#|| CRAIG'S BIRTHDAY 2021 ||

[coconuttyglittersmurf]

A Happy Birthday to my friend @toonrandy ! :D

To celebrate I drew 4 of our favorite Nicktoons together! :D

May your BDay be Smurf-tastic! 😎

[wanderfan2000]

Wishing a Happy Birthday to Craig McCracken’s Kid Cosmic, which debuted on Netflix on February 2th, 2021.

Happy Birthday, Kid Cosmic and the Local Heroes! 

[scotianostra]

Happy birthday Scottish TV host and entertainer Craig Ferguson born in Glasgow, on May 17th, 1962.

Ferguson was born in Stobhill Hospital and brought up not far from where I now live in nearby Cumbernauld. He admits to growing up "chubby and bullied" At age sixteen hen left Cumbernauld High School and began an apprenticeship to be an electronics technician at a local factory of American company Burroughs Corporation.

In the early 1980s, Ferguson drummed in punk bands for a few years before a bartending job led him to Michael Boyd, the artistic director of the Tron Theatre. Boyd talked Ferguson into giving acting a shot, which Ferguson soon did, finding the comedy prong of the art too compelling to ignore.

Ferguson soon created an outrageous—and successful—stage character called Bing Hitler. On top of the local success he was experiencing, Ferguson used the experience as a backdrop from which to move into mainstream acting roles.

Craig Ferguson’s first TV appearance came on an episode of the sci-fi sitcom Red Dwarf in 1988, and it was enough to get Ferguson to head overseas to the United States for his first role on American TV. The part was playing a teacher in the pilot episode of High (1989), which starred Gwyneth Paltrow and Zach Braff. The pilot wasn’t picked up, though, and Ferguson headed back to Scotland.

Once back in the UK, Ferguson found that roles came sporadically before he landed his own BBC show The Ferguson Theory in 1994 While the sketch comedy show put the funnyman front and centre, it only lasted five episodes.

When Theory was no more, Ferguson packed his bags once again for America. But this time he’d find a lot more success waiting for him than he did years before. When Ferguson joined The Drew Carey Show as Nigel Wick in 1996, his run lasted several seasons and led to the actor becoming a known quantity in the world of U.S. television.

Ferguson’s busy life on TV and the big screen got a lot busier in January 2005, when he took over the late-night comedy series The Late Late Show. Once it found its footing, Ferguson’s show was another hit, earning its first Emmy nomination a year into its run. Mixed in with his work on the show were several high-profile big-screen roles, often voice-over work, in movies like How to Train Your Dragon, Winnie the Pooh and Brave.

Ferguson, who became an American citizen in 2008, is also an author, publishing Between the Bridge and the River and American on Purpose.

On 28 April 2014, Ferguson announced he would be leaving The Late Late Show at the end of 2014, with the final episode airing on 19th December that year.

Ferguson is a recovering alcoholic, sober since 18th February 1992, another Scot who has dealt with his depression, he admits to having considered suicide before giving up the bottle.

In 2017 he released a six-episode web show with his wife, Megan Wallace Cunningham, titled Couple Thinkers. For two seasons from 2021, Ferguson hosted the American game show The Hustler, which airs on ABC.

In 2022, an adaptation of Ferguson's film Saving Grace (2000) was announced as a stage musical in which Ferguson will portray a "villainous banker". It was adapted by April De Angelis from Ferguson's and Mark Crowdy's screenplay, with music by fellow Scot KT Tunstall. In October 2022, the musical was confirmed to run for a limited twelve performances at Riverside Studios from 22 November until 4 December 2022 as an "intimate first run.

The rumor mill has been buzzing that Craig is thinking about returning to the talk show ranks In a recent interview he said;

“I have meetings next week in Los Angeles for a show,” Ferguson said, calling from New England while on vacation with his family. “I’m considering doing a show but I just don’t want to do one every day. I like doing a talk show, but not enough to do it every single day.”

[nancydrewwouldnever]

I have a question for Seb fandom: was he able to recover his reputation after he ended his “relationship” with the Spanish problematic actress? I mean, he still does good projects and he still seems to be interested in working (unlike Chris), plus he still has Marvel///

he did but honestly I think both situations are similar but they're not totally the same, ale did cultural appropriation but that was it, alba and her friends have done much much worse :s and as everyone has said: Seb didn't marry her, in fact, Seb always did the bare minimum for her. I know you previously received an ask saying Seb and his current gf have "zero chemistry" (I disagree) however, Seb has done a lot of effort for hid current relationship, for example, he traveled to Italy and Canada when she was working there, he went to London for her brother's birthday, he went to the bachelorette trip to Spain with her brother and sister in law and of course he went to their wedding and spent her birthday in Portugal with her family... he never did that for ale, sure he went to Spain twice but that was it, he didn't go to the birthdays of ale's family and didn't go with her when she was working and so... like he really didn't care for her and we all could see it.

Now, in the work field: Seb has always been a hard worker. always. he, compared to Chris, wasn't born in a privileged family so he worked normal jobs and so and he struggled a lot financially until 2011, so he knows hard work which Chris doesn't so I think that's the main difference... Chris doesn't need to work ever again if he doesn't want to, he's got 104 more millions than Sebastian, so.. a BIG difference. and then of course, the talent is different... correct me if I'm strong, but I've never heard Chris saying that he took acting classes or something 🤔 ...Seb did, he actually has a degree in it and he's always studying his craft, that's why he's a really good actor, he's got that love and passion for what he does.. with Chris it feels like he just does the work because of the money, let's just look at his latest projects... big streamimg platform movies with no critic acclaim at all... fun fact: Seb was told that he might not receive money from I Tonya because they didn't have the money, he didn't care and he did it anyway and look at what it was 👌🏽 and because of that movie he met Craig Gillespie, who then called him directly to play his Emmy nominated role in pam&tommy last year and then the same director called him back for dumb money, another acclaimed movie this year... that's what Chris doesn't have.. he cares so much about money that he hasn't been able to build those kind of connections. and he needs to work on his acting, 100%.

