeasts - I’d watched the first 12 episodes when they originally released, but I guess the Netflix binge release and the fact that all three “seasons” came out in one year led to me waiting until it finished… and then I just never got around to finishing it. Glad I fixed that! Really fun and stylish cartoon with an art style reminiscent of Teen Titans, a hip hop-filled soundtrack, dynamic fight scenes, and a colorful post-apocalyptic world filled with mutant (mostly anthropomorphic) animals. I’ll admit that at times I do kinda roll my eyes at Kipo’s unshakeable belief that everyone can be friends in a way that I don’t necessarily with similar shows like Steven Universe, and not every joke lands, but I dunno. It’s a kids’ show. That’s to be expected. It doesn’t detract from the overall package for me.

June

6/1: Craig of the Creek (Season 4) - It’s been years and I’m still processing the fact that kids can turn on Cartoon Network and hear Jeff Rosenstock. Anyway! Craig continues to be one of the best cartoons on TV, consistently funny and creative and way more engaging than a show about a bunch of kids LARPing in the woods has any right to be. This season turned into One Piece with the gang effectively hunting down the Poneglyphs in search of a legendary treasure. The kids think it’ll be magic. It isn't. An increasing number of cartoon logic gags aside, this show is firmly set in the real world. Does that make it any less interesting? Hell no. Season 3 turned a game of capture the flag into an all-out five episode war between the heroes and villains, filled with dramatic turnabouts and a climactic guest appearance from Del the Funky Homosapien. I’m sure however they wrap things up in the (sadly shortened) final season, it’ll be great. (Also? I would watch a whole show based on that “what if” episode that jumped forward to everyone’s 20s.)

6/6: Barry - Holy shit, what a show. I ended up binging it in less than a week in a cycle of “okay, just one more episode.” The way this show is able to swing between tones and genres while still feeling like a cohesive whole is truly masterful. It’s a layered character drama, a tragic crime thriller, a farcical comedy, an understated action series, a surrealist morality play, and a scathing satire of Hollywood, all in one. Even within the criminal underworld subplots the show ranges in tone from Breaking Bad to Paddington 2. And it works! While the show naturally gets bleaker over time as it confronts the repercussions of Barry’s murders, it never completely loses sight of its comedic roots. My favorite episode was easily season 2’s “ronny/lily,” a mostly self-contained episode that somehow manages to keep throwing the perfect curveballs to escalate its dark comedy.

6/12: The Lord of the Rings: The Fellowship of the Ring (Extended Edition) - Y’all heard of this movie? Pretty good, it turns out. (I’d seen the theatrical cut before, but this was my first time watching the extended edition. I’ve also only seen parts of the other two movies, so it’s time I finally watch all the extended cuts. The Gollum game pushed me to this.)

6/13: The Lord of the Rings: The Two Towers (Extended Edition) - give it to us RAW and WRIGGLING

6/17: The Lord of the Rings: Return of the King (Extended Edition) - I’m not crying YOU’RE crying

6/22: Clone High (Season 2) - While the first episode being about “cancel culture” (or, more accurately, a teenager from 2003 being transported to 2023 and putting his foot in his mouth a lot) put a lot of people off, I ended up enjoying the new season of Clone High. The new clones grew on me as the season went on and their roles in the web of teen romance melodrama crystalized, and it made me laugh a lot, and Cleo/Frida is galaxy brained. Also they played one of my favorite Antarctigo Vespucci songs like a minute into the first episode. I don’t think I could really ask for much more.

6/28: The Mandalorian (Season 3) - I'd been watching this weekly but put off the last episode for no real reason. Responses to this season have been all over the place, but my blistering hot take is… it was fine. Is it as good as the first season? Probably not. But Mando no longer needs to carry the whole franchise on its shoulders and set the bar for how good the live action Disney Star Wars shows can be, because Andor exists, and it’s never gonna top Andor. The Mandalorian is free to just be a pulpy space adventure show where Giancarlo Esposito plays a scenery-chewing cartoon villain and a little puppet does wire stunts. These are things Andor cannot and should not do, but that’s Star Wars, baby. It’s delightful. I could watch Grogu get underhand tossed like a sack of flour all day.

July

7/2: Mobile Suit Gundam: The Witch from Mercury (Season 2) - LOVE WINS. (More nuanced take from way later: It definitely feels like a lot of the more messy political conflicts in this show got swept aside by the big final battle where some more easily resolved family conflicts take center stage. I’m not sure the ending is the most satisfying. But also this show only got half the episode count that damn near every other Gundam show ever made got, so that might be a factor here. Idk. Still one of my favorite Gundams.)

7/4: Final Fantasy XVI (watched Anthony play) - I had to write my longest Medium article ever about this one because I was so frustrated

7/10: Home Movies - “Things I like that I’ve never seen in full” has certainly been a recurring theme this year. Home Movies remains an all-time classic of animated comedy that went out on a high note before things got stale or the characters became parodies of themselves. While it’s mostly known for its funny improvised banter, throughout the last season you can really see the arc where Brendon no longer enjoys making movies, yet he feels obligated to keep using them to escape from the real world. In that light, the ending where the nature of their dysfunctional makeshift family is cemented, Brendon’s camera suddenly breaks, and life moves on really does feel like the perfect note to end on. Truly one of the best to ever do it.

7/15: The Legend of Zelda - Tears of the Kingdom - Wow. Just… wow. I had serious doubts about TotK in the months leading up to release due to how close Nintendo was playing their cards to their chest. I didn’t want this to be a Saints Row IV, where the game is fun enough but the recycled map makes it feel like a rehash. Instead, I found a game that made me look at BotW’s map in a whole new light, brimming with so many more things to do and people to meet. Add on a better, more versatile set of tools, more varied dungeons and bosses, and a story that I felt was told somewhat better and we’ve got a real contender for my new favorite Zelda game. It was hard to tear myself away, but as this list shows, it’s been basically the only game I’ve played since it came out.

7/16: Sonic Prime (Season 2) - I liked the parts with Shadow and Chaos Sonic, but I’ve come to the sad conclusion that most of this show is just mediocre. More thoughts here.

7/18: We ♥ Katamari Reroll + Royal Reverie - “I’m a dog, but I love Katamari Damacy.” Truer words have never been spoken.

7/19: Transformers: Rise of the Beasts - Pretty good! It didn’t blow me away, but after how bad the Bay movies got I’m just thankful to have a decently cohesive Transformers movie where the human story is okay and I like the bots (although half of them needed more screen time), even if it is just another Hollywood blockbuster about two sides fighting over a macguffin that devolves into a big CGI battle against an army of nameless monsters in the third act. This is basically a mid-tier MCU movie but with Transformers, which won’t do much for most people, but again: the bar was underground.

7/22: The Venture Bros.: Radiant is the Blood of the Baboon Heart - God DAMN. A phenomenal ending for the series. While I would have loved to see a full final season to get some more one-off episodes in there, this doesn’t feel creatively compromised in any way–either due to the time constraints, or due to a desire to make it more marketable as a movie. It really does feel like they just took their outlines for the canceled final season and gently massaged them into the shape of an 84-minute movie, and I mean that in the best possible way. It’s completely on par with the previous seasons. A hilarious and fitting sendoff for one of the greats of adult animation.

7/23: Beautiful Katamari - This was one of my first Xbox 360 games, but a frustrating temperature-based level made me put it down for 16 years. “Maybe it won’t be as bad now that I’ve beaten the first two games and am better at Katamari,” I thought. Nope! Still an absolutely dogshit level. But also, turns out the whole game is only like two hours long lmao. It’s still Katamari, so it’s still fun - the final level in particular, which seamlessly takes you from ground level all the way to space, feels like a logical endpoint for the series - but beyond that it just doesn't have the same soul without Keita Takahashi's input.

August

8/4: Doom Singer (Chris Farren) - I’ve been waiting so long for Chris and Jeff to do another Antarctigo Vespucci album, but god damn. This is the best of Chris’s solo work, and a contender for his best record, period. Every track’s a banger, with more energy than some of his previous solo work but also a good deal of variety. Favorite tracks: First Place, Cosmic Leash

8/4: Transformers Earthspark (Season 1) - This show had a bit of an uneven start, unsure if it wanted to have the emotional maturity of a more serious action cartoon or a preschool cartoon where the characters have little kid mood swings and outbursts and learn basic lessons. It also felt like it was speedrunning its Wholesome Found Family Dynamic with characters who just met, which didn’t feel earned. While these problems never completely go away (see: the cheap and corny way the otherwise very dark season finale suddenly resolves), the show improves quickly, and the positives outweigh the negatives. It’s so great to have a Transformers cartoon that feels fresh, giving us a post-war setting with a bunch of new characters and new dynamics between the Cybertronians and the humans. The returning characters are also uniformly great as the old veterans overseeing the new generation. (Reformed Megatron! Danny Pudi as Bumblebee! Steve Blum returning as Starscream! Keith David as Grimlock!!!) And those super dynamic action scenes! I can nitpick, but Earthspark’s a ton of fun, and easily the best new Transformers cartoon since Prime and Animated.

8/5: Ghost Trick: Phantom Detective (remaster) - Everyone who told me this game was a masterpiece was right. I had played the first chapter when it dropped as the demo for the iOS version years ago, but never went further than that until now. What a game. Absolutely incredible through and through. Great story, great twists, great characters, great puzzles, great art direction. Everything comes together so perfectly to form a totally unique, unforgettable package, a top tier video game murder mystery. Everyone should play this, preferably going in as blind as possible.

8/15: It���s Always Sunny in Philadelphia (Season 16) - Wow! Recent seasons of Sunny have been kind of up and down, with some interesting experiments (Mac Finds His Pride, the Ireland arc, etc.) paired with some comedic duds. Most of this latest season is standard fare for the series with fewer big creative swings, but it’s just hit after hit in terms of comedy. Not a single dud, whether we’re seeing Mac and Dennis try to start a rental business for inflatable furniture or watching the gang meet Bryan Cranston and Aaron Paul, believing the entire time that the latter is Malcolm from Malcolm in the Middle. Even the attempts at topical comedy landed better. Easily the funniest season in years.

