#(tHIS WAS ALSO ME *YEARS AGO* WHEN FIRST READING IT)

[skibasyndrome]

Wilmon + "please I need you inside me"

cw: this is... definitely nsfw, a lil bit angsty... messy exes reunited at a party?

ALSO: the word count on this bad boy got... completely out of hand

"Please, I need you inside me." Simon's whispered confession hits Wille like a freight train. It's not what he expected him to say, not after everything, not after all this time, not after what he said last time. Not as his first full sentence towards Wille, after an awkward "hey" in front of Felice and Sara who are the only reason they even came to Maddie's party in the first place. Not after asking if Wille "has a minute" one and a half hours later.

It's all wrong and Wille is confused, so fucking confused and a little bit too tipsy to really connect the dots (have there been hints all evening? have there been signs he misread?). Instead of asking any of the millions of questions floating around his mind (Why do you want me now? Did you change your mind? What happened to the new guy? Why here?) he just stutters, unsure what to say, unsure what to do about the goosebumps mottling the skin of his neck, even moments after Simon has already pulled away again. "Simon, I don't..." (Why didn't you text? Why didn't you call?) Simon's expression twists painfully and Wille knows, oh god he knows what this sounds like and he needs to fix this. "I...," and the words still don't make their way out, so he reaches out, fingers grazing the inside of Simon's wrist, so soft and so smooth and so reminiscent of the times this was what they did. (Why did you push me away when this is what you want?) "We can't," Wille tries instead, desperate, breathless, feels his chest contract angrily, feels his resolve crumble with every passing second that he's skin to skin with Simon. Fingertips on the wrist are enough to set his skin on fire. Enough to bring him back to two years ago. (Why didn't you want me to fight harder?) "Is it because you don't want to?" Simon asks, voice gentle and careful and so painfully small - Wille hates when Simon feels like he needs to make his voice smaller - that the pang goes right to Wille's heart. (Why would you ever think I don't want you?) He shakes his head fervently, like he can shake off the hurt and the confusion and the incessantly rising heat of want that crawls up the inside of his throat. "No. God, no," he tries, feels and hears his voice break on the first no. (Did I not prove to you that you're all I ever want?) Simon's eyes meet his again, finally. Glistening even in the dim light of this hallway, and Wille wishes he could read him better, wishes there weren't two years of distance lodged in between them. Simon moves his arm and just as Wille is about to gasp at the prospect of losing him again he feels Simon's grip on his upper arm instead, firm and warm even through the thin fabric of his shirt. The breath gets stuck somewhere deep inside of Wille's rib cage. He doesn't dare make a single move while Simon tugs on his arm, places it around himself, takes another step towards Simon. (Why did I ever let you go?) The look in Simon's eyes is dangerous, is gnawing away at every bit of distance, at every wall that Wille has desperately tried to build up over these past years. Simon squeezes Wille's bicep, signaling him he can touch him back and- Fuck. And Wille does. Wille's hand still perfectly fits on top of Simon's hipbone. "If you still in any way want me..." (What the fuck did I do to make you think there'd ever be an 'if'?) "if this is still," and Simon is standing so close to him now that Wille thinks he must be feeling him. Must be feeling that Wille, despite himself and all that work he put into getting over Simon, very much fucking wants him. Now, always, probably for fucking ever. "If this is something you might want..." Simon presses against him now, hips against hips, and Wille wants to moan and cry and wrap him tightly in his arms because he can feel Simon again, too, here, close. Simon leans forward, lips moving towards Wille's ear. "Let me have this, Wille. If you still want this, let me have you."

Wille's moan is barely stifled when he feels the subtle movement of Simon against him, of Simon pressing into him, onto him, of Simon searching for contact and friction and more of Wille. "Not here," Wille tries, but he's already losing the battle and grinding his erection against Simon's, that quietly flickering flame he never quite managed to put out now stoked into a raging fire. "We don't have- and we're just-" And while he stammers away, while he digs his fingertips into Simon's side and relishes in the heady feeling of having him here again, he feels Simon slip something into his palm, a small bottle, familiar enough to make Wille's mind spin. (How did you-?) "I knew you'd be here," Simon confesses, unprompted. "I knew I'd see you." His lips leave burns in their wake as they brush down the side of Wille's jaw. Wille barely has control over his own hands, just barely registers that must be pulling Simon closer. And it seems like this breaks a dam inside of Simon. "Been thinking about you," he gasps out and Wille can feel his hands under his shirt now, digging nails into Wille's skin that remembers. "Been missing you," Simon admits, much more quietly, but before Wille has any chance - But why did you-? - Simon pushes on. "Missed feeling you... missed having you like this." And god, god, Wille is a broken man. He's never had a sense for when to stop, when to turn away from Simon before things become detrimental, and he's not about to now start acting like he has any control over his feelings towards this man. This man that ruined Wille for everyone forever. So of course Wille finds himself perched behind Simon in one of the seemingly countless storage rooms in Maddie's house, of course he's got Simon holding on to a shelf in front of him, with his pants bunched up around his knees, and of course he's back to opening Simon up for him, nice and slow and grabbing one of his ass cheeks, holding him open for a better view while he does it, because simply feeling him is not enough right now. Of course Simon is back to letting out those sounds that Wille has never stood a chance against, quiet hiccup-y moans that he draws out for a moment longer whenever Wille pulls out and gently eases his fingers back in, teasing. Simon feels just like Wille remembers, he moves just like Wille remembers, he lets out that same broken sound when Wille drops to his knees and asks if he can, please, if Simon is okay with it. He arches his back and pushes back against Wille's mouth, moans at every flick of his tongue, just like he's always done. The filthy string of profanities and desperate pleas falling from his mouth is just as enticing and encouraging as it's always been. The way Wille needs to hold Simon's hips in place, thumbs on his ass cheeks to help hold his open, the way Simon tastes, the way he grinds back and lets Wille fuck his tongue into him... It all hasn't changed one bit. Wille feels delirious, feels like he's stuck in one of those dreams that kept haunting him for weeks, months, after. He feels like he could risk waking up to his empty bed again if he pulls away to catch his breath. It still feels like a dream when he lines himself up with Simon's back, when he presses closer, not pushing in, just feeling the heat of Simon's body through his shirt, just relishing in the slick, hot tightness of being between Simon's thighs. It's so much, so fucking much that Wille needs a moment, that he needs to prepare for what he's sure will ruin him, that he needs to wait before entering him again.

"Are you okay?" Simon asks, breathing heavily and grinding back desperately, and it's almost like it used to be, almost as sweet and caring and devastatingly gentle as they used to be. Almost, because there's an edge of fear, of worry, of uncertainty. Wille nods, pressing his forehead against the soft wispy hairs at the back of Simon's neck. He's so okay. He's so much more than okay, feels so much better than he has months and that alone is absolutely fucking breaking him apart. "So okay," Wille gasps out, pulling back slightly to line himself up. He ignores the slight tremor in his hands, that anticipatory shiver of pleasure that courses through him. "So fucking okay," he moans when he slowly pushes in, sinks against Simon, slips back into that old, familiar, breathtaking sensation of connection and closeness, of soft, warm bliss. And Simon does it, too, moans, throws his head back, angles himself so that Wille can slide home, can claim this feeling for the two of them, finally again. Simon's affirmative hum travels through Wille's chest like the heavy bass on the dance floor did earlier, Simon's sweetly assertive command for "more, Wille" pierces him like a knife. But he can, he absolutely wants to give Simon more. He pulls back slightly, only to thrust into him again, giving more and deeper and harder, making Simon's breathing stutter, making the shelf that's bearing more of less all the force groan under the impact. Every bit of desperation, every yearning thought Wille has tried to neatly file away breaks lose in him, every single time he dreamt of this imagined just one more chance at this hits him at once. By the time he pulls back, words of warning on his lips, mumbled apologies for being so gone so quickly, for not making this last any longer falling into the sweat-heavy air around them, his eyes are burning, his throat closing up. It can't be over already, not again, not now, not ever. Simon's arm shoots behind him, grabbing onto Wille's ass, pulling him closer again, urging him back inside to the hilt. Wille's hips stutter and he gasps out another pleading warning, sure that he's going to fall any minute now, but Simon only digs his blunt fingernails into Wille's skin. "Stay," Simon presses out, so quietly that Wille barely hears it. But it's enough to make Wille press his eyes shut, go rigid against Simon's back. "Inside me, please," he adds, words so drawn out and voice so breathy that Wille can't help but moan in response. Simon needs him, is all Wille can think of when Simon grinds back against him, Simon needs to feel him again, he thinks, as he listens to Simon's staccato breaths and the sound of his slickened hand jerking himself off. It's all the way it used to be, it's like he was never gone, it's like they picked up where they left off, like it's them, together, against all odds again. It takes no more than a couple thrusts before Wille is coming, gasping into the sweaty hair in the back of Simon's neck, pressing closer, wrapping his arms tightly around Simon's chest and stomach, like that will keep him from ever leaving again. Wille is still panting, still shaking, when he feels Simon's come hit his arm, feels Simon go pliant in his arms. He doesn't ask why now, why after all this time, when Simon, hands still holding Wille against him, like he, too, is scared Wille will leave, pants out a quiet "thank you". Wille doesn't ask what this means, either. Doesn't ask what Simon now thinks of him, what Simon now wants to do. He doesn't, can't, get out a single question while he holds onto Simon and Simon holds onto him.