then: Seb is actually very private compared to Chris... sure, Seb used to interact with his fandom but for example, we only met his mom *this year* and his mom is the only blood related family of him that we've seen (probably the only blood related family he has in the USA anyway), but with Chris, we've seen all of his family, even half siblings at different red carpets throughout the years and all of Chris' friends seem to be.. not very private, meanwhile Sebastian's closest friends (minus Toby's slip in 2021 :s iykyk) are very protective of him actually... like, there are many differences in terms of privacy 😐

finally: when it comes to relationships, to Chris' and seb's, current relationships, Chris chose to marry someone 16 years younger than him and someone he met when she was 23.. which is so questionable from any angle you see it, however, Seb is daring someone who's 39 (he's 41) si of course no one has anything bad to say about them (Seb and Annabelle) which is different to Chris and alba. and I do agree in one thing: Seb has never said he's an activist or whatever, meanwhile Chris was a keyboard activist fighting trump only and then forgot about it and now has very questionable people staying in all of his houses...the same people he used to critic.

if you ask me if I think that Chris can recover from this: yes.. maybe but time needs to pass and he needs to do better movies because right now he's just a joke on social media thanks to the projects he chooses not because of his private life. I know you believe most people shits on Chris for his personal life but that's not the main problem... it's his movies and if he doesn't have the passion and the desire to get out of his comfort zone, he won't go anywhere. there's something that Seb is always saying and it's "actors shouldn't be comfortable in their choices" and to me, Chris is beyond comfortable doing mediocre movies with a big pay. that needs to change yesterday.

Thank you for all this info. I don't follow Seb except to see him in a few movies here and there. I think you raise a lot of good comparisons.

[april-is]

April 2, 2024: from Understory, Craig Santos Perez

from Understory Craig Santos Perez

(to my wife, nālani and our 7-month old daughter, kai)

kai cries from teething—

how do new parents

comfort a child in

pain, bullied in school,

shot by a drunk

APEC agent? #justicefor

-kollinelderts— nālani gently

massages kai's gums with

her fingers— how do

we wipe away tear-

gas and blood? provide

shelter from snipers? disarm

occupying armies? #freepalestine—

nālani sings to kai

a song about the

Hawaiian alphabet— what dreams

will echo inside detention

centers and cross teething

borders to soothe the

thousands of children atop

la bestia? #unaccompanied—

nālani rubs kai's back

warm with coconut oil—

how do we hold

violence at arm's length

when raising [our] hands

up is no longer

a universal sign of

surrender? #black livesmatter—

kai finally falls asleep

in nālani's cradling arms,

skin to skin against

the news— when do

we tell our daughter

there's no safe place

for us to breathe #...

--

More like this:

+ Good Bones, Maggie Smith + Prayer for My Unborn Niece or Nephew, Ross Gay + not an elegy for Mike Brown, Danez Smith & the first poem below:

Today in...

2023: The World Keeps Ending, and the World Goes On, Franny Choi 2022: For the Journalists Who Write About Ukraine, Julia Kolchinsky Dasbach 2021: For My Friends, in Reply to a Question, Safia Elhillo 2020: The Conditional, Ada Limón 2019: Dorothy Wordsworth, Jennifer Chang 2018: A Small Needful Fact, Ross Gay 2017: What We Need, David Budbill 2016: Husky Boys’ Dickies, Jill McDonough 2015: Why Some Girls Love Horses, Paisley Rekdal 2014: The Fox, Faith Shearin 2013: You Can’t Have It All, Barbara Ras 2012: Road Trip, Kurt Brown 2011: Onset, Kim Addonizio 2010: February, Margaret Atwood 2009: Domestic, Carl Phillips 2008: A Birthday, W.S. Merwin 2007: Words for Love, Ted Berrigan 2006: At the Trial of Hamlet, Chicago, 1994, Sherman Alexie 2005: The Waking, Theodore Roethke

[toondisneyartz]

20 Years of Comfort Characters

Today is my 20th birthday, and I decided to draw every comfort character I've had since I was very young. You can notice there is a diverse amount of characters in this photo XD, some of them were really special to me growing up, but they all have made an impact on me. I also did NOT include every comfort character I've had in my entire life, as I was unable to include some characters I really wanted to include.   

Mickey Mouse is owned by Walt Disney Studios (2005?-2008) Martha Speaks is owned by Susan Meddaugh and PBS Kids (2011-2012) Ponyo is owned by Hayao Miyazaki and Studio Ghibli (2011-2012) Peanut Big Top is owned by Amandine Consorti and MGA Entertainment (2011-2014) Dracularura is owned by Garrett Sander and Mattel (2012-2015) Liberty Moshling is owned by Michael Acton Smith and Mind Candy Entertainment (2013-2015) Unikitty is owned by Phil Lord, Christopher Miller, and Warner Brothers Entertainment (2014-2015) Riley Andersen is owned by Pete Docter and Pixar Animation Studios (2015-2016) Bonnie is owned by Scott Cawthon (2015-2016) Violet Parr is owned by Brad Bird and Pixar Animation Studios (2017-2019) Loki is owned by Stan Lee and Marvel (2019-2021) Gumball is owned by Ben Bocquelet and Cartoon Network Europe (2019-2020) Marceline is owned by Pendleton Ward and Cartoon Network Studios (2019-2020) Tom Lucitor is owned by Daron Nefcy and Disney TVA (2021) Commander Peepers is owned by Craig McCracken and Disney TVA (2021-present) Cala Maria and Hilda Berg are owned by Chad and Jared Moldenhauer and Studio MDHR (2022-2023) Mordecai is owned by JG Quintel and Cartoon Network Studios (2022-present) Spinel is owned by Rebecca Sugar and Cartoon Network Studios (2023-) Alphys is owned by Toby Fox (2023-)

[apileofpans]

Birthday audio/video gifts!

It is my hecking birthday this month, y’all! To celebrate I am giving away videos and audios from Phantom of the Opera that positively ruined me (AKA some of my faves) !

NOTE: the links will work until November 6th, 10 AM CEST! After that they won’t work anymore :) If any of the masters want me to remove their master, let me know and I will!

Everything, including cast info, is under the cut!