8/16: One Piece Film Gold - It’s easy to see why this one has kind of been forgotten in the wake of Stampede and Film Red, which revolve around established fan favorite characters, but this was still pretty fun. Perhaps a little too long, but it’s fun to see the Straw Hats fool around in a giant casino and do a heist. They definitely cranked the fanservice up even more than usual in this one, though, as I probably should have expected for a movie made alongside the anime’s adaptation of Dressrosa.

8/17: One Piece: Stampede - This one goes for a different kind of fanservice. While most One Piece movies are isolated from the ongoing plot and its expanded cast of characters, Stampede instead asks “What if we just put damn near every active character on the same island and had them fight?” The answer: a fun time! It would get old if all of the movies were like this, but after a bunch of movies that are just like “the Straw Hats are gonna land on another new island and fight some more weird guys” it’s fun to see characters like Law and Buggy and Smoker get in on the fun. It’s also nice to get a movie with the Wano era art style, and Usopp surprisingly gets some really good character moments in here.

8/18: One Piece Film Red - This really is the best of the One Piece movies, huh? (Baron Omatsuri is a close second.) It really feels like a change of pace after the last four with the most interesting and emotionally engaging story out of any of them. And even if the events of these movies are never canon, it still feels significant in my understanding of Shanks as a character as we move into the final phase of the manga.

8/21: Pikmin 4 - The opening hour of the game made me really question if they’d changed too much, with all the focus on your new dog unit over your Pikmin and the extremely dull, drawn out dialogue scenes with your new companions back at the base. But once I got into the swing of things I had a blast. This is probably my new favorite Pikmin game. There’s a great mix of activities here to keep things fresh. I also really ended up liking Oatchi’s role as basically your second captain who can also serve as your tank or a rideable mount. The Dandori stuff and nighttime missions in particular show off how useful Oatchi is for your multitasking without necessarily overshadowing the Pikmin.

8/22: Never Get Tired: The Bomb the Music Industry! Story - I literally backed this on Kickstarter eight years ago (my name is in the credits!) and then never got around to watching it for no reason. It’s on YouTube now, and Jeff’s got a new album out next week, so now feels like the perfect time to watch it. And man… what a great documentary. Obviously I’m just a fan of the band, but this also really spoke to me as an artist. Jeff wanting to stick to his principles and give out his music for free and play cheap all ages shows, his discomfort over the idea of selling merch, and the struggles that come with not playing the game like that… It's hard. They readily admit that Jeff is an idealist, that people fight him on this stuff, that he’s missed out on some big opportunities because of these stances, and that he’s had to compromise a bit on some of these things over time. But that incredible climax with their final show, including a full opening performance of the slowly building “Campaign for a Better Next Weekend” and the closing performance of “Future 86” where the whole audience is singing along as the members of the band are hugging and crying… it’s beautiful. This may have been a band where the members had to go back to their shitty day jobs after every tour because they weren’t selling out arenas, but their art meant something to people, and that makes it all worth it.

8/25: Nimona - I haven’t read the original comic (yet), so I can’t compare them too much, but it’s nonetheless pretty apparent that some things were softened and easy kids’ movie jokes were added by the studio to squeeze this graphic novel for teens into a PG animated movie. Regardless, the emotional throughline hits REALLY hard, particularly the very blatant trans allegory and the climax. (It’s no wonder Disney was afraid of this movie seeing the light of day lmao.) The animation is also very squishy and fun to watch throughout. Great movie.

8/26: Puss in Boots: The Last Wish - Spider-Verse really has done so much for animation, huh? This one was as good as everyone said. Beautiful use of stylized color and lighting throughout, and every time this movie very conspicuously shifted to different framerates for a flashy fight scene it owned. Very cute and heartwarming story, too, which thankfully gave its second act plenty of time to explore the cast and let them go on their journey, unlike a certain plumber movie that came out a few months later. Also I would let Death [redacted]

8/28: Holocure: Save the Fans! - This isn't really something I can beat, but I've been addicted to Holocure lately. I don't even watch VTubers aside from maybe seeing a funny Korone animation every now and then, this is just a really, really good freeware Vampire Survivors clone with a huge roster of varied characters to pick from.

8/31: HELLMODE (Jeff Rosenstock) - A new album from Jeff is always a major event for me. If there were any worries that he was starting to go soft at 40 (because one of the three singles off this album was a gentle acoustic piece), the frantic opening of this album put those worries to rest. The first two tracks are Jeff screaming out for help as he’s pulled in a million directions by the chaotic state of the world, a theme that becomes the thesis of the album. I’d say it lags slightly in the middle, but overall this is another extremely well-rounded record full of bangers that’s unapologetically Jeff, with possibly my favorite closing track he’s ever done. Favorite tracks: I WANNA BE WRONG, 3 SUMMERS

September

9/3: One Piece (live action, Season 1) - They did it. I can’t believe it, but they did it. While I have my nitpicks (Usopp and Sanji don’t get enough big moments to shine), this is an extremely solid and faithful adaptation of the first few arcs of One Piece with a great cast. For the most part the changes feel smart and logical, and the big emotional beats of the story are all there and executed very well. I doubted it a little in episodes 2-4, where the Orange Town and Syrup Village arcs saw some major changes to shift the action indoors, and the increased focus on the drama in favor of repeating every gag and battle from the manga 1:1 took a bit of getting used to, but by the end I was having a blast. It’s a different take on One Piece, but it still feels like One Piece. Genuinely very excited for season 2.

9/4: Pseudoregalia - A great little N64-style 3D Metroidvania focused on platforming and very satisfying movement. I always love entries in the genre that are less prescriptive in what order you have to tackle areas in, a la Symphony of the Night or Hollow Knight, and this one’s great in that regard. While there are a number of new moves to find, most of the map is open to you very early in the game, and smart use of your moveset can allow you to “sequence break” without even realizing it. (You would not believe how long I went without getting the wall run.) I do wish it had a map, but that’s already being patched in.

9/6: Bomb Rush Cyberfunk * - Not a bad game at all, but I quickly remembered how bad I am at skating games, so like… eh? Not sure I have much desire to play past chapter 2. Also the soundtrack is sadly kinda hit or miss for me outside of the obvious Naganuma tunes.

9/9: The History of the Minnesota Vikings (Dorktown) - Jon Bois never misses. Even as someone who doesn’t actively follow sports, Jon Bois is a master storyteller, using graphs and statistics and funny anecdotes to explore these deeply human stories. He can convey why people care so much about these teams, these people, and sports in general, and how our popular sports reflect on American culture. He could tell the story of just about any team or player in any sport and I just know I’ll come out the other side a misty-eyed fan. And what a fascinating cast of characters we have this time, with origin stories for everything from the Hail Mary pass to a Minnesota state supreme court judge to the Griddy. Nine hours well spent.

9/10: Timespinner - A fun and highly polished Metroidvania that maybe doesn’t quite have enough of its own identity in its quest to replicate Symphony of the Night…but also, like, this was pitched as a Symphony throwback on KickStarter in a pre-Bloodstained, pre-Hollow Knight world, so I can’t really blame ‘em! Stopping time to avoid boss attacks is fun, the pixel art is gorgeous, and I liked the dark science fantasy story about warring empires and meddling with time a lot more than I thought I would - lore journal text dumps and all.

9/14: The Decay of Sam & Cat (Quinton Reviews) - All the stuff at the end with Matt Bennett (the actor who played Robbie on Victorious and Sam & Cat) in this was really good and sweet. It’s that kind of thing that makes these videos feel like they’re still worthwhile on some level. But the padding and the things Quinton chooses to spend the colossal runtime on does drive me more and more insane with each passing Nick sitcom video. I don’t know how much longer he can keep this schtick up. I hope he’s able to move on to other things before too terribly long instead of continuing to extend this “miniseries.”

9/19: Marvel’s Spider-Man: Miles Morales - AKA Insomniac’s Marvel’s Spider-Man 1.5. It’s fun for the same reasons Peter’s first game was fun. I had a good time swinging around New York again in preparation for the sequel, and there’s a lot of cute stuff with Miles becoming Harlem’s neighborhood hero, but WOW did the Underground v. Roxxon conflict fall flat for me.

9/20: I Think You Should Leave with Tim Robinson - I understand so many posts now.

9/25: Spider-Man (2002) (rewatch) - It’s you who’s out, Gobby! OUT OF YOUR MIND!

9/25: Futurama (Season 8) - I was ready to be a hater, recalling the fact that Futurama has already had three “perfect endings” with the show getting a little weaker with every revival. Then I watched the first new episode on a whim and thought it wasn’t bad, so I was like, eh, sure, I’ll watch the rest. Overall Hulurama is hit or miss. There are chuckles to be had, and it sure as hell beats modern Simpsons, but almost every episode is either a belated take on an overplayed Topical Issue (the pandemic, Amazon, cancel culture, etc.) or a direct sequel to an old episode people liked. Or both! It’s also really noticeable that certain voice actors sound way older - Billy West is struggling with the Fry voice in particular, and it hurts his comedic timing. But just when all hope seemed lost after the nigh-incomprehensible toy-themed anthology episode, possibly the worst episode of the entire series… the last episode, where the Planet Express crew explores whether or not the universe could be a simulation, was really, really solid. Great note to end on to make me not regret my time with this season as a whole.

9/26: Spider-Man 2 (2004) (rewatch) - Once the GOAT, always the GOAT.

9/27: Spider-Man 3 (rewatch) - Revisiting this movie for the first time since I saw it in theaters… it’s not bad. It’s fine! It continues to have the heart and sincerity that make the first two movies work. It’s just not as concise with three villains vying for the spotlight, but I also wouldn’t cut any of them, necessarily. I guess Eddie/Venom would be the easiest, but Peter getting the black suit and giving in to his resentment feels too central to cut. (Yes, even with Emo Peter becoming a meme.)

