#(and then maybe we...actually work on something original. cuz why not. new year same old me but i'll do my best.)

[novelconcepts]

i don't make resolutions, but if i did

it would be to finish this fic

(and to be kind to myself for however long it takes to actually do so)

[obsessioncalledhsmtmts]

What I would've done for S2 & S3 of hsmtmts if I was the writer/director:

Nini

I would've probably changed Nini to not getting into YAC in the first season. She would've stayed the second semester at East High. She would spend the season working on her acting to get ready for an audition for YAC for senior year (so the audience could feel like she actually deserved it- instead of just bc she's the MC). -

She would have to reckon with the fact that her going off-script was probably why she wasn't accepted. -

I would've also given Nini more personality, maybe explore her interests outside of school, or her relationship with her moms. Make her have more flaws and have her learn to work through them. -

Nini lands the understudy for a main/secondary role and gets casted as the rose. She ends up helping backstage and works with Ashlyn as a songwriter/composer for the show. -

I'm thinking throughout the season she'll deal with a lot of school pressure, along with relationship problems, and her own stress of trying to make it into YAC and she'll eventually break down from the stress (Gina, Kourtney, and her parents would be there for her) -

her audition could've been in the last episode (making the "second chance" song more meaningful) -

I think Nini being low-key iced out by her friend group for going to YAC was messed up. That was her ambition. -

ALTERNATE IDEA: She could've also transferred to North High instead, making their menkies competition more relavent. Then tranferred back after a while and have to deal with going against her friends. [Idk just most of her personality in the two seasons, even after Ricky and Nini broke up, revolved around Ricky and she didn't get to have a life or personality beyond 1) the musical and 2) the boys in her life]

Ricky

Ricky's arc would be similar to the original. Him having Nini as his lifeline was pretty toxic for the both of them anyway. This time with him having some character development. Maybe having a scene where Nini says something like "I care about you Ricky, I really do. But I can't handle my own problems along with yours. I'm always here if you need to talk, but...maybe you should get some help first. You should talk to your parents." then after a bunch of stuff, Ricky learns to ask for help, and his parents send him to therapy. He apologizes to Nini. [Btw this arc wouldn't be to bash Ricky, but more of have him learn healthy ways of venting and finding help]

He finally talks and works things through with his mom and she and his dad finally realize the emotional toll their problems have caused Ricky

I was thinking about a flashback to Ricky seeing his parents fight all the time but that might be too dark for a Disney show

Ricky wasn't interested in musicals before, so therefore he should, realistically, have to learn to play the piano or guitar (Nini could've taught him)

if the writers wanted him to have acting/singing as his actual passion and not just as something he joined to get Nini back- then we should've had him practicing singing or acting (not for Nini this time) while also doing his old hobbies.

Nini and Ricky

I feel like they missed a really good opportunity to teach the audience how to open up and work through problems when they just decided to make Rini break up over miscommunication.

For a relationship that mentions them as childhood best friends, i wasn't feeling the best friends thing when they were together

If the writers were intending for us to root for Rini, then they should've made Ricky have more redeeming qualities, him doing stuff on Nini's phone was EJ-like which they established in S1 was bad

Consider this as some dialogue Nini and Ricky could've had about their relationship in the treehouse scene: Nini: "I don't even know how I got from loving you so much to not even wanting to fight for this" instead of just stating the obvious of "we've been miss-communicating all year" Ricky could've said something like: Ricky: "I wasn't honest with you. I tried to hide things from you. It feels like we're not even friends anymore." Nini: "We were friends...what happened?" Ricky: "I don't know, what's been going on with my parents has-" Nini: "No, this isn't their fault. It's ours." *a long pause* Nini: "Since we're admitting things we've done wrong. I've got one. I wasn't intending on sharing the rose song with you. I don't know i think i was just- scared it would cause more problems and i...hid a lot of the things i was feeling...about us." Ricky: "Can I ask...what are you feeling... about us? Like... was the song really all about us?"

you get the point- Rini would actually work through their problems instead of constantly having miscommunication problems that were unrealistic given that they were friends since kindergarten

Kourtney

Kourtney should've been given an arc and I would probably cut Howie (i like him but not every girl needs a love interest- if not then Howie shouldn’t have been the only depth she has).

Kourtney could have a fashion internship and we could explore her personality.

Make her more than the bff of Nini- have Nini be the one to reassure and be there for her

healthy feminism that's not just there for tokenism (and not whatever S1 Kourtney was)

Make people be there for her and don't just leave her alone because she's "strong" and "independent" People need help sometimes. Being independent is different to having no one there for you.

Gina

Jack appeared and disappeared- would've probably made him show up once more. And Gina and him wouldn't meet like that- maybe they knew each other from another school (bc normal ppl don't randomly talk to strangers at airports lol) -

I liked Gina's arc overall and would've kept it.

Introduced or at least hinted at Gina's brother more (him calling her but her refusing to answer because it's been so long)

Even if her main plot will revolve around love, Gina would have...well... a life.

Explore her relationship with her mom

explore how traveling all the time has affected her

things like not wanting to get attached bc even tho she has a place to stay, things can change at any moment and she knows that

showing her adapting to new situations really quickly

Her relationship with her brother could've been explored more

EJ

More on-screen character development

Building off the arrogant, confident character he was in the first season and still having some of those qualities as the second season progressed

Follow up for him and his dads conversation

Cousin duo with Ashlyn

EJ should've had a storyline outside of Gina being a symbol of his "development,"

He could have talked to Nini about how he was feeling about his future since they both were worried about the same

Gina and EJ

EJ's is a lot more tactful than Ricky and if the writers had wanted for us to root for them more- Ej could've represented what Ricky didn't do. Instead they had him misscomunicate about the big brother thing for shock and drama value and have Gina be the one to clear it up.

Have EJ try to be a good person, not for Gina, but for himself.

Consistent friendship with Gina before it was implied he had a crush

ALTERNATE PLOT IDEA: Instead of having them end up together, have them be more brother/sister and support system. Have EJ learn to be a good person without doing it for someone and rather do it for himself

All in all I would've kept the basic framework of their relationship and just change up a few things

Carlos and Seb

I loved Carlos' arc too (and Seb's).

Have Seb sing more

more screentime alltogether

Ashlyn

I liked them touching on body image issues with Ashlyn but i probably wouldn't have mentioned it once and then never mention it again. I think it should've lasted at least 2/3 episodes.

Ashlyn could've seen a plus size actress in a musical she goes to with Kourtney and Gina (bc that trio is amazing) and feeling a lot more confident but still a little insecure (cuz insecurities don't just disappear with a short monologue)

I'm very anti one-dimensional mean girl so, as part of Lily's redemption, lily would build up Ashlyn a little.

Maybe cut out Big Red/Ashlyn because i see them more as friends (they could still have similar scenes together tho)

have ashlyn and big red break up by spring break- ashlyn won't tell anyone and keep her personal life out of her acting and end up spiraling

completely cut out any french guy jealousy from Big Red (completely unneeded)

Lily

I would've had Lily be more of the 3 dimensional character- i think we should be over the mean girl trope. I'm thinking parental issues/pressures (building off episode 11) and some insecurity or anxiety would be pretty realistic. Maybe she’s sick of constantly being the center of attention and wants some downtime.

If they intend to make Ricky and Lily end up together (or at least have a friendship), I would do it a little differently. In the Ricky section of this post i mentioned Ricky, if acting/singing had become his passion, should've taken up some lessons. What if Lily had ended up being his tutor or something? Maybe he signed up before all the drama and got to know her before.

just think of all the possibilities tho- it would also make the “let you go” song that Ricky does on the piano have some double meaning

Lily stealing the harness makes absolutely no sense plot-wise, so I would also cut that out

Side characters

French dude should've gotten more screentime

Mazzara/Jenn should've been equal pining like in S1- not just mainly one sided

Plot

more episodes, most of the problems and conflicts presented weren't resolved or addressed by the end of the series. Characters, especially the ones in relationships, don't even talk about their problems. And yes, realistically, sometimes people don't talk it out, but most get closure within themselves and problems don't appear and disappear magically. -

maybe change the menkies competition for another competition, something where you can have more creative liberty with the plot and songs -

cut out the dance/sing off, it was completely unneeded

cut out the "come back video" to North High's diss video

cut out the sleepover episode

All these episodes did was provide unneeded drama that could've been used to instead to take a break from the conflict and be more character driven -

Maybe a different musical- BATB was a weird choice for an official competition. If not then different casting

Ej for beast, Ricky for Gaston, seb for candleholder, carlos for clock,

The scenes from the musical should've been included, I felt like there was an episode missing between ep.11 and 12

Every relationship was the exact same- the guy pining to the loosely interested girl and then when they get together the girl having to constantly reassure him about the relationship

Ok, guess they wasted that entire semester just to never open the envelope (they should've opened it because they realized that the Menkies tore them apart and they lost sight of their passion)

a lot of the events, character development, and reactions were off-screen, which made it so annoying to watch bc a lot of those scenes were important to the plot

Disclaimer: Not hating on the writers, directors, or actors of this show. I'm just inputting my own ideas of what I think would've made the show better for me. I kept and cut out some ships i did/didn't like so my personal opinion on the relationships do have an influence

[drabbles-of-writing]

Reverse Au! Dump

Don’t mind my idea dumping here. Brain decided to have fun while I was at work and I have too many wips as it is, so… Thought I’d ask before I dumped, experience. Used morningmark’s comics as a base, so if you want reference. Now this isn’t all that well compiled, but here it goes.

~

Magic in the Other World is varied as it is crazy. So many styles over the generations and not a lot of organization. There are some that try to categorize it all, but that works as well as you’d expect. Some were lost, some erased, some weren’t passed down/recorded because “the power is all mine! Ahahaha!” It took a lot of time and collaboration, but eventually a sort of system was installed to help out. Still a lot of work to do, but its a step forward. Nowadays the term Wild Magic is generally reserved for those that aren’t all that well documented and understood.

Some Magics are very powerful and desirable, but also tend to be very high risk/high reward, kinda pass/fail, pretty literally Do or Die most times. So not a lot of people can use those or are even willing to. Story says this one guy named Odin hung himself on a massive tree by his own spear for nine days, no food water or rest in constant pain before he could unlock the secret of Runes. But it’s also said he gouged out his own eye to drink from the Well of Wisdom so… 

There are lots of different ways to channel magic too: wands, staves, jewelry, certain gems, familiars, potions, enchanted armaments, chants, scripts, etc. Each tool has its own advantages and disadvantages and play into a Witches’ style. Every Witch has at least two methods of spellcasting. Only children have one. Haven’t thought of how Luz gets her Palisman though. Maybe its one of those magic Artifacts like Dr. Strange’s cloak, Elder Wand, Thor’s hammer, or a Green Lantern’s Ring. Something that can’t be recreated because the secret is lost, materials no longer exist, too hard/dangerous to make, accident that can’t be recreated, etc. Happens more often than people like.

Camilla is sometimes called the Blue Witch. She’s a healer by heart and trade, but push her and she will become a one Witch Battleship. Bismark who? Aaaaand she just deleted a whole battalion. And the fortress behind them. Hide me. There are the very rare occasions, like count on one hand rare, when someone near and dear to her heart is in trouble that she takes up her other job. She’s especially terrifying when she decides to torture, those who know how to heal the body know best how to break it. Many shades of Blue, some are very close to Black. She doesn’t necessarily hate Humans exactly, but doesn’t have the highest of regard from past experiences.

Luz has training and is a proficient Witch for her age. Camilla and her father were adamant about having a general knowledge/skillset alongside her specialized skill. Jack of all trades and a master of none, still better than a master of one. She has gone through the system for her magic with varying success. Oracle magic? Zero talent. Bard classes? She can play an instrument, but can’t sing at the same time. When she does sing she tires too hard and messes up. It’s only when she doesn’t try, like absently singing along with a song or playing by her heart, that she’s good at it. Beasts? Can use them, but would rather play with them. Bleeding heart and all that. She does have a good handle on healing magic partly due to Camilla drilling necessary skills into her and partly osmosis. Her father arranged for some CQC lessons from an old friend of his which the girl loved. You get the idea. It wasn’t until she discovered Glyphs that she found her niche and her skills took off. Glyphs are one of those ‘eccentric’ or 'archaic’ styles since they haven’t been used in so long after being lost and are barely understood. She still has a long way to go, but she is on her way.

Luz never really had much in the way of friends, partly cuz of high profile parents which leads to certain pressures and a target on her head, partly because of her magic style and personality, and partly because of the trouble been going on. Luz grew up her whole life with this tension of a group of anarchists trying to burn society that’s just trying to do the right thing. The anarchists started small, but have been a growing problem the past few decades with talk how to 'reshape the world’ in not a good way. Anyone with critical thinking skills can tell this is a bad idea, but they are too brainwashed to notice. They harass anyone who doesn’t follow their rhetoric and attack anyone who even questions them. Luz’s parents put a real kink in a lot of their plans for years, which makes Luz guilty by association. 

Luz got caught in one of those sudden larger scuffles and was accidentally chucked/blown through a portal created by an attempted tactical retreat that went off course. Hence why she can’t go home because she hasn’t learned how to do portals yet. Those are high level anyway so how did these guys pull it off so easily? Luz has a hard time blending in obviously. Learning how to use a phone was a fun endeavor. Internet was a trip. Luz is amazed how these people can do all this cool stuff without magic. Keep a low profile sure, she can pass off as a weird out of town kid. Keep the beanie on, underperform in gym and stuff because some things don’t change, like genetics. Someone sharp eyed will see discrepancies. The Beanie has a small Glamor spell built in that covers her witchy traits but she forgot the ears which is why it sits like it does. Luz can erase memories in case she has an accident, but it’s less of a 'remove my face from this picture with a scalpel’, and more of a 'lemme just hack off the past hour or three from your brain with an axe.’ If she tries to take any more then she starts burning into some more dangerous territory and those Wiped are groggy and disoriented for a while after already. Then the magic attacks start happening and her heroic instinct/anti-bystander complex kicks in and there goes that. It runs in the family so Camilla isn’t surprised in the slightest when she finds out.

“Oh titan, why did you curse me with another me?” “I’m right here Mami!”

Eda has a shack very akin to Grunkle Stan. Lots of junk that Lilith can’t believe that people are dumb enough to buy. She’s also involved in some not so legal dealings on the side. Well, Eda isn’t actually hurting anybody and the tax dollars she should be paying would only go towards some politicians’ next yacht or another pointless overseas 'investment’ instead of where it’s supposed to go so. Eda does give some good intel on occasion and a place to vent so Lillith overlooks her. Lil’s more of the secret police for witches and a petty crook isn’t part of her job anyway. Eda understands Luz’s predicament and is willing to help. The cover story is that Camilla work in hospitals and has to work crazy hours while her dad passed away so is living with Eda for a while. King is that kind of critter that grew up weird and acts like ten different animals all the time.

Gus is the nerdy kid who infodumps on everybody, even if they’re not listening. Loves anything fantasy/sci-fi related and plays Minecraft too. A good kid at heart, but needs some social skills. Keep him away from anything more sugary than tea. Luz learned a lot listening to him. Not all of it is entirely useful, but still. Some of his ramblings give her some good ideas for magic and stuff, like putting Glyphs on cards.

The Blights are the cool rich kids obviously, and have some discipline and social issues. Big family name makes them intimidating for normies and a meal ticket for the unsavory. These kids need real friends. They decided to act out to get some attention from the parents who then decided to ignore them. “If you’re going to act like a child tantrum, get treated like one.” Ed is perfect for Drama classes, if he were allowed to partake. Can’t decide what Em is great at, hacking perhaps? Amity’s car is an inheritance from the only family to treat her as such Twins aside, even if she’s too young to remember it. She only remembers that she has feelings surrounding the car. All three of them were pretty impressed with Luz for standing up to them, calling them out on their shit, and not giving a crap about their family name. Being treated like a normal person is pretty weird. Can we get her to do that again?

Amity tried dating Boscha once, didn’t work out very well. Boscha is still hurting over Amity’s comment of “I’d rather go date the new weird kid (Luz) than go back to you.” It’s one of the reasons she goes after Luz. She has that kind of Bud personality from Spider Man, feels lesser and so acts out so much. 

“Wow, this new Witch is amazing. Not as cool as the original Witch.”

“What is it with the Witch with you?”

“Oh, she’s a hero. Looks out for the city and the little guy. She inspires me. Makes me want to be a bigger person. *sees Luz* What’s up Luz-er?”

~

And that’s what I got right now. I know there was more, but it’s lost to the void right now. Might come back later, maybe not. Lemme know what you think.

............

DAMN you weren’t lying when you said you had an info-dump this is *chefs kiss* you got me intrigued now

[dahniwitchoflight]

KHUX - Where’d they all go?

Alright so, first!

Who and what and where did everyone end up?

Maleficient: Took a pod to a specific point in the future, achieved this by also using her pet crow to force memories of her present self by having it fly her cloak to the great fairies and make them remember her

Ephemer: Brain from outside manages to send two pods back into the data Daybreak Town to rescue Ephemer and Skuld, (with the last Pod still in the Data meant for the Player, so all three could escape) Pops out of the pod to see the destroyed real Daybreak Town, goes back in with Skuld to escape the dying worldline along with the others, Gets flung forward in time just a tad from his own perspective to become the Founder of Scala Ad Caelum from the ruins of the destroyed Daybreak Town (Still doesn’t answer how or why he popped out in KH3 to help, but eh, guess that’s a question for Dark Road?)

Lauriam: Hops into one of three Pods in the real Daybreak Town to escape, Gets flung to present KH Times in a flower field from Snow White’s world, most likely proceeds to become a nobody some time later

Elrena: Hops into one of three Pods in the real Daybreak Town to escape, Gets flung to roughly the same time and place as Lauriam, but on the stormy mountain from the Witch’s area of Snow White’s world,  most likely proceeds to become a nobody some time later

Ventus: Hops into one of three Pods in the real Daybreak Town to escape, Ends up in the keyblade graveyard, roughly a few years before BBS and is found by Old Xehanort starting that story

Player: Tricks Ephemer into sealing them and the 4 darknesses into a piece of the Data Daybreak Town by pretending to have fallen to darkness, ends up dying from the 4 Darknesses, sacrificing themselves to save Ephemer and Skuld. In the realm between Death and Sleep, their dying heart then reincarnates eventually into a new young Heart (as they sometimes do), into that of newborn Young Xehanort, who is from Scala Ad Caelum in the time of Dark Road-ish, gets sent to Destiny Island’s by a mysterious old man who then dies, and then Young Xehanort begins his journey in Dark Road

Strelitzia: Her apparent Nobody gets sent to the future into the real world by Luxu, but it’s unknown where or when she ends up, last seen walking off in a white version of the Nobody Coat  (I suppose this is another question Dark Road will likely answer?)

Skuld: Brain from outside manages to send two pods back into the data daybreak town to rescue Emphemer and Skuld, Pops out of the pod to see the destroyed real Daybreak Town, goes back in with Ephemer to escape the dying worldline along with the others, We don’t find out her whereabouts, but the remaining theory is that she is Subject X from BBS, Lea and Isa’s friend with amnesia (I suppose this is another question Dark Road will likely answer?)

Rest of the Sleeping Dandelions/Fallen Keyblade Wielders: As their hearts fall asleep, the Chirithy that is bound to their hearts also takes on a sleeping form and become Dream Eaters, Spirit shaped by their wielders Dreams in order to protect them

Luxu: Last seen dragging along the box, holding the keyblade, and lifting up his hood to reveal that he looks exactly like Brain just without the hat

Brain: Gets flung forward roughly to the time of Dark Road-ish, last seen in Scala Ad Caelum that has been rebuilt for a while now by Ephemer the founder from a long time ago, just without his signature hat, and due to his conversation with a figure named Sigurd (who gives him his hat back), has likely fallen roughly into the times of KH Dark Road, and is perhaps a closer ancestor to Eraqus than first thought! maybe even a grandpa or great-grandpa

now the fun thing about Luxu and Brain and why they might look the same, cuz there’s a few options:

Is that before their final scenes, the 2nd last scene Luxu and Brain had was with eachother, right after Brain sent everyone on their merry way, Luxu pops up and says hey watcha doing, and Brain says he wants to stay behind to help free all the sleeping keyblade wielders, even if it takes him the rest of his life, and Luxu comments at him that it’d be a shame for him to waste his life like that or something to the effect before a fade to black

and the thing is, we don’t get to see their individual arrangements for how Both Luxu and Brain escape to the worldline along with the others. We just know that for sure he doesn’t stay and wake up the wielders, because all of their chirithy’s turn into the dream eaters. (And also that apparently he left his hat behind before he left as he picks it up in Scala when Sigurd gives it back to him)

And since there’s only one seemingly possible pod left to take, the one from the data world left for the Player (who never took it and instead dies), theres seem to be only one spot left on the ride out, and with Luxu’s body snatching tendencies, it seems to suggest that Luxu overtook Brain’s Heart and Body, grabbed the last pod from the data and adios’d

BUT the key here is in their apparent attitudes that we know this is likely not the case, and also the Hat, not only does it make it obviously clear who is who, the logistics of the Hat make it clear as well

In both cases, the boy who ends up in the graveyard with the box and the key, and the boy who appears in Scala, neither of them have Brain’s hat

But Brain IS last seen with his hat

If Luxu had overtaken Brain, there would be no reason for him to discard the hat, since the entire point of the body snatching is to be that person

Then, when Brain wakes up in Scala, Sigurd comes along and presents the hat saying “We’ve been waiting for you.” and Brain takes it back

Brain would neither remove his hat, nor would Luxu remove it if he had overtaken Brain

Instead, the likelier option is that Luxu forcibly put Brain into a pod and sent him to the future, saying it would be a shame if Brain were to die while Daybreak Town fell to darkness, because that’s what would’ve happened if Brain tried to stay behind

Where does that Leave Luxu though? How does he get back?

Well back in the data daybreak town, there are actually two Pods left, one meant for the Player who never used it, which Brain likely ended up taking, and a Destroyed Pod that got written off since who would know how to fix it?

Oh, Luxu would! And we know he does, because he specifically taunts Brain with that knowledge, asking him if he even knows how their supposed to work, And wouldn’t ya know, it’s in the Data Daybreak Town, meaning Luxu wouldn’t have even need to physically fix it, he could have easily reprogrammed it to be fixed from the computer side

So, two people, two pods, Luxu sends Brain on his merry way, in the scuffle because Brain would have resisted, the hat might’ve been removed, and Luxu could have easily set it up so that the hat could be preserved and in the future they would know to look and wait for Brain to appear

The only mystery remains then is why does Luxu looks like Brain?

appearances are tricky things in the KH series as well all know, and Luxu’s face has been hidden all this time, likely because his face would have been a spoiler or potentially confusing had it been shown from the beginning of KHX, not KHUX even

The one hint we have, is that in the Back Cover cinematic, which takes places during KHX, If you look closely, apparently you can see a shaggy lock of hair under his hood that matches Brain’s

which means Luxu has probably looked liked Brain all along from the start!