Video

US Tour - Dallas, April 6, 2006 Evening Gary Mauer, Elizabeth Southard, Jim Weitzer, Kim Stengel, John Jellison, DC Anderson, Patti Davidson-Gorbea, John Whitney, Kate Wray https://ln5.sync.com/dl/b833dd740/gvnusjtv-a7wywsjy-98mvkiid-nsa6ksqp

Las Vegas Spectacular - August 8, 2008 (SunsetBlvd79) Anthony Crivello, Kristi Holden, Andrew Ragone, Geena Jeffries Mattox, John Leslie Wolfe, Lawson Skala, Tina Walsh, Larry Wayne Morbitt, Brianne Kelly Morgan https://ln5.sync.com/dl/f4b151790/79fc7xe8-emk99ug5-va2ndite-vrapb47x

Broadway - May 12, 2014 (inallyorufantasies, turnofthescorpion) Norm Lewis, Sierra Boggess, Jeremy Hays, Michele McConnell, Tim Jerome, Laird Mackintosh, Ellen Harvey, Christian Šebek https://ln5.sync.com/dl/9dbe75640/89h6694u-db6i4y53-ker76kab-xtm9qbj3

Boadway - May 20, 2003 Hugh Panaro, Lisa Vroman, John Cudia, Julie Schmidt (u/s), Jeff Keller, George Lee Andrews , Marilyn Caskey, Larry Wayne Morbitt, Joelle Gates https://ln5.sync.com/dl/04cef73f0/watx9j5t-s2amh9zy-hmxqchav-2h2sf3ra

West End - August, 2018 Ben Lewis, Amy Manford, Jeremy Taylor https://ln5.sync.com/dl/8a1ae4700/ys5mbar9-yas2ewaq-rrnk4sye-wt5pgdtb

Trieste, Italy - July 15, 2023 (Filthybonnet) Ramin Karimloo, Amelia Milo, Bradley Jaden, Earl Carpenter, Ian Mowat, Anna Corvino, Gian Luca Pasolini, Alice Mistroni, Zoe Nochi https://ln5.sync.com/dl/f916fe200/6dw52cqj-usu7pimm-zbgk2gdg-9qixj3d4

Audios

Broadway - September 26, 1990 Steve Barton, Rebecca Luker, Gary Lindemenn (u/s), Marilyn Caskey, Jeff Keller, George Lee Andrews, Leila Martin https://ln5.sync.com/dl/21e8e2db0/wsqmti8i-4d4vukku-xs8fvh3y-85kjak3h

Broadway - May 10, 2003 Hugh Panaro, Lisa Vroman, John Cudia, Patricia Phillips, Jeff Keller, George Lee Andrews (u/s), Marilyn Caskey, Joelle Gates, Larry Wayne Morbitt https://ln5.sync.com/dl/5640398d0/3d5axeix-ie6cpr3t-4j7fbew7-5q8mjcqq

Broadway - August 19, 2014 (Oogie Boogie) Norm Lewis, Sierra Boggess, Jeremy Hays https://ln5.sync.com/dl/59b8c8720/hzpmzgq7-5hx5xqx9-4e6h4qt2-ynn5dmw6

Broadway - April 6, 2023 (phantomygoodness) Jeremy Stolle (u/s), Julia Udine (alt.), John Riddle, Nehal Joshi, Craig Bennett, Raquel Suarez Groen, Maree Johnson, Carlton Moe, Sara Etsy https://ln5.sync.com/dl/dfa420090/i2m495z9-zwdgyka9-r2k9njdn-tu9hwt9m

Las Vegas Spectacular - September 2, 2012 Anthony Crivello, Kristi Holden, Andrew Ragone, Joan Sobel, Lawson Skala, John Leslie Wolfe, Tina Walsh, Larry Wayne Morbitt, Brianne Kelly Morgan https://ln5.sync.com/dl/882621a90/2kz2ajn8-nkre4uhw-5y7vesm6-gmk3pv7v

West End- October 27, 2017 Ben Lewis, Amy Manford (alt), Jeremy Taylor, Una Reynolds (u/s), Siôn Lloyd, Mark Oxtoby, Jacinta Mulcahy, Paul Ettore Tabone, Lily Howes (u/s) https://ln5.sync.com/dl/d6fa41cb0/axfwkn8z-66dpfim8-7uekxefw-aahsqs8x

West End - September 1, 2018 Evening (Winschi) Ben Lewis, Kelly Mathieson, Jeremy Taylor, Lara Martins, Siôn Lloyd, Mark Oxtoby, Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware https://ln5.sync.com/dl/99b982430/9dpb2hez-rex5y3nn-z9e963m3-wm57qfu2

West End - November 13, 2021 Evening (starprincess) Killian Donnelly, Lucy St Louis, Rhys Whitfield, Saori Oda, Tim Morgan, Adam Linstead, Francesca Ellis, Greg Castiglioni, Ellie Young https://ln5.sync.com/dl/fcffc67e0/7362xu65-tefiqt8x-9z3njksk-353iuqjk

West End -March 4, 2023 (verytheatricaltrades) Earl Carpenter (t/r), Holly-Anne Hull, Matt Blaker, Matt Harrop, Adam Linstead, Kelly Glyptis, Greg Castiglioni, Francesca Ellis, Ellie Young https://ln5.sync.com/dl/f142d9230/5ngjfdrx-fhjmc9wf-x2yhme8h-z4exy8cf

[ao3feed-twiyor]

