#[[Meaning they look like they're 'new' characters for a lot of folks out there]]

[thekoopacosmetologist]

"A Goomba has joined the Salon now. What your name, Little Missy?"

"Whaddya mean 'now'? I was one of the first girls Shelly hired here! I know us Goombas get overlooked a lot, but come on...

"Anyway, the name's Goombanuela. I'm a masseuse here alongside Michelle - specifically, I practice Ashiatsu Massage because... ya know... lack of hands.

"And yes, being a Goomba who gets to step on other people for a change is indeed quite cathartic, thank you very much."

[waitmyturtles]

Hot Take: Be On Cloud and Sammon out GMMTV-ed GMMTV with that lame-ass 4 Minutes finale

(TW: Ummm, this ended up being a rant, so don't read this if you enjoyed that finale.)

WOW.

This is not the central thesis of this post at all, but I need to get this off my chest, FIRST OF AWL: GET AN ORIGINAL OST. WOW.

LIKE, ACTUALLY, I want to not get into this, but I actually need to talk about this for a second. ICONIC OSTs like, SAY, "Why Don't You Stay" or "Just Friend" (OR THE DARK BLUE KISS THEME SONG, THE BEST ONE) are meant to invoke THE SHOW FROM WHICH THAT SONG HAILS, AND THE FEELINGS THAT THAT PARTICULAR SHOW MADE ONE FEEL. WHAT THE FUCK WAS 4 MINUTES THINKING?! THIS SHOW WAS NOT KINNPORSCHE. NOT AT ALL. I FELT NO KP FROM 4 MINUTES. I hope Jeff Satur sues BOC for copyright infringement. ANYWAY.

I mean, this is gonna be messy, but in yet another case of shippy roooooomance, a kind of rooooomance that's supposed to leave us feeling like the central couple is worth redeeming against both the obstacles that the story gives them, AND/OR a weak script as well (I wrote about this recently during a rewatch of The Eclipse), I mean, BOC and Sammon just threw an otherwise really amazing storyline to the dogs.

We were supposed to get a lot of moral and ethical loops closed here. I would have been okay with a Ton Kla redemption! I would have been okay with Korn living the rest of his life in pain and suffering for neglecting Ton Kla! Instead, they're both "redeemed" by their own deaths?! I get Win being upset, but Win, you knew who you were sleeping with! Come awn!

AND. I'm supposed to believe that Great is worth redemption because he threw a corrupt government minister under the bus and prevented his parents from coming back to Thailand, while we see him walking away from a woman having a heart attack???? Like, THAT'S NOT GOOD!!!! He's had a messy life, but he's not necessarily a good person, folks!!! HELLO!!! "He's a good person?!" TYME?? Like, Great's hot, BUT LIKE, DON'T BE LIKE THAT, TYME, GURL, ACTUALLY LOOK THRU AT WHO YOU'RE DATING.

ALSO, TYME, HIPPOCRATIC OATH, DUDE. I KNOW YOU WANT THAT GUY DEAD, AND HE DESERVES BAD THINGS, BUT YOU CAN'T MAIM HIM PURPOSELY, HOMEY, YOU'RE ABOUT TO BECOME A PROFESSOR.

And LIKE, WHAT THE FUCK, putting a whole new story point about Warit's kidnapping from some dude named Wanchai who we don't even know, and finding out that Warit is a general?!?! It was JUST CONFUSING.

Also, Den dating a patient. I know medical ethics are probably different in Thailand, but they cannot be THAT DIFFERENT, friends, they can't (right? right?).

And. Finally. TYME GOT SHOT MULTIPLE TIMES IN THE CHEST AREA. He survived after two months of recovery?! HE SURVIVED POINT-BLANK SHOOTING?!?!?!??!?!?! AND GREAT SURVIVED HIS POINT-BLANK SHOOTING, TOO?!?!?!?!

LISTEN. LISTEN. I get that BOC wants GreatTyme together. JesBible are a good pair. It's fine Great and Tyme are together. It's nice.

But there was an ACTUAL storyline, told WONDERFULLY for seven episodes, that had these characters in moral and ethical chokeholds that could have received different and very much more appropriate endings. This is fiction, of course, but the moral and ethical prisons these characters were in were very real-to-life by way of what humans value, and how you balance those values against the real-time decisions that humans need to make for themselves and their families.

Instead, BOC took the wild GMMTV playbook of late (The Eclipse, 23.5, Only Friends, Wandee Goodday, even Last Twilight and My Precious) and just railroaded ethical explorations for, my GAWD, guitars and boats. GUITARS AND BOATS! If either Great or Tyme had died, how would the story have expressed regret, uncommunicated feelings, unsolved mysteries?

The ending sucked the mystery out of this series, and frankly, made light of the fact that we were not in a Series Y for seven-eighths of a runtime, only to truly suck us back into Y territory -- real, sugary, cheesy Y territory, GUITARS, THE KP OST OMG -- that just clashed with the tonality of what was shaping up to be a great queer crime murder mystery show. GMMTV already does this. BOC did not need to go there.

Funny that some of us are watching Kidnap now, and commenting (I'm stealing @shortpplfedup's words here) that Kidnap is not a crime BL, but a crime BL. Kidnap knows what it is: it is shaping up to be a fun, unserious Y series that's centered around two himbos not really understanding the consequences of their decisions, and being googly while doing it. It seems to be taking its unseriousness seriously. Good on GMMTV for taking initiative there.

4 Minutes? 4 Minutes needs moral closure, not sappy romance. I could have used a hint that we were gonna get punked earlier. I wouldn't have taken this show as seriously as I did if I had known otherwise.

[clanwarrior-tumbly]

May I please have a Wally with a reader that is somehow sentient and aware with knowing they've somehow got stuck in this tv show and are heavely aware Wally has something to do with it?

So they're extra closed up about themselves, stay home a lot to avoid the puppets in overly social gathering (like they can handle two or three of them but not all at once as it's too overwhelming with happy shizzles and stuff), yet that doesn't mean they don't talk at all to them. They don't keep their mouth shut either when something's bothering them, like when they get annoyed when Wally stares too long at them and makes a comment about it or genuinely admit they dislike Home with how disturbing it seems to them.

Wally somehow doesn't mind as he's genuinely interested in them and wants to become their friend as best as possible, not for any reason with manipulation, just pure friendly business. But as the reader knows he's the main star of the show they're forced to play in, they know the camera follows him almost always, thus they avoid him like the plague which causes a cat and mouse play between you two. Wally trying to get closer to you with perhaps making paintings and gifts for you while you just casually dip out of there while somehow looking like you don't hate him.

(It would be even funnier if you somehow became the second favorite character of the show as you stand out a lot with your attitude and being the only human being there, perhaps even attracting teens to watch the show with your remarks at the puppets for a certain someone not even having a nose or eyebrows and your monotone voice singing and having no energy with dancing once you somehow get stuck in a song sequence with the others (kind of like red guy from dhmis)

Funny thing is, sadly for Wally, is that you get along well with Frank and Eddie as they're the more calm ones, Eddie still joyfull a lot, but more calmer than Julie and Howdy perhaps are.

So there's Wally, staring with the most confused and slight jealous eyes as he watches you joke around and actually smile with the duo/couple(?) while you always give him a frown that's somehow even deeper than Franks.

Sorry for the slight ramble and long explanation (I'm a fanfic writer myself), just wanted to give a summary of how I see it and wondering how you'd think this would work out.

Btw, reader doesn't hate Wally, they're just warry and uncomfortable with his stares and Home in general, and with the knowledge that's he's one of the reasons they're stuck here. They soften up to him a little eventually, like letting him hug them shortly or talking more casual with him, but no way he ever sees them entering his house.

This was so long I'm so sorry.

Anyway, have a great day/night!

Oh don't worry I think this is a great idea! I like how fleshed-out it is!

...........

You have only spent a week in the neighborhood...before realizing something was terribly, terribly wrong with the world surrounding you.

At first, this place seemed like nothing but sunshine and rainbows--full of fun, joy, color, and friendship. A place that one could only dream of living in all their life, free of worry or strife.

It felt comforting and safe, so when you started having these weird feelings that not everything was as it seemed..you figured you were just nervous about settling into a new place.

But when the folks here asked where you were from, you'd end up drawing a blank...starting to question where you really did come from. So you'd simply tell them you're just "out of town" and leave it at that, although you always sounded uncertain about it.