And before getting into the crazier reasons of why someone would look like someone else in the KH series (look at you Ventus/Roxas, Sora/Vanitas, Kairi/Namine/Xion) 

the one that makes the most sense to me personally, consideriong this fact, is that Luxu is a Replica of some sort, of Brain, made by the Master of Masters to fulfill a specific purpose for him, and considering Luxu’s purpose was easily the most important of MoM’s plans, and with how in his early appearances Luxu appears very withdrawn, shy, or dependant on MoM but also separate in some way from the rest of the 5 and with how we know that MoM has no qualms creating living things to do his bidding like the Chirithy’s, we know he’s aware of the replica technology at the very least since the pod system appears to be a workaround for this very issue of needing a medium for the flesh at the appropriate time and place

I think him being a replica with Brain’s appearance makes the most sense, Brain was certainly already on MoM’s radar as a special keyblade wielder, since he was one of the ones MoM chose to be a new union leader, and the way that Luxu’s appearance has always been hidden, how he always wore the black coat which in KH3 seems to be confirmed as what a “default” Replica body appears in when not in use, as we see when Riku Replica shunts out evil Repliku to have the body for Namine, it appears as a doll covered in the black coat

To me, I think it’s fitting, and I think that Luxu being comfortable with shunting from body to body and switching between forms is also part of that, his original form is a replica made to mimic another person, so why wouldn’t he continue that trend? Moving his heart from vessel to vessel, never getting attached to the flesh or identity itself? 

So yeah, I believe that Luxu taking over Brain is a red herring that KHUX ending presents, but I believe it will ultimately not be the case, and the rest of Dark Road/Verum Rex will go further into the reason why that is, with Luxu being a Replica of Brain from the very start coming out on top as the most likely series of events

[bigskydreaming]

So, how far do you think Jasons booktastes goes? Is he like a hard-core classic fan or does it variate between his moods?

Absolutely the latter, IMO. I know there’s a tendency to lean hard into the idea that Jason’s just all about the classics, but I think overall we have a rather finite and white European and American skewed 'definition’ of what constitutes a classic in the first place, and you know me and my classist rantings.....unless you don’t but whatever, now you do, I’m personally leery of over-emphasizing Jason’s sophisticated reading palette or whatever as like, some kind of pushback against his otherwise lower-class origin because I don’t think its necessary. I mean who knows if that’s how its intended in any given specific situation, but I definitely feel like there’s a general undercurrent of that threaded through a lot of Jason’s depictions overall that I’m like ‘no thanks’ to.

I think Jason’s all over the place as a reader. His only defining characteristic as a reader IMO is that he’s a voracious one, and he reads anything and everything he can get his hands on, and finds something appealing and in new and different ways in every genre. I think as his skills develop as Robin and a detective, he hungrily reads mystery novels to see how quickly he can figure out who did it. I think he reads true crime to try and solve it ahead of the book’s conclusions the same way we’ve seen Dick solve cases watching America’s Most Wanted. 

I think before traveling was an option for Jason, living with Bruce, he enjoyed travel guides/pieces and nonfiction, to get a sense of places far away from Gotham. I think once he was living with Bruce and encountering colleagues of his dad’s who were literally from other planets and had advanced technology and magic, he had a growing personal collection of fantasy and sci-fi books just so when he did get a chance to join Bruce when he was around other heroes he could be like “okay I read in this one book where they did this spell are there any real spells like that huh huh?” or “so in this one series they had a spaceship that could do this do you know of any spaceships that are like that like could that be real?” I think he loves mythology because a) he’s gay duh and b) Diana is an actual Amazon, like why wouldn’t you love mythology when you could fact-check Edith Hamilton against an actual Amazon it just makes sense.

I think he’s got shelves full of old-school dimestore pulp fiction novels, the long-running series kinds, because he doesn’t think cheap equals bad and also they’re just fun. And also also, he loves the serialized nature of a lot of works because one of the biggest evidences of stability in his young life, before ADITF, like, one of the things that finally got him thinking like wow this is like how I live now huh, was the realization that when before, the unpredictable nature of his life meant he kinda just had to read things in one go and not count on ever being able to follow up on them, like......when living with Bruce, he suddenly just realized one day that like, all those series that have so many more books in them than I could ever read in one go, the kind of things you’re meant to RETURN to, to follow along over periods of months and years.....I can do that now, here. 

And even after his return as the Red Hood, once he slowly started settling into his new life and put his focus not just towards reacting to his trauma but trying to build beyond that again and have actual hobbies, interests, etc.....one of the biggest evidences to him that he could do that, be more than JUST the Red Hood, was literally no different from when he first had that epiphany living with Bruce. When he looked into all those series that he perhaps never got to finish, or that were still ongoing when he was killed, and found an unexpected continuity in the reminder and awareness that they were still out there, waiting for him to finish them, that they were still being published, available for him to catch up......that his life had ended, but then he came back so maybe it was more just interrupted. That so many things are different now from how they were before, but some things are still the same, that he’s so different now but in some ways he IS still the same.

Like yeah, sure, I do think he’s got plenty of Jane Austen on his shelves, but he’s also got Octavia Butler and Ursula K. LeGuin and Mary Shelley not once but twice....nah let’s go wild and make it five times....cuz I think he’s got very specific SYSTEMS for how his books are arranged, one of those particular things that arose from the awareness that he actually COULD be particular about his books, that it was entirely up to him......and once he found out that Frankenstein’s Monster existed he was like okay but is the book based on that or was that based on the book, did art imitate life or did life imitate art I HAVE TO KNOW IF IT GOES IN FICTION OR NON-FICTION! And so Alfred and Bruce and Dick and Barbara all had the same idea of like, why not both, both is good, and gave him an extra copy and so he ended up with like five copies of Frankenstein.

Also, literally every time he ends up with a case or aware of a case where vampires or werewolves or aliens or gods are involved, you can find a whole new section of fiction and nonfiction on the related subject in his room, and he’s scribbled all throughout the margins like LOL WELL THIS ISNT RIGHT and NOPE GOT THIS WRONG and IF THIS AUTHOR WAS ALIVE TODAY I WOULD TELL THEM RIGHT TO THEIR STUPID FACE ABOUT HOW NOT ACCURATE THEIR SAFETY PROTOCOLS FOR DEALING WITH VAMPIRES ARE LIKE THATS THE LAST TIME I BRING GARLIC TO A VAMPIRE FIGHT AND THINK IM DOING ANYTHING BUT SMELLING LIKE A TASTY PASTA FLAVORED TREAT, LIKE THANKS FOR NOTHING YOU ABSOLUTE HACK.

(Also I think Jason thinks Poe’s a pretentious boor, mostly because I find it funny to script scenes in my head where Jason just goes OFF about various authors and his Opinions on them, but he still likes his stuff for the mood and is like DONT @ ME, IM COMPLICATED, but this is entirely because of an old personal headcanon of mine where like, the frequent references to the gothic nature of Gotham tied to Jason’s very Gothammite nature resulted in my brain doing a What If where Jason either post-Robin-where-he-didn’t-die or even post-Red Hood picks a raven themed ensemble and calls himself something like Nevermore, and is like, Caw Caw, Im Gotham, Bitch).

In summation, I think Jason is eclectic as hell, and like, if its a book, and he’s got the time, he’s gotta read it because duh, that’s just the law of the jungle, he’s like lololol what there’s a book and I’m just what, just not going to read it? That’s what you think? LMAO that makes no sense you sound so dumb right now.

[crispyapplepies]

AkuRoku Defense pt 2

Axel and Roxas’s ship has had one of the most bizarre fandom journey’s i have ever come to witness. It has gone from being one of the most popular ships maybe ever, to being dead cancelled over a supposed age gap and I find that completely unfair, especially when it speaks to so many innocent people who emotionally depend on the ship, (yes innocent includes the spicy people because art literally is not a crime). So its time to defend it.

Brief Review on Nobodies vs Aging

First of all, l already explained in part 1 what the Nobodies Don’t Age thing means but I’ll go over it again briefly, since it can be confusing, though also many people seem to demand their hands be held rather than use their imaginations to understand. Even so, here’s the short version just for a review:

-A person in KH is made of a heart, body, and soul.

-The body reflects the heart in KH. (See: replica bodies taking on the appearance of the heart that’s inside them). 

-A nobody lacks a heart, making them just a body and soul. They’re advanced zombies of sorts.

Nobodies do not age because they have no heart for the body to reflect. This is why they won’t change until they form one. Change includes age

-Ergo, you can imagine any age you like for Axel to be nobodied, cuz he was frozen at that age and did not change for 10 years. Not until he met Roxas. 

We’ll come back to this again later.

Axel Loves Roxas Canonically

Second of all, Axel loves Roxas and you are allowed to interpret that as platonic, familial, or romantic, I don’t care as long as you’re not forcing that idea on others like the ship police. That said, people are allowed to explore how romantic this love potentially is. 

And what you might like to know is that the canon is even open to this. Axel’s love for Roxas is canonically expressed, and if you would like, you can even interpret that love as romantic. See below:

We are going to look at the japanese translation because AS ALWAYS good old SENA is here for the straights and erases the gay, like clockwork. 

In English, Axel says this:

Axel: I wanted to see Roxas. He...was the only one I liked... He made me feel...like I had a heart. It's kind of...funny... You make me feel...the same...

Axel’s line here in Japanese:

Axel: I wanted to see Roxas... I loved him. Being with him... it made me feel like I had a heart. I feel it from you, too... the same kind of....

You may notice that as romantic as the line “he made me feel like I had a heart” sounds, the original can be read as wAY gooier, specifically cuz of this word:

好き: "suki"

Now here’s the thing. Japanese is a pretty vague language which is why context is so important for these things, as well as what you say, and what you don’t say. 

“Suki” is a very key word here because it is often used in romantic confession scenes.

(I have no idea what this panel is from, I apologize lol) 

It CAN mean something casual, like “I love video games”, but considering Axel is saying this with his dying breath, I don’t think we should be treating it as some hyperbole. He is referring to a person and it is meaningful. However. It is still a word with plausible deniability. Japanese has several words for love, “ai” for example being one of the most inarguable means of referring to romantic love. So choosing “suki” still leaves room for the homophobes to disregard it as something not romantic. Which makes it objectively inconclusive. Here is the thing though… they specifically chose that word, suki, a word which IS so often used in a romantic context in many anime and manga. 

They also chose to use that word rather than something objectively platonic. Which means you also cannot conclude Axel did NOT mean it romantically. Given his devotion to Roxas, and the fact that they chose this word of all words for him to say… I’m personally going to assume it’s romantic. You are free not to interpret it that way. But I am because I am considering the fact that they did not choose something strictly platonic. 

(My translator friend actually freaked out when I showed her this, she’s translated and seen enough confession scenes to know what connotations that particular word comes with lol). 

If you’ve read my queer coding doc, you may recall I also go over how this is one of the most important tricks with queer coding. You write something that CAN be viewed as queer but with plausible deniability for straight people to ignore it. It’s a means of protecting oneself and the text from homophobic oppression. It is a legitimate practice. So even though it can be denied as a queer text, it can also very very well be viewed as a definite queer text. We are choosing to queer it here. It is not as explicit as it could be, but it is still very bold, suggestive coding considering the homophobic world we live in, and especially with KH2 being released in 2004. 

“But Age Gap!” (ughhhhh)

We’re back to this cuz I also finally have the Japanese version of that infamous page in the Day’s novel to look at.  

I hope you’ll forgive me if I get a little bit salty but I don’t like to repeat myself lol so I’m gonna try to keep this section short and to the point.

In this interview with Nomura, he expresses that nobodies do not age, and they exist as they were at the time of becoming a nobody. He then suggests Xemnas seems 30 ish.

Now I truly do not care to hold your hand through the process of thinking creatively because you should be using your own imagination, if you have one, to think critically and creatively about what this idea means.

Kingdom Hearts is a FANTASY game. Nobodies are a FANTASY concept. They can break ALL the rules about real life that you want them to. But I will go ahead and explain this for you even though I’ve already done it many times, in this very document even and in other meta posts.

The body reflects the heart. Nobodies are frozen as they are from the moment they are “born”, which is to say the moment they are created. Glorified zombies. They aren’t going to age unless they form a heart. Why does Xemnas look 30? He has a heart! Or he was formed 10 years after TerraNort defected. You tell me. Why did Ienzo age? I dunno, you tell me! Either he formed a heart and didn’t know it, (he’s passionate about his work, he loves Ansem the Wise, any number of things could’ve made him form a new heart), or he was nobodied later in life. Axel is frozen at whatever age he was when he was nobodied, all the while Ienzo could’ve been nobodied 10 years later. It’s a fantasy, and these are fantasy rules. That scenario can happen. YOU decide. Until the canon tells us for sure, your imaginations can run wild with explanations. Even if the canon does tell us, you can still imagine whatever you want for your own headcanons. Freedom is amazing, it’s salty and sweet. 

Now let’s talk about that annoying page in the Days novel people keep shoving in my face.

This one right here. The official english translation is this:

That’s not the worst translation I’ve seen them put out there. But let’s look closer at the Japanese:

 Here, Axel says he thinks Roxas is about 10 years separate from himself, but things like age don't exist for nobodies.

Already that’s making a lot more sense to me for nobodies since we are told nobodies do not age. As such Axel speaking like he is 10 years older would feels almost contradictory when he has no heart and cannot change. 

This wording is important. Recall me saying that Japanese is very vague so all of the context matters. No one is denying that 10 years passed between Birth By Sleep and Axel meeting Roxas. However. Nobodies don’t age.

(please dont make me explain that a third time in this essay alone)

The Japanese and English both express that age does not apply to nobodies, (as discussed above^^^^) and the Japanese furthers this with its wording. They have 10 years of separation between Axel being nobodied, and Roxas existing.  

Axel saying in English that Roxas is simply 10 years younger than himself is rather misleading considering the ambiguity of the original. I can’t fault the translators too much for not understanding this nobody concept so well because it is obviously confusing. However, I do not think Axel was saying Roxas is literally, in real life human somebody terms, 10 literal physical years younger than him. He is expressing that he became a nobody 10 years ago whereas this guy became a nobody very recently, and it shows with how little he can even function right now. A zombie who has been wandering around with no heart for 10 years meets a fresh zombie wandering around with no heart for 1 day. 

I know antis are gonna use it against us no matter what, but at least know that akuroku is not inherently pedophilia nor is it inherently an adult/minor ship.

In many of our headcanons, Axel was frozen at age 18 or 19, with Roxas being 16. Absolutely no one is required to view them with a big age gap because imagination is free and you literally have no right to police it, but also because the canon expresses these nobodies as beings outside of the realm of age. They do not operate under real life rules or somebody rules. Think of Steven Universe where Rose was thousands of years old but only “grew up” as a person when she fell in love with Greg, a human in his 20s-30s who asked her to consider other people’s feelings. Consider the mind of a nobody as a state of Neverland. You aren’t gonna age unless you step out of it and change. Mature. Isn’t it sad that Axel did not feel like he had a heart until Roxas? No wonder people ship it!

Coding is Obvious

Finally I wanna conclude on a simple thought. This interview right here? I’d be curious what the original Japanese actually says lol but the english translation of it says that romantic akuroku was not Nomura’s intent. 

Here’s the thing though. If you know anything about queer coding, you know that using romantic coding between 2 male characters is signaling something. It is not something you should ignore. It would not be there if the characters were meant to be viewed as objectively straight. And for something “unintentional”... there sure is a lot of coding at work here.

From Axel pinning Roxas down and asking him to come home in a very sexually suggestive pose,

to watching the sunset in sheer bliss together just enjoying the peace of reunion,

to watching the sunset together while talking about what LOVE is, specifICALLY romantic love,

To this. And I already told you what this was in Japanese.

I’m not saying Nomura lied…

But I am saying that a whole staff worked together to create these games, and it is very difficult for me to believe that no one thought to say “these characters appear to be romantic, let us change the scene to be more platonic” if the characters were not meant to be romantically suggestive. 

Tl;Dr I wanna live in the timeline where people let you ship akuroku lol

[overobsessedfanboy23]

Punch Out Mansion AU

Thought I’d elaborate a little bit on my Punch Out AU where all the WVBA boxers live in a mansion together by giving some background on the characters, like their cliques and lives outside of boxing and other random tidbits I felt like adding. This was all just for fun and is admittedly biased toward/against certain characters, so take it with a grain of salt.

Glass Joe

-Along with boxing, Joe is a photographer.

-Only tried boxing out on a dare and was horrible at it. But he kept trying, insisting he could get at least a few wins. The WVBA liked him so much that when he did get his one win, he was given a place in the minor circuit and is essentially a rite of passage for new challengers.

-No one can really bring themselves to be mean to Joe.

-Sandman learns French from Joe so he can shit talk Little Mac in front of him. Joe also learns English from Sandman and can speak it decently, though he has a noticeable accent.

-His closest friends are Von Kaiser, Sandman, and Little Mac.

-Favourite food is baguettes. (I think that was a little obvious)

-Dog person, pretty social and outgoing.

-Dang good at cooking and baking. Always makes food for the others.

Von Kaiser

-Boxing was Kaiser’s main gig for a while but he’s now out of his prime. He used to be a great boxer in his thirties and was even the champion of the major circuit for a while. However, old age and increased cowardice made him lose more and more until he was only able to defeat Glass Joe to keep his position in the minor circuit.

-Everyone calls him “sir,” some mockingly and others sincerely.

-His english is passable, but he gets certain phrases/words wrong sometimes. Everyone tries to be polite about correcting him.

-Cat person.

-He and Joe are best friends, meaning Kaiser also hangs around Sandman and Mac.

-Plays video games just because the ‘kids’ wanted him to do it. His favourite is NES Mario.

-A bit of a dad to the group, being the oldest.

Disco Kid

-Also started boxing because someone dared him and stuck with it because he wanted the exposure for his disco dancing career. Out of all of them, he is the newest to boxing. (Apart from Little Mac, of course)

-Often wears leotards.

-Dances around the house with headphones on a lazy day.

-He and Don Flamenco are best friends and often play Just Dance (their favourite game) competitively.

-They both also hang out with Great Tiger. (Cuz they’re divas)

-Disco Kid is also a famous TikToker.

-He and Don worked together to make:  “I want a hippopotamus for Christmas.” Where they basically make fun of King Hippo.

-Dog Person

-Can’t cook at all.

King Hippo

-Nobody knows his real name so they just call him “Hippo.”

-Favourite food is all.

-Doc Louis shares some chocolate bars with him.

-King Hippo’s son, Prince Potamus took over the throne “temporarily” when King Hippo left for boxing. Now that it’s been a year, people are questioning whether he will ever return to his home island.

-He can’t hold a controller, much less play video games. However, he does wreck everyone at Swordplay in Wii Sports Resort. Nobody can figure out how, but they can’t manage to beat him.

-Just eats everything raw without preparing it.

Piston Hondo

-Does martial arts professionally like Karate and Boxing and shit. He is also new to boxing, and was offered directly by a WVBA person after they saw one of his martial arts demonstrations. Hondo accepted and did some training before starting his boxing career. He fights anyone who challenges him, which is why he hasn’t passed his position, he hasn’t had a chance to challenge anyone himself.

-He speaks very slowly in English in order to get all the words right. It is slow, but proper.

-Pretty much everyone from Major Circuit and onward arm wrestle with Little Mac. Hondo tries to regulate the arm wrestles the best he can. (It needs to be a fair fight!)

-Favourite food is sushi. (I think this is kinda canon, but whatever)

-Piston Hondo and Little Mac train together. Their morning jog is outrunning the bullet train.

-Hondo and Doc Louis are the “dads” of the group and are the most responsible.

-Everyone kind of respects him, even the higher ranks.

-He’s not really a gamer, but he likes Ace Attorney.

-Almost exclusively cooks food from his home country, going off of recipes from his childhood.

Bear Hugger

-Apart from boxing, he is a lumberjack.

-He challenged everyone in the minor circuit and won, but couldn’t defeat Hippo. So he just decided to challenge the first major circuit person, who at the time wasn’t Hondo because Hondo only has one loss.

-Loves camping but none of the others ever want to go. (Aran Ryan might go to prank him.)

-He keeps his squirrel as a pet. One of the others has to take care of it while he’s out. (Hondo or Doc usually offer)

-Favourite food is maple syrup. (Also kinda canon)

-He’s pretty chill with everyone and content to go with the flow most of the time.

-Mobile gamer. He’s really dedicated to PvZ in particular.

-Probably arm wrestles Mac from time to time.

-The only one to really get along with Bald Bull all that well.

-Wakes up early to make pancakes for everyone.

Great Tiger

-He is a street magician, probably. Maybe a professional magician with like a show. I don’t know how this stuff works.

-Probably seduced the ref to get so many decision wins.

-He beat everyone up to Don and was literally about to challenge him for the championship when Little Mac came along. (We can all agree that Great Tiger is much more difficult than Don Flamenco, right?)

-Either didn’t beat King Hippo and did the same thing Bear Hugger did or did beat him and didn’t take the belt because it was “beneath him.”

-Total douche with his clones. He’ll do things like tickle Little Mac to win an arm wrestle. (Hondo and Doc try to stop him but can’t)

-Total prankster.

-Uses magic literally all the time even when he doesn’t need to.

-He surprisingly knows a good amount of English. He still forgets words/phrases and enunciates certain things oddly but he can carry a solid conversation in English.

-Switches to Hindi to trash talk the others, particularly Little Mac. (Even if he’s grown to secretly respect the persistent kid)

-Hangs out around Don and Disco and will help them prank people for TikToks. They will also game together.

-Favourite food is pakora. (It’s an indian dessert. If you’ve never tried it, it’s delicious)

-Same as Hondo, in which he just knows how to cook foods from his country. Uses his clones to do every little task in order to cook. (Ex: Will have one stirring something, one at the rice maker, and another at the stove)

-Eats insanely spicy foods. (Will sometimes eat chili powder right out of the shaker)

Don Flamenco

-His full name is Juan Eduardo Flamenco Ramirez. He was nicknamed “Don” by his friends growing up and stuck with it for his boxing name. He used “Flamenco” as the second half of his name because it was pretty.

-He is canonically a bullfighter and boxer. That’s all you really need.

-Don climbed the ranks like Mac did. He originally kept the minor circuit belt for a while but decided he wanted something more impressive. He challenged Von Kaiser for the major circuit belt and won.

-Also probably seduced the ref if we’re being honest.

-Loves dancing and expensive dates.

-His best friends are Disco Kid and Great Tiger. He nicknamed Disco Kid “Niño de Disco” and Great Tiger “Gran Tigre.”

-He is pretty much bilingual, and has little trouble switching between English and Spanish. He will switch to spanish to tease Little Mac, though it’s pretty harmless in comparison to some of the others.

-He’s only emo in the ring and sometimes around Little Mac. “It’s not a phase, Mac.”

-Dog person.

-Favourite food is churros. (A spanish dessert. Also delicious.)

-He’s really not a gamer and will only play Just Dance with Disco Kid.

-He punched Bald Bull through the roof for a TikTok. Completely unrelated to that, there is a “natural skylight” in Don’s room.

-Challenges Little Mac to arm wrestles whenever he’s bored. Apart from Hondo, he’s probably the least “cheaty” out of them.

-An excellent cook. Because he loves to impress the ladies.

Aran Ryan

-Actually used his real name for boxing. The absolute madman.

-Apart from Boxing, Aran is a telemarketer. He also scams people on the streets as a side hustle.

-He started on the World circuit, the absolute madman, and Soda Pop was the first boxer he met. Aran Ryan can’t manage to beat him or any of the others though and picked on the lower ranks to work up a record. His “number 5” rank is technically unofficial.