A Weird Birthday Tradition Between A Bunch Of Friends From Work

read it on AO3 at https://ift.tt/gQuXvMS by Betrayed_Dreams It's odd how some things become traditions. This one started out as a joke. (In the name of international cooperation and bonhomie between different intelligence organizations across the globe. It makes you wonder, did the people at HR even know what they did for a living?) In fact, Agent Twilight had to google it – 'What's the most terrible gift you can give someone.' As you would expect, there was a list with 15 items and out of them. Loid picked one at random. And so, on Agent Double-Oh-Seven James Bond's birthday, he received office supplies – a stapler, tape and paper clips. As a birthday gift. And what happened next, how the rest of the spies and assassins of the world of intelligence and counter-intelligence got involved, well, you had to be there to understand it. But look on the bright side - No one died. ...Except for the terrorist Jack Bauer, Natasha Romanoff and The Thorn Princess tortured. ...And the fight which almost happened between Jason Bourne and Ethan Hunt. ...And the fight which almost happened between Natasha Romanoff and Jason Bourne. The key word being almost. (One-shot) (Complete) Words: 1341, Chapters: 1/1, Language: English Series: Part 1 of Our Friends Are Weird Fandoms: SPY x FAMILY (Anime), SPY x FAMILY (Manga), James Bond (Craig Movies), Jason Bourne Series - Robert Ludlum, Bourne (Movies), Marvel Cinematic Universe, The Avengers (Marvel Movies), Black Widow (Movie 2021), 24 (TV), The Man From U.N.C.L.E. (2015) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Categories: F/M Characters: Loid Forger | Twilight, Yor Briar Forger | Thorn Princess, James Bond, Jason Bourne, Natasha Romanov (Marvel), Jack Bauer, Clint Barton, Napoleon Solo, Illya Kuryakin Relationships: Loid Forger | Twilight/Yor Briar Forger | Thorn Princess Additional Tags: Romance, Comedy, Humor, Alternate Universe - Modern Setting, Canon-Typical Violence, Friendship, Team as Family, Family Feels, POV Loid Forger | Twilight, Married Loid Forger | Twilight/Yor Briar Forger | Thorn Princess, POV Multiple, Birthday, Birthday Fluff, Loid Forger | Twilight Loves Yor Briar Forger | Thorn Princess, Yor Briar Forger | Thorn Princess Loves Her Family, POV Yor Briar Forger | Thorn Princess, Male Friendship, Female Friendship, Male-Female Friendship, Post-Identity Reveal Loid Forger | Twilight/Yor Briar Forger | Thorn Princess, Birthday Presents read it on AO3 at https://ift.tt/gQuXvMS

[38sr]

How did you got into marvel?

Hmmmmm, I guess I can answer this question now that I'm no longer working at Marvel. Before I begin, I want to preface that how I got to Marvel was very much a right time, place, fit and people situation. I don't think I would have been able to work on Spider-Man: Freshmen Year if it weren't for the genuine relationships I had built in the industry way before the production even started (or really pitched to Marvel in the first place). I go into more detail about networking and building vertical and horizontal relationships in depth in this previous ask. And with that, let's begin. So this story goes way back in March 2021 when I was going into my 3rd month as a storyboard revisionist for Critical Role: Legend of Vox Machina season 2. I had been DMed by a director I seriously admired and they asked me if I would interested in working on a sci-fi adventure show that would premiere on a streaming platform. I was so stoked. I thought, "Holy cow, I love this person's work and they actually looked at my stupid doodles and want me on their production????" So I say yes, go through the interviews, get the details of the show, etc. etc. Until we get to the actual job title they wanted to give me....which was a revisionist. I was kind of bummed out that they offered a revisionist role and not a board artist. At that point, I was a revisionist for almost a year and a half and I felt like I learned everything that I could in the position. But they persuaded me that being promoted is a possibility so I took what I could get (which I learned later is not always a good thing to do for yourself). I knew that I would be on CritRole until July and then switching back to Star Trek: Lower Decks season 3 until December of that year. I had no other job prospects beyond that so I said yes. But even though I said yes, it just didn't feel....right to me. And I should have listened to my gut at that time. Fast forward to end of July 2021. I wrapped up on CritiRole and went back home to NY for my birthday before starting Lower Decks S3 in two weeks. During that time, I had an assistant director over at Marvel contact me (we had worked together a year prior on a short pilot for an action show). They asked if I would be interested working on the new X-Men animated series as a board artist and---I said no. Yeah, I said no to Marvel. It wasn't because I didn't want to work on X-Men just 'cause. The start date conflicted with my start date for Lower Decks S3 and I just really enjoy the crew and production of that show and wanted to go back for another season. They understood and wished the best of luck for me. Although I won't lie that I was thinking about it a lot afterwards 'cause they had offered a board artist position....but what was done was done. So I go back to vacay mode. Until a few days later, I receive an email from Marvel Recruiting if I would be interested in working on an upcoming animated series. At that time, I thought the recruiter was talking about X-Men when she was actually talking about a whole different production. And granted, I can't be mad at the recruiter 'cause Disney is very lock and key with their productions. So me being dumb and not realizing it could have been a different project, I said no. Again. Yes. I did not say no to Marvel once , but TWICE. So fast forward to September 2021. I'm on Lower Decks S3 as a revisionist again. When suddenly, I get a DM from a friend inquiring me about when I would be done on Lower Decks. I tell him, " Oh, my last day is in December. Why, is the show you're on looking for board artists?" And then he proceeds to tell me that he actually left the production he had been on for 3+ years as a writer and is show-running his own show at Marvel. You've probably figured out by now this person was Jeff Trammell. Widely known for his work on Craig of the Creek (and many other productions haha) and the creator/head writer of Spider-Man: Freshman Year. We had met way back in March 2020 right before quarantine had begun and kept in touch in through social media over the years. Nothing big really, tweet here and there, comment here and there when we saw each other's work and such. I was honestly baffled. I had absolutely no idea that he moved to Marvel or had his own show there. But more importantly, this was the third time Marvel reached out to me about work. So I tell my older sister and she proceeded to push me into taking an interview with them. I really have to thank her for that haha. So I go into the interview, only with plans to hear them out and learn about the project. And then one interview led to another, and then another, and then another....until it dawns upon me: Holy crap. I...I don't think I can pass on this opportunity.

