ladies of the conspiracy
porcia and tertulla! I have some thoughts about their appearances in the scraps of the historical conspiracy that are visible (since it's like. the nature of conspiracy, even one as widely known and studied as the one leading up to the assassination of caesar, means that there's a gap in visibility with the details etc) that I'll have to try and pin down later, but for now, I think we should give them a dagger too
Brutus, the Noble Conspirator, Kathryn Tempest
Junia too, the niece of Cato, wife of Caius Cassius and sister of Marcus Brutus, died this year, the sixty-fourth after the battle of Philippi. Her will was the theme of much popular criticism, for, with her vast wealth, after having honourably mentioned almost every nobleman by name, she passed over the emperor. Tiberius took the omission graciously and did not forbid a panegyric before the Rostra with the other customary funeral honours. The busts of twenty most illustrious families were borne in the procession, with the names of Manlius, Quinctius, and others of equal rank. But Cassius and Brutus outshone them all, from the very fact that their likenesses were not to be seen.
Tacitus, Annals III.76
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i'm a worst case kid / in a plague pit town
zutara month, day 1: reluctant allies
summary: ever-slight canon-divergence in which zuko accepts katara's offer to heal iroh after feeling his too-weak, dying pulse, as his injury is bad enough zuko is unsure he will survive otherwise. not much else changes. it was never going to.
warnings: canon-typical depictions of injury, violence, and trauma responses.
other notes: title is a lyric taken from tommy lefroy's "worst case kid". starting pov is zuko's, ending pov is katara's. two pieces of dialogue are directly taken from the show.
*
The wind is whistling in this dry, abandoned, dead town, dead like—
Zuko does not shiver, and he does not cry.
He used to be able to tell himself things like that and mean it. When did that stop being true?
Uncle’s pulse is so faint, for a moment, he thinks it isn’t there at all. Even when he feels it, he knows it might as well not be. He might not have long at all.
Zuko hears the other footsteps approaching, their silence loud and almost mournful, but he bristles on instinct. They can’t see him like this, can’t see Uncle like this—how could he be so stupid as to turn his back on the enemy?
“Get away from us!” he shouts as he looks back. They’re all staring at his uncle’s prone form, and Zuko turns back to him, too, heaving heavy breaths. He needs to do something, but he is weak, useless, outnumbered—
“Zuko, I can help,” the waterbender insists, and Zuko wants to snarl, yell, reach for his fire, and he raises his hand to do so—and frowns.
What does she mean?
He looks back to where Uncle lies prone.
A heartbeat shouldn’t feel like that. The Dragon of The West shouldn’t go down so easily.
Uncle shouldn’t be able to seem so small and worn and fragile.
Slowly, Zuko lowers his hand and looks to her striking blue eyes. There’s no pity or malice there, he doesn’t think, she just looks… still cautious and unyielding, but sad and sincere, too.
He’s fallen for tricks like this before, though—Azula has always loved how easily she could fool him—and it feels a little like he’s standing on the edge of a steep precipice.
It would be naive to just… trust the word of an enemy. She has no reason to want to help him. He knows this.
The rest of them still watch his uncle’s maybe-dying form, but the waterbending girl stares at Zuko unflinchingly, almost as though in challenge.
Uncle groans brokenly, the noise like that of a wounded animal.
“How?”
*
The world is dead silent.
The prince of the Fire Nation is staring at her with tears threatening to fall from his right eye, though not the left, which is twitching lightly. She’s never before noticed how he can’t seem to open it fully due to the scar tissue set against it. She’s never had much reason to take in his features as anything more than the face of their enemy.
His gaze is still steely and untrusting. In this light, his scar looks violently red and painful. He asks after her offer with a voice that cracks, though he doesn’t seem to pay that any heed. His hair is short but growing in, and he’s traded out his Fire Nation attire for earthly green and brown robes. He looks so different from when they last saw him.
He looks so… young.
It’s all a little bizarre.