-Wastes a lot of money on alcohol.

-Eats nothing but potatoes.

-He and Soda Popinski are best friends. I could see him and Great Tiger either being friends or rivals.

-Doesn’t get along with many of the others. Bald Bull especially is his enemy.

-Learned Russian to communicate with Soda. Likewise, Soda learned more English to communicate with Aran.

-Tries to use two hands while arm wrestling Mac. Doc or Hondo try to get him to knock that shit off.

-Dog person

-He loves gaming and will hack literally any game he can get his hands on. Newer Super Mario Bros Wii is his favourite game.

-Is banned from the kitchen.

Soda Popinski

-Works at a bar selling drinks.

-He’s been boxing for a long time. Held one of the circuit championships at some point but lost it. His other loss was against Sadman.

-He and Aran Ryan are drinking buddies. (Yeah sure it’s soda. It’s spiked with vodka or steroids. You can’t fool me.)

-He’s not much of a gamer, but often gets pulled into playing Aran Ryan’s hacked games with him.

-Always drinks the entire supply of soda. If anyone else wants soda, they have to hide it in one of their rooms.

-Chugs an entire can of steroid soda before arm wrestling Mac.

-“Favourite food? Uh, soda! That is a food, right?” -him at some point

-Understands English well, but has trouble speaking it himself.

-Mostly keeps to himself oddly enough.

-Doesn’t cook. Pretends to not know english when someone asks him to.

Bald Bull

-Apart from boxing, he’s a professional bodybuilder.

-Just kinda challenged people randomly and somehow won most of the time. His losses (pre Mac) were against Macho Man, Sandman, and twice against Doc Louis.

-Is laid back unless the paparazzi come around or someone does something to piss him off. Then he goes beserk. Like the time Don used him to make a “natural skylight” for a TikTok.

-Probably started the arm wrestling tradition against Little Mac, but no one is really sure.

-He and Doc Louis insult each other constantly. Aran and him are also bitter enemies.

-Talks shit about everyone in Turkish.

-Speaks in very broken english and usually hides out in his room.

-He is most chill around Bear Hugger, his closest friend.

-The others normally don’t let him touch a video game controller. However, he did beat King Hippo at Swordplay, shocking everyone.

-Can probably cook just fine but was preemptively banned from the kitchen so no one is really sure.

SMM

-His real name is Chadrick, like the asshole he is.

-A Hollywood actor for sure.

-Was the champion for a while until Sandman kicked his ass. He didn’t take any of the other belts because it was “beneath him.”

-Buys all the skins and battle passes in Fortnite. Also buys a ton of other useless rich person shit.

-Doesn’t live in the mansion but will visit every now and then during parties and shit.

-Eats nothing but In-n-Out. (Thanks Tumblr, for conflating these two in my mind)

-Is totally lying about his age.

Mr. Sandman

-His real name is Michael. People often make the comparison between him and Mike Tyson.

-He looked up to Mike Tyson as a kid.

-He is 100% devoted to boxing. Before boxing however, he worked in retail, which would explain his utter rage with the world.

-Didn’t take the minor or major belts because it was beneath him.

-Extremely competitive with Little Mac.

-“LITTLE MAC YOU ATE MY FUCKING LEFTOVERS THIS CALLS FOR A REMATCH!” -Sandman, all the time

-Also arm wrestles him a lot and challenges him at Minecraft, the favourite game of the two of them. He has a Minecraft world that he’s used for six years on Survival with all these crazy builds.

-Fairly chill when not boxing or competing with Mac.

-Good friends with Glass Joe and admires the persistent little guy despite his lack of skill in boxing.

Doc Louis

-Was the champion before Macho Man. Climbed the ranks like Mac did, and gave up his belts after retiring. Sandman was probably the final straw.

-Fought Bald Bull back in the day, and often won. They’re still rivals now.

-Favourite food is chocolate. (Literally canon, but whatever)

-The ultimate dad of the group.

-Gives them all advice, but clearly picks his favourites (Little Mac).

-All the older fighters get a little nervous when they see him eating chocolate. (You know what I mean if you’ve played Doc Louis’s Punch Out)

-Plays games with the others when they need an extra player.

-Loves cooking and does it all the time, often for some of the others too.

-He’s retired so he doesn’t “officially” live at the mansion. However, the couch has become his designated spot and the table beside it is where he puts his bag of chocolate bars.

[natsunoomoi]

So sometimes I check wikis to like look things up about a show or series that I don’t have time to read or watch the whole thing fully cuz that’s a time investment I just don’t have but I have questions I just want a quick answer to.

The problem is, wikis are of course, made by like regular people with varying levels of biases and also sometimes selective memory of events. As can be seen in my more recent posts with SVSSS and MXTX’s works I’ve been on those wikis, but sometimes the explanations of plot points and a bunch of other stuff are really confusing and circular. SVSSS’s is being more cleaned up recently, but it still has some things that it says happened, that I couldn’t find at all when reading the book and I’m just like, where did they find that info to put on the wiki?

Like one of my earlier posts when I started reading SVSSS at the beginning, I mentioned how I read that original Luo Binghe got killed by his harem eventually and I thought that made sense cuz ultimately no one in that original plotline made choices that made them genuinely happy. But when I read the book, I didn’t see any mention of that anywhere...? I think last time I went to go look at BC Novels they had one chapter left to translate. Is it in there?

Then at other times, I wonder if there’s an inconsistency because there’s a limitation between the translation I read and like something in the original Chinese text like there’s a typo, which obviously there’s a mistake then. But then other times, I’m wondering if people read a different thing, but most of the people with a different interpretation don’t seem to be able to read Chinese and are reading the same translation as me, but I’m confused where they got certain details from?

Like for instance, there’s another part on the wiki where it says Airplane originally planned for PIDW to be a BL from the beginning, but I’ve literally been trying to find where that was stated because I don’t remember that and I don’t see that anywhere and the chapter citation that is listed on the wiki goes to a chapter that doesn’t talk about that at all. Airplane/Qinghua does say that he made changes to Qingqiu’s character that were originally more complex to make him a trash human and he did that to make a living, but I can’t find where it says he originally wanted it to be a BL theme to begin with. In the chapter they cite it says that Qinghua had designed Binghe to have an appearance in a way that appealed more to a female audience and be more of a pretty boy. That doesn’t mean that he meant his entire book to be a BL it just means you make your main character look a certain way partly for internal logic because that look is really popular with women so the in-story women would probably find him attractive and in a meta sense any females who happen to also read a stallion novel like some women read shounen manga would find him hot in real life. A successful story does things like that to reach people outside of its target audience and that’s kind of a lot of the reason why a lot of Shounen Jump manga are really popular with women too even though a lot of the stories have the male perspective in mind. The chapter it cites only talks about the actual physical appearance design choice he made for Binghe vs Mobei-Jun. He just says that Mobei-Jun was made for the kind of male character he prefers to think about, but Binghe was just designed with the idea of what would make him more popular and also could kind of be like a self-insert-ish for his desire to beat on people for funsies. It doesn’t talk at all about what the genre he planned for the book to be and interpreting the text to that much is really stretching the context to wishful thinking levels. I don’t even actually care either way what kind of novel PIDW was because it’s not actually that important to enjoying the story of SVSSS, but I don’t know if it’s the Ravenclaw in me or what, but it just bugs me when there’s something that seems *wrong* printed on a thing that is supposed to inform other people. I’m literally reading chapters at the same time as trying to write this post to find where I think maybe it was said, but it sure as hell wasn’t the chapter the wiki cites.

The other day I re-read the chapter when Qinghua taunts SY with Qingqiu’s real memories, and he doesn’t even say it then. ATM, I’m trying to look through the last chapter because there’s that one part when Qinghua shows up right at the end and talks with SY at the celebration, but even at the start at the chapter, SY talks about how Qingqiu was super straight to him. SY is an unreliable narrator, but given the context of Qingqiu’s life events that makes sense. His personal trauma because of Qiu Jianluo also pushed him away from any amount of closeness he could have with other men other than ones he already trusted to some degree. He had a lot of problems forming new relationships of any kind with other men because of deep-seated trust issues. Not that he didn’t have any, but meaningful ones were pretty absent. One only because of a very sad misunderstanding and lack of communication and explanation, but the others just tough.

But like also there’s like that SJ slept in the Warm Red Pavilion and he went there just for comfort rather than more lascivious reasons. Yeah, it’s true that he didn’t go there for those intentions, but like it’s still in the environment so it’s not like he’s unaware of what happens there. I mentioned it in the previous post about his search for means to grow his cultivation, but only to say he’s probably not that innocent and there may be some truth to him wanting to do something to Ning Yingying out of desperation to make up for his low cultivation foundation. Like he’s aware of those kinds of things and he probably came across something that said that was a way he could grow his cultivation. Desperation and this motivation I think is probably the only reason why he would be so tempted to cross that line with Yingying because he otherwise treats women rather well. She is his favorite too, so if a person who usually treats females well for some reason wants to do something that would be hurtful to their favorite person, there has to be a much deeper motivation behind that. The only thing that is a canonically greater obsession I think would have to be his cultivation level. He has a number of self-esteem issues and such a well, but his greatest pride and greatest concern is his cultivation. He is proud of his abilities, but also he laments and regrets the version of him he couldn’t become so much I can foresee that if there was a suggestion that he could overcome his late start in some way by using someone female, I think he’d at least think about it and also consider who he knows could be a viable candidate should he want to act on it and that is how that part of PIDW happened. Pain and desperation make people do things that are uncharacteristic, so it has to be something that really bothers him more than in a moment of weakness that idea is there.

Which is another point I have an issue with on the wiki because it says his low cultivation is “logically” because he started late and spent so much time with a fake master. It’s not logically. It’s factually. It’s mentioned several times especially in the extras chapters from Shen Jiu’s point of view where he talks about how he is specifically behind because of wasting time with Qiu Jianluo and Wu Yanzi and also that he was the last to form a golden core. If it was coming out of SY or someone else’s mouth as an explanation, maybe you can say “logically”, but if it’s coming from SJ’s point of view chapter it sure as hell is not. That *IS* his motivation. He states it himself.

Also, I think some people don’t understand what it means to have a low cultivation foundation. Cultivation from what I gather according to the rules of this world is like a lot of talents we have in our world where you need to start young to be good at it. There’s a few skills that you can learn that if you don’t start at a specific time you lose the optimal window to develop your talent for it because of the way the brain functions and basically purges off skillsets you’re not using in your environment. 

Learning a language is one such skill. When a baby is born, it has the capability to learn how to speak every language in the world, but as it gets older its brain purges out the sounds that it doesn’t hear from its environment and this keeps going into older childhood as well. The taxi driver I talked to the other day about this said you have to start before you’re 10, which sounds about right. The phoneme purging in your brain starts quite early though so that’s why my company has classes for Moms and their 1 or 2 year old so that they can speak to them in English to try to keep English sounds in their environment so that they can have perfect pronunciation when they grow up. If you try to learn a new language when you’re older that’s how you have accents. You don’t have the phonemes to speak the language perfectly so your brain is imitating the sounds with the ones you do have. Plus it’s a constant use skill. I used to be able to speak Cantonese with no accent up until my teens, but I haven’t spoken it in so long that slowly I started to have an accent and now I can’t say the words properly anymore. I don’t know that much Cantonese to begin with that aren’t baby words, but I used to be able to say them properly.

Music is another one and that one has an even more narrow window. Kids with parents hoping that they will be music prodigies usually start them on music VERY young like 3 or 4. It’s not that it’s impossible for someone to pick up an instrument later in life, but there’s a type of sense to music and hearing the scale and developing that skill that if you don’t start kids on it at that time, their musical ear will not be as good.

And it’s that “not as good” thing that Qingqiu is chasing. He is exceptionally powerful and talented which is why despite starting late he became favored. He is very capable and good at what he does, but he is not as good as what he could have been. Even though he is so good, he is only haunted by how much better he would have been if he had started on time and had proper instruction. A musician who maybe wants to be a concert violinist but took up the instrument late may struggle to get a good seat in an orchestra because despite any talent they have, their ear is not as developed as someone else. Such a musician would be vexed and lament that they hadn’t discovered their love for the instrument sooner just as Qingqiu is vexed and laments that he didn’t start proper cultivation development earlier.

And I’m griping about SVSSS more because I read that book so I have more points of reference to go on. But like the wikis for MDZS and TGCF aren’t much better. MDZS is maybe a little more coherent and easier to follow, but TGCF confused the hell out of me and it took me awhile to understand what was going on. I really needed it though cuz I was watching the donghua and like I think the way they present some of the scenes is like slightly out of order for like foreshadowing and other like film reasons, so I checked the wiki while watching to try to get more context cuz I don’t have much time right now to pick up another book at the moment. I was so confused though cuz like...it seems like the logic in the entries is so circular and I’m trying to keep track of all the characters and what’s happening. I hope it’s better now but at the time I was watching it I was so confused and struggling to make sense of what’s happening.

And like maybe you’re wondering why if I read the book, would I bother checking a wiki. Mostly out of laziness because I’m thinking of something and I don’t want to go find the exact chapter to help me flesh out my thought and reference point. I end up getting more frustrated sometimes depending on what I’m looking up because of the above things.

Plus again I’m like a bit mystified as to why Qingqiu’s look seems to appeal to me. It’s not just him though and like other characters with a similar style in some of the games I play. I think there’s some imprint from some very old childhood memory that I only vaguely remember. Like it’s a look that seems familiar, but I can’t put my finger on where it’s from and I can’t figure it out, so I keep just going to check images to see if it will make me remember. I think it’s a movie I saw with my Dad as a young child, but I can’t remember it at all. I remember there was one Jet Li movie I watched with my Dad once and I ended up watching all the time cuz I thought Jet Li was really cute in that movie (I was also 3 so I don’t know why I’m thinking that way, but whatever), but like Jet Li was bald in that movie because it was about a Shaolin Temple. I think at the time my Dad showed me that movie I already showed an interest in movies from my own heritage, so that’s why he showed me that. But like I can’t remember anything else. I suppose it could have been something my grandpa watched because sometimes he’d watch a Chinese movie when I was playing in the living room and I’d stop to watch too and then he’d fast-forward through the intimacy scenes, but because I’d just look over at something he was already watching I have no idea what any of those were.

[selfcareparker]

okay fghsgdj yes you can say girl ! my pronouns are she/her :) okay but fr pause, i read this like 3 minutes after you posted it (or at least my notif said 3mins lmao) bUT IM IN BED AND I USUALLY HAVE MY COMPUTER OPEN WITH YOUR RESPONSE SO I MAKE SURE I ADDRESS EVERYTHING AND THEN SEND IN THE ASK ON MY PHONE HDGSJSH anyway, time to get my ass up 😔 but wait i find you so funny like honestly, reading that cracked me all the way up. and i feel the “lol” thing so hard!!!! idk why i do it all the time (i’m tryna stop) but i’ll say something with lol at the beginning and lol at the end... it might be a defense mechanism at this point lol (😔) AND (i need to stop with the uppercase too it’s not funny anymore) I DONT KNOW WHY I LAUGHED SO HARD JDHSK WHEN YOU SAID ALSO AGAIN HAHAHAH LIKE UR HAHHAH also my sleep schedule is not pretty either lmao but i’m homeschooled so i never have to get up for anything? hhdhsis idk but i’m glad you slept!! you need sleep!!

also (pls no i cannot) why did i not know what ykwim meant until i reread this?? like it makes so much sense- anyway! i think it’s so cool that you’re excited for university! idk why but i do lol like you’re getting ready for the future (masters degree and all that) & you’re (maybe) going to england anyway so that’s cool haha (hopefully when you go you can see your relatives 🤞🏾)

the fact that you get happy seeing my asks i- 💓💓

you make me wanna go to London & England so bad urghhhh like i’ve only been out of the country once (to Canada for a family reunion) but it sounds so prettyyyyy & i’m so sorry that cov*d is messing everything up and i hope you can see your relatives soon :(

now to address the whole english speaking/writing: I FIND THAT SO WEIRD DUHSKSJ i don’t know how an english speaking person could say that if you don’t write it 100% grammatically correct.... that it’s wrong? when literally, over here at least, WE’RE SO GRAMMATICALLY INCORRECT HAHHAAH in both the way we talk and write!! and lol you’re welcome,, AND THE PARAGRAPH DID MAKE SENSE HDHSJSH & your rant is fine because... that is actually a bit ??? bc no one writes with 100% grammar lol

OH MY GOSH (see this uppercase thing is addictive) YOU STUDIED LATIN FOR 6 YEARS??? that’s really cool 🥺 the way that you know/speak 3+ languages i- NOT EVEN 3+ LIKE 6+ (german, english, latin, french, serbian, italian, and everything that comes with latin lmao) even if it’s just a tiny bit like wowee. it is really fascinating!!! i had the opportunity to take latin and i... didnt. i took art instead BUT ONLY CUZ MY FRIENDS WERE IN THAT CLASS AND ART LOOKED FUN IM SORRY

PLEASE WHY DO YOU KNOW EVERYONE?? that sounds so fricking cool tell your mom (mum or mama it’s really fine lol) that she sounds awesome. i think Jamaica would be fun either way!! i mean it looks pretty from pictures? i was a baby so i honestly have no recollection hahaha

LMAOO NOT U SAYING THIS IS LONGER THAN SOME OF MY FICS- PLEASE GIRL IM TELLING YOU I VERBALLY LAUGHED HAHAHAHAHAH but yea you really don’t need to apologize i like reading everything you say 🥺 HDKSHS AND UR FINE WE WERE JUST TALKING ABOUT ME BEFORE uhhh hmm uhh lemme think i, well, i saw chaos walking yesterday (big tom holland fan over here) and it was alright.. my mom acted a fool at all the jump scares LMAO but it was funny... since i’m talking about movies (this is hella random i know) but i like shark movies HDKJSSJ my favorite is the meg (it’s so good ohmigosh) and the 47 meters down movies aren’t bad either... i have two younger brothers... iiiii AM IN LOVE WITH MUSIC PHEW anddd i’m homeschooled (i think i mentioned that lol) i think that’s a good amount ahahaha AND IM HUNGRY RN JDHSJ

now. please. let me address the edit. i just want you to know that.. when i talk about your fics and i finish them and everything i’m not looking for more? like obviously if you’re writing i’m gonna read it but you don’t need to feel pressured or anything (idk if you do) to put more fics out lol like they’re great and i’m just sending the praise bc i love the ones that are there :’) but i’m so happy you’re working through your writers block!!! yay so so happy for you!!! and PUHLEASE anything you write is fantastic, i feel the exact same way when i write but girl. you’re fine. it’s gonna be great. (idk if this made any sense but... okay)

(and my cousin calls her mom mama so it’s really okay hahah i even call my mom mama sometimes) (and where you got the number “16 sentences” beats me but i still cracked up) (is this me pretending i had tags? maybe) HAHAHAHA OK BYE ❤️❤️ why did this take me so long to send i have no clue, AND WHY AM I OVERTHINKING EVERYTHING I SAID SHAJSHSJ ANYWAY BYE btw i love us too... like iconic // lovely anon 💓

me reading this:

also the dedication you put into sending me stuff— like with the laptop and phone and ahsksk 🥺🥺🥺

i’ll update you when i’ve started uni btw, i’m getting more and more excited every single day haha but i still have 3 weeks until it starts and even then I’ll obviously have to get used to it and everything, but you’re making me even more excited about it sksjshsg

yeah i wanna go to england too dkshsh let’s be sad together over the fact the we can’t travel eksjsh😔😭 but hopefully the wait will make it even better in the end <33 also i talk to loads of relatives over the phone at least once a week so it’s not too bad for me! but i miss their house 😭lmao

and i knowww snshsh so many native english speakers just make so many mistakes— and obviously i get that some things are slang but some things are simply wrong ajsh, the thing is no one has ever told me that my english is bad (i know it’s not bad anyway, but i’m still insecure) or no one has ever pointed out any mistakes, but yeah it’s mostly just insecurity dkshsg but yes thanks for saying what you said (previously as well as in this ask)😌🥰

Okay now for latin— girlll i don’t blame u for choosing art over latin esp. when all of your friends are doing art as well!! I’d choose art over latin as well lol skshsg but in year 6 we had to choose between latin and french, and at the time i didn’t like french? which was dumb of me and now i wanna learn french ekdhs but i don’t regret choosing latin at all bc if i properly learn french one day then i’ll already know understand loads of stuff (or at least some stuff lol) just thanks to latin 😌😌 but still, art>>>latin skskshshgs

I wanna watch chaos walking too!!! But i don’t get when/where/how it’s out lmao, cinemas are still closed here so i’ll either have to wait or find it somewhere online... il*egally 🥰 i don’t have high expectations at all btw but i like daisy and tom and the dog🥺 so i think i’ll enjoy it

GIRL SHARK FILMS SHARK FOLMS SKSJSHSHS okay so there are a few classics i haven’t watched yet, and also a few new ones that i haven’t seen yet BUT I LOVE SHARK FILMS SO MUCH SKSHSGSGSKK the first like proper shark film i ever watched was the shallows (which i like but my brain is still too small to comprehend what happened at the end (i mean i get it but i just can’t imagine it— idek if you’ve seen the film but skshhs)) and after watching it three times it does get a bit boring (but now whenever i see pictures or videos of big waves i’m just waiting for a shark to show up like come ON SKSJSG

^^^that pic/scene really traumatised me sksjsh but i still like the film

I only watched jaws like a few months ago, and i get that it’s a classic and also that it’s old and they just didn’t have the best.. equipment or special effects or whatever but i mean... look at meg and then look at jaws.... no disrespect to jaws at ALL but the meg is so much cooler. (That one scene on the boat where the shark just JUMPS OUT OF THE WATER AND SKSJSHHSUSJHA i get such a shock every time it’s so good (and the dog aww aksjshssli 🥺🥺🥰 and the boy with the ice cream lmao he’s iconic)

47 metres down, wow, i liked that film too. (i’ve only watched the original/first one i think) i mean that is such a fucking nightmare scenario like ALSJDHSNEMSKDJSHSJSKWBALSODUEWBSLDKHDJSNSKSKSHSGEBWKAISGSHEKEKSKLDJDJDHDHSHAGGA (that’s the best way i can express my feelings about that scenario lmao)

oh and i’ve recently been watching more horror films but i don’t know if they’re for me... I like the thrill and whatever but i just end up being scared for my life when i have to go to the bathroom at night or when i’m trying to sleep bc suddenly my mind is flooded with all the scary shit from the films 💀💀💀

and music i mean... you know those people who just don’t listen to music? WHAT IS WRONG WITH THEM???? i honestly like all genres especially in the last year, i am IN LOVE with Nicki Minaj + Megan andddd Stormzy and i like Harry Styles but i prefer his first solo album (and obviously one direction has bangers i have a throwback 1D session at least once a month), I also love MGK especially his new stuff and otherwise i mostly listen to german artists lmao. So who do you like?💖 (WHY DO I FEEL LIKE YOURE GONNA SAY SOMETHING COMPLETELY DIFFERENT SKAHAGUS IF YOU LISTEN TO COMPLETELY DIFFERENT MUSIC DONT JUDGE ME AJSHDJS) (i know you’re not gonna judge me but)

++ @ the thing you said about writing, don’t worry, i don’t feel pressured at all!!! (not by you and not by anybody else.. except myself sometimes lol) and i’m just very happy that you liked my fics 🥰🥰🥰 and if i start telling people that i’m writing a fic then sometimes it puts a bit of (healthy) pressure on me. like yes sometimes it really is writer’s block, but sometimes i really am just lazy ddkshhd so now that i’ve told you i’m writing a fic i might get my ass up quicker than i would if i hadn’t told anyone 😌😌😌

[ratingtheframe]

Everything Wrong With… Ep 2 - The Devil Wears Prada

Welcome back to Everything Wrong With...the series where dive head first into some of the seemingly okay-ish films and analyse why in fact they do more harm than good in providing us with satiable entertainment. Follow me on instagram @ratingtheframe for more movie related content and without further ado, let's get into this chick flick and see how far we’ve come since 2006.