And there's something else that was especially peculiar: every activity the neighbors did almost always stopped at the end of the day. It seemed strange to you since there's plenty of things you could do. Like campfires or stargazing!

So one evening, you asked all of your neighbors why they rarely hung out during the night, and they had relatively normal responses: Eddie says it's tricky to deliver mail at nighttime; Howdy was too tired from working at the bugdega all day; Barnaby and Sally had to plan their next stunts, tricks, and plays; Julie and Frank wanted to get their "beauty sleep"; and Poppy needed to take care of things back at the barn.

All seemed to be perfectly reasonable answers...

Until you got to Wally.

He looked as though he was ready to respond...only to fall quiet and stare off into space, as though he was in another world. But the fact that his pupils seemed to dilate gave you the chills for some reason, and you calmly tried snapping him out of his trance.

Then he did, and quietly said something about Home "disliking" it whenever he stays out too late. And he bid you goodnight before leaving.

That exchange was the moment you realized something was very off about him beyond his staring habits. It's like he didn't know exactly what to say.

As if...it's such an unusual question for him, but normal to you.

And out of nowhere, the truth hit you like a truck:

This whole place was just one big TV show, with all of you trapped inside as the unwitting stars who were meant to follow certain "scripts" during your daily interactions.

You don't know how or why you knew that, but it became clearer when you constantly got the feeling that your movements were being watched.

You could sense eyes on you even when you were alone.

And sometimes you'd hear indistinguishable voices of adults and children alike while you slept, unable to discern whether they were merely in your dream or existed in reality. It must have been the former, considering none of the other neighbors said they heard anything.

To you, these people...these "viewers", sounded like they were in a faraway land--an unreachable place where you couldn't call out to them for answers no matter how hard you tried.

You knew nothing about them, but they knew everything about you.

Your character had become so fascinating to them from the moment you arrived in the humble neighborhood. You've actually become the second favorite almost instantly, given the uniqueness you've brought to the colorful cast as a human merely wearing an average-sized costume.

They've observed that your personality makes you relatable to young teens, attracting them to the show. Many of them got some chuckles out of your dry and semi-self aware humor (in that you'd joke about how Wally's missing his eyebrows and nose when everybody else has them). It was an immediate hit.

Even when you got pulled into some silly musical number with the rest of the gang, you just spoke in monotone and put lackluster energy into dancing when the camera panned over to you--much to the dismay of your "neighbors".

The viewers just couldn't get enough of you. They adored you.

And they can't stop watching.

You, on the other hand, weren't aware that you were so popular...and quite frankly, you didn't want to be. It terrified you.

So for a while, to protect your own sanity, you began attending less and less social events, not wanting to overwhelm yourself. You've declined invitations to Sally's and Barnaby's shows, which made you feel kinda bad..but you were just so fearful of everything at the time.

Were any of them aware of their circumstances, too?

You had no idea, and it would probably make you sound like a crazy person if you told them how you really felt.

The only other person to show any sort of "deviance" was...Wally himself.

You didn't know why, but you felt like he had something to do with the situation you're in. Especially given his odd response to you that evening and the fact that...he just apparently loved to stare so much, watching you just like the audience did.

It didn't help that whenever you talked to him or he tried approaching you, you got the chilling feeling that you were being perceived by the audience--as if somebody was holding a camera over your shoulder, wanting to capture every moment the "main character" spent with you.

You'd prefer to spend as little time in the spotlight as possible.

However, being anxious about this world didn't mean you weren't a bit mouthy towards other things you disliked. You were known for being blunt and sometimes a "realist", shrugging of whatever crocodile tears the others may give you just for the crime of being honest and true to yourself.

So yes...you'd always call out Wally if he was staring at you for a prolonged period of time, or if he tried persuading you to say hello to Home if you happened to pass by the sentient house.

Your response? Straight up "no thank you, it creeps me out and I don't like how its window-eye things are looking at me."

The audience may laugh, but it's the truth.

That building scares you.

Despite all of this, though...Wally didn't seem to bothered by it. He likened your sarcastic quips to Frank's, so that was never an issue with him. If anything, he was genuinely trying to help you feel right at home in the neighborhood, hoping to become a friend you could trust and rely on if you needed anything.

It'll just take you a bit more time to adjust, and that's alright!

Sure, maybe his stares were strange to you and Home was well...Home. He understood why those things might seem scary to a new neighbor.

But then again, that's how everybody else acted when he first met them, and now they were all good friends!

He's sure you'll fit right in and find true happiness here. So he made it his mission to befriend you without coming on too strongly, inviting you to quiet picnics and painting lessons, calling you on the phone, and even showing up at your doorstep with gifts.

He even made sure to tell his neighbors to give you space, though he was really hoping you'd stop being afraid of him the longer you spent around him alone.

But while you accepted his presents and showed up to his invites...you just couldn't let your guard down around him. You never looked happy or relaxed, and didn't stay long, usually cutting your time together short under the guise that you forgot to do something important and had to leave now.

Your latest excuse was that you forgot to "walk your fish" even though you owned no such pet. You were a terrible liar, but Wally believed you anyways.

He was a patient man, so he'll wait how ever long it took to befriend you.

...........

"Alright, Home..today I'm gonna gift [y/n] my finest work thus far! Do you think they'll like it?"

Pausing, Wally listened for the creaks of approval and squeaks of reassurances, smiling when he heard them, although Home noted something else.

"Haha..you're right. Silly me. It needs more time to dry..or else the paint will just smudge and make it a not-so-nice gift. Sorry, I'm just excited, is all.." He chuckled awkwardly.

After setting the canvas back on the easel, he wandered over to the window and peered outside, humming a small tune to himself as he rested his arms on the sill.

It took him all day and all night to paint the perfect picture of your favorite animal---which he learned about from an off-handed comment you made a few days ago. His memory was sharp, remembering all the details about the creature, and he believed you'll love what he created as a result!

Surely now you'll see that he's not all that bad. Otherwise he'd be lost on how to convince you.

However, he noticed a rather...surprising sight from across the street, one that even Home had to confirm was happening so he didn't think he was going crazy.

You were actually out and about, having a casual chat with Frank, asking how he got together with Eddie before bumping into said mailman on the sidewalk.

Wally couldn't make out what any of you three were discussing, but Eddie must have said something humorous, as it made Frank groan and hide his blushing face. And you just chuckled and shook your head, patting the latter's back sympathetically.

He felt his heart sink.

You were talking to the couple--joking around, smiling, and genuinely enjoying their company. As if you've known them all your life.

Yet anytime he's even near you in any capacity, he's met with frowns deeper than Frank's and constant excuses to get away from him. Like he was some kind of pest or scary monster.

He didn't understand what he was doing wrong.

Of course, he's happy you're getting along with some of the neighbors, no longer being so shut-in...but it hurt to know he's still stuck struggling, literally begging you to be his friend.

*creaaaak?*

"..no, Home. I'm not jealous. What gives you that idea?"

*...creeak.."

Swallowing the lump in his throat, Wally looked back at the easel, sighing. Part of him wanted to just throw the whole canvas out the window, but....he shook off the feeling, forcing a smile.

He wanted you to have it, even if you didn't like him that much.

So when he saw you finally parting ways with Eddie and Frank, he decided to head over to your house about an hour later, assuming you were gonna be there and needed to recharge from socializing.

He put on his best cardigan and made sure his hair was neat before heading out the door with the small canvas tucked under his arm, covered by a protective sheet. He wouldn't wanna spoil the surprise for you, after all..even if you anticipated it being yet another painting.

For some reason, the sky was grayer than usual today..meaning it's probably gonna rain on his parade.

But he didn't let that deter him.

After arriving to your house, he knocked three times, in a certain rhythm that you've distinctively recognized as him being at the door.

But he was surprised when you opened it right away. "Oh heya, Wally. What's up?"

"Ohh nothing much, neighbor." He chuckled. "May I..come in? I promise I won't stay long-"

"It's cool. It looks like it's gonna rain anyways. Wouldn't wanna ruin your "beautiful" hair now, huh?" With a coy smirk, you let him come inside the house, shutting the door behind you as you turned around to see what be brought you this time.

He looked shocked, almost, standing there like a fish out of water. You invited him in without hesitation...though he tried not getting his hopes up too high.