OOOF. I......... I guess that was the vibe when I sat down to write this today. Thank you so so much for sending in that prompt, dear anon! I hope you enjoyed it! 💜💜💜

Send me "Wilmon" + a sentence and I will write you 2k apparently another 5(+) sentences

[mattsturnioloz]

Then I lost you: Pt 5. (last pt.)

Part 1, Part 2, Part 3, Part 4.

Summary: Matt's career as a youtuber takes a toll on his 4 year relationship with his girlfriend, putting it on hold. Will it ever be the same again?

Warnings: angst, unresolved angst, crying, fluff!!

Pairings: Y/n x Matt Sturniolo

A/N: (This is gonna be the last part, it’s gonna be sad but hope you guys will love it 🫶🏼 Also I fell asleep in the middle of writing this so forgive me if it’s not my best😖 I recommend listening to the song while reading 😚)

(Also since this part is really long I recommend just replaying the song over and over until the end of the story :) if you wanna cry☠️)

Matt’s Pov:

I drive back back home, The car silent and the negative thoughts come to my head but I quickly drown them out by playing music.

I get home and open the front door, and I go up the stairs to the living room and see Chris and Nick both laying on the couch watching some netflix show and I lay in between them, putting my head on Nicks shoulder. Somewhat needing to feel my brothers comfort.

“Are you okay?” he speaks up looking at me on his shoulder. I shake my head while staring at the tv and picking at my nails. He puts his arm around my shoulders and rests his head against mine and Chris rubs his hand up and down, on my partly exposed back and they exchange sympathetic glances at eachother.

Nick and Chris fall asleep during the show and I get bored, closely listening to the analog clock that we have above the couch, ticking, and the soft snores of Chris and Nick filling my ears.

I decide to get up and clean up around the house, doing basic chores until later in the day when it’s time to get ready. I shower quickly so that I don’t have time to think about the negatives. I grab the towel and dry myself off before going to my room.I go to my closet. The side where y/n’s clothes used to be is empty and the sight hurts. The hangers just.. hanging.

I knock out of it and I change into a plain light grey, almost white hoodie, and light blue baggy jeans with a pair of white air forces. Something casual but nice.

I’m nervous, like I was before picking her up for our first date, 5 years ago. I know where im taking her already and I can’t wait, but it’s going to bring back memories and i’m not sure that it’s a good thing right now.

I put on my Vivienne Westwood earrings and necklace to match before fixing up my hair. I hook my keys on the belt loop of my jeans and I spray cologne and deodorant before turning off my room light and heading out closing the door behind me.

I would say bye to Nick and Chris but they’re passed out on the couch so I go down to the stairs to the front door, leaving and locking the door after I walk out. I walk over to my car, getting in and I can feel my heart beating out of my chest.

I stop by a flower shop and I grab a bouquet of plumeria flowers, her favorite. The same ones I got her on our first date with all sorts of pretty colors that all go well together. They’re beautiful and vibrant, just like her.

I pay for them before I go back out my car and I get in buckling my seatbelt and I take a deep breath before I start the car and I start driving to Y/n’s house. Y/n’s house.

I break down in sobs, letting my cries out before I get to her place. I feel like I can’t breathe, gripping the wheel so tight, that my palms start to turn white.

I get there and park before putting the mirror down and making sure I look okay. I get out taking a deep breath, taking in the warm Los angeles sunset. I go over to her front door and let my fist hover over the door for a moment, my palms sweaty and I wipe them before I knock.

———- ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ———-

Y/n’s Pov:

I’m changing into a nice simple white dress, when I hear a knock on the door. Shit. I hope I look okay. I dust my dress off in the mirror while also checking if my makeup looks alright before grabbing my purse and turning off the lights. I go to the front door and open it to see Matt standing there. He looks so good.

“Hey baby..” He says with a warm smile. He looks nervous, exactly like he did on our first date. It’s radiating off of him and I feel my palms start to sweat. I see tear stains on his cheeks but i’d rather not bring it up and ruin the mood.. Instead I wrap arms around him and hug him.

I can feel my body shaking, I don’t wanna lose him. Why are we even trying? What was the point of splitting up if we were just going to act like a couple? Technically today, we still are one.

We finally let go of what will be one of our last hugs. My heart is still aching to the point where it’s starts to hurt physically. “Youre so beautiful.. you always have been..” He says in the sweetest, most gentle tone. He grabs me the waist pulling me closer, while looking me up and down in awe.

“Thank you baby..” I reply, smiling and I press a kiss to his lips. “You ready to go?” He asks. His tone almost sad. But I nod and smile in response.

This is what I was still holding on to. Moments like these. Moments like last night, and this morning. I love him. So much. I wish he would just tell me that he takes it all back. That he wants to be with me. That he wants to try again.

———- ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ———-

Matt’s Pov:

I grab her hand after she locks her door and I lead her to my car, opening the door for her. She kisses me on the way in before smiling at me. Her smile makes my heart flutter. She’s so beautiful. Everything about her is just so beautiful.

I kiss her again before shutting the door and making my way around the car and into the drivers seat. We buckle ourselves in before I start the car. The sun still setting by the minute.

I roll the windows down, the air warm and fresh, and Y/n plays music, singing along with it, and I can’t help but smile and steal a few glances at her. We stop at a red light and I reach in the backseat. She looks at me, confused and I grab the plumeria flowers, handing them to her.

She freezes and she looks up at me almost in shock. She knows. I can tell that she wants to cry but she doesn’t. She flashes me a big smile. “Thank you so much baby, I love them!” She says with the biggest smile before smelling them. “Of course, i’m glad you like them..” I say reaching over and putting my hand on her thigh, caressing it gently before just letting my thumb glide side to side.

I’m devastated that i’m losing all of this. I can’t believe I treated her the way I did. I wish I could take back everything i’ve said to hurt her. Maybe this wouldn’t be happening. If i would’ve just treated her right and gave her the love and attention that she deserves. I let my career get in the way of our relationship. Our love.

“I’m glad we’re doing this.” I say, glancing at her. “Me too, Matt. I’m really glad.” She responds. “I’m sorry.” I say, my voice cracking. Dammit, why do I keep crying. She turns her head too quick to look at me. “I’m sorry for all the things I did and said to push you away. I’m sorry I didn’t treat you better.” I swallow the lump in my throat. She takes my hand that’s still on her thigh and she kisses it.

“It’s okay Matt.. like you said, it’s for the best.. It just wasn’t working for either of us…” I nod and I want to tell her that I take it back, but I can’t. I know I can’t.

“Now let’s talk about something else to get your mind off of it yea?” she says smiling at me. How can she smile? How can she keep her composure when she’s probably more hurt than I am. I’m the one who said it won’t work. But I nod again. We talk about some more random things like our careers and future projects we might have planned and want to do.

We arrive at the restaurant and she looks at me with her jaw dropped while smiling. The same restaurant that I brought her to on our first date. “Ravioli?” She asks with a shriek, her voice crackling when she does. “Ravioli.” I nod chuckling her reaction.

I kiss her hand before unbuckling my seatbelt and I get out, making my way to the passenger side and opening the door for her, grabbing her hand to help her out. “I swear, you’re so beautiful baby.” I say closing the door before wrapping my arms around her waist pulling her closer and I kiss her.

“I could look at you for the rest of my life, and never get tired..”I mumble, against her lips before moving my kisses down to her jaw, then to her neck. She giggles at the feeling, making my heart flutter at the sound of her laugh.

I leave a small subtle hickey before pulling away and kissing her lips one more time and I grab her hand. “Let’s go.” I say, locking the car as I lead her towards the restaurant.

We go inside and I request the same table we had on the first date and thankfully, it was available. We get seated and handed our menus but we don’t bother to look inside because we both know we’re getting ravioli.

“I love that we’re recreating our first date.” She says, reaching across the table to hold my hand. “I thought you might. It feels like our first date all over again.” I smile, planting a gentle kiss against her knuckles.

The waitress comes over and we order, and not long after we get our food. We talk, eat and laugh about old times for hours, and eventually we’re the last people at the restaurant, the night coming to an end.

I pay the bill and we go quiet. Neither of us wanting the night to end. We stand up and I grab her hand leading her out the restaurant and I walk over to the trunk grabbing a blanket. “We’re going to the park too?” She smiles looking back towards the park next to the restaurant and I nod smiling.

“Gotta recreate our first date for our last.” I say placing a kiss on her temple. I lead her towards the park, the only lights being the dim street lights. I lead her to the grass, placing the blanket down and I kneel, helping her down before we both lay, looking up at the stars with her head and hand resting on my chest.

