Tumgik
#(that’s not a reflection on others it’s because i struggle badly with being ‘abnormal’)
lesbianlothcats · 5 months
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I just want to say one more thing for now, to anyone who is struggling right now because the Bad Batch has been your comfort show but how they handled Tech has potentially ruined that for you, you’re not alone. I know that doesn’t make it any easier to deal with, but you aren’t alone.
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Drabble: 13/? || Wip: Chosen & Damned
Scenario: a teenage girl escapes from her abusive family to a shelter, the supernatural kind that might or not have too many important figures in its midst. Bonus points if you know the characters in here were the protagonists of this wip’s previous incarnation.
Warning: implied abuse and briefly implied/mentioned self harm. I don’t dwell on these things, but they are there.
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Her whole life, Jenn prayed someone would come and take her away — it is on the impulse of emotional exhaustion that she realizes she could simply leave instead.
Dropping the shards of broken dishes she spent the last minutes collecting, her parents’ screams keep going as she walks away from the kitchen to a front door that should have been closed.
She takes a few steps outside and stops — the sky is full of heavy dark clouds, frequent lightning and thunder creating a tense atmosphere, but the rain itself is as light as a gentle caress.
The sound of someone inside the house reminds her there will be consequences if she is brought back in, though no worry is needed given the door slams itself on her brother’s face.
He shouts her name along with profanities, hitting the door that refuses to budge from hinges that saw better days another time.
She considers the strange storm again, listening intently to the thunders and counting the intervals between them and lightning: the lightning seems to follow the thunder, as opposed to the natural order.
Narciso and Cassandra might be around town, even if Jenn doesn’t know what the mermaids would be doing so far from any significant body of water.
Her brother is still struggling with the door, his shouts accompanied by her parents’ voices, as she looks from one side to another, and runs for the left.
The town seems empty — if others noticed the oddity of the rain, it would be unwise to wander around with the chosen nearby, but that’s exactly what Jenn spends at least half of the next hour doing.
If humans made themselves scarce, reapers hung around the top of every other building, their black eyes watching her so intently she has to wonder if they are waiting to collect her soul.
Around the third right turn, and the seventh left turn, the streets become odd; the houses are too new, too perfectly intact for the usual financial situation of her hometown, and with all their doors open wide?
Someone approaches her from behind, tilting their umbrella so it also shields her.
A Chinese woman smiles at Jenn. “Were you waiting long? It took a while to find you.”
Her speech is heavily accented, in a way that indicates she isn’t actually speaking English, Jenn is hearing so.
“I…” Jenn looks around. “I don’t know.”
The woman tilts her head to the side. “Come with me?”
Their walk seems to lose itself in an abnormal passage of time.
“We knew you were coming this morning when Zhihui found a new bedroom in our home.”
“… Zhihui?”
“Our shelter. He looks scary, but you don’t have to worry — he cares well for us. The other kids are excited to see who is coming, and I have already warned them to give you space tonight.”
“Ah… I wouldn’t mind? I do like kids…”
The woman stops at an intersection, a startling amount of knowing in her eyes as she looks Jenn up and down. “The numbness won’t last that much longer. Even without your injuries, you will be safe, safe to feel everything you had to hold back, and the pain will demand itself to be processed sooner rather than later.”
They return to walking, though Jenn can’t perceive their progress.
“The kids know this,” the woman continues to explain. “We adults know this. Our minds become both clearer and hazy, our decisions turn bolder and impulsive, and with this, we leave it all behind for something we can’t yet begin to comprehend. It’s the madness to lose ourselves for the sake of finding a future we do want.”
They stop upon a house like all the others, but noise comes from inside of various people talking, laughing, some kids shouting.
Past the door, they are greeted by a sizable entrance where dozens of people can switch their shoes for in-house slippers.
The woman laughs when Jenn places one foot outside, looking back and forth from inside to outside to make sense of how the exterior building does not correspond to the size of its interior.
“Ming!” A white boy with brown scales on his arms, and snake eyes, shouts as he runs towards them from the hallway ahead.
“Dean,” Ming sighs, “what did we tell you about running inside the house?”
“… To not do it when you’re around?”
Ming’s stoic expression emanates a lighthearted impatience.
“But I won’t get hurt!”
“If you want to run so badly, go grab the bag of spare clothes Raphael prepared, and meet us in the… West bathroom.”
As Ming guides Jenn through the house, other kids pop up, both the humans and those with reptile-like features, who put little effort into their sneaking around as they try to see Jenn, waving or smiling at her upon being caught.
Some teens and adults that look worse for the wear only nod towards Jenn before she is introduced to the other main names of this shelter: Zhihui, an indeed intimidating Chinese man whose appearance makes Jenn think he could beat both her dad and her brother in a fight, and Raphael, a black man watching some kids argue over what song he will play on the piano later.
In the west bathroom, Ming offers to help her with her injuries.
Jenn can finally clearly feel the unnatural numbness holding back her emotions in the way she doesn’t manage to react to the bruises, gifts of her family, and the cuts, fruit of her own desperation, covering the body in her reflection.
A mental countdown starts after the bath, minutes ticking by during dinner, and reaching their end once she is in bed, in the softest sheets and blanket she ever could call her own.
Her tears are only interrupted by someone softly knocking at her door, a head peeking inside that hadn’t been present at the dinner table.
Ming called her Malika, Dean said she was their oldest sister, and a jaded human commented “that’s one way to refer to Death”.
Her skin is dark like Raphael’s, in a deeper and colder tone, with her facial features being a balanced combination of his and Ming’s and Zhihui’s appearances.
She raises both her hands, hesitating before signing, the words manifesting themselves in Jenn’s mind without sound, only a strange version of reading.
“Do you want company? Not talking, just company. Things can hurt less with a friend.”
It was quite strange for Jenn to consider she might become a friend of Death’s teenage human incarnation, but there was a pull of serenity around Malika that made Jenn’s answer a nod.
Was it cathartic because she could feel her pain, mourn all she lost of herself in peace, or because Death held her hand and wiped her tears away in a strange version of all the comfort Jenn attributed to the concept of ceasing to exist?
In the morning, she wakes up to her and Malika still holding hands.
It feels easier for Jenn to breathe, to be, and Malika is startled into wakefulness as Jenn returns to crying, this time in relief of all that could come next, to stop existing and start living.
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docbe · 4 years
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So, Homestuck-epilogue-related rant incoming, specifically regarding trans representation (some spoilers for epilogue content) (also readmore because it’s a long block of text, sorry mobile users)
This is something I’ve been thinking on but haven’t had a good way to express, but I had a little epiphany in the shower so I think I figured out why it bothers me, but I’ve had a bit of dissonance relating to the trans representation of Roxy and June in the post-canon content. Normally that wouldn’t be the case, and I’ve loved all the fanart I’ve seen of them, and the world needs more trans representation, so I couldn’t put my finger on what was bothering me...for a while I thought maybe it’s because I’ve only read Candy, and haven’t gotten to Meat, Pesterquest, or Homestuck^2, so it might’ve been struggling with reconciling the character arcs in Homestuck with the trans identity, but I don’t think that’s it at all.
I think the big discomfort that comes with them is it just feels so...shoddy. It feels like good intentions that were just badly executed. Roxy especially leaves a bad taste in my mouth, maybe because Candy is all I’ve ready so far, but like...everything in Candy was basically the Worst Version of the Characters, like Jane become a fascist, and Jade/Karkat/Dave’s whole thing, and let’s not even get into Gamzee and Jake...and that’s just the start! It was basically like “everything goes to shit, The Story (tm).” And following John as his marriage falls apart and he drifts from his family and everything else, and then THAT’S when we get to see Roxy grapple with gender identity...it feels like some terfy propaganda in a way, like it’s some sort of homewrecking sentiment to go with all of the other terrible-ways-relationships-can-get-ruined things that are happening everywhere else. The “my relationship died because my spouse came out” horror story that feels more for the benefit of a straight audience than a queer one. Candy is bleak as shit, and with that as the backdrop, trans revelations don’t exactly feel like something that’s being celebrated--it feels like just another shock factor. And June...I don’t have anything to say about June because I haven’t read that portion of the story, and I think that alone is part of what’s unsettling. It feels like an after-thought, like representation points by just taking some character and being like “yeah this’ll work” instead of having an actual character thoughtfully created with actual transness in mind.
And all of that just royally sucks because Homestuck would’ve been SO GOOD for trans representation. It’s an incredibly queer story--half the human cast has been openly involved in non-straight entanglements, and the majority of characters come from an alien race that is pansexual and polyamorous as default, AND two of those characters grapple with what could easily be argued as queerness WITHIN that system (Kanaya as a confirmed lesbian character and Karkat with the abnormality of wanting someone in “all of the quadrants at once”). It is easily one of the gayest stories, and I think people forget that because it just treats it so normally and so well and so integrated with the narrative that it doesn’t FEEL like it is. It treats queerness the way the vast majority of media treats straightness, as something that’s just expected and doesn’t need justification. And I do think that had the story been written a few years later, we would’ve seen solid trans representation as well--things have come a long way in just the past five years, and I think the trans representation that was attempted with Roxy and June was actually well-meaning and reflecting that...but goddamn, it feels like they really dropped the ball. Like to go from what Homestuck was to what feels like a corporate prescriptive reassignment for representation points during a narrative that’s toying with the most disastrous version of the characters...it don’t sit right, and that sucks because I really want to feel excited about something like that. It should be something that feels good
Thank god for fanart, because at least some people are making stuff that feels like a celebration
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blvckprincessana · 6 years
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You know what I don’t get, TUMBLR?!!?
YOU deleted my main page. AGAIN. 
I know the content isn’t an easy pill to swallow, but it was THE ONE place I felt safe... Understood...Home... All the things I never had in real life. 
Here on Tumblr, I didn’t had to hide the darkest places in my mind, because I was not the only one who felt that way.  To one, it might seems triggering... To others, it’s the only place they can let there deepest concerns, troubles, doubts, toughts and so much more out. 
In this “explicit” community of Tumblr, I experienced for the first time that what I was thinking, feeling, LIVING, is NOT just a product of my imagination. What I am feeling and struggling with is REAL. And everyone who is struggling knows HOW HARD it is, to find someone you trust, someone you actually talk to, without feeling like a burden, a disaster or like a downer to others. 