If you aren’t aware, The Devil Wears Prada is a 2006 “chick flick” originally written as a book by Lauren Weisenburger. I remember seeing The Devil Wears Prada as one of those grown up lady films, for mature women on tampon adverts who had wine on Thursday evenings from M&S and wore heels practically everywhere. My perception of this film and the audience it caters towards has changed dramatically after watching it and it kills me inside to imagine the popularity and praise such a film got back in 2006, an extremely harsh time for women and the perception of beauty standards. 

The world was still getting into the internet, magazines and runways were adjusting to the 2000s and the way that women were viewed in the media was a lot more damaging than today. Former supermodels such as Kate Moss and Cara Delevingne have since come out and talked about their experiences in the modelling industry and how it creates unhealthy stereotypes for women and young girls to abide by. The ‘size 0’ and ‘heroin chic look’ has since been banished from the modelling industry, two expectations that were pretty popular in the late and early 2000s for models. We are witnessing a revolution for the modelling industry as they (very) slowly but surely are beginning to introduce more plus sized, diverse and unfiltered faces for their campaigns. We can breathe easier knowing that the only way is forward for the fashion industry and that very little people will stand for the mid 2000s ideologies that were pumped out to the entire world.

Back to 2006 and one of the year’s most popular films with female audiences; The Devil Wears Prada, starring the likes of Anne Hathaway, Meryl Streep and Emily Blunt. The film follows Andy Sachs (Anne Hathaway) , a wannabe journalist newly welcomed into New York City and is currently on the hunt for her career. She manages to land a job at Runway Magazine, a large, corporate editorial magazine for women’s fashion run by the one and only Miranda Priestly (Meryl Streep), a devious, beautiful and highly successful media personality and editor.

So far so good as we have two tangible and likeable female leads. The opening sequence (one of the most important in any film) had me eye rolling a touch in the way it depicted women of the 2000s and seemingly created the idea that there are two sides to women. 

The five or so minute montage consisted of the various women who are models at Runway, getting ready for their long day of work, right from being undressed to fully made up. This was supposed to be a contrast to how our lead Andy gets ready, barely throwing on any makeup and throwing on whatever she wants whilst heading out the door. When you put the way women choose to be perceived in the world at an opposition, you create this divide between women and further place their worth on how they choose to look. The stereotype of a ‘pick me girl’ arises from this opposition, a girl who actively shames other women for choosing to be more openly feminine in their appearance and actions. The intelligence and respect of women should not be based on how they look when they show up, rather how they BEHAVE when they show up. I just thought this montage was a little unnecessary and if anything, introduced us into a misogynistic world of 2006 really well. One point for accuracy, no points for progression. Everyone gets dressed in the morning and (often) everyone wears underwear, showing this activity on screen didn’t really add much to the film besides the pressures of women to look a certain way. 

Once Andy arrives at the company, she is rudely introduced by Emily (Emily Blunt) Miranda’s current right hand. Now the entire character of Emily is again, another concept to this film that is left better in the 2000s; a mean girl and a VERY mean one at that. This world is already a patriarchal mess for women like Andy and Emily and having women join the bandwagon in showing an oppressive side to those who don’t conform to the female societal norms is non progressive. It was almost as if Emily was an investor into the patriarchy by behaving abhorrently towards her from the way she dressed as opposed to her actual character and qualifications. Please, let's not have women against women based on their desirability in the eyes of the male gaze. Emily has already become a clear victim to her own policies, as her lack of eating is laid bare to us as an entertaining gimmick as opposed to a cause of concern. Last time I checked making fun of eating disorders wasn’t chic. 

Now the argument whether Miranda Priestly is also an investor in the patriarchy is a little clouded. Through her mean spirit and harsh words towards Andy and her appearance, she comes across as someone who is doing more harm than good by joining the patriarchal view of women in the 2000s. I found myself having to bite my tongue a little instead of calling her bitch because that would be letting my internalized misogyny get the best of me. 

Even though Miranda is tough talking and spiteful, I really can’t blame her for it as a character. She is one of the strongest female characters I’ve come across on screen for both her strengths and flaws. Had such a character been placed in a Roman Army or Italian Mob, my views of her would have stayed the same. She is a strong woman with enough versatility and strength to face any situation. The way she asserts her authority in a funny and patronizing way is hard not to fall in love with and any woman who asserts their authority and relishes in their own power is already technically against the patriarchy. Her industry may be patriarchal, however her spirit is not and the things she does in order to keep her status is admirable. I found myself comparing her to the way a man maneuvers the world (again, internalised misogyny, working on it) which in some parts is the reason there should be more Miranda Priestly's in films. Instead of comparing strong women to men, with more strong female leads we’ll start comparing these women to other women. 

Thank god for the zilch, overly graphic sex scenes in this film (maybe cuz the screenplay was written by a woman, but who knows-), however their is one character I’d like to address that rubbed me the wrong way and spoke for a big hole in the modelling/fashion industry that still exists today. Christian Thompson (Simon Baker) is this handsome, 40 summit journalist who meets Andy at a social event for a fashion designer. I admit he was charming in his demeanour but also overtly creepy at points. Andy and Christian bump into each other in Paris where he leads her down a street (his hand on THAT part of the elbow) and kisses Andy without consent, knowing she has a boyfriend. “Oh, it's just a movie” you’re probably thinking, but yet I couldn’t help but cringe at such a thing. Movies are a reflection of our society after all. He kisses her several more times until Andy gives in. If we’re trying to get films to reach audiences and affect them in some way, encouraging consent should be one of those things. Depicting such a madness on screen makes my rolls right to the back of my head and speaks for the entire society behind the modelling and fashion industry; a society run by men who can do what they like with or without consent. Though the wellbeing of Andy wasn’t in imminent danger, I felt Christian Thompson as a character to be a representation of those in the fashion industry who take advantage of women because of their status and so called connections. No more of this please!

Andy has a transformation a little later into the film, a concept that we thought had been left in the patriarchy trash can, but quickly emerged in Debby Ryan’s Insatiable (2018). Lasting only 2 seasons from 2018-19, the Netflix series followed Patty Bladell who gets afforded niceties and respect after she loses weight and becomes a “hot girl”. The show was created by Lauren Guissis based on an article about a (male) Pageant Guru who tells women how they can become pageant queens for a small fee...EW. The fact that such a show got picked up in a day and age that was beginning to open up to body positivity and more inclusivity in the media, the show was insensitive to its current surroundings. 

This same “ugly duckling” transformation isn’t something new or old apparently, with the one in The Devil Wears Prada being one of the least progressive moments of the film. Now that Andy looked like she could work at Runway, somehow she was working a lot better at Runway and was being afforded privileges she didn’t get before her new haircut. Is this the message we want to send out to the world anymore? That in order to get a one up in life, all you need is new clothes and better make up skills? Of course, glo ups can be fun but the purest, healthiest form of a glow up comes from within.

A tiring cliché that “beauty comes from within” but one that makes a lot of sense and something I experienced in my mid teens. Having never experienced male validity or the feeling of desirability, once I began to believe I was beautiful on the outside, others began to notice, because they could read the confidence and self worth I had from my outward energy. An energy that can’t be felt beyond a face tuned Instagram picture. Beauty can be an energy as well as a look and had Andy embraced this more and rejected the passing comments people made at her, it would have taught us that one doesn’t have to conform in order to be respected. On the other hand, I don’t want to shame nor blame her as conforming to societal standards as for most women ,it’s an act of survival, to secure their places in certain spaces, with Andy being no expectation. A sad reality that a woman may have to wear makeup in order to stay in people’s good books, but a choice that should be discussed as opposed to shamed. 

I truly could go on and on about the harmful stereotypes and implications of The Devil Wears Prada and it's sad, yet true similarities to the real fashion industry of today and the mid 2000s. It was and still is cut throat, with many models developing eating disorders, low self esteem issues and even substance abuse due to the mounting pressures of trying to reach perfection. A perfection that doesn’t exist seeing as the fashion and modelling industry alters their version of perfection every single day. I’m glad that by the end of the film Andy ditched Runway in favour of living a more healthy and truthful lifestyle, one that wasn’t swapped in ridiculous pressures and the threat to conform or else leave. Which she did in the end. Miranda isn’t a devil, but a force to be reckoned with in a world that is ready to make her feel lesser than herself because of her gender. I hope to never see such a film like The Devil Wears Prada, ever again, in a world that no longer needs this sort of film to represent the strengths of women. It's best left in 2006 and hopefully you’ve learnt something you’ve never thought about from this in depth analysis. 

[crazycookiemaniac]

Omg why are you losing so many followers youve been drawing gay shit for forever??? (Or maybe i as a gay was just interpreting it that way)

Because I literally spammed people every day for one week lmao. And also, a lot of people follow others for specific content. The moment I stop drawing that exact thing they followed me for, they unfollow me. There are also accounts that follow just to make you follow them & if you don’t, they unfollow you after a while. There’s people who followed me for haikyuu & weren’t interested in BC content, and there were people who followed me for BC content but got showered in gay art instead and that was not their cuppa tea. 

But mostly, i start appearing on people’s feed the more I post. So having me post incessantly for one week made me show up on feeds that I hadn’t shown up for  a good while, so there were probably people who forgot they had followed me in the first place & me posting was a reminder to unfollow.

Truthfully, follower counts are dumb. Yes, it is important for you to have a high follower count for you to get attention, but the amount of people actually following you if you don’t have a consistent art style & rarely ever post something with different vibes than your usual ones, is equal or less than 1% of your total amount of following.

My instagram tells me I have 43k. I do not have 43k people following me. I’ve had 43k that once saw my account & pressed the follow button, but their feeds are filled up with other people’s accs that interest them more than mine (as well as my own feed does not show all the content of the 200+ something people I follow, unless I scroll down till the depths of hell to find every single post on that day and then do so on the next day as well).

Essentially, 95% of your followers are there because of content. They want to see what entertains them. Most of them don’t care about the artist and don’t interact with them at all. Many of them are scared to, given the high follower count. Social media & big accounts make people forget that there are other, real, living & breathing people that are behind them all.

So, to many, I was just a random artist they found and “lol”ed at one of my comics & pressed follow without thinking about it. Most of them don’t go to my account and see all other art I’ve posted to see if they actually like what I do, or me as a person and as an artist at all.

People who don’t know this get really discouraged when they don’t earn a lot of followers, or when they lose a lot (like I did). And some people think you gotta have hundreds of thousands to be famous. I’ve seen accs going around that paid for ads, that had over 150k followers and less than 1k likes on their posts.

Truly famous, loved, growing and/or steady accounts have an amount of likes per post proportional to their follower count. For example, if someone has 150k followers, most of their posts will vary from 20k to 100k likes.

When I was growing my account because I hopped in the fandom bandwagon and stupid little me didn’t know that would only make me crash later, I had like 20~30k and some of my posts reached more than 20k likes (because people liked my stupid comics). Nowadays, I’m not part of the fandom that made me grow anymore. I’m part of a very underrated one (Black Clover), as well a I am drawing a very underrated ship (LuGna) that above all else is getting hated on. I have everything against me in this, so it’s no wonder I lost so many followers.

They didn’t wanna see gay art. They didn’t wanna see Black Clover. They didn’t even know what the fuck was going on. Not everyone paid attention or kept up with my warnings. Despite me explaining multiple times in multiple posts what the Thunder Flames project was about, a lot of people still didn’t know what I was doing that for.

The thing about being a big follower count is that, unless you’re actually loved for what you do (and to do that, once again, I need to emphasize that you need to keep a steady rhythm, a steady vibe, a steady you. Because people follow you for your first impression on them, and you gotta keep up to that first impression if you wanna keep your followers.

I’m unsteady. One look at my gallery and you’ll see how disorganized everything is. Oh, lookit, a 1 min speedpaint of a random drawing I did on an old piece of paper! And right on the left there’s a stupid random comic I did–on the right there’s this super detailed, shaded drawing I’ve done that actually looks terrible to me and I will 100% archive it later, and then there’s B&W mixed with gray shaded, flat colored and fully shaded characters of different fandoms + OCs from commissions and whatever else. 

The thing is, I made my follower count based on a fandom, and now that I’m not there most of that follower count does not have me on their feed. And most of them do not want me on their feed. Now, I’m trying to build a follower count for who I am as an artist, because the few people who have actually stayed and followed me throughout the years know how inconsistent I am in terms of art style, fandoms and everything else.

A solution to this would me either keep creating/posting the same thing all over again (just in different patterns), or creating original content (which I do plan on doing at some point). But for now? Since my follower count does absolutely not reflect on how many people actually like me and/or my art, I’m going to be as chaotic as fucking ever and do whatever the fuck I want.

So yes, I do find it comical that I lost 1k followers over this and am not fazed in the very least, especially because I literally foreshadowed losing 1k and hit the fucking jackpot.

The only reason I’m talking about this at all is because 1- it’s impossible not to notice my follower count decreasing, especially because every new 1k I thank people publicly through stories; 2- some people were actually worried I was upset over it and I have to 3- show that I am not, while simultaneously trying to show people that just because you’re losing followers doesn’t mean you have to stop doing what you want to create content to please people. It doesn’t mean you should be upset, and it doesn’t mean that what you’re doing is bad or wrong.

It means you’re fucking renewing your followers & you’ll now grow for what you’re trying to grow for, bitch. That’s what it’s all about.

Obviously, people do take a great risk doing this. I am taking a great risk doing this. I could’ve lost 5k, I could’ve lost 10k. But I only lost 1k! And that’s because I believe in the project I worked on; I knew there were people out there who enjoyed what I was doing and it’s on them that I was focused on. On the people who supported me AND my art, not just that one single funny comic post I did 3 years ago.

This answer is 100% a lot longer than what you could’ve possibly expected for and I am typing this while being awake for more than 24h so I’m sure that I’ve repeated myself a lot and that there are a lotta typos or w/e and I apologize for that!! But I’m too lazy to go back to read everything over & turn this into a neat post & I’m pretty sure I could answer your question in the first paragraph.

Oh and also. Yes. Yes I have been drawing gay shit ever since I’ve become an artist because I’m so fucking pissed at the lack of canon gay content in a way that it’s depicted as a normal fucking romantic couple instead of having eeeeeeeeveryone point their finger to the gay couple and scream “HEY THAT’S GAY!!! THIS CAN’T BE PART OF THIS VERY HETEROSEXUAL SHOW WHERE EVERYONE IS OBVIOUSLY HETEROSEXUAL EVEN THOUGH NONE OF THE CHARACTERS HAVE EVER SAID THAT EXPLICITLY BECAUSE WE KNOW THAT THE CREATORS ARE EITHER HETEROSEXUAL OR TOO AFRAID TO LOSE AUDIENCE IF THEY TREAT GAY PEOPLE AS NORMAL PEOPLE!??!! WHAT SORT OF ABSURD NONSENSE IS THAT??!! GAY PEOPLE AREN’T NORMAL!! THEY’RE GAY AND THEY SHOULD HAVE A GAY SHOW JUST FOR THEM IF THEY WANNA GET SCREENTIME” and yadda yadda yadda.

I’m tired of this bullshit. Ever since I was an artist I’ve been rooting for gay ships in shonen manga while knowing they would never happen just because they were gay, and now that we are in our Blessed-By-Satan, Pandemic-Chaotic, What-The-Fuck-Is-Going-On, We-Don’t-Know-If-We-Wanna-Go-Back-Or-To-The-Future-Or-Just-IDK-Fucking-Die year 2020, in which the LGBT community is thriving and being louder than ever to fight for our rights, Me, in my twenty four years of fucking age, having gone through several fucking disappointments ONLY regarding this matter, am sitting here on my ass, hopeful as all galactic, glittery shit that for some fucking reason, my new OTP formed by very underrated characters from this very underrated franchise in the southern and western communities, becomes canon because my stupid eyes can see chemistry between them even though those stupid haters’ can’t. But that’s because they’re stupid and homophobic, and they really should just shut the fuck up. I don’t wanna dream, I want to believe. Let a bitch pray in peace.

But even if I’m getting ready for disappointment, I’m gonna make this project happen and I’m gonna have a shit ton of artbooks from this Thunder Flames project inside my fucking garage if no one wants to buy them. But I am going to invest a shit ton of money in it and I am going to have these artbooks come to life. Because I am spiteful and petty and homophobes should shut the fuck up, and I wanna do what I wanna do bc as an independent artist, I’m building my future with my own two, very toned and buff by now from all the drawing I did, hands. 

God fucking damn it.

Jesus christ I’m just rambling at this point, I’m so sorry. If anyone ever reads this out of context people are going to be so confused.

But that’s fine. They won’t. You know why? Cuz I got almost 11k followers here on tumblr but less than 0.5% gives a shit that I’m here, so I’m safe.

Have a nice day, drink your water and fuck homophobes. Peace

[calpalirwin]

Meddling

Summary: Every story’s gotta start somewhere

A/N: The (way more detailed) origin story nobody asked for because after reading @cxddlyash​‘s spin on the end of this story, I wanted to rework some of it on my end.

Content: Take a wild guess

Word Count: ~4k

And away, and away we go!

__

Caroline Bennett placed a sneakered foot on the rung on her dolly cart, shifting the weight so she could wheel it into the venue. “Merch booth, merch booth, merch booth,” she muttered under her breath as a way to keep her focus on the task at hand rather than how weird it felt to be walking through an arena meant to house far more people than it currently did. If she had to take a guess, there were maybe 50 people or so in the building, compared to the 5,000 that would be pouring through the doors in a matter of hours. But she didn’t care about the 5,000 people because she’d be long gone by then. Right now, her only focus was finding 1 out of 50, because god damn it, how hard could it be to find the fuckin merch table?!

“You’re not Nate,” an accented voice questioned, almost making her lose her grip on her cart with how close it was to her. 

“Jesus!” she exclaimed, hurrying to adjust so the boxes didn’t go flying everywhere. Because that would be what she needed, to spill merchandise all over the place on her first day.

“Somehow I doubt that,” the voice said again, and she could hear the smirk before she saw who it belonged to- a boy, well man, she supposed, of about her age and about a foot taller. Soft brown curls were tightly contained by a bright-red bandana he had plastered to his forehead. If that wasn’t a dead-giveaway as to who he was, the drumsticks in the back pocket of his black skinny jeans sure were. Know everybody’s name, from the top to the bottom, her dad had taught her. “Wanna try again? It’s simple really. I say ‘hey you’re not my regular delivery guy.’ And then you go, ‘No, I’m,’ and then, here’s the crazy part. You tell me your name. And then I tell you mine, and well… you do know how meeting people goes, I hope.”

“Just point me to your promo team,” she scowled.

“Ashton Irwin, at your service.” He did a mock bow, somehow smirking even wider. 

“You’re not the promo team.”

“And you’re not Nate, merch girl. But you clearly do your research.”

“I’m good at my job, you mean.”

“That’s still to be decided. Seeing how it’s your first day and all. C’mon, follow me.” He started to lead her towards what she assumed would be the merch table. “So, how old are you?”

“Nineteen.”

“Oh, so you’re the same age as my bandmates. Well, almost. Two of ‘em are nineteen. Luke’s still eighteen.”

“Yeah, I know.”

Ashton laughed. “You’re smart. I like that. You single, merch girl?”

“How is that any of your business?”

He held up his hands defensively. “Just making conversation, shit. If you’re in charge of our LA deliveries, then you’re gonna be seeing an awful lot of me.”

“I was told I wouldn’t be dealing directly with bands.”

“Yeah, normally. But we like to make a lot of our merch so I try to know as much about it as I can.”

“Mmm, and the rest of your band?”

“They’re around. Why? You happen to fancy one of them more than your dear friend, Ash?” He pouted his lips at her. 

She rolled her eyes. “I don’t know which is the bolder assumption. That I fancy you, or that we’re friends when you don’t even know my name.”

“I would know it if you told me, merch girl.”

“It’s Caroline.”

He grinned, and if he wasn’t so infuriating, the dimples in his cheek and the lights bouncing off his hazel eyes would be downright swoon-worthy. But good God, he was annoying. “You can drop this stuff right here, Caroline.”

“Thanks,” she muttered, setting her cart upright and reaching for the top box.

“Not a problem,” he said, grabbing the box underneath hers to help her unload faster.

“Did I make you mad or something?” he asked after they unloaded in total silence.

“What?” she asked, as she double checked the order form against the boxes. “No, I’m not mad.”

“Okay. Cuz I wasn’t joking earlier. Like if you’re on our account now, you will be seeing a lot of me. And I don’t wanna make you uncomfortable or anything. But stiff professionalism never really spoke to me. So I’d much rather if we could try to be friends, you know?”

“I can be your friend, Ash. I just can’t be more than that.”

Ashton chuckled, “Damn, you sound a lot like Luke.”

She arched an eyebrow in a silent question. 

“Not that way!” he rushed, his cheeks flaming. “I meant that he’s also told me he doesn’t want to focus on a relationship right now. Which kinda sucks cuz thinking about it, you two would work really well together.”

“You hardly know me…”

“Call it instinct then, Miss Skeptic.”