This feels right. The coldness of the night breeze making me feel peace. The mix of the stars and the streetlights, highlighting her features perfectly.

Hours pass. We talk while stargazing and eventually it’s 2 am. “I don’t want this night to end..” She’s says quietly. “Me neither baby..” I say, holding her closer.

Eventually we get up and she start to shiver so I wrap the blanket around her and hold her for a little before we stroll down the park back to my car.

I open the passenger door and let her inside before shutting the door while taking a deep breath and walking over to my side. I get in and it’s quiet. I glance at her and I can see her devastation.

I start the car and start driving towards her house. I put my hand on her thigh again, caressing it, and she grabs my hand intertwining her fingers with mine. The whole ride there silent.

When we arrive, I look over at her and she’s already looking at me with tears rolling down her cheeks at a rapid pace and she breaks down into sobs, her breath pace increasing.

To no surprise I start crying too. I get out of the car running to her side, opening the door and practically yanking her out, into a hug. Her sobs are killing me. “Listen to me Y/n.” I say lifting her head from my chest, cupping her cheeks, and wiping her tears with my thumbs.

“I’ll always be here for you, i’ll always love you so much, you’re the love of my life. No matter what, it’s always gonna be you baby.” I cry softly, pulling her head back to my chest. Her cries die down and all I hear is her occasional sniffling. “I love you, Matt..” she hiccups. “I love you too y/n.. more than life itself. I always will. Always and forever..” I say mumbling into her hair.

She pulls back and kisses me, and we make out slowly and passionately, taking our time, tears mixed in between. I give her one more soft loving kiss but eventually we part and my heart shatters into so many pieces to the point where i’m not sure that there even is one.

We let go of eachother and she makes her way towards her door and when she reaches it she looks back at me one more time. “I love you.” She says, with a teary smile. “I love you more.” I say smiling back, my own tears rolling down my face.

She watches me a little longer before turning around and unlocking her door, disappearing inside after she closes it. I take in the bittersweet moment. The love of my life is officially gone.

I take deep breaths as I walk to my door and I get in, starting the car and immediately driving away, because if I didn’t, I would be banging on her door begging her to stay with me.

———- ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ———-

Y/n’s Pov:

I feel my heart break the more that I watch his car fade into the distance through my window and after i can’t see it anymore, I walk over to my couch and plopping on it. The silence too silent, like im drowning in it.

I look at the promise ring on my finger that he gave me long ago when we hit our 2 year anniversary. Taking in the memories that came with it. Remembering every detail of that beautiful night.

I stare at the boxes of my things that are still packed and I look around, taking in the emptiness and loneliness of my new home. 5 years with the love of my life… gone.. and I miss him already.. I miss him so much and all of our memories come flooding back. But then I realize that this was goodbye.

———- ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ———-

Matt’s Pov:

As I drive further away from y/n’s house, a part of me is gone and feels like it’s been taken, but I know this was my doing. It’s all my fault. I need somewhere to go. To feel at peace. But then it hits me. The beach.

I drive to the beach, trying to drown out the painful after thoughts of losing y/n and the aching in my chest. My vision becomes blurry when soft tears fill my eyes.

I play music to try and drown out the images. The images of her smiling at me. The sound of her laughter. The sound of her crying. But it’s all too much and it doesn’t help that white ferrari by frank ocean starts playing.

When I get to the beach I park and pause. As if time stopped and I take in the sight, the memories flooding back all at once.

———- ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ———-

Flashback:

“Where are you taking me?” Y/n giggles, as my hands are covering her eyes. “Be patient my love, you’ll see..” I say placing a kiss on her temple. I lead her to the spot at the beach and I uncover her eyes.

A whole picnic set up for us with blankets, pillows, her favorite snacks and board games. “Oh my god..” She says looking back at me with her jaw dropped and she jumps into my arms and I catch her, holding her up by her thighs, kissing her face repeatedly.

Her skin is soft and her hair is flowing with the night breeze making her look more beautiful than ever. The city lights reflecting on her face, highlighting her beautiful features.

I put her down giving her a kiss and I pull her down onto the blankets and pillows. “I have one more surprise for you my love..” I say, brushing her hair out of her face and tucking it behind her ear.

“Another one? Baby you didn’t have to-“ She says. “Shush, you deserve it and so much more.” I say cutting her off and pulling out a ring. “It’s a promise ring.”

She smiles and her eyes well up with tears. “Matt that’s so sweet oh my goodness..” She says trying to hold back her tears. I pause and take a deep breath before speaking.

“Y/n I promise to always be here for you, to be the one who cherishes your love. I promise to be faithful and to be the man that you deserve.” I say, sliding the ring on her ring finger. “I promise to be the woman you deserve too baby.. I promise i’ll always love you..” she says hugging me.

After that she lays in my lap, her upper back against my chest and her head against the crook of my neck as I hold her. We watch the stars and stare out into the darkness of the ocean, the city lights reflecting onto the water. The night is perfect and so is she.

I turn her face towards me and I gently kiss her lips. “I love you Y/n..” I say with a smile. “I love you more baby..”

———- ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ———-

I walk towards where the sea meets the land and I sit in the very spot from that night, I breathe and take in the night air. The waves crash gently against the shore, a soothing rhythm that once matched the beat of our hearts.

I sat at the edge of the ocean, the place where we made our promises. The night sky seems endless, but it only reminds me of the distance between us now. Every memory we shared flashed before my eyes, each one more vivid than the last. The laughter, the tears, the promises we made.. they all feel so close, yet so far away.

In that moment, I realize that everything we had was slipping through my fingers like sand and I regret everything I said that pushed you away, I just want you back.

The echoes of our last conversation lingered in the air, haunting me with every breath I take. The place we once cherished now feels empty, a different contrast to the warmth you brought into my life.

The sky darkened, identical to the darkness I now feel in my life. The gentle breeze that once brought your laughter now carried only silence.

I sat there, hoping for a miracle, a sign that you might come back. A sign that this wasn't the end. I could only hope that we’d find each other again when the time was right.. but for now, I whispered your name one last time, knowing deep down that this was goodbye, and just like that you were gone.

Then I lost you.

———- ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ———-

3,086 words.

A/N: (Ahhh my first series is finally finished!! I’m so devastated, and i’m as we speak. Thank you all for the support and I really hope you guys love this last part :) thank you 🫶🏼)

Taglist: @urmom69lol @imwetforyourmom @tsturniolo4 @watercolorskyy @starzinasblog @urfavstromboli @sturniqloo @star-yawnznn @h3arts4harry @asherrisrandom

[genericpuff]

I've watched both (this is a hazbin hotel ask btw) but tend to keep my eyes closed to merch sales (and such forth) unless it can pierce my five degrees of separation

also gotta admit that I've been not keeping up with HB since... honestly the since the season end. yeah I'm behind.

What do you mean they're waiting for what's functionally pamphlets? It's taking MONTHS for a pamphlet?

That's funny in the bad way 😭

yeah so from MY UNDERSTANDING (i.e. correct me if I'm wrong) the playbill was part of some exclusive package deal where buyers would receive some keychains, trading cards, and a playbill which was supposedly going to be filled with exclusive interviews/quotes/background information/etc. about the show's production. That playbill was exclusive to the pre-orders, meaning if you didn't pre-order this merch package, presumably you could still purchase the merch package on its own (or possibly its parts separately on the merch site like the keychains n junk) but the playbill would ONLY be sent to those who pre-ordered.

The pre-orders started around a year or so ago, but then roughly 9 months ago when the bundles started to show up, people reported that the playbill - literally the centerpiece of the marketing - was missing.

Since then, the playbills still haven't arrived, but customers have gotten TWO separate emails written from the "characters" of Hazbin Hotel updating them on the situation. Yes, you read that right, the emails meant to update people on the part of their pre-order package that was still missing - a package that cost them $76 and again, the playbill was exclusive to - were written in-character like a roleplay post in a message board forum.

And for some reason, the A24 staff decided that Husk would be the best character to deliver the bad news, a character who is, like many characters in Hazbin, just an asshole.

It's wild that this even got approved as an official email from the A24 team because let's face it - if you had spent $76 with the good faith expectation that you were gonna get everything you were promised in return for that $76 is this really the response you'd want to get? I'm not exactly sure when this email was sent out but according to some of the people reporting on it via Twitter, it was around the end of January (so the end of the month that folks were expecting it to roll in). Not a great way to tell people that the product they're waiting on - and didn't expect to be missing in the first place - was delayed.

Months later, a second email rolled out, and A24 sort of learned their lesson, not by actually addressing their customers as human beings, but this time as Charlie, who is at least not a complete dickhead.

It still doesn't really answer any questions though because it's putting the responsibility on fictional characters to explain what's going on. So of course everything is masked behind the "teehee, Alastor did a naughty and Niffty got stuck in the printing press machine!" roleplaying talk which literally does not actually tell anyone what's really going on, just gives them a vague impression based on what they chose to make a fictional character say.