9/28: Adventure Time: Fionna and Cake - I wasn’t really sure what to expect with this one, especially since I was never really a fan of the genderbend episodes in the original show. (At the time they mostly just felt like an excuse to crank up the teen romance stuff to 11.) But MAN. This was a fantastic coda to the original series. It made me care about Fionna and Cake and their friends as their own characters separate from their original counterparts, it gave the Simon/Betty arc a much more satisfying (if no less bittersweet) resolution than the original finale had time to do, and it even managed to be a multiverse story that didn’t make me roll my eyes in 2023. A+ all around. Makes me wanna rewatch the original show again. [spoiler: I did]

9/29: Meanwhile (aivi & surasshu) - It’s been a whole decade–they were busy with, you know, all the music in Steven Universe, among other things–but we finally have a new aivi & surasshu album! Their chiptune/piano fusion style is familiar, but they’ve definitely grown as composers in subtle ways. Favorite track: Time Travel

October

10/1: This is Financial Advice (Folding Ideas) - A lot of the nitty gritty finance law stuff turned into white noise for me, but still, great video. I had no idea that the GameStop stock craze devolved into this bizarre cult that thinks they’re going to crash the global economy and rise from the ashes as the new kings with the value of their GME stocks. Glad this video exists to try and balance out the narrative.

10/5: Sonic Frontiers: The Final Horizon DLC - Good ideas, absurdly frustrating and tedious execution. Full thoughts here.

10/10: Spider-Man: Into the Spider-Verse (rewatch) - I didn’t plan this, but very fitting that I would end up rewatching this on 10/10.

10/12: Half-Life Alyx but the Gnome is Self-Aware (wayneradiotv) - ha he! (Seriously though, that finale was a fucking masterpiece. The RTVS crew has an incredible knack for using the framing device of video game livestreams to blur the lines between comedy and horror, or ironic anti-humor and complete sincerity. I’ve never seen anything else like this.)

10/15: Spider-Man: Across the Spider-Verse - Not sure how much I can say that hasn’t already been said. The most visually creative movie I’ve ever seen, grounded by some really excellent storytelling about Miles (and now Gwen) that’s probably better than his actual comics. But it also does feel like it’s about to end and then the movie just keeps going like ten times over lmao. Can’t wait to watch this a second time on a better TV.

10/20: Sonic Superstars - A mostly really solid and fun 2D Sonic game that’s unfortunately dragged down by an extremely hodgepodge soundtrack and some overly drawn out boss fights. I spent HOURS trying to beat the final boss of the bonus scenario (which is required for the true ending in this one) before giving up. Really a shame that that’s the note I’m leaving the game on, because I otherwise enjoyed it, but ah well. More thoughts here.

10/27: Marvel’s Spider-Man 2 - Another good Spider-Man game from Insomniac. Liked the story more than the one in Miles Morales, but maybe not as much as the first game. Extensive thoughts here.

10/28: Venom - Was in the mood for more Venom after the game. As expected this was not a very good movie, but the dynamic between Eddie and Venom made it a fun watch. Tom Hardy is constantly about to shit his pants in this movie. It’s great.

10/28: Venom: Let There Be Carnage - I had a way better time with this one. Is this a good movie? No. But it cranks the insanity of the first movie up to 11. Goofy as fuck in an extremely watchable way.

November

11/5: Pluto - An absolutely masterful series that anyone interested in sci-fi needs to watch. The anime adaptation was great, and I immediately understand why people who’ve read the manga speak so highly of it. Really makes me want to get into Astro Boy more, and also read some of Urasawa’s other works.

11/18: Scott Pilgrim Takes Off - Wow, just wow. When news of a Scott Pilgrim anime broke I was cautiously curious to see if we’d get a more direct adaptation of the comics, and instead it veered off in the exact opposite direction in the best way possible. This is almost entirely a different story, one that’s in conversation with the previous versions (sometimes in very meta ways), and I think it’s really valuable to see O’Malley revisiting these characters with new things to say about them. The major story divergence gives us a chance to examine the characters from a new angle - particularly Ramona, who’s the real protagonist of this version, and the evil exes, who completely steal the show. This was a great reminder of why I fell in love with this series as a teenager. I now genuinely hope we get more Scott Pilgrim.

11/22: Void Rivals (Issues #1 - #6) - The first arc of the new Robert Kirkman series that kicked off Skybound’s new “Energon Universe” is now complete, and I’m left thinking Void Rivals is… okay? I thought the first issue was a decent (if not particularly original) sci-fi comic with an appealing art style, which just so happens to also briefly have a Transformer in it so there can be a Big Surprise. And the series still hasn’t quite shaken that feeling to me. It’s an okay sci-fi series that arbitrarily dedicates a couple of pages of every issue to something from Transformers, but I’m not really sure what the shared universe stuff adds to Void Rivals, or what Void Rivals adds to Transformers and GI Joe. I guess we’ll have to wait and see.

11/22: Journey to EPCOT Center: A Symphonic History (Defunctland) - Yeah, gotta be honest, I only got halfway through this one. It seems like Kevin just 1) really wanted to push himself creatively and 2) make a love letter to Epcot, and while I respect that, I think it suffers as a historical documentary. It’s Fantasia but for the creation of Epcot. That might be very impressive on a technical level, but it feels more like a piece of Disney propaganda than prior Defunctland videos due to a lack of context and nuance. 

11/24: Aperture Desk Job - A short, sweet, and funny little tech demo for my new Steam Deck set in the Portal universe. More effort was definitely put into this than was strictly necessary.

11/26: ESCHATOS - I am not good at bullet hell games, but I enjoy them from time to time and I really love this one’s FM synth soundtrack, so I picked it up on a whim in the Steam sale. I only beat it on Easy, but still, I had a lot of fun with it! It’s straightforward but very flashy, with the camera dynamically zooming around from set piece to set piece at ridiculous speeds and each level segueing directly into the next. The lack of a powerup system on the main mode in favor of just needing to know when to use your different shot types makes it feel very approachable.

11/27: Lunistice - A great little 3D platformer with a good soundtrack that I had fun hunting down all the secrets in. This is an easy recommendation for fans of games like Kirby or Klonoa - whimsical games set in colorful dream worlds where the underlying story can get a bit more somber. (Although the story in this one is mostly told through mildly cryptic lore dumps, so your mileage there may vary.)

11/28: Spark the Electric Jester 2 - The leap from 2D to 3D here is impressive, but this is very clearly a rough draft for Spark 3. Very, very fun Sonic-style 3D platforming, but the combat is lacking and the storytelling is just kinda bad. More extensive thoughts on this and the above two games here.

December

12/2: Fortnite (Chapter 4) - This was my first full chapter of Fortnite, after having been roped into the game by the siren songs of Zero Build mode and Goku during Chapter 3. This means it’s harder for me to compare this chapter to previous ones, but still, Fortnite remains a genuinely very well made Battle Royale shooter that’s a blast with friends. If I have any complaint about this Chapter, it’s that they would regularly introduce zany ideas and then slowly reel them back in, whether it was the Augment system or the increasingly mundane movement items. It also felt like it was a little too easy to get the perfect loadout in every match, meaning the final showdown would almost always be against players with Slurp Juice and gold shotguns. And I missed the smaller mid-season map updates of Chapter 3. But overall I still had a really good time, and look forward to playing more for the foreseeable future.

12/4: Plagiarism and You(Tube) (HBomberguy) - This will get written off by many as “YouTuber drama,” but this really is an excellent video essay that feels like the kick in the pants that YouTube needs. If video essayists are gonna be a major source of information for so many, then they gotta have standards. I also think it does a good job of highlighting the people that have been plagiarized and trying to drive more attention their way in an attempt to right those wrongs.

12/6: Transformers (Skybound comic) - We only got the first three issues of this in 2023, but I just HAVE to say something about how incredible this series is here. Daniel Warren Johnson is knocking it out of the park. This is the new bar for Transformers. The hand-inked art is extremely dynamic and full of character, and the story is using the familiar beats of G1 Transformers but doing very new things with them. You can tell this from the very first page, but the emotional scene of Optimus accidentally crushing a deer in the forest and realizing how fragile life is on Earth sealed the deal for me. And yet in the very same comics Optimus can do suplexes and clotheslines and lord knows how many other wrestling moves on Decepticons, and it doesn’t feel like tonal whiplash? These comics just fucking rule, and anyone with even the slightest interest in Transformers should be reading them.

12/8: What We Do in the Shadows (Season 5) - [spoilers] WWDITS has very much settled into being a status quo show. Every season has its own little arc where one or two things change to keep things interesting, but then everything returns to normal by the end. Guillermo finally becoming a vampire, only to become a human again in the end, might just be the most egregious example of this yet. But also… the show’s still really funny? And I continue to be happy that Kristen Schaal has stuck around as a series regular as the Guide. So it’s hard to complain. I could see the show running out of steam over the next few seasons, but it’s still hitting for me right now.

12/12: Pony Island - Finally got around to this since the trailer for the sequel dropped. I feel like playing this years later in a post-Inscryption world where Pony Island is a known quantity kind of lessens its impact, but still, it’s a fun and funny puzzle game where you try to hack your way out of a possessed arcade machine. I’m not sure I found it particularly scary, but I’m not sure it’s supposed to be? The way the game messes with you during the Asmodeus “boss fight” was probably the highlight for me. I also like being able to say things like “The part where you have to not kill Jesus was so hard. I kept getting terrible butterfly patterns.”

12/16: Breaking Bad VR but the AI is Self-Aware (wayneradiotv) - As always, Wayne and co.’s commitment to the bit is unrivaled. This kind of got interpreted as just a way to troll HLVRAI fans, but so many moments in this genuinely made me laugh out loud.