I know it is very hard to understand for people who do not feel the same. It is dark, it’s pain, it’ll hurt. But to those who feel offended by what I say, by what WE stand for, I know you are offended because we hit a nerve. Either it’s you struggling with something you are not ready to admit yet, maybe it’s the grief of someone you lost. aybe those pages make you understand a world you never wanted to touch or admit it exists.  But for those who do know, those pages, their spaces does make a difference. FOR THE F***ING BETTER! Maybe you don’t belive me.  Take tonight as an example. DAMMIT I was suffering... so badly. Not only Ana who was bothering me, my trauma hit me back so god damn hard. Like this “person” beat me, tried to kill me, broke me... And I had this moment, when my heart came out and felt sorry FOR HIM?! I know it is beyond wrong. I know what he did to me will never be excused or okay. But I knew that here, on Tumbl I’d find other people, who’d suffered the same. Who are goint through or went through the same as I am right now. Neither my therapist nor my best friend would get my point here. Not because they don’t want to but because they can’t. Being a victim of sexual, physical and mental abuse by a drug-/alcoholaddicted narcissist... I guess there are many more people who have suffered/ are still suffering under the same conditions. But not once in any group therapy/ talks/ sessions/ whatever I had... NOT ONCE someone understood and helped me understand like here on Tumblr.  YES it might be triggering. YES it is anonymous which bears the risk of “paedophiles” to fish here... BUT... for those, who need to get things out, need to understand, need to feel less alone... this is the place where we can. THE ONLY PLACE! I am fully aware how difficult this topic is. I do.  But take it from someone who did try to commit suicide... (failed- obviously), and uses Tumblr since she was 12.  -My self-harm was not inspired by pictures I saw here - I suffered from an ED (Anorexia) before I saw pictures on social medias from “skinny” women - Depression has been a HUGE struggle before I even knew what exactley that means - I’ve always detested myself, I have never accepted myself and I never knew how to “love” myself. ( I still don’t) BUT WHAT I KNOW IS:
- I’ve never felt left by myself here - I’ve never felt that understood (even after 3yrs of intense therapy)  - I’ve never felt wrong, weird, sick, abnormal here for what is going on inside me
- For being suicidal, this page gave me more energy to keep going than it teared me down - I’ve never had to be ashamed of myself here for what I really think... For how I see myself. - It is a safe haven here. it is hope. Tumblr and those pages make you feel less alone in a big world where all we do i pretend... - It is the first space in 21 yrs where I don’t have to hide what is going on inside of my, where I don’t have to hate myself for what my deepest, darkest thoughts are... For how I really am and think.  So instead of deleting the only place where the lost and broken souls find a sort of peace and tranquility... Reflect.  Why do you consider it inappropriate? Why does it offend you? And I’ll bet you will finde a deeper answer than you might want to... Remember: People don’t get “accidentally” torn into this world.  They’ve always had this side inside of them... Some part of them... That responded, that didn’t wanted to hie anymore... They just never wanted to accept the fact of what their true depth carries or what they consider “weakness”.  Well, if you find “by accident” those posts, remember: You are human You are not made of stone Your darkest sides are not as horrible as you think You are welcome here You have a place where you belong to, where you are understood You are here for a reason and worth it Eventually you will find your way through this hell
-Love, A.
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Sweet Joy Befall Thee
Rating: T
Summary: There were many things in her life Elsa honestly believed she would never have to take into consideration, because they would be forever a moot point as far as she was concerned. Pregnancy was one of those things.
Dedicated, as always, to @no-escape-from-the-storm-inside. 
I am leaving this story as it was originally put up, so Alarik’s name will not appear. 
There were many things in her life Elsa honestly believed she would never have to take into consideration, because they would be forever a moot point as far as she was concerned. Pregnancy was one of those things. So she paid little attention to the symptoms, at least at first. As always, she was too busy to be slowed by what appeared to be minor illness. She had only very mild nausea, some discomfort and dizziness if she stayed on her feet for too long. She hardly noticed the first cycle missed – stress and diet had always left it irregular. But she noticed the second, made a mental note to send for a physician – then promptly found herself occupied with other things, the thousand demands on her time. It was only when her clothing began to feel abnormally tight that she really began to wonder what might be going on. By then, she was almost three months late. And she could see no obvious, physical changes – but her skirt was pulled across her hips in a way it had never been before. And perhaps she had somehow failed to notice that her corsets were getting harder to pull tight, and that they seemed more and more uncomfortable. She had always dressed herself. Now, she found herself wishing she had employed a lady’s maid – someone who could reassure her, tell her it was just a normal part of aging. Her husband was always up before dawn, working by lamplight, before he came to meet her for breakfast. She was usually awake and waiting, working herself, when he came up. But on that morning she finally faced an unwanted truth, he found her half-dressed before the mirror, in skirt and half-tied corset, feet bare and hair still a cloudy tangle, hands clasped protectively before her. When she caught sight of him in reflection, the tears finally began to fall – silent but insistent. He was closer in a moment, not touching but there, close enough that she could make physical contact if she felt comfortable doing so. “Elsa?” Always the soothing tone, gentle and measured. They had played this game so many times before. She trembled, wrapped her arms around herself, hunched. She could feel the chill seeping into her fingertips. She resisted it. The tears running down her face felt warm, so warm. “I think… something may be wrong?” “Are you hurt?” Still calm, still measured. She shook her head. “No. No, I think I might be… might be…” There was ice beneath her feet, slick and smooth and pleasantly cool. But it had been so long since she had felt this frightened, since she had lost control. She had been doing so good.
But now, she was terrified – heart pounding, unable to get her breath, head swimming and palms clammy. And she was losing her hold, her controlled calm, it – the magic, the cold – coiled inside her, snaking out, looking for release. She felt it. And it only made the terror worse. Because if she was right, how much more damage might she do than she had ever done before? 
She saw Anna at five, lifeless in the snow. And for the first time, she felt real, unmistakeable nausea. She sank to her knees and clutched one arm around her middle and closed her eyes, trying to breath deeply, trying not to throw up, trying not to lose consciousness, suddenly dizzy and sick and weak. There was a thick spread of ice beneath her now, an island, and the temperature in the room had dropped noticeably. “Elsa.” He still did not touch, though he was closer now, crouching beside her. “You have to be calm. Deep breaths. You know this, my darling. Please. Deep breaths.” But they had touched – of course they had. All those slow, gentle nights, the progression, his careful touching, stroking, easing her into trusting her own body, her own pleasure. Holding her when it became too much, overwhelmed her – and holding her when she was finally overwhelmed with that pleasure, crying out and clinging and afterward sobbing, relief and fear and love. They had come together in union such as she had long believed she would never experience. And he held her after, stroking and soothing her to sleep, comforted by his warmth, his smell, his voice. They had touched in the most intimate ways – but her trust came from this. When she was upset, he let her keep her distance. Let her keep him safe.    “Deep breaths,” he said again. “Calm. You’re going to be fine. Deep breaths.” She struggled to comply. Slowly, slowly, her head stopped spinning, her heart slowed, her trembling stilled. She felt the ice beginning to melt, soaking through her skirt at her knees. She turned to him, offering silent permission. He wrapped an arm around her, helped her to a sitting position well away from the melting ice. She didn’t have the strength to dissipate it back into the air. He had taken her hand; he stroked a finger across her knuckles, but otherwise let her be. “Will you tell me what you think is wrong?” She pulled her knees to her chest and wrapped her free arm around them. “I think I… I might be…” She couldn’t say the word. She could think of nothing else that would suffice. She turned silent, pleading eyes to him. He squeezed her hand. “Expecting?” For a moment, she just stared at him. Then she nodded. And burst into fresh tears. This was noisier, messier crying, the kind she hated, the kind that felt so completely out of her control. She buried her face at her knees and fought it, fought it desperately. She didn’t pull her hand back and he did not let go, though she knew her fingers were probably painfully cold. “You’ll be fine, Elsa,” he said – and she shuddered, hearing the same words spoken almost two decades before. He had been wrong. She had not been fine. Nothing had been fine. And now, again, she was not fine. She shook her head, her face still hidden. “Yes, you will.” Soothing, always soothing. “Elsa. My darling Elsa.” His long fingers stroking hers. “We can’t even know for sure. And if you are – you love children. I’ve seen you. You’re wonderful with them.” Mumbling to her knees: “I’ll hurt it.” He took a deep, audible breath; let it out slowly. “I had actually considered this might happen. I’ve done some research. I don’t think either you or any children you carry will be in any great danger from your own magic.” She lifted her head and looked at him – tentatively hopeful. He smiled, that toothy, happy smile he couldn’t force back when he was talking about his work. His hair was getting too long again – auburn curls falling almost over his eyes. “There are precedents,” he said, “others born of those with magic – more often fathers, but there have been mothers. From a statistical standpoint, there appears to be no greater risk of complications than there are for anyone else. And the… the protective element appears to come into play, I suspect due to the sharing of essential nature – the mother’s body protects the part of her that is in the baby.” Protects. Elsa trembled. She wanted desperately to believe what he was saying. “What about powers? The children – do they have them?” Now he was actually grinning, excited. “Never. I haven’t found a single case.” Almost against her will, something very like relief bloomed inside her chest. She closed her eyes and took a deep, shaky breath. “I never thought I could conceive.” “I was never sure, myself. Your manifestation is rather unique.” She opened her eyes and gave him a weak, teasing smile. “Always your favorite test subject.” He pulled her hand up and kissed the back of it, his lips ticklish and warm against her knuckles, bringing a pleasant little rush of comfort. “Never a test subject. Only my darling Elsa. And perhaps, very soon, a wonderful mother.” “Do you…” She had to stop, voice catching, then forced herself to continue. “Do you really think I can do it? When Anna… Anna was… She was in so much pain. I don’t know if I can…” “We’ll practice.” He let go of her hands, opened his arms; now that she was calmer, she crawled gratefully into them. She did love him – a deep, frightening love, slow-burning, the kind she had never truly believed she would feel, as pure and true as her love for Anna. “We’ll figure out a way. You’ll do just fine.” She leaned against him, her arms wrapped tight. She wanted to believe him. God help her, she wanted so badly to believe him.  
Anna, not surprisingly, was ecstatic when they told her. Elsa was by then approaching her fifth month – finally sure it was truly a pregnancy, finally beginning to show even through the jackets she still favored. She was just too small not to show early.