Sure, it's nicer than Husk, but it's still disingenuous and frankly just cringe esp when this is concerning the interests of paying customers.

I don't know if this is Vivzie's doing or someone else on the A24 team, but it really feels like they're trying to operate the same way HH would have operated back when it was just a Youtube series... but it's not a small-time Youtube production anymore, it's a full on Amazon show with hired employees and a customer base that expects the thing they paid for to actually show up. So at best this is just really immature mishandling of a situation that should be taken at least relatively seriously.

And really, out of all the things to delay... the playbills? Really? For anyone who's not familiar with what a playbill is, it's literally just a booklet. Professional, "Playbill" branded playbills that you see in legitimate theatre productions are (if I recall correctly) anywhere from 30-60 pages, but a lot of those pages are often dedicated to ad space of other productions and companies, with maybe only 10-15 pages dedicated to the actual production. People love collecting them though because you typically only receive them when you go to see a play itself, so it can be a great souvenir from limited run productions.

It's kinda like comic collecting for theatre-goers, they can serve as memorabilia or as "proof" that you were there to attend a specific show. Though playbills don't tend to accrue as much value as much as comics can, they can still have a lot of sentimental value.

Hazbin Hotel isn't a play though. It's a streaming show available on Amazon Prime that anyone can watch anywhere in the world. It doesn't exactly have the need for something like a playbill, because the exclusivity is simply tied to how much extra money you're willing to give them for the pre-order, not to any sort of unique in-person experience of going to the theatre and watching the show live with your own eyes.

Granted, Hazbin Hotel does obviously take heavy inspiration from theatre culture as it is itself a musical, so I can understand the novelty and appeal of creating a unique playbill for it. I just don't really understand why that's the item that got delayed when a booklet containing exclusive info should be one of the easiest things to make, especially when it comes to production costs (printing a bunch of playbills shouldn't be anywhere near as expensive as producing keychains and trading cards).

But there was an update on reddit about this a couple weeks ago and it seemingly contradicts what A24 - sorry, 'Charlie', sigh - said months ago that they were working hard on specifically printing and packaging the playbill orders-

FINALLY the HH fandom gets a real human being from A24 responding, but they're saying that the designs are still being worked on??? So this means they haven't even started printing the things yet?? So that's an entirely DIFFERENT issue that hasn't been addressed up until this point.

So yeah, again, I don't have any stakes in this and it's definitely not something that I'm like, putting a lot of emotional investment into, but it has still been fascinating to check in on every now and then. Big condolences to the HH fans who paid $76+ for this package and are still waiting for the MAIN CENTERPIECE to show up - if you're one of those fans and are now reading this, you're probably gonna be waiting a little while longer because apparently they haven't even designed them yet 💀😆

[girlfriendsofthegalaxy]

tuesday again 9/24/2024

you might be wondering “is my dear friend tumblr user girlfriendsofthegalaxy still unemployed?” the answer is yes. take this cat off my hands please i don’t think he’s causing the unemployment but he certainly isn’t helping

listening

via Wendy @dying-suffering-french-stalkers, Huoy Meas' ប្រគល់ក្ដីស្នេហ៍មកខ្ញុំវិញ. figuring out what this incredibly zippy Cambodian rock song is named and what it's about was really difficult bc spotify is a bane upon this earth and won't let you fucking copy-paste and OCR was not working on the Khmer script. i ended up listening to the first couple seconds of each of her songs on apple music, and finally figured out this roughly translates to Give Me Back My Love and is about begging a fuckboy for closure.

via the spotify discover weekly, Night Club's Pretty Girls Do Ugly Things. all Night Club's songs sound the same so if you like one, great news! i had this song on for a full gregorian hour bc, i am only a tiny bit ashamed to say, i was storyboarding a The Man With No Name fancam to this. i think it would go pretty hard.

Smoke you like a cigarette Choke you like a lariat Fatalistic tourniquet Do you want more?

-

reading

thank you mackintosh.

i did not Adore any of these comics from the library. i sort of enjoyed Night of the Ghoul, a one-volume TPB by Scott Snyder and Francesco Francavilla. i think ive blogged about this before but every once in a while i'll get a bee in my bonnet to read some horror comics even though i am a giant baby about horror movies.

Night of the Ghoul is about how you can't save your dad from PTSD but also about a lost horror film and also about the extremely dad behavior of tracking down every scrap of info about an auteur. there's also a monster.

the subtle art changes from present day to the remains of the film to the non-film flashbacks are well done, imo. the cover screams mignola but the inside pages are really fun pulp nonsense. i love a piece of genre writing that rolls around and delights in being a piece of genre writing.

im doing my level best not to get sucked into tiktok but i DO love watching this lady revive antique nail polish and look for dupes for shades from like the 20s. she found an almost exact dupe for a shade produced during wwii which is crazy insane to me!!!

-

watching

The Asphalt Jungle (1950, dir. Huston), it's a very painterly heist noir. i even like Sterling Hayden in one of the more prominent roles, even though i think he generally has the appeal of undercooked dough.

much like Fritz Lang's M, it presents the criminal element of the city as its own class with its own reputation and reference systems. it got in some trouble with the censors for having a VERY clearly laid out heist plan and execution. it's also got the babiest Marilyn Monroe in one of her earliest roles

this was such a gloriously messy movie. everyone is such a fucking mess. this woman only known as Doll is heartbreakingly, head over heels in love with Sterling Hayden's character. she's a little flighty and bumbling and silly, but determined! they're constantly orbiting the gravitational weight of her desire for this man and desire for a real life with this man. and that's just one subplot! she has maybe five minutes total screentime! she should have gotten a supporting actress oscar!!! everyone acted their fucking hearts out and it was so much fun to watch!

-

playing

monument valley is in the netflix games library this month (i don't actually know what their liscencing agreements would even look like, they and the studios they worked with were very tightlipped about that when they were rolling this out three years ago) but i assume it's going to be on the service for a while. i have never played this game, which makes me feel a little bit like a bad gamer. you can tell it's ten years old from some of the color and texture choices, but WOW did literally everyone take inspiration from this game.

this is the platonic ideal of a phone game. i get why everyone went insane about it and there was a brief boom of geometry-based puzzle mobile games. it is MUCH much harder now to get people to pay money to play a game that has a planned endpoint and planned number of levels, so netflix is a good home for it.

i was often frustrated but always delighted. the level below involves making something happening that made me genuinely gasp out loud in glee. well worth the annoyance of downloading the netflix app and scrolling through the poorly labeled and poorly sorted carousel of games.

great retrospective, a bit about how you need to have tiny teams go off and just kind of fuck around and bring weird stuff back, and a lot about how they actually designed the levels

The end result had a pixel-perfect axonometric aesthetic that not only went hard on its references to Dutch master artist and printmaker Maurits Cornelis Escher, but also dug deep into classic video game design, going right back to early arcade machines and 8-bit titles. Each of the ten levels is like a piece of fine furniture, built with invisible dovetail joints and inlaid with marquetry, stuffed with secret compartments and little design flourishes. Gray cites the world of theatre and stage design, as well as graphics, as important keystones in the way the levels were constructed. ‘Ken would always talk about flower arranging, and how you frame a silhouette of a level on the screen,’ he says.

-

making

update on the Phantom Menace fabric: pinked the raw edges and threw it in the laundry again with a very large quantity of vinegar. 50% poly was too high for it to really do anything, which is interesting. it didn’t lessen the seam edge effects either, which is a little annoying bc the seams were so gigantic and that’s a good chunk of fabric to lose. i am going to buy a camp shirt pattern at some point when i have money again but for now it goes in The Box

also! thrifted a pack of o-rings for jars for a dollar and finally put my grains etc in my pretty jars. they’re going to live in the pantry but today they live out on the countertop

[autistichalsin]

My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

[fanfic-she-wrote]

Second Chances

One of the reasons Beetlejuice is determined to get married is because he needs true love’s kiss to return him back to the man he once was. Only Lydia doesn’t return his feelings…or so he thinks.

(Beetlejuice x Lydia Deetz)

(Contains spoilers for Beetlejuice Beetlejuice ⚠️ Do not read if you haven’t seen the movie! )

Chapter 1:

It was about mid November in the small town of Winter River, Connecticut. A slight dusting of white covered the lawn of a lonely house on top of the hill, the one known to locals as “the ghost house”. Which now belonged to Lydia Deetz, who decided to keep the house after Delia’s passing. Why? She really didn’t know. She had some fond memories there of course, like the time she spent with the Maintlands before they crossed over. But she also had some equally bad memories as well…

She took a deep breath and turned over in her bed, forcing her eyes shut trying to sleep, but she couldn’t. Not after what happened a little over a couple weeks ago when she saw him again. At first she was scared,but after a while it was like her and Betelgeuse seemed to just work together. She didn’t know why, but she actually found herself missing him. How strange, she thought.

