#'what does it matter if it hurts if it makes a good story?'

[what-is-it-to-be-pk-esque]

Omg the love triangle/breakup dynamics in BG3 kill me

Astarion offering to have a sordid affair down the road if you romance Wyll is amazing - and you can agree to that lmaooo. Honestly his retorts and jokes about Wyll if you pick Astarion might be the funniest in the bunch, love that he calls you a scoundrel if you agree hahaha

Karlach's got some really kind and funny things to say about Astarion as long as you get his act 2 scene before you sleep with her (the throwing his pomade into the river comment, joking about sharpening stakes, saying he's not one whose heart you should play with, etc). If it's the other way around you def feel like a piece of shit for picking him and she is right to make you feel that way lol. Also let her be the one to end things, don't tell her you're ending things first unless you want to cry, holy shiiiiiit 😭😭😭 I swear she makes me wanna cry more than anyone else this whole game (such good acting!)

Shadowheart, she also has some really insightful things to say about Astarion if that's your love triangle, but I think you can't really do an act 2 scene with her until the end of Act 2 / early Act 3? So in early act 2 she only gets one breakup option instead of 2 like the others, which only happens from Shadowheart initiating the breakup after you get the other person's act 2 scene. Regardless she & Wyll seem to take a breakup best imo

Meanwhile from what I can tell Gale does not take it well if you pick someone else no matter which order you do the love triangle. He's either super hurt or pissed no matter what I did even though I didn't even kiss him in the weave in my game!! I had no way to tell him let’s just be friends before anything with Astarion happened, although to his credit he does have one or two okay responses of wanting you to be happy as long as you let him down gently in the convo before his act 2 scene. He's just clearly very hurt and down bad though, I felt awful the whole time lol, almost as bad as with Karlach

When I've tried to make the love triangle happen with Lae'zel, she was just ultra salty no matter what I did & Astarion only had like one non-generic line 🤷‍♀️ might also be bugged cause when I tried to pick her after getting his Act 2 scene she said nothing and all I could choose was leave/breakup. Felt like they didn't add as many options for her? You can tell it def affects her though cause even though she's pissed she says your "bruises will scar" :( so... still a bummer

Similarly for Wyll if you choose someone else over him, his comments are mostly generic about writing your story and honestly he’s pretty mature about it, but you don't even get to tell him you wanna date both, which is where they can say some pretty emotional/funny stuff, so again, doesn't seem like a lot of variations were put in for him

I find it interesting that you seem to only get the "you chose me instead of X?" dialogue with Astarion if you break it off with Shadowheart or Karlach, where you can tell him you're "dead serious" about the relationship. Unless I missed it, he didn't have anything to say when I talked to him after breaking up with Gale or Wyll or Lae'zel, which is when that dialogue pops up with the other two.

He seems to have the "i hear you have a new lover / what, why?" speech with everyone though. If you choose someone else over him before his act 2 scene he has the same various replies of "lucky you, you'll think of me / i'll think of everything we did / having you once was enough" etc, but if it's after his act 2 scene it's all "I didn't think / you were a mistake" :( and you'll feel terrible about yourself

ALSO while I'm talking about it, idk if this happened to anyone else, but the "I hear you have a new lover" speech was bugged for me for Gale/Wyll/Lae'zel, so he skipped saying the 1st shady unique line for them, BUT I could see it in the journal. Karlach's seemed to work fine though. Adding pics for reference minus Shadowheart

UPDATE ok it is a known bug and Shadowheart def has variations too, adding the youtube link for these. Also I had NO idea about the act 3 versions, omg these are SAVAGE towards Wyll and Gale ahhahaha

[lemotmo]

Just read your review for the finale and I so agree with you, that was not how you do a season finale

Everyone says that it's because the season was only 10 ep so it was rushed, but when you know you will have so little time why try to jungle so many stories and risk doing justice to none

I only like 2 things about this episode happy mara and all the buddie chris interaction

The pacing was so bad that made the acting look bad - ryan was the only one who really had any work to do

I am not a fan of having gerrad back but maybe whatever they have planned with him will work out - I saw people saying him back is a way to have tommy more involved next season, flesh him out and I hope that is not the case, I don't need more of him they should have used the scenes he was in this season instead of wasting them

I know the writers don't base their decisons on what fans want, but it kind feels that the reason b/t is still together is a combination of a short season and of how well it was received and how loud their fans are (though not unheard of, off the top of my head misha collins stayed on spn because of how much people liked him - not that you can compare them, castiel is an amazing character, t*ommy not so much)

b/t have 1 min of screentime and almost as many posts on here as buddie does - makes me feel like am am failing in supporting buddie as a fan

I am glad to know you are not giving up on them and love to hear if you have any theories about how they can come together in s8

Thank you!!🌞

Hey Nonny! I hear you loud and clear! I agree so much!

BT having so much posts mainly has to do with the newness of it all I think. I've also seen a lot of more negative posts about BT in the BT tag, so the tag is also used to criticise the BT relationship. So that might give it a bit more nuance.

The same thing is going on on Twitter. I checked out 'bucktommy' tag which was trending and most of the posts there were people being offended and disappointed in the BT storyline. So, I think we're good there.

Don't feel like you're failing at anything. This isn't a matter of winning or failing. It's fandom. It is what it has always been: fickle and fleeting. :)

Gerrard being back is not so much about Tommy as he doesn't work at the 118. But it was all about Tommy once again being used as a plot device to 'remind' us of Gerrard and his bigoted ways. It was a big shiny beacon of light shining on the fact that Gerrard was coming back to create havoc.

Fleshing out Tommy doesn't make sense with all the main characters and their storylines they already have going on. But if they decide to go that way, I still fully believe we'll start seeing how incompatible Buck and Tommy really are. Throw Buck's connection with Eddie into the mix and the show has all the ingredients for juicy relationship drama. Would I like a storyline like this? No, not one single bit.

But this is a drama show, so it could happen. Ultimately, I always see Buddie come out on top. Everything the show has shown us up to the season 7 finale, was always about how deeply connected Buck and Eddie are. They aren't going to chance hurting one of the most beloved core relationships on 911 to fit in this forced relationship between Buck and Tommy.

And... Nope not giving up on them! I've been here for 6 years, never hoping for cannon at all, but now the opportunity and good-will is there. It's there in the show and it's there in the interviews. Ryan and Oliver are all for it. So, yeah... I'm sat for season 8.

[sinner-sunflower]

P.2 HH Lucifer-centric AU 26/?

STORY 1, PART 1, PART 2, PART 3, PART 4, PART 5, PART 6, PART 7, PART 8, PART 9, PART 10, PART 11, PART 12, PART 13, PART 14, PART 14.5, PART 15, PART 16, PART 17, PART 18, PART 19, PART 20, PART 21, PART 22, PART 23, PART 24, PART 25

I wish this was longer but death goes by faster than you think.

------------------------------------------

Lucifer thought it was a myth, you know, the idea that life flashes before your eyes when you're dying.

But as he recalls everything that happened since the beginning beginning, he wonders if he is reliving it all in a loop. Can a memory experience it as well? Can a memory exist within a memory? He doesn't know if he's just a copy of a copy, and that thought terrifies him.

But this feels real. Dying, that is.

Roo: You were always so arrogant.

A voice echoed somewhere. It was Roo, appearing suddenly like she always does.

Arrogant or misunderstood? Lucifer replied internally, voice laced with a hint of weariness.

Roo: Does it matter now? You're dying, fallen. Even you cannot cheat fate.

Oh Father, this is really happening. He's really going to die; just when he found new people to care about, someone to love again, and reconnected with his daughter—he's going to leave them. Leave Alastor. The Sins. God, Charlie.

He wants to spend the rest of eternity making her happy. He wants to tell her more stories of his good times in Heaven and Eden. To teach her how to properly use her powers. To watch her fulfill her dreams. Damn it, he wants to see her get married. To walk her down the aisle. To welcome Vaggie to their family. He wants to be there for every laugh, every tear, every triumph, and every setback. He longs to witness every precious moment of her life unfold.

It'snotfairIt'snotfair!It'snotfairIt'snotfair!It'snotfairIt'snotfair!It'snotfairIt'snotfair!

He wants to spend one more moment with Alastor. To kiss him. To hug him and never let go. He wants to find another stupid Marigold in every corner for him to find. He wants to hear Alastor's voice, to share in his laughter, to feel the warmth of his presence. He wants to be selfish and let Hell be destroyed—just please, 'Dad, please I just want to live one more day!'

He yearns to see Earth's sun rise one more time, to feel its warmth on his face as he sits on it's grassy plains. To share another meal, another conversation, another fleeting second of joy. He wants to hold onto the fragile, beautiful moments that made life now worth living. The thought of leaving now, of abandoning this newfound happiness, is unbearable. He’s desperate, clawing at the very fabric of existence for one more chance, one more breath, one more heartbeat.

How will Alastor learn to love again? How will the Sins cope with losing the person who raised them, who gave them their everything? How will Charlie-

How will Michael and the others...

But it's not them who he calls out to. Because he's also once a child. And like a child in their time of need, he calls out to his father.

'Father! Please! I need you! Don't let them take me yet, DAD PLEASE!'

Lucifer wants to scream it all out, but he only spits out blood as the sword of his older brother impales him right in his heart. For a moment, he thinks it is Michael holding the sword—that he has betrayed him again.

The relief he feels when he realizes it is the exorcist who just stabbed him almost makes him forget what's happening.

Almost.

Lute pushes the sword further into him and twists it. Shit! It hurts like a bitch. He could probably destroy her now, but he's honestly too shocked to do anything. He's frozen in place, but his entire body is shaking.

Roo: This is it, fallen.

The battlefield is chaos and screams, but he can't hear any of it—only a dark, broken laugh from Lute.

Roo: Make them pay for it.

Her eyes are pure black now, and Lucifer knows that there's only a sliver of sanity left in her. They are both dying here today.

One way or another.

They don't move and it feels like an eternity before he finds the strength to speak without coughing blood.

Lucifer: Exorcist.

Lute: What? Here to say your last words?

He ignores her taunts and keeps his voice calm.

Lucifer: Tell me again. What is your name?

She digs the weapon deeper and gets all up in his face. If she had more control of her mind, she would not answer and would spit in the devil's face. But she's losing it.