You're just trying to be polite. In a few minutes you're gonna kick him out for some silly reason.

Shifting your gaze away from his uncomfortable stare, you looked at the painting in his hands, tilting your head. "I guess that's for me.."

Nodding, Wally handed you the canvas, watching you remove the small sheet to see it was a painting of your favorite animal. Your eyes lit up, impressed by the amount of details that went into this one, before looking back up at him. "Wow, man..this is....awesome. How long did it take you?"

"Not very long!" He suddenly chirped, hands clasped together with excitement. "I just hope it fits nicely in your collection! A-Assuming....you...have one...that is..."

Bit by bit, his words began to fall flat with uncertainty, before he completely dropped the act, shoulders slumped.

Why did he bother trying anymore? What was the point?

You noticed his odd mood shift. "Wally? What's wrong?"

"..nothing, neighbor.." Sighing, he hung his head low, a cloud of doom and gloom manifesting over him as he shuffled towards the door. He felt like going back to Home and curling up in a corner somewhere. "I'll...see you later-"

"Wait."

"...hm?"

He stopped and looked over his shoulder, still feeling quite depressed but willing to listen to whatever you wanted to say.

You set the painting on a nearby table, approaching him with your heart constrained with guilt. "Look, Wally..I know you think I hate you or something, but...that's not true."

"It...isn't?" He blinked.

"I'm sorry if I gave you that impression. There's just been...a lot of my mind lately. Things I can't really talk about just yet..I-I don't know. It's hard to explain. But the point is...I really do wanna be your friend. I guess I'm just...a very "guarded" person if that makes sense."

Although Wally was staring at you yet again, you didn't break eye contact, wanting him to know you're being genuine here. "I don't open up easy, but I know you've...helped me a lot, and I appreciate that. I do keep your paintings and I do feel bad for being a jerk to you sometimes. So...think you can forgive me? I'll even allow this if you want."

When he saw you open your arms up to him, he was frozen for a few long moments, astonishment written all over his face.

He just...didn't know what to say. Not only did you actually like his company, but....

He was allowed to hug you??

"..c'mon, pal. My arms are kinda getting tired." You awkwardly smiled, although you blinked as he suddenly latched onto you, letting out a few sniffles.

He wanted to sob so badly, but knew that wouldn't be very "neighborly" of him.

Yet you heard how he sounded, and felt guilty for treating him as some bad guy...when really he didn't seem malicious at all. You wanted to believe he had good intentions.

Whether or not he also knew the truth behind this place...that didn't matter right now.

He just wanted to be your friend.

You'll never be happy if you kept being so afraid of him all the time. That wasn't any life to live, even if you're unsure of whether this was your only life or not.

But you let him hug you anyways, patting his back.

"Th-This is very nice of you, neighbor. I forgive you." He mumbled, cheek squished against your shoulder as he clung to you tightly, never wanting to let go-

"Thanks......okay, you can let go now."

"..o-oh! Right, sorry." Reluctantly, Wally let you go, rubbing his eyes before dusting off his cardigan, breathing a sigh of relief. "Whew! I'm glad we're on better terms now. But...if I may ask..what changed?"

"Ah, well..I was talking with Frank and Eddie earlier..and I asked them about you."

"Huh....?" He pointed to himself, raising an invisible eyebrow. "Me..?"

"Yeah. Since they're more chill than most of the people here, I feel like I can be myself around them." You explained. "Howdy and Julie are kinda too loud for me, so...yeah. Those guys pushed me to reach out to you and try to make this friendship work...instead of the other way around."

'So...that's what they were talking about..' He realized, though he beamed anyways, happy you took their advice.

"Well that's great! I think we'll become great friends, [y/n]!" Smiling, he offered his hand to you, and you shook it as a way of saying you're both willing to start over.

"I..think so, too, Wally." You smiled back, feeling this huge weight being lifted off your shoulders.

"So...do you wanna come visit Home when the weather clears?"

"...I'll pass. But I'll wave to 'em from afar if that's okay."

"It's fine by me, neighbor."

[cosmerelists]

Five Questions I I Have about the Cosmere that I'm Too Afraid to Ask

Well, except that I suppose I am asking them, right now. These questions haunt me specifically because I think they have answers and that I should know what they are.

1. What Are Highspren the Manifestation Of?

This one I will sincerely accept an answer for, if anybody (or everybody?) knows. Like, rainspren are rain and honorspren are honor and liespren are lies. I get all that. Are highspren, like...the concept of highness? Like being high in the air? Is that something that gets anthropomorphized? I've read the Coppermind page a bunch of times and it feels like it doesn't specifically say.

What are they??

2. How do the bridges work?

You can try to explain this to me if you'd like but I don't think I'll get it because, well, this one is probably down to my difficulty in picturing things like this. But I just don't understand how the manual bridges in Sadeas' army actually worked. Like, they are pushed across the gap, right? So they have to long enough that they don't just tip in halfway across. Are they just like triple the size of every gap? Also, when they get placed side to side so that a line of horses can run across them--wouldn't they have to be like right against each other so there aren't gaps? How do you do that if you have people holding them on both sides? Can you really push them together if they're that long and most of it is on the other side of the gap already? I just have never been able to picture it, even a little.

3. DO we know what caused the Recreance?

In one of my other posts I expressed a hope that we would learn what caused the Recreance, and several people commented that we knew already [SPOILERS]: that it was because the Radiants learned that their powers destroyed their last planet so they all gave up their oaths. But is that really...it? I don't mean to downplay the destruction of a planet but, like, the current Radiants know that too and none of them seemed even slightly tempted to give up their powers. I just feel like there must be more to it than that...right? Some other, more terrible secret? But is this just me missing the point?

4. Where does the joke about Szeth being good at ice skating come from??

This one drives me nuts because I'm sure I should know. I assume it's something from the Battle of Thaylen City when he was with Lift, but the Coppermind article doesn't say a whole lot about his part in that fight. And I just don't remember. And I'm too lazy to look it up. Please somebody save me.

5. Are there...holidays in the Cosmere?

This is one that's been in the back of my mind for a while. Like...I have no idea what the yearly holidays are on Roshar, or Scadrial, or really any of the planets. I'm not clear if people celebrate their birthdays with a party or go out to dinner on their wedding anniversaries or celebrate the new year. I guess maybe because the books are always taking place in crises? So there's no time for Kaladin to go shopping for a midwinter crab-turkey or whatever? Or for Vin to be buying balloons for Elend's big day? But seriously--do you folks know of any holidays that characters are said to celebrate in times of not-crisis?

[tleeaves]

Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.

Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".

The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.

There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.

The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.

Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.

Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.

So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.

Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.

I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.

The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.

As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.

[aaronsrpgs]

"Ancient World Fantasy" Reading List

(A little context to start. If you just want book recs, scroll on down to the first image.)

As I’ve been getting into RuneQuest (Wikipedia link), one striking component of the culture and community surrounding the game is that they’re very into the lore of its fictional world, Glorantha. I’m saying this as a comparison to a game like D&D, where the game is spread across tons of settings with no real sense of obligation to keep things in line with earlier editions.

Glorantha’s canon and worldbuilding has been going on since it was published in 1978 without, as far as I can tell, any big reboots. Which means that, unlike D&D, where people are bringing in all kinds of influences and doing direct adaptions of Jane Austen books and whatever, the RuneQuest game remains pretty tightly tied to the original setting. (There have been some exceptions. But not many!)

But since I run games for people who have ADHD or aren’t interested in studying up, I’ve been looking at all kinds of inspiration to drop into the game. Here are 20 novels that are roughly “ancient world” or “Bronze Age” like RuneQuest and deal with people interacting with strange gods, tight communities, and a world without fast overland travel or transferal of information.

I’m presenting them alphabetically by author’s last name.

The Brazen Gambit, Cinnabar Shadows, The Rise and Fall of a Dragon King by Lynn Abbey

I'm sorry for starting this post off with licensed RPG novels, but these are good! And I don't mean "good for licensed RPG novels." I've read tons of them, and most are so bad! But these are actually fun. Good character development in a sword-and-sorcery world. It's also an ecological apocalypse world, with godlike beings oppressing common folks, leading to a lack of technological advancement and knowledge of the past.