She even felt a twinge of regret for sending him away after everything he did for her. If only he didn’t try to make her marry him…again. She didn’t want him or anybody for that matter. Then again if she didn’t, why would she be lying there thinking about him? She groaned feeing confused. If only she had someone to talk to. Astrid wouldn’t understand. She had nobody now. Not her father, not Delia, Rory, not even Betelgeuse…

——————————

Lydia wasn’t the only one feeling lonely. Betelgeuse was too as he sat there behind his desk listening to the sound of the shrunken heads endlessly typing away. Things had settled back down to how they were before, the same way they’ve been for over 30 years. To be honest, he was tired of it and just as he thought he would be free, he was sent back to the netherworld again. What was he going to do now? Just wait for Lydia to need him for something again? No, he was done with her. He helped her out twice and this is what he gets. Nope. Never again!

But then why was her picture still on his desk in a brand new frame?

—————————

Unable to rest, Lydia got up, put her black bathrobe on, and slowly opened the door, peering out into the hall as she went not wanting Astrid to see what she was doing.

Quietly she crept out into the hall and made her way towards the attic. Everything in the house was dead silent except for the thoughts racing through her mind as she slowly approached the stairs.

She just had to talk to him. Even though she was a little afraid to, she knew she had to see him again. At least thank him for what he did.

Lydia paused at the bottom step, looking up she saw the attic door was shut. She swore she would never go up there again and yet here she was. Just as she was about to take the first step she heard a voice call out from behind her, making her jump.

“Mom? What are you doing?” Astrid asked, half asleep.

“Nothing. Just…checking on things.” Lydia quickly replied, folding her arms, and taking a deep breath to calm herself.

“He’s gone, mom. You don’t have to worry anymore.” Her daughter assured her. Lydia sighed. That wasn’t exactly what she wanted to hear.

“What’s wrong?” The teen asked, noticing how unusual her mother was acting. Her mother was always unusual, but this was different.

“Nothings wrong, kiddo. I’m fine. Let’s just go back to bed.” Lydia said, pushing her daughter down the hall away from the attic.

“You can tell me.” Astrid insisted. Lydia shook her head.

“Astrid, it’s complicated.”

They came to a stop just outside Astrid’s bedroom door. “Is it about…Be—“ She quickly stopped herself, not wanting to say his name. “Him?” She asked.

Lydia sighed, becoming impatient. “Just go to bed. Don’t worry about it.”

“But-“

“Good night Astrid!” and with that Lydia shut the door to her daughter’s room officially ending the conversation.

Lydia took one last glance over towards the attic and went back to her room, losing her nerve. Maybe it wasn’t a good idea after all? Maybe he’s better off wherever he is without her.

“Oh Betelgeuse…” She sighed as she headed back to her room.

From the Netherworld, her voice carried down to his ears sounding like a faint whisper. “Fuck.” Betelgeuse swore to himself. Why did she have to say his name?

[purplesoulcollection]

Unnatural Love

Part 6 Synopsis : Name has being transmigrated into the world of I'm Not That Kind Of Talent without ever reading the novel. She's not being reincarnated as a human but as a devil as well. Hi There! I want to let you know that this fanfiction story isn't solely my creation. I borrowed the concept from @quqiwo2. I haven't actually read the novel either, just some spoiler to the end.

I hope you'll excuse my spelling and grammar mistake, because English not my first language.

Finally after we were anxious to think about our future relationship. We also decided to keep our dating relationship as a secret from the Demon King .

But that's not the most important thing I want to say...

Because…

Finally, Deon himself revealed his secret. To ME!!!

He said that because for him we were already together, that's why he would also tell his secret life story.

I've actually wanted to know about him since a long time ago but wasn't sure how he would respond if I asked. So I'm afraid that if I want to ask directly,

The past is a taboo topic for soldiers. Because they have to sacrifice their humanity to fight. It would be unethical to ask casually. It’s also will drop the mood and interrupted that person.

He was the one who told me that his name was not Demon Arut, but Deon Hardt. And he also asked to just call him Deon when we were alone, I agreed with him.

He said that his original name, Deon, changed to Demon because he was being misunderstood by the devil's advertisements and was constantly being misunderstood his whole life.

And finally, Deon also told me about his life story, starting from when he was born albino, had a weak body since birth, was forced to fight in the war between kingdom, survived through struggle and luck and too often lost his memory.

When I heard everything Deon told me. I honestly feel very sad and sympathetic to him. But also wondering...

Is it accurate to say that his family is so unkind as to send him to war despite his physical condition being unsuitable?? Is there really having no misunderstanding at all?

Why am I asking the reality of the Deon’s story?

Because it’s really contradictive for me…

If his family really intended to kill Deon, why didn't they try to escape knowing that Deon could return home after 8 years of war? It is difficult to believe that Deon will not harbor any resentment towards those who sent him to war and they should be the one who know that.

Life is the second most valuable thing for nobles, after money of course. If they don't live, how will they enjoy their money? It’s logical to think that they would try to save their lavish life.

Just imagine, okay?

We become war soldiers for 8 years, and 8 years can survive in a war that can make people's minds go crazy. The psychological burden of a murderer must be enormous-- the possibility of the person becoming crazy and psychopathic is also possible occurrence.

Of course, the normal people would usually try to avoid Deon, who miraculously survived.

But his family, who tried to kill him, didn't run away and instead welcomed Deon home. As if they weren't aware of Deon's grudge for not being willing to become a soldier?

It's either that Deon's parents are stupid, greedy, trash, or a misunderstanding.

That's the biggest possibility of Deon's story which has a definite plot twist. Because Deon's story from start to finish is truly spectacular, suitable as a fantasy novel full of drama and tragedy. As an expert on fantasy novels, I am sure that there is a misunderstanding that has occurred.

Besides, his older brother, Cruel Hardt, also has oddities, Deon said that his brother hate and want to kill him, he also becomes a hero following his younger brother. Why did his brother never try to kill Deon who killed his parents with his own hands. Why?

Revenge is most delicious and satisfying when it is done with one's own hands. People who want revenge will never allow their targets to be killed by others. Because that is the revenge system that can satisfy a heart full of revenge.

So it is clear that there must be a big problem hidden without Deon's knowledge.

I believe this aligns with the perspective of seasoned readers. Those who enjoy cliché fantasy novels frequently trust their gut feelings. I can feel that in the future there will be will be a sacrifice that will occur if this situation continues and it will affect Deon too.

I actually don't know about psychological problems. But Deon's character is very unsuitable for someone who has becoming the hero of the war.

I'm not mocking him, but the trauma he has should be there for someone who didn’t want to do a war. He even told the story as if he didn't have any trauma at all. He talked about his 8 year war so casually, didn’t took any life at all but he took the lives of his family, and then he was sent to be one of the hero's journey companions and his hero died, but he became the Commander of the demon king's zero army now, but he said he was weak?

There's no way that could happen, war is never a joke. Only the strong can survive. It’s the same principle in this devil’s world

Even if he was lucky, Luck didn't work like that. That's why I say Deon's story is very suitable because it is a tragic fantasy. Especially the plot hole that occurs due to memory loss. I'm sure it must be because of his psychological problems, Deon's psychology seems so unstable that he can be like that.

I've only heard of it but is it possible that he has a split personality. According to an article I once read, people who have multiple personalities will not remember what the other personality did, As a mechanism to take care of itself. This symptom is match with his condition.

So I can't tell Deon all these facts I just thought about.

If all my hypotheses are really true, then tragedy will come to Deon. Because it's impossible to have a happy ending after all of Deon's stories have happened. Then what about me?

“Adele, Adele!”

Surprised, I turned to Deon. He looked at me with a worried look. "Adele, was my story that surprising to you?"

It seemed like he was worried about my situation. Maybe he thought I was in shock after my fragility earlier, even though I was just thinking about the possibility that Deon's story was a fantasy story from earth or not?

I exhaled tiredly. Of course, my thoughts above are just a hypothesis. It seems that I really have talent as a novel writer if my imagination continues like this.

"Even if your story is so surprising to me, this is your story. Of course, the one who feels the saddest is Deon, right?" I tried to empathize with him, even if I've never experienced the same thing as Deon.

Deon just looked down and made a shadow with his hair. This makes him feel very far from me. I, who couldn't stand seeing that, slowly touched his hand first before finally holding it.

Only then did he look back at me. I smiled sadly.

"I'm sorry I made you remember your past. But I'm glad you were honest with me about your past. Would you like me to hug you in return?" I opened my arms, inviting him to hug. At first she was hesitant, but then she came into my arms.

When he hugged me, suddenly a panel screen appeared in front of me.

The screen shocked me and shocked Deon too until his body turned stiff. I immediately stroked Deon's back. Trying to calm myself and Deon too.

"Sorry, Deon, I thought there was an insect passing by."

"Bugs won't come in here!"

"That's why I said I saw wrong."

After that, Deon was silent and I continued to stare at the damn screen that suddenly appeared in front of me.

Is this a clue to the reason why I am in this world.