So she answers.

Lute: I am Lute. Leader of the exorcists. The first man's former lieutenant. The angel who just rid the world of the devil.

It's funny, really. Getting killed by Michael's sword wielded by an angel named Lute. Guess that part about "the instrument of Heaven will be the Devil's slayer" bullshit in the prophecy was spot on.

It's funny so he laughs.

He feels himself slipping away and Roo clawing her way up. There's a distinct sound of cracking, and he sees that it's his skin breaking apart like he's a porcelain doll. But he pays it no mind.

Lucifer: I have to congratulate you, Lute.

Lute: Oh yeah? Why's that?

His laughter fades, replaced by a somber tone.

Lucifer: See. I may have damned humanity.

Her eyes narrow, suspicion mingling with her fading sanity.

Lucifer: But you. Ohhhhh you.

He continues, a dark smile tugging at his lips.

Lucifer: You've just damned Heaven.

Then.

Then, the light fades from Lucifer's eyes as life slips away, and his body slumps against his brother's blade.

He's glad to have at least something familiar for comfort.

Someone calls the angel's name that made her pull the sword out of him and jump back.

The devil falls to the ground, motionless. And for a moment, everything is quiet, and then—

'Finally. I can sleep.'

What happens after is a cautionary tale.

------------------------------------------

So.

I'm sorry?

This was always how this was going to go.

Also one more update before this is done!

Please let me know what you guys think! I'd love to hear your comments <3

Do you guys think this is entire AU was just Luci's life flashing before him?

[002yb]

Your last ask about the reverse Robin's au was just so interesting . Please, could you tell us more about Tim and Damian in that au. Also, poor baby Jason. Bruce why are you always like that with Damian? 🥺 I just love how both Jason and Tim have this respect for Damian. Oh and what would happen with Dick?

Of course! Thank you for your interest in them. Damian and Tim's relationship in that reverse robin AU is one I'm so happy with, so I'd love to share more. (˵ •̀ ᴗ •́ ˵ ) ✧

Damian + Tim (ft. Superboyfriends)

In that period of time where Tim bounces and Damian is left to mind Jason's becoming of Robin (+ Bruce), he gets a lot of grief from Jon about how Damian went about everything

And Damian is so stubborn about it. Because his feelings might be a bit hurt over Tim abandoning him, but also because in his mind, Damian isn't wrong: Tim is more than Robin; always was.

Jon understanding where Damian was coming from, but insisting there's better ways to go about it

Which Damian refuses to entertain, come off it. Jon does if only for a time; if only because Damian is genuinely sore over how everything fell apart

With time though, Jon dropping in little anecdotes on how Tim is doing at Titans Tower. Because Jon hears about Tim from Kon.

And Damian plays aloof, but he hangs on every word on how Tim's doing, what he's been up to, what amazing feat he's accomplished.

Damian feeling the same pride, but it's tinged by a painful melancholy because he misses the bastard.

With more time and a lot of interference, Damian coming to realize how he should have handled matters. Not that he makes an effort to right them. Damian writes himself off, resigned to reap what he's sown. Not that he was entirely wrong. Jason still proves to be a tremendously capable Robin, it's just...it would be nice for Tim to have been here to be part of it all.

Kon relaying similar stories about Damian to Tim. Who always clicks his tongue and scowls but gives himself away by looking expectantly at Kon whenever he stops talking.

Just two proud boys doing the classic bat brooding and miscommunications. But it's chill because they've got their supers there conspiring to bring them together again.

Because fr Jon and Kon are so over having to schedule around when they sneak over their boyfriends overnight, y'know?

Also idk, just Damian and Tim wanting to reach out but doing the dramatic deleting of a text or dropping their phones to their chests without making a call. Turning away from their phones outright. Good stuff.

These two eventually running into each other on missions that happen to coincide. An initial standoffishness that falls away as they fall back into old habits with each other, only to realize the mistake and get all sulky/broody about it again.

But they do start to talk at some point. It's stilted at first, but soon enough the usual banter returns and it's all quiet shoulder checks and ornery, playful torments.

Damian ultimately eating crow about the whole situation. Tim brushing it off because he knows Damian cares for people in extremes. Not that Damian was right about anything. Just - talk to Tim next time.

Which leads to another step towards proper partnership for these two and it's sweet. ;U;

As for Dick's introduction in this AU... I'm admittedly torn between who seeks him out. It'd be cute if it were Jason reaching out after the tragedy at Haly's, but like... Jason whump opportunity so:

It's Damian who takes Dick under his wing and wants to give him the Robin mantle

Only he's learned from his mistake with Tim, so this time he talks with Jason about it, first.

And the thing is - they were all there to see the tragedy happen. Jason was right there beside Damian as he comforted this inconsolable boy, orphaned by Gotham's turpitude and their family's inability to ever get ahead of it.

So Jason would see in real time as Damian makes this decision and it would be the most devastating thing.

Because months/years later, Jason is still recovering from Ethiopia. He's trying so damn hard, too. He's almost okay, almost ready... but the truth is that he'll never get back to that level he was before he was beaten so terribly. Even if Jason can push himself, there are times his hip still gives out, or his ankle collapses under him. Psychologically he's as sound as the next bat, but physically? Jason can't recover.

Even still, Jason clings to Robin like a lifeline. That's his hope. His connection to Damian and Tim and Bruce; his family.

So to watch as Damian sees Robin's future in someone else is painful. There's nothing Jason can do to stop it, either. Whether Damian asks for his opinion or not, the choice is made.

'He needs this.' Damian would tell him, compassionate and cruel all at once. And Jason would hate him a bit because, 'what about me?'

Just Jason joining the ranks of the middle children with Tim, y'know? ;u;

Something something Jason withdrawing from Damian. A chasm building and all the insecurities and resentment festering. Bargains about how Dick can stay with Bruce, but Jason can be Damian's [Robin].

Jason fighting tooth and nail for his place in the family, but maybe hurting himself because he pushes too hard? Which sparks concern-induced-rage!Damian who snaps at him out of worry, but Jason takes it as a personal attack and it's sadness as they fight and fall out

Meanwhile Dick's out here completely enamored with this boy that tries so hard and fights so viciously and has so much passion. So he follows Jason around and wears him down and soothes the hurt of whatever abandonment/betrayal Jason feels somehow. Something like Dick promising to take care of Robin & Damian until Jason can do it himself. Or wanting to fly beside Jason - two Robins! Ahhhhhh, these two boys finding the essence of Robin in each other and that being their foundation.

[shantalanadevil]

Nicholas Galitzine and his team have definitely decided that going mainstream is the goal and anything that they control will not "remind" people of his most famous queer role. Least he loses the newly acquired wine mom demographic and potentially the possible dude-bro one (that is expected with the new role that was just announced.

For more in- depth thoughts, you can read the below, which goes over why and how you can still enjoy the sequel (I plan to do that), even if you don't like the current events.

At least now people can't hide behind the "social media'' clause because of another production when there were questions why he isn't announcing the sequel on his social media. Even if casting announcements on an actor's own socials are never part of what is considered promotion for a project (trade announcements are, but that is done by the studio), actors WANT to do them as it's announcing they are booked and busy, thus it is part of their professional branding.

Thus when they don't do it, people who are familiar with the industry take notes. 

Does it mean most people online will do a nuanced discussion on why the only white, straight and male actor from the main cast of a queer com-rom has decided not to put the trade announced sequel anywhere on his socials?

No, people will either do the simplifications of "He loves RWRB, why does it matter if he hasn't posted on Instagram on it" (the majority) or "He is homophobic and needs to be recast" (a very small minority) camps. 

The first camp loves the movie and has an emotional attachment to the character, which quite often transfers to actors. But in their wish to spare their own feelings they will try to silence the voices of people who are right to ask the valid questions on how an actor is using his own social media to highlight the work they WANT highlighted. And how they can ignore the work they DON'T want highlighted.

This isn't speculation. This is how Hollywood works and there social media isn't used the same way normal people use it. It is a work tool. 

The second camp will boil the whole situation down to personal homophobia and call it a closed case. Which is as bad as the first camp, as this just makes the first camp and pure NG fans defensive (as NG personally hasn't shown any signs of that) and stops any possible valid discussion.

As I mentioned in a previous post shortly after the sequel was announced, his team's strategy has been obvious for months, but they really f***ed it up in May. 

They could have shared 1-2 stories about the announcement (even if grid is some standard, as shown yesterday) and they could have avoided 90% of the issue by doing the bare minimum. They *decided* to not even do that. Which spells things even more clear out. 

Wine moms and dude-bros are more valuable than queer people. And most likely in terms of possible money they are not wrong. Those demographics aren't also known for being very rainbow friendly. Why do you think it is so hard for out actors to get roles in movies targeted at that demographic? 

So NG and his team did the simplest of maths equation and came up with = don't highlight anything RWRB related on your socials so as not to scare out those two pools. The M&G finale story isn’t queer focused so that was approved (and further showed there is no social media clause for other projects, as that falls under the umbrella of promotion). 

This is the same thought process that keeps *actual* queer actors in the closet. So I'm not surprised that the team of a straight actor is operating under the same assumption in terms of personal branding. 

Does this excuse the handling of RWRB? No, and thus I don't care much about his other projects. Which I have the right to do.

Does it lower my excitement for the sequel? No, as he is a good actor and I care about Henry, not about NG (because of his own actions). I care way more about the RWRB story than I do for an actor who is just doing his job. 

For the people that feel hurt by his actions and this is making it difficult to be excited for the sequel, I am truly sorry and I hope by the time when the sequel comes out and the contractual part of the promotion is here you will be able to find a way to enjoy the project itself. 

For the people that claim to love RWRB and are dismissing any valid criticism towards how NG is using his work tools to treat a project you claim to love, you sound a little like the people in a relationship who claim you are ok with being the secret partner. Some really are. But most? Just use it as an excuse not to have to look the truth in the eyes, as that will hurt them.

For the people who love NG and just look at RWRB as one of his jobs, you actually have no staks in this specific discussion, you are winning. Unless you are one of the few morons who go out of their way to shit on RWRB and its fans and are purposely going into those spaces to be nasty. Then you can jump off a high place. Or the ones who take any, even valid, criticism of their *fave* as a personal attack. You can touch some grass.