The Long Ships by Frans G. Bentsson

Written in the 1940s as a series of novellas, these stories take you on a tour of the Viking-era world, from Europe to the Middle East and beyond. Like a bunch of books on this list, this places them post-Bronze Age, so they're not officially "ancient world." But it gives a big spread of cultures, from the more clan-based Vikings to the bustling metropolises of Turkey. And it doesn't place any of them on any kind of linear advancement scale or whatever other gross way people "rate" cultures.

Tales of Nevèrÿon and Neveryóna by Samuel R. Delany

The master of weird sci-fi and gay historical novels, Chip Delany also wrote a fantasy epic. And it rules! Set on pre-historical(ish) Earth, these books describe the stories that maybe inform the myths we tell today? Dragons and slave revolts! A sort of "What if Game of Thrones was good?" series. Lots of good stuff about how people learn and how understanding expands.

I'm not listing the third book only because it's also a historical look at New York during the AIDS epidemic. It's an amazing book! But it strays from the "ancient world" aesthetic.

Baudolino by Umberto Eco

Another novel expressly set after the Bronze Age (this one starts in the 12th century). BUT it's about Medieval people's interaction with the knowledge they inherited from the past, specifically the myth of Prester John and the works of Herodotus.

I think I keep putting books like this on the list because roleplaying in a fantastical ancient world is not too far off from how Medieval people might have worshipped and referenced works from ancient Rome and non-European places.

Black Leopard, Red Wolf and Moon Witch, Spider King by Marlon James

One of our best living writers! These are fantasy novels expressly set in a fantastical version of ancient/Medieval Africa. The books explore the same events from multiple points of view and are full of cool magic, awesome spirit combat, and a vast number of places and cultures that actively deconstructs most games's portrayal of fantasy Africa as a homogeneous place.

The Wake by Paul Kingsnorth

I think Kingsnorth has been outted as a sort of eco-fascist? I totally believe it, so feel free to skip this one. It's a historical novel set in England in 1066, as the Normans invade from France. It's written in a faux Middle English language and focuses on the lower classes and how they try to resist the invasion. A good reminder that "Medieval culture" (and especially the Renaissance as a time that "culture advanced") is often based on certain classes of society, such as rich people and/or men.

Iceland's Bell by Halldór Laxness

Speaking of how class intersects with technological advancement, this book is set in the 18th century, but it focuses on Iceland at a time when it was ruled by Denmark, and the lower classes there were under an enforced poverty. It's a book about how a rich Icelander was trying to recover the stories of his people in order to create a sense of national identity and resistance. But it's also a story about how a destitute man acts like a total weirdo when he's not allowed to fish in his own waters and is cut off from understanding his place in history.

The Raven Tower by Anne Leckie

A big part of RuneQuest is people interacting with and enacting their gods. That's what this book is about! And it's about the strange vertigo that comes to people when they try to interact with the impossible timelines that gods exist on. Very good stuff.

Night's Master and Death's Master by Tanith Lee

Ostensibly set on Earth back when it was flat and demons roamed the world, which is basically RuneQuest. Sort of like a series of hornier, gay bibles? With lots of gender fuckery, fun sex, and cool monsters.

Circe by Madeline Miller

The story of the witch from The Odyssey, told from her point of view. Beautiful prose, tragic and beautiful characters, and a great share of mythical strangeness. Perfect if you want to learn how to run NPCs that are adversaries without being shallowly evil.

Ronia, the Robber's Daughter by Astrid Lindgren

Semi-Medieval again, but low class and vague enough that it could exist throughout ancient history. The daughter of a robber grows up in a tower full of robbers and generally has a wonderful time. Lots of weird monsters live in the woods, and there's a great starcrossed romance with someone from a rival robber gang. Perfect inspiration if you're running some cattle-raiding runs in RuneQuest; this is how to make robbers fun and sympathetic.

Read the book, watch the 1984 Swedish movie (which includes a great comedic scene of full-frontal dudity), and then watch the Studio Ghibli series.

A Stranger in Olondria and The Winged Histories by Sofia Samatar

Set in a world of pepper farmers and religious fanatics who worship a mysterious inscribed stone, these books do a great job of showing how people might interact with religion, rival cults, and mystery rites. It also portrays literacy and learning to read in places where it's gated behind social gatekeeping. And once again, the prose is beautiful.

The Palm-Wine Drinkard by Amos Tutuola

The first African novel published in English outside of Africa, The Palm-Wine Drinkard is a funny, hallucinogenic story about getting drunk, stumbling through weird landscapes, and encountering fantastical spirits and people.

Tutuola also wrote My Life in the Bush of Ghosts, the inspiration for the famous(?) David Byrne/Brian Eno album. I haven't read it yet, but I'm keeping an eye out!

The Green Pearl by Jack Vance

This is a sequel to Lyonesse, which I haven't read because I love staring in the middle of things. Set around a mythical British Isles when Atlantis was still above the sea and part of the group of islands. Some great wizard shit, warring clans, romance, and a wizard whose name is fucking Shimrod (in case you need more convincing).

Those are my 20 novel recommendations! I'm gonna come back to add some nonfiction, comics, and myth resources for running games in fantastical ancient worlds. You can read SpeedRune, my ancient fantasy game, here.

[lostsometime]

WHAT IS THE FIGHT SCENE CONVEYING? (a breakdown of OPLA episode 1)

Fight #1 - Luffy vs. Alvida: 1) Introducing the stretchy thing. If you have somehow tuned in to watch One Piece without knowing that the premise of One Piece is that this kid can stretch, well, good news! Now you know!

2) Establishing that this is fun for Luffy. Luffy is having fun. Luffy is also protecting Koby and shit, but most of all, this is Luffy having a good time. He does not make choices in this fight based on what will end the fight quickly or efficiently, because he does not actually want to end the fight. "Picking a fight with bullies" is one of Luffy's most favorite pastimes and it's important to establish that early on.

Fight #2 - Zoro vs. Mr. 7: 1) The next fight deliberately takes us directly from Luffy and his cartoon character fighting to Zoro, whose fight choreography is more or less plucked out of a samurai movie. It lets us know that the show is going to be doing both those things, and also that Zoro, before meeting Luffy, basically lives in a completely different genre.

2) Unlike Luffy, Zoro ends his fight fast and he ends his fight lethally. This demonstrates how good Zoro is at this, and also that they're going to be killing people, onscreen, in this show - even the good guys. Like, they need to get that out of the way quickly here in episode one - you are going to be cheering for Zoro and also, this man very much does kill people for a living.

Fight #3 - Zoro vs. Everybody In the Bar: If the previous fight was to establish for us how good Zoro is with his swords, this one is to show how he's just as good without them. This sets up the important theme about "only draw your sword if you mean to use it" - which they will call back to later, with Mihawk.

(Side point: Nami very quickly taking advantage of the bar fight chaos to slam the guy's head on the bar and take his shit is a beautiful, succinct illustration of her skill set - she prefers to talk her way into what she wants, but she's always on the lookout for opportunities to take advantage of.)

Fight #4 - Nami vs. Those Two Marines: Expands on that last point - Nami prefers to talk her way out of problems, too - but she's prepared to also hit things with a big stick if that doesn't work out. She's not playing around, and she's not worried about being honorable - as soon as it looks like things are not going to go her way, she's ready to smack some folks in the head and get the fuck out.

Fight #5 - THE BIG ONE: We get our 3 heroes finally working together for the first time! It's thrilling! It's exciting! It's also doing a lot of important character work like

Showing Luffy & Zoro going from getting in each other's way to working together to take down a guy too tough for either of them to take alone. Teamwork! Friendship! MAJOR CHARACTER THEMES!

The very, very smart use of the 3-sword-style. They made such a good call waiting to use that until this moment, honestly. And they managed to choreograph it such the third sword is actually important - even critical! - to the victory. (I mentioned before how that's really fucking hard to do in meatspace for... obvious reasons.)

We see all 3 of them being competent - but it's clear that Luffy and Zoro are enjoying it in a way Nami does not. Nami does not want to be doing this. Luffy and Zoro are sharing a single braincell, and that braincell is saying that fighting an entire base full of marines is a great idea and a really fun way to spend an afternoon!

[drowninginredink]

Favorite Albums: choose 9 and then tag 9 people!

For my own sanity, I didn't include musicals because I could fill up a whole other 3x3 grid with them, and comparing musicals to non-musical theater albums is weird.

Those last 4 that you definitely don't recognize are by Old Earth who you should definitely listen to if you want artsy ambient indie folk with really intricate guitar. My absolute favorite artist by far, and also the most obscure artist I listen to by far.

