taps head can't get a badly-compressed shadow if you take the shadow out of the gifs
(this is not an edit, I drew him from scratch! please do not tag or treat as an edit!)
anyway, I did another little guy to go along with Najma and Che'nya! I...actually made him last year as a livestream project, so some of you might remember him (and that I eventually ragequit because it was 5 AM and the meshes were not cooperating). and, uh, then I forgot to actually go back and finish him, until Tamashina-Mina reminded me! ...sorry Cheka!
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tbh we need to start holding all drivers responsible for the shit they say, not just the ones we don't like (looking at you people who conveniently categorise nico h./checo as the Problematic Ones™ in order to ignore sexist/otherwise bigoted comments made by other drivers)
f1 is unfortunately an Ultra Male Big Oil Sport currently and if we start cancelling outright we'd have no one fucking left lmao. the bar is soooo fucking low u guys. your faves are not exempt actually. it's possible to simultaneous be a fan and be critical!!! have some self-respect!! have some integrity!!!
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Hiii i'm sorry if i'm intruding on the conversation by asking this question but i'd love to hear your take on ride 'em cowboy! :] I love that song (as i do all of lil beethoven, haha) and i'm really interested in what you have to say about it (i love going through your answers to these sparks asks by the way, and i definitely relate to the feeling of wanting to write entire essays about particular songs)
Hi friend! 😁 Wow it's such a treat that people have been enjoying reading this stuff! Thanks for the ask! (And thanks Sparks-anon, you started this! I hope you will enjoy this answer as well.)
Okay. RIDE 'EM COWBOY. They had NO REASON* to go this hard with this song. (*They had every reason - this is Sparks and this is Lil' Beethoven.)
What I think cuts so hard with this song is that the majority of the song is comprised of constantly flipping the switch from praise to disdain, from favour to rejection, from inclusion to exclusion - it's a total fall from grace, it's someone flopping completely, losing it all. Every phrase crafted to hit as hard as it can, but in a slightly different way every time, cutting deeper with every line. Starting relatively simple and straightforward with the lines "They laughed with me, then laughed at me", then building with every new line, and later in the song getting more metaphorical and it's even outright violent. (Ron *really* knows how to heighten how emotionally brutal certain experiences are and knows how to cut deep into that. A true master of words.)
…And then the song says, fuck that!! This will not be my defeat! “Ride ‘em cowboy, ride ‘em//I got thrown again//Ride ‘em cowboy, ride ‘em//Get back on again”
There's many ways one could perceive those lines. It can be a “keep going despite it all”, “keep going to spite them all”, a simple “try again”, and even “just go on with your life and let them talk”, or whatever else someone needs to hear to keep them going. (Heck, if someone were to say “ride 'em cowboy” means "fuck the haters", or "fuck it - we ball", I'd call that valid, too.)
A part of this song that struck me immediately early on in my Sparks journey was “From great to good// From good to fair//To barely pass//Stay after class”. I hadn't been out of highschool that long at that point and I'd been a “gifted student” who in the end was really depressed and barely passed. I hadn't really recovered yet from how defeated that had left me feeling. So these lines were immediately my new friends. And since then my love for this song has only deepened more and more over time. I've stomped into my uni building with Ride ‘Em Cowboy blasting on my headphones countless times, on the good days and the bad. It honestly was really good at helping me deal with the pressure of having been one of four non-males in a male dominated field, often being underestimated or expected to prove myself.
“It's not your day//It's not your week//It's not your month//It's not your year” Lyric status: SICK ✧\(>o<)ノ✧
I don't live that life anymore, but obviously there are always times in life when this song is applicable all over again. One could see it as a ruthless acknowledgement of the fickleness of people's favour and opinions (also people's opinions of themselves, I might add), and the fickleness of perceived success. And it's a strong reminder to not fall victim to it.
Instrumentally it's absolutely striking and it's such a powerhouse of a song, you don't need to be currently living it to keep loving the hell out of it. Something that I find really cool about this song as well is that when there's words, abbreviations, sayings, or references in it that you're unfamiliar with (as was the case for me as a non-American non-native English speaker) or if you don't know French (my highschool French was enough for this one and I'm a huge fan of “From open door//To merde, alors”), it doesn't make you miss out on the meaning, but you can look all that stuff up and get hit in the face by this song all over again and with extra force.
I only looked up all the abbreviations I was not familiar with earlier this year, and I got to say… “BMOC//Then MIA”, Big Man On Campus, then Missing In Action. Dangit Ron. *Chef's kiss*
…But still, the line to potentially win it all?
"Olé, then gored"
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El and Lucas the Max Protectors™
a lot of people seem to hc Max as really protective, and I get it because that comes standard with the type of character that Max almost is. but Max is not protective. she's emotionally protective, she's physically supportive, but she's not physically protective. in a moment of danger you never see Max stepping out in front - you see her at the back of the group. and she never has a bruised ego about it. she never insists she doesn't need stupid boys to protect her and she never does the "ohh thank u kind sir lmaooo" thing with Lucas after the danger has passed.
I'm here to tell you that while Max might not readily admit to it, she likes to be protected. loves to be protected. not in a damsel way; we've seen her get out of some horrible situations on her own. she never really expects or seeks it out, but her friends just do protect her without her having to ask, and it means so much to her. because Max has felt unprotected all her life, and she craves it. can she even remember a time when she felt totally safe in her own home? she lives with two abusers and I can't imagine Max seeing her mother as any kind of of protector, after putting her in that situation. Max hasn't had anyone make her feel safe in a long time.
so I love that while Max is capable of taking care of herself, when something scary happens, you can find her unapologetically peeking out from behind that nerd boy and his little slingshot, the one who she made fun of for screaming like a little girl. I love that it seems like Max's character would be the one protective of her abused ingenue bff, but she's the one always standing back with awe while El bodily shields her from monster after monster. I think being protected like that makes Max feel very loved.
Bonus: El's protection means so much to Max that the literal last act of her life is to try to reciprocate and try to protect El when she needs it. i'm done, do not speak to me
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Was relistening to Death at the Gas Station tonight while sewing, and something caught my attention: what do you guys make of the fact that Jack tells 'Death' that Carlos isn't dead when Antonio pretty decidedly is?
Maybe I'm overthinking it, esp when Jack mentions in. What, book 2? That if he wants to keep posting stories on the blog, he just has to change a couple of details enough for them to fly, but even if that's the in-universe explanation, it just sort of feels like a strange detail to change.
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