12/18: Soul of Sovereignty Prelude - As someone who would list Cucumber Quest as a big creative influence, I was naturally very excited for this first chapter of GGDG’s new visual novel. Their mentality of both scaling things back in terms of labor while also going more shamelessly self-indulgent in terms of storytelling after burning out on making webcomics has really spoken to me, and WOW, the end result of that new process of theirs is shaping up to be something really special. The art and music are sparse but extremely evocative, giving you the rough sketch of the world and letting your mind fill in the rest. The story blends literary high fantasy vibes with the style of fantasy seen in ‘90s JRPGs (you can definitely tell this came from an idea for an RPG), but rather than constantly winking at the audience and making self-aware video game references it plays these storytelling ideas extremely sincerely, giving them real dramatic weight while still indulging in fun tropes to their fullest extent. While it’s a far cry from their most famous work with much more mature content, GGDG always excels at creating characters and worlds that immediately grab me. I can’t wait for the rest.

12/18: Barbie - I’m only… what, five months late for the whole Barbenheimer thing? Perfect timing. Anyway! On the one hand, I get the critiques saying that this movie is just a major corporation funding a self-aware feminist critique of their own product as a marketing ploy. And I kinda agree with that. And the movie is a little too long, and I don’t really know what to think of the way the Barbie/Ken conflict plays out. Anthony asked me to summarize what the story ended up being about, and I had no idea what to even say. But also… I did still like the movie? We don’t get a lot of cartoonish, absurdist, fourth wall breaking comedies like this anymore, and this is a good one of those. Also the whole cast is great, the set design is kind of stunning, and the cinematography is consistently appealing. I wouldn’t say it’s a revolutionary work of feminist filmmaking by any stretch, but it’s a good comedy movie.

12/21: Dr. Stone: New World - Man, Dr. Stone is great. I’ve said this many times, but I just love that this series uses all the trappings of shounen that would normally be used to hype up the protagonist learning a new move to instead hype up things like the protagonist building a loom or a hot air balloon. It’s shounen Bill Nye. I didn’t completely love everything about the Treasure Island arc this season, but it all built towards a really fun climax with a lot of satisfying turnabouts where the heroes use their ingenuity to just barely win.

12/23: The History of Mike Tyson’s Punch-Out World Records (Summoning Salt) - Truly one of my favorite Summoning Salt videos ever, even with how repetitive Punch-Out can get to watch. It’s just so hard to beat “and that runner… was me.”

12/24: Super Mario Bros. Wonder - What more can be said that hasn’t already been said? It’s the best and most creative 2D Mario game since the ‘90s. The only real flaws are that it’s a little easy, the Search Party stages are annoying in singleplayer, and I wish that every boss prior to the final boss wasn’t just some form of Bowser Jr. fight. But those aren’t nearly enough to drag the whole experience down. It was a blast.

12/24: Do a Powerbomb! - Got this from Anthony as a birthday present. This is the previous series by the creative team currently doing the new Transformers comics I was gushing about a few entries ago. Even with the high bar set by those comics, Do a Powerbomb! exceeded my expectations. Holy shit. An absolutely entrancing fantasy wrestling miniseries full of dynamic, energetic action and tons of heart. These comics where a guy wrestles a giant talking orangutan almost made me cry. Twice. An instant favorite.

12/25: Adventure Time (rewatch) - We ended up finishing our rewatch of Adventure Time (the main series, anyway) on my 30th birthday, which feels appropriate. I already kinda knew this, but this rewatch has truly confirmed that Adventure Time is my favorite TV series of all time. The entire show is even better on a full series rewatch. In hindsight, even parts that annoyed me when they aired end up being important parts of the beautiful tapestry that is this series. The many low points of Finn’s adolescent love life are important stepping stones in his growth as a person, which leaves him in an extremely satisfying place by the end. Jake having kids didn’t get to be a huge status quo change because they grew up instantly, but then they did a bunch of fun episodes about Jake’s relationships with his adult children that deepened him as a character. And most of the big lore questions they kept teasing over the years (“Where’d the humans go?” “Who are Finn’s parents?” “When’s Finn gonna get a robot arm?” etc.) ended up getting satisfying and creative answers, because the show left itself the room to figure those things out later. This is a truly special, one-of-a-kind series, one that lasted nearly 300 episodes and yet still seems like it was over too soon. And yes, I did in fact cry during the final montage, like I knew I would. I will always cherish this show with all of my heart.

12/25: Olive the Other Reindeer (rewatch) - Haven���t seen this one since I was a kid! It was a favorite of mine back then, and while it might not be quite as funny as I remember it’s still very cute, with a 2D/3D hybrid art style that remains very unique and appealing. As an adult I can also appreciate the cast they got for this, with like half the cast of Futurama bolstered by guests like Michael Stipe from REM and The Sopranos’ Joe Pantoliano.

12/26: Guillermo Del Toro’s Pinocchio - Anthony and I capped off our Christmas with the most jolly and festive stop motion movie of all! Jokes aside, man, what a beautiful movie. The animation is immaculate, and we really just don’t get children’s animated films like this anymore. Ones that overtly feature real world politics and religion and so many other dark themes in a way that doesn’t talk down to kids or sugarcoat things. This one hits hard. We need more movies like this.

12/31: Oppenheimer - This was an interesting one. Despite being three hours, the way that first hour jumps around in time makes it feel like Oppenheimer is constantly being propelled forward through life at a breakneck pace, swept up by the rising tide of nationalism in spite of his personal left wing politics, never really reflecting on what he’s doing until it’s too late. Then when he’s no longer useful to the empire, he’s chewed up and spat out, only to eventually be honored as a national hero as a symbolic gesture. It’s a compelling story. However, I’m a little torn on how certain aspects of history were framed. Does the abstraction of the bombings detract from the true weight of those events, in favor of sympathizing with the man who built the bomb? Or is it clever a way to show how the realities of the war were compartmentalized away by people who were complicit in its most heinous acts of violence? One minute a bunch of physicists are talking theory, thousands of miles away from the theaters of war, and the next they’ve killed 200,000 people. So which is it? Eh, probably somewhere in the middle, I guess. But I liked it overall.

12/31: Kirby’s Return to Dream Land Deluxe - I’ve been really surprised by how good this rerelease is. It kind of flew under the radar for me. I liked the original game, but at the time it also almost felt like the New Super Mario Bros. of Kirby. It was a straightforward throwback game where you went through a grass world, then a desert world, then a water world, etc., and also they added four player co-op. But returning to this one after the kinda mid Star Allies has made me appreciate just how solid RtDL is as a Kirby game. I really like the updated graphics, too - yes, even the new cel shaded outlines around the characters - even though I didn’t think it looked that great in screenshots. Also the two new copy abilities (Sand and Mecha) are fun, the minigame collection is shockingly fleshed out to the point that they could’ve sold it as a standalone eShop game, the collectible character masks are fun, and the new epilogue mode where you play as Magolor is one of the coolest bonus modes they’ve ever done. This is a top tier Kirby remake any fan of the series should check out.

Ongoing things I followed in 2023 that don't have a blurb:

Halo Infinite multiplayer

IDW Sonic the Hedgehog (main series + specials)

One Piece

Chainsaw Man

My Hero Academia (not caught up)

The JOJOlands (not caught up)

Things I started in 2023 that I still need to finish:

Freedom Planet 2

Hi-Fi Rush

Live A Live

Super Monkey Ball: Banana Mania

Star Wars Jedi: Fallen Order

Picross 3D Round 2

Rhythm Heaven MegaMix

Mega Man Battle Network 5: Team ProtoMan

Ratchet & Clank: Rift Apart

Spark the Electric Jester 3

Sonic Dream Team

One Piece (Wano arc, anime)

Jujutsu Kaisen season 2 (I’ve already read the Shibuya arc already in the manga, though)

Astro Boy (2003 anime)

Futurama (original run rewatch)

One Piece (manga reread)

The Amazing Spider-Man (Lee/Ditko era)

Scott Pilgrim series (reread)

And finally... my favorites of 2023!!!

Overall favorite game: The Legend of Zelda: Tears of the Kingdom

Favorite indie game: Pseudoregalia

Games remastered in 2023 that are now among my all-time faves: Ghost Trick: Phantom Detective, We Love Katamari

Most pleasant surprise in gaming: The Murder of Sonic the Hedgehog

Favorite film: Spider-Man: Across the Spider-Verse

Favorite live action show: Barry

Favorite anime: Pluto

Favorite anime written by a Canadian guy and an American guy based on the Canadian guy's old graphic novel series: Scott PIlgrim Takes Off

Favorite live action adaptation of an anime that I still can't believe they didn't fuck up: One Piece

Favorite Western cartoon: Adventure Time: Fionna & Cake

Favorite older cartoon I only got around to watching in its entirety this year: The Venture Bros.