Electric by The Pet Shop Boys — I think this is my favorite album period. I am still pissed off that Tom Scott called it "not that great" in the old Technical Difficulties podcast. Maybe I'm biased because it was my favorite album when I was 14 and because it's where I really fell in love with the Pet Shop Boys. God I love them. So much. I'm way too excited for the new album and I worship geowayne's website where he analyzes all their songs. I probably should have put another PSB album on here, but there isn't another where I'm in love with every track. Plus honestly so many of my favorite tracks of theirs are B sides. They still release B sides with their singles, and this album cycle, the B sides are honestly better than the actual singles. Anyway electric is pure synthy electropop and I adore it in that way you can only love something you first heard at 14.

Pure Heroine by Lorde — I read a quote somewhere where Lorde said she tried to really put all of being a teenager into the album, so much so that once she became an adult, she probably wouldn't understand or like it anymore. I can definitely say that I'm not nearly as attached to it anymore now that I'm an adult, but God, it was my life when I was 13. She really did capture the unique ennui of being a teenager. I wrote a novel in eighth grade, and I wrote at least half of it to tracks from this album. Also, hot take: Royals is my least favorite track by a lot. Buzzcut Season is my favorite.

My Head is an Animal by Of Monsters and Men — God, this one was my life when I was like, 12. I fell in love with folk there, and I'm still in love nearly a decade later. Another album where I still love every track.

Strange Trails by Lord Huron — hey look, an album I actually discovered and came to love as an adult! The fact that I love Lord Huron's brand of folky horror/fantasy/western music that tell stories with characters should not surprise anyone. Also, if I had to describe my experience with schizophrenia in one song, I'd choose Meet Me in the Woods.

The Tragic Treasury by The Gothic Archies — Look. Hear me out. Is it a album based purely on A Series of Unfortunate Events? Yes. But. Is it also an album where I genuinely love every track and have genuinely been known to just throw it on shuffle? Yes. I mean I think of one lyric from this album, like, weekly. I swear it's not just ASOUE brainrot that makes me like it so much. If it'd ever gotten a vinyl release, I'd absolutely own it. I wish it had gotten one.

a low place at The Old Place by Old Earth — honestly this is probably only my favorite Old Earth album because it's the one that I was able to actually get on vinyl and being able to play that vinyl is so lovely. I mean, it's good, but so is everything by Old Earth. Then again, Less Words is my favorite single track by them and it is on this album. Look. All the Old Earth albums I've listed here are, at most, 20 minutes long. If you like ambient artsy indie folk with lyrics that are there more for the way they sound than their meaning, try one.

light shaped by Old Earth — god the lyrics to this one. Normally I don't like Old Earth for the lyrics but. "It gets old/then it's done" and "what if it's just some song that gets you home" and especially "I'm holding your arms/and you're holding my eyes/and I lie like the right thing to do" are all just so great. And so is the middle track with no lyrics.

... until they're called by Old Earth — have you ever heard an album so good that you a) just played the whole thing and danced to it in your basement nonstop for the full 12 minutes, and then b) wrote a poem about the experience? People talk about finding God, but dancing to that album was the moment I found athiesm. The beauty of us all being here for no reason, just feeling things and living and doing our best to make something beautiful out of it.

Two Torches, at a Place Where Three Roads Meet by Old Earth — I'll be honest, I don't have much to say about this one. They're just a really solid three tracks.

... Yeah okay I really like Old Earth. Don't judge me.

Thank you @cygninae and @thehistoryone for tagging me! I'll tag @ven10 (I'm surprised neither of the people who tagged me tagged you), @weirdthoughtsandideas (ditto), @70snasagay (hmmmm i wonder what you'll put), @cat-boy-tom, @thetreetzar, @buncoreclown, @notthatalex, @unfortunate-sapphic-disaster, and @roach-in-the-kitchen. No pressure, obviously!

[cephalog0d]

Yeah I'm not done yet.

The thing I keep coming back to is that as much as I'm down to nit-pick things like how characters are written and plot details (and boy are there a whole infestation of nits to pick), what it boils down to is that the basic premise here shouldn't even be happening.

I get they're doing a Thing with Bruce and the after effects of Failsafe and Zur and Insomnia so sure I guess it makes sense to have him acting totally unreasonably. I'm not saying it's a plotline I'm thrilled with, but whatever. This is about everyone else.

You have half a dozen people routinely patrolling in Gotham, who've been doing it for years, who know the city and how it works, who have at least two people who are particularly inclined towards collecting and parsing data for patterns for crime fighting purposes, and none of you noticed anything amiss until Selina called and was like "Hey did you notice my neat new plan I've been doing?"

To that point, in a room full of literal canonical geniuses not a single person has thought to ask any of a dozen very practical questions that occurred to me, a non-genius reader, roughly 10 seconds after reading what The Plan was. Things like, oh, I don't know

How is this going to be a sustainable long-term effort?

For example, what happens when Gotham's wealthiest realize what you're doing and dramatically beef up their security (with tech or with actual people), making it much harder and more dangerous?

Like iirc you, Selina, have definitely had some real dicey situations as a result of your profession, and you're a lot more experienced than these people.

(Hey speaking of which isn't there a whole secret society of Gotham's wealthiest and most powerful who have access to nearly unkillable assassins? Who keeps coming back even though they keep being taken down? You think any of these people might belong to that?)

What happens when the rich folks get pissed and sic the heavily militarized GCPD on you? Don't act like they won't, I'm sure someone's squirreled away stuff from that whole Fear State fiasco.

For that matter, what happens when the costumed villainry figure out who swiped all their henchpeople and decide to object to it, presumably violently?

How many people are we talking here anyway that you're training? How many ultra-wealthy people live in Gotham? How many easily stealable things do they have sitting around to take? (As opposed to, like, other non-liquid fake assets like stocks)

How are you fencing all this anyway? Isn't that a great way to get caught? Or is everyone just stealing cash? (Or did nobody think about the part between "got the valuable thing" and "have usable money from it"?)

How on god's green earth did you ever assume this was going to end in anything other than violence?

Like of course one of your guys got killed. It doesn't matter that you told them no violence, even if they fully buy into that it only takes one panicked reaction when someone's home who shouldn't be, on either side, and there you go.

Look I get what they're trying to do. It's supposed to be a big moral quandary about whether it's right to allow some crime if it decreases other crime, the struggle between Batman being unreasonably violent and unwilling to listen and this new plan of Selina's. First of all that's a weird debate to have when everyone having it is technically a criminal to some degree. And second of all, it doesn't matter, this isn't about the morality, this is about how this plan is fucking dumb and was destined to fall apart even if Batman was still asleep and the fact that any of you are buying it just means there's a gas leak in Gotham somewhere.

[fallenrocket]

As an aroace, being a fan of the "hot" character can be so interesting. This applies to numerous characters over the years (everyone from Loki to Edward Teach to Finnick Odair,) but right now it's about Qimir on The Acolyte.

First of all, I get some aesthetic attraction, and I know that Manny Jacinto is an incredible handsome man. That's nice. I appreciate it. Qimir's character design is so badass and evocative, especially in episode 5, and I love that.

But it's fascinating, in an almost anthropological way, to look at the reactions online. Manny Jacinto, Leslye Headland, and the show are clearly very good at what they're doing, 'cause folks are out here gnawing on concrete over how hot Qimir is. There's an oddly lovely collective horniness going on right now over this character, and I can't really understand what that's like.

I'm definitely down bad for Qimir, but in a platonic crush/hyperfixation sort of way (I've come to learn that, for me, the two usually go hand in hand.) I'm losing it over Manny Jacinto's amazing, compelling performance. I love how unsettling and off-balancing he was in episode 5, and I'm super interested in his interactions with Osha in episode 6. I'm here for all the analysis and speculation. We just got a new episode last night, and I'm already waiting eagerly/impatiently for next week!

What I don't really get are Manny Jacinto's muscles. I mean, he has them, obviously. I saw his ginormous arms in episode 5, and the show plainly knew what they were doing with "that scene" in episode 6. But I don't know how it feels to have Manny Jacinto's muscles make the episode even better, to enhance my viewing experience in any way.