“Be careful, Katara,” Sokka insists from behind her, though when she glances back, his focus is on Iroh, a complicated expression playing on his features. Aang is staring at him, too, eyes wide and verging on teary. She doesn’t yet know Toph very well, but Katara can tell her body is rigid, her feet tense as her toes curl into the dusty ground beneath them. Toph doesn’t know that Iroh has been their enemy. But Iroh also helped them at the North Pole, and again just now against that princess, Zuko’s sister, she supposes, with her calculating eyes and strange blue fire.
Katara nods but says nothing further. If Zuko was going to make a move against them, he could have done it when his sister vanished.
They had turned away from their futile attack against her, and he’d already been kneeling at his uncle’s side.
She approaches slowly, circling to the side opposite him. When she kneels and reaches for her waterskin, Zuko nearly growls and takes hold of the edge of Iroh’s sleeve tightly, like he might try to drag him away.
“I’m not going to hurt him,” Katara says, flush with indignation. The dirt beneath her chafes her knees even through her clothing. “I need space to heal.”
“I’m not moving, so forget it.”
Katara tilts her head and looks into his eyes as he glares back. He now looks every bit the angry, hateful prince that had tracked them around the world for months, but she can see something else filtering through his expression, too, something like fear.
She almost wants to laugh at the absurdity of it. Why should he be afraid of them?
“Fine,” she allows after a moment. “Just don’t get in the way.”
He nods tightly, and at the agreement, Katara opens her waterskin. She calls the water to her and sets it against Iroh’s the right side of his chest, his robes black and charred. Closing her eyes, she calls out to his chi and focuses her energy on it. She doesn’t know if she can do it, doesn’t know if Iroh is truly too far gone…
After a few long moments, his breathing evens, and Katara sighs. Across from her, Zuko’s features soften just a fraction, but when she meets his eyes, somehow, she knows exactly what they both are thinking, united in nothing but this.
It doesn’t change anything, Katara's thoughts insist as her friends draw closer. Zuko tenses again. It can’t.
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Alright. Okay.
So the entire time I've been reading VnC, I've been assuming that Noé is the sole known survivor of the Archivistes in a relatively normal way. I've been assuming that something happened to the Archiviste clan within Noé's lifetime, just before his human "grandparents" found him in the snow. Obviously I wondered about what happened—who slaughtered them if they were killed and what else might have happened if they aren't all dead as we've been told, but I never questioned the timeline. I assumed that the Archivistes must have been alive and kicking until recently, even if Noé's last remaining family was living in hiding from the rest of vampire society or something like that.
But. We don't actually know that that's true. We don't know a single thing about the timeline of the Archivistes' extermination other than what Nox says about them having all died "long ago." Noé is nineteen years old, and we have no idea how old Nox is. Could the fifteen to seventeen years between Noé's first adoption and the present day be enough to count as long ago?
This is Jun Mochizuki we're talking about. There is extensive precedent in her work (by way of Pandora Hearts) for characters turning up seemingly out of nowhere, often with no memory, and in Pandora Hearts, these cases never had a simple answer. It was always caused by the time-bending properties of the Abyss.
It is entirely within the realm of possibility for the rest of the Archiviste clan to have died years, decades, or even a century or more before Noé was found by his human grandparents. We don't have precedent yet for anything that messes with time in VnC like PH's Abyss, so I don't know how this could have happened, but I don't think we can fully discount the possibility. The outer bounds of world formula rewriting as a power are yet to be fully explored, so it's hard to say firmly that anything's impossible. There might be a way for Noé to exist in the present even if the rest of his clan was killed well over nineteen years ago (be it by PH style time-bending or by some entirely different mechanism).
It's still possible (and even likely) that the Archivistes died or disappeared less than twenty years ago, but it's not quite the concrete fact that I've been thinking of it as this entire time. It's entirely possible that Noé's backstory contains Mochizuki Timeline Fuckery, and now that I've had that thought, I can't unsee it. The author of Pandora Hearts going out of her way to say that her protagonist was found mysteriously alone and crying with no memory of how he got that way is. conspicuous as hell.
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