Favorite documentary: Double Fine PsychOdyssey

Favorite semi-improvised semi-scripted absurdist comedy/horror/tragedy Twitch livestream performance art thing: Half-Life Alyx but the Gnome is Self-Aware finale (wayneradiotv)

Favorite manga: Chainsaw Man

Favorite older manga that I only read this year: Berserk

Favorite Western comic book: Daniel Warren Johnson's Transformers

Favorite album: HELLMODE (Jeff Rosenstock)

And that's a wrap!!!!! Happy new year, everyone! Here's to me maybe actually reading a goddamn book this year

[cringefail-clown]

Jakehal is very fun. But why dirkkri? I dont understand what's appealing about it :? confused

theres a lot of things i like about dirkri and honestly i dont even know where to start lmfao

first of all, and its mostly a funny reason - davekat on crack. like some traces of davekat are still there - the arguing about shit, stoic facade vs emotional mess, all the good stuff, but its also so much more exaggerated it makes it this much more ridiculous. gets even better when you consider them under the lense of swap aus like alphaswitch or tbau, where they land on the meteor together. theyre most likely hunting each other for sports by the year two

second of all, the funney. theyd be so fucking funny together. their smallest arguments would take like twenty pages of non-stop flow of red-orange text to resolve, and not because they came to a consensus but because some third party physically dragged them away from their electronics. it doesnt do any good, since it only gives them both time to think over new arguments to use, and theyre back at it as soon as they get their phones back. like if we had a tournament about which ship would do the most collateral damage to the overall group, i think these two would be Up There. karkat would gauge his eyes out from frustration, because now not only does he have to deal with his piece of shit, know-it-all other self, but now theres also Fucking Dirk thrown into the mix. their home life is absolute insanity, a small jab about the other forgetting to buy sugar once again devolves into a screaming match about the merits and flaws of communism or some other inane shit. and theyre doing it for fun, they enjoy debating with each other, because often times they have vastly different opinions, and comparing their beliefs challenges them intelectually and morally. from the outside perspective theyre one of the most dysfunctional pair in the paradox space, when in fact thats simply how they want their relationship to be, and it makes them better people overall.

third reason is that theyre thematically delicious. dirk is a control freak, micromanaging his and his friends constantly. hes terrified of losing control, but hes also desperate for someone to just tell him what the fuck he should do. dirk doesnt think he should be in control of others, because he believes hes a naturally evil person capable of horrible acts, at the same time he doesnt trust anyone else to get things done but himself. hes a whole collection of contradictions.

kankri desperately needs to be in control as well. hes constantly injecting himself into conversations he has no business being in, trying to find someone thatd listen to what he has to say. hes wants to guide others, but his efforts are flawed, because he doesnt listen to other perspectives - hes got tunnel vision, as he thinks hes the one in the right while everyone else is wrong or ignorant (cringefail seer literally). he doesnt trust anyone else to make decisions for him, and becomes defensive when he thinks others are attempting to coddle him. his ass was definitely culled on beforus.

theyre also both so fucking lonely. dirk conciously tries to put difference between himself and his friends, worrying hell "corrupt" them. kankri tries to connect to his friends, but his behavior alienates him from them to the point of no one except maybe porrim want to have anything to do with him.

my point is, kankri wants to guide people but has to learn to listen to others and reflect on his own flawed opinions. dirk has to learn to trust that people closest to him can get shit done on their own and loosen up, as well as realise hes not evil at the core. them helping each other out - dirk teaching kankri about different perspectives, kankri teaching dirk about letting others do their thing - is something i think about a lot.

also i like to think theyd spar for fun a lot as well. its not really a reason and wholly my own personal headcanon but i wanna mention it as well bc its so funny to me. i like the idea of kankris behaviour being a complete reverse of karkat - where karkat is all bark no bite and doesnt like fighting or violence, kankri puts up a front of the beacon of love and peace and tolerance, but in his free time he gets his rifle and goes shooting at the fucking squirrels or some shit. i think he wouldnt have the same qualms about strifing as karkat. like dirk would try to jokingly jab his finger at kankris side and he would just fucking flip him over his shoulder and onto the table breaking it in half, because he doesnt like being touched unexpectedly and by gods dirk when will you fucking learn. he goes from 0 to 100 real fast. its such a hysterical concept for me.

[year2000electronics]

Are bud and honey good parents In your reverse au?

YES THEY ARE (i assume you mean mrs gleeful (i guess mrs pines in reverse falls lol) cos my headcanon name for me is Hope :] close enough) they’re definitely a bit of a dysfunctional family in canon gravity falls and a lot of people speculate on stuff but i don’t really think they’re monsters or anything. they’re just a group of people in a small town whos kid found an amulet that made him even worse and things just went out of control from there. for the record i don’t buy into any of the batshit stuff people tend to theorize about mrs gleeful i think she’s just stressed out and has given up on trying to salvage any sense of normalcy 😭😭 especially cos her husbands kinda gideon’s main mentor with the showbiz stuff

OH MY GOD OKAY IM RAMBLING this is supposed to be about reverse bud and hope i need to calm myself.

but yeah since gideon isn’t the one in the tent of telepathy this time he’s not a showbiz kid so their relationship is pretty sweet :] though bud does love to use gideon in his business endeavours (he switches them constantly, bud’s auto + shack of mystery is only his most current venture) where like. y’know how sometimes marketing people will tell you to hold a cute animal to seem approachable? yeah bud will hold up gideon like “look how cute my son is :) do you want to buy a used car”

gideon loves his parents but because of there not really being any kids his age in town he hangs around them maybe TOO much. he loves watching rodeos on tv with them and goes to estate sales with bud to buy clowns. they have to drive to the next town over to go to church every sunday. all that. at the end of the day he’s their lil cowboy :) they just wish he had some more friends his age (which is why they very happily accept paz into their home for the summer)

[ofpd]

yes i would love an exr fic rec list ‼️

ok then here are some of my faves & why i like them! putting them in alphabetical order so i don't overthink the order lol

Beautiful & Good by @riotstarruika

possibly the only canon era fic i've read about enjolras and grantaire in a healthy & functional relationship—something that has to be earned in order to be realistic, and this fic earns very well. it explores both characters so interestingly and thoroughly and overall is so lovely to read.

epiphany by Abidatchery

i really love the specific ways in which they fail or refuse to communicate here, but slowly grow to see each other a bit better when forced to by circumstance. this fic also has such a distinct atmosphere that it's both about les amis & all of paris having a wild time, while it slowly focuses more on enjolras and grantaire as they start to be more in their own world with just each other.

Eyes to Serve, Hands to Learn by @myrmidryad

94k words about enjolras and grantaire doing bdsm in really interesting ways & developing their relationship! this fic is what really got me obsessed with exr bdsm & developed my thoughts about it a lot. also i like to refer to it as "enjolras is hot au" bc well he's so much hotter than the celibate & insane about sex & naturally blond enjolras we know from canon lmao

If Truth Is North by @lesamis

who doesn't love a road trip between two people whose thinking and communication styles are fundamentally deeply incompatible! this fic really gets at enjolras and grantaire's psyches in such interesting, nuanced, and insightful ways; they clash so perfectly but slowly begin to understand each other & help each other grow.

Into the Light by AnarchyLuvver69

ok so enjolras and grantaire only really see each other when they die......so what if they became ghosts & processed everything over the course of decades while watching over france

It's Not the Same Anymore by @shamedumpster

i love how much care this fic puts into all the characters and how it balances being quite heavy at times with being heartwarming and loving throughout. also despite its length i've read it over the course of just a couple days multiple times lmao

On the Path to Elysium by @thevagueambition

grantaire characterization of all time to me! he's so assholeish at times and depressed and dysfunctional but clearly deeply caring, especially towards his friends. also an impressively-researched exploration of canon era queerness and all the different ways that les amis relate to it.

Stages Of Light by fallingvoices

the thing about this fic is that it's crazyyy it has the kind of lack of communication between them that i love and the vibes are so off-putting in such a good way and overall well i just really love when authors are brave enough to make them really not work well together except maybe when it comes to sex

You never have to wonder; you never have to ask. by gamesformay

a fic about les amis surviving a modern au version of their failed rebellion and having to figure out what comes next, and enjolras and grantaire having to figure out what their relationship is after having thought for a moment they were going to die together. some really amazing vibes that give the impression that you're reading about a group of friends with real history together and catching a snippet of their lives in paris.

this is just a few of the fics i've really enjoyed; you can check out my bookmarks for more if you'd like!

[mcyt-trios]

PROPAGANDA:

Gaslight Gatekeep Girlboss:

Listen to me closely. There is no other alliance on the whole Traffic series as based as them. They did EXACTLY what they set out to do. Did they Gaslight? Oh fuck yeah. Did they Gatekeep? You better believe it. Did they Girlboss??? By the good grace of god they did!!!!!!! They are simultaneously the blueprint for every trio of mean girls in a 2000s high school movie and the most genuinely devoted alliance on the whole server. They trust and respect and love each other in ways beyond mortal comprehension. Vote them please I'm begging you.

They were an absolute powerhouse! Also also, Cleo finding herself a group of people who were properly loyal to her after being betrayed for the healing arc. Scott telling them he was the boogieman and refusing to kill even if it meant going red. They're just so hhhhhh

cleo is gaslight (setting things on fire), scott is gatekeep (protecting the base), and pearl is girlboss (girlbossing).

Quite possibly the most ride or die alliance of Last Life. Consistently sharing lives, helping each other get boogey kills, refusing to hurt each other… they were just such a feel good team up for the entire series :] and then they kicked Pearl out in double life :]

Listen they are the EPITOME of ride or die. They love each other so much during that time. Do you hear me. Dear God they are the most precious

Best faction on Last Life. Set the template for pretty much everything Scott and Cleo do together, and set us up for 5AM Pearl.