“I think I liked ‘merch girl’ better. Here,” she thrust the order form in his chest. “Sign this.”

~~~

~Three Years Later~

“You seriously want more of the black hoodies than the white ones?” Caroline asked as she looked at the computer screen.

“Yes,” Ashton told her and she could hear the eye roll. “People like black.”

“People are also gonna like the white ones, especially when they see you modeling it,” she told him.

“Aw, you flatter me,” he deadpanned. “Who calls the shots here?”

“Fine, fine,” she said, punching in the right number for his order. “But don’t come crying to me when you get stuck with shit you can’t sell.”

“When have I ever?” he gloated. 

She sighed. He was right. The drummer knew his audience in terms of what they liked and which items were more popular. And all she had was a hunch.

“Hey, how’d that date with… uh… fuckin hell what was his name…” Ashton fought to remember the name.

“Brandon,” Caroline reminded him. “We broke up like three months ago. Guy was a dumbass. Where have you been?”

“Making an album and planning new merch for a tour. Why was he a dumbass? I thought you liked him.”

“I did, up until he turned into every other guy, Ash. He thought my job is so fuckin sick until he saw that I’m actually friends with you other dumbasses, and then I turned into a groupie all of sudden.”

“That’s fuckin disgusting.”

“Yeah, tell me about it…”

“So what you need is a guy who gets it.”

“Ash, for the last time, I’m not going out with you,” she joked. 

“Okay, 1.) Ouch. 2.) I’ve never asked you out so what the fuck do you mean ‘for the last time’? And 3.) I don’t mean me, although I’m flattered you think of me that way.”

“I don’t think of you that way. I don’t think of you at all actually.”

“Ha-ha, you’re hilarious. I see why all the guys are beating down your door.”

“Oh, fuck off!” she laughed. “But yeah, you’re right. I do need a guy that gets it. Problem is, I keep ending up with guys who are only pretending to get it.”

“Well… I might know a guy.”

“Oh, do you?”

“Yeah. Luke. About giraffe high. Blonde hair, blue eyes. Killer front man.”

“You mean the one who wasn’t looking for a relationship because he was working on himself?”

“The very one!” Ashton applauded her memory. “Look, I wouldn’t suggest it if I didn’t think it would work out. I wouldn’t fuck with you both like that.”

“Yeah, I know, Ash. And I appreciate you looking out for me, I do.”

“So…?”

“You know me, Ash. If he asks me out, I’ll give him a fair chance.”

“Cool. You’re still making deliveries right? Or did they finally get wise, and promote you?”

“They promoted me. I’m in charge of your account now, along with a few others.”

“Nice! Although, that kinda puts a damper on you and Luke meeting. I was counting on that delivery next week. Damn…”

“Oh, I’m still making deliveries. It’s weird though. See, I got the promotion, but then my boss said I was still requested to do deliveries for one of my accounts. You wouldn’t know anything about that would you?”

“Not a damn thing,” he lied through his teeth. “But, that’s good. Must mean the promo team likes you.”

“Yeah, ‘promo’ team.”

“So, see you next week?”

She laughed. “Yep. See ya Ash.”

~~~

“Luke, mate, you gotta sign those posters,” Ashton said, stirring Luke in the direction of the merch booth, knowing Caroline would be there any minute.

“Alright, I got it!” the blonde huffed at his friend, stepping to walk beside Ashton so he’d stopped getting shoved forward. “Geez, what’s the big deal?”

“The big deal is, there’s a girl coming later and if you don’t ask her on a date, I’ll never hear the end of it.”

Luke stalled, turning to face his friend, eyes wide. “You promised someone I’d ask them out?! Without checking with me first?! Ash…”

“Relax, mate. You’ll like her, I promise.”

“I’m gonna fuckin kill you, is what I’m gonna do,” Luke threatened.

“Kill me, and you’ll have to find another drummer. And that would suck on such short notice. Might have to cancel a show, maybe more, while you guys get a replacement. Really bad for business.”

Luke glowered.

“Just trust me, okay? Just ask her on one date. One single date. That’s it.”

“This better be one hell of a girl…”

“Oh, she is. Don’t worry.”

As Luke stomped off to sign posters and await this girl he was supposed to ask out, Caroline walked confidently through the near empty amphitheater, a feeling she had really come to enjoy. There was something calming about walking silently through a place meant to be packed tightly with bodies with music so loud you could feel it in your bones. The calm before the storm, as she’d come to view it.

“Merch order,” she said, walking right up to a booth with a single man behind it. His blonde curls covered his face, a stack of posters beside him and a Sharpie resting delicately between his fingers. She rolled her eyes immediately. Ashton was going to pay for this one way or another.

Luke didn’t look up as he scrawled a loopy autograph across the poster at the top of the pile, setting it aside before repeating the same practiced scribble. “Can leave it right there,” he said, curls shifting across his forehead as he nodded over his shoulder in indication of where she could put the boxes. “What’s the order?”

“You don’t know what you ordered?” Caroline asked, grabbing the top box from her dolly cart and dropping it in the ground with a thump! She knew he didn’t. In three years, she’d never once crossed his path. God, what had Ashton been thinking?

“Not part of the promo team. I just get told to sign the posters.”

“Careful not to get a hand cramp there, rockstar,” she teased, dropping another box. 

Her comment was enough for the blue eyes to snap over in her direction. He swore under his breath, pushing his chair back and standing up to his full height. “Shit, here. Let me give you a hand with those.”

“Oh, it’s fine,” Caroline tried to brush him off, but their hands were already knocking into each other as they both reached for the next box. Caroline’s cheeks flushed as she dropped her hands, letting Luke grab the boxes as she instead busied herself with the itemized order form on her clipboard. “So, it’s a box of extra large shirts. 1 box of large. And a half and half box of medium and small. All men standard sizes.” She could hear the slight shake in her voice and she was definitely going to murder a certain drummer for this occurrence. 

“A box of the black hoodies, in various sizes, and then a last box of random odds and ends. Keychains, pins, CDs, the sorts,” another voice finished as a man with brown curls cut closer to his head than the blonde’s spoke up behind them. Just the man she was looking for. “Thanks, merch girl.”

“It’s Caroline, Ash. How many times do we have to go over this?” Caroline said as she turned on her heel, arms opening to hug the man. “I’m gonna fuckin kill you,” she whispered low in his ear. 

“Good to see ya too, love,” Ashton chuckled, accepting the hug.

“You two know each other?” the blonde man asked, an eyebrow arched in confusion.

“Yeah, Care’s been handling our merch for years. Have you two not met? Luke, Caroline. Caroline, Luke.”

The pieces clicked in Luke’s head, and he would have loved nothing more than to wipe that all-knowing smirk off Ashton’s face. He noted the way Caroline’s own fingers curled, like she was itching to do the same. And damn it all to hell, wasn’t she cute with her polo work shirt tucked into her blue jeans, and her brown hair pulled up in a ponytail, with little escaped strands framing brown eyes that snapped like fire as she glared up at Ashton? If this was the girl he’d be promised a date with… well shit… to say the pressure was on was definitely an understatement. 

“Yeah, I know who he is, Ash. I’m not blind. But nice to officially meet you, Luke,” Caroline spoke first, opting to be polite. After all, Luke had helped her with the boxes. And he was pretty damn cute up close and in person. 

“Pleasure,” Luke smiled, extending out his hand.

“Alright, if I can just get one of you to sign off on this…” She switched back into work mode to distract herself from how pink her cheeks were under Luke’s gaze.

“I got it,” Luke said, holding up his Sharpie as evidence.

“And maybe you can convince this one to order more of the white hoodies because those are going to sell better than your black ones,” she joked to Luke.

Both of the men laughed while Ashton scoffed, “Is that so?”

“Yep. Matter of fact, grab me one in medium.”

“Small,” Ashton corrected as Luke started ruffling through the stack of white hoodies.

“Lady said medium, Ash,” Luke said, handing Caroline the hoodie.

“Ooo, I like this one. He listens,” she smirked at Ashton who rolled his eyes playfully in response. “How much are you charging for these things?”

“$55,” Ashton answered. 

“Highway robbery!” Caroline told them, digging into her back pocket anyway.

“Don’t worry about it,” Luke said, his fingers brushing against her arm as he tried to stop her. “It’s on us.”

“Yeah,” Ashton agreed. “No one’s gonna notice if those ones go missing anyway, cuz I’m telling you, nobody’s gonna want one.”

“Well I want one, and that should count for something. I’ll throw an extra hoodie in the next order, and we’ll call it even. How’s that?” Even though her words were directed at Ashton, she looked right up at Luke, almost daring him to ask the question all three of them were waiting on. 

“How about a date instead?” Luke blurted out the magical words, and Ashton had the nerve stifled a laugh at his friend’s outburst, like he hadn’t orchestrated the whole thing. 

Caroline kept Luke’s gaze, pushing a copy of the itemized order form into his chest. “You’re on, rockstar.”

~~~

“You know, I’m really glad you said yes. I didn’t think you would,” Luke confessed, fingers tugging nervously on the curls at the back of his neck. “I mean… I know Ash sort of forced both our hands. But you still could’ve said no, ya know?”

Caroline smiled over at him. “And miss out on all of this?” She gestured out to the city lights blinking in the distance. “A midnight picnic overlooking the city. Gotta say, this ranks pretty high on my list of first dates.”

“Really?”

“Oh, yeah,” she nodded, leaning back on the palms of her hands. “Plus my date’s pretty fuckin’ cute.”

“I’m glad you think so,” Luke chuckled. “You look stunning by the way. Don’t know if I told you that.”

Caroline blushed. “You did, when you picked me up. But, thank you.”

“You’re welcome. Shit, sorry I’m so nervous. I just… I’m having trouble getting out of my head I guess.”

“Because of Ash?”

“Yeah. I mean, I’m glad we’re here and all. Like you seem really nice. And you’re really cute. But…”

Caroline’s heart dropped. She had just been on the brink of forgiving Ashton for his meddling in the first place. But if his friend left her crying on the cliffside, she’d put that man six feet under if it was the last thing she did. “But what?” she forced herself to ask. 

“Was worried you’d say no. Ash meddling or not, you’re still a woman with free will. You didn’t have to say yes.”

“Just like you didn’t have to ask me.”

“Why wouldn’t I ask you out?”

“Why wouldn’t I say yes?” she countered.

“We talked for maybe like what? Two minutes? And… I dunno. I know Ash is the one who pushed us both into this, but… you guys seem close. Shouldn’t this be you guys?”

Caroline shook her head. “Nah, Ash and I get along, sure. But no. I, uh, have that problem a lot, actually. A lot of rock bands are made up of men, and I supply a lot of rock band merch. People, guys especially, seem to take that the wrong way a lot of time.”

“N-no, I- I didn’t mean it like that. I’m not… I don’t see a problem with…” Luke fumbled over his words.

She laughed softly, moving one of her hands to rest it over his. “No, I know what you mean. Ash is your boy. You didn’t want to feel like you were swooping in on his girl, even if this was his idea. And that’s sweet of you. But, I am a free agent who can go on as many cute dates with as many cute boys as she likes.”

“How about as many cute dates as you like with only one cute guy?”

“Ooo, I dunno. He’d have to be pretty fuckin’ cute,” she flirted.

His eyes were soft, his touch softer as he leaned in for a kiss that sent shivers down her spine. “I’ve been told I’m pretty fuckin’ cute,” he murmured against her lips, his own quirked up in a smile.

~~~

“Merch girl!” Ashton chirped over the line. “You coming to the party on Friday? Lover boy misses you something awful.”

“Of course I’m gonna be there, Ash,” she laughed. “Lu asked me last week.”

“Well damn. What do I bother calling you for anymore now that you have him?”

“To bother me because that seems to be your favorite pastime? And you can’t be mad that your meddling worked, Ash. Wasn’t that the point?”

“Yeah, I’m happy for you guys, truly. But also kinda scared because now there’s two of you to plot revenge.”

“Oh, no fair! I didn’t know plotting revenge was an option!”

“Ha-ha, hilarious. Seriously, how high should my guard be up for this party?”

“If you want me to return the favor of meddling in your love life, all you need is ask.”

“See, I’ve seen the people you pick out for yourself… so, lemme think… yeah, hard pass.”

“Suit yourself. I’m still bringing my friend along. If I can persuade her to come, that is.”

“Ooo, shy friends. Those are always fun.”

“Oh, so you do want to be set up!”

“I didn’t say that. All I’m saying is that I happen to be a very, terribly so, single man. And if I so happen to be introduced to a pretty girl, I’ll take it from there.”

“Well I’ll see what I can do about getting that pretty girl to the party, then.”

~~~

“Oh, will you come on?” Caroline asked, exasperated as her friend Britt sat on the edge of her bed, picking at the skin around her fingernails.

“I don’t want to be a third wheel, Care.”

“You’re not gonna be a third wheel.”

“Is Luke going to be there.”

“Yes.”

“Then I’m a third wheel.”

“Oh, c’mon! There will be plenty of other people there, too. Maybe even the man of your dreams. But you won’t know that if you sit here, so c’mon!”

“I’m not like you, Care. I don’t go to work and come home with a husband.”

“Okay, 1.) Luke is not my husband. We’ve been on like maybe four dates. And 2.) it’s a good thing this is a party then, not a delivery.”

Britt let out a long sigh, weighing her options. “Better be some cute fuckin guys at this thing…” she muttered finally.

“Oh, there will be,” Caroline smirked. It wasn’t technically meddling if she just introduced Britt to Ashton. Wasn’t like she was promising Britt a date with the man or anything crazy like that.

~~~

“Merch girl!” Ashton greeted, spotting Caroline as her and Britt walked in.

“Hey, Ash,” Caroline said, giving the man a hug. “Missed ya guys.”

“Missed ya too, Care. But not as much as lover boy, over there.” He jerked a thumb over at Luke who was quickly pushing past people to get over to where they were. “Who’s this?” Ashton’s hazel eyes flickered over to Britt.

“This is my best friend, Britt. Britt, this is Ashton.” Caroline matched Ashton smirk for smirk. 

“And I’m Luke,” Luke said, wrapping his arms around Caroline and pressing a big kiss to her cheek. “Missed you, baby,” he whispered low so only she could hear.

“Let’s get you girls something to drink. C’mon.” Ashton led the way deeper into the party. “So, how’d you meet Care?” he asked Britt.

“Kids,” Britt squeaked.

Caroline laughed. “We’ve known each other since we were kids,” she elaborated.

“Mmm. Well, any friend of Care’s is a friend of ours.”

Caroline wasn’t sure her friend’s cheeks could get any darker under Ashton’s gaze. She had to hold back bewildered laughter of how well this was going already, while wondering if this was how Ashton had felt watching her and Luke interact for the first time. Like you had inside knowledge on a love story that hadn’t been written yet. 

“So, what’s the deal with your friend?” Ashton asked Caroline later on in the evening.

“Why? You interested?” Caroline teased.

He scoffed. “I don’t think I’ve heard her speak, she’s too busy blushing.”

“I told you she was shy. And she’s also out of her element here. But yes, she is single, if that’s what you’re asking. Which it is.”

“I said I didn’t need to be set up, Care.”

“I never said I was setting you up, Ash. I just happened to introduce a pretty girl to a very, terribly so, single man.”

Ashton chuckled. “You’re devious, you know that?”

“That may be so. But you’re both my friends. All I did was introduce you guys to each other. Something that was bound to happen sooner or later. What happens next is up to you and her. Although, for the record, I think you’d be pretty cute together.”

“So you admit you’re setting me up with your friend?”

“Just like you set me up with Luke?”

“Oh, I fully accept responsibility for that one. Worked out great, don’t ya think?”

She laughed. “So clearly you’re the one with the matchmaking abilities. So go on. Go make your match. Get out of here, and go talk to her!” she laughed more, pushing at his chest.

“Tell that to Britt,” he called out over his shoulder.

“What was that about?” Luke asked, coming up with new drinks and handing one to her.

“Oh, I was just telling Ash to go talk with Britt some more.”

“Mhm, cuz you're setting him up with her just in a less in-your-face way.”

“I am not! I brought Britt along because I thought it’d be fun for her.”

“Sure ya did.”

“Okay, maybe I did mention something about there being cute available guys to persuade Britt to come with me. And maybe I did mention to Ash I was bringing her. But, you gotta admit that they would make a cute ass couple.”

Luke nodded in agreement. “But not as cute as you and me.”

“Thank God for Ashton Irwin, huh?”

“That meddling bastard.”

__

Tag List

@frontmanash​​ @goeatsomelife​​ @flameraine​​ @creator-appreciator​​ @cxddlyash​​ @1-irwin-94​​ @sparkling-calm​​ @tea4sykes​​ @youngblood199456​​ @5-seconds-of-obsession​​ @gosh-im-short​​ @aquarius-hood1996​​ @talkfastromance4​​ @itjustkindahappenedreally​​ @philthepegacorn​​ @boomerash​​ @teenwolfss24​​

[linernotesandseasons]

My 20 Favorite Albums of 2020

MY 20 FAVORITE ALBUMS OF 2020

LISTEN HERE!

       2020 has been a long year. A year full of unrest, darkness, death, depression, & a global pandemic. In 2020 I turned to these songs & albums for comfort. I gained 20 new favorite works of music that I will hold onto for the rest of my life. I have been making this end of the year favorite albums list since 2012, so this is my ninth annual list! For this year, I talked about where, when, & why I fell in love with the following 20 albums. These are the albums that I used to mark Time & Space this year. These are the albums that I will return to and remember the chaos, calm, & comfort of 2020. I also made a 60 song Spotify playlist with a few songs from each album (two of the albums aren’t available on Spotify) that you can listen along with HERE! Ok, here they are, in no particular order, my 20 favorite albums of 2020!

ANGELICA GARCIA   /   Cha Cha Palace

       Angelica Garcia’s dynamic, groundbreaking sophomore album Cha Cha Palace was released on February 28, 2020 to a pre-COVID America. On that Friday I had dropped off my ballot for a local Colorado election and went to Larimer Lounge and saw Seratones play a sweaty rock show. I had no idea what was coming or what was about to change. Cha Cha Palace bookmarked my next couple weeks of waiting, and the CD lived in my car for quite a few essential-worker-commutes through a shut down, sheltered Denver into the Spring. Fittingly, Angelica Garcia’s bombastic, authentic energy is where we begin my list of my favorite albums of 2020.

       If you listen close to Cha Cha Palace, Garcia will tell you a lot about her roots. For starters, she duets with her mother Angelica Maria Garcia on the traditional, vocal swirl of “La Llorona” (”The Weeping Woman” from the 1940′s) and also her grandmother Filomena Garcia with a darker, more foreboding take on “La Enorme Distancia.” Roughly translated “The Enormous Distance” is a Mexican folk song originally by Jose Alfredo Jimenez, the king of Ranchera (Mexican Folk music) in Mexico in the 50′s & 60′s. Garcia proudly weaves her Mexican & Salvadorian roots into all the colorful corners of Cha Cha Palace, but it is on the standout, song of the year contender “It Don’t Hinder Me” where she truly gives you a glimpse into her youth growing up in East LA & then Richmond, VA (Richmond’s Spacebomb Records released Cha Cha Palace!) Over one of the crunchiest, wailing-est electric guitars you’ll find on this list, Garcia lets her vocals flutter & soar as she sings about being a kid; peeling mangos in the kitchen, being yelled at to make your bed, dogs in the street, jaywalking to the corner store with your cousins, peering through a chain-link fence, a backyard party playing “Suavamente,” feeling left out, alone, or alienated. Garcia stands up for the kids in America who look & feel like her, like they don’t belong. With her lyrics and her voice (seriously listen to this album, she can really sing) shutting down haters at every turn “But what they say now - It don’t hinder me! It don’t hurt!” Elsewhere, Garcia uses that powerful, elastic voice to drive the bouncy, laugh out loud funny “Karma the Knife,” the looped, rhythmic “Agua De Rosa,” and personal favorite (another song of the year contender!) “Lucifer Waiting.” Riding a thumping synth line, twinkling keys, a great low-end bass, and her own yells & yelps; Garcia lets her enunciation take the song places. The way she draws out the “Luuuuucifer” and the way she stacks up “waiting in the cooorrrrnnneerrrr.” Cha Cha Palace is a masterpiece and Garcia’s vocals & rhythms will take you on a journey through Mexico, Salvador, & Virginia, before ending up right back in east LA where, as Garcia would put it “In American identity, there is no one face.”

       “Born of the bones from under east LA / Cultura Chicana is alive today / I want some freedom with my pan dulce / Been wearing my roots & flying this flag / I see you but you don’t see me / Jicama! Jicama! Guava tree / I’ve been trying to tell you but you just don’t see / Like you I was born in this country...”

ANJIMILE   /   Giver Taker

       I was late to the party on Anjimile, but Giver Taker has been a comforting companion during the last few tumultuous months of 2020 here in Denver. Part of the allure of Anjimile (full name Anjimile Chithambo, but they release music as simply Anjimile-emphasis on the “Jim” please) is that these songs have been growing and being rebuilt & remade for quite some time, much like the maker themselves. Billed as a debut album (out on Father Daughter Records-I went ahead and hit for the cycle, that’s what I call buying the vinyl, CD, AND cassette!) many of the songs on Giver Taker have been around for years, solo versions & demos Anjimile recorded by themselves, found here fleshed out with gorgeous, layered production & instrumentation. Chorally trained, Anjimile’s distinctive voice drives these songs, at times stately & elegant (like in the measured “1978″ and the blooming “Your Tree”), but with the capability to be sultry & charming like on the bouncy, effervescent “Baby No More.” The instruments on Giver Taker are lovely; horns, strings, reeds, banjo, congas, all played by a full cast of collaborators. Much like Angelica Garcia wearing her roots on her own 2020 album (see above!), Anjimile’s roots are found all over Giver Taker. The gorgeous album cover painting has a background of sugarcane plants, native to Malawi (where Anjimile’s family is from) and behind that, the river from “The Lion King” (one of Anjimile’s favorite films!) “Maker” deals with Anjimile’s spirituality, and the idea that, as they put it... 

"The realization that just as I could build my own sense of spirituality & build my own faith and relate to a God of my understanding, I could do the same thing with my gender and my sexuality. And that's what I did.” 

       In “Ndimakukonda” Anjimile sings in their parent’s native Chichewa, and powerful closer “To Meet You There” sticks with you long after the album ends. From a gorgeous finger-picked opening, the stage is set.  A hurricane off the coast of Florida, a queer, trans kid searching from Texas to Florida to Boston for the truth. Simple words about the end, or maybe the beginning. Then the song swells with drums & strings & horns and transports you away from any of those states, dancing through clouds & waterfalls, maybe with Zazu & Simba & Nala. Voices swell, singing along with Anjimile, lifting up praise “I celebrate your celebration! I revel in your revelation! I holler in your hallelujah! In plain view your azaleas grew!” an inspiring ending to a truly inspirational & exciting album. 

       “After death, after life / I was up half the night / Hurricane never came / Not for me, not again...:

AMERICAN AQUARIUM   /   Lamentations

       There is a point about two minutes and 46 seconds into American Aquarium’s dramatic, title track opener “Me & Mine (Lamentations)” that makes me feel something every time I hear it. The song starts simply enough. A finger picked acoustic guitar (maybe it’s his trademark 1968 cherry red Gibson J45?!) and BJ Barham’s trademark North Carolina drawl singing about blue collar hard luck. The farmers, the coal miners, his grandfather, the hard work, but also the Darkness on the Edge of Town, “unpaid bills, broken homes, & opioid addiction.” The true story of the disenfranchised American South. Another sad one from the king of sad songs. But then... He pivots. The same pivot Barham used to change his life from alcoholic, road-worn, burnout, to his current credo of hard work & effort. A glimmer of hope as he growls “You see me & mine we ain’t the kind to sit around, idle & complain!” With that, a minor note rings out and the song plunges headlong into a true anthem. This isn’t your typical folk/country/pop/flannel/americana whatever bullshit. American Aquarium will punch you in the face with songs about the value of hard work and standing up for what you believe in. The last three minutes of “Me & Mine” explode into fuzzed out electric guitar, signifying that Lamentations (their eighth studio album!) is deeper and more meaningful than anything American Aquarium has done before. Songs about fighting to change your bad habits & addictions. Songs about challenging your parents religion and calling out (and maybe internet shaming!) your racist uncle. From the southern Petty-ness of sing-alongs “Before the Dogwood Blooms” and “Starts With You” (one of the songs I sang the loudest to in my car this year) to the expected sad ones, and even a special, dark one named after North Carolina tobacco (”Brightleaf & Burley”) about the socioeconomic impact of the illegalization of marijuana in the South! Throughout Lamentations rings with American influences, but challenges current American values. 