When I was younger, before I knew that I was asexual, I wrongly assumed that maybe I just appreciate characters on a "deeper" level than a lot of the fandom (hello, internalized sexism/purity culture!) But that's clearly wrong. One, I didn't realize back then that I was on an entirely different playing field than most people, and two, the horny fans are just as analytical about Qimir's character and just as wowed by the acting as I am. It's just that they're also horny.

That's what I find so fascinating, that tons of fans are experiencing this character on a level that's completely unknown to me. That I love this character with the same intensity but none of the sexual energy. It makes being part of the fandom such an interesting experience.

[marlequinncos]

Now that HOTD Season 2 is over, I have a lot of thoughts about what has transpired. Full disclosure: I basically wrote an essay, so long post ahoy! I have read the book, meaning there are a couple book spoilers in here along with show spoilers. Also: there are all my personal opinions, so you may agree or disagree.

The Good

The show is beautifully shot and the cinematography is excellent. We've gotten some really gorgeous shots this season.

The dragons look great, they're animated well, and I like how we can really see their different personalities and their relationships with their riders.

The acting is solid pretty much across the board. Folks like Emma D'Arcy, Matt Smith, and Olivia Cooke are excellent as usual. The standout for me this season, though, is Tom Glynn-Carney as Aegon. He's thoroughly fleshed out his character and given him some really interesting shading and depth and I really enjoy watching him on-screen.

Some excellent new additions to the cast! Ser Simon Strong is a national treasure, Gwayne Hightower is a mood, Alys Rivers is who I aspire to be in life, and the Hull brothers are both interesting (especially their dichotomy) and they better show more with them as per the book.

Rook's Rest gave us our first real dragon battle of the show, and I thought it was really well done. I was concerned that it would be the kind of fight that's hard to follow visually, but it was clean and worked nicely. I also love that they made Aemond torching Aegon a conscious choice.

The costumes are, once again, beautiful.

The embroidery title sequence kicks a lot of ass, and I like how they're adding to it with major events.

I do really like how they've made Helaena a dreamer (which they started in season 1) and how she's a tragic Cassandra figure. However, I do have some issues with her that I'll talk about later.

The Red Sowing was done well. I was hoping we were going to see some people get incinerated to really underscore how dangerous claiming a dragon can be, and that did not disappoint.

Little Oscar Tully verbally suplexing Daemon through an announcer's table was everything I've ever wanted.

I really like the relationship between Rhaenyra and Alicent. That said, I think there are some real issues with the writing that I'll discuss below.

Big fan of them putting Tyland Lannister in Situations.

Aemond committing war crimes and serving cunt as ye olde Sephiroth. 10/10 no notes.

While I do think the tripping balls in Harrenhall arc went on for far too long, I like how the show is leaning into the magic of the world with the weirwoods and insane visions of the past, present, and future.

Women kissing

The Bad

The pacing. Listen, I like a slowburn (one of my favorite horror movies is The Witch which many people find boring), but the slow pacing has to build to something, and this entire season felt like it was just build-up with no payoff. Last season ended with a consequential event (death of Luke), and this season began with another (Blood and Cheese), yet I don't feel like those events have managed to push the plot forward. Even Rook's Rest, which seemed like we were finally getting the ramp up to all-out war that's been teased for one and a half seasons due to Aegon being burned and Rhaenys dying, didn't really ramp up the stakes. We're still waiting for the war, and it feels like Season 2 was just a giant teaser for Season 3 rather than a stepping stone of the whole story. Think of it this way: season 1 ended with a build-up to the war and yet somehow this season also ended as a build-up to the war. It doesn't feel like progress was made; we're essentially in the same spot. The season should have ended with either the taking of King's Landing or the Battle of the Gullet.

Blood and Cheese. There is a reason this event lives in infamy for book readers. It's essentially the Red Wedding of the Dance of Dragons, because of how truly heinous and horrifying of an event it is. But the show toned it down a lot, and I think that was a mistake. Not to mention the fact that the death of Aegon's heir, who was a literal child, only seemed to be an issue for about an episode, and then everyone kind of forgot about it. Frankly, I don't like how the deaths of Luke, Jaehaerys, and Rhaenys were somewhat glossed over other than an episode of some characters being sad. Those deaths should have reverberated with long-ranging consequences and I don't feel like that's the case.

The writing. It's just not as good this season. Yes, I know the writer's strike probably affected it, but still. The conversations are nowhere near as engaging or interesting as they were in season 1, and I'm someone who loves dialogue scenes of political intrigue. I also think some of the character decisions they've made don't work. The biggest issue I have in that regard is with Rhaenyra. I don't actually hate the scene in the Sept (even though I think it is kind of silly how Rhaenyra managed to sneak into KL without being detected), because I like how they establish that Alicent knows that was wrong in her assumption about Aegon and yet she doubles down and they both realize that war is now inevitable even if it all began because of a misunderstanding. But book Rhaenyra is both far more active and ruthless than her show counterpart. There's a reason they call her "Maegor with teats". I thought we were getting some of that "warrior queen Visenya" Rhaenyra during the Red Sowing episode, but the fact is that she's spent most of the season trying to decide on a course of action and trying to do everything peacefully. She should have thrown that out the window after her conversation with Alicent in the Sept. It's especially weird considering she ended season 1 out for blood for the death of Luke. I feel like the writers are afraid that having her sometimes make nasty decisions will make her unlikeable to the general audience. But by doing that, they've also reduced this fascinating woman into a shell of who she should be. Look at Dany and Cersei from GOT; both of them were women in positions of power who did not hesitate to make (sometimes bad) decisions and/or commit horrible acts to further their goals and guess what: for the most part, the audience liked them! Give me "blood and fire" Rhaenyra! Support women's wrongs! Make characters morally grey! LET WOMEN BE AWFUL!!

I also think that the writing is doing Alicent a disservice. They really don't know what to do with her, and its a shame because Olivia Cooke is great. She just feels rudderless to me.

It really looks like the show is cutting Nettles entirely and giving her plot to Rhaena and I don't like this choice. Nettles is an amazing character in her own right, and her relationship with Daemon is key for him to start changing his Targaryen supremacist worldview and for his arc as a whole. Plus, this takes away the significance of Rhaena and Morning at the conclusion of the Dance.

While I like Helaena being a dreamer, they need to give her more screen time and dialogue. Girl had almost nothing to do this season.

I wish we had seen more of Jace and Cregan in the North and the Pact of Ice and Fire. Not saying we need 20 minutes of that, but 5 would have been nice.

I like the idea of that big vision of the future in the finale, but knowing how GOT ended does soften the impact quite a bit. And I don't love that Daemon and Aemond kind of already know their fates?? That's definitely going to hurt their arcs going forward.

The season should have been 10 episodes. Having it be only 8 really messes with the pacing of the story. Not loving the 2 year breaks between seasons either.

The "Let's Wait and See"

Aegon said that Sunfyre is dead. I really hope he's wrong about that because boy howdy that will have major plot implications if Sunfyre really is dead.

DAERON REAL. It would have been nice if he had been mentioned in season 1 and actually seen in season 2, but at least we know he exists and isn't a cryptid. Hopefully we finally get to see him in action in season 3 because poor dude has just been implied for two whole seasons.

I hope we see more of the book's excellent side characters like Black Alys, Benjicot Blackwood, and Sabitha Frey (who we did technically see briefly, but if you're a book reader, you know what I'm talking about). I'd also like to see more Cregan.

Overall, I think the season was a mixed bag. I hope season 3 fixes some of the issues with pacing and writing, because they have a great cast and a show that looks beautiful.

[ladytabletop]

Game Roundup 2023 - Part 1

So I made it a mission to read through the games I've gotten in various bundles in the past. And it's uh... an undertaking.

But! I've read a lot of cool games and encountered a lot of new concepts.

For reasons (namely that I have a few thousand games) I am not going to mention every game in these posts, just ones that caught my attention for one reason or another. And in keeping with my reflection on ratings earlier this year, I'm going to refrain from critiquing the stuff I mention here - I may say "this one isn't one I'd personally play" or "there was some unpolished stuff in here", but I'm going to focus mainly on the positives and why the game grabbed me.

So, here we go!

Blades in the Dark by John Harper

Yeah, yeah, I know, this game is talked about a lot! But consider me a recent student of TTRPG history outside of d20 systems. I got the chance to play this game for several sessions and read the rulebook cover to cover. The stuff that works, really works. The stuff that doesn't? Bogs the whole thing down. But I find clocks to be such an intuitive mechanic, and downtimes is really a delight to me. There's a whole ton of Forged in the Dark stuff that toggles a bunch of the game's switches on and off to make things more streamlined. Was very glad to read this one.