Just needed to vent a little bit as I was getting fed up with people on Twitter from the first camp moaning how social media doesn’t matter and all should just look at the good stuff. 

Lastly, for anybody asking, but why did he sign on for the sequel if he and his team think like this? Because most if not all studio films have a possible sequel clause in the contract for any film and as long as the studio wants to do so and fulfils some mentioned in the contract obligation (could be money, could be script), they have a pretty easy way of getting actors back.  

[basingstokemercury]

Writing hell unlocked: I have the perfect concept for a line but just can't hit on a phrasing that flows properly

[carnivalcarriondiscarded]

hold on i need to get a thought and emotions out. so with Welcome Home, there seems to be a before and an after. obviously, we're in the after. the website is the after. and if it turns out that the story we see, the one where shit hits the fan and the show is practically erased, then... that already happened. whatever horrors we see, we'll know that there is no saving them. there is no happy ending - it happened, and it's tragic. the show is doomed to end and be scrubbed away. if any of the characters are revealed to be dead/gone by the website, then when/if we see them at an earlier point, we'll Know

and there's a special kind of dread and horror in that for us, the audience.

[kinetic-socks]

why is horror so brainrot. is it just that my brain gets consumed every time i watch something new? i feel like it's different with horror. maybe because i'm less happy about having my mind consumed like this. i didn't mind at all when i got super into sonic the hedgehog. still love those guys. but i've been watching playthroughs of slay the princess all day and i'm now regretting it. this is taking me out the way madoka magica took me out. maybe it's the philosophy? i know what brainrot feels like. i didn't really want to know what brainrot felt like. i feel like every time i acquire brainrot about something i am unhappy about it. yall are so passionate and amazing and i am suffering. whyyy. ughhhh.

[dootznbootz]

There's something so specifically infuriating when someone uses one of your experiences or your demographic in an argument, especially if said argument is about spreading hatred or is just so wrong. They "speak on behalf of the ___" to say such fucked shit.

"You're not thinking of the ___!"

"I literally am ___. You saying that adds nothing as you do not speak for me or for other ___. Shut up."

[anti-transphobia]

Forever annoyed that "don't speak over marginalized people", the notion that marginalized people are already spoken over, and their oppressors need to actually listen and learn before speaking about complicated topics and need to do so in support of not OVER them, so quickly turned into "I'm not x so I can't speak on x issues". Like the "don't speak on this if you're not this" started out so well meaning because it was about people needing to actually take the time to learn before talking about issues they didn't previously understand! Now it's just an excuse for people to never learn about the issues minorities face or to actually stand up for them in any meaningful way

[torgawl]

i'm actually obsessed with this line from chapter 6 of trigun maximum. this might be my favourite scene so far!!!

bonus cool vash panel from the same scene because it's so *chef's kiss*:

[skrunksthatwunk]

haruka should be allowed to be mad at kiryu tbh

[specialagentartemis]

I get variations on this comment on my post about history misinformation all the time: "why does it matter?" Why does it matter that people believe falsehoods about history? Why does it matter if people spread history misinformation? Why does it matter if people on tumblr believe that those bronze dodecahedra were used for knitting, or that Persephone had a daughter named Mespyrian? It's not the kind of misinformation that actually hurts people, like anti-vaxx propaganda or climate change denial. It doesn't hurt anyone to believe something false about the past.

Which, one, thanks for letting me know on my post that you think my job doesn't matter and what I do is pointless, if it doesn't really matter if we know the truth or make up lies about history because lies don't hurt anyone. But two, there are lots of reasons that it matters.

It encourages us to distrust historians when they talk about other aspects of history. You might think it's harmless to believe that Pharaoh Hatshepsut was trans. It's less harmless when you're espousing that the Holocaust wasn't really about Jews because the Nazis "came for trans people first." You might think it's harmless to believe that the French royalty of Versailles pooped and urinated on the floor of the palace all the time, because they were asshole rich people anyway, who cares, we hate the rich here; it's rather less harmless when you decide that the USSR was the communist ideal and Good, Actually, and that reports of its genocidal oppression are actually lies.

It encourages anti-intellectualism in other areas of scholarship. Deciding based on your own gut that the experts don't know what they're talking about and are either too stupid to realize the truth, or maliciously hiding the truth, is how you get to anti-vaxxers and climate change denial. It is also how you come to discount housing-first solutions for homelessness or the idea that long-term sustained weight loss is both biologically unlikely and health-wise unnecessary for the majority of fat people - because they conflict with what you feel should be true. Believing what you want to be true about history, because you want to believe it, and discounting fact-based corrections because you don't want them to be true, can then bleed over into how you approach other sociological and scientific topics.

How we think about history informs how we think about the present. A lot of people want certain things to be true - this famous person from history was gay or trans, this sexist story was actually feminist in its origin - because we want proof that gay people, trans people, and women deserve to be respected, and this gives evidence to prove we once were and deserve to be. But let me tell you a different story: on Thanksgiving of 2016, I was at a family friend's house and listening to their drunk conservative relative rant, and he told me, confidently, that the Roman Empire fell because they instituted universal healthcare, which was proof that Obama was destroying America. Of course that's nonsense. But projecting what we think is true about the world back onto history, and then using that as recursive proof that that is how the world is... is shoddy scholarship, and gets used for topics you don't agree with just as much as the ones you do. We should not be encouraging this, because our politics should be informed by the truth and material reality, not how we wish the past proved us right.

It frequently reinforces "Good vs. Bad" dichotomies that are at best unhelpful and at worst victim-blaming. A very common thread of historical misinformation on tumblr is about the innocence or benevolence of oppressed groups, slandered by oppressors who were far worse. This very frequently has truth to it - but makes the lies hard to separate out. It often simplifies the narrative, and implies that the reason that colonialism and oppression were bad was because the victims were Good and didn't deserve it... not because colonialism and oppression are bad. You see this sometimes with radical feminist mother goddess Neolithic feminist utopia stuff, but you also see it a lot regarding Native American and African history. I have seen people earnestly argue that Aztecs did not practice human sacrifice, that that was a lie made up by the Spanish to slander them. That is not true. Human sacrifice was part of Aztec, Maya, and many Central American war/religious practices. They are significantly more complex than often presented, and came from a captive-based system of warfare that significantly reduced the number of people who got killed in war compared to European styles of war that primarily killed people on the battlefield rather than taking them captive for sacrifice... but the human sacrifice was real and did happen. This can often come off with the implications of a 'noble savage' or an 'innocent victim' that implies that the bad things the Spanish conquistadors did were bad because the victims were innocent or good. This is a very easy trap to fall into; if the victims were good, they didn't deserve it. Right? This logic is dangerous when you are presented with a person or group who did something bad... you're caught in a bind. Did they deserve their injustice or oppression because they did something bad? This kind of logic drives a lot of transphobia, homophobia, racism, and defenses of Kyle Rittenhouse today. The answer to a colonialist logic of "The Aztecs deserved to be conquered because they did human sacrifice and that's bad" is not "The Aztecs didn't do human sacrifice actually, that's just Spanish propaganda" (which is a lie) it should be "We Americans do human sacrifice all the god damn time with our forever wars in the Middle East, we just don't call it that. We use bullets and bombs rather than obsidian knives but we kill way, way more people in the name of our country. What does that make us? Maybe genocide is not okay regardless of if you think the people are weird and scary." It becomes hard to square your ethics of the Innocent Victim and Lying Perpetrator when you see real, complicated, individual-level and group-level interactions, where no group is made up of members who are all completely pure and good, and they don't deserve to be oppressed anyway.

It makes you an unwitting tool of the oppressor. The favorite, favorite allegation transphobes level at trans people, and conservatives at queer people, is that we're lying to push the Gay Agenda. We're liars or deluded fools. If you say something about queer or trans history that's easy to debunk as false, you have permanently hurt your credibility - and the cause of queer history. It makes you easy to write off as a liar or a deluded fool who needs misinformation to make your case. If you say Louisa May Alcott was trans, that's easy to counter with "there is literally no evidence of that, and lots of evidence that she was fine being a woman," and instantly tanks your credibility going forward, so when you then say James Barry was trans and push back against a novel or biopic that treats James Barry as a woman, you get "you don't know what you're talking about, didn't you say Louisa May Alcott was trans too?" TERFs love to call trans people liars - do not hand them ammunition, not even a single bullet. Make sure you can back up what you say with facts and evidence. This is true of homophobes, of racists, of sexists. Be confident of your facts, and have facts to give to the hopeful and questioning learners who you are relating this story to, or the bigots who you are telling off, because misinformation can only hurt you and your cause.

It makes the queer, female, POC, or other marginalized listeners hurt, sad, and betrayed when something they thought was a reflection of their own experiences turns out not to be real. This is a good response to a performance art piece purporting to tell a real story of gay WWI soldiers, until the author revealed it as fiction. Why would you want to set yourself up for disappointment like that? Why would you want to risk inflicting that disappointment and betrayal on anyone else?

It makes it harder to learn the actual truth.

Historical misinformation has consequences, and those consequences are best avoided - by checking your facts, citing your sources, and taking the time and effort to make sure you are actually telling the truth.

[floorpancakes]

abt 🤨 > i support gay ppl causing drama to get what they want sometimes and I think there are pure ways to do that, or it doesn't have to be pure because what is truly pure to begin with, but also it doesn't necessarily mean it's bad cause writers often selectively choose what good selfishness and bad selfishness is

it's usually easy to recognise but smth feels kinda... arbitrary? like, well, X did the big sacrifice so Y must be wrong for trying to get in the way of that for the sake of another and or their romantic feelings

it's also kinda like....idk as someone who's gotten way more into the 'let ppl b happy' thing but also loves a bunch of tragic series it feels distinctly optional I guess??? like , you can have it one way or the other and neither way is necessarily wrong? idk where I'm going w this I'm just kinda rambling

[cherubfae]

Omg hi! I'm a new follower and I just read your piece of the hazbin cast w/ reader having a panic attack and it was so sweet 🥺If possible could you maybe do the same cast of characters but with what they would do if the reader was on their period/period comfort?