       This is not a band that I would’ve picked as one of my favorite current bands. It makes sense actually, looking back. I grew up on country radio in western slope Rifle, Colorado. KMTS played Garth, Tim McGraw, Travis Tritt, Toby, Kenny, Dierks, and all my high school friends were gun-shooting, camping, fishing good ol’ boys. Later in college, I fell again for Jason Aldean, Luke Bryan, FGL, etc cuz it was “country.” I always knew that Petty, Springsteen, Fleetwood, & Neil Young were technically better, but it’s hard to deny a good pop-country sing along chorus when you’re four beers deep and riding windows-down on a dirt road. Hell, even Phoebe Bridgers (keep reading-if you didn’t think Punisher would make this list you’re crazy!) sings about singing along to some “America first rap-country song.” (Spoiler alert, she’s talking about how modern country isn’t actually country, and not Lil Nas X. “Old Town Road” rules and i know 100% that Phoebe & BJ & Darius Rucker would agree!). Anyway, back to the American Aquarium mythology. I saw them on a whim, drunk & newly single at the Marquis Theater (holy goddamn do I miss the Marquis and LIVE MUSIC!) back in late Summer 2015. I ordered a Tecate tall boy at the bar (the 24oz kind) and worked my way into a diehard crowd drinking & singing along. Wolves was brand new and BJ opened with “Man I’m Supposed To Be.” I hadn’t been to many small shows like that at that time (been to a couple hundred since!) and I loved how people sang & danced & drank & ACTUALLY SANG! When the Burn. Flicker. Die. songs hit, I was hooked. Over the last five years I’ve had a blast at every AA show and I’ve come to appreciate the value of live, original, independent, rock & roll! I appreciate how BJ encourages us to work hard, get lucky, and GET BETTER! When the time comes (maybe not till we’re all vaccinated and it’s 2022 or whatever) I can’t wait to hear these songs the way American Aquarium intended. I’m going to walk into a dark, sweaty rock&roll club, I’ll order a Mexican beer and a shot of American whiskey, crowd in with people, and I’m gonna sing along to "The Luckier You Get” so fucking loud. 

       “I was born in the shade of a longleaf pine / The proud southern son of Caroline / Proud of who I am & where I’m from / But I ain’t so proud of how far we’ve come... / Down here we’re still fighting for all the wrong reasons / Old men still defend these monuments to treason / To the right side of history, we’re always late / Still arguing the difference between heritage & hate / The only dream that ain’t worth having / Is the one you won’t chase down / They say sing your songs, boy & shut your mouth / But I believe in a better South...”

AMERICAN TRAPPIST   /   The Gate

       There are two specific moments on The Gate that I especially love. If you’ve followed my yearly favorites list at all, you know that Joe Michelini (who fronts American Trappist & fronted River City Extension) is one of my favorite living songwriters. But after the relative lightheartedness of 2018′s Tentanda Via, 2016′s self-titled, & 2012′s Don’t Let The Sun Go Down On Your Anger (miss you River City!) The Gate is a goddamn dark, noisy masterpiece. The guitars are heavier, multiple songs contain 1-3 minute instrumental intros before the vocals enter, and frontman Michelini cuts loose with loud whoops (exclamations? yells? excited moments of pure joy/energy/anger release?!) that are captured perfectly just as the songs hit their respective peaks. The first moment is found on track three, as the laid-back guitar of the backwards-looking “Moses (Revisited)” starts to really pick up. At four-&-a-half minutes, another guitar enters and Michelini starts to quicken his pace. “Have you got something to say?” he asks more urgently, then as the guitars start to really wail “Ask me how I felt, living like I was. My future on the run...” Then he hollers and the guitar explodes into a monstrous solo. Most of the album is contained between that whoop and the next whoop not encountered till track 10. In between, “...Rides Again” recalls River City Extension’s under-appreciated farewell album Deliverance with it’s more uplifting, wandering guitar, and the title track uses a mix of whispery vocals, repetitive falsetto, and an ungodly low baritone to create a vampire-y “Unfresh Dirtwolf” vibe. “Active Recovery” rides a straight forward rock & roll riff and near-spoken-word delivery into a delightfully fuzzy guitar solo. Finally we’ve reached my personal favorite, get on the big train and take a ride with “The Real Thing.” If you’ve paid attention at all, this is a classic American Trappist tune. A repeating, echoing riff, a steady drive, and then three minutes in, the song just jumps the tracks and grows wings. The kind of song that makes me want to be back at live shows. The kind of song that makes me want to be drinking cheap beer at Larimer Lounge, hugging the east wall, sweat & noise & rock & roll, “what if love was nothing like the real thing?...” and then Michelini bookends the “Moses...” whoop with another one, setting it free. The music so energized & electric that I whoop along without realizing it. I wrote a little more about my special connection with The Gate this year (besides for those whoop-alongs!) a Retrospective Anthology Mix I made for myself and The Mix I traded (along with a pair of brand new red shoelaces!) for an advanced copy of The Gate way back in April! Thanks American Trappist! As long as you keep making em, I’ll keep putting em my end of the year favorites list. The Gate is special.

       “I’m decomposing, underreacting / I do the right thing but nothing happens / It is within me / It is within me to love somebody...”

BARTEES STRANGE   /   Live Forever

       The songs on Bartees Strange’s debut album Live Forever carry an instant sense of Nostalgia & familiarity. Maybe it’s the mix of influences that I love (Bon Iver, Fall Out Boy, mid 2000′s emo, pop-rock, & hip-hop etc...!) maybe it’s the way Bartees manages to make those “old” influences sound new, fresh, exciting, and completely at home with his voice & production. Whatever the reason, every time I hit play on Live Forever (usually in the kitchen, beer-in-hand), it feels like an old friend. It feels like I’ve known these songs for the last five years, like they’ve always existed. The way his voice twists around & around, up & down in “Jealousy,” the way the Aaron Dessner-esque guitars & synths stab in on “Mustang” (a nod to Bartees’ hometown of Mustang, OK), and the way “Boomer” wastes absolutely no time with it’s “Aye bruh aye bruh aye bruh” intro. Pure, comforting, exciting magic. 

       Bartees Leon Cox Jr. came up in a band as Bartees & The Strange Fruit. A nod to Nina Simone, a National covers EP (!), and a supercharged debut full length later, here we are in 2020 with Bartees showing up on a ton of end of the year lists. Bartees hails from Washington DC (by way of Mustang, Oklahoma) originally from England, son of an opera singer, lover of music. I am so thankful this album exists in this time and I (and a ton of other music fans get to enjoy it!) Bartees had made his technical debut (a The National covers album!) as a black kids’ response to not seeing enough people of color in the audience at National shows. When it comes to blending his influences, he talks about hip-hop saying “I love how rappers rap about dreams – money & cars & pretty girls & big houses & buying their mom a yacht. Expansive, out of this world, unbelievable shit, & sometimes they get it. It's like this very big Christian principle of like speaking things into existence in a way. When I look at rock music, it's like, ‘I'm sad.’ I'm like, ‘Yo, let's bring a hip-hop ethos to it.’ Like, I want to write rock songs about, like, ‘I want to be the biggest artist in the world.’” Big dreams Bartees, big dreams. I love Live Forever and I can’t wait to see what’s next!

       “To have a life you love but know you’re undeserving / Last night I got so fucked up, near lost my job / It’s nice to think that folks are near, waking up was hard this year...”

DUA LIPA   /   Future Nostalgia

        It seems like every year when I start creating this list, there is one big radio album that I listened to and loved so much, that it’s impossible not to include. Last year it was Lizzo, 2018 had Janelle Monae, & 2017 Kendrick Lamar. This year that big, undeniable pop radio album is Dua Lipa’s Future Nostalgia. With nods to a wide swath of club genres, as well as pop, disco, & funk, 25 year old Dua Lipa sounds confident and full of swagger on her sophomore album. She’s already released a DJ mix alternate version of the entire album! It’s sometimes hard for me to describe why I love certain pop songs, but Future Nostalgia feels so easy.  Smooth synths & keys, elastic, rubbery basslines, a mix of Nostalgic (and maybe futuristic?!) influences, and Dua’s energetic vocals driving everyone to the dance floor. She channels Prince & The Beegees, mixing 70′s disco & 80′s funk, everything danceable, fluid, & modern. My favorite lyrical moments on the album are when she lets her feminism show through, like on the opening title track “No matter what you do I’m gonna get it without you. I know you ain’t used to a female alpha” and on the dark, catchy closer “Boys Will Be Boys” that talks about rape culture, mansplaining, & slut-shaming. But my personal favorite memories of Future Nostalgia come from taking it along on a few camping trips in the Colorado mountains. Criss-crossing the Continental Divide with the windows down, sunlight streaming through, belting out “If you don’t wanna see me, dancing with somebody!” to high alpine lakes & pine trees. 

       “Did a full 180, crazy / Thinking ‘bout the way I was / Did the heartache change me? Maybe / But look at where I ended up / I’m all good already / So moved on it’s scary / I’m not where you left me at all, so...”

EZRA FURMAN   /   To Them We’ll Always Be Freaks

LISTEN/BUY ON BANDCAMP       

       Ezra Furman is one of the most important, lifelong favorite artists that I discovered in 2020, and even though To Them We’ll Always Be Freaks isn’t exactly a proper new album (cannot fucking wait for the next one Ezra!) it only felt right to include this collection of demos and behind the scenes material from 2016′s unbelievable Transangelic Exodus on my 2020 list. The basic story is this, Ezra Furman makes a lot of music/records, solo or with a lot of musicians. The Harpoons, The Visions, by herself. They recall a lot of things; punk, soul, doo-wop, plain old American Rock & Roll, being yourself, being whoever you want to be, being alone, all the things that matter. For Transangelic Exodus she wanted to do something different, to abandon her instincts. To “get weird.” To make “A record of maximal impact, maximal originality & excitement.” If you haven’t heard Transangelic Exodus, it is all of those things and more. I recommend you wait till a cold night in your kitchen, pour yourself a stiff drink, & listen to it front-to-back... LOUD. I missed it in 2016 (& for a few years after) but I was lucky enough to hear Ezra in time to catch her at the Bluebird last year and it was one of the best live performance I’ve ever seen. Also, Bandcamp exclusives are what fueled my Friday mornings through Covid times, giving money to artists & causes that I love. Ezra has done SO MUCH since 2016 (last year’s Twelve Nudes is a pysch-punk masterpiece!) and To Them We’ll Always Be Freaks (aka Making Ourselves Up in the Rearview Mirror) (aka “Wing That Shit”) borrows its name from the absolutely transcendental, broadway-esque “Suck the Blood from My Wound” which was the opening track on Transangelic Exodus. It is a collection of “demos, rehearsals, & shots in the dark” from an important record that means a lot to a lot of people. Rather than diving into the fun differences of all these demo versions, I wanted to quote myself from February, the feelings that I had immediately after seeing Ezra that night, totally present at the Bluebird...

       I was able to be present for an hour and a half. To let go, to suspend, to kick against things and break down barriers that I have built myself in my own mind. It is so important to do that for ourselves and everyone has to work to find their own different methods of getting there. Some people never do, but it is still important for us to encourage & push them. A needling supportive jab of growth. For me, it has always been music. Most viscerally rock & roll (Ezra’s electric guitar playing stirs a power in my body & brain that I can’t put into words… like it could make me fly. Like Peregrine Falcon fucking fly. Or deadsprint all the way to San Francisco) but always all kinds of music. The power to broaden my horizons. To teach me things. To understand someone else. To see the world (politics, religion, sexuality, the true self, humankind) through new eyes. “Skin on my fingers peeling, making way for my new form.” To hear someone say who they are (who they really are) and to believe them. I want that for myself. To know who I really am. To feel beyond a shadow of a doubt, what I should do and who I should be. And to believe me. I am inspired by Ezra and hundreds of others, to push forward through doubt. To find myself even in the darkest shadows of doubt. To scream at doubt and befriend it. To wrap it up in the backseat of a red Camaro and keep driving. Last night I glimpsed something like Utopia. As Ezra says about her Jewish practice of Shabbat (google it!) “It’s like touching Utopia, weekly. It reminds us of what we want the world to be like” And it was like touching utopia. Like a breath of Spring breeze. Like change. Keep digging. All the way down. Till you’re standing upside down in an alternative world. It’s beautiful there, magic is possible. I know because… because well… Ezra told me.”

       “For the immigrant / For the refugee / For the closeted / For the out / For the vulnerable / For the homeless / For the searching / This record is an exercise in empathy / A ripening of nightmares & a sudden blooming of spirit / It’s a protest record / Dreamed in dark corners of the heart of a queer grandchild of Holocaust survivors / & what if you had to leave your home because the government was after you? / May our vulnerability & difference be a window into the lives of those who are deeply threatened by institutional callousness &  hatred / And may this spur us to great courage & kindness / ‘Do not oppress a foreigner: you know the feelings of the foreigner for you were foreigners in the land of Egypt’ Exodus 23:9...”

FIONA APPLE   /   Fetch The Bolt Cutters

       If you love end of the year lists as much as I do, then you’ve probably read enough about Fetch The Bolt Cutters already. In fact, a few of the albums on this list (spoiler alert, Phoebe & Sault coming! Keep reading!) were so good, so immediate, that my entire social media feed was filled with seemingly nothing else for days stretching into weeks. Fiona Apple coming out of hiding to release her first album in eight (?!) years was one of those moments. Thinkpieces, interviews, and then the inevitable, deserved flood of end of the year lists. As someone who missed most of Fiona in the 90′s and 2000′s, Fetch The Bolt Cutters felt like a revelation. Like finding a brand new, fresh faced artist, fully formed, rebellious, and 100% herself. Turns out Fiona has been doing this shit since I was 10 years old! With an aggressive, current-world-situation-necessitated title lifted from Gillian Anderson’s detective in “The Fall” (she’s trying to save a locked up woman from a serial killer) Fetch The Bolt Cutters is as determined & relentless as it sounds. Pianos twinkle & spiral, drums pound & knock, Dogs bark (one of them is her pit-bull-boxer mix Mercy), pots & pans bang, bells ring, and Fiona herself uses her voice as one of the most versatile instruments, shrieking & whispering, hissing & howling, defiant & absolutely riveting. In fact, almost everything about the music that Fiona Apple makes is head turning and Fetch The Bolt Cutters reminds me of so many things that made me fall in love with music in the first place. It feels free & it makes me feel free. She defied her record label who wanted her to follow a normal album rollout for an October release, and released it in April instead because she felt like it was needed at the time. She recorded most of the album at her house, on garageband and her iPhone. The songs are angry, defeated, cathartic, triumphant, & sometimes laugh-out-loud funny. Her writing is honest & heartfelt, working through trauma for herself from as far back as middle school. Fiona refers to her brain-stuff-writing as balls of yarn saying...

“You’ve got these stories you’re not telling anybody. Each one of those stories is like this little ball of yarn. If you don’t express them, they end up getting tangled together inside. Then it’s really hard to sort through them. I got some balls of yarn out in this album and wove them into something I can actually work with...” 

       Through it all, Apple’s vocals, lyrics, & rhythms are so fresh, so innovative, so exciting, that I feel like I’ve discovered a brand new artist. Thanks Fiona for unraveling that yarn for the last 25 years!

       “Hurricane Gloria in excelsis deo / That’s my bird in my tree / My dog & my man & my music is my holy trinity / Tony told me he’d describe me as ‘pissed off, funny, & warm’ / Sebastian said I’m ‘a good man in a storm’ / Back then I didn’t know what potential meant / & Shemeika wasn’t gentle & she wasn’t my friend / But she got through to me & I’ll never see her again / I’m pissed off, funny, & warm / I’m a good man in a storm / & when the fall is torrential I’ll recall / Shameika said I had potential...” 

JOY OLADOKUN   /   in defense of my own happiness (vol. 1)

       Joy Oladokun grew up going to church religiously in small town Arizona. Inspired to play guitar by seeing Tracy Chapman on VHS, she wrote her first song about Aragorn from “Lord of The Rings”. There are parts of Joy’s music, truths in the deep, deep melodies & lyrics that I will never understand. She is a Queer, Black woman born to Nigerian parents, dealing with (and singing about) life challenges that I will never know. But then, there is also a magic & familiarity that I feel in Joy’s songs, because we have connections that only we can have. Connections that come from thinking about the same things from our formative years. The way she writes about growing up in the church, the way she challenges the church, the way she pushes her family & friends still in the church to be better. Musically, in defense of my own happiness (vol. 1) (all lowercase please!) sounds like Joy’s own map of America. Folky, woodsy Arizona, some LA soul & production, and big Nashville choruses, like contemporary radio. But the writing found in these songs is different & essential. Effortlessly cool lead single “Smoke” opens the album with the line “yesterday I left my joint sitting on the counter...” Oh yeah, she loves to get high! (sorry church, I’m 100% sure Jesus doesn’t care about marijuana!) Riding an undeniably catchy chorus, and drums & keys that carry the song down a blacktop road, this one got a TON of play this Summer when we in Colorado were trapped in wildfire smoke and I made my littlest sister this Smoke & Fire Mix. After “Smoke” she tackles identity & religion on the Mat Kearney-esque (look him up!) Nashville folk-pop of “Sunday” & “Bad Blood” saying,

"The biggest privilege of being a songwriter is being able to write the type of song that I needed to hear when I was younger, 'Sunday' is the song that 12-year-old Joy, seated in the back of church youth group, needed to hear. She needed to hear that you can be queer & happy. Queer & healthy. Queer & holy. She needed to see married women kissing & playing with their kids." 

       It’s inspiring that Joy chooses to use the word privilege in that quote instead of responsibility. The privilege of being a songwriter is the impact you can have on others. Joy has been outspoken about social justice, both inside & outside the church, and has continued to release singles challenging the racism running rampant in America. Her heartbreaking “Who Do I Turn To?” deals with the fear that comes with simply being black in America. “Mercy” features a verse from rapper Tim Gent and touches on the current pandemic (and the off-the-deep-end religious turn Kanye has taken). Finally the album closes with the gorgeous, finger-picked, I-wanna-do-better ballad “Too High” (oh yeah, when she gets high she gets... too high!) and “Younger Days.” A peaceful, soul-inflected closer, with Joy’s vocals swelling & wandering through her life & memories to the conclusion “Who I was would be proud to see the person I became...”

       “Sometimes I get jealous of jesus for falling asleep in the middle of the storm / Sometimes you gotta feel like drowning to be reborn / Oh I haven’t slept in three days / I know I’ve gotta find my way / Through all of this smoke...”

THE KILLERS   /   Imploding The Mirage

       I knew Imploding The Mirage would be on my 2020 Favorites list months before it was actually released. It reminded of when Josh Ritter released some super important singles during the Summer/Fall 2015 (a very transformational time for me). Similarly the singles from Imploding The Mirage (The Killers sixth studio album!) came right on time earlier this Spring & Summer. Mirage’s first single was the classic Killers get-out-of-town anthem “Caution” and it arrived on March 12, early on in the pandemic and under stay-at-home orders. “Caution” introduced me to “the featherweight queen” and found me many nights dancing in the kitchen, the volume turned up on Lindsay Buckingham’s wailing outro guitar solo. “Caution” was my number one most streamed song on Spotify in 2020. After that came “Fire In Bone.” A groovier track, released in April with gorgeous peacock single art (the only art from the album that isn’t painted by the wonderful Thomas Blackshear) and fallen for in June, dancing with my brothers & sisters at the lake, one of the first times we had hung out during quarantine. One of my goals with this year’s list is to remember the exact moments when I fell in love with a song or album, and that moment for Imploding The Mirage was playing “Fire In Bone,” right here...

       Shortly after that, opening track “My Own Soul’s Warning” had me dancing in the shower and the lovesick, ultimate Flowers jam “Dying Breed” had me rolling down my windows and belting along till August when Imploding The Mirage finally got it’s official release. I have non-guilty-pleasure-loved The Killers since Hot Fuss (and accidentally downloaded a virus on my best friends desktop computer trying to download a "Mr Brightside” acoustic version off of some weird site on dial-up internet in Silt, Colorado in the mid-2000s!) and it’s exciting to know that Flowers & Co. can still do something that sounds phenomenal (thanks Shawn Everett!) in 2020. Oh and... word on the street is that they got a follow up coming in early 2021 so yeah... The Killers killin’ it. 

       “Cause it’s some kind of sin / To live your whole life / On a might’ve been / I’m ready now / I’m throwing caution / What’s it gonna be? / Tonight the winds of change are blowing wild & free...”

MIPSO   /   Mipso

       After years of encouragement, and with gentle but insistent nudges from my partner’s father; Chapel Hill, North Carolina’s Mipso finally made it on my end of the year Favorites list with their sixth full length album! I had seen them way back in 2016 at the Lost Lake Lounge here in Denver (probably on his recommendation), they were touring on their first few albums, still more bluegrass-y, but I loved them and I loved their “Diamonds on the Soles of Her Shoes” cover. Since then, Lila’s dad would send us their music, send us stickers through the good ol’ USPS, and Mipso kept honing their craft. Smoothing out their folk, adding pop influences, with sharp songwriting, and warm, Appalachian instrumentation. And, as Lila’s dad says, if you close your eyes, it might as well be Paul Simon singing. 

       The four members of Mipso share songwriting and frontperson duties equally and each member brings their own depth & humor to the band. Guitarist Joseph Terrell’s (he’s the Paul Simon sound-alike) songs are brighter & folkier. “Never Knew You Were Gone” is a gorgeously, wistful, violin-led, apocalyptic opener. “Hey Coyote” reminds me of Christopher Porterfield & Field Report from Wisconsin, with it’s gentle plucking and mystical lyrics about Wile E. Coyote & Coyotl, the Native American mythology version of the trickster. “Help” is maybe the biggest & darkest folk tune on the album, a minor tinged, string-y  burner, that dives into a huge chorus. Mandolinist Jacob Sharp leads the rhythmic & driving “Hourglass” and the late-night rain of “Just Want To Be Loved.” Double Bassist Wood Robinson gets in on the fun with the comforting, wandering of “Shelter.” But it is violinist Libby Rodenbough’s contributions to the album that make it truly great. Her impassioned vocals & lyrics command “Your Body” over an insistent banjo. She visits the darkness on the enchanting, cheater’s tale “Like You Never” and revisits the apocalypse mentioned in track one, on her rollicking closer “Wallpaper Baby.” Finally, it is her tender folk that ties the whole story together on “Big Star.” She sings of the end of time; of swimming & Summer & Colorado. A true classic, a lost Gregory Alan Isakov telescope, mountain stream tune. In the zine accompanying Mipso’s release, they introduce the album this way...

       “Future Readers,

Times are tough. You probably know this... Shit has lately been hitting the fan in a big way. Maybe chickens coming home to roost is a better metaphor, since we’re talking about history. Maybe a bunch of chickens have roosted on a giant fan, and they’re finally shitting... We recorded the album back in the latter half of 2019. when all We The People had to worry about was rampant income inequality, a sham democracy, & rising oceans. Ah, the good old days. At least now people can’t pretend it isn’t there. Beats the nineties! A Japanese theme park recently released a set of guidelines aimed at reducing the spread of airborne droplets of the virus on rollercoasters. ‘Please scream inside your heart’ they said. We hope you enjoy our album.” 