She felt self-conscious about it, vulnerable. She was used to being stared at, even if she didn’t like it, but this was different – not being examined as her role, as queen, but as Elsa, Elsa as a woman, Elsa as mother-to-be. She worried about what they might be thinking. But it was different with Anna, as things were always different with Anna. Anna didn’t stare any longer than it took to process what Elsa had said – then she was grabbing her, pulling her close, laughing and crying against her hair, completely and utterly overwhelmed. This kind of behavior Elsa was accustomed to – Anna hugged as frequently as others might say “hello” - but she stiffened involuntarily, uncomfortable and self-conscious, when Anna placed a hand on the just-noticeable swell of her belly. Without thinking about it, Elsa took a step back. Anna jerked her hand back as if scalded. She crossed her arms, bit her lip. “Sorry.” Elsa twined her own hands together, eyes wide, fighting the urge to cry. She cried at everything. Even knowing it was not an abnormal response in her current condition, it made her feel so anxious – she feared she would always associate tears with shameful losses of control. She swallowed hard, pushed the inclination back and away. “No, Anna.” Forcing herself to step back towards her sister. “Please – I’m sorry. I just-” But once again, as they had done so often lately, words deserted her. But Anna was smiling – of course she was. “It’s okay. I should have asked.” Elsa raised an eyebrow and only half-forced her return smile. “Yes. You should have.” “Then – can I?” A hopeful grin. “Um… sure.” Gentler now, more tentative, Anna’s warm hands spread across the fabric of her dress, pressed against the beginning of growth. Anna was still smiling, eyes wide and wondrous, awestruck. She looked down for what seemed like a long time, then up again, meeting Elsa’s gaze. “You’re going to be great at this.” And now there was no chance of holding back tears, and Anna hugged her again as she sobbed helplessly and both of them pointedly ignored the ice beneath their feet. It wasn’t the first time. Elsa suspected it wouldn’t be the last.    It was Anna who came up with a solution for controlling the magic during labor – still Elsa’s deepest fear. Her husband had suggested practice, but Anna came up with something to practice.    “Do you the thing where you draw it in, and-” She pulled her arms to her chest, hands fisted, then threw them out and splayed her fingers. “That. You know what I mean.” Elsa just stared at her from across the dinner table, but her husband said, “Yes! That’s perfect. Anna, you are a genius.” And Anna beamed, as she always did when awarded his enthusiastic praise. They had loved one another so much more quickly than Elsa loved him – or knew it, anyway. And Elsa doubted their union would have survived if this had not been the case: Anna loved him as Elsa loved Kristoff. And he did indeed make her practice – and the practice was hard, so hard. No physical pain could be administered – she was still the queen, and some regulations were inviolate – but emotional pain could be doled out in healthy doses, and usually by Elsa herself. She carried within her head and her heart enough excruciating memories for several lifetimes. One of the best and worst things about their marriage, Elsa thought, was that she and he were both stubborn perfectionists in almost everything either of them chose to do. This time, of course, there was the added insistence of necessity; she forced her way onward through practice no matter how much she struggled to tamp it down afterward, how difficult it made sleep, how much her hands shook. And it looked as though it just might work. She got better – still had to focus and concentrate, but less effort was required. It was different when she was gathering the power from the inside rather than the outside, but she could do it: concentrate, release it all as one, dissipate it away. She wished she had thought to practice this years ago. But even in the small triumphs of learning, improving, fear remained. She found her mind returning again and again to Anna – the only childbirth she had seen was hers; the tears, the crying, the begging – and fearing that no matter how much she practiced, it would be irrelevant when she was in that much pain, and for that long. The thought terrified her. “Even pain can be controlled,” her husband insisted. “You know that. You spent most of your life doing exactly that.” “Not physical pain.” So he ordered away for books – on meditation, mesmerism, medical techniques; books in French and English and German. He made copious notes and painstakingly translated passages for her – the languages in question she knew at a conversational level, but not a technical one. She read them, reread them, studied them, made notes of her own. But they were a temporary respite, never a lasting, certain reassurance. Still, as always, study, learning, theorizing were comforts. Maybe he was thinking of that as much as he hoped they might actually help – keep her calm. Keep her grounded. Keep her focusing on something besides her fears. The weeks and months passed, contradictory, too quickly and too slowly. She gave up corsets altogether, along with shoes with heels, jackets, anything made from wool. Her skin was uncomfortably sensitive; she always felt too warm. She had to sit even when issuing proclamations; for some reason walking was fine, but standing still left her feeling dizzy and weak. And she did walk, quite a lot and often at strange hours of the night, her mind and her legs equally restless. Sometimes, Anna heard the door and walked with her; Anna had always kept odd hours. They never spoke much, but Anna held her hand, and that was a comfort. Elsa found herself looking in the mirror often as she got further along, amazed and nonplussed by what she saw. She knew she should be happy – her husband was right, she did love children, Anna’s most of all – but carrying a child herself was something she would have considered impossible. Would she have been more prepared for what she saw, what she felt, if she had not believed herself incapable of it? There was no way to know, but it made her feel guilty and unworthy – there was a baby within her who had never asked for a mother like this. She should have considered this could happen. She should have taken steps to prevent it. An innocent child deserved a better mother than her. One who was not dangerous and broken. One who could focus not on herself, but on that child. Because she feared, feared so much, her own selfishness. She looked at herself when she was alone, turning sideways, pulling up her bodice or her dress to examine that increasingly stretched, rounded skin. It looked strange, the color no longer quite uniform, striped like the cats in the barns. Sometimes, she allowed herself to rest a tentative hand against the bulge – as Anna was so wont to do – and wondered if she should feel more when she did it, some rush of love or affection. Instead, if she felt anything, it was usually just more panic. The realization that this was not an abstract, that it was real, that she would soon not only experience childbirth but also then have a baby, a child of her own, left her feeling lightheaded. But though ice might spread across the floor in those moments, flurries of snow swirl through the air, the hand against her swollen stomach stayed as warm as her skin ever was. She told no one, of course, about these hideously shameful feelings. She suspected plenty of people already thought – knew – that she would be a horrible mother, that she had no business inflicting herself on a child. Not even Anna seemed likely to understand; Anna had been ecstatic at her own, and now was clearly ecstatic for Elsa. She certainly wasn’t going to tell her husband; his enthusiasm – and faith in her – was very clear. Then came the day when she first felt movement. She was alone in her study, drafting letters, and at first paid little attention, assumed she was just hungry. But the bubbly little feeling was persistent, repetitive, centered. It broke through her concentration, niggling at her awareness – more and more insistent, until she could no longer ignore it. She put her pen down and sat back in her chair. Then it hit her – what it must be. She gasped, and her eyes dropped to the swell.    The baby was moving inside her. Moving. She stared down for as long as she could feel it – there was nothing to see, of course, but she couldn’t look away, couldn’t seem to move at all. That afternoon, she sought out the one person she trusted to give her an honest answer – and to neither judge her nor tell anyone else. They had, unfortunately, had to have similar conversations before, though never about Elsa. “Kristoff?” He was packing ledgers into boxes – his record-keeping was meticulously neat even if his penmanship was not; the former something Elsa thoroughly appreciated – but stopped at the sound of her voice, wiping dusty hands quickly on his pants before hauling a chair over the boxes so she could sit. She did so gratefully, offering him a smile. “Thank you.” He sat on the closest box. “How’re you feeling?” “I’m… doing well. All things considered.” “Good.” He waited a moment, raised his eyebrows expectantly when Elsa couldn’t immediately come up with anything to say. “Is something wrong?”    She bit her lip and looked to her lap – except she no longer had much lap to look at. “I’m… I’m not sure.”    “Elsa?” How many years had it taken him to grow comfortable with using her name? As many as it had taken for her to feel she could approach him like this, as she might Anna – because in some things, Kristoff understood her in ways Anna never would. Their differences, Anna’s and Kristoff’s, complemented one another, and with time and trust, Elsa had come to see the value in both. Fears she could take to neither Anna nor her husband – these she often brought to Kristoff. He was such a calming presence, solid and dependable and honest. And when Anna was herself with child, he had come to Elsa for reassurance. All these years later, she needed to call in the favor. She tried to make herself look at him – he had such kind eyes. “I’m worried. I guess.” “About what?” “About…” She had come to him because she knew he would accept what she had to say, without judgment, but that did not make the saying any easier. Her eyes again looked down as she gestured to her stomach. “This. About this.”
“Ah.” Now it was his turn for a lengthy silence. “Yeah. It takes some getting used to. A lot of getting used to.” “Yes. It does.” She should have given more thought to what she wanted to say before she sought him out. “Anything in particular? Because really, Anna might be-” She looked at him, steely-eyed. “No . Not Anna.” He just nodded, never breaking his gaze, accepting. “Anna would just get upset. I can’t… I don’t handle Anna upset well right now.”    He half-smiled. “She’s noticed.” Elsa felt her expression mimic his – of course Anna had noticed. She was highly attuned to Elsa’s emotions at the best of times, and for the last few months, Elsa had been weeping against her shoulder on what felt like a daily basis. “So what is it?” he asked. She hesitated. Placed a hand over the swell, as if protecting the tiny life inside from what she was about to say – as if she had ever been able to protect anything at all. “I’m… I’m afraid…” She closed her eyes, took a shaky breath. “I have no business having a child. None at all. Arendelle has an heir. And I know… I know…” Her voice broke on a sob, and she covered her face with her hands. “I’m going to be an awful mother. And I’m so scared… so scared…” Kristoff, in terms of personal space, was an Anna – touch, for him, was comfort. Elsa felt his hands on her shoulders, wide enough to span them completely, squeezing gently. “No way. Elsa – look at me.” How many people in the last decade and a half had given her an order? Had taken the burden of decision-making out of her hands? She sniffled, tried to get herself under control – and did as she had been told. His eyes bore into hers, only inches away, and she had to resist the urge to pull back. “That’s crazy, Elsa. Absolutely crazy. It’s nonsense.” She did recoil then, involuntarily, startled by the vehemence in his tone. She shook her head, because she had no words. “Look, just – just let me think for a minute. I expected this from Anna, but not from you.” “From… Anna?” But Anna had been thrilled to find out she and Kristoff were expecting – she had come running to Elsa already talking about names and nursery decorations, absolutely euphoric. Kristoff offered that half-smile again. “Anna was terrified. She’d gotten it into her head that you needed an heir, but when she really realized that meant we were going to be parents…” He shook his head, rueful. “What about you?” “Me?” He let go of her shoulders to rub his hands across his face. “I’m still scared I’m not cut out for this. Every single day.” “You’re a wonderful father, Kristoff.” And he was – of that, Elsa had no doubts. “And you’ll be a wonderful mother.” She raised an eyebrow at him. “I have evidence.” “So do I. Every day, almost everything you do is for someone else. Or did you wake up one morning and decide to be queen?” “That’s different.”
“How? There are selfish parents who don’t care about their kids. There are selfish kings and queens who don’t care about the people in their kingdoms. You do care, though. Anybody could see that.” “One does not necessarily have anything to do with the other.” He shrugged. “It might, it might not. It’s what we’ve got right now. Well, and – you love your family, right?” “More than anything.” She smiled, teasing: “Even you, some of the time.” “Only because you’re afraid of Anna.” She laughed. “True.”  
There were good days and bad days as she approached the end – the inevitable, terrifying end. But she had always had good days and bad days, one extreme or the other, nothing in between. She felt strange, her body no longer her own, her mind struggling for the self control that had always been so central to her being. Pregnancy defined her every moment, impossible to forget – she couldn’t sleep the way she wanted to, could neither stand nor sit for longer than a few minutes, still grew inexplicably emotional over almost nothing at all. Lack of control – still, probably always, Elsa’s greatest fear. But sometimes – rarely, but sometimes – she could almost believe what Kristoff had said, what she knew Anna and her husband would have said as well. She wanted to think she might be a good mother, wanted it desperately. She found herself looking forward to feeling those fluttery little movements. A few times, it seemed to happen when she spoke. Alone in her room, she spoke directly to that swell, resting her hand on it – halting, hesitant, feeling rather ridiculous, uncertain what to say. And when she felt the response – strong and sure – she was very glad to be alone, because she started laughing and crying and rambling any nonsense that came into her head, just to feel the baby responding.
But then she thought of Anna outside her door, waiting all those years for a response that never came. And Elsa knew she was selfish – so selfish. Selfish as a mother should never be.  
There were practicalities to consider – Elsa had always been good at making lists, considering options, reaching conclusions. She felt comfortable with decorating a nursery, and she had Anna’s enthusiastic help. Furniture in shades of pale yellow and white, blankets folded into chests, tiny gowns and soft toys, everything carefully arranged just so. Elsa went back alone in the night, candlelight flickering off lacquered wood, and tried to convince herself of the truth of it – that her child would sleep in that bassinet, would wear these clothes. That she might be here on some not-too-distant night, much like this one, rocking slowly in that chair, soothing a baby wrapped in one of those blankets. She left hurriedly then, pulling the door firmly shut before wrapping her free arm around herself and giving over to helpless trembling, frost climbing the walls. For a moment, it had been real. She wasn’t ready. She was in her eighth month. Her husband brought her books and journals, told her about his research and thoughts. She had scientific treatises on fetal development, on labor and delivery, on the first months of life – she read them voraciously, enjoying them until she reached the ends and could no longer forget that this was not just abstract education. They were going to deliver the baby alone – her and him. Despite the months of practice, despite her increased control, she still feared her reaction to that kind of prolonged pain and stress. Her husband was an expert, had read everything on the subject of magic and childbirth, and, most of all, he helped keep her calm. She didn’t want to risk hurting anyone who wasn’t there voluntarily – and when was anything asked by a reigning monarch answered completely voluntarily? They would do it, just the two of them. She almost wished she was brave enough to go through it by herself. But there was that selfishness again – she couldn’t do it. She knew she couldn’t. They would, of course, call for physician and midwife – the same lovely woman who had been there for Anna – to be on hand in the castle, ready to assist in the event of complications, to be available before and after the birth. And Elsa forced herself to sit through interviews and read letters of former employers in the selection of a wet nurse, of nannies. The process was not something she enjoyed, but it allowed her to reassure herself that the women they picked seemed gentle and loving, were well-qualified, and came highly recommended. She also realized then how little time her own child would actually spend with her – fears of being a horrible mother or not, the thought was a discomfiting one.    Many of her daily duties as queen she was finally forced to give over to Anna or advisors; she was always uncomfortable, and was finding concentration increasingly difficult. The smallest things set her off – her husband one morning found her weeping over her frozen desk; her pen nib had snapped, and she could not find another. They tried to help, all of them, and she knew and appreciated it, particularly him and Anna. He rubbed away the worst of the permanent soreness in her lower back, brushed her hair each night, helping her to fall asleep. Anna came to assist with dressing – buttoning at the back, kneeling to tie boots. If Elsa thought about it too much, these things made her cry, too – because she didn’t deserve it. She didn’t deserve any of it.  