Awww, thank you! yes!! Of course!! ☺️💘✨

taking care of you on your period || hazbin x reader

With Alastor, Lucifer, Charlie, Vaggie, Husk, Angel Dust, and Vox

tags: fluff, comfort, afab gn!reader, I decided to go with ftm for angel in this to try it out (lmk what you think!!) :3, periods in Hell are worse than on Earth I feel like that fits, suggestiveness in luci's || Minors don't interact!

Alastor

"Oh, dear, why are you curled up on the floor in the fetal position? Are you hurt? I smell blood." Alastor coos in crackling static. He nods his head, listening to you explain despite you being facedown in said carpet. He'll procure a hot water bottle for your tummy, some aspirin, and some bitter, dark chocolate. He'll even go get one of those sugary iced coffees you love so much. Given the circumstances, Alastor may even allow you to touch his ears, but his mindful of his antlers if you know what's good for you.

Lucifer

Oh no, his poor sweetheart! The King of Hell goes full Mama Goose mode (you can see where Charlie gets it from) and hunts down whatever he thinks you may need. He'll create a little nest fort for you, spooning you from behind and nuzzling his face in the crook of your neck. He's also not opposed of other ways of relief. In Lucifer's own wise words, "Bow-chick-a-wow-wow." (As long as you're up for it, he's not opposed to giving Charlie a sibling.)

Charlie

She's on it instantaneously! Running around scavaging all sorts of items from tampons to pads to candies-- she's not sure of your preferences, so she gets all of them! Only the best for her sweetie pie!! Huddles extraaaa close to you in your shared blanket cocoon, feeding you chocolates and giving you sweet nuzzles.

Vaggie

Immediately sends you off for a hot bath while she changes and washes the sheets so that they're nice, warm, and fresh. She also will prepare your favorite pajamas and snacks, digging through some films for one to watch. Vaggie will do what she can to make sure you're well-rested, hydrated, and most importantly; comfortable.

Husk

Immediately goes to the women of the hotel and asks about what sort of toiletries the hotel has to offer. He's discreet about your situation and grateful for their help. He wants you to feel better as soon as possible even if that means your symptoms haven't fully gone away yet! The scent of blood is strong on you and if he can notice you from a mile away, he's certain others have too. So, he creates a little nest for you two, the bar is closed down for the day, and cuddles you close to his chest.

Angel Dust

He'll spoon you from behind, resting his warm hand on your tummy. From what Cherri has told him, this shit's worse than when you guys were alive. Hell really does have a hard-on for torturing people. Angel will be as vigilant as he can, getting you whatever you may need, reassuring you gently that just because you have your period doesn't change who you are as a person nor how you idenitify. You're you, no matter what your body does or doesn't do.

Vox

|| I DON'T GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, RESHARED, OR EDITED. TUMBLR IS MY ONLY ACCOUNT AND THE ONLY PLACE WHERE I POST MY WRITING. ALL CHARACTERS BELONG TO THEIR RIGHTFUL OWNERS, THE STORY BELONGS TO ME. || CHERUBFAE © 2024

What's that? Oh, shit, that's when you-- yeah? Oh, okay got it. That sounds like that sucks. Yeah, he doesn't mind grabbing some things for you but he's a bit stiff when it comes to comfort. He knows what it is for sure and he'll do his best. Velvette might tear him a new asshole. He does genuinely want you to feel better, he doesn't like seeing you in pain. He's just a little lost.

[luxurychristmaspudding]

Pickup Truck

summary: frankie hates your boyfriend. in fact, everybody does. but he’s willing to give him a chance. you’re his best friend, after all.

until frankie discovers something he can never forgive.

pairing: frankie morales x f!reader

ratings/warnings: 18+. MDNI. this fic contains allusions to, but no descriptions of, domestic abuse. please do not proceed if you know this will upset you.

frankie's pov. no lady and no baby for our boy. drinking, violence (against pos bf), angst, lots of hurt, allusions to dv. comfort, fluff. frankie to the rescue. unprotected p in v (wrap it irl!). oral, f receiving. creampie. bad spanish (again). kings of leon references. happy ending, of course.

wc: 9.8k

an: whew, this was an emotional one to write. but i hope a good love comes to all of you in time, no matter where you are at the moment. and if you already have it, may it always keep you safe. lovely divider from @saradika.

Frankie really doesn’t like your boyfriend.

Scratch that. Nobody does.

Nobody really knows where you found him, either. A sweet, smart girl like you, moved back to your small town from your big city life, and it looks like you picked up the very first guy who sidled up to you in a grimy bar.

Which, if you’re really honest, is exactly what happened. Because he was nice at first. Real nice. He was charming and sweet and interested - he bought you drinks all night and didn’t push to come in when he walked you home. You went for dinner a few times, and sure, he could be a little rude to the waitstaff, but it was only because he was so focused on you. He bought you flowers and took you for rides, and sure, sometimes he’d come home far too drunk after seeing his friends and get a little too close, a little too loud, but he always apologised.

And sure, he sometimes made you cry, but he always made it up to you. Sweet promises, small gifts. And he'd never laid a finger on you.

Not until last week, anyway.

You don’t know what to do. You don’t know who to turn to. The thought of it makes you so sick you have to lock yourself in the bathroom at work. How did this happen? How did it turn so sour?

And how do you get out?

Walk you home to see

Where you're livin' around

And I know this place

Frankie walks you home from the bonfire. He always does.

It’s his favourite moment of the night.

He gets to have you all to himself. Gets to watch your cheeks cool in the night air, watch as the blush from the heat of the fire subsides. Your giddy, wide eyes, your tipsy babbling about stories which had been swapped over the flames, picking out particularly scandalous details for you two to giggle about before doubling over into breathless laughter over something Benny had said. 

He likes to hold your elbow, your hand, as you catch him in your amusement, gripping onto his bicep. He loves to lose himself in this little pocket of time with you.

He loves the sparkle of the stars, the glow of the streetlights as they light your features.

Frankie loves you.

And he’s so glad you’ve moved back from your life in the big city to come and be around your real friends again. So glad that you’ve all found your way back to each other. Tonight has left him with such a mellow tingle in his bones that he finds he can’t stop smiling at you, looking at you, on your walk home.

Bonfire nights have always been your monthly hangout, a time when you can be sure you’ll get the whole gang together. There used to be more of you through highschool, and still a fair few during college. It dipped when the boys joined the forces, when people moved further east and further north. But eventually Frankie, Benny, Santi, and Will had come back. Jessa, your other best friend, had returned too. A few others coming and going - Lily, Marcus, Maggie - also back and forth from their new homes to their old ones. And then eventually folk had just… settled. 

Frankie felt like he was one of the last, like he was maybe the one finding it the hardest, retired to a life of civvy duties. Unable to hold down a girlfriend, struggling to stick at a job, sofa surfing around friends’ places. He was still flying whenever he could, but then this coke allegation happened, and it was like the world was finally swept from under him. 

You were the first person he had called, the first person to talk him down from his panic, that debilitating squeeze around his heart when he thought about the future. The first person who made him feel like it would be okay.

So of course his joy when you had come back had been immeasurable. Maybe this time, he’d thought.

And then you’d met Tanner.

He’s pulled from his thoughts as you drag your hand out of his, skipping a little further up the dark street until you reach a corner. Frankie watches as you spin on the spot in the quiet neighbourhood, gesturing down the pathway before you. 

‘This is me.’ You say.

But you don’t turn to keep walking. You watch him, a small, excited smile on your lips. Like you’re waiting for him to work it out. 

Frankie drags his eyes from you, away from thoughts of your new boyfriend, to look up and down the street you’ve led him to, and for a second he is pulled beneath the ebbing flow of memory, towed with the riptide of things forgotten. 

This is his grandmother’s street. Was his grandmother’s street.

The cracked concrete, the peeling paint of the porches. The weeds, the flowers, the smell.

He breathes your name like you’re the only thing tethering him to the now.

Breathes your name through the bright, sunny flashes of his childhood. His mama bringing him here with his brother, his papa swinging him by his legs in the flower-riddled front garden. Cartoons in the ripe heat of the afternoons, him and his cousins stuffing their faces with Guagitas and Frugele until they’d made themselves sick while the younger siblings napped in the sunbeams of the bedroom next door. Cycling over on his bike after school to sit at her kitchen table to do his homework, letting her fuss over him - his height, his friends, his grades, girls -

A skinnier, younger Frankie stopping by his abuela’s house with you to pick up her up for his nineteenth birthday party, along with her homemade tamales, her chiles rellenos, and specially made pumpkin sopaipillas for later on. The way you had chatted to her, natural, easy going, how you had made her laugh, her eyes sparkle. How, when you had taken some of the plates to the car, his abuela had pinched his cheek. I like her, she’d said, Será tuya algún día, mm, mijo? And Frankie had flushed bright red, batting her arms away as she chuckled at him. He had hidden in the back bedroom when you came in from outside, and listened a little longer to your conversation as he waited for the heat of his face to die down. When he reemerged, you had helped his grandmother into her shoes, her cardigan, and kept ahold of her arm until she got into Frankie’s beat up old car. At the end of the night, his abuela had kissed both your cheeks several times, rocked you back and forth in a hug, and clapped her hands as she said how she looked forward to seeing you again.

When you came home from college every summer, you’d have tea with her in her garden. She always asked Frankie about you, about how you are doing. When he told her you were coming home, she’d been so excited. Quizás este sea el momento? She’d said to him, squeezing his hand. He’d smiled, his heart quietly full of hope. Tal vez, abuela, he’d said.

When he called you two weeks later, his voice weak from crying, to tell you that she’d passed, you had been heartbroken. And it seemed like her wish, the red thread she’d seen between the two of you, had been snipped, too.

Pour yourself on me

And you know I'm the one

That you won't forget

Frankie likes to listen to you talk, because he’s never much been one for talking. 

He supposes you just bring it out of him, though. Because here on this street, in the moonlight, he tells you more about his grandmother. You spend hours walking up and down the pavement as he recounts every story he can remember; him and his brother, his parents, aunts and uncles, cousins. Birthdays, weddings, funerals. The street comes alive with the ghosts of people, the spectres of feelings. You and Frankie talk of growing up. Of falling in love. Of each other. 

Your small, well-loved house is half way down the street, four up from his abuela’s. It does something strange to his heart to have two of his favourite people, who loved each other in their own ways, so close but so far away. 