Does that mean I came to this world without notice and had to suffer in this world because of Deon?

To change Deon's tragic fate from beginning to end…

.

.

.

Do I have any other choice but to accept it?

I had come into this world without warning, suffered, met Deon, interacted with him without thinking of him as a tragic character and we dated too now.

Maybe this screen is waiting for the right moment so that I can't resist it. Honestly, if I got this quest before. Maybe I will reject it outright.

But because I already know Deon, know him, like him, he finally was honest with me about himself. Do I have the heart to let Deon meet his tragic end? My conscience really couldn't bear to refuse this quest.

With a heavy heart but also with an anxious heart, I pressed the yes button.

And I can see a list of skills that I can get if I do the quest. This is like farming games where I have to deposit items first before I can get the prize.

Wait a minute, Why do I have to do Quests all full of romantic scenes. 

Teasing Deon, holding hands, hugs, cheek kisses, and so on until there is something most erotic that makes you

My face heated up instantly.

But in the most erotic part, namely doing it with Deon, the prize was clearly visible.

‘Clear the karma of Deon hart’

My eyes and mouth opened wide. I reflexively tightened my hug which made Deon squirm. I realized that I immediately let go of our hug.

"What's wrong with you all this time, it's like you've been seeing a ghost?" Deon's face became dirty. Maybe he's sulking because I keep bothering him.

I can only smile nervously. Technically, it is true that the screen that appears suddenly is like the jump scare.

"N- it's nothing! This is just because I'm hugging you for the first time. So I'm nervous." I avoided Deon's gaze. I don't even know if Deon can accept this reason.

Of course I'm not a fool who would say screen to Deon. He must not know that he had a tragic ending and only I can change his life.

If he found out, he would most likely kill all the demons and himself right now.

Of course that's something that can't happen now.

“Me too, this is my first time in a long time. "

“Then shall we hug again, I promise this time I will be quiet. “

Well, we hugged again, and in the end we both fell asleep.

To Be Continued

How is my innovations? Are you like it?

[luckydicekirby]

would love any director's commentary you may have on The Only True Thing if slightly older fics are on the table here bc lowkey it changed my brain chemistry forever. I read it on a whim like four years ago at 1 in the morning and ever since then I've been hooked on making all my fav pairings miserable for no reason. this sounds like sarcasm but I'm being completely sincere the schadenfreude is exquisite

okay first of all I’m SO glad to hear this because making your favs miserable is I think one of the most rewarding activities on this earth so I’m really glad I could help share that joy. thanks also to sylvain for just making it so easy. anyway, here’s some assorted thoughts, hopefully some of which are edifying!

(the only true thing for reference for anyone playing along at home.)

this fic affectionately named the darkling au due to this tweet which I feel like I should put in a hall of fame someday. anyway this entire thread showcases the origin of this fic which was me catie and lily bullying each other on twitter about sylvix, a pastime left behind in 2019 which i really miss.

the thing that really first made me Crazy Cuckoo about sylvain is his B support with Byleth--I'm obsessed with that moment where he very coldly threatens to kill you and then laughs it off, and that was pretty much the jumping off point for Sylvain's characterization in this au--what if he was like that all the time? answer: it would be bad, but also pretty sexy!

One thing I miss about writing for fe3h is the hero’s relics were sooo nice as like. shortcut symbolism. the lance of ruin comes preloaded for you! It’s familial cycles of violence! Easy! and there's a mechanic for it breaking ALSO preloaded into the game mechanics! I wrote like three versions of the ending and the lance getting busted moved around a bit--it originally happened a little earlier.

For a while when I was still femblempilled I was idly thinking about two sequels to this—a sylvain pov sequel about the war, which would have been fun but also Yikes, and then epistolary dorothea/ingrid ideological divorce fic. sorry to dorothea and ingrid who really get the short end of the stick in this universe.

oh there's a playlist. I can’t claim to have put a ton of thought into it it’s just all my fav bad ya boyfriend songs <3 actually dead girl walking reprise is like. yeah that's the fic.

ANYWAY. I feel like a lot of my commentary on this has been washed away by the sea (the passage of time) so a few extras. I apparently wrote like 400 words of sylvain POV of the training yard scene also? Last edited September 26th 2019, here you go:

Felix has always been smaller him, ever since they were kids. Still is these days, to Sylvain’s delight. He wondered about it plenty, these past two years--maybe Felix had a growth spurt. Maybe he caught up to Dimitri. Maybe Sylvain would meet him at the monastery and they’d see eye to eye. Of course they don’t. Felix is a head shorter than him, and he’ll never see things the way Sylvain does. Still. Sylvain thought about it. He’s had a lot of time to think about Felix since the last time he saw him, since Felix ran away. Still a crybaby at heart, no matter how sure he was he’d grown out of it. Not much has changed, Sylvain figures. Felix might have everyone else fooled with that delightfully sharp-edged exterior of his--a pretty decent feint, Sylvian should know--but Felix can’t hide from him. Sylvain sees him down to the bone. The two of them are a matched set: liars at heart.  Like right now. Felix is trying so hard not to cry, his back to the wall of the training yard, his grip tight around the wood of his training sword like he’s actually going to use it. Sylvain hopes he will. He hasn’t gotten to see Felix fight yet, really fight. He bets he’s gotten better. He bets he’s elegant and controlled—maybe less so with Sylvain, and wouldn’t that be nice? That’s how it goes sometimes, when Sylvain dreams about their last day together. Felix’s sword at his throat, biting and cold, ending all this before it began. It would have saved everyone a lot of trouble. Sylvain wouldn’t have had to spend such an awfully long time missing him.  He bets Felix could make him hurt. Nothing seems to do that anymore, except for thoughts of Felix, the ones he can never stop worrying at like a bruise.  Sylvain doesn’t want much these days, and maybe that’s why it’s so hard: he wants Felix in a way that aches, delirious and unstoppable. It doesn’t matter so much how. Felix is welcome to cut him open or kiss him quiet or anything in between. As long as he never stops looking at Sylvain like he is now, hateful and just on the edge of tears, so clearly focused on nothing else. As long as Sylvain can have that, the rest doesn’t matter.  That’s love, Sylvain figures; the cheerful facade he gives the girls is nothing. He forgets about a new one every week. But Felix? He’ll be dead someday, and Felix will still have a grip on his heart, as tight as he’s holding his sword and just as dangerous.

and what exists of the sylvain POV sequel I never wrote:

Felix looks like shit. Of course he’s also beautiful. He’s radiant, for all that his hair’s a mess and his face is drawn and he’s got the kind of dark circles that only come from weeks and weeks of exhaustion. He’s Felix, right? He can’t be anything else. “You look like shit,” Sylvain tells him, because honesty is what Felix thinks he wants from him. He hasn’t seen Felix in six moons, but that probably hasn’t changed. “What are you doing here?” Felix asks. His horse stamps her feet and shakes her head, moving uneasily under him. Felix has never been a good rider. It’s clear he doesn’t appreciate his mare, and she doesn’t appreciate him. Sylvain wonders how long Felix has been making his way across Faerghus like this. He wonders if he stole the horse. It’s awful not to know. “Looking for you,” Sylvain says. “They say you’re searching for the king.” Felix never could stop himself from chasing ghosts. Sylvain hates that about him. It’s just as unfair as everything else: it’s the only reason Sylvain is still here, after all.  “I am. And you should be defending Gautier territory.” “Got a message from your father,” Sylvain lies. He slides off his horse, patting her flank. Felix, clumsily, does the same. “He wants you to come home.” That part’s probably true.  Felix scoffs. “My old man can send all the messages he wants. I’m going to find the boar.” He means it. Sylvain can see that he means it, in the flinty look in his eyes, the fold of his arms, the jut of his chin as he looks up at Sylvain. It’s the saddest thing Sylvain’s ever seen, and he’s seen a lot of shit. “Felix,” he says. He reaches out. He can never help it, not when Felix is like this, not when he believes. Felix doesn’t flinch from Sylvain’s hand on his cheek anymore. “Sweetheart. You know he’s dead.” “Don’t call me that,” Felix says. But when he swings himself back in the saddle and Sylvain does the same, he doesn’t tell Sylvain not to follow. That’s more than good enough. 

[utilitycaster]

Hi! I left tumblr (and for different reasons, C3) like last year and I only pop on here like every once in a blue moon but since I didn't deactivate and still do technically follow you, just wanted to say hi and also I have no idea what's been going on in C3. I literally only watched Downfall and it was only cause of Brennan and then I peaced out of C3 again. I only vaguely know some things about the campaign and do not care about spoilers, so, I decided to read some of your meta without the context of watching the show. Bad idea? idk maybe. I liked your meta before, clearly, since i used to follow you. I know Imo/dna broke up and then got back together and I know you were one of the blogs who kind of said p critical things about the ship.