Lumen by Spencer Campbell (GilaRPGs)

I made it a mission to read SRDs this year. I want to understand the how and why of the games I've been reading: why are they built the way they are, what is accomplished in building them this way, and can I build games this way myself? Spencer has a really solid handle on what he wants his games to do. They're power fantasies with little if any chance for failure. It's not about whether you do the thing, it's about how. I ended up having the chance to meet Spencer at GenCon, and I'm really excited to see Lumen 2.0, which is going to be completely diceless. Power fantasy games aren't my thing typically, but I really appreciate the intentionality of this system's design.

Are My Wings Even? by Sadia Bies

What a lovely, simple game that lets you play dress-up! This one isn't necessarily as polished as some of the others but you can tell it was designed with so much care and personal meaning. I love a tactile game. I love dressing up. This one has so much potential to be really tender. It won't be for everyone and that's okay, but I really adore it.

Sprouts by Julie-Anne "Jam" Munoz

This game came to me in a bundle for Trans Rights in FL, but I actually dug into it when I was looking for RPGs to play with kids. You draw your character on a post-it, and it's just a silly little guy! It has a pretty simple roll mechanic and advises a "get from point A to point B" adventure style, which takes place in actual 3D space in your home, because didn't you know? Sprouts live in your home, like dust bunnies! It's got really great language for children and emphasizes cooperation, and that you can't mess up your drawing - sprouts are sprouts.

The Wildsea by Felix Isaacs

I know, I know, I talk about this game too much! But really, it's been the gateway into other games for me. I think technically I probably read this last year, but I had to brush up for GenCon this year, so I'm counting it. Lots of folks have compared the tracks in this game to Blades' clocks, but they sprang up parallel, funnily enough! It has some definitely shared DNA in its design, and it rewards you for things out of combat more than things in combat, if that's how you want to play. The setting is lovely, the community is lovely, and really it was a joy to read, even as long as it is.

I'll do another of these soon, I imagine.

[ladyhedoniste]

Oxventure spoilers!

I'm genuinely so happy with what I've seen so far from the new Oxventure D&D world. The character choices they've started making and the their role-playing skills have grown so much since they first started playing.

The characters they've chosen to play are interesting and fresh, and I'm glad to see they're going in directions they haven't always gone before.

I also really enjoyed watching the Wyrdwood Unraveled first video on Patreon. Zack and Johnny discussed some behind the scenes stuff from the Geth days that many of us had been thinking for a long time, about how it was time to say goodbye once it got the point where the Oxboxtra folks had outgrown their first campaign and become better players than the campaign they were playing, and that Johnny had been nerfing a lot of fights during live shows.

I'm really glad that there was a lot of discussion and planning that went into figuring out the tone of the new series, and pushing their own boundaries so that the stories they told could progress and mature.

As for the first episode, I am beyond myself. I could gush all day about the choices made.

Jane: playing an absolute darling Cleric, so sweet and capable. It was nice seeing her play merciful when it's not usually played in TTRPG's because it's usually inconvenient.

Mike: the pass-ag barbarian, not just defaulting to strong but dumb, seemingly starting to carve a new path (Hopefully. It's a little harder to tell with how low he was rolling, but we've seen him as Barnaby in Blades; I have faith).

Ellen: once again playing against the *idea* that everyone has of her play style (people forget that Merilwen was actually Truth Neutral, like, all the time), and wow, she was really channeling posho elven bitch.

Luke: Of course he went for the really hard but very interesting mechanic (having seen him do the Dark Souls randomized playthrough, I really had to laugh). I mean come on, the luck pervert thing ("Nat 1! Praise Cadence!") is so fucking funny. I'm really looking forward to seeing the story evolve in regards to Happen's good luck/bad luck deal.

Andy: I fucking knew he was going to be playing my favourite character...characters. They're both fun. I love that Robin is just some sweet but very basic stat guy who does his best, and I love that Morven is a seemingly the woman of my dreams, a cool spooky revenge witch. I'm really glad that Robin didn't die off immediately, because that would have been such a bummer to go through in the first episode after the thing with Corazon, and also Nate, even if that was supposed to happen.

I am extremely optimistic about this series, and where they are going to take it, in ways that I wasn't really anymore in the two to three seasons before the G'eth series ended. I'm really happy for them :)

[dailycass-cain]

Birds of Prey #7-8 is a neat little two-issue arc that had a lot of cute Cass stuff sprinkled throughout. So here are my thoughts (at last for #7) on the two issues.

I gotta say one surprising improvement is well, everyone gets more moments sprinkled throughout the two issues.

Then say one per issue. That and we get the members who came back with this issue bonding/training Sin/Megaera. That's where Cass comes in...

I love that the introduction for Cass is side by side with Barda (since their growing bond has been a major fun selling point of the series).

This is the (outside of Batman: Wayne Family Adventures and Batgirls) that Cass does normal things like going laser questing.

It's obvious everyone is having fun here, but also trying to gauge Sin's skills both as a combatant and in her new powerset.

I do like that writer Kelly Thompson brings back Cass being a fighting teacher.

It's something Batgirls gave us (though not the first with Cass teaching Steph), but then the little Nightwing backup again gave us it with Cass training with Dick.

I always love this aspect of Cass helping her comrades get better and her being a teacher. Just makes that moment in Scott Snyder/James Tynion IV JL run all the sweeter. That folks SHOULD come to Cass for help in their fighting prowess.

If there's any nitpick, I kind of want for Thompson to bring up Sin being raised to be the next Shiva. Like, technically it's an aspect somewhat overlooked in the run so far surprisingly (save in Cass joining the cause).

But I get "the why" Thompson hasn't dug into it yet. This is a two-issue arc, and it's gotta introduce our newest members, Vixen and Babs. And it's just that a "nit-pick".

I just hope Thompson is given the chance to eventually dig into that aspect.

Though in a way, she already is as all three ladies were born to be weapons but chose a different path. The fact they're just having fun but also being mentors to Sin is neat.

But yeah the other section for Cass this issue leads us to the moment me and others have been using and gushing over the last month. Mari gives Cass choices on wearing lingerie (if you're very very quiet you can hear Stephanie Brown still crying not appearing here and instead in another book.).

This moment really feels like Thompson course-correcting an aged badly moment from Batgirl Vol. 1 #39 with Babs accidentally making Cass wear a one-piece and she feels bad.

I think the fault isn't on Horrocks more per se the "product of the time" and WHO was slowly coming into power at DC around then.

Plus the actual end message in Batgirl #41 works quite well. With Cass figuring things out thanks to Kon (and aliens).

The moment over in BoP is just a page but artist Javier Pina captures SOOO much in the exchanges between Mari and Cass.

Just between the glances, you can tell Mari fully understands more and is more open to figuring out the common ground link that'll work for Cass.

I mean just look at these reactions. They say so many things and are just perfect moments for Cass (which is why I will be using these like crazy).

And of course, the piece Mari picks for Cass is just absolutely stunning and yeah perfectly works for the character.

I would love a creator's commentary on this how they chose each look for each Bird.

So yeah #7 was a great continuation of the plot with #8 wrapping the arc up, but setting it up for the next big thing for our Birds.

#8 began with bringing back someone I thought we'd never see with Batgirls ending last June, Detective Brooks.

I mean he isn't fully name-dropped but those who read Batgirls are in "the know" and it's nice continuity by Thompson in Brooks continuing his partnership with Oracle.

Even though I didn't notice him really doing much after the intro.

So let's get to the crux of this issue with it pertains to Cass.

Cass somehow flying around throwing batarangs (I'm not even gonna wanna answer where she was storing those) and fighting in high heels (just again doing a better job of it than in Batgirl #45).

I know everyone's eyes were on Barda in the fight, but you know where mine were. So yeah it was an interesting detail of Cass doing that, along with being the only Bird keeping her mask on.

Again this is a nice little touch because it shows Cass maturing and actually keeping a dual identity. Something that was quite a problem for her in Batgirl Vol. 1 at times (and some can say Tynion's Tec Knights run too).

If there's any negative (but I digress again minor nitpick) is how quickly Babs is ensnared by the mysterious force trying to end her (but #7 did showcase how easily Mari was swayed).