Your fingers hold his wrist as he shows you a scar on his palm from eating shit on his bike when he was eight, and when he looks up, your eyes are shining under the streetlights. There is a glint of moon in your teeth, and a shocking want so clear on your face, but when he meets your eye there is suddenly hesitation, a realisation, a shuttering. Frankie stops his story. There is a moment, and then it slips away like sand.

You shiver, chilled all of a sudden, and wrap your arms around yourself. Frankie tries not to look too hard at the goose bumps blossoming on your bare skin, tries to fight off the urge to kiss the little raises until you’re warm again under his touch.

‘Cold?’ he asks, and you smile back up at him. God, his heart.

‘As a hole,’ you giggle, and he feels himself smile goofily back at you. ‘We gotta warm up.’ You say, and then freeze.

It takes Frankie a little while longer to hear the inadvertent invitation in your words.

Boyfriend. Boyfriend.

You both stand on the porch, frozen, like some great frost has swept over the land. If Frankie squints, he can imagine the glitter of your eyeshadow, now fallen, dusted on your cheeks, is a collective of tiny constellations of ice. 

Your body is wracked with a shiver again, but when Frankie looks you in the eye, you’re burning up from the inside. He swallows.

If he could only make the steps towards you. If he could only will his heavy feet to move, if he could summon his nerves to do exactly what his brain says, he would already be in front of you. He would have your face in his hands, be able to look into your eyes to see that deep, hidden want again, and kiss you. Again and again and again, and he wouldn’t stop, because things like that shitty boyfriend of yours wouldn’t matter anymore.

No. The whole world would be glitter and stars and constellations of ice crystals.

And then you blink, smile softly, and wish him a goodnight.

When he can finally lift his foot to move, your door is already closed.

And in your denim eyes

I see that something's awry

And I see you’re weak

You don’t see Frankie for a while after that, always finding a way to brush off his attempts to hang out. 

At first he doesn’t worry too much about it. You’ve just moved back - you have a new job, a new place, new friends to get to know. Tanner. 

Frankie finds other things to do. He gets business cards made up for the flying school he’ll be setting up next month. He pilots people across the state, sometimes across the country. He sees the boys for drinks, even sees Jessa for a coffee. He starts to worry when they say their texts have gone mostly unanswered, and they haven’t seen you either.

It must be why he turns up on your front step one day, a six pack in hand. 

You open the door on the second ring of the doorbell, and Frankie finds himself rendered speechless. You look… different.

Tired and wary, a little thinner. And when he gets you chatting, you say you haven’t really been anywhere, done anything. You’ve been settling in, getting used to it. You have two beers each, but you seem on edge, like you’re waiting for a knock on the door. And then Frankie asks about Tanner, and your eyes linger on the entryway a little longer.

‘Yeah,’ you say, ‘He’s okay.’

Frankie’s jaw twitches, his stomach clenching uncomfortably.

‘Just okay?’ He asks. 

Because you should be excited. You should be gushing and giddy and falling in love. But you’re not.

‘Yeah,’ you shrug. ‘He’s good.’

There’s something in your eyes. Something which shrinks away, skitters back. Something drained, something sapped of life, of energy. Hurt, maybe. Fear, perhaps.

When Frankie thinks back now, he knows he should have pressed you harder. Maybe should have taken you to his, made you talk a little more for a little longer. Away from Tanner, the threat of his presence. But he didn’t. He didn’t.

And he hates himself for it.

When he comes around

I see you're fixin' to shine

And my face won't speak

When Frankie next sees you, you’ve had a hair cut, and there are deep, dark bags under your eyes. Both of these things worry him equally. 

Your beautiful hair that you’d been growing out since you were young, hair that you swore you’d never cut shorter than it was in seventh grade, when your mum had to chop it into a bob after you got gum caught in it. And here it is now, much shorter. 

Jessa says she likes it, and you give her a watery smile, a weak thank you. She asks where you had it done, when. She asks if you like it, and you shrug. You say you’re trying something new. You say Tanner likes it.

Over your shoulder, Frankie exchanges a look with Santi.

You’re quiet the whole time you're at the bar. Far too quiet, so far from the bubbly conversation you usually hold, your loud cackle, your bent-double amusement. Your affection for your friends - the hands on knees, arms around shoulders, kisses pressed to cheeks. It’s hardly there. 

Frankie offers to walk you home, but you wave him off kindly. Tanner’s picking me up, you say, he’s probably outside. Jessa frowns at you.

‘Are you sure, babe?’ She says. ‘It’s not even late yet.’

You smile and nod at her, gather your stuff to go. Jessa catches your arm.

‘We’re still on to go shopping Saturday, though - right?’ 

You smile at her, the first warm one you’ve mustered all night.

‘Of course,’ you say, ‘I’m looking forward to it.’ 

When you stand to leave, you hug everybody goodbye. Tightly, for longer than usual. Frankie doesn’t give you an option when he walks you out to Tanner’s car. The smug prick is hanging out the driver’s seat window. He watches Frankie as you walk up, hostile, threatening, arrogant, and somehow still ridiculous. And, Frankie thinks cruelly - ugly.

Frankie pulls you into his arms a few steps away from your boyfriend. He kisses your hair, and you sigh.

‘Have a good time on Saturday,’ he says softly. You twitch a smile at him. 

‘Thank you, Frankie.’ You say before stepping back and walking to open the passenger door. As you climb in, Tanner winks at him. 

‘Gettin’ a new one tomorrow,’ he says, stupid fucking grin on his face. ‘New car. Exciting stuff. Anyway, better get this one back,’ he says, squeezing your knee a little too hard. You don’t look at Frankie, something like humiliation colouring your cheeks. ‘See you around, Frank.’ Tanner says.

Frankie steps back from the car as it glides forwards, and he watches it disappear up the street. 

Deep anger burns in him. And a kind of fear. It crawls over his skin, cooling the sides of his neck. His heart churns uncomfortably in his chest.

He tells your friends about it when he returns to the table. And they form a plan. Jessa texts you a time she’ll pick you up on Saturday. You say you’re excited again, you need some new clothes.

But Frankie knows Jessa won’t take you shopping. 

No, she brings you here, to the beach, to the bonfire. To him, to Santi and Benny and Will. Because they’re worried.

So worried, they tell you.

They sit you down in one of the chairs around the fire, and they explain why they’re worried. They tell you they love you - so much - and they just need to know if you’re okay. Because they can help. They want to help, want you out of this, because he’s not good for you. The silence, the hair, the clothes you were going to buy. They tell you they hate the way he doesn’t let you speak, how he speaks to you. And you are so quiet through all of it, Frankie begins to get more worried. He speaks to you gently over the fire, but you can’t meet his eye. He tells you his worries, their love for you again. He swallows down his own confession, anything to make you see. How they don’t want you pushed closer to him, want you to be pulled closer to them instead.

But your eyes are so vacant, so far away, that Jessa leaves her deckchair next to you to sit on the burned up log closer to you on your other side. She takes your hands, and you finally, finally look at her. You open your mouth, and you say so quietly -

‘You’re right. You’re right.’ 

It feels like the biggest gulp of oxygen Frankie has ever taken. He feels lightheaded from the relief, from the knowledge. They were right, they were right, which is a terrible, terrible thing.

Will clears his throat, and Frankie looks at him to see similar thoughts flicking over his face like film reel. He licks his lips, opens his mouth, and -

Hate to be so emotional

I didn't aim to get physical

But when he pulled in and revved it up

I said, ‘You call that a pickup truck?’

And in the moonlight I throwed him down

Kickin', screamin' and rollin' around

A little piece of a bloody tooth

Just so you know I was thinking of you

Whatever Will is about to say is cut short by the sweep of headlights over the brush near the dunes. 

A beat up old pickup truck bumps up the track and pulls up alongside Will’s Ranger. The driver’s side window slides down, and Tanner’s face emerges from the gloom. He revs the engine loudly, making you and Jessa jump. A sick feeling curls in Frankie’s stomach as he watches him, this piece of shit who’s been so busy crushing you down. 

Tanner leaps out of the truck, and slams the door. Frankie looks over at you, visibly panicked on the other side of the fire. How the fuck did he find you?

‘Hey baby,’ Tanner says, sickly sweet as he strolls towards you, ducking to press a kiss to your unresponsive mouth. He turns to the rest of the group, eyes skating over Will and Ben until they land on Frankie. Tanner steps towards him, offers his hand.

‘Good to see you again, Frank,’ he says, ‘Told you I’d be getting a new ride.’ 

Frankie stares at his hand. He takes a deep swig of his beer, breathing deeply before looking Tanner in the eye, refusing to shake it.

‘I’m surprised to see you.’ He says to the dirty-haired man.

Tanner tries his best to appear unfazed, but there’s a glimmer of something hot behind his eyes.

‘’Course man, wanted to show off the new pickup.’ He says, grinning broadly. He looks around again, eyes falling hungrily on Jessa. She shifts uncomfortably on the log, rearranging her body so there’s less for him to look at. A deep heat begins to rise in Frankie’s chest.

He glances again at the ancient car that Tanner’s driven up in. The front bumper almost hanging off, the red paint aged and scratched, bumps caved in all up the sides, the roof sagging. 

‘You call that a pickup truck?’ Frankie says lightly. Tanner narrows his eyes at him, angry, before he catches the sound of Santi’s laugh.

He whirls around to the other man and spits -

‘Who the fuck are you?’

Frankie almost laughs, too. Almost.

Pope spreads his hands. He looks up at him through his brows, a glint in his eyes that Frankie is violently familiar with. You must notice it, too, because you clear your throat and say -

‘Santi’s one of my friends.’

Tanner doesn’t even look at you. Just keeps staring at Pope. 

The moment seems to last an eternity. Frankie feels like he’s watching everything through sludge, like he’s in someone else’s dream. His whole body is on edge, vibrating, ready to lunge - he’s just not sure at who. He looks between the two men before he catches your eye through the flames. The adrenaline in Frankie’s heart gutters at the look of panic in your eyes.

Please don’t let them do this. Please help me stop it.

Frankie glances back to Pope, and says, so softly only he can hear it -

‘Pope.’ 

And Santi immediately looks away, taking a swig of his beer.

Tanner stands there still, clearly baffled at Santi’s sudden lack of interest. Then he turns to the rest of the group like a petulant child, a toddler who has been ostensibly robbed of its favourite toy.