Elsa’s labor began as she sat at her desk, doggedly attempting to work, early one morning in May. She had slept badly the night before, unable to get comfortable, and doing something productive finally proved preferable to tossing and turning in bed. Discomfort had been her everyday state for quite some time now – and so now she attempted to ignore the pressure, the occasional mild cramping. She took deep breaths, tried to relax, focused on the papers before her. She was sorting – things she could still handle, things for Anna, things for her advisory council. Monotonous, soothing work. But the discomfort grew. It finally gripped her hard enough to make her gasp, grab the arms of her chair with tight fingers, tense and straighten, almost moving off the seat. She closed her eyes and rode it out – it lasted no more than half a minute, if that, but a moan of relief passed her lips nonetheless when it ended. The unusual pressure remained, but the pain, thankfully, was gone. She wanted desperately to dismiss it – a result of her finally falling asleep last night in a strange position, or maybe a minor illness. It could be any number of things. But her frightened mind knew exactly what it was, and would accept no excuses. She was having contractions.
The baby was coming. She finished sorting her papers – suddenly, inexplicably, it seemed vitally important that she finish. And all the books she had read, all of the articles – all agreed that the early stages of labor were long, very long, though none of the authors could quite agree on what a woman should do during that time. So Elsa spent the beginning of “that time” trying to pretend it wasn’t happening. She had two more contractions before her work was finished. Another as she was walking down the corridor to find her husband, putting a hand to the wall to support shaky legs, closing her eyes and biting down hard on her lower lip until the pain released her. She was shaking all over. There was frost on the wall where her fingers had pressed. For a long moment, she just stared at it, transfixed. “You can control it,” she whispered, hoping to convince herself – but she didn’t believe it. She crossed her arms tightly against the little space that was left to them, and moved on quickly. She didn’t want to meet anyone else in the hallways – she didn’t want anyone else to know. She felt vulnerable and exposed, like they would be able to tell just by looking at her. Her husband was in his study, as she had known he would be, several crumbly-paged books open around him and a notebook before him; he was scribbling frantically. He was dressed but had not combed back his hair, and the loose curls bouncing against his forehead made him look younger than his 39 years, almost boyish. Would their child have hair like his? The desperate desire to better understand the workings of the world, like both its parents? Elsa’s breath hitched, and that was when he realized she was there. He looked up, blinked, clearly trying to move his mind from his books, back into the real world. When it happened, she knew – he was up in an instant, moving around the desk, closer to her, eyes wide and worried. “Elsa, what is it? What’s wrong?” She looked down, at her arms crossed over the huge swell of her stomach, realizing for the first time that she had not taken the time to get dressed. She was still in her long nightgown, one of the ones that seemed to swallow her tiny frame whole, falling off her narrow shoulders. Her feet were bare, her hair falling in tangles to her lower back. She probably looked like a child, seeking reassurance from a nightmare. Except this nightmare was real. She opened her mouth to reply but the pain chose that moment to hit again, and her lips condensed around a desperate little moan. With nothing else available, she grabbed for him, and he pulled her close, so she shuddered against his chest until it was over. Then she just clung to him, desperate and afraid and fighting hard, so hard, against the chill creeping through her veins. He stroked her hair, spoke quietly: “Shh, my darling. Shh. It’s okay. You’re okay.”    Slowly, slowly, the shaking eased, her lungs relaxed, she could pull away before she hurt him. She clasped her hands together, protective, and looked at the floor. “I don’t think I can do this.” Her voice hardly more than a whisper. “Oh, Elsa…” He did touch her then, a finger under her chin to gently left her eyes to his. “Of course you can do this. You’re the strongest woman I know.” She forced a smile – wavery, but there.    “How far apart?” “About… about a quarter hour?” “Then we have some time yet. Would you like to go for a walk?” She nodded, resisting the urge to cry with relief that she had still some time, time to try to get used to the idea, time to prepare herself. They went out to the courtyards – after stopping for her to put on slippers – and the morning was pleasantly cool, frost dappling fresh blooms, and Elsa felt almost calm as they made slow circuits of the gardens, her hand on his arm. He talked quietly about the workings of the plants, of flowers and fruit, a gentle, soothing monologue in that voice she loved so much. The contractions grew stronger, steadily closer together. She clung to him through each one, trying to keep quiet, trying to keep control. He timed them on his pocket watch, timed the length between as well. “Less than ten minutes,” he finally said, as she gulped desperate breaths and moved away from the ice beneath her feet – it would ruin the silk of her slippers. She was still in her nightgown, because what would be the point of going through the ordeal of dressing? “We’ll need to get inside and make preparations,” he went on, “but before we do – can you do something for me?” She looked at him, surprised, and nodded. “Next time the pain comes, try what we’ve practiced – controlled release. Do you think you can do that?” She squashed as well as she could the panic trying to grow in her chest. There were no words – she just nodded again, still staring at him, mute pleas for reassurance. He smiled at her. “You’re doing wonderfully, Elsa.” They walked on. He was leading them back towards the castle. She wanted to resist, to argue. She wanted to stay out here. She wanted it never to happen. She wanted it to be over. She said nothing. The next contraction hit so hard her legs gave out; he caught her, supported her. “Try it, Elsa.” More command in his voice now – breaking though the pain. “Gather and release. You know how to do this. Gather and release.” She groaned and dug her fingers into his arms, head hanging, pain the center of her world. But when she felt the familiar tendrils of cold, seeking a way out, she seized them, focused on drawing them back. Pressure in her hands as the same eased in her stomach – and she released him to splay her fingers out, power releasing in a single, condensed mass that dissipated away almost instantly. She collapsed against him with a desperate, relieved sob, and he pulled her close, stroking her hair again and whispering how proud he was of her. The next couple of hours were a whirlwind of activity, and Elsa was trapped and pinned at the very center of it. They had a room prepared, near the back stairs so anything needed could be delivered quickly; a fire was built, though Elsa did not really want one, to allow water to be heated. And he asked for water, and towels, and blankets, and a knife. The physician arrived and insisted on looking her over; the midwife came after and did the same; Elsa complied silently with both, already too exhausted and overwhelmed to protest. The midwife said it would likely be mid-afternoon when the baby arrived. Elsa did her very best to thank her with a smile – she seemed to have no words left at all. She paced the room during the blessed rare minutes when she was alone. Made herself sit when others came in – she was still the queen. She was always still the queen. And the queen must always, always appear in control of a situation. Even when all control had been wrested away from her. Finally, it was just her and him. Two large tubs of water, a kettle for heating it. The stack of towels, a smaller stack of blankets beside it. On the table by the door, the knife, a water glass, a roll of string, a roll of bandaging. In the center of the room, the bed Elsa had been trying not to look at or think about. And deep inside her, hard, muscular contractions that were now coming less than ten minutes apart – by her estimate, it was probably closer to five. “How are you?” he asked. He was kneeling near her chair, giving her space. She swallowed hard, told herself she wouldn’t cry. “Scared. I’m… I’m so scared.”    He held a hand out; she took it, and he squeezed gently. “I know you are. But you’re doing so well. And it will be over soon.” She nodded. She could still feel the heat of tears behind her eyes. “Can I… Can you help me up?” “Of course.” He walked with her again, across the room and back, holding her through more contractions, gently encouraging her to gather and release, gather and release. She felt a flicker of irritation at him, more than once, but these she tamped down quickly – he was here. She wanted him here. He was only trying to help.
But the room was too hot, and her nightgown itched, and it hurt, it hurt so much, and she just wanted it over. God help her, that was all she wanted, all she would ever ask for. She wanted it to be over. With the next contraction, she felt something give, and gasped as warm liquid trickled down her legs. For the first time since their time in the gardens, she lost control – ice spread beneath her feet, frost climbed the walls. She stumbled away from him – a defense; don’t hurt him – and crossed protective arms across her abdomen. Then she burst into tears. He remained calm – always, so calm. She watched through her tears as he fetched a towel, approached her slowly. “It’s okay, Elsa. It’s really okay.” But it wasn’t, and she knew it wasn’t. She hunched, half-turning from him. “I can’t. I can’t do it, I can’t, I can’t, I-” “Shh,” he murmured. He knelt, lifting her gown up, cleaning her legs. She was trembling almost too hard to stand. “Elsa. My darling Elsa. Shh.” “Please…” But she didn’t even know what she wanted. Except for this not to be happening. She could hurt him. Or the baby – he could be wrong. She couldn’t control herself. She was going to hurt the baby. She cried out as another contraction hit, her knees giving out; she sank to the floor and bent double, the pain making her gasp. “Gather and release,” he said. “I am!” Finally snapping, but somehow that brought her back to focus, and it was almost automatic now, gather-release-dissipate. She shuddered when it was over, still bent around herself, gasping for breath, too exhausted to move. He rubbed her back, shushed her softly until her breathing slowed almost to normal. “We need to get you to the bed, Elsa.” Mumbling to her knees, petulant: “I don’t want to.”
“The baby’s coming soon, my darling. You don’t want to be on the floor.” “It’s too hot. I want to go back outside.” She was whining. She didn’t care. “Elsa-” But a commotion in the hall cut him off – frantic running footsteps, shouting and apologetic murmuring, and then the door slamming open and the whirlwind admitting herself: Anna. She looked around for a minute, then her gaze fell on Elsa, still on the floor, and her mouth fell open in clear dismay. Elsa reacted immediately – trying to get to her feet, struggling for balance. When her husband offered a hand she grabbed it gratefully, standing to face her sister, to reassure her that everything was okay. Anna must have run the length of the castle – she was red in the face and breathing harder than Elsa. “Nobody told me! I had meetings all morning, and nobody told me. Elsa-” But Elsa held up her hands, a silent plea for calm. “It’s okay. I’m sorry. I… I didn’t want to worry you.” In truth, she had not given Anna a thought – more of her selfishness. She had only been thinking of herself – her own worries, not Anna’s.    Anna’s face softened. “Oh, Elsa – of course you didn’t. But I’m here now, I’m-” Another contraction hit, even harder and stronger now that her water had broken. Elsa turned her focus inwards, hardly hearing her own frantic gasps, concentrating again on calm, control, gather-and-release. When it was over, when she tried to straighten and smile, she found Anna staring at her, stricken.    “Oh, Elsa…” she whispered. There were tears in her eyes. “It’s all right.” Forcing as normal a voice as she could manage, trying to hide her heavy breathing. “It’s… It’s almost over. Right?” Looking to her husband – needing so desperately for him to deal with Anna. Get her out.