Boreal Trio:

look. look okay so youve got two battle hardened at least mildly immortal warrior brothers-in-arms slash best friends slash partners for life, and then youve got this anxious, queer wet cat of an enderman who lives in their shed. oooh my god this is gonna be so incoherent im so sorry. ranboo was doing soooo awful when doomsday happened and both techno and phil immediately went him. that one. he needs to be safe and supported and away from all of this he should come with us. only if he wants to. and he did want to!! he was soo anxious but he got more confident!! none of them are great at expressing their feelings verbally (techno is but he also does other things) so they do it in other ways! phil rushing over as soon as he hears ranboo CLOSE to water because he knows it hurts him! techno moving the prison break up from 'some time soon i guess' to 'now now we are leaving now we are doing this RIGHT NOW' as SOON as ranboo gets detained!! avenging his ghost, throwing any and all hesitation about tubbo away to work with him because that was what ranboo wanted, that was what he asked. always checking in and making sure he was okay. all three of them are soooo dysfunctional but i love them so much. think of the mansion raid streams!! techno and ranboo off adventuring, phil taking care of the animals and getting up at 3am real time to trigger their stasis chambers!! they care about each other all so fucking much and they are a family! please vote for them i will be very sad otherwise :(

[lakesbian]

i was pondering some Thoughts about how people sometimes refer to worm as a "found family" story (& how this is sometimes mocked), how in-text alec explicitly says that the undersiders are the closest thing rachel has to family, how taylor tells them "you're my family, in a way," how the found family trope works in general, etc.

access to financial support, housing, medical care, And So On, is primarily attached to the institution of the family. the material necessities provided by membership to a nuclear family are why it's so common for people to reconcile with or keep in touch with family members they wouldn't if there was no material value attached to that relationship. the cultural prioritization of the nuclear family is how we get people offering "well, they're family" as an explanation for remaining associated with someone they wouldn't otherwise care about (or would even actively be trying to escape from, but this post is more about just Social Incompatibility in families than the outright abuse that the structure enables), with the expectation that the explanation is considered to make inherent sense.

aside from the found family trope demonstrating a lack of imagination about non-familial ways important relationships can take shape/demonstrating an inability to see relationships as truly important or deep unless they mimic the nuclear family, i think a lot of what appeals about the found family trope is a character dynamic that provides the same support, security, and undying love/depth of connection that the idealized nuclear family is purported to--and that does so as an escape from and superior replacement to the original blood family.

and what's interesting about the undersiders is that they're extremely not that. they're terrible at communicating. many of them don't get on with each other very well. they're oftentimes even actively shitty to each other: everyone but taylor towards rachel, brian towards alec (and aisha, but she's actually related to him), taylor towards alec and aisha. but there's still repeated in-text acknowledgement of a supposed familial dynamic between them! i think they're a "found family" in the sense that their group imitates the general role of the nuclear family--a small unit of people who (are supposed to) function as each other's fundamental supports in a world that, at large, does not care about any individual member, and who (are supposed to) do so regardless of any internal conflicts or lack of compatibility.

like, this is not a particularly articulate analysis of the nuclear family Whatsoever, but i don't think it's inaccurate to say that the compelling thing about the undersiders is that they are a "found family," but specifically in the sense that a lot of their dysfunctions are reminiscent of those found in typical, real-life familial bonds--people who wouldn't necessarily be getting along otherwise, or are even actively sorta bad for each other, forming very deep & intimate connections simply because they're materially forced to spend a lot of time together and have each others backs when there's no guarantee anyone else will.

for example: alec and aisha call taylor + brian 'team mom and dad' in a mocking manner not to indicate that they're kind/caring, but to indicate that they're being condescending micro-managing assholes...who aisha and alec are going to unquestionably listen to anyway, because they're a team, right? and you have to listen to your team leaders. i am onto an Observation here i think. deeply compelled by the idea of a ""found family"" where all of the similarities to an actual nuclear family are, despite being what drives the intimacy, also blatantly fucking dysfunctional

[posttexasstressdisorder]

The GOP’s 43-year tax-cuts-for-billionaires-while-we-ignore-the-needs-of-the-country grift has an analogy in condos and homes across America that might help voters understand how it works and how they’ve gotten away with it.

Fully 84 percent of all homes and apartments built and sold in 2022 came with a homeowner’s association (HOA), and an estimated 27 percent of all homeowners nationwide currently live in a property controlled by an HOA.

And many are very unhappy about the experience.

According to a survey by Rocket Mortgage, only 47 percent of HOA residents think their HOA has made their community better, only two-thirds (64%) believe their HOA “honestly handles its finances,” and one in ten people nationwide who have an HOA cite the HOA itself as their main reason for moving.

How and why is this?

Louise and I have lived in five communities with HOAs in two different states. Three (including where we now live) were well managed, kept up the community, and set aside money from the dues every month for the inevitable future maintenance. I was on the board of one of them. The other two ran, essentially, a shell game or reverse Ponzi scheme, which led us to eventually quit those communities and move.

READ: Deep-red 'Republican stronghold' thought to be 'easy win for Trump' is now a swing state

I remember attending a board meeting in one of those “shell game” HOA communities we’d lived in. There were multiple common-area maintenance issues needing attention, but a group who called themselves “low-tax conservatives” had run the board for over a twenty years.

There was almost nothing in reserves, so maintenance had been continuously postponed until things hit a crisis level. Then they’d hit us all with a series of “special one-time assessments” ranging from a few hundred to a few thousand dollars to pay for the upkeep. They refused to raise the monthly HOA fee, referring to it as a tax, because, they said, they were “low-tax conservatives”; in fact, they were just cheapskates.

That HOA board had been, in the past and the present, stealing from future homeowners.

They did it so they could enjoy the community during the first 30 or so years — when maintenance costs were minimal — without setting aside money for the future, when things would rot or wear out and need replacement or upgrade.

For the first three decades, they were able to coast with $200/month in dues and no assessments; by the time we arrived when the units were pushing 35 years old, though, the assessments were hitting $3000 to $9000 a year, and, when the buildings’ roofs need repair (soon) it’ll be twice that amount or more.

Fortunately, once we saw the handwriting on that particular wall we were able to sell our condo and move to a well-run community. Americans, though, don’t have that option: Republicans have been running this same shell game or reverse Ponzi scheme against all of us (except the very rich) across the entire country ever since Reagan successfully pitched trickle-down economics to the nation in 1981.

If you’ve ever lived in one of these shell game HOA’s, you now perfectly understand Reaganomics and why it seems that America has deteriorated so badly over the past 40 years.

You could call it the disaster of pothole economics: all across America, roads, bridges, water systems, schools, and other vital public infrastructure have been underfunded and neglected ever since Reagan popularized the idea of “austerity” among Republicans.

In order to pay for the second most massive tax cut for the morbidly rich in history (Reagan cut the top tax bracket from 74% down to 25%), his administration cut spending on education, housing, roads and bridges, and pretty much every other aspect of America’s infrastructure. George W. Bush did the same thing, and Donald Trump tripled down on the scheme.

The result was a $51 trillion transfer of wealth — over a mere forty-three years — from the homes, retirement accounts, and savings of average working families into the money bins of the extremely wealthy. Thirty-four trillion of that transfer show up as our national debt, which was a mere $800 billion ($0.8 trillion) when Reagan first came into office and started this scam.

President Joe Biden and his Vice President, Kamala Harris, ran the first administration of either party to significantly repudiate Reagan’s neoliberalism by injecting trillions into rebuilding our nation (over 35,000 projects) while raising taxes on rich people and corporations to pay for it.

The result was immediately visible, just like in the 1940s, 1950s, and 1960s: we now have the best economy on planet Earth with unemployment lower than any time since the 1960s (and lower than any time in history for women, Blacks, and Hispanics). Inflation has been at or below 0% for the past two months and is annually running around 3% (Reagan never got inflation below 4.1% in his entire 8 years); all across America we’re putting our rural areas, towns, and cities back together.

For the past forty years, Republicans and their administrations have focused almost entirely on taking cash away from working class people and handing it off to the billionaires who own and finance their party. At the top of the list of ways they did this was a series of five tax cuts for the morbidly rich and big corporations adding up to over $30 trillion since 1981.

But they’ve also been cutting spending to compensate for their tax breaks for the billionaire class: They blocked extending the child tax credit this year, throwing millions of American children back into poverty. They’ve fought lifting the cap on Social Security taxes so people making over $168,600 will begin paying on all of their income (millionaires and billionaires currently pay only a tiny fraction of the percentage to support Social Security that the rest of us do).

Fully 100% of congressional Republicans voted against Biden’s Build Back Better program that’s now putting America back together and his American Rescue Plan that lifted millions out of poverty and put millions more back to work. They successfully blocked the Paycheck Fairness Act that would have penalized employers for wage discrimination based on gender; they’ve refused to expand Medicaid in almost a dozen Red states; they even filibustered an attempt to raise the minimum wage from $7.25 to $10.10.

For the past forty-plus years, Republicans — just like these dysfunctional HOAs — have been stealing from America’s future; our infrastructure deficit alone is several trillion dollars, meaning Americans will be paying more in taxes to make up for all those decades of neglect.

Democrats want those tax increases to hit people earning over $400,000 a year; Republican tax proposals, on the other hand, mostly focus on increasing income taxes and fees on working class people while continuing or even expanding tax breaks for the very wealthy.

One of the “low tax” HOAs we used to live in, instead of raising their monthly fee or instituting an assessment, recently negotiated a million-dollar-plus 20-year loan with people’s properties as the collateral to fund painting and repairing serious rot on the buildings.

This should have been paid for with an increase in HOA fees twenty years ago, anticipating the future maintenance and upkeep needs.

But instead they kept the fee low, never built up a reserve, and are now borrowing from the bank. In other words, they’re continuing the all-too-common HOA board scam of requiring future generations to pay for current repairs, just like the GOP budget proposals we’ll see when they return from summer vacation in September will require future generations to pay for their past tax cuts.

It’s the equivalent of Reagan, Bush, and Trump jacking up the national debt to keep things glued together, forcing future generations to pay it off when the bill comes due, while their wealthy corporate funders rob us blind.

Homeowners across America are waking up to these toxic HOA boards, as social media sites for HOA members are forming and local homeowner uprisings are happening against boards, either replacing the board members or, in some cases, even suing them. Some states are even starting to require they build up reserves for future maintenance.

Hopefully, Americans will realize how successfully Republicans have inflicted this very same scam on voters and working class people over the past forty-plus years and vote the bums out this fall.

ALSO READ: Mike Johnson's now-deleted Trump social media post sparks controversy

[its-in-the-woods]

Chapter 2 of down the rabbit hole

Chapter one here chap three

MDNI

Pairing: Walton Goggins x You

Rating: Not much for this, brief mention of SA, mention of alcohol.

Slow build like novel damn length okay, Very Fluffy, Pinch of Angst, Relationship Development, Hurt/Comfort, Older man/ Younger(30s) women, Alternative universe, fictional work (IDK WHY BUT I AM PUTTING IT) Probably more as I go.