‘It’s a good truck,’ he says, before turning to you. ‘Ain’t it, baby?’

You hum your agreement as Tanner scoops a beer from the pile by Will’s chair, shucking off the top with his teeth. Jessa looks away, disgusted. He settles himself in the deckchair at your side.

‘Y’aint allowed to touch it, of course, sugar,’ he says to you, before laughing into his bottle. ‘Ruin everything you come into, anyway. Root of all my problems, ain’t ya?’ Tanner takes a pull of his beer. The group is silent around him. Around you. Tanner notices.

‘Boy, fun bunch you are.’ 

You look at him through your eyelashes.

‘Baby, that’s enough.’ You say as softly as possible, and Frankie cringes at the pet name. 

Tanner looks at you sharply. Dark, furious. It’s in the pinch of his jaw, the anger at what you’ve said so obviously rolling around in his skull.

Frankie hates him for it. And he hates that he hates him for it. There are already so many things he hates him for, but he’s so fucking stupid it’s almost funny. Not your equal in any way. In kindness, in conversation or in intellect. And not even willing to try. To learn. For you. Just trying to dumb you down instead, squash you into smaller, more digestible bites to chew on. 

When it comes down to it, Tanner has nothing smart to say back. He just pushes a short breath from his nostrils and mutters out a little -

‘Well, well, well.’

Then he flexes his fingers against the chair, and you flinch. 

You flinch hard, your brows coming together, chin scrunching, waiting for the blow to land. And when it doesn’t, your eyes flicker open slowly. Hollow, bereft, drained and dim. 

Tanner hasn’t noticed, but everyone else has.

The awful unveiling of your last secret.

Frankie forces the bile down his throat. His head swings forward to the ground of its own accord, a faint, resonant ringing in his ears. When he looks at his hands, they aren’t his own. In fact, he recognises no part of his body as the ringing gets louder, as he gently places his beer bottle on the floor. When his eyes leave the dirt, the mix of faces around the fire are all mirror reflections of each other. Horror, disgust, grief. Grief that this is what you hid from them, this is what they have taken too long to pull you from. The burning building splintering around you, your shell of a body immovable in the middle. 

You won’t meet his eye. You won’t meet anyone’s eye as your hand shakes around your bottle. Jessa notices. She stares at your trembling fingers for too long, but she can hardly say anything. None of them can. Her eyes shine like beacons from her seat, wet with tears. Frankie sees her bottom lip quiver, her chin dimple. And then she swallows, swallows again, and reaches for your hand.

You flinch again, softer this time, and Frankie is sure everyone around the fire - everyone in the town, the world, must hear his heart crack. Because he feels it so keenly, so deeply, that it takes the air from his lungs. His breath is caught in his throat, and no matter how hard he tries to draw it, it seems impossible to claw it down. He’s drowning. He’s drowning right here in front of everybody, and it makes it all the worse to know that this is how you must feel. Every damn day.

Come on, he hears Jessa say, Let’s go and get another drink. And through the dark swirling of his mind he watches the two of you stand slowly and disappear towards the back of Frankie’s truck. He waits until Jessa has you hidden from view, her arms around your hunched back as you bring your hands to your face - crying - and that’s when the thread snaps.

Frankie gets to his feet, slowly.

Pope and Will watch him. Benny is still staring at Tanner.

Tanner looks up at him, chin jutted out, smirking as Frankie approaches. 

He’s challenging him. He’s waiting for a war of words, for the shouting to begin, for the insults, the observations to fly.

He expected the wrong war from a soldier.

The first punch sprawls him out of his seat. It makes a satisfying cracking sound, and the first trickle of blood starts to bleed from behind his lip.

Then Frankie kicks him. He kicks him hard in the ribs, making sure he doesn’t have enough time to recover from the punch to deflect Frankie’s boot. 

Tanner clutches at his abdomen, wheezing, gazing up at Frankie with bewildered eyes. Fucking coward.

Frankie grabs him by the front of his shirt, pulls him upwards. He has nothing to say to him, but the fury he feels, this deep, endless, swirling pit of rage, he lets him see. He lets it fill him from the soles of his feet all the way up through his eyes, and he lets it bleed out. He lets the blackness flood the ground. He lets Tanner watch it, lets it petrify him, and then Frankie swings again. Tanner takes it on his chin this time, his jaw snapping closed, and when it goes lax, a couple jagged bits of tooth fall out. Frankie grunts in satisfaction and swings again, again, until blood spouts from Tanner’s eyebrow and his cheek begins to bruise and swell. Frankie breathes deeply, in rhythm, doesn’t even feel it when Tanner manages to land a lucky punch to his eye socket. He plants a knee into the other man’s crotch, lands him an elbow to the back of his head when he keels over, and then shoves him to the ground. Frankie gets on the floor with him, raining blows down on Tanner’s body, his face. He’s methodical about it, a punch to each eye, the crack of the cunt’s nose, one to either side of his mouth, then bloodying up his jaw. He’s aware, somewhere, that Tanner is screaming. Strangled, gargling sounds trying to claw up his throat. And then he’s aware of two pairs of hands around each armpit, dragging him away, pulling him up. Will is saying something in his ear, that’s enough, Frankie, alright now, and Benny is speaking, too, panicked - you’ll kill him, Fish, come on man.

Frankie blinks, really looks at Tanner where he lays bleeding on the dirt. His eyes already swelling, a couple more teeth scattered on the ground next to him. His face different shades of red and purple, a mess of a man, and Frankie is pleased. He could keep going. He wants to see him bleed much, much more. Will and Benny keep their grip on him.

‘Leave,’ Frankie growls, low, without a quiver in his voice. ‘And don’t you ever come back. You ever look at her again, I’ll gouge out your fuckin’ eyes. You ever touch her again, I’ll break every bone in your body. I’ll make sure they don’t find anything left of you.’

Tanner doesn’t say anything, which must be the only smart thing he’s ever done in his life. But he still doesn’t move.

The four men watch him for a moment, the silence heavy, broken only by the crackle of wood and Tanner’s heavy, wet breaths.

Then Benny lets Frankie go, steps forward and picks the man up by his collar, swinging him around to the direction of his truck. He throws him down on the dirt.

‘Move,’ he spits. ‘Get out of here. And if you have the courage on the way, wrap your fucking truck around a telephone pole.’

Tanner finally has the good sense to crawl over to the vehicle. He hauls himself up the scarred body work before creaking open the driver’s door and slipping inside. The truck sputters to life, yellow bulbs flooding the bonfire site again before it quickly backs away, turns, and drives off. Frankie watches its blinking red brake lights until he’s sure the cunt is gone, and then he turns around.

You’re stood with Santi’s arms wrapped around you, back from the fire where Tanner’s blood is drying. Pope strokes your hair, squeezes you tightly as your body shudders. And Frankie can only stare. 

Minutes might have passed. Hours. And Frankie is terrified. Terrified that he’s scared you, broken you, pushed you away. And then you turn your face on Pope’s chest, moving your head from shoulder to shoulder, and you’re looking at him. Eyes red-rimmed and raw, face flushed and damp, and it’s like Frankie’s trance breaks.

Frightened, he takes a step forward. He breathes your name.

‘I’m sorry,’ he says, and you shake your head. Fuck. What has he done? What has he allowed himself to do? ‘I’m sorry, querida, please - I know, I know -’ but what does he know? He looks to Santi, pleading for help, and the man offers him a small smile as you step out of his arms. 

Through a fog, you come towards him. Your chin wobbles. Your eyes swim. You’re a little wide-eyed, a little shocked. And something else, something beyond his reach. 

You get to him, and your arms make their silken way around his middle as you begin to cry. Hot tears stain the front of his shirt, and he cradles you to him, holding your skull gently, enveloping your abdomen. A loud sob looses from your ribs.

‘I’m sorry,’ he whispers, ‘I didn’t mean to scare you.’ You wrap your arms around him tighter, press your nose into his sternum.

‘I’m not scared of you, Frankie,’ you sob into his chest. He clutches at the back of your head, holds you even closer, strokes your hair. When you speak again your voice is higher, strained with your tears. ‘I could never be scared of you.’

The sting in Frankie’s throat becomes hot, burning. He doesn’t know whether to pull you impossibly closer or to push you away, to run as far as he can from your broken, heaving body in his arms. Because what he’s done should scare you. It should. He’d lost all control. The only thing he’d been able to see, to feel was his all-consuming, depthless fury. And Tanner’s face as it splintered, bloodied, swelled. And he’d wanted to keep going, until there was just pulp. No nerve endings, no teeth, no eyes, no mouth, no body that he could ever hurt you with again. He doesn’t want you to hurt any more.

‘I’m sorry,’ he whispers into your hair.

Trembling misery

And as cold as a hole

I hug your bones and skin

Frankie holds your hand the whole way home, the drive passing in a dazed silence.

You still don’t talk when you get to his place, when he unlocks the door, lets you in, and locks it behind him. You take his hand in the quiet cool of the house, lead him upstairs. He follows, slowly, sore, exhausted. Trying to process it all.

When you reach the landing, you turn on the bathroom light, and he trails behind you. He stands propped against the sink as you dig around in his medicine cabinet, finding wipes and bandages and anything else you think might be useful. You take Frankie’s hand again, examine his bruised, bleeding and swollen knuckles with solemn eyes. You are so gentle, twisting his hand in the light, inspecting. You look over it for a while, and Frankie watches you. When you reach for an antiseptic wipe, your hand is shaking.

Frankie winces silently when you start to dab at the blood on his knuckles, cleaning it away with minute swipes. You chase the dried rivulets of blood down his fingers, over his palm. The scar there from when he ate shit riding his bike.

‘I’m sorry,’ he says. You ignore him, breathing shallowly as you inspect his hand, holding his wrist, cleaning blood which is no longer there.

‘Might be a hairline fracture or two,’ you say, distant. ‘I won’t bandage it, gonna let it dry out first. But you’ll need to rest it. And we’ll need to ice your eye.’

‘I’m sorry,’ he says again, into your hair. You shake your head, and the light catches the different colours in every strand. Frankie’s throat tightens.

‘Please stop apologising.’ You whisper.

A shaky breath pushes itself from between Frankie’s lips.