Thankfully, he immediately nodded. “Right. It shouldn’t be long at all.” “I want to stay.”    Elsa looked back to Anna, feeling her eyes widen, the panic that gripped her heart. “No. Anna, no. You can’t.” “I want to help!” “No. Anna, you have to-” But then the pain had her again, pain and pressure, and her mouth opened on a silent scream as her hands clawed at the air, until he grabbed them, spoke over the pounding of her heart, and it was all she could do to listen, because Anna was here, she had to keep herself under control, but oh, it hurt-   “Elsa.” He still had her hands, but he was looking down; following his gaze, she saw blood on the floor. Hers. She pulled a hand away to cover her mouth, moaning, her legs swaying, threatening to give out. “We have to get you to the bed. Right now.” She nodded, still staring at the floor, lightheaded and faintly nauseated. Anna took one arm, but she didn’t have the strength to protest. She was shaking so hard that they did most of the work getting her up. Once on the bed, she turned away from them and curled, wrapping her arms around her middle. She hadn’t felt the baby move all day. She didn’t know if that was normal. “Elsa?” Anna’s voice, tears in it. And at that, Elsa burst into fresh tears of her own, rolling back to face her sister, ignoring the sudden drop in temperature: “Anna, please. Please. I need you to go. Now.” A contraction, and she had lost too much control already – she cried out and pulled desperately inside herself, fighting the contradictory urge to push and the pull of the magic, the need to keep it in. “Anna.” It was his voice now – the same soothing, reassuring tone Elsa knew so well. “Elsa fears… She’s worried she might hurt you.” “But-”
“I know. I really do. But right now – stress only makes it more difficult. For her, and for the baby.” Anna turned pleading eyes back to the bed. “Elsa?”    Elsa forced a tremulous smile, reached out a hand for Anna to hold. “I’m sorry nobody told you. I… I didn’t know. But now – Anna, you know how this feels. If I can’t control it-” “But you can.” “But if I can’t.” Irritation flared again – this was why she hadn’t told Anna. Because Anna would not listen. She had never known how to listen. “You can wait just outside, okay?” Another contraction – they were so close together now, the urge to push so strong. She was shaking again, panting, forcing the words out: “Anna, please!” Anna was biting her lip. She was still holding Elsa’s hand. “Right outside?” “Right outside,” Elsa agreed. Anna smiled and squeezed her hand. “I know you can do it.” And then she was gone, pulling the door shut behind her – but a few moments later, Elsa heard a scraping sound, a decisive thump: Anna pulling a chair down the hall to sit, as she had been told she could, right outside. Elsa closed her eyes and let silent tears – pain, regret, desperation, love – flow freely down her face. Anna. It should have been Anna here, having another. Anna was a wonderful mother – playful and patient and kind. It should have been Anna. Her husband gave her time to calm herself – and to get through another contraction. He gave her a towel to wipe her face, brushed sweaty bangs gently back from her forehead. “I don’t think it will be long now.” It was a little over three hours. The longest three hours Elsa had ever experienced. The contractions came closer and closer together, more and more powerful, more painful, sending daggers through her hips, her legs, her back. She couldn’t breath through them, moaned and cried and gasped desperately for air after them. He coaxed her through both. He alternated between tasks now, in his usual, methodical manner – checking her progress, warming water, wetting a towel with the water still in the tubs to gently wipe her face, her neck. And when she held out her hand, he held it, stroked her fingers, until she was ready to let go. She first begged him to make it stop about an hour after moving to the bed. Pleaded and cried, shook, clung to him, clutched his arms. He tried to calm her. She didn’t want to be calmed. She got angry, shouted, let snow hang heavy in the air, ice climb the walls, wind and cold take rein. He only stopped her when she tried to put the fire out – she was still too warm, she was unhappy, she wanted him to suffer as she was. He had known this could happen – known, and never told her. “Elsa.” His voice was still very controlled, but firm. “Stop. We need the fire.” “I don’t. I never do.” “The baby does, Elsa.” Then she started to cry again, and he returned to soothing. She couldn’t get comfortable, and that upset her too. Her legs ached, her back; she rolled and adjusted, sat up and laid back down. Once, near the end, it suddenly seemed vitally important that she get up and go somewhere else – before she hurt someone. Hurt the baby. She had to go somewhere else. He had her shoulders then, gently but firmly keeping her where she was. “No, Elsa. No. It’s almost over, okay? Almost over.” “But I need to- please- I don’t want to-” “Elsa. Listen. Are you listening?” She nodded, trying to focus, to let him bring her back. “You are not going to hurt anyone. Okay?” She nodded again, closed her eyes and took a deep, shaky breath. “Okay. Okay.” “You’re almost there.” Squeezing her shoulders before moving back to check her again, gentle fingers moving her knees apart. “Almost there. Next time, I need you to try pushing, okay? I think it’s time.” At that, she wanted again to scream in frustration, except she didn’t have the energy. It was already everything she could do to gather-and-release with each long, miserable contraction – she couldn’t do anything else. She couldn’t. Tears streaming down her face again, as she let it all overwhelm her. But the next time the pain took hold, she pushed. She gathered, controlled, released, and she pushed. And she did it again. And again. Her whole world focused around it, concentrated, condensed. She could feel it building to a crescendo, tearing her apart, tearing, and she heard herself wail as if from some great distance, her body taut and arched as she bore down desperately. The pain was absolute, unending. She felt something soft being pressed against her hands – a towel – and she clutched it, feeling it freeze and stiffen under her fingers. Her eyes were squeezed shut, black and red behind her lids, and she could hear blood pounding in her ears; her heart beating madly, lungs screaming, and below there was pain, nothing but pain, hot, burning, tearing – and she wailed again, the last air she had, the last burst of energy. She felt something give – the pressure growing impossibly hard, and then releasing, going, sliding away. And then it was gone, the pain was gone, the pressure, and she fell back on the bed, clutching the frozen towel, sobbing in relief, in fear. She was trembling all over, her eyes closed against her tears.
There was a strange little noise from her husband – somewhere between a gasp and an attempt to speak. And he said, “Elsa-” Then she heard the cries begin. Crying. Her eyes flew open and she pushed herself up on her elbows, exhaustion forgotten, the towel finally dropping from her hands. And there, in his splayed, bloody hands, red and wrinkled and wailing – a baby. Hers. Hers.    And Elsa burst into fresh tears, but she was happy, so happy, relieved and awestruck and euphoric, absolutely euphoric. She held her arms out, purely on instinct, and he laughed, told her just a minute, let’s get the cord cut and get her cleaned up. “Her?” Elsa’s voice was hoarse, soft – hesitant. “Her,” he confirmed, and grinned that same impossibly sunny smile he could never fully hold back. “A beautiful little girl.” Elsa followed his every move, smiling – unable to help it – at the indignant wails of a first washing. She was tired, sore, and terrified – but none of those things seemed nearly as pressing as watching them. Her husband. Her daughter.    Her daughter. He brought her over swaddled warm and quiet in a blanket, helped Elsa sit up against the pillows. And then he placed her in Elsa’s arms – she felt them tuck so naturally around this tiny, perfect creature, still red-faced but silent now, trying to focus up at Elsa with blue, impossibly blue eyes. Elsa shuddered, bit her lip. Stared into those eyes. Drank in the tiny nose, the little bow of a mouth, the tufty hair that even half-dry had a distinctly reddish tint.    “Hi,” she whispered. Her husband gently smoothed her hair back again, kissed her forehead. “You did wonderfully, darling.” He stroked the baby’s cheek with one finger. “Wonderfully.”    “Thank you.” She was still whispering. She didn’t want to do anything to destroy this perfect calm. “Are you all right?” “Fine. I’m… I’m fine.” She couldn’t look at him. Couldn’t look away. He stroked her hair again. “I need to find the midwife. She’ll want to make sure everything’s okay. And the wet nurse, for the first feeding.” Elsa looked at him now, for the first time since taking her daughter into her arms. “First feeding?” “They recommend it within the first hour.” “Oh.” She looked down again, into those perfect eyes that seemed lock on her own. “All right.” “Would you like a few minutes alone with her?” “I…” She was still discomfited, for reasons she could not seem to fully grasp. “Yes. I’d like that, yes.” She could hear the smile in his voice: “How long should I make Anna wait?” She forced a smile too, knowing he would notice if she didn’t. “Five minutes. Or… or just a couple. If she can manage that long.” He chuckled and kissed her forehead again, and then was gone; Elsa could hear the murmur of voices, Anna’s delighted cry – she must have been told it was a girl. Footsteps walking away. Then silence. And Elsa was alone with her daughter. The baby was still staring up at her, blinking and trying to focus, pursing her tiny lips. First feeding. Elsa bit her lip. Hers. Her daughter. Hers. She shifted the baby to one arm, lifted her other trembling hand up to the shoulder of her nightgown, pulled it down. Took a deep breath. Her heard was pounding. She cupped her hand beneath her breast – breathing through her mouth, eyes wide and wet – and shifted the baby again. Watched as instinct kicked in almost at once. When Anna tentatively stuck her head around the door several minutes later, Elsa was sobbing openly, holding her nursing daughter close and warm against her chest. She smiled through her tears. “She’s mine. Oh, Anna, look, she’s mine.” Anna was grinning, still in the doorway, her own face shining, tears and delight. Elsa’s.  
They named her Johanna, for the queen regent who had ruled until Elsa’s father had come of age – Elsa and Anna’s grandmother. But Anna shook her head when they told her. “That’s too much for a tiny little thing. Jenny. She’s a Jenny.” And Jenny she was.
Three months later, Anna found Elsa’s husband at the open door of Elsa’s study, apparently transfixed. Inside, she could hear baby Jenny beginning to fuss.    “What are you doing?” He smiled and put a finger to his lips, nodded into the room: watch. Anna leaned past him in time to see Elsa put her pen down and rise from her desk, lifting Jenny carefully from the bassinet in the corner. She walked up and down the room slowly, a gentle, rolling walk, holding the baby to her shoulder with one hand, rubbing circles against her back with the other, singing a soft, lilting lullaby Anna could vaguely remember their own mother singing. Jenny’s cries turned quickly to soft, hiccuping little noises, then more gradually to the contented murmurs of resumed sleep. Elsa returned to her desk, sitting smoothly, back straight and regal. Still holding her sleeping daughter against her shoulder with one hand, she picked up her pen and resumed work with the other, as if she had never stopped. “Whoa,” Anna whispered. “Yes. Exactly how I feel.” “Nothing that women haven’t done for all eternity,” Elsa countered – Anna suspected she had been fully aware they were out there the whole time. “Now out, both of you. I have work to do.” There was no wet nurse for Jenny, no nannies or maids. She was Elsa’s.
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broomswept-thoughts · 3 years
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Got a pretty impromptu cartilage piercing today. I wanted one for maybe what... three days? I also wanted to go out in general, so I went to Cafe Fili and also the Bun Shop, and to top it off, I found that someone was giving away a free guitar so I picked that up today too. It was so beautiful outside today, cloudless and bright blue. Today was a really good day.