I wholeheartedly believe that I would have regretted passing on Jeff's show. The people I would work with, the project itself, and they offered me a board position not revisionist. In the interviews, it genuinely felt like they wanted me as a board artist and wanted to help me learn/grow on the production. It just...it just felt so right and I wanted to do it. But I was signed onto that sci-fi adventure show that would start when Spider-Man did. And in that moment I learned a huge lesson about job hunting in animation: Don't always jump at the first thing that presents itself to you. Learn about the project, your potential crew mates and take the time to think about whether or not it's a right fit for you/will it bring a new challenge to you. And I'll be honest, I wasn't happy with the offer I got on the sci-fi show. I had gotten comfortable being a revisionist and wanted something more challenging but didn't vocalize it properly. I wanted to learn and be in an environment that facilitated growth for greener artists....and that just wasn't what I felt from the sci-fi show. So I had to do the scariest thing I've ever done in my life which was ending my contract with the sci-fi show. I was so anxious about it....hoping that I wasn't burning any bridges or coming off as a flake for leaving (even though production didn't start until Feb 2022 and it was Oct 2021 at this point in the story).  But I had to do it and I did do it.....after 3 weeks of trying to get a hold of anyone at the studio 'cause I had no clue how to prematurely end a contract hahahahahahaha....but once it was done! I signed my contract at Marvel and would be starting on Jeff's show in the new year. And that pretty much sums up how I got to Marvel. Funnily enough, at the end of my contract for Lower Decks I had learned that the person who originally scouted me for the sci-fi show actually left the show before I did (along with other artists who I admired and wanted to work with). So in a weird way, everything turned out okay. The universe is strange like that I guess. But yeah, my experience getting into Marvel was a very much a series of life lessons that I'll never forget in a good way. I'm just incredibly thankful to Jeff for taking a chance on me and allowing me to be part of a really special production with such talented artists. If not for that, I think I would still be the same board revisionist who was too scared to leave my comfort zone haha. I hope that story was enjoyable(?). I understand that reading this might make emerging artists feel like, "Damn...I have to know someone in order to get on a good show like that?" And that's not true. It really is a matter of right time place, people and fit. And that's not something you can quantify or artificially create. It just...kind of happens and you learn how to read situations to gauge whether everything is lining up to what you like/need. And you don't really learn that skill understand you're in it as a green artist and experience it. At some point Jeff was a green writer, I was a green artist, all of us in the industry started out green without any big connections. and we had to learn how do to it. So with that, I hope what you take away from this story is building those genuine relationships with people really does go a long way in various ways in the animation industry.

[mi4011minadigajaweera]

Craig McCracken - further research

His Career and Work

In 1993, Craig was recruited by Hanna-Barbera Cartoons (now Cartoon Network Studios) to work as an art director on the series 2 Stupid Dogs, but as his first job in the animation industry, he was never really happy with how that show worked.

While McCracken was working at Hanna-Barbera, studio president Fred Seibert started a brand new project: an animation incubator with 48 brand new cartoons that are each about seven minutes long. What a Cartoon!, as it was known, inspired McCracken to continue working on his Whoopass Girls! idea from his work at CalArts. He recalled that the network could not market a show with the word "ass" in it, so two of his friends came up with name ‘The Powerpuff Girls’ as a substitute for the original title.

As a backstory note how it all started, in June 1991, McCracken was in his first year in the character animation program of CalArts and drew three girls with large eyes, visually inspired by the paintings of Margaret Keane on a small sheet of orange construction paper as a birthday card design for his brother.

His new work with a refined plot, "The Powerpuff Girls in: Meat Fuzzy Lumkins", premiered on February 20, 1995, on Cartoon Network's World Premiere Toons, along with its follow-up, "Crime 101", which aired on January 28, 1996. The first short to be picked up by the network was Tartakovsky's Dexter's Laboratory, which McCracken contributed to in the early seasons.

The fourth cartoon to greenlit a full series was McCracken's Powerpuff Girls. It premiered as a short in 1995 and debuted on November 18, 1998 as full half-hour episodes that was aired until its final episode on March 25, 2005. The Powerpuff Girls aired on Cartoon Network for six seasons, three specials, and a feature film, with the final episode airing on March 25, 2005. A total of 78 episodes were aired in addition to two shorts, a Christmas special, the film, a tenth anniversary special, and a special episode using CGI technology. Various spin-off media include an anime, three CD soundtracks, a home video collection, comic books, a series of video games, a 2016 reboot series, and an upcoming second reboot, as well as various licensed merchandise.

The series has been nominated for six Emmy Awards, nine Annie Awards, and a Kids' Choice Award during its run.

In 2002, McCracken also directed The Powerpuff Girls Movie, a prequel to his series. Although the film received generally positive reviews, unfortunately it was a box office failure.

Leaving The Powerpuff Girls after four seasons, McCracken focused on his next project; Foster's Home for Imaginary Friends. He created this series with his wife Lauren Faust and Mike Moon and it premiered on Cartoon Network with the 90-minute television special "House of Bloo's" on August 13, 2004. The show also won Emmy and Annie awards and ran for six seasons, all directed by McCracken, ending on May 3, 2009.

He became the executive producer of The Cartoonstitute; a brand-new Cartoon Network showcase project, in April 2008. He left Cartoon Network in 2009 after 17 years of employment when the network began to emphasize on live-action and reality shows. In August 2013, he created Wander Over Yonder for Disney Television Animation and Disney Channel. Following the cancellation of Wander Over Yonder, McCracken pitched Disney a new show based on his 2009 comic strip The Kid from Planet Earth. The concept was later dismissed by Disney, and in 2017 he finally departed the company. After presenting his idea to Netflix, Kid Cosmic was selected as the working title. On February 2, 2021, the show made its debut, and it aired till February 3, 2022.

It marks McCracken's return to the superhero genre after The Powerpuff Girls and the first of his original works to include a serialized style. He pitched Netflix with 10 proposals in August 2021, however due to Netflix Animation's huge layoffs, he eventually left in April 2022.

On July 18, 2022, it was revealed that McCracken will make two reboots at Hanna-Barbera Studios Europe of the Powerpuff Girls and Foster's Home for Imaginary Friends.

McCracken was also awarded the Winsor McCay Award in 2023 for his "unparalleled achievement and exceptional contributions to animation" at the Annie Awards ceremony.

[overnighttosunflowers]

2022 year in review or what have you

It has been a busy year. Anyone who knows me will tell you that all of my years are busy years, and then gently yell at me that I need to do fewer things. They’d be correct; I was going pretty nonstop from June to Christmas and it took a lot out of me. BUT a lot of those things were good things:

went to three weddings and got to see many of my college friends for the first time in years

with my sister, organized and threw a big 60th birthday party for our parents

had visits from two other dear friends, neither of whom I’d seen since pre-pandemic

got to hang out for several cumulative weeks with my parents’ puppy whom I adore

played in two D&D campaigns; saw my cleric, who’s been with me for three years since level 1, hit level 10; and had some really wonderful roleplay moments

rejoined band for the first time since the pandemic started and picked my oboe back up for the first time in seven years

was deeply lucky to go to a bunch of shows both on and off Broadway, including Into the Woods, Merrily We Roll Along, The Music Man, Macbeth (Daniel Craig was fine) and Funny Girl (Lea Michele was amazing). I also saw the revival of Company with my girlfriend; it’s my very favorite show and it’s about relationships and marriage, so that felt a little vulnerable, but she loved it :’)

Not going to pretend it was all great, of course. My grandmother died this fall, shortly after turning 92, and that was hard. I fiddled with my meds when I shouldn’t have and gave myself a couple months of really bad anxiety. The forcibly slower pace of 2020-2021 had gotten me out of my habit of overbooking my life and I launched back into it in 2022 like an idiot with one of those clown punching bags. I kept sprinting relentlessly at overcommitments and then (surprise! who could’ve guessed!) kept getting slammed with the accompanying overwhelm and exhaustion. The worst was the day I thought I had finished my marathon autumn and instead found myself locked into a full month of jury duty. That sure was… something.