‘No, querida,’ he says softly, ‘It wasn’t right. Shouldn’t have done it. And I shouldn’t have let you see -’ he swallows thickly, throat bobbing. He looks over your head at the white tiles behind you as your grip on his wrist tightens. You still don't look up at him. ‘But it’s not how you treat someone you love. Not how it should be. Should be protecting them, treating them right, loving them the way you love -’ him. He cuts himself off, because he realises as he says it he’s wrong. So wrong.

Right to be like you in your gentleness. In your care, your touch, your tenderness, your loving. But Tanner deserved none of those things. He didn’t deserve your faith, didn’t deserve your protection or your silence either. None of it. 

He closes his eyes.

An image of you flickers through Frankie’s mind. Your fingers on his wrist as they are now, your eyes shining under the streetlights. The glint of your teeth, and the want so clear on your face, then the hesitation, the fear, the shuttering - 

And if only he had kissed you then. If only you had taken him inside. He could have shown you what it was supposed to feel like. He could have saved you from the hurt, the fear which lay ahead.

There’s a splash of warmth on the pale skin of the underside of his forearm, and he opens his eyes again. You’re still hunched over his hand, but your movements have stilled. Frankie waits, confused, before another warm drop lands on his arm and you hiccup a sob out. He whispers out your name, and you turn your face up to him, devastated.

Frankie’s face crumples, and your grip on his wrist loosens enough for him to lift his hands to your face and cup your cheeks.

‘I’m sorry,’ he says, ‘I’m so sorry. I shouldn’t have said it. I wasn’t thinking -’

‘You think I love him?’ You croak.

Frankie’s jaw works around his next sentence, his next thoughts. He tries to process what this means. That look in your eyes, your tears, your implication. His lips move, but no sound comes out.

‘I don’t love him, Frankie,’ you choke, ‘I don’t. Christ - I don’t think I ever did, I never could -’ you suck in a deep, stuttered breath. ‘I’ve never - never hated anyone more. I couldn’t stand him, couldn’t have him near me, couldn’t have him touch me -’ Frankie flinches at your words. ‘But I was so scared. And embarrassed. I didn’t know how to leave - I didn’t know how to tell anybody about what was going on. I was terrified of what he’d do. To me, to you guys, if he found out I’d spoken about it. And he made it so hard for me to see you, so hard for me to get away.’ You sob now, panic and relief forcing out your words. ‘I thought - wherever I go, he’ll find me. He’ll track me down, and he’ll bring me back - and somehow - somehow that was worse than if he tracked me down and - and - I don’t know, killed me or something -’

Frankie’s eyes shutter. He can’t even follow your thought, so awful is the image, the gaping emptiness. He pulls you close, he lets you cry. Curled into his chest, your body wracking with tears, shaking, tense and uncontrollable, the sounds you make rooting in his brain. They file themselves away in a box where very few things go. Deployment. Tom. The darkness after his investigation. You break and break in his arms, and it’s all he can do to hold the pieces of you together. To press kisses to your head, breathe in the smell of your hair, rub his hands over your back, cradle you like a child. 

He doesn’t know how long the two of you stand there for. He waits until you stop sobbing, stop crying softly, stop hiccuping, stop sniffing. He waits for a few more minutes in the silence, too. And when he pulls away, he presses a long, sweet kiss to your forehead. 

You blink up at him through red, swollen eyes.

‘You’re safe here.’ He says, and you nod.

‘I know. Thank you. For - everything.’ You say thickly. Frankie swallows, nods. You know it all anyway. Any time, for however long you need.

He pads downstairs to get you a glass of water, and while he’s pouring it, he can hear you blow your nose, wash your face. Somehow, they are the most perfect sounds in the world.

Crackling wood’s gone white

And my eye swole up now

I can see the light

Frankie gives you one of his sleep-stretched t-shirts and an old pair of shorts for you to wear to bed. 

The clothes dwarf you a little, and he can’t wipe the small, thrilled smile from his face, even when he looks away. You look fucking adorable. 

You giggle at him every time you see it, your little what? only making him smile harder. It stretches his mouth until it hurts and his cheeks start to cramp up, squishing his swollen eye. Stop he tries to say, but it comes out as an equally breathless huff of laughter - and that only makes you giggle more. So much so that he sweeps you up into his arms to stash you under the covers, and you laugh even harder as he tucks the sheets in tight around you, just like his mama used to do when she wanted him to stay put. 

He looks down at you from the side of the bed, hands on his hips, and you laugh back at him - eyes shining, mouth open in wide hoots of delight, your hands coming up in a desperate attempt to contain yourself. He points a finger at you.

‘You need to calm down,’ he says, voice tight with bridled amusement. ‘It’s bedtime.’

But you cackle back at him, this glorious puddle of sunshine in his bed, only howls of laughter for a response. Unable to help himself, he returns your joy, turning off the bedside lamps to slip in beside you.

In the darkness, your snorts subside into ragged breaths, and you turn on your side to look at him. You study him as though you never want to forget a single line on his face; such warmth, such affection in your eyes that Frankie’s whole body swells and lifts.

You take his hand beneath the sheets and hold it between your faces, smiling softly at him.

The first and only girl he’s really ever loved. This brilliant, fierce, bright, intelligent woman damped down by the waste of fucking space who had bled by the fire. At the thought of it, Frankie feels his heart fall out of his chest, down through the floorboards, and plummet towards the middle of the earth.

And finally, he begins to cry.

He tries to stop it, he really does. It’s selfish, he thinks, so awful and selfish to cry in front of you when it’s you who should be wrapped in his arms, swept away by emotion again if you needed to be, safe and warm and unworried, never having to fret about anything again.

But he can’t stop it. It comes out in great shuddering breaths - pained, wracked sounds slipping past his lips, and he can’t help it. He tries to gather them in his hands to shove them back in his mouth, tries to scoop them in his arms and press them back into the caving ache of his chest, but he can’t.

When Frankie was a child, he saw his dad cry once. Only once, and exactly like this, after his father’s brother was killed in a car accident. He had seen it through a crack in his parents’ bedroom door, and it had hurt him. It had wounded him, as a child, to see his father break with such grief, such pain, such emptiness, and to know there was nothing he could do about it. And now, he is split into those two people - younger self, older self - as he thinks of you lying next to him on the bed. This person who he loves so much, who is now so full of the knowledge of the worst parts of living, wound up so tight within you that you let it settle, let it unfurl around your bones. He sees your hurt, your grief, your pain refracted around him tenfold, and he hurts with you. He sees you as the boy he once was, this poor creature looking in at a heart breaking, as he has unknowingly watched yours break for months.

And he’s so sorry, he doesn’t think he’ll ever be able to stop saying it.

But here you are, still, performing the ultimate act of kindness. Comfort.

He feels the mattress move as you slide closer to him, and then your hand is on his back, swooping in gentle movements. He feels the scrabble of your fingers under the ribs he has pressed into the bed, the pressure of your arm moving under him so you can hold him properly. Frankie sobs harder, but he opens his body to you. You press closer to him, burying your face in his neck, and he breathes you in as he cries. Your scent is here, you are here. And like you heard him, you whisper -

‘It’s okay, Frankie. It’s okay. ’M here. I’m safe.’ And this realisation allows a little more air, but it doesn’t make Frankie’s guilt, his shame any better. But you’re right, he knows it. And somewhere in his crying, this turns his gasps to tears of relief. Softly, you retract your arms from around him.

You take his hands away from his face, and kiss the palms. You kiss each fingertip, each bruised and cracked knuckle. You lean forward and press a kiss to each tear, each trail of saltwater on his face. And you are so beautiful in the moonlight. Soft and wide eyed. Safe. Kind, always kind, and full of understanding. Frankie sees now that you have been crying against him, too, your eyelashes cloyed with tears. Sees his thoughts in your eyes as though you have had each of them zip to you through the air. When you were a child, you saw your dad cry once. Only once, and exactly like this, after…

A smile breaks through your eyes, chasing away the remnants of tears, glazing down, softening your lips. 

And Frankie doesn’t think this time. His feet don’t fail him. He doesn’t think of stars or glitter or constellations of ice crystals. He just kisses you. And kisses you and kisses you and kisses you. And he doesn’t stop, because nothing else matters anymore.

You’re safe. You’re warm. You’re in his bed. 

You’re here.

You tip your head back, deepening the kiss, licking into Frankie’s mouth. He gives in so easily to you he’s almost ashamed. But then your fingers clutch at him, ball at the bottom of his shirt, tangle in the thick of his hair, and all his thoughts are forgotten. He feels you slip a soft, strong leg over his, pulling him forward. You groan against him, and Frankie’s cock twitches. You feel it, you must do, as you pull your body closer to him, tight against him. Frankie is so lightheaded he doesn’t know where his hands are, what they’re doing - and when he concentrates, he finds them skating over your back, squeezing the tension out of the back of your neck, gripping your hip.

He moans against you as you rock your hips over his thigh, as he feels the heat of your sex against his skin. He feels like he’s on fire.

You slip a hand under his sleep shorts and palm him, brushing his silken length with two fingers, feeling him grow harder, thicker against you. You take him in your hand, pump him once, twice with the perfect grip, the perfect speed, like you were made for him. He’s gasping against you, panting as you suck his lower lip into your mouth.

‘Baby,’ he groans, breathless, ‘We don’t have to. We really don’t -’

You look up at him through gorgeous, glazed eyes.

‘I want to,’ you say, ‘Do you?’

Dangerous, dangerous question. 

Frankie tries to shake his head, look away, think of anything but the tight fist of your fingers around his cock.

‘I do,’ he says, ‘I do. But I don’t think - this is the right thing -’

You loosen your grip, draw away from him. His body aches with a shudder.

His eyes flick back to yours again - confused, hurt - fuck, he can’t do that to you, ever -

‘I - I don’t want to take advantage of it - of you,’ he says. Your eyelashes flutter against your cheeks as you look down the sheets towards your toes. His jaw tightens. ‘And - and I don’t want this to mean - different things for us. I don’t want it to ruin what we have.’ Frankie breathes out heavily through his nose. He has to tell you now. He has to. ‘I don’t want it to mean different things, because I love you. I always have. And if we do this, if I have you even just for a night, I - I’ll never recover from it.’ Tears spike in his eyes again. He tries to smile. ‘You’d ruin me. And I don’t think I’d ever forgive you for it.’