I wanted to get a piercing, especially after the emotional, internal shock of earlier this week when I reflected and mourned the sheer amount of time and emotional attachments and potential that I’ve lost through the years from my childhood attachments, emotional baggage, and fears that I’ve been holding on for so long in my heart. How sexuality has been repressed so hard in me especially from men/ guys. How I’ve hated and hated and hated myself so deeply for years. How I’ve always seeked to harm myself emotionally and self-sabotage anything good that could possibly happen to me. How I’ve only pursued emotionally distant people to be rejected and to feel like I have to constantly struggle for love. I don’t know if a piercing will fix everything wrong with me, or even if I should have gotten it only after I felt better since it won’t. But, to me, it’s emblematic of recognizing the ways in which my body hasn’t felt my own in a long time. It goes along together with make up, and wanting to be seen romantically or as someone who can have a sexuality or identity apart from what’s been expected from me. I’m kinda sick of being seen as a soft, flat, stereotype. A “nice girl”, an empty nice girl. I’m sick of it. I don’t have to be the edgiest kid ever, but I want to be my own self. I don’t want to be afraid of being or expressing myself or my appearance in order to be comfortable to my parents or to other people. In a sense, could the me even last week have imagined I would get a cartilage piercing? I don’t know. But I don’t know if she would have expected I would have an emotional awakening basically either so like yeehaw, yaint the world wild.
I really am living my rebellious stage right now in my early 20s aren’t I lol. To be fair, I think every other girl in lab other than Dani has more than lobe piercing LOL. So I think that impacted this too.
Somehow, I feel free when I can let myself place some of the responsibility of my pain onto my parents. I think for so long, I’ve shied away from doing that. Or I would kind of. Blame them even harder because of the repression and I would feel so much pent-up bitterness. But it would be because I wouldn’t let myself seriously blame them, squarely and also calmly. I think maybe a part of me felt guilty for being a bad child if I did that, or that I would just be a stereotypical spoiled child who blames their parents for everything even though I don’t know their struggles. I think I would keep on saying yes it’s their fault BUT I understand because they were going through difficult times (like what I said to Maya). I think... a part of this is from the long relief I felt when I found out as a teenager what my parents were going through (rediscovered? Maybe?), and I was able to finally rationalize the confusion and chaos that scared me so much when I was younger. I was so afraid because I didn’t understand what marital struggles are and I couldn’t read my mother’s emotions well at all (jealousy is very difficult to read, especially when it’s repressed, in an adult, and in an adult you’re supposed to unconditionally trust). So when I realized that they really were rational but in hard circumstances, I felt relieved because I think it explained to me how they could love me but treat me badly or expect me to be a certain kind of way or pressure me or treat me abnormally. I think that that rationalization has stuck with me because it soothed me. It made me feel that my parents still could care for me. I could still be loved, even when they acted in a way that made me feel unloveable, unwanted, and hateable.
But I think that that rationalization in turn, made me want to repress the pain from that time under rationalization. It made me want to pretend I was already over all of that, that I’ve already resolved everything. But in fact I hadn’t, I had just understood generally why my parents acted the way they did and how they are deeply flawed. I didn’t yet understand how that affected me then, now, and how certain behaviors I’ve had or certain relationships were comforting or not comforting to me. Why certain topics trigger me or make me extremely uncomfortable, and the ways in which I try to avert the topic, force humor, etc.
Although something that’s been bothering me is how tired and fatigued I feel. Not to be Duncan, but I feel really little motivation about going to clinic... I think I’m getting burnt out? Like I dread going to clinic work at ISB and at PM peds... or not going to clinic per se, but the long drive there... and long drive back and then being exhausted and having to make dinner on top of that and ugh, that makes me so tired. Just, making food makes me so tired. I don’t want to damnit! Don’t wanna make dinner and then lunch and then breakfast and ugh. And then that leads me to just not eating at all which is NOT the good solution for this. But it presses me sigh. Makes me big unhappy. But I’m also super tired and I have work M-W straight usually, and sometimes on Thursday for Trevor too and ugh. Ugh ugh ugh. It sure makes me exhausted. I kinda can’t imagine working and coming home to do housework and having a family, when I can barely manage to come home and not feel like death incarnate after clinical work. And feel like I’m exhausted and have to make food? Bruhhh. I don’t know, it’s not even the clinic work, like I felt so... emotionally tired? All this week? Even though I didn’t even have any clinical work at ALL. Like I don’t know why I’m feeling this tired!!!! Please!!!! Maybe I gotta take more vitamins???? Is it because of my emotional rawness? Part of it was, maybe, but like. Not all of it I don’t think!! I can’t figure out what to do to make me feel more alive during the weekdays after work. Maybe I need to have more social, fun things to do that aren’t tied to resume building, career muddling, all of that. Maybe? Augh, I wish I could feel less tired. But I am super tired during the weekdays. Maybe I need to cook things that I can be excited about...? Or have more constant phone calls with people so I feel less alone and more likely to seclude into my room? Sigh sigh sigh. Maybe I just need to sleep earlier/ do a quick 5 minute exercise routine before showering -> going to sleep + reading and I’ll feel more rested. I think I’m going to try that next week. We’ll see.
Emotionally? I think watching the Freudian youtube channels that are everywhere at least get me thinking about my psychology, in whatever conscious way is possible. So those are fun in a low-key way. They help me feel more in control about letting go of my feelings about Duncan. I think also I’ve noticed for a while that when someone disagrees with me, I feel very contrary/ like I need to prove them wrong and/or I ask leading questions to try to make them contradict or doubt themselves. I feel like some evil goblin imp lol. But I think when I have things that make me insecure or that I’m jealous about (like people being in a relationship, i.e. Tammy and Jolie, or about getting along well with other Asian/ FOB Asians like Julia), I try to convince them that those things really aren’t that great. Or that being able to dislike or exist without them is a sign of being morally superior or better or something. I think it’s a way for me to try to stoke and nurse my ego that feels threatened that other people have things that I want very much but find difficult or feel like it’s impossible to obtain. I think recognizing my own insecurity there, acknowleding that I want X and feel hurt and pain that I cannot, and accepting that I want those things and am trying to hurt others to try and get them to accept that it’s unnecessary. I think then recognizing that it’s okay to feel insecure but that it’s not okay to behave in this way or to try and hurt people to make myself feel better is something that I should do. Basically, recognizing and stopping myself when I feel like I’m going to be a contrarian. Would like to work on that. And on the pain and hurt of feeling unloveable I guess as a whole, but that’s just every pain isn’t it lol.
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mesaylormoon · 7 years
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Film and Fluff: A Review of Lady Bird
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I’ll have to begin this review with a trigger warning, because unlike many others, I did not like Lady Bird.
If I haven’t lost you yet, I’d like to say that I wanted very badly to like this film. It consists of everything that makes a film amazing: a character-driven story, troubled family dynamics, a complex cast, and relatable drama. Where could it possibly go wrong? In addition to all of that, my family and even other teachers of mine had praised it, and naturally, all of their talk about their love of the movie piqued my interest. Unfortunately, after having seen it a second time, I couldn’t find much to appreciate about it. I personally found Lady Bird to be a sedate, dry, boring, and clumsily-written piece--one that was likely created to appeal to an audience of teenagers just like the titular character. With that said, I’d like to discuss where I believe Lady Bird succeeds and fails.
Christine “Lady Bird” McPherson is at a critical point in her life. Like everyone her age, the time for her to choose colleges and begin a new life is on the horizon. She is unable to attend the schools she desires, however, because her parents struggle financially. Christine also has a troubled relationship with her mother, only adding to the problems she experiences at home. The film follows this young woman’s journey of self-discovery, maturation, and personal growth, as we navigate the highlights of this brief phase in her life.
As I mentioned earlier, the story of Lady Bird is actually one of the movie’s saving graces. But in my opinion, Lady Bird is comprised of more flaws than strengths. The most crippling of all these is our heroine, Christine. A supercilious, self-obsessed, inconsiderate, troublesome, and entitled character of sorts, she is easily the absolute worst I’ve seen in years. She ruins her film for more reasons than just her personality--as an unlikeable lead, I found myself hoping she’d suffer throughout the movie. Even as she was ripping open her acceptance letters in anticipation, I was longing for her to be rejected by every school she applied to. In almost every scene, Christine can be seen saying or doing something selfish--she’s such a petty girl in fact, that there’s time devoted to her nagging her mother about not cooking her eggs properly! Thinking behind this, I’m sure the director wanted to illustrate how much Christine had grown by the end, but considering how quickly and clumsily the story moves, I don’t think these scenes were necessary. All of these character flaws would not be so detrimental if she would’ve reflected upon the advice and feelings of her family--some of the few people in her life who express concern for her--more often, but she never does. Again, in almost every scene she plays a critical role in, she’s doing something that feeds her mischievous desires. Her extensive list of crimes include applying to expensive colleges behind her mother’s back, dating a boy without her parents’ knowledge, pranking a nun, getting blackout drunk, fooling around with people who ultimately take advantage of her, and--the absolute worst of all--eating holy bread. My goodness, how I wanted Christine to suffer. (If you haven’t noticed, I’ve also been refusing to address her by her equally insufferable, pretentious, ridiculous nickname for all of this review.) Other characters in Lady Bird are not as awfully written as Christine, but everyone except her parents are generally unlikable. This also works to the film’s detriment when you, as an audience member, should be wanting Christine to have good company in her life.
Another huge flaw of Lady Bird involves Christine’s severe lack of fluid and natural character development. (Or maybe it’s just the editing and pacing.) That is to say, she becomes a much more humble person by the end of her story, but the film seems to be so hastily cobbled together, rushing from one plot point to the next, that I found her growth inorganic and oddly abrupt. While there’s nothing wrong with the major story elements in Lady Bird, viewers aren’t given enough time in any scene to see how one event in her life would compel her to become a better person. There are many moments in Christine’s life that could’ve served as a catalyst for change (e.g., finding out her boyfriend is gay, being betrayed by other boys, having drunken nights out) early in the film, but everything I mentioned only comes into play about halfway into the movie. And whenever these moments do appear, they appear to be “interrupted” by a scene that restricts opportunities for the emotions of the previous scene to be felt, and this results in a much less immersive experience. In fact, it doesn’t seem as if Christine has the time she needs to process everything she feels after something significant happens in her life. Even the ending appears to be so sudden that even the most forgiving of viewers would want to see more build-up toward Christine’s moment of change. Ideally, viewers should be able to have a reasonable amount of time to share in the emotions of the characters, and that just isn’t possible if you’re only given about a moment for that to happen before cutting to something that feels unrelated. As good as Saoirse Ronan’s performance is, it isn’t strong enough to support the idea that Christine has undergone major personal growth. It really is a shame that this film feels as rushed as it does; everything within the story could’ve made for a moving experience, had every subplot been given the time to develop.
The environment and tone of Lady Bird give the film a very sedate feel. I understand that this is supposed to be a relatable picture that has an equally normal setting, but Lady Bird feels abnormally boring, and this perception can be attributed to the fact that nothing about the movie’s environment stands out. As a native of Sacramento, I’ve seen just about everything shown in the film, but that isn’t the problem. Something about how everything was shot just seems very… lazy. In my opinion, even if it was purposeful, the lack of creative imagery, stellar editing, and memorable scenery makes this film very forgettable. Lady Bird is already a movie with a very simple plot and character cast, and if nothing about the appearance/setting of it is memorable, then frankly, the film as a whole can suffer as a result. I certainly felt that way after watching the movie.