How do you feel about the ship now in comparison to how they were when they had their first kiss like 30+ episodes ago? Is the show, in your opinion, even worth getting back into? I got bored because it seemed like everything dragged on for forever but nothing was getting done. I mean things were getting done but it kind of just didn't have the same luster and shine of narrative pacing that C2 did. Sorry this is so long, I have many talents but brevity is not one of them.

Hi anon,

This is going to be brief as I got back from a weekend away and have a lot to catch up on this week and because I think a fairly quick browsing of my archives and notably my recent asks would give you a good sense of the details and nuances behind this answer but: roughly the same. No sense of history, very little chemistry, insufficient conflict, and entirely forgettable. Someone made a joke of "makes perfect sense; doesn't compel me though" and I think that's apt; it still feels like two people who basically got together because they were lonely and the other was there. There's no shape or arc to it and never was.

Also I should note they did not fully break up; they took a 24 hour break for an extremely interesting development that was then abruptly resolved mostly by Essek.

[stormblessed95]

Hello Storm,

where is the ending line between "good" shipping and "bad" shipping?

I'm talking about fictional characters AND real persons from various media and genres ,canon and non-canon.

As a BL fan and mostly a fanfic reader for almost 15+ years (!), four years ago Jikook became my first rps couple and I decided it will be definitely the LAST .

Some limits and boundaries around BTS' shipping community got crossed several times with poor taste and insane thoughts .

So now I started to questioning things ..for example, maybe it's better to go back to canon BL-media, leave the members alone and focusing - only musically speaking - to the group ?

Going cold turkey on Ao3 ? Avoiding shipping AND supporting spaces in general?

Too many questions and I admit I'm a overthinker, but after the Tkk french book maybe is really getting out of control for everyone.

Hello my love! As a very avid shipper since a very young age, who before Jikook, doesn't really engage in RPS spaces either, I 1000% get what you mean. So here is where I'm going to link you to a bunch of different posts I've made before that cover this topic. Will you come back and let me know if they helped or not? 💜

This post covers the question what is shipping culture in kpop

This post is about the question, what are ship wars?

This post is I think where I draw that line of what is good shipping (supporting Jikook as individuals and potentially queer ones at that) and bad shipping.

Dealing with rumors about RPS ships by shippers post here

Respecting Privacy Post here

And here is my post where I talk about fanfiction in real person ships. You'll notice the tkkr hate book is an example that falls directly under my "things not to do and cross lines and aren't okay" paragraph. Lol

In the end, do whatever you are most comfortable with. Outside of my blog and a few others, I do not engage with a ton of RPS fics. I read some that are sent to me from friends I trust to engage in that stuff nicely and correctly and that's basically it. I've gotten a few recs from here also and only read the ones that sounded like I would be comfortable with. In fandom spaces, you have to interact with them in whatever way works best for you personally. And if you can quit ao3 cold turkey, I would so shocked and impressed 😂 I could never. I have 10 ao3 tabs open right now lmfao

Hope those posts help 💜💜💜

[nikethestatue]

I finished ACOSF a few months ago and seeing this fandom has been so confusing to say the very least. Nesta is my favorite character and I loved the Valkyries but .... I just don't see this Gwynriel ship happening. I think they'd be cute together and I wouldn't be opposed to it obviously - but I just don't see it happening given where we left off in ACOSF. I also am confused about the personality difference in Gwyn & Elain and Azriel.

Gwyn didn't even kill anyone in the BR and was knocked out and carried to the top - so why are people acting like she is some great warrior and will destroy legions of armies and lead the Illyrians into war!? She saw a mini Pegasus at a sleepover and through it was cute and now all of a sudden people think she's going to ride one in the skies while she paints Prythian with the blood of her enemies? What enemies even?? She's not tied to any of the IC's plot?

Elain didn't really stand out to me in ACOSF, which makes sense because it was NESTA's story. I didn't really have an opinion on her and Azriel or her and Lucien. I get that Lucien makes her uncomfortable but SJM writes her pairings that way it seems so I could see them ending up together tbh. But then I read the BC and - wtf ?? I am firmly team Elriel now because what do you mean Azriel's out here dreaming about how elain TASTES . I see you freaky azriel 👀 goddamn I Definitely was not expecting that from him but now that I have seen it I can't go back. There's no way SJM wrote that and plans on making Elain then end up with Lucien. Like I thought it would be fine but after that BC - there's no going back.

Either way - it's weird that people have such a strong opinion on Azriel and Elain because I think combined, they've said maybe like 200 words total? I like the idea of them but we dont know much about them? Why are people forming such harsh steadfast opinions on what either of them want or need or desire when we don't know much of anything? They're both kind of mysterious.

Idk I feel like I just missed a book with how strongly everyone is arguing about these guys.

Elain - had some badass moments but barely mentioned on the page in ACOSF

Azriel - even more mysterious than Elain but the dry humor makes up for it.

Lucien - he's not been in the past 2 books?

Gwyn - is great but not the Aelin type of warrior people online are making her out to be

Where is all this coming from I am very confused??

Honestly, most of this is coming from TikTok, Headcanons and fan art on Insta.

You have NO IDEA how many asks i've received over the years with people saying the same thing 'i saw so many Gwynriel arts on Insta and I thought that there will be some amazing romance in ACOSF. THEN, I read the book. And I kept waiting for something to happen and nothing ever did."

I think the key word for a lot of GAs is 'then'--they first saw the art, watched the tiktoks, got themselves all jacked up on theories and headcanons, and then, THEN they read the book. So now, the problem is that they have a hard time separating reality/canon from all that stuff that brought them to the fandom in the first place.

They are digging their heels and arguing that it WILL HAPPEN!!! absolutely will. Gwyn will become a great warrior and will ride a Pegasus into battles. Azriel will fall madly in love with her. They'll have kinky sex and she'll 'heal' him.

ALL of it comes from fan art. Literally, look at 99% of Gwynriel fan art and it's all 'fake'--imagined scenes that never happened.

I think many of them either left the fandom or can't accept that they've been duped and are incorrect in their assumptions.

It will be interesting to see what the fallout will be once the book is released.

[farmergirldulce]

Winter Sapling [Ryis x Farmer One-Shot]

There's not enough love for the underrated King Ryis, so I'm here to oblige with a fluffy one shot for all you Ryis lovers out there! (Myself included although I'm gonna romance March first, Ryis is definitely next save lmao)

This is pretty much a continuation of his 4-heart event, so slight spoilers ahead!

You can also read this on my AO3!

Enjoy~! ⸜(｡˃ ᵕ ˂ )⸝♡

♡ ╔══ஓ๑♡๑ஓ══╗♡

Ryis never felt this way before.

He isn't sure when he started to think about you often. Maybe it's the way you knew your way around a hammer? Perhaps it was the sound you'd make when he makes you laugh? Or maybe just how your eyes sparkle whenever you pay attention to his demonstrations of carpentry? After what seemed like an eternity of sleepless nights, he has come to this answer:

He's in love with you, and he has no clue what to do about it.

He's contemplating on talking to March about how he feels to see if he has any advice, but he's almost certain he's too busy or doesn't care for "playing matchmaker between his best friend and a thorn in his side". So he makes the decision to just let nature take its course and find out for himself whether or not you reciprocate what he feels.

♡ ╔══ஓ๑♡๑ஓ══╗♡

It's now winter, in the first year of your arrival.

Ryis is now beating himself up for letting himself bottle in his feelings for you for this long.

Maybe (Y/N) started to like someone else by now? There's no way they'd be into me... right?

These are the thoughts that roam in his mind as he exits the carpenter shop that cloudy, cold evening. As he's walking through the already fallen tundra, he looks to his left to see a familiar figure standing in the area where the hawthorn sapling was planted seasons ago and he feels his heart skip a beat.

It's you.

You're dressed in an cream-colored sherpa jacket donned in gloves as white as the lightly falling snow, black joggers, and cream-colored snow boots. You're not wearing a hat so Ryis notices speckles of frost in your hair, your cheeks and nose adorned in a slight red hue.

He's behind the wall now to get a closer look at you, entranced the moment he saw you take a breath and start singing a hushed little tune to the sapling you're squatting in front of. The melody is blended together almost immaculately, your head swaying to the rhythm you're presenting. At that moment, Ryis is absolutely breathless.

My God, they're so beautiful...

The lullaby ends and clumsily, Ryis accidentally steps on a twig as he inches closer to your location, causing you to whip your hear around the noise and Ryis to flinch. He curses himself.

Since when did I become a stalker?! Go talk to her, idiot...

He turns around the corner like he just arrived, playing it cool and taking a gulp before approaching.

"Oh! It's you Ryis. Evening~!" You chirp, greeting the young man.

He smiles, hands in his pockets.

"Hey, (Y/N)! What are you doing out here so late? It's freezing out here..."

"I know." You nod in agreement. "I just remembered I haven't checked on the sapling this week and I wanted to see how it's coming along! Gotta make sure this tree will be ready for the Mistrian bluebirds, ya know?"

He can't help but stifle a chuckle after hearing what you said.

So cute....