Pivoting back to the positives, though, the biggie was:

I changed jobs after six years!

I’d been at my previous job since I was fresh out of college and everyone’s assistant. While there were many reasons I finally decided to bounce, the biggest one was just... I was ready to hit reset and start fresh. So far it’s proving to have been a really good decision. Not one without its anxieties and stressors, but I’m much happier.

Not nearly as big, but felt big for me: I put together a whole cosplay and wore it! I’m a deeply self-conscious person, but lately I’ve been trying to chill out, loosen up, and let myself just happily exist as the person that I am. I’ve made costumes before, but wearing one with this level of effort and a wig and then like taking pictures in it felt like it crossed an event horizon of plausible deniability. And it felt good!

I also taught myself very basic leatherwork to make said cosplay, which was a blast.

Lastly, I know my job change should be what I’m proudest of this year, but actually, that’s this:

I wrote 47,000 words of fanfiction across seven different works.

I do a lot of writing (of a different sort) for my job, but I hadn’t written anything for pleasure, or even any fiction at all, in about five years. Then Imogen and Laudna decided to grab me by the throat, and suddenly I had things I wanted to say about them? And then people liked the stories I was telling? And then I kept writing and even pushed myself to try some new genres? And I found a community around all of it and made some great friends? (Sidebar: this has been such a wonderful fandom to be a part of, and y’all have been one of the things I’m most grateful for this year.) I didn’t see any of this coming but I’m so, so happy it did.

I historically haven’t been much for New Year’s resolutions, but this year I have a goal for real. I want to keep writing. There’s a longfic I’ve got fully plotted, and I’m intimidated as hell by the idea of writing something with chapters and a real plot, but I also think maybe I’m ready. Or I can certainly try :)

Anyway, happy new year, y’all. Here’s to another circle round the sun and however 2022 was for you, I hope 2023 is better. 💜

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Young Rising Latina Starlet That Rose To Prominence In The Leading Role Of A Lifetime. In The 2021 Reboot Classic Musical Cinema Masterpiece Based On The Iconic &  Famous Broadway Of The Same Name

In Steven Spielberg's   West Side Story

Born Of Colombian Descent 🇨🇴

She was born in Hackensack, New Jersey in 2001 to parents Gina and Craig Zegler. She was named after the fictional character Rachel Green from the TV show Friends. She has an older sister. Her mother is of Colombian descent. Her maternal grandmother immigrated from Colombia to the United States in the 1960s. Her father is of Polish descent.

She is an American actress and singer. Her first came to prominence with her film debut playing Maria Vasquez in the Steven Spielberg musical adaptation West Side Story (2021) for which she won the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. She also portrayed Anthea in the DC Superhero film Shazam! Fury of the Gods (2023).

Please Wish This Young Upcoming Latina Starlet / Actress Of 2021 Fame, A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

Ms. Rachel Anne Zegler 🇨🇴

Happy 22nd Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You Rachel Zegler

[journalworldwide]

Georgina Rodriguez Net Worth 2022: Early Life, Career, and Personal Life!

Georgina Rodriguez Net Worth: As of 2022, Georgina Rodriguez's net worth is estimated to be around $10 million. She is a Spanish model and social media star best known for being Cristiano Ronaldo's longtime girlfriend. They have been together for many years and have three children together. Through her appearances in various concerts and shows, the model has amassed a massive following in the modelling world. She has modelled for major companies, magazines, and brands, which has helped her to become one of the world's most prominent models. She has appeared on the covers of numerous magazines, including Women's Health.

Georgina Rodriguez Early Life

Georgina Rodriguez was born on the 27th of January 1994, in Buenos Aires, Argentina, she is currently 28 years old. Gio’s father’s name is Jorge Rodríguez and her mother’s name is Ana María Hernández. She also has an older sister named Ivana María Rodríguez who is also an Instagram star. Her dad used to smuggle heroin due to that he was sentenced from 2003 to 2013 and died in 2018. Georgina began taking classical dance lessons at the age of four and later studied in Spain. She moved to Madrid after graduating from high school, where she worked as a vendor at the famous Gucci Boutique while also taking dance classes. Before entering the modelling industry, she worked as a waitress.

Georgina Rodriguez Net Worth

Georgina Rodriguez Net Worth is estimated to be around $10 million by intelligence. She is one of the country's most popular social media personalities and models, and she rose to prominence as Cristiano's girlfriend. She aspired to be a top model, and it appears that she will be among the highest-paid models in the future. Her income comes from a variety of sources, including modeling, commercials, brand promotions, and social media platforms such as Instagram. Georgina Rodriguez earns more than $1.8 million per year. Several multinational brands have endorsed the model, including Twinset, Versace, Prada, Serrano 47 WOMAN, L'Oréal, YSL Beauty, LA Andena, and many others.

Georgina Rodriguez Career

Georgina Rodriguez began her modeling career and has worked with numerous fashion brands and magazines. She first appeared on the cover of the Spanish magazine 'Women's Health,' and then in 2018, she had a photo shoot for 'Harper's Bazaar. At the same time, Georgina was offered a modeling contract with Uno Models in Madrid. Later, she appeared on the covers of several magazines in Spain, Portugal, and Italy, including Lux, Diva E Donna, Glamour, VIP, LOVE, Nova Gente, and many others. Gio then became a brand ambassador for Yamamay, an Italian lingerie company. Netflix has announced that the Spanish reality TV series I am Georgina (Spanish: Soy Georgina) will be released in 2021. That show is about her personal and professional life, as well as her relationship with Cristiano Ronaldo.