Synopsis: Working in film as a make-up artist is hard enough, but then Walton Goggins requests you, well it's way too easy to fall down the rabbit hole.

Note: they are both single, all for fun.

WARNING I do not have this all written out, I do have it plotted out, but it may be a little slower for chapters to come out. Please bear with me. If you know a Beta to edit please send them to me.

*Before we get into things. Thank you 100x for all the love. It means the world to me*

Somehow four weeks have slipped by. As always, TV series runs like a machine on fire while driving through a snowstorm. Long days, and even longer nights. You wonder briefly why you chose a profession that meant you average four to five hours of sleep. But then Walton brings the whole trailer their favorite coffee and you just shrug the thought off. Working with the cast and crew was like being in one big dysfunctional family. One part hated each other, one part was fucking each other, and another part just held on for the ride. You liked to think you were in the last group, but sometimes when you caught Liz glowering at you, you wondered if maybe you were in the first group. 

“Why does she hate me?” You ask Trevor as you try to eat lunch. Fish wasn’t your first choice but it’s what they had had. 

“Who?” Trevor asks, munching on some strawberries, how the man ate as much as he did and remained tiny was amazing. 

“Liz.” You sigh moving your fork around the plate.

“Liz hates everyone, don’t take it personally.” He grabbed a couple more pieces of fruit. 

“Have you seen the way she looks at me? Like, why bring me onboard if she was just gonna avoid me like the plague?”

“She’s jealous of you.”

You turn and raise your eyebrows at him. “What are you talking about?”

Trevor lets out a snort and chomps down on some cheese. “Girl. Don’t play down your talents. You have worked your damn ass off to get here. One of the best makeup artists out there and Liz knows it. Why do you think Mr. Goggins likes you so much?”

You shrug and pick through your food, the fish was not sitting particularly well. “I am not better than anyone else.”

Trevor swats at you playfully, “Shut up. You can wrangle through asshole actors like no one else. You take zero shit from anyone and you get stuff done on time or before they are needed. You’ll be one of the most valued artists in town in no time.” He chuckles and pushes his own plate away. “Just make sure you bring me along with you.”

You grin back at him. Trevor had never jerked you around like most others. He was right, you did a good job and people appreciated your blatant lack of kiss assery. You fiddle with your fork for a moment before deciding that you had enough for the day. 

***

It was Thursday, which meant the week was almost over. The end was in sight and your bed was calling your name. You’d probably sleep the weekend away and indulge in some overpriced Chinese food. Your thoughts about sweet and sour pork are broken when someone announces they are coming in. Liz walks in and looks you up and down. Dear god, that woman has a chip on her shoulder. She went and pulled out a couple of empty totes. 

“It’s going to be you and Trevor tomorrow and the following week.” She says her lips pressed firmly together, as she talks she goes through drawers grabbing different products.  “Walton is here doing some scenes, Laura will also be here but she shouldn’t be on camera. If she is, I've emailed you notes and pictures.”

You nod, not bothering to look at her as you continue to wash your brushes. Liz continued to add to her bin.  “Sounds good.”

“Look, I know we haven’t been exactly- Friendly.” You turn to look at the woman, she is putting the lid on to the tote. Writing info on a sheet of paper on the top. “But, you do a good job. The director has been very happy with everything. “

“Thank you.” You reply, giving her a small smile. “I appreciate that Liz.”

Liz nods back at you and grabs the tote, waddling out the door. It’s probably the closest you’ve come to liking her. You sit there for a moment, taking in the compliment, maybe things are changing for the better. 

***

Friday is here, and you decided to bring some timbits to celebrate the end of the week. The usually bustling studio lot was quiet. Construction and Set Dec had busied themselves with various other needs. It was refreshing to have a little quiet. You had even been able to park your car right beside the trailer. As much as you loved the absolute chaos that was a film set, the calm was a nice balm. You knew that before long you would miss the chaos, and it would be back with vengeance. 

Laying things out you felt like you could breathe. You had put on some gothic country on the stero, something that only you and Trevor really enjoyed. Both of you had moved from rural areas to do your job. It was another reason why you enjoyed his company. Trevor had set himself up on the second workspace, the two of you spreading out a little while the boss was away. 

“Hello. Lady and gentleman,” Walton’s voice shrill as he came up the stairs. The man was a never-ending ball of energy. You were positive you could do a month of night shooting and he still would come in chipper as if it was his first day. 

“Hey Walt,” Trevor said with a grin, it was hard not to be happy around the man.

“Excited for the weekend?” You ask as you drape him with a cape, popping off his sunglasses and grabbing his other glasses off the counter. As he rereads some lines. 

“I sure am. It feels like it’s been an extra long week.” He sighed, rubbing at his hazel eyes before grabbing a timbit. “These things are delicious, I am going to steal the whole box..” 

You slap playfully at his hand.“Hey now! Make sure I get a few” He gives you a crooked smile and holds one up. You don’t hesitate to lean forward and let him feed it to you. He swallows and looks up at you, as the realization dawns on you as to what you just did. 

“Well-Umm- Next week doesn’t look to bad,” Trevor pipes, shooting you a look, his voice squeaking slightly.

“This is true, just the three of us enjoying a few short days,” Walton says, you are desperately trying to move past what just happened as you grab a moisturizer and apply it gently. His eyes follow you.

“I can certainly say I will enjoy not having to drive all over the place.” You reply, trying not to let your cheeks flush. Reminding yourself sternly that you were a professional and for Pete’s sake you’d been working together for over a month now. 

“You have the craziest eyes.” He whispers as the two of you look at each other. There is no way of hiding the fact your cheeks are burning. Trevor graciously comes over and starts to fuss with his hair. 

“Thank you,” You reply, words caught in your throat. Turning to start packing your set bag, anything to hide the fact that you were bright red. You look up to see Trevor raising his eyebrows at you. You look away and finish things up before sending Walton off to set.

“What was that?” Trevor drawled as he slid into the chair, the look on his face made you want to crawl under the counter. 

“What was what?” You try to dismiss things even if your face is on fire. What the hell had just happened?

“He just fed you a damn donut hole and you are blushing all over Goggins?” Trevor pushes fiddling with a comb, and you really want to throw something at him. 

You freeze a bit and look up at him in the mirror. “Don’t do that.” 

“Do what? See the fact that you two have been goggling over each other for the last four weeks. You just ate food out of his fingers. Wait what does he taste good?’

You do throw a powder puff at him. “You. You stop it. I don’t know what the hell I was doing. It just kind of happened.” 

Yes, you had noticed the little things, but really the man was friendly with everyone. He had always been touchy-feely, but maybe there had been more that you had missed, including eating food out of his fingers. You remember him kissing you on the cheek yesterday morning before leaving. But there couldn’t be anything there, there was nothing there you repeated to yourself. 

“Oh give me a break. He brings you coffee and touches, and kisses your cheek every day. The man has been fawning all over you.”

You bite your lip and turn to look at your colleague, ‘He does that with everyone, Trevor. He’s just friendly.”

You’re now madly stuffing stuff into your bag trying to get out of this newly warm trailer. Trevor snorts and puts his things into his bag. You wish he would drop it, but he was never good at leaving things alone. 

“You keep telling yourself that, sweetheart,” He giggles in an imitation Southern drawl. The two of you hop out of the trailer. You aren’t sure whether to smack him or hug him, either way, there is a job to be done. 

***

It was a textbook day, Walton had nailed almost everything. The man could act there was no doubt about that. The character was a belligerent drunk detective trying to solve a cold case. The script was dark, moody, and well horrible. You didn’t shy away from horror, but true crime always made your stomach flipflop. Your stomach also flipped as you watched Walton go from looking like he was gonna bite someone's head off, to all smiles and laughter. 

You, Trevor, and Walton are walking back to the trailer together. It was actually sunny out, a rare moment for the Pacific Northwest. Costumes had been busy with some extras so you decided to start with him and finish with the others. 

“So do you two have any plans for the weekend?” Walton asks, walking in between both of you.

“I think I might have a date on Saturday,” Trevor replied cheerfully. 

“Oooh and who's the lucky fella?” Walton sing-songed.

Trevor looked flush for a moment, “Decon, from props actually.”

Walton chuckles elbowing Trevor “Well that sounds like an excellent Saturday. Man is gonna have some fun.”

Trevor shakes their head and rolls his eyes “He better show or I am going to have to send you both after him”

Walton bares his teeth and growls, which send everyone into a fit of giggles. Decon be aware, there was a madman coming for you. You thought as you get to the trailer opening the door.

“And what about you, little lady,” Walton drawls, that damn southern accent creeping in. 

“Nothing special. Think sleep and Chinese food are calling my name.” You reply as everyone settles in. Really that would be the best way to end the weekend. 

“Oh, Chinese food sounds amazing.” Trevor pipes in, turning on some tunes. 

“Who needs sleep, it's not that important.” Walton chides as you get to work. “I was wondering if you both would like to come to a small bar not far from here. Transport can drive us there and back, a few of us are getting together for some drinks.”

You catch Trevor's gaze, a sly smile spreading across his face. “Oh, I would love that! Little get-together with our mess of a family.”

“What about you?” The lead asks, rubbing your arm. His hands are warm, you’re surprised to feel a few calluses on his fingers. 

“Oh. Yeah sure. That would be good.” You give a small smile, trying not to let your mind wander too far. If you were honest, the prospect of getting together with a bunch of coworkers was low on your want list. But the look on Trevor's face tells you that you aren't allowed to say no. Your stomach clenches as the memory of a wrap party gone wrong rumbles past your mind. You push that down. It had been almost seven years since that happened, these were different people. People you knew and trusted.

“Fantastic, I am excited to have you both there,” Walton exclaims before closing his eyes to let you finish your job. 