Now that I’ve addressed my main issues with Lady Bird, I’d like to review everything I appreciated about it. The story is one of those things. Although Lady Bird’s plot has been written countless times, I find it interesting that there are not one, but four major conflicts within this film: 1) Christine’s struggle to find herself; 2) her need to become a mature young woman; 3) her desire to attend college away from home; and 4) her need to rebuild her turbulent relationship with her mother. Individually, these story threads are compelling, and it’s impressive that all of them are woven into one narrative without anything becoming too confusing. With the exception of the fourth conflict, every significant element of the plot is given enough screen time, development and focus. Most of the film centers around Christine finding ways to attend her dream college, and admittedly, it’s not the most engaging element of the story. What is a bit more interesting, however, is everything that Christine must navigate in order to become a better person, and a more caring daughter. Every wrong decision, every boy, every argument, and every negative influence brings her closer to realizing just how much her life has to reverse itself. I don’t know if I’ve ever seen that in a film. More often than not, a main character’s growth, even in an emotionally/character driven story, is motivated by all of the good deeds that they perform. I think that it’s especially refreshing that, even though Christine is a horrible main character, that her arcs are propelled by her mistakes. It’s an original--and smarter--angle to approach this plot from, and it’s very welcome when reflecting on coming-of-age stories that are rife with cliches. (Although, Lady Bird is rife with cliches, as well).
None of the characters in Lady Bird are as complex as Christine, nor are they given as much focus, but it’s also refreshing to see a cast without a perfect member. Everyone in this film is at least a little flawed. Christine’s family is full of people who are either inattentive, self-serving, or detached, and her closest friends are certainly an entitled bunch. Her parents are especially passive, and do very little to redirect their daughter so that she may do the right thing. Of course, none of these flaws make them inherently good characters, but plenty of films with coming-of-age plots feature people who are well-meaning, thoughtful, and caring. This film, I would argue, has very few, or none. (Christine’s mother could very well be considered an exception, however). Nevertheless, I suppose it’s… interesting... in some respect... to showcase a set of imperfect people in a film about overcoming imperfection, and in some ways, that may even help to strengthen the message and intent of the film.
Lady Bird is one of few films to include commentary, albeit very little, about troubled relationships between mothers and daughters. As another critic highlighted during his review of another movie, people seem to assume that many, if not all, daughters have peaceful relationships with their mothers. This is certainly not the case, and there is time dedicated to exploring this idea. As an immature seventeen-year-old, Christine finds much of what her mother says to be discouraging and upsetting. But her mother, being the doting figure that she is, understands that her daughter must understand her own limits, as well as the struggles of her family, to ensure her safety. Because of their conflicting opinions, the two are at constant odds with each other, quarreling in every scene they share. This conflict reaches its peak after Christine does something especially selfish, and subsides, of course, by the end of the film. Even if their time together is brief, the tension that their interactions provide is gripping and even humorous. To see a film feature the strained relationship between a mother and daughter is meritable, but had there been more focus on this element of Lady Bird, it likely would’ve been much stronger.
The final moments of the film are unquestionably some of the most powerful in the picture. After a disastrous night, Christine finds herself in a hospital, next to a child who is much more meek and sickly. Upon seeing this boy, she begins to silently reflect on how terribly she had behaved in the last year of her life. As she continued her self-reflection, she finally began to consider her parents, and the amount of support they had given her throughout her life, eventually reading the letters they had both sent her and reaching out to her family. These last ten or so minutes of the film are a perfect example of what makes the medium of film incredible: there need be no dialogue. Silence and subtle expression are all that is required to convey the emotions involved in scenes that are as touching and pivotal as this, and Christine’s pivotal moment is no exception. Every look of pain, grief, and longing you see in her face is so saddening that it’s easy to feel as if you’re a person trapped by the guilt and remiss that plagues her mind, even if only for a moment. And as she walks out of church and reaches for her cell phone, you as a viewer are filled with the relief that Christine is at finally deciding to reconnect with her family. In my opinion, the subtlety and emotionality of scenes such as this are able to redeem the more painful components of Lady Bird, and it’s wonderful to see that they are well-executed in such an important part of the story.
I understand that, as a person who disliked Lady Bird, that I am likely giving you a horribly inaccurate idea of what you’ll feel about the film. I can almost promise that you’ll find much more to appreciate and enjoy in this film than I--as well as very few others--did. But as someone who now thinks more critically about characters and their development in films, the technicals of filmmaking, and story, I found this picture to be much more infuriating than enriching. While the story and characters in some form can allow for a new experience, I don’t believe that they have as much to offer as everyone seems to claim. Perhaps you may think differently, and as an artistic piece, Lady Bird does have a fair amount of merit. Character-driven stories propelled by a lead’s flaws, or even the conflict surrounding their lives, are enough to create a thought-provoking experience for many viewers. I may not have enjoyed Lady Bird, but I do believe that there’s at least enough to recommend for those that enjoy the commentary that films like Lady Bird one provide.
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roidespd-blog · 5 years
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Chapter Twenty-Seven : QUEER & RACE
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If you recall yesterday’s article on the Equality Act (June 26th), the Gay Liberation Movement and it subsequent attempts at protecting Queer people under the Law took a page at the Civil Rights Movement that culminated (but did not end) with the signature of the Civil Rights Act of 1964. The fight of minorities have always mirrored one another through the last century of our History but today, we’re exploring how race is being handled inside the Queer community. And since I’m a white cis man, I’m perfectly qualified for the job.
A WHITE MAN EXPLAINS RACISM
Fuck no. 1. You’re perfectly aware of what racism is 2. I ain’t whitesplaining this situation 3. Next.
RAINBOW IS NOT THE ONLY COLOR
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In the United States, Queer Black People had the hard challenge to face two major fights in the 1960s (three for Queer women of color) : Right to exist as a black person and right to proclaim their Queer identity without serious consequences. The New York Times published an article on June 22, 2019 called ‘Queer People of Color Led the L.G.B.T.Q Charge, but were denied the reward”. Very instructive if you have a second. In this article, it is stated that the same thing happened to Transgender people, Drag Queens, Blacks and Hispanics during this period of time “(They) played outsized roles during many of the earliest milestones of the Gay Rights Movement (but) have been denied many of the benefits of the revolution they sparked”.
As a matter of fact, many of the first major push backs at the Police and the Law were led Queer people of Color. Logical when you think of how badly black people were treating in America since… always. If on top of that, you throw homophobic attacks for being a transvestite or a homo, well someone might snap for good. As the article states “the LGBTQ community owes a huge debt of gratitude to the ones who really didn’t have that much of a choice, who were out there taking the beatings and taking the verbal abuse”. Basically Trans women of color. Didn’t you hear, Marsha P. Johnson threw the first brick at Stonewall ? Well, more on that later (PLOT TWIST : She probably didn’t).
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You can’t deny all the good and sacrifices Marsha achieved during her short lifetime though. An outspoken advocate for gay rights and founding member of the Gay Liberation Front, she was known as “the mayor of Christopher Street” (location of the Stonewall Inn). Marsha was a black individual. Many of them were. Without the hardship and strength that they accumulated in a country where they were never considered equal and couldn’t hide their identity — because think about it, you may have the possibility to pass as straight, but you can’t pretend to be white, we wouldn’t be where we are today.
And what do we have today ? A total ignorance of the pain and struggles are our brothers and sisters of color.
DOUBLE STANDARDS
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Queer individuals of color may find themselves in a double minority, in which they are neither fully accepted nor understood by (mainly) white Queer communities nor their own ethnic group.
If you are an Arab person (especially if you are Muslim), religious backgrounds and crowd mentality are clear obstacles to your own acceptance of Queer Identity. Meanwhile, you’ll have a hard time finding people to relate to as you will inevitably be consider a sex object by the community (more on that later).
Some Asian family traditions will hold you back to marry the person you love. One study found that 90% of Asian and Pacific Islanders (APIs) who self-identified as Queer thought homophobia and transphobia to be an issue in the later API community. Amy Sueyoshi, an Historian specializing in sexuality, gender and race, said : “Voices from the queer left, though opposed to homophobia in cultural nationalism, have picked up the protest against the feminization of Asian American men in the gay community. While coming from drastically different perspectives, both groups find common ground in supporting a phallocentric standard of Asian American Male sexuality”. And on the Queer side, people of Asian descent are mostly ignored (more on that later).
Gay Latino Men report experiencing Ostracism from their friends and families as they are not considered truly “men”. Latina lesbians are considered traitors who have forsaken their roots (they are perceived as “Malinche” figures corrupted by foreign influences who contribute to the genocide of their people). More than in any other community, rigid gender roles, patriarchy and religion give a sexuality judged ‘abnormal’ and hard to accept. Queer communities, meanwhile, created a toxic environment for Gay Latinos and Latinas (more. on. that. later)
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In Black communities, homophobic attitudes are mainly the reason why there’s a disproportionately high incidence of HIV/AIDS amongst African Americans (that and poverty). Those overtly homophobic standards in that community gave way to a subculture called being on the “Down-Low”, in which black men who usually identity as heterosexual have sex with men without anyone else knowing shit about it. In many cases, those sexual acts are unprotected and create a space of danger for the individual and their future sexual partners (male and female). Finally, in the Queer community… Well, you get my drift (more on that right now).
Do you need to talk about Trans people of color ? Really ? Don’t you know that by now ? Have you ever considered what they were going through ?
This creates multiples minority stress inside one individual, with consequences of internalized homophobia and poor mental and physical self-care (drugs, alcohol, sexual risks, suicide).
SEXUAL RACISM
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Sexual Racial Preference is the individual’s sexual preference of specific races. Is is an inclination towards potential sexual or romantic partners on the basis of perceived racial identity. In a way, it all depends on your point of view. There’s the blind point of view where we present this situation as a matter of preference and there’s the “put your fucking glasses on” point of view of we need to characterize this as racism. It’s been going on for hundreds of years, especially with the world’s dark past with slavery. In the last ten years, online dating has overtaken previously methods of meeting potential partners. The number of dating sites (gay, straight, bi, etc) has spiked to a uncountable level. Some are even created especially for an ethnic background OR for people in search of a different ethnic background. Along with this, there has been a rise of online sexual racism. Racial discrimination is everywhere. ESPECIALLY in Queer dating apps.
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Take the case of Asian men. In other gay men’s minds, they are being represented as feminine and desexualized. The term “undersexed” has been used. Without even mentioning the stereotyping of size for an Asian male, gay pornography often depicts Asian men as submissive to the pleasures of white men. The way Asian men have been treated in the Queer community is close to “symbolic castration” according to Gilbert Caluya. Gay Asian Men experience constant racism on dating apps, where it is common for profiles to state “NO ASIANS” or “NO FATS, NO FEMMES, NO ASIANS” (the holy trinity of what Asian Men are represented as). They are being “relegated to the bottom of the attractiveness spectrum”, reflecting the position of the Asian individual in the world (and as always, with WHITE MALE on top). And if somehow, a Gay White man will get an interest in an Gay Asian man, it’s often part of a fetish or sexual racial preference based only on appearance and race. The objectification of someone’s race is in no way better than pushing that someone away because of this race. Those “rice queen” need to stop taken Asian people for objects to play with and then throw away. Same thing for Asian women in the Queer community. They are not deemed “Gay enough” due to their traditional Asian descent and at the same time, “passive but exotic”, mirroring the way Straight white males view Asian women.