       Thanks Mipso, this one is special. And thanks Lee Cummings! From Chapel Hill to Ashville, Carrboro to Greensboro, this is an album I’ll hold onto for awhile. 

       “We went down to the water / With a blanket in the back / Had some candy from Colorado / Let the sunlight lay us flat / I awoke from the strangest vision / You & me at the end of time / Would you believe that big star was missing / But I found in your eye... / We went down to the water / When the red was in the clouds / Cracked the windows like kid summer / Like we were breaking out / We went down to the water / Never mind the rising tide / After all we are the daughters / Of unbelievers running wild...”

PHOEBE BRIDGERS   /   Punisher

       The Phoebe Bridgers mythology grows with every tweet, every guest feature, every new project, every new skeleton suit, and every Grammy nomination. It’s almost hard to believe Punisher is only her second solo full length, but if you’re following the fake_nudes mythology you know that she’s been busy in the years between Stranger in the Alps (her impressive debut) and Punisher. She formed supergroups with Lucy Dacus & Julien Baker (boygenius) and Conor Oberst (find Better Oblivion Community Center on my 2019 Favorites list). If you’ve talked to me about music this year at all, you know that Punisher has been a favorite talking point, as much for its typically dark Phoebe masterpieces about mental health, alien abduction, & depression, as for how it has overtaken the entire indie world. Phoebe fucking Bridgers has achieved legend status. The day I fell in love with Punisher was September 1st, when I hiked up across from Red Rocks Amphitheater to stream Phoebe playing THIS show and gaze longingly at the Rocks, wishing I could be inside. Watching a full moon (song) come up in the West, Phoebe playing to my East, drinking beer & reading lyrics, It was cathartic & special but goddamn did I miss live music in 2020. 

       Ok... on to the songs. Punisher begins innocently enou... umm... it actually begins with a TERRIFYING minute of soft, unsettling sound, a “DVD Menu” track playing after the horror movie has ended, that moment when you’re both sitting there, stunned & pale, too scared to get up and go turn the light on, googling “______ movie ending explained,” and considering death, dismemberment, and I don’t know, alien abduction. I burned myself my own Punisher CD with “DVD Menu” as both the opening & closing tracks because... (spoiler alert) I Know The End. Getting up to turn the light on doesn’t help much, as “Garden Song” is a haunting, ear-worming, whisper of a song that tells a decidedly LA (most of these songs reference SoCal in some way and I love it!) tale about the Rose Parade, killing nazis, growing a garden, and ends with a happy plot twist. Surprise, Phoebe’s got everything she wanted! “Kyoto” was the big single (the “Motion Sickness” as it were), a green screen miracle, a monster uplift of a chorus complete with horns, finds Phoebe singing about boredom & international travel. I personally love the back-to-back of “Chinese Satellite” & “Moon Song” and I feel like they capture Phoebe’s ability to combine the mundane & the heartbreaking & the wryly funny all in the same couplet. She has a lot of great jokes hidden on Punisher (why aren’t more people talking about how funny she is?!) like when she ends “Kyoto” singing “Guess I lied. I’m a liar, who lies. Cause I’m a liar.” There’s a jogging joke in “Chinese Satellite” (a song about not believing in God) about running around “Why would somebody do this on purpose?” and in “I See You” she sneaks in “If you’re a work of art, I’m standing too close!” and if you know the joke in “I Know The End” then you know! That brings us to the emotional centerpiece of closer “I Know The End.” A true road song, written on an epic road trip Phoebe took through Northern California; all Wizard of Oz, Arcade-Fire-Mountains-Beyond-Mountains-Sprawl past outlet malls, all the way to the end of the world. I won’t spoil the ending if you haven’t heard it, but it’s a cathartic, deserving send off to 2020, and I’ve screamed out loud to it in my car more than anything else this year. Love you Phoebe, Love Punisher, absolutely can’t wait to see what’s next.

       “Driving out into the sun / Let the ultraviolet cover me up / Went looking for a creation myth / Ended up with a pair of cracked lips / Windows down, scream along / To some America first rap-country song / A slaughterhouse, an outlet mall / Slot machines, fear of God / Windows down, heater on / Big bolt of lightning hanging low / Over the coast, everyone’s convinced / It’s a government drone or an alien spaceship / Either way, we’re not alone / I’ll find a new place to be from / A haunted house, with a picket fence / To float around & ghost my friends / I’m not afraid to disappear / The billboard said ‘The End Is Near’ / I turned around, there was nothing there / Yeah, I guess the end is here...”

ROACHE, MOONCHILD, KILEY   /   Improvised Sessions   

LISTEN/BUY ON BANDCAMP       

       I have so much fun making this list every year. I start a draft in January, update and change things as the year goes on, and agonize over my final cuts until usually December (or sometimes January of the next year or later!) I enjoy writing about why I loved the albums I chose, and I enjoy reading everyone else’s end of the year lists and finding new favorites. I also love the randomness of it all, and I love love LOVE that albums like Roache, Moonchild, Kiley Improvised Sessions exist. This album was released exclusively for free (or name-your-price!) to bandcamp on Christmas Day, features almost no vocals, a wide swath of exciting instrumental music. Mostly electronic, guitars, keyboards, & drums; at times abrasive, at times relaxing, a true masterpiece. Long live Bandcamp! What can I tell you about Roache, Moonchild, Kiley? Honestly not much! I know of them from seeing Fiona Moonchild absolutely shred guitar for Scott Yoder on a tiny stage at the Lion’s Lair on Colfax in early 2019. She was theatric & phenomenal, equal parts Bowie & Heavy Temple, Mazzy Star & The umm... Beatles?! One the greatest live shows I’ve ever seen (small venue or otherwise) & then Yoder, Moonchild & crew packed up and headed back to the Pacific Northwest. Roache was a new find, singer, artist, instrumentalist (harmonica maybe? the credits are minimal!) and Conor Kiley is an unknown. The music is alluring. The first four tracks (”First” “Second” “Third” & “Fourth” obviously!) swing between bouncy, noisy, jazzy piano, and down tempo grooves. “Desert Underground” employs a mournful harmonica over plinking Western guitar and “Fire” brings fuzzed out, grungy guitar and finally some growling vocals from Roache. The last two tracks put everything to bed instrumentally and the album fades out into bandcamp obscurity. The credits provide only a few hints to the recording saying...

“A cathartic release, recorded on tape in the Summer of 2020. This album was recorded on occupied Duwamish land.”

SAMANTHA CRAIN   /   A Small Death

       Samantha Crain is a Choctaw songwriter from Shawnee, Oklahoma. She is six days younger than this writer (34!) and has been putting out strong, sturdy-but-tender folk albums since 2007. On her sixth full length, 2020′s A Small Death, Crain writes about the mundane and the essential in a way that brings her stories and her truth to electrifying life. Blooming from front to back with energy, depth, emotion, & powerful instrumentation, A Small Death is one of my most favorite albums of this year. When Crain announced A Small Death, she referenced the title as the idea that “everything is always starting over again, all the time.” She talked about her own experience with starting over after multiple car accidents had left her immobilized, unable to use her hands, unsure if this album (or any album) would ever be made by her again. You can hear in these songs her frustration and her defeatedness, but also her celebration, her determination. From the desperate swell of gorgeous first single and opener “An Echo” to the ebullient push of “Pastime,” and the resigned melancholy of “Tough For You.” Crain’s instrumentation holds up to the songwriting, and her band uses flourishes of trumpet, clarinet, accordion, saxophone, and pedal steel (both the mournful-country kind in the late-night-heartache of “High Horse” and the honky-tonk country kind in the blistering, defiant closer “Little Bits”). Crain touches on her Choctaw heritage proudly, both in “Holding to the Edge of Night” when she sings “I am a legend of this land here; I am a keeper of this life.” and most notably in the penultimate track “When We Remain” sung in Choctaw, a tradition Crain carries over from her 2017 album You Had Me At Goodbye.  Crain’s songwriting is wonderfully intimate, A Small Death is full of deeply personal memories, old friends, roommate challenges, love, & ephemera (a bar tab, a parking ticket, photo booth strips, stubs from movies & baseball games, an 8-ball, a $20 dollar bill!) 

       My favorite tracks are the louder ones, “Reunion” is a bouncy, soulful swing about seeing high school friends and “watching exes eye the spouses, but I came alone, I think it’s glamourous.” Haha! “Garden Dove” rides a straight up NIrvana/grunge riff into a bellowing love song. I’ll close by sharing my two favorite personal memories with A Small Death. In July, I had streamed the record but probably hadn’t really heard it you know? (there was a lot going on this Summer) and Chris Porterfield from Field Report (his new one Brake Light Red Tide is beautiful, though not on this list!) posted about “Holding to the Edge of Night” after midnight saying... “I dare you to go outside and listen to this song right now. This new Samantha Crain record is everything.” Naturally I took the dare, walked out under the moon, and laid down on the sidewalk to actually listen to “Holding to the Edge of Night” I felt, as Crain so deeply & eloquently puts it that “evening was my prize.” A truly great, classic song that I will listen to on night walks for the rest of my life. Lastly, in August, for my birthday, my partner asked me to pick a record to listen to, and she made fancy drinks to-go in Denver’s Cheeseman Park. Watching the sunset from the hill under the columns at Cheesman and thinking about how Crain talks about memory in “Joey” when she sings...

       “Sometimes I feel like my memories never happened. Could you remind me, take me back for a night? Was it ever real? I don’t feel like that girl anymore. Was it heavenly? I don’t even see through those eyes anymore. A hundred small deaths, a hundred before. I am a revolving door. I am a revolving door...”

       “What’s that silence inside me that expands into the dark? / With the traffic lights all changing for no one anymore / The karaoke laughter tumbling out the door / My eyes well with contemplation of the pleasures I endure / Holding to the edge of night...”

SAULT   /   Untitled (Black Is)

       Where to start with Sault?! They put out two albums this year?! They put out two albums last year?! Nobody knows exactly who is in the band?! Sault is what I love about music, what I love about new music! I wrote an alternative version of this list where I referenced everyone who has released two albums this year (?!) because honestly I like Sault’s second of the year album Untitled (Rise) a whole lot too! I mean Bartees had his album of National covers, Phoebe has her orchestral Punisher companion EP, Shamir has two very different exciting records!, not to mention Hiss Golden Messenger’s two full live albums and uh... Folklore & Evermore. But anyway, what can I tell you about Sault that you haven’t read on however many end of the year lists already?! A collective of young artists, internet sleuthing has led me to believe possible members include London soul singer Cleo Sol, American rapper Kid Sister, & producer Inflo. A wonderfully rich blending of genres: R&B, house, disco, post-punk, boogie, dub, gospel, reggae, funk, soul, spoken-word, & protest chants. 

       Released into a world in turmoil, with Black Lives Matter protests erupting outside my door, Untitled (Black Is) is an album very specifically not made for me. Released into a world that I’m a part of. Protesting injustices in a system that I work within. Music with a purpose. Music so rich & wonderful, with a message we cannot continue to ignore. The only response I could have to Sault’s albums is to do better. To work harder. To take to the streets. To call out systemic racism so embedded in our culture, in my workplace, in my friend groups, in my family. When they released the album on June 12, it was posted with these words...

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, & of Black Origin are fighting for our lives. RIP George Floyd & all those who have suffered from police brutality & systemic racism. Change is happening... We are focused. Sault x”

I feel grateful & lucky to listen to & learn from Sault.

       “Thief in the night / Tell the truth / White lives / Spreading lies / You should be ashamed / The bloodshed on your hands / Another man / Take off your badge / We all know it was murder...”

SHAMIR   /   Shamir

       Shamir Bailey waited until album number seven (and his second album of 2020!) to release a self-titled album. Shamir is worth the wait. A glimmering, mesmerizing rock&roll masterpiece, full of experienced songwriting, noisy electric guitars, and shiny pop grooves; these are some of my favorite songs of the year. Las Vegas by way of Philadelphia, Shamir has built a DIY career in the indie scene by releasing seven albums in five years. He has honed his songwriting & sound, pushing himself far from his (admittedly popular & wonderful) dance debut Ratchet in 2015. One of the things I noticed about my list this year (and about my music tastes in general) is my ever growing affinity for strong vocal performances. From Angelica Garcia to Anjimile, Fiona Apple & Joy Oladokun, a bunch of the albums I loved this year stand out for their vocals. Shamir’s strong & versatile voice guides every song on the album and makes for fascinating listening. Lead single and track one “On My Own” came into my life at some mask-wearing, socially distanced outdoor hang this June, and quickly made it on to just about every Summer playlist after. It’s huge & memorable, with stabs of crunchy Pixies electric guitar and proud, loner-anthem lyrics. "Other Side” is the one that should have got massive radio airplay, all rolling drums, country western tinged (is that not a banjo I hear Shamir?) with shimmering Orville-Peck-bedazzled-suit-&-a-retro-microphone production leading a mega singalong chorus! Finally, between interspersed clips of talking that Shamir describes as “Field recordings of me with my friends-just being ridiculous” personal favorite “Diet” rides a choppy, 90′s alt-rock guitar to a blistering chorus that compares vampires sucking blood to getting to know someone! Ha! I can’t wait for Shamir to bring some of these songs through Denver on tour! It’s not too late to hop on the Shamir bandwagon!

       “Couldn't take it anymore / Where do I begin? / I'll get around to it after a glass of gin / I prefer to be alone, but you can join if you like / I'll stay strong for you 'cause I don't want to be seen when I cry / Done giving up my light / Just to stay in the dark...”

SOTOMAYOR   /   Origenes

       Sotomayor is a brother/sister duo from Mexico City who blend traditional Latin & Central American cumbia with other world rhythms & styles (electro, afrobeat, dancehall, merengue, peruvian chica!) on their truly magical third full length Origenes. One of my favorite concert series of the last few Summers has been Levitt Pavilion’s free outdoor concerts in Ruby Hill Park here in Denver. They introduced me to Sotomayor back in 2018. Picture enormous rolling grassy hills, kids laughing & playing & singing, tall cans, picnic dinners, & DANCING! Siblings Raul & Paulina Sotomayor worked with 28-time Latin Grammy winner Eduardo Cabra (Calle 13) recording between Mexico and Puerto Rico to release Origenes (translates to “origins”) on New York based independent label Wonderwheel. They have expanded their palette, making dance music to get bodies moving at clubs & dancehalls across the world, and the percussion throughout Origines is relentless, hypnotic, and downright sweaty fun! Paulina’s voice glides effortless over top of it all, sometimes strong & commanding, sometimes slipping sweet & sultry between synths or stabs of latin guitar. As a dance duo with Raul on beats and Paulina on vocals (they perform with a live band) the Sylvan Esso comparisons are unavoidable. I love you Nick & Amelia and I love Free Love, but Sotomayor has got me dancing in the kitchen cooking Hello Fresh more than a few times this year! Origenes is not to be missed!

       “No sé por qué, pero me ha pasado / Que nunca lo he olvidado / Que aquellos ratos que rompen los platos / Aquellas historias que guardan las olas / Pequeñas esporas, momentos a solas / Se desempolvan viejas memorias / Nunca es tarde para recordar / Lo que nos une...”

       ““I don't know why, but it has happened to me / That I have never forgotten / That those moments that break dishes / Those stories that the waves keep / Little spores, moments alone / Old memories are dusted / It is never too late to remember / What unites us...”

SPILLAGE VILLAGE   /   Spilligion

       The story of Spillage Village recording Spilligion (the Atlanta supergroup’s fourth full length album) is the stuff that will always make me remember the state of music in 2020. Spillage Village is an Atlanta collective comprised of the EARTHGANG duo (you may remember them from my 2019 Favorites list!) and a bunch of other collaborators (more on them later). Rapper & singer J.I.D. had rented a house in West Atlanta to work on his own third solo album, but when the pandemic hit, he invited the other members of Spillage Village to shelter-in-place and they all hit record. The result is a journal-entry-like album of the 2020 Covid pandemic, songs both uplifting & depressing, a group of musicians analyzing & expressing their feelings the best way they know how, through music. During their recording quarantine, they bonded over yoga, smoking weed, board games (monopoly & trouble), campfire s’mores, and talking current events & politics. Through it all, the music they were making was hopeful, forward looking, and religious. EARTHGANG’s Doctor Dot & Johnny Venus drive the rapping with J.I.D., but Mereba is their not-so-secret weapon. Her singing & rapping on the Sunday afternoon soul of “PsalmSing” and Coldplay-off-key piano of “Hapi” is inspiring & memorable. Brothers Benji & Cristo add production & basslines, Chance The Rapper makes a guest appearance, and closer “Jupiter” sounds like a darker, woodsier Avicii & Aloe Blacc track, backed by campfire acoustic guitars & banjos. Personal favorite, the apocalyptic “End of Daze” rides strong verses from almost everyone, references Pascal Siakim, Ronald Reagan, Nipsey Hussle, Sun Tzu, Damn Daniel, MF Doom (RIP), Future, Jesus, & Satan! Spilligion is the result of friends & collaborators, taking on 2020, stuck inside, making music & memories, marking a year unlike anything any of us have seen so far. When I look back, Spillage Village will be one of the bands that helped me mark my weird time & space this year. 

       “When I make it to the heavens, what's the code? Do I call a phone? / Security at the gate, no plus one, come all alone? / All along the race of life, I took a jog alone / Along the coast, I'm tryna cope, I raise a toast / & we consulted with the Most High / She told me watch my back, front, both sides / Hit a few baddies you never smashed 'fore y'all both die / Let the smoke rise, take the bodies to the crypts / & when the poor people run out of food, they can eat the rich...”

TAYLOR SWIFT   /   Evermore

       One of the main themes I found while making my 2020 Favorites list is comfort. This year, I turned to familiar music for comfort, and I have been a Taylor Swift fan since 2010. I love Evermore (I also loved Folklore) and I love how it makes me feel young and makes me think of memories from my 20′s. Growing up listening to country radio, I got “Teardrops on My Guitar” & “Tim McGraw” as I headed off to college. Then, I jumped then fell for Fearless while laying hardwood floors in Aspen, Colorado in the Fall of 2010. My best friend (Hey Stephen!) introduced me to Taylor as a gifted songwriter who has grown & matured over the years, but still every bit as intelligent and full of wonder & fairytale feelings on Evermore. That was right before Speak Now came out and I was in the midst of a break up from a High School & College first love. Speak Now feels like a lifetime ago, as does Red, but those albums saw Taylor changing her sound, honing her songwriting, and building her arena-worthy legacy catalog. Then there was some long, late night road trip drives with nothing but 1989, and discussing the merits of pop vs. country. I fell out of touch for a bit with Reputation & Lover, but again, Taylor was building her legacy. When she finally reemerged with a political stance, and an inclusive, progressive vision, I was back in! Turns out just in time, because 2020 brought the huge surprise of Taylor collaborating with some of my favorite musicians (specifically Aaron Dessner of The National) on not one, but two new Taylor masterpieces. 

       OK, that’s a lot of backstory, let’s talk about some of the high points on Evermore. New personal favorite “’tis the damn season” tells a familiar back-home-for-christmas story just in time for the holidays over Dessner’s brooding guitar and (surprise!) Josh Kaufman on lap steel (Hi Josh!) (see Josh Ritter & Bonny Light Horseman!) “happiness” is a gorgeous piano ballad (finished only a week before Evermore’s release!) with the life-long-lesson of finding the good in a heart-wrenching break-up. The second half of Evermore is stellar & deep with The National getting involved even more. Frontman Matt Berninger (or as a friend called him “Bon Iver’s Deeper Daddy”) lends a certain methodic languidness to “Coney Island” and Bryan Devendorf adds those signature, pounding National drums to the unbelievable catchy-singable “Long Story Short.” Predictably, The White Man, Bon Iver shows up in his traditional spot at the end, with his vocoder machine the Messina popping up in “Closure” and lending trademark pain to closer “Evermore.” As we wind out of these fairytale woods, I am drawn back to Taylor’s words upon Evermore’s even-more-surprising-than-Folklore’s release. “It feels like we were standing on the edge of the folklorian woods and had a choice: to turn & go back or to travel further into the forest of this music... I have no idea what will come next. I have no idea about a lot of things these days and so I’ve clung to the one thing that keeps me connected to you all. That things always has & always will be music.” Thanks for the music Taylor, glad you traveled further into the forest. Evermore. 

       “Don’t treat me like some situation that needs to be handled / I’m fine with my spite & my tears & my beers & my candles...”

THE 1975   /   Notes On A Conditional Form

       The 1975 has always been a mood band for me. I’m tempted to say “vibe” band, but I guess that’s even more scene-y, hipster-y, or whatever. In the same way that I’ve defended Taylor Swift’s songwriting in the early 2010′s & Third Eye Blind’s deep cuts in the late 90′s/early 2000′s, I have proclaimed The 1975 as our greatest pop-rock band. I have said that they are one of the best sounding live bands I’ve ever seen. To this day, I can’t listen to “Me” (Matty Healy’s addiction-facing, heart breaking slow burner that closed their Music For Cars EP way back in September 2013) without tearing up. I think of driving through Idaho in the dark with my little brother, lights blurring out the Subaru windows, him moving to Portland in the Fall of 2015, me cut loose & drifting, trying to find a meaning for my next chapter. Skip forward a few years and the opening chords of “A Change Of Heart” transport me immediately to a bridge in Portland. It’s raining again and the city lights are blurred out the same Subaru windows. I will always associate The 1975 (I’ve taken to calling them simply “The 75!”) with my little brother (they’re his all-time favorite band) and the power of shared music experience. I have so many memories tied with their music, late night drives, dance parties, coffee conversations, and when I make these favorite lists, those are the things I want to mark. 

       I could say a lot about Notes On A Conditional Form. It’s The 75′s fourth full-length album and it’s hella rambling. They threw everything on this one. The sequencing might be off, it goes from an emotional, Greta Thunberg-narrated opener about Climate Change, to the ferocious, post-punk of “People” to a sweeping instrumental track, to a down tempo dance-y favorite “Frail State of Mind” to another instrumental, to another low-key favorite “The Birthday Party” to another dance-y catchy fav “Yeah I Know.” Now we’re seven songs in, no “Sex” or “Chocolate” apparent singles and we’re not even A THIRD of the way through the record! I love the messiness and massive-ness of Notes, I love the Phoebe Bridgers feature (can you believe she was going to OPEN for them at Red Rocks?!), and I love the unedited-ness of it all. There are points in the last third of the album; that drop three minutes into “Having No Head,” those Grimes-y beats & vocals on “What Should I Say,” or the heavily effected vocal Matty sings with his Dad on the penultimate, Burt Bacharach-y “Don’t Worry,” There is so much to dig into here, drums both real & electronic, rock, pop, world music, jazz, dance, and through it all, Matty Healy (tongue firmly planted in cheek) cheekily poking fun at celebrity & fame. For all of the not-so-great memories I have from COVID, all of the quarantine, stay-at-home, shelter-in-place times; I have many fond memories of dancing in the kitchen, drinking fancy cocktails, cooking Hello Fresh, and absolutely blasting Notes On A Conditional Form. In fact, I listed to this one on the google home speaker so much, that it showed up on Lila’s end of the year top 5 albums! This one’s for you Will, first time The 75′s made it on my end of the year favorites list! I can’t listen to them without thinking of you and I love it. Long live music and the connections it builds. See y’all next year!

       “People like people / They want alive people / Young surprise people / Stop fucking with the kids...”