Anyhoot this was a fun little two-part arc and I'm really curious where the comic goes from here. Each Bird got a good moment and really the only downside was my minor nitpicks.

Birds of Prey continues to be a REAL fun series and I really do enjoy Thompson's Cass. I'm really curious given what we'll get with the character in the upcoming issues given the premise seems to be in the mind of each Bird.

[roonotrue]

Cotl Fanfic - Thoughts & Opinions?

So, this is the first post on this new account and it's a question for my Cult of the Lamb fandom pookies. I just recently got the game and I'm obsessed with it and have been thinking about writing a BUNCH of fanfiction.

So I wanted notes and suggestions on some things, and I might even make polls on some of them, starting most importantly with the topic below:

Gender, Pronouns, and Sexuality that are so far, are solely based on vibes and what I've seen the rest of the fandom agreeing on (And canon of course):

- The Lamb's identity will probs change depending on the fic type, but for most of them they will be assigned male at birth, He/They & Pansexual. Simple and sweet because our lamb boi is just tryna SURVIVE out here in a cult of idiots that can't even cook their own food or clean up their own shit. (Is this just me wanting to write more he/they characters in my stories because I'm he/they? Yes. Yes, it is folks.)

- Narinder is transgender male He/Him. I'm making him transgender male because I said so. I want more trans rep guys, leave me alone. & Homosexual because if his whole vibe and personality doesn't scream gay angsty emo cat I don't know what else in this world does.

- Leshy is cisgender He/Him. I can imagine him experimenting with they/them though. I may include something on that... If anyone has any notes on that I'm all ears. Best Bi. His level of chaos just radiates ADHD bisexual with way too much energy and free time.

- Heket is cis-gender She/Her. The only girlie in the family, fates have mercy on her and her patience. A lesbian for sure. I think the whole fandom just sort of agrees on this, right? With like, lots of wives because she is a highkey baddie? At least that's the impression I've been given based on all of her fanart and simps.

- Calamari- Sorry, I mean Kallamar, is cis-gendered He/Him. I was thinking of making him a transgender man too? Idk, I've just been told the cis's need rep too, and it made me gag and now I want to wave my magic writer wand and make all the characters trans and nonbinary. Opinions on that are welcome. Anyway. A pansexual, and I hear he canonically had multiple spouses? Despite looking like he has zero rizz. I mean, damn. Good for him I guess. Go squid boy, go.

In this, he's gonna be single though, because I like the idea of him struggling to find new spouses and Heket laughing at his struggle.

- Shamura is absolutely nonbinary they/them. A friend has told me this is canon, and that people may gun for my fucking throat if I change it. Not that I really want to, it fits. Shamura is lowkey one of my favorites. I just like spiders. I'm also deeply afraid of them and cry if I see them irl. I also think they're bisexual in the exact opposite way as Leshy, in that they are a calm, mildly tired wine aunt of the family, mixed with the senile grandparent that snores loudly then stops and everyone pauses and looks at each other like 'Are... Are they fucking dead?'

Anyway, this is a long post, but I needed to get this out there before I started writing stuff for this fandom. Any opinions are welcome, but no bullying other people's thoughts, and be chill guys.

Fr. I'm like a skittish cat, you'll scare me away, and then no one gets fanfiction.

[illarian-rambling]

Thanks for the tag @phoenixradiant!

OC Interview

I've been seeing people do two characters at once, so I'll do Sepo and Izjik as a pair :)

.

Are you named after anyone?

Izjik: "My name is a common one where I'm from, but I don't think I was named after anyone specific, no."

Sepo: "If I was, my mother croaked before she could tell me."

When was the last time you cried?

Izjik: "I dropped a bag of hammers on my foot at work the other day and spirits, they probably heard be about ten miles over!"

Sepo: "I don't cry."

Izjik: "Yes the fuck you do? Broody bastard. I saw you tearing up when we went and saw that new band. You cried last time you had to deal with the bounty guild because the guild leader makes you so damn angry. I know for a fact you get weepy every time you get so much as three drinks in you."

Sepo: "...no comment. Bitch."

Do you have kids?

Sepo: "You'd fucking think we do looking after Twenari. And she's not even half the trouble Djek is - and he's a grown-ass man."

Izjik: "Cut him some slack, he's like nineteen. But yeah, two kids pretty much. I've even been to a PTA meeting! That makes me certified parental material!"

Do you use sarcasm a lot?

Sepo: "Nooo, never..."

Izjik: "Low hanging fruit, my guy. I'm usually not sarcastic, though - it's not my style."

What is the first thing you notice about people?

Izjik: "If they're going to try to kill and eat me."

Sepo: "Ditto. Then I move on to what makes them annoying."

Izjik: "You're so negative, you know that? My second impression is their hands. You can tell a lot about a person based on their hands."

What is your eye color?

Izjik: "Kind of a blue gray? Slate, Twenari calls it."

Sepo: "Sirens all have eyes of black."

Izjik: "And a good thing to, given how stupid big your pupils are."

Sepo: "The fuck is that supposed to mean?"

Izjik: "If you had blue eyes, you'd look kinda silly is what I mean."

Scary movies or happy endings?

Sepo: "Scary, though it takes a lot to phase me."

Izjik: "Bullshit, you jump every time the camera angle changes. I like scary too, but with happy endings. Things can get bad, yeah, but it's always good to see folks making it out in the end."

Any special talents?

Izjik: "I can do a one-handed pushup!"

Sepo: "That's because one of your hands hardly works."

Izjik: "You're just a hater because you can't do one. That can be your special talent - being a hater."

Sepo: "Yes, fine, let's brush over my musical composition abilities and skills in veterinary medicine. My true special talent is being a hater."

Izjik: "Damn straight."

Where were you born?

Izjik: "The enclave of Edeme’eneha, deep in the N'Diki swamp. I think it was a lovely place to grow up, all in all. I really miss it sometimes."

Sepo: "I was born in a brothel basement in the Ulahdrian capital city of Seluthena, the largest metropolis beneath the waves. I... I also miss it sometimes."

Do you have any pets?

Izjik: "Nah. I never really got the concept of an animal you don't eat."

Sepo: "Landhorse is more of a business partner. She gets me where I need to be, and in exchange, I give her food, shelter, and pet her sweet nose from time to time. She's the best of horses, a gentlewoman among beasts."

What sort of sports do you play?

Izjik: "Does fighting for fun count? There's this bar I like where I can always get into a scrap if I'm looking for one. I think people have started placing bets every time I walk in."

Sepo: "I would go on cross-country camping trips when I was a teen in the Saryimastra Seat. That involved swimming for a few days at least, so I suppose it could be a sport. I found it very relaxing, escaping from all the noise and fuss of the temple. Sometimes Saius would go with me, but usually, I'd go off on my own."

How tall are you?

Izjik: "Tall enough to skin my fist on your teeth, lanky ass!"

Sepo: "You are five foot two. I'm six foot five. I really don't think you are."

What was your favorite subject in school?

Izjik: "I never went, but I liked learning how to set snares during my apprenticeship. It was the only thing I'd sit still for. Looking back, maybe that's why Dzako had me learn so many."

Sepo: "My education was rather... propaganda-filled. Most of the history I enjoyed learning turned out to be false. A lot of the books I read were horribly censored, though I didn't know it at the time. I suppose music. You can twist the words and intentions of music to whatever aims you wish, but the heart of it is always pure."

What is your dream job?

Izjik: "I mean, whatever gets me paid and let's me work outside. I heard Twenari talking once about these people called potion hunters? Apparently, they hunt magical plants and animals for alchemists to use in their work. That sounds like a hell of a lot of fun!"

Sepo: "I've... This is going to sound stupid, but I've always wanted to compose my own songs. In Ulahdris, music was strictly regulated and created by the church. But here on the surface? It's chaos. Any asshole with a kazoo can play whatever he wants. I... Oh, it's all nonsense anyways. I'm fine doing what I need to in order to survive."

Izjik: "You've gotta let yourself live a little, Sepo. I'd love to hear your music!"

Sepo: "Truly? Then... Then perhaps someday, I'll work up the courage."

.

World's most married platonic soulmates, for real. I'll tag @kaylinalexanderbooks @mk-writes-stuff @sleepyowlwrites @corinneglass and anyone else who wants to play :)