Georgina Rodriguez Personal Life

Georgina Rodriguez has been married to professional soccer player Cristiano Ronaldo for a long time. They first met in 2016, when Georgina was working as a salesperson for Gucci for £10 an hour. Ronaldo and Gio began dating soon after and got engaged. Through surrogacy, they became the parents of twins, Eva Maria Dos Santos and Mateo Ronaldo, in June 2017. Georgina Rodriguez and Cristiano Ronaldo welcomed their third child, a daughter named Alana Martina, on November 12, 2017. They then made their relationship public and began posting pictures of each other on Instagram. On Georgina Rodriguez's 28th birthday, January 28, 2022, Cristiano Ronaldo surprised her with a laser display in Dubai's Burj Khalifa that featured her face. Final Lines: In this article, we discuss about Luka Doncic Net Worth if you like this article then stay tuned with us and read our other articles Ben Affleck and  Dwayne Haskins on our site Journalworldwide.com. Read Also:- Daniel Craig Net Worth 2022: Early life, Career, Income, and Personal Life! Whoopi Goldberg Net Worth: Early Life, Career, and Personal Life!   Read the full article

[scotianostra]

Happy Birthday singer Colin Hay, born 29th June 1953 in Saltcoats.

Colin spent his first 14 years in Kilwinning but then moved to “a land Down Under” when his family emigrated, to Melbourne . At 21 he met Ron Strykert, and they formed an acoustic duo. They started composing songs for what was going to become Men at Work. After years of hard work gigging and a couple of releases in Australia the band signed for with CBS Records producer Peter McIan, and they released their debut album Business as Usual, with the hit singles Who Can It Be Now?, Be good Johnny and of course the one everyone knows, Down Under!

Men at Work quickly became MTV favourites (during the station’s early days). Since he was the group’s main singer and songwriter, Hay quickly became the focal point of the band, as such humorous videos for “Who Can It Be Now” and “Down Under” pushed the debut album to the top of the U.S. charts – making Men at Work an overnight sensation.

Perhaps sensing that they should strike again while they were still fresh in people’s minds, Men at Work went directly back in the studio to work on another album. Issued in 1983, Cargo was another sizable hit, but did not fare nearly as well as its predecessor, commercially or artistically.

Their third album in 1985, although selling okay in the states did not yield any hit singles, the band split soon afterwards.

Colin continues to make solo records and has taken to acting, appearing in some indie Aussie films, he also toured with Ringo Starr in his annual All Starr Band. If I would described Hays singing, don’t judge it by Down Under, which was a great song but didn’t challenge his voice, some of his other songs are sung much better and have a bit of a former Police frontman “Sting” to them, if you listen to some of his tunes you might hear the resemblance.

I love Colin, he has a great sense of humour, as is evident in many of his songs, Down Under is a fun tune, have a wee listen to the video I have added to this post, Are You Lookin’ At Me? again shows his humour and is a sort of autobiography in song!

In August 2021, Hay released his fourteenth studio album, I Just Don't Know What to Do with Myself. The album features 10 versions of some of Hay's favourite songs from The Beatles (Norwegian Wood, Across the Universe) Blind Faith, Del Amitri, Dusty Springfield, Faces, Gerry & the Pacemakers, Glen Campbell (Wichita Lineman), Jimmy Cliff (Many Rivers to Cross) and The Kinks (Waterloo Sunset).

The video is great crack between Colin and Craig Ferguson on The Late Show

[dorothydalmati1]

Obscure Animation Subject #36: M.O.D.O.K.

Originally posted on Twitter on March 15, 2023.

Based on the Marvel Comics character of the same name, the show was developed by Jordan Blum and Patton Oswalt, directed by Eric Towner and Alex Kramer and produced by 10k, Multiverse Cowboy, Stoopid Buddy Stoodios and Marvel Television.

The show premiered on Hulu with one season of 10 24-minute episodes on May 21, 2021 (ironically my 17th birthday), and was positively-received by critics. However, it was announced as cancelled in May 2022, although Blum had plans for a second season as announced in April 2021.

Craig Erwich, Hulu's head of content, stated in January 2022 that more seasons of M.O.D.O.K. would be determined solely by the Marvel Studios team. However, given how limited advertising the show got, it was a commercial failure, but by cancellation, it finally gained attention.

You see, according to Whip Media's viewership tracking app TV Time, the show was the 3rd most anticipated new television series, during the month the show was announced as cancelled. By that time it was too late but it did attract an audience, like with 101 Dalmatian Street.

As for what I think of it, haven’t seen it. Does look interesting though, but Henry Bean did describe the show as mid. What a coincidence it was released on my 17th birthday, but, I learned on Discord that Santa Inc. was also released on someone’s 17th birthday. Wow, pain!

[lamilanomagazine]