[praphit]

Let’s Party! - with Candyman

We are about to celebrate our independence in 2020. But, for me to fully celebrate, I think we're going to have to eliminate some of this tension.

I was in a small coffee shop the other day. This shop makes me feel good. They've got a cute lil flamingo outside of the place. There's a tiny statue of a cute old man inviting people in for coffee. It's a cute, cozy, family atmosphere... normally. The day I was there, there was a lot of tension; mainly due to the Tv.

A news story would come on of white people saying stupid things, and all of the POC would stare at the white people. Then, a story of people not wearing masks, and we would all stare at people outside the shop, who weren't wearing mask or weren't wearing them correctly. Then, a story about defunding the police, as there's one lone officer right in the middle of the coffee shop. We all stared at him. It was so uncomfortable. I even became angry when they got my order wrong. The barista had the nerve to tell me "It's ok, I'll just make you another one." I'm thinking "Another one? You didn't get me the FIRST one! And how YOU (whitey) gonna tell me that's ok?"

TENSE!

We need a story that we can all rally behind; a common enemy to root against. My first thought was to look at horror movies for this story. I know that seems silly, but that's where you'd get that common enemy for sure. You'd think that racism would be enough of a common enemy, but there are too many pretending like it doesn't exist. You'd think that COVID-19 would be enough, but... I think that the problem there is that it's invisible.

If we had a bunch of vampires terrorizing our country, I feel like we might be more united to eradicate the enemy. We can't get rid of our prejudices, so let's refocus them. Of course, I could also see monster experts preaching to us to keep garlic around our necks to repel the vampires, and us refusing to in order to uphold our rights.

So, I spun the wheel of horror and came up with "Candyman".

We were supposed to get a new "Candyman" from Jordan Peele, but due to COVID, idk when that's going to happen. This early 90's original will have to do.

I hadn't watched this movie since I was a kid; I didn't remember much from it. I remembered the black man (vengeful spirit) with a hook, appearing throughout the inner city, killing people. I remembered bees. 

I remembered the white woman who favors Scully from "The X-Files",

I kept thinking how things could have turned out differently had Mulder & Scully been on the case, but... look, I'm not saying those two were racist, but... this truth that was out there, that they were desperately pursuing never seemed to be in the hood. I also remembered that there was no candy in this film. Why the hell is he called "Candyman"?! I remember thinking "Did white people steal all of his candy? Is that why he's pissed, and is killing folks?"

Well, no, but I wasn't too far off.

Candyman, was a very intelligent artist who had promise, and who's only "crime" was falling in love with a white woman. He not only fell in love with one, but impregnated her as well. White people couldn't handle that, so... horrible things ended up happening to Candyman as a result, and now when one calls his name five times in a mirror, he appears in the room, and the killing begins! It's an odd transaction. Why would people keep calling out his name, when there are so many stories of other people doing so, and they end up brutally murdered? Though we kinda do that with Ronald McDonald, don't we? We keep calling and he keeps killing. So, I suppose it's realistic.

So, knock-off Scully (Helen) donned her white savior mantle, and went out into the projects to write a story about the fear of Candyman, and the harm that this fear causes. She's actually sincere, and doing some much needed work through this venture. I started to feel bad for her, because her husband is a cheating asshole. When the audience is introduced to him (a college professor), he's in the process of working his voodoo on one of his students. I'm also thinking that this isn't the first time he has cheated on her, nor the first student. There's never just one:

Weinstein, R. Kelly... Amy Cooper. 

You know dag on well that Amy Cooper had done that plenty of times before. I can see her back in high school, coercing black people to give her the answers on tests. And if they don't, she’d claim that they were cheating off of her, and we all know whom the teacher is going to believe when she calls him/her over... not to mention she's probably bangin that teacher. It just seems like Amy Cooper is the type who was bangin the teacher.

And the young lady, in the movie, who was sleeping with knock-off Scully's husband was so hoeish. To be clear, it’s way more the professor’s fault than the studen, but they didn't have to do her like that. not just in the way that she dressed (if she wants everybody to see her stuff that's her prerogative), but the fact that she had no shame in the act of sleeping with him (a married man). No shame in class. No shame in front of Helen. No shame in Helen's place. There's a scene where something awful happens to Helen, and within an hour, hoeish lady and asshole are doing the nasty. I repeat, they didn't have to do her like that. I wonder if that actress went on to do quality films? I'm just picturing her going up to producers for work -

"Oh, you were the super hoe in "Candyman" right? You were great! I've got a hoe role that you'll be perfect for." *heavy sigh* and another Sharon Stone is born.

(Look her up, kids. And be inspired.)

Eventually, Helen meets up with Candyman, and... well... he keeps on killing. She doesn't really have the effect that a white savior is supposed to have. There's no actual saving going on. In fact, one could argue that he starts killing more people because of her. Way to go, whitey :)

I've got to judge this by early 90's standards. The dialogue is pretty bad in spots-

Ex. (scene starts)

person A - "Hey, do you like coffee?"

person B - "I love coffee"

person A - "I'm going to make you some coffee."

person B - "Yum."

... that's it. END SCENE. Nothing else happened. Nothing else was said. Awkward. No real point to the scene. Idk... maybe that's just kinda how we conversed in the early 90's. There were also a lot of interactions that wouldn't make much sense today.

The music too. I liked it, but very 90's and very maddening (so I guess it works).

The rules of Candyman are still a mystery to me:

You must say his name five times, but why? And how long before it resets? - Like, if I say it three times, and then wait 3 days, say it again, and then wait a year before saying it again, would he still appear? And why in a mirror?

And what happens if his name is said by multiple people at the same time? Does his power to appear only work in that neighborhood? What if I'm right on the line? And what if I don't enunciate? - and I say something like a quick "Canman"?

So many questions.

The ending was also a bit of a mess. It was like they realized that they were running out of time, and then just kinda... ended it.

Grade: BUT, by early 90's standards, it's a solid B... I guess. The social statements it's making also pump it up.

So, there you have it. It's time to celebrate!

You could play this movie in the beginning of your celebration to get all of the race talk out of the way.

OR if you won't want people to hide from the race talk, you could be sneaky, and put this on in the middle of your celebration. Regardless (before, during, or after our drunken celebrating) it'll bring people together in some good and needed convo.

It should also convince us to be nicer to one another. We don't want anymore vengeful spirits out and about. As well as to scale down the tension. Cuz I swear, if I go back to that coffee shop, and get some white barista telling me that it's ok that they got my order wrong... imma tear down that cute flamingo and old man, and burn that shop to the ground.

[toonqueen]

DARK ANIMANIACS/TINY TOONS LORE

It's 9 am time for dark Warner sibling thoughts

First let's roughly establish:

-The warner siblings locked in the tower takes place in the same universe as Roger Rabbit.

-Tiny Toons, though not interacting with non animated  humans, takes place in the same universe as well. It does have the same fourth wall break that toons are actors since they're going to school for it.

-Bonkers and House of Mouse also exists in this universe but that's a detail I won't get to today.

This is written without doing research, just based on my memories of eps so things may be off. Woo.

Main plot  of the Warner siblings is that they were too wacky probably didn't fall in line to act to produce shows, pranked everyone, so they were locked up in the studio water tower. FROM LIKE THE 30'S TO THE 90'S JAYSUS. Though I believe there were some flashback eps where they broke out in the past. Lets roughly say from the 70s to 90s it had been completely silent in that tower. And that's kinda creepy.

BECAUSE TINY TOONS establishes toons can fade away if they are forgotten. There was an ep where Babs was looking for a female mentor. She finds old black and while films of a forgotten 1930s lady toon  that no longer exists cuz I remember it is stated that she faded away because she was forgotten. There was also an ep where the Dodo bird was captured by a villain and started to fade because while imprisoned he couldn't be wacky so he was literally fading away.

So did the human WB studios get so annoyed with the Warner siblings they locked them away to disappear- pretty much the toon form of a death sentence? Damnnnn. But then, they don't lock them away in some vault in the basement. No, they lock them away in a water tower that is seeable from  anywhere on a studio lot. Why?

TO SERVE AS AN EXAMPLE TO OTHER TOONS. To be a threat if you don't stay in line and make us money you can suffer this same fate of not being seen by humans and forgotten and then fade away. 

HOLY HELL.

Anyways this next part was written late at night due to too much caffeine: 

Now let's get back to Tiny Toons for a moment. What I remember from the ep that covered the kids and school origin was some animator had made some of the Tiny Toon’s villains first but they did not like the show premise he pushed or something? Anyways, he creates Babs and Buster bunny with Bugs bunny in mind. (No relation, all three of them. ha.) He creates the other kiddo versions of Loony Toons? GOD REMEMBERING THIS IS LIKE A FRIKKING ACID TRIP. Anyways, the kids make a ruckus? Bugs and maybe Daffy show up? Bugs just makes the University that the kids can go do. Like I bet he literally just painted it on a map and then it exists like the freaking elder god level powers well known toons have like DAMN. So thats how that all went down in show. 

Now my headcanon is that Daffy probably at first didn’t want to go along with this whole, ‘lets have this school for these new kid aged toons and be their teachers and we’re kinda responsible for them now.” lol since Babs and Buster was made with Bugs in mind, Daffy can make the side comment of something like, “Why am I responsible for your accident babies?”  Now the funny answer Bugs can give is something like, “Well there’s a duck that there too that has your eyes.” the more serious answer Bugs can give if he is irritated that Daffy is being difficult about helping is, “We don’t want another water tower incident.”

Because OH DAMN Bugs and Daffy would have been created around the same time as the Warner siblings were. And here’s the thing. Most toons are ‘created’ being adults just already. Some could argue the Warners were children. Hyperactive children with all the sorta powerful abilities that all toons have. Then they were expected to behave and make shows that were watchible to make the studio money and instead were just locked away. THATS SOME MESSED UP SHIT YO. 

So canonly Bugs made the school and headcanon he did it so the same thing that happened to the Warners wouldn’t happen to this new group of kids toons. Okay. Y’all still with me?

Okay, BACK TO THAT EPISODE where Babs finds out there is a lost female toon that would be a great mentor for her. What I remember once she saw the old reels of this toon’s stuff and found out of someone is forgotten the disappear. Just here seeing the vids doesn’t bring back this toon though.  She went to Bugs I think asking for the lost cartoons to be shown in class or something. And I remember Bugs being a HUGE jerk about it. Not helping Babs showing the cartoons. Like cold about it. Like DAMN BUGS. Anyways Babs rents? Builds? A movie theater herself and shows the cartoons. It then surprisingly brings back the lost toon in question so YAY. 

Now I don’t remember why canonly why Bugs was a dick in this episode but here is my headcanon. What if toons (At least WB toons) were lead to believe that only real humans believing in them lead to them not being forgotten and disappearing. What if this thing Babs did was a new discovery that TOONS not forgetting other TOONS could still keep them from disappearing. Bugs and Daffy would share a knowing look at this new information. One of them jokingly says, “I wonder if the Mouse knows about this.”

See something else is going down at Disney but I’m not getting into that now. Woooo.

Now let's assume soon after this incident is when the Warner siblings start getting active again, since their whole show was about them breaking out of the tower in now modern times after being locked away there for 50 years. Let's say that theater Babs made/used then started regularly showing old cartoons. Purposefully. Like a conspiracy to get faded out toons back real again. *cue X-files theme.*

BACK TO THE WARNERS PLOT.

Okay now the kids are back… mysteriously. The real human studio seems to have given up on having them be erased from memory and well, what was done in the 1930’s isn’t acceptable now so like they get that Dr. Scratch and Sniff to therapy them into good behavior??!?!?

Meanwhile while that's going on canonly I’m betting that Bugs, Daffy, and main Looney Toons crew are planning a Oceans 11 style heist to actually get the siblings out of there and to ToonTown/Acme Acres. Now they know they’d be in big trouble of the human studio knew they were behind this so they would go one step further and take the kids to Wackyland. Because while ToonTown in Roger Rabbit seemed like a place humans could go, I always got a vibe that Wackyland is this one step forward that no real human has ever stepped foot in so GOOD LUCK. 

Anyways I’m sure their plan would work. I TOLD MYSELF I WAS NOT GOING TO LOOK UP ANYTHING WHEN WRITING THIS BUT I HAD TO CHECK SOMETHING. Daffy was created in 1937 and Bugs was 1940 so even though Bugs is the brains of the operation and the more popular one and has better skills Bugs needs Daffy to make first contact with the Warners because Daffy was the only one that had known them before the whole water tower lock away incident. Like he is the one that has to be, “Hello Fellow kids, how about you -uh come with us.”

Once everything goes right and blows over they would either introduce the Warners to the school OR have them stay in Wackyland and ‘homeschool’ them.

Also rewind there are two things that could have gone on with the Warner siblings in the tower. A: They were around the whole time from 1930 to 1990 and did not fade away because they had each other. Since they didn’t have much exposure to the real world they still are toons that are kids. Or B: They had faded away for decades, came back because a duck and bunny plotted to have their shows shown to new toon crowds. <_< They came back but have no really emotional scarring from it because they don’t remember it.

NOW EVEN DARKER LORE:

But okay Yakko always gave me this strange- offness sometimes, in the show. He’s the oldest sibling of course so the only one out of three that seems to sometimes make mature decisions. I mean, as much as these three can. 

NOW IN THAT CANON BABS EP with her finding a mentor, get this- I remember from that old cartoon the toon that disappeared was from her male counterpart in the show was still around. Had not completely disappeared yet?!?!

What if- what if Wakko and Dot had disappeared in that long period in the tower but Yakko, being the oldest and still vaguely remembered, was all alone on that tower for decades. SHIT DAMN FFFFFF.  He seems completely okay but like, Bugs or Daffy pick up that something is off? Like hey kiddo, everything okay? Man I think Yakko is so elated and happy his siblings are back he doesn’t even realize he might have some bad feels.

I don’t know where I was going with this its time for bed. Bleh. 

[bigskydreaming]

Could Jason and Chris Kent have become friends? I know nothing about Chris or the comics from Jason's Robin era. I heard that Chris is the erased eldest son of Superman? I'm intrigued, but that means even the children of the biggest superheroes ever can be erased?

Ugh, I love Chris Kent and miss him (the pre-Flashpoint version of his character) a ton. And y’know, there are a couple ways you could manuever him and Jason into a friendship, though I don’t think they ever met in continuity. I don’t know how well they would have gotten along if you just went with the versions of the characters that both existed at approximately the same time, but they do actually have a decent amount in common, like with some tweaks it could work. Ironically, character wise they probably would have gotten along really well when Jason was Robin, but continuity wise, Chris didn’t even debut until after UTRH, though he rapidly aged from a young kid to a young adult after just a couple of years.

But lemme back up a bit because Chris is, umm, complicated.

SO. Christopher Kent was born Lor-Zod, the son of General Zod and Ursa, while they were held captive in the Phantom Zone. They were abusive asshats to him, and he’s not a fan. But for some reason which had to do with blah blah blah invasion plot blah blah, Zod made a spaceship from inside the Phantom Zone that he sent Chris to Earth in, because due to being born while in the Zone, Chris was actually able to take physical form, unlike the Kryptonians trapped there as a prison.

When Chris crashed on Earth, he was taken by a government agency aimed at monitoring extraterrestial ‘threats’ and treated as such. Cue Clark finding out that there was another Kryptonian on Earth, he was a kid, and he was being treated as a prisoner and it was like, See Clark Run. See Clark Mad. See Clark Raze The Department of Extraterrestial Affairs From The Earth With His Searing Hot Eyebeams Of Rage and Also Destruction.

And then Clark took Chris home to the Kent farm, and eventually he and Lois ended up adopting Chris and raising him as their own. Lois was the one who gave him his Earth name of Chris, which he’s always been shown to vastly prefer over his birth name just like he can’t stand his birth parents, as they are abusive asshats. He used to call Lois “Mama Lois.” It was adorable.

There’s a lot of back and forth about calling him Clark and Lois’ adopted son versus foster son, depending on various wikis and even issues, but its the same kinda thing that happens with all the Batkids at various points, and like, I remember issues that actually called Ma and Pa Kent Clark’s foster parents, so just do what I do and groan and sigh and accept that DC habitually employs writers and editors who just flat out don’t understand how fostering and adoption works. And its not that there’s anything wrong or lesser about fostering, and its absolutely the better way to go for some, its just foster son and adopted son are not remotely interchangeable, they are two different things, and DC has GOT to stop playing take-backsies with adoption, like just don’t do that, don’t make that a thing.

Anyway, for awhile it was Clark, Lois and Chris and they were quite happy together. Chris existed well before Jon Kent and they were never raised as Kents at the same time, unfortunately, and he did have some cute scenes with Conner, though this was mostly when Conner was characterized as seeing Clark more as an older brother and never really raised by him. (Similar to YJ-verse, but I have a lot of issues with that in YJ-verse because of HOW that played out, that I don’t have in pre-Flashpoint comics, where it felt a little more natural for Clark and Conner to have a brotherly relationship, mostly due to the fact that I don’t recall Conner ever expressing a want for the relationship to be otherwise in the comics, and having a strong bond with Ma and Pa Kent himself. I could be wrong here though as I skipped a lot of Conner’s writing when Geoff Johns is behind the wheel because I just....really miss 90s Kon-El who was practically a totally different character BUT I DIGRESS).

 But then because comics gotta comics, eventually Zod escaped from the Phantom Zone to fuck all that up, and invaded Earth because he’s like I’m Zod and invading Earth is like, my entire personality, its the only move I’ve got in the deck, what do you want from me. And Luthor eventually cooperated with the heroes to stop the invasion by configuring some sort of cosmic vaccuum cleaner to suck all the Kryptonians with a connection to the Phantom Zone back into the Phantom Zone, but then this didn’t seal the Zone up again once all the invaders were back in and Chris realized its because even though he was just born there, he was technically connected to the Zone too and it wouldn’t close up again as long as he was outside it. So he sacrificed himself to save his father (Clark took quite a beating from Zod in this) and the world and dove into the Phantom Zone, which sealed up behind him.

BUT he was saved at the last second (and without anyone else knowing for awhile) by someone named Thara. She was the security chief of Kandor, and she took Chris to protect him from the revenge of the Phantom Zoners who would have blamed him for their re-imprisonment. And off-page, during the years between Chris getting sacrificing himself to seal the Phantom Zone before his reapparance, Chris had a comic-book style growth spurt uncannily like the one Jon Kent got when Bendis started writing him, resulting in an uncannily similar dynamic between Chris and Clark and Lois when they reunited as Bendis wrote Jon having with Clark and Lois when they reunited. Why do I emphasize this, is it because I think Bendis is overhyped and I’ll never stop complaining about how all his biggest story beats are blatantly just recycled story beats from less well-known writers and characters, no that can’t be it, must be something else.

Anyway, Chris eventually returns to Earth, now a teenager, and now going by Nightwing while Thara went by Flamebird. This was around the time Bruce was lost in time and Dick was Batman, and there was never like, any crossover. Which sucked because Dick would’ve been fine with it as Chris had more of a claim to the name than even him (it wasn’t like with the Nightwings in the Ric Grayson arc, who became Nightwing BECAUSE of Dick’s persona, but rather that Chris and Thara were basing their personas purely on their own Kryptonian myths and what they represented to the Kandorians who were now living on Earth at the time. Totally different situation). But really it was just missed opportunities, IMO, as I think Chris and Dick also would have gotten along really well and their paths just never really crossed.

Somewhere in there Chris got another random growth spurt and ended up in his early 20s, he and Thara ended up in a relationship which was not my fave cuz of all the aging shenanigans but whatevs, Chris kept having random aging growth spurts which had Lois really worried about him and she tried to get the hero version of Dr. Light (Dr. Kimiyo Hoshi) to help him thinking maybe it had something to do with light or radiation, but they never really got around to trying to fix it because Lois’ douchebag dad General Lane showed up and tried to capture Chris, and he and Thara fled. And then they ran into Supergirl, who at first tried to kill Thara because she hated her because Kandorian Backstory I honestly do not remember, but then Chris revealed himself and was like Kara, its me, we’re cousins, and then they had adventures with Kara for a time, then there was this whole thing where Thara and Chris were both briefly possessed by and then merged with the actual Kryptonian gods/entities of Nightwing and Flamebird and then the entities left them and were like okay, we’re all done with whatever that was, as you were.

Chris thwarted his evil birth parents again, blew up some stuff, there was more Phantom Zone shenanigans and then General Lane and Lex Luthor turned the sun red to try and kill all Kryptonians, Thara fixed it by sacrificing herself, Chris tried to join her but then the Nightwing entity hijacked him and was like nope, and then not long after, Chris sacrificed himself again to push Zod back into the Phantom Zone AGAIN (seriously, it was like they were on a loop at this point, ugh) and he ended up in the Zone himself, but for real this time....and for some reason that turned him back into the age he should’ve been if he’d been aging normally this whole time, and the last we saw of Chris, he was like ten years old and in the Phantom Zone and being helped by Mon-El, and then the New 52 happened and rebooted everything and wherever that was going no longer mattered.

And then New 52 Lor-Zod showed up at one point as like, Zod’s loyal little son-minion, and DC has never shown a hint of intending to pursue an actual Chris Kent storyline in the New 52, and I hate that lots and lots because its like lol, this character was an abuse survivor in his original incarnation and you guys were like, lol no big deal, we’ll just make Zod the exact same asshat he’s always been but now this version of his son is just like him and likes it, why would that be a problem. WHATEVER.

Basically, New 52 Chris Kent doesn’t exist, that’s my story and I’m sticking to it.

Which is a fucking shame, because Chris and Jon Kent as brothers being raised together WITHOUT ANY WEIRD AGING SHENANIGANS with their cousin once removed, Kara, and their older sorta brother sorta uncle Conner could have been like. So great.

So anyway. There’s LOTS of directions you can take Chris, and he’s really a great character. If you’re aiming to make him friends with Jason specifically, my go-to there would be to just have the events that led Chris to Earth originally just....happen a lot earlier in the continuity of your story. So have Chris arrive on Earth and be adopted by Clark and Lois roughly around the same time Jason steals the tires off the Bat-mobile, and you’re pretty much in business.

(BUT if you do go this route, keep in mind that Jason died before the Death of Superman storyline, which is where Kon-El debuted, so even if Kon/Conner’s still older than Chris here, Chris would already be an established part of Clark and Lois’ family by the time Kon-El arrives on the scene, which would change dynamics there, not just between Chris and Kon/Conner, but potentially between Kon/Conner and Clark and Lois as well).

OR you can keep Chris’ arrival as happening roughly when it did in canon (2006 was the year he debuted), and just have him do a little aging up, like, as a treat, and so be his older self when Jason returns and starts interacting with the cape community again, with their first interactions being when they’re both young adults who for completely different reasons missed out on large chunks of childhood. There’s some potentially interesting angles to explore there too.

Just depends on which way you want to go with that.

(PS, I think aging up is an overused trope most of the time in comics anyway, but its not so much aging Chris rapidly to a teenager and then young adult that I had an issue with, so much as doing it largely to put him in a relationship with someone who first met him when they were already an adult and he was ten. Its the initial age gap being an established part of the overall dynamic with an eventual love interest thats the issue, not that an age gap existed before two characters ever met - if for all other intents and purposes - their dynamic treats them as if they both were effectively always around the same age).