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Do you think it’s better with other ethnicities ? Sure, keep dreaming. Where Asian men are desexualized, Black men and women, cis and trans, are overtly sexualized, on top of the deepest form of racism born out of centuries of slavery and fear. As I said, the rise of the two movements made life twice as difficult for Queer Black folks. John Wilder said “Now that it is becoming unfashionable to discriminate against N*****, discrimination against homosexuals will be on the increase”. Furthermore, Keith Boykin said “the dirty little secret about the homosexual population is that white gay people are just as racist as white straight people”. It’s a truth that you can see everyday in our community. It has been predominantly led by white people for white people. Just as what ? The rest of the world. So if Black people are rejected as individuals by their Black communities and by the Queer community, what’s left for them ? Yes, I digress from the sexual stereotyping I was supposed to talk about. Here it goes. Those discriminations are reflected into their sexuality in constant judgement from all parts of both communities. For example, Black men who have a sexual preference for White men are accused to suffer from “insidious legacy of white racism”. They are also rejected by other Black Gay men opposed to interracial relationships with White folks, as it is a sign of lack of roots into their enslaved history and a oblivious blind eye to racism. Otherwise, Black Gay Men are supposed to be “tops” with enormous dongs (something that is explicitly demanded by dating apps users of all races) who are “urban”, “ruff” and gonna treat them like “lil’ bitches”. Some White men unofficially think that being sexually attracted to Black people automatically proves the lack of racism in them. But if you are only fucking and dating Black people, you have a sexual racial preference and… you racist.
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And did you know that Trans Black Women are four times as likely to be sexually attacked, raped or murdered than the rest of the Queer population ? Uh ?
Have you noticed that in America, there’s a lot of Gay Latino bars and nightclubs, not so much Asian or Black gay clubs ? Do you think it’s because Latinos are better club dancers ? You racist fuck. No, it’s because Queer hispanics and Latinos have one of the greatest level of discriminations, both within and outside the Queer community, prompting the creation of the first Latino gay bar in San Francisco in 1979. Many more will follow.
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I had a harder times finding specific prejudices against Latinos and Latinas inside the Queer community than for others, I’ll admit. Then I remembered that I just needed to search inside of my own prejudices, those that came with growing up inside the system. The first thing that comes to mind is big butts. Latino Men are targeted for the specific proportions of their bodies, especially if they are bottoms. Who doesn’t like a big ass ? They’re trendy. What else ? What else ? What else ? Well, just like any other races, your shade is uber important. I mean, are you darker skinned ? light skinned so you can almost pass as white ? Are the physical traits on your face obviously Mexican ? Spanish ? Brazilian ?
Arab men faces another type of stereotypes : the THUG.
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Here’s the situation : you’re a young white bottom with a really big urge of being mistreated by someone with a bad attitude. White boys don’t scare you, it doesn’t turn you on. Latinos ? why not but it’s gonna be enough ? A Black man ? Well it could hurt (because big dicks, right ?). So you turn your attention to Arabs. They wear street clothes, sneakers that you can worship. They will insult you, spit on you, fuck you like the whore that you are. Maybe even in a basement ! And with some of his thug friends ! You’ll end up cover in spits and jizz, the rose bud blooming like never before. Who said Arab men were all thugs ? What makes you think every time you objectify a Arab sex partner, it’s gonna end up like this ? Wouldn’t it be… SATAN ? (that was a SNL reference) Nop, it’s Society.
Gay Arab women are non existent, Asian-Indians of all sexes as well, Native Americans don’t even mention it !
And don’t think that ethnic minorities are totally off the hook on this one. The fascination of some for white partners are just as racist as the rest of those examples.
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In BBC Three’s documentary Series Queer Britain, specifically episode 4 called “Preference or Prejudice”, the host skypes the author of the book “True confessions of a Patato Queen” (apparently, it’s Asian male who are only attracted to White men). When asked why is he only attracted to those, he responded : “I believe the white race is a superior one and I love being with a white guy primarily because of that and also because he’s got a powerful big cock that I love. Once you go whish (white), nothing else seems rigsh (right) ! (laugh)” Staggering. But who made him think that ? Could it beeeee…. ?
VICTIMS OF OUR SOCIETY’S PREJUDICES
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At last year’s Paris Pride, a collective called Qitoko called for an assembly of Queer and Trans people of color (I don’t know why Trans is not part of the Queer but whatever) to go up front of the march, part of the “Cortège de Tête de la Pride — Stop au Pinkwashing!”. It is a reflection on the way Queer people in general are not properly considering Queer people of color inside the community, very much the way Society has never viewed people of color at an equal level as white are.
The article I found on Irrecuperables goes on to talk about the country’s politics, lack of support, the act of parking different races together, pushing minorities to the outer limits of the Capitol. They also speak about feeling and being “indesirable” as part of the march.
What this recent example shows, as it is something I’ve said a few times already in previous articles, is that Queer people are making the same mistakes as the rest of the world always had. For an outside perspective, it seems like the Queer community is super inclusive and ultra liberal. I tend to disagree with that. As we were all raised in the same heteronormative white society, we have, in our DNA, the same principles of white superiority and race hierarchy that History and the way that we live today openly shows us just that. The fact that you are Queer doesn’t change that fact or erase those mistakes from your beings. Off course, I’m not saying we are ALL racist. Off course not. But it’s time, as a society, to recognize our prejudices and take ownership of our errors. The same goes for the Queer community. Why does a Black Lesbian have to feel so abandoned in a Lesbian bar ? Why does she think that she have to straighten her hair and act less masculine in case girls get scared of her attitude ? Can’t you just look and appreciate the person for who he/she/they is, regardless of the stereotypes life force-fed you ? It doesn’t take much to step back, reflect and correct. You mostly need to silence your ego. Silence that bitch now.
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It is extremely problematic to use racialized desire as personal preference as “it constructs ‘preference’ and identity categories as equitable, which ignores the fact that Queer men and women do not choose their Racial identity”. This also reduces Queer men and women into a category of an object or ‘kink’ that can be adopted or cast aside at will. In France, we’ve let people in our country in waves, as someone reminded me not so long ago. Then, we parked them, used them and now are just plainly ignoring their sufferings. We, as Queer people, have to do better than that. We can’t go from victims to executioners and not even blink on it. I’ve barely scratched the surface of the Race problem inside our community. And honestly, it took me long ass time to come up with something to say, as I didn’t feel like I could legitimately talk about it. Well, I did because it’s just as important as the rest of this month’s projects.
Stop hiding behind “preferences” and “white blindness”. Document yourself, talk to people. Make a change. Be inclusive all the way.
Check yourself before you wreck ourselves.
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eiightisgreat-a · 7 years
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Connor Walsh ✨ 19 years old ✨ Ravenclaw   ✨ 7th year
→ Best Class: Potions → Worst Class: Care of Magical Creatures → Blood Status: Mudblood → Most Prominent House Trait: Wit
Biography
                          No one would have guess that Connor was magical. He came from a powerful family with close ties to the British Monarchy, but as far as anyone had known, there had never been a witch or wizard in the family. They were simply Muggles- powerful politically, but not magically. Sure, there were odd things that happened from time to time around him as a child, but most people just assumed that they were coincidences.                           But then the day came for his Hogwarts letter, a relatively young Professor Clayton accompanying it to explain the ins and outs of the magical world. It hadn’t ended well. There was a sort of duality to the Walsh’s reaction to everything- they were disgusted by the idea of their only son being magical, but were also determined to give him the best of the best, because no Walsh would walk around with sub-par equipment. Glass phials, cauldrons made of copper, brand new books and only the finest robes their money- after being exchanged for the wizard equivalent- could buy. After the revelation came that Connor was a wizard, absolutely everything in the world was given to him- apart from his parents’ love. They were even more cold and distant to him than they’d been as he was raised, and it was something that he struggled to comprehend.                           He was sorted into Ravenclaw for his rather mischievous wit and naturally sharp mind, and he found himself with a particular knack for potions, while he lacked in caring for magical creatures, as that typically called for a kindness and parental quality that Connor had never experienced in his life. Any interaction with living things rarely ended well.                           It was the summer before his sixth year when everything started to turn sour. While he had long since lost the affections of his parents, that was the summer that they really started to despise him, even going so far as to have the maid bring him his food in his room, for he was no longer permitted to eat with them. He held out for the summer, but things only continued to deteriorate throughout the school year. And the first day of summer leading up to his final year at Hogwarts, Connor did the unthinkable. At least to his family, it was. His suicide attempt was foiled by a nurse who had come to change his bed sheets. Not paying any mind to the way wizarding doctors might have been able to help him, they shipped him off to a psychiatric hospital, where he was released eight months later- far too late for him to join his final year at Hogwarts.                           So now, a year late, Connor is back at Hogwarts to finish his schooling with a newfound anxiety problem and struggles with depression, but as far as most people know, his dark thoughts have since gone away.
The Wand
→ Hawthorn Wood
The wandmaker Gregorovitch wrote that hawthorn ‘makes a strange, contradictory wand, as full of paradoxes as the tree that gave it birth, whose leaves and blossoms heal, and yet whose cut branches smell of death.’ While I disagree with many of Gregorovitch’s conclusions, we concur about hawthorn wands, which are complex and intriguing in their natures, just like the owners who best suit them. Hawthorn wands may be particularly suited to healing magic, but they are also adept at curses, and I have generally observed that the hawthorn wand seems most at home with a conflicted nature, or with a witch or wizard passing through a period of turmoil. Hawthorn is not easy to master, however, and I would only ever consider placing a hawthorn wand in the hands of a witch or wizard of proven talent, or the consequences might be dangerous. Hawthorn wands have a notable peculiarity: their spells can, when badly handled, backfire.
→ Unicorn Heartstring
Those who are stubborn, duel-natured, cold (cool-natured), vengeful, independent, ruthless, fiery, cunning, possessive, witty and mischievous will have this wand core. Having such a wand suggests that you have a cold and thoughtless nature, though not necessarily heartless or cruel. You have the ability to love and be loved in your own way, but you tend to be possessive and overly protective of those things or people you love. Whereas Unicorn Hair reflects the kinder, gentler, more innocent side of a unicorn, a Unicorn Heartstring core tends reflect the darker, more sinister, not so innocent side of a unicorn. This wand core works best in the Dark Arts and Potions. This makes for a powerful wand core when it comes to Jinxes and Curses and is most commonly found in wands made of Yew and/or Alder. Unicorn Heartstring cores are common in Dark Diviner and Dark Healer wands. It is a wand core predominantly found among those of House Slytherin and is non-existent in House Hufflepuff. It is among the most powerful and desired Dark cores in the world, giving an extra powerful boost to any wand or weak core.
→ 9 inches
Many wandmakers simply match the wand length to the size of the witch or wizard who will use it, but this is a crude measure, and fails to take into account many other, important considerations. In my experience, longer wands might suit taller wizards, but they tend to be drawn to bigger personalities, and those of a more spacious and dramatic style of magic. Neater wands favour more elegant and refined spell-casting. However, no single aspect of wand composition should be considered in isolation of all the others, and the type of wood, the core and the flexibility may either counterbalance or enhance the attributes of the wand’s length. Most wands will be in the range of between nine and fourteen inches. While I have sold extremely short wands (eight inches and under) and very long wands (over fifteen inches), these are exceptionally rare. In the latter case, a physical peculiarity demanded the excessive wand length. However, abnormally short wands usually select those in whose character something is lacking, rather than because they are physically undersized (many small witches and wizards are chosen by longer wands).
→ Hard
A wand of this flexibility is very difficult to work with and its loyalty is not won easily. Hard wands are great for complex and advanced levels of magic, so beginning wizards and witches may find extra difficulty with this wand when it doesn’t perform well for simple magic. As such, this type of wand is best suited for wizards and witches who are gifted, stubborn, and never give up. Owners of this wand also have a tendency to view things in absolutes; black or white. Some people may find them intimidating or difficult to approach.
Connections
→ come to me for plots pls !!!
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