Bologna: “Un jour nouveau | Birthday Party” al Teatro Arena del Sole

Bologna: “Un jour nouveau | Birthday Party” al Teatro Arena del Sole. Domenica 12 marzo alle 16.00 al Teatro Arena del Sole di Bologna, andrà in scena in prima nazionale, "Un jour nouveau | Birthday Party", spettacolo composto da due creazioni firmate da due dei più stimati coreografi della scena contemporanea, Rachid Ouramdane e Angelin Preljocaj: un esperimento che celebra i corpi nella terza età. I lavori di Ouramdane e Preljocaj, rispettivamente "Un jour nouveau" e "Birthday Party", esplorano i limiti del corpo nella danza e dimostrano come l'energia vitale del movimento possa assumere forme diverse, in primo luogo poetiche. La ricerca artistica di Ouramdane e Preljocaj si concentra sulla trasformazione del corpo nel tempo, un tema di grande interesse anche al di fuori del contesto artistico. Ouramdane sperimenta i confini del corpo umano, esplorando nuove espressioni e arrivando fino al circo, mentre Preljocaj crea bellezza visiva e intensità narrativa collaborando con ex ballerini e persone capaci di creare movimenti intensi e innovativi. Il loro obiettivo è far reagire questa materia affascinante di corpi e storie fisiche diverse, per interrogare i canoni di bellezza e virtuosismo. La domanda centrale, come suggerisce Preljocaj, è: qual è l’età di un corpo? La produzione che vede la collaborazione tra Emilia Romagna Teatro ERT / Teatro Nazionale e Fondazione Nazionale della Danza / Aterballetto, con il coinvolgimento di importanti realtà come il Ballet Preljocaj, Chaillot - Théâtre national de la Danse, il Festival Aperto / Fondazione I Teatri di Reggio Emilia, il Centro Servizi Culturali Santa Chiara. L’appuntamento è parte del programma di CARNE, la rassegna dedicata alla drammaturgia fisica di ERT e curata da Michela Lucenti. Un jour nouveau Coreografia Rachid Ouramdane; musica originale Jean-Baptiste Julien; additional music Sam Cooke (Everybody loves to Cha Cha Cha), Stephen Sondheim (testo da Send in the Clowns); luci Stéphane Graillot; assistente alla coreografia Mayalen Otondo; danzatori Darryl E. Woods e Herma Vos. 15 minuti Non c'è danza senza corpo e non c'è corpo che non invecchi. L'invecchiamento del corpo è spesso percepito come una regressione, eppure molti danzatori si sono reinventati invecchiando. Ad esempio, il butō di Kazuo Ohno ci ricorda che invecchiare non significa necessariamente arrendersi o indebolirsi fisicamente. Non sembra una fine ma piuttosto un inizio, come un'eco di una canzone di Etienne Daho, Le premier jour du reste de ta vie, che evoca il passare del tempo e l'inizio delle cose. Questo antagonismo l'ho percepito nel mio incontro con Herma Vos e Darryl E. Woods, che hanno già una lunga carriera artistica. Parlare con loro, vederli danzare, ha evocato molte capacità di resilienza di fronte agli eventi della vita. Sorprendentemente, mentre stavamo lavorando a un pezzo che sonda lo scorrere del tempo, mi hanno suggerito di sospenderlo. Rachid Ouramdane Rachid Ouramdane è un performer e coreografo che ha iniziato la sua carriera con l'hip-hop, ma ha continuato a studiare danza classica e moderna. Ha collaborato con numerosi artisti e le sue creazioni sono ispirate da storie al limite, come quelle dei rifugiati o delle vittime di disastri. Ha collaborato anche con artisti circensi, drammaturghi, artisti visivi e musicisti. Nel 2021 è diventato il direttore di Chaillot - Théâtre national de la Danse a Parigi, il primo teatro nazionale francese dedicato alla danza. Birthday Party Coreografia Angelin Preljocaj; musica 79D; additional music Anton Bruckner, Józef Plawiński, Paul Williams, Lee Hazlewood, Johann-Sebastian Bach, Maxime Loaëc, Craig Armstrong, Stinky Toys; luci Eric Soyer; costumi Eleonora Peronetti; assistenti alla coreografia Claudia De Smet, Macha Daudel; danzatori Mario Barzaghi, Sabina Cesaroni, Patricia Dedieu, Roberto Maria Macchi, Elli Medeiros, Thierry Parmentier, Marie-Thérèse Priou, Bruce Taylor. 50 minuti Ogni anno, in un giorno fisso, il nostro compleanno aggiunge un'unità al conto della nostra esistenza. Ma qual è l'età di un corpo? Si tratta dell'età biologica o di quella legata alla pratica della sua attività? È l'età che gli altri gli attribuiscono o quella che l'essere in questo corpo sente? Volevo condividere questa domanda con persone che hanno avuto il privilegio, e in un certo senso la possibilità, di attraversare diverse età della vita. In questo progetto, gli otto interpreti, di età compresa tra i 67 e gli 80 anni, cercano di rispondere, e potrebbero ben riecheggiare la frase di Spinoza "l'anima è un pensiero del corpo"... Che pensiero generano questi corpi? Come possono allontanarci da idee preconcette, come possiamo sviluppare una scrittura coreografica specifica e cercare così di avvicinarci ai limiti di questi corpi che invecchiano?... ma soprattutto divertendosi con loro, come a una festa di compleanno che prende la forma di un esorcismo che ci porta negli interstizi del tempo di una vita umana. Angelin Preljocaj Angelin Preljocaj ha iniziato la sua carriera di danza con il balletto classico prima di passare alla danza contemporanea sotto la guida di Karin Waehner, Zena Rommett e Merce Cunningham, poi Viola Farber e Quentin Rouillier. Successivamente si è unito a Dominique Bagouet fino alla creazione della sua compagnia nel dicembre 1984. Da allora ha coreografato 57 creazioni, da soli a lavori con grandi ensemble, alternando grandi balletti narrativi a coreografie più astratte. Collabora regolarmente con altri artisti: Enki Bilal, Air, Fabrice Hyber, Jean Paul Gaultier, Laurent Garnier, Azzedine Alaïa, Subodh Gupta, Thomas Bangalter. Le sue creazioni sono presentate in tutto il mondo, con una media di 110 spettacoli all'anno, e sono nel repertorio di numerose compagnie, da cui riceve anche commissioni, come il Ballet de l'Opéra national de Paris. Il Ballet Preljocaj è composto oggi da 24 ballerini stabili e dal 2006 ha sede al Pavillon Noir di Aix-en-Provence. Per l’occasione ERT organizza un servizio navetta gratuito per il pubblico in partenza da Modena. La prenotazione è obbligatoria, fino a esaurimento dei posti disponibili. Per l’acquisto dei biglietti dello spettacolo, per la prenotazione della navetta o per ricevere maggiori informazioni rivolgersi alla biglietteria del Teatro Storchi 059.2136021 – biglietteria@emiliaromagnateatro.com. Prossime date in Italia di Un jour nouveau | Birthday Party: 4 novembre 2023, Reggio Emilia 5-6 dicembre 2023, Milano 14-17 marzo 2024, Trento 21-24 marzo 2024, Bolzano Teatro Arena del Sole, via Indipendenza 44 – Bologna Prezzi dei biglietti: da 7 € a 25 € esclusa prevendita Biglietteria: dal martedì al sabato dalle ore 11.00 alle 14.00 e dalle 16.30 alle 19.00 Tel. 051 2910910 - biglietteria@arenadelsole.it | http://bologna.emiliaromagnateatro.com... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article