Your breath hitches in your throat, and Frankie watches as your eyes flit back up to his. They search his face, the dribble of his barely-shed tears, the slope of his sad smile. You bring a hand up to cup his cheek, running your thumb over his scraps of beard. He closes his eyes.

‘What you said earlier,’ you begin. Frankie swallows. He waits for the blow of rejection. ‘About me - about me loving him.’ He opens his eyes slowly to find yours, bright and clear. Something begs to bubble over in them. Something golden and warm. ‘You were wrong - obviously. And I couldn’t tell you truly why, because I was afraid. So afraid of pushing you away, even though I think that’s all I’ve ever done. I’ve never thought I was worth it, Frankie. I don’t deserve you. And I am terrified of how much I love you.’ You beam at him, eyes bubbling over with that thing - love - ‘I love you,’ you say simply, like it’s not the most beautiful thing he’s ever heard. 

A stunned little laugh ripples up his throat, and you copy it. He grips your face in his hands, and kisses you again, again, again.

‘I love you,’ he says.

‘I love you, too,’ you giggle.

‘And you are,’ he presses to your lips, ‘You are absolutely worth it.’

He rolls over on top of you, and begins to kiss your jaw, nipping at the skin there, before moving down your throat. He kisses you with a hot, open mouth, sucking marks into the sensitive skin at your pulse point. Mine, he groans, and you whimper against him, rubbing your thighs together.

Frankie pushes your shirt up - his shirt - so he can bite at your chest, press kisses to every bit of exposed skin. Every single part of you that deserves to be loved, every single place which has so far been unknown to him. He sucks each nipple into his mouth, delighted when you keen beneath him, panting, please, please Frankie, before he sinks lower down, peeling his shorts away from you to expose your glistening cunt. 

He groans, unable to take his eyes away from it as he leans forward, pressing his body into the mattress to lick a stripe from your asshole to your clit.

‘Frankie -’ you groan down at him as he begins to work at you, sucking and licking, nipping at your thigh before slipping his tongue into your hole, swiping and tasting everything you’re giving to him. He grinds himself into the mattress, hissing at the relief, the uncomfortable weight of his cock dragging below him.

‘Taste so good, baby,’ he tells you, and he doesn’t think he ever wants to taste, wants to smell anything else ever again. All he can do is eat at you, breathe you in, until you’re begging him -

‘Frankie, your fingers - please -’ And he flexes his hand at your hip before brushing a fingertip against your entrance and gasping at the pain. 

You try to bear down towards him, but he rips his hand away, lifting his head towards you.

‘Can’t,’ he gasps, and you mewl, bucking your hips up to his face, desperate. ‘Hand’s fucked,’ he says, and you still your movements before beginning to laugh again. It’s loud and from your belly, and it's bizarre. But Frankie gets it. He gets it, and he giggles too. He doesn’t try to fuck his broken knuckles into you, but he does try to continue lathing you with his tongue. You’re making it pretty fucking difficult, though.

‘Stop laughing,’ he huffs against your clit, ‘I’m trying to make you come.’

‘Okay,’ you say, gasping for air, ‘Okay. I’m sorry. I’m very sorry. You’re doing really well, by the way.’ But this only makes him laugh. He groans, leaning his forehead against your inner thigh. ‘This is impossible.’ He pouts.

‘Nooo,’ you cry, leaning up on your elbows to pout down at him. ‘Please, baby. I’ll be good. I’ll be so good. I won’t laugh anymore.’

‘Promise?’ He says. You hold out your pinky to him.

‘Pinky promise.’ You say.

Frankie stretches his hand out to you and tries to extend his pinky. He winces at the sharp pain which shoots from the movement, and grunts at you, your eyes sparkling with mischief.

‘You bastard,’ he says, trying and failing to hold his smile, ‘You knew I wouldn’t be able to do that.’

‘Just keeping you on your toes,’ you grin, and then before you can make any more smart remarks, Frankie resumes his ministrations, lapping and tonguing at your clit, your hole, mouthing hot, wet kisses to your pussy. He shakes his head from side to side, running your bud in tight, hard little circles until you’re a moaning, whimpering mess beneath him. Your hips buck unconsciously, and Frankie hooks both his arms around your thighs to hold you down, flattening his hands against your belly to keep you firmly in place. He reaches up to twist at your nipples and you gasp. 

‘God, Frankie, tongue feels so fucking good -’ 

He can feel you begin to pulse against his chin as your whines get higher in pitch, and he groans as you twist handfuls of his hair.

‘Come on, baby,’ he says, ‘Give it to me. Wanna see you come, querida. Wanna taste it. Come on my face.’

And you do, the sensation of it arching your back tight like a bow, a strangled moan cutting off into the ceiling.

‘Fuck, Frankie, fuck -’ as he drives you through it, nodding and murmuring against you as you try to wriggle free, squealing in protest until you manage to twist a leg and set a foot against his chest, pushing him off. 

‘Fucking - hell -’ You pant, and Frankie grins down at you, smug.

‘Good?’ He asks, quirking an eyebrow.

‘Oh, fuck you, Morales.’ You laugh, pulling him in for a sloppy kiss, moaning when you taste yourself on him. Your tongue explores every part of his mouth, every crevice behind every tooth, like you can’t get enough of him. Like there'll never be enough of him. ‘Now fuck me.’ You whisper.

And Frankie does not need to be told twice.

He rips his shirt up and off his back, shucks his shorts down his legs, and squeezes himself tight as he can in his left hand. He ruts into his palm, thumb swiping to slick his heavy beads of precum down his length.

‘Ready?’ he asks, looking down to find you staring wide-eyed at his cock. It twitches under your gaze.

‘What?’ He says, and you shake your head in quiet disbelief and amusement. You lift your eyes back to his face, and they are so dark with arousal he almost melts into the mattress.

‘Nothing,’ you shrug. ‘I just somehow never believed Pope and the boys when they said it was like two coke cans put together.’ 

‘Jesus Christ.’ Frankie laughs, his face pulling tight with a grin as he lines himself up at your entrance, swilling the head in your arousal.

‘I mean, what if it doesn’t fit?’ You babble, and he shakes his head.

‘It’ll fit, baby,’ he says. ‘We’ll make it fit.’ Then he sinks the first inch in, and just waits. He waits and watches you, watches as your mouth falls slack, all the smart things coming out your mouth grinding to a halt. He throbs at how tight you are around him, at how you clench already, trying to suck him in further. And fuck, you are so wet.

‘You okay, querida?’ He asks through gritted teeth.

You manage a nod, a broken whine escaping you.

‘Move Frankie, please baby -’ you beg, and he groans as he pushes further inside you, watching the obscene stretch of your pussy around him, the way it pulses, the way it gets wetter and warmer and tighter around him. When he bottoms out, he feels the hot rush of his orgasm leap towards him a little too quickly.

‘Fuck, baby,’ he breathes, closing his eyes just to make sure he doesn’t come right away. You squirm beneath him, canting your hips up, trying to fuck yourself. Frankie grips you, gritting his teeth. ‘Stay still,’ he hisses, flushing a little. ‘God, fuck, please - just for a minute.’ He opens his eyes to find you watching him, your bottom lip caught in your teeth. His eyes glaze down your body - his t-shirt bunched up around your chest, perfect tits, perfect belly, and your sweet, sopping cunt split open on his cock. 

He groans again, slipping out, watching as he retreats, soaked by you, before pushing back in. A high pitched whine leaves your lips, and you twitch your hands up to play with your tits. Frankie doesn’t think he’s ever seen something more sexy in his life.

‘That’s right,’ he says, ‘Keep playing with yourself like that, gorgeous. Look at you.’

So you do, looking up at him with doe-eyes as he fucks into you, soft at first, letting you adjust before quickening his pace, readjusting his angle, feeling you leak around him. His balls slap against your ass loudly, and you keen up at him, eyes wide, begging for something as you tighten like a coil around him, something you can’t quite voice. But Frankie knows.

He swipes his thumb against your clit, and your eyes roll into the back of your head, your back arching again. He groans at the sight, and works the bundle of nerve endings in tight circles, faster and harder, harder and faster, until you’re gripping him so tight he thinks you might push him out.

‘Come baby, come,’ he pants, ‘Please, querida, need to feel you - need to feel you soak me. Need you to come for me, come on this cock, baby, please -’

And he groans, long and loud as you clench and pulse around him, milking him, pulling him impossible deeper - fuck, Frankie, oh my god, feels so fucking good - the delicious pressure at the base of his spine at breaking point as he fucks you through it, as he pants and gasps -

‘Come, Frankie,’ you plead, ‘Please - want you, need you -’ and he spills himself deep inside you, hips stuttering, eyes clamping shut, overwhelmed and short circuited. He’s never known it could feel like this - good to the end of every synapse - and he’s fucking it in with three long thrusts, pulling out slowly just to watch it dribble out of you as he twitches against his thigh. He thumbs your clit just to watch you seize and sigh against him, then sits back on his knees to look at you.

‘You are something else,’ he says in disbelief.

You smile lazily at him.

‘Ain’t so bad yourself, Morales,’ and he laughs, throwing himself down next to you, kissing anywhere he can. I love you, I love you, I love you. Safe.

You lay there for a while afterwards, just feeling each other, calming your ragged breathing. Eventually, Frankie rises from the bed to grab a washcloth, coming back and swiping between your legs tenderly, gently, before collapsing back into bed and pulling you into his chest.

He feels like he’s in space, and he tells you as much. He spills secrets like a child at a sleepover. He tells you about the glitter and the stars and the constellations of ice crystals. You match him with a galaxy of feeling spanning the time he’s known you. And he feels that this is a dream, this love which floats like a nebula within the bed. He tries to keep his eyes open for as long as possible, even as you sleep. And even when he does drift off, he dreams of you. He dreams of you sparkling with stardust, waiting for him with your arms open.

When he wakes the next morning, you’re still there. Safe, soft and warm against him, furled into his ribcage, heart beating against the hand that’s pressed against your chest.

Everything’s okay. That red thread still intact, after all.

When the sun rises, bloody and mild, it’s never been so sweet.

A little piece of a bloody tooth

Just so you know I was thinking of you