Once Walton is released to Costume, you and Trevor busy yourself with cleaning the trailer. Getting extras cleaned up and making sure everything is ready for the early morning come Monday. You can tell Trevor has been watching you but you can't make yourself say anything. Anxiety has pooled in your stomach like a cold stone and you are struggling to shake it.

“What's wrong?” Trevor asks bluntly sitting down in a free chair. You shake your head and keep your hands moving.

“Come on now. I've never seen you get this clammed up over an invitation to a party. To be fair I've actually never seen you go to a party–” Trevor’s words trail off realization washing over his face. “I know you like your peace, and quiet, but what is going on”

You collapse into the other chair with a deep sigh. Trying to find the words, you really didn't want to explain things too much. That said if there was anyone who'd understand it be Trevor.

“When I first got into the industry.” Your mouth feels so dry even at the thought of it. You grab your water bottle taking a swig.“I went to a wrap party. Got drunk and a guy from Sound took advantage of me. So I've never gone to one since.”

Trevor looks shocked, sadness creeping in at the words. “Hon.That is awful.”

“It happened almost a decade ago. It's fine. Just makes me nervous.” You let out a breath. You weren't going for sympathy, despite it being the worst night of your life, all you wanted was understanding.

Trevor comes over and gives you a big hug. You feel tears prickle in the corner of your eyes. As you let yourself sag against him. You were so thankful for this man, that he was understanding and seemed to care about you. 

“Honey, nothing like that is gonna happen to you tonight. We'll go together and enjoy ourselves. And if any man or woman tries to hurt you I will beat them with my handbag” Trevor reassures you with a small smile. You both chuckle at the last statement 

You sniffle a little, grabbing a tissue from the counter to dab at your eyes. “Thank you, Trevor”

He gives you a reassuring nod as you both get ready to go out. You were determined to make it a good night one way or another. 

Chapter three

Maybe.. maybe.. I will post the next chapter tomorrow cause I am too excited not to share it. Likes, comments, and reblogs are so greatly appreciated. Y'all keep this northern person happy.

[krashlite]

In case you found this post before the Start Post, I’m going through and looking at the matching wounds for every LimL team! How they were hurt in past seasons and how this season addressed that harm

Starting off strong with TIES! The name calls back to team BEST, however I wanna point out the differences between the two. First of all and most notably, Bdubs has been swapped for Impulse- and that greatly changes the group! They both fall into the habit of being a yes-man, but where Bdubs tends to be very ambitious with his support, Impulse is a lot more cooperative in a group setting. With this, TIES is able to set very clear, achievable goals and accomplish them without all the bells and whistles. We need a tower? Tango’s got it! It’s crooked, but he’s got it. Skynet? It looks scuffed but they’ve got it!!!

NOT ONLY THAT but TIES and BEST have a different fundamental worldview! TIES values the group above all else. They need to be there for each other, to stand by one another and to uplift the group no matter what. They’re bound by their Tie to each other (ha). But BEST? BEST valued their IMAGE above all else. They’re the good guys, they needed to set an example for the server. It didn’t matter what was going on in their team, they needed to project a strong image, they needed to be the Best (ha 2).

And that’s One piece of the matching wound in TIES: they all come from dysfunctional alliances

This is especially true of Tango! Tango, in 3L and LL, was cast to the side in every alliance he tried to join. Not only that, but in the alliances he Was a part of, he always ended up getting physically harmed. In 3L it was the firing squad, and in LL it was when Bdubs turned red the first time and then when Bdubs was the boogeyman. Not only that, but in both seasons he was only valued for what he could physically provide.

In 3L it was partially beef/leather, but mostly information. The only alliances that stuck were the ones that wanted information from him as a double agent. The second he picked a side, the other went after him. This is despite the fact that he Did have a day1 alliance in the form of the village people, but that alliance barely made it to the fourth episode, with Etho and Impulse sharing the wool castle and Tango being left to fend for himself. Then in LL, BEST had a tendency to use him as a Life dispenser, if someone got hurt then Tango’s there. Outside of that, he really wasn’t valued- something he even confronts them about throughout the season. It’s to the point that Tango’s dying action is to trap BEST, to destroy the place that caused him this much harm (granted his death was unintentional)

Impulse was on the other side of things- yes he did tend to be overlooked in many of his alliances, but really his downfall in those alliances came from him overlooking others. Let me explain- in 3L he tried to play all sides and subsequently sabotaged every single alliance he was a part of. Throughout all of it he kept Saying his heart belonged to the Crastle, but his actions continued proving otherwise. He overlooked their concerns because he thought he could prove himself, but only turned them against him. And of course they turned on him! Of course Bdubs specifically turned!! Impulse’s loyalties had been dubious at best and it was hard to know where he stood despite what he said

Then in LL he tries to be a part of a functional team, except the Southlands was on constant rocky ground, especially when people started dropping down to Red. Impulse’s immediate reaction wasn’t to try and bring them back, it was to treat them as an unavoidable threat. So stealing the wither skull from Joel and Grian’s bunker and trying to plan for when Mumbo eventually came back to trap their towers. He’s not the only person to do this both in the southlands and in LL general, but to me it feels like a contradiction. If you want the team to stay together, keep them together! Don’t turn your back the second someone becomes a danger to themself and others

Admittedly, I haven’t seen much of Etho’s side of things so sorry if his is off! But for Etho, he has a tendency to try and act alone. Yes his group has a plan, but he always has a side plan like the enderporter in 3L. What’s unique about this is it’s usually something that only directly affects him should it go wrong, but if it goes well then the entire group benefits. He shields other people from getting hurt at the expense of himself- except they don’t see it so they don’t know to step in. In fact the only person who knew to step in was Bdubs, as seen throughout LL but ESPECIALLY with the Wither fight. Afterwards he even remarks “Etho couldn’t do it without me, I Gave Him The Courage”

However, the opposite is also true. When he acts alone, consequences don’t follow him as closely as they probably should. In 3L it meant when he moved to the swamp he accidentally split up the village group- leaving Impulse and Tango stranded and actually starting them on their arcs. Yes they followed him out there, but that was basically an Invisible alliance, never really getting called upon outside of what Dogwarts needed. It also meant when he started conflict between Dogwarts and the Crastle with the tnt missile attempts, Joel ends up taking the brunt of that

Etho inadvertently hides himself and I think that’s very fascinating

But overall, something Tango, Impulse, and Etho all have in common is that their issues all started in 3L, continued into LL, and were addressed in DL.

Tango finally got an ally who loved and cared for him through virtue of being himself. Impulse was not only Seen in his alliance, but he was paired with someone who he couldn’t ignore or avoid. Etho’s consequences were linked to his soulmate, meaning he couldn’t hide himself no matter what he did. They were encouraged to be there for their partner and took that in stride

But again, their issues were confronted. Skizz’s issues weren’t

For Skizz, he has a habit of putting his team before himself. In 3L that meant following Ren to a T, being the exact soldier Ren needed him to be and doing everything in his power to help Dogwarts succeed. It meant keeping his cool when Ren called for a retreat but Skizz wanted to keep fighting and it meant charging headfirst into the Crastle when it was revealed they had the Red Winter axe. Skizz gave his whole life to Dogwarts! And to quote bojack horseman real quick- I’m not talking about his Death, I’m talking about his Life, he gave his whole Life

In LL putting his team first meant trying to act as leader to this very dysfunctional group. Skizz was the main one coming up with plans, he’s the one that made the meeting room, their shields, everything! But really, he wasn’t regarded as their leader, Bdubs was. Bdubs, who is headstrong and overly ambitious with his plans, Bdubs who was quick to criticize the group’s shortcomings and Bdubs who had a switch like a hair trigger if he turned Red or became the boogeyman, who Split The Fort In Two when he was exiled.

Skizz did everything for BEST and how did they repay him? By running, by leaving him behind when a tnt cannon failed. What Skizz learned there is when you do Everything for other people, you end up with nothing. You end up dead in the enemy’s castle, you end up cornered by the sharp ends of three crossbows. And I think this is what he’s responding to at the end of LL- mimicking Mumbo’s reckless attacks and even going back to get revenge on Ren for his boogeyman trap earlier in the season (said trap Skizz had previously complimented and said he wasn’t even mad about). It’s giving “no more Mr Nice Guy” and I’m here for it. He wouldn’t be the faceless defender of his team, he would be the cause of their demise- being there for Tango AND Bdubs’s deaths while spectating as a ghost

But again, Skizz wasn’t in DL, he didn’t have an alliance where he could recover. He was never given the space to learn to give comfortably, and to learn to receive support from his team.

And with this, I think it’s Fascinating that LimL started off in the way that it did

Skizz was targeted by the boogeymen not once, but TWICE in the very first episode. The immediate response by the server was to form a protection squad around him. It was to Stand By Him. This contradicts the mindset he died with in LL- that the world will take until there’s nothing left of you to give. And I think that’s action was ESSENTIAL to him being able to function as the leader of TIES

In case it wasn’t clear, the three matching wounds for TIES is 1) they come from dysfunctional alliances, 2) they struggle to function as an individual in a group setting, and 3) they habitually give more than they take

So TIES has a pretty strong understanding of one another with their similarities, BUT they also have another thing in common, a shaky past with Bdubs. I touched on this in all of their sections, but all four of them had issues with Bdubs in previous seasons. Tango was singled out by him several times despite sharing an alliance. Impulse was permakilled by him Twice despite being in the same group. Skizz clashed with him because of his headstrong behavior and Etho sidelined himself because of that same behavior.

I don’t even think they realized this at the start, ESPECIALLY not Etho- who had never been directly wronged by Bdubs. But Impulse trying to pry an apology out of him via gifting him a clock definitely conveyed this- why? Bdubs, in fact, did not apologize. He didn’t even see the problem. This is familiar to Impulse, its familiar to Tango, and it’s especially familiar to Skizz, having just been boogey-killed by him

So really it’s no surprise that they ended up having conflicts with the Clockers!

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