"I think it will still be quite a while before we see them, but I'm glad you've been keeping an eye on it this whole time. You're such a hard worker, and I admire that."

He freezes, mentally cringing at what he just said. If that was his way of telling you he likes you, he wasn't satisfied.

"Hm?" You inquire, peering into him closer, causing his shoulders to tense up. "But you've been working your butt off, too! You're still working on the birdhouse, right?"

He nods, looking down at his feet and shyly rubbing the back of his neck.

"Yeah. It's still a work-in-progress, though. I'm not stopping until those birds have a wonderful place to come home to!"

Then, all of a sudden, you enclose the space between you two and grab his shoulders. He can't help but stare into your bright eyes in shock as you give him the smile he knows damn well he loves.

"You gotta give yourself some credit, Ryis. You've done wonderfully on this project so far!"

It's taking every fiber in his body for him to keep himself from just kissing you right then and there. Maybe then he'd be able to show you instead of tell you how much you mean to him. Your face is so close, too. He can almost feel the heat coming from your breath as you exhale breaths past your soft-looking lips...

"Ryis? You okay?"

Your voice brings him back to reality and he snaps out of it.

"Huh? OH, yeah, I'm good! Just kinda tired."

"Oh okay... you should get some sleep soon then, yeah?"

"Mhm."

But even after the suggestion, you both just stand there in silence, still enveloped in each other's company. Then, Ryis takes a deep breath and starts to say something:

"(Y/N)... I think I li-"

And just like that, almost on queue, the snow starts to fall heavier, a snow storm beginning.

"Ah! I seem to have misread the weather forecast!" You say loudly, the snow drowning your voice.

Then, Ryis turns to the shop. He grabs your hand.

"This way! Let's get to shelter!"

He leads you to the carpenter shop, ignoring the fact he just grabbed your hand and just guiding you to safety.

♡ ╔══ஓ๑♡๑ஓ══╗♡

You close the door behind you and Ryis takes off his boots, jacket, and blue scarf, at the door. He walks to the fireplace and grabs the pack of matches nearby.

"You can leave your boots and jacket there. After I get the fire going, I can make us hot chocolates. Sounds good?"

Your ears perk up.

"Oh, that sounds lovely! Would you like some help?"

Then, suddenly you sneeze. He blesses you, and politely refuses your offer, insisting you have a seat and take in the cozy warmth of the fire.

"No, that's okay! You just get comfortable and stay warm, okay?"

"Kay."

As he's in the kitchen making the hot chocolate, you curl up and get comfy by the armrest on the left side of the couch in the living room. While you're waiting you take a look around the room you're in. You can't help but feel like you're at home with the similar vibes the shop cabin has compared to your farm. You yawn, starting to get sleepy, truely making yourself at home.

You jolt and keep yourself from dozing off on Ryis and Landen's couch when you hear his footsteps with his socks on coming from the kitchen to where you are.

"Sorry about the wait. It'll be worth it though." Ryis chides with a wink.

"Hehe, no worries!" You giggle unworryingly, pretending you weren't falling asleep. "Thank you."

You grab the hot ruby red cup from Ryis' hand and blow at the steam across the top. He takes a seat next to you with his own cup in his hands, you two just inches from each other, shoulder to shoulder. You almost feel your heart skip a beat by the close proximity.

You take a slow sip of the piping hot beverage, careful not to burn your tongue. It's a nearly perfect balance of sweet and bitter with a hint of creaminess. It also tastes a bit familiar.

"Did you get some pointers from Darcy?" You ask, a cheeky little smirk forming across your lips.

He laughs.

"You got me. She let me borrow the recipe and I've been practicing. Gotta learn some things before my uncle gets too old to cook for himself."

"Aww, that's so sweet!" You chirp, although not to your surprise.

Ryis has always been a gentleman and an overall pleasant guy. That's what makes him so charming to you. You keep in mind if he gets a significant other, you're sure they'd be lucky to have him.

You know you'd be lucky.

He chortles in slight embarrassment, his cheeks getting red and his eyes averting yours.

"Y-You think so?"

"Yep!"

"Haha, cool, cool..."

What Ryis might never admit to you is he has actually been practicing his culinary skills to impress you. With the help of Darcy and Reina, he hopes one day if you decide to go out with him he'd cook you a nice dinner to make you feel special, like you deserve.

There goes the silence again. However, there's nothing awkward about it as you both sip the hot chocolates peacefully as you hear the wood crackling from the fireplace. While he isn't looking, you find yourself looking at him drinking from his ceramic cup, his eyes closed. It makes you wonder if you both will have snow days like this again, and you feel like you wouldn't mind spending time with him like this again.

After you're both done, he gets up and takes both cups to the sink. Then, he sits back down next to you again in the same spot he was before. He looked outside the window to see it was still snowing pretty bad.

"If it doesn't let up, you're more than welcome to stay the night here! I'm sure my uncle wouldn't mind." He suggests kindly.

You yawn again, rubbing your eyes.

"But where would I sleep? Do you have another room here?"

"You can stay in my room."

You start to blush, then Ryis realizes what he blurted out and blushes, stammering.

"I-I'd sleep here on the couch, of course!" He clarifies, flustered by the misunderstanding. As much as he would love to cuddle next to you in the same bed, he wouldn't dare make you feel uncomfortable.

"O-Oh, I see..." You sigh mixed in both relief and slight disappointment.

Before your fatigue wins the battle, you remember something. Ryis was about to say something to you before the blizzard.

"Hey Ryis?"

"What's up?"

"Before it started snowing really bad, I think you were going to say something. Do you remember what it was?"

He's silent, starting to sweat. He can feel a knot forming at the pit of his stomach.

Oh boy, here we go...

He takes some time to gather his thoughts before he says the following:

"Yeah, I remember. I wanted to tell you for some time now, but I wasn't ready to say it... until now."

Not looking at you still, he takes your hand and closes his eyes, taking a deep breath before he says the line that could change your relationship with him forever.

"I like you, (Y/N). As in, I want to get to know you better. I want to have more moments like this with you. I would like to date you, if you'll have me."

As he awaits your response, he bites his lip in anticipation. Unfortunately...

Snooore...

You're fast asleep, your head falling on his shoulder. He sighs.

Well, at least I tried.

However, he's not that disappointed he didn't get your answer. In fact, he's happy to see how peaceful you look asleep on his shoulder and he can't bear to wake you from your slumber. He tells himself to be patient and he'll know some other day how you feel for him in return. But right now, he doesn't want the next day to come, because he feels like he could stay like this forever.

Soon, his own fatigue starts to kick in. He turns his head to yours and plants a kiss on your head before he intertwines his fingers with your fingers on your hand and he falls asleep, head resting on yours.

It may not yet be the time to make it official, but like a sapling in the winter, it's only a matter of time before this love grows into something worth living for. [END]

♡ ╔══ஓ๑♡๑ஓ══╗♡

Landen returns to the carpenter's shop from the inn late at night at around 1 am.

"My, what a storm... Good thing it's slowing down."

Then to his surprise, he sees his nephew Ryis and the farmer, sleeping on the couch sitting next to each other.

He smiles, figuring they were waiting out the storm.

He goes into the linen closet to grab a blanket and carefully covers the both of them. Then he leaves, turning off the light and going upstairs for the night.

[bethaven]

Maybe it's time to find out.

This exact sentence is stated (at least) twice in the Heartstopper universe and it has made a surprisingly large impact on me. Some spoiler alert if you haven't read the Nick and Charlie novella and/or Volume 5.

~*~

It's first (counting from publishing date, not chronologically) mentioned in the Nick and Charlie novella (page 111), right when Charlie realizes he needs to patch things up with Nick and really doesn't want to break up.

Then it's mentioned in Volume 5 (page 1500), when Nick has the deep talk with Elle and Tara about him and Charlie going long distance.

When the volume 5-page was posted (almost exactly a year ago) I was still deep in mourning after my grandfather, and for me this became about me realizing I had to find out who I am without him. Who am I without his stories, his smile, his ever loving support for my travels and adventures and his ever lasting patience with everything I've been up to my entire life. It hit hard, but it also helped me to move on, to start my journey towards finding out, who I am without him by my side.

~*~

What I really like about this sentence, in both these books, is that they're both clear marks of Nick/Charlie turning a corner towards something new. They both realize something quite profound in these scenes, that's going to change their story. The true meaning of "finding out" new things is sort of what life's all about, even though it often is scary. Finding out if that relationship's gonna last, finding out if that education is for you, finding out if that job is your dreamjob or finding out if that creative idea's gonna pan out the way you imagined.

When I was younger I was scared shit of finding out stuff like that. Changes were always crap and I wanted everything to be planned and decided. Now I know that "finding out" is usually what leads to the best things in life. It got me to my hometown, my career and my love, to mention a few.

~*~

Don't be afraid, maybe it's your time to find out.

[hellspawnmotel]

uran and the god of death

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[bogkeep]

i reread captive prince trilogy for the